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textfiles.com/groups/CDC/cDc-0345.txt
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_____________ _/_/ | | \ \ _/_/ _____________
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| ___________ _/_/ | | \ \ _/_/ ___________ |
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| | _/_/_____ | | > > _/_/_____ | |
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| | /________/ | | / / /________/ | |
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| | c o m m u n i c a t i o n s | |
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| |________________________________________________________________| |
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|____________________________________________________________________|
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...presents... A Day off for DrunkFux
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by DrunkFux
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10/31/1997-#345
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||||||
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||||||
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__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
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|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
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||||||
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Get back to town and spend the night at my friend's house 'cause he lives
|
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|
right next to the airport. Next morning, stupid Jesus ho knocks on the
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door and hands out flyers for that afternoon's "Walking Towards The Lord"
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|
extravaganza. It talks about a "parade for Jesus" and all this other
|
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|
crap and in unison we all agree... "We're there!"
|
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|
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No surprise, my friends are punk as fuck, and one of them happens to be
|
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|
the manager of a local art supply store. With a plethora of tools at our
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disposal, we set forth on our mission of chaos.
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We arrive and things are just starting to swing. There are literally
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thousands of people on either side of the road, all of them total honky
|
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|
ass, white suburbanite Jesus lamers. Needless to say, we stood out like
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|
Don King at a KKK rally and it didn't take long for people to start
|
||||||
|
staring. We were all already laughing our asses off with sheer ecstasy
|
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|
over our creations. Some head church bitch, complete with gay nametag
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|
comes up and asks if we're from the neighborhood. When my friend answers
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"Yes", she says, "I don't believe I know you," and he responds with,
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"You will." A few moments later, she's about 2 blocks away.
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Parade starts. Everybody is now gayer than ever and starts cheering for
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the Lord or whatever. First few minutes are completely lame, not even
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a tad bit humorous. I was surprised because this is an annual event
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that typically rakes in a couple of "well knowns". This year, the flyer
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mentioned Houston Oilers and Astros players as well as a flurry of other
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local wanky rejects, but for the first 10 minutes or so, we were quite
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unenthused.
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After a few cars full of old people passed, we could see a marching band
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approaching in the distance. As it got closer, we could read the banner
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leading the way : FIRST BAPTIST FAMILY BAND - STAYING AND PLAYING TOGETHER
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IN THE NAME OF JESUS CHRIST. It seemed to be comprised of kids aged 12
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to 17 and their parents. Way stupid. Some of the parents weren't even
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playing an instrument, they were waving or blowing bubbles or trying to
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validate their worthless existence by doing shit like holding the triangle
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while their socially retarded kid banged on it. Truly pathetic. We figured
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now was the time to display our artistic masterpieces.
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Up came the signs.
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As the marching band drew nearer to where we were (on top of a term box,
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putting us a foot or two above the crowd), they were greeted with the usual
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array of cheers and waves, but this time, they got something extra:
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SATAN
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IS
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LORD!
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JESUS
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WAS A
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HOMO!
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NOAH'S ARK =
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BEASTIALITY
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BOAT!
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NOAH
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FUCKED
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MONKEYS!
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cDc:
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WE'VE COME
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FOR YOUR
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CHILDREN
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LORD SATAN
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ROCKS
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MY ASS!
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KILL
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WHITEY
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GOD IS
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GAY!
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I think that was all of them. We had made about 4 signs, all on neon
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yellow and green poster board, and painted on both sides. So, there we
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are, in the middle of all these fuckheads, laughing hysterically while
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waving our signs and shouting out whatever wonderful merriment came to
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mind. All this whilst our friend Shawn hurled out delightful German
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sayings via his father's megaphone. Most of the people were in complete
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and utter shock. Some people, especially the teenage boys in the marching
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band, thought we were fucking hilarious and couldn't control their
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laughter. A group of fashion senseless skaters came running up proclaiming
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how "awesome" and "fucking kick ass" we were and started jumping up and
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down trying to blend in as part of our now "rad" group. Most of the people
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around us quickly moved elsewhere.
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We lasted a lot longer than I expected. I originally figured it wouldn't
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take long for some of the macho parade watchers to fuck with us, but I
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believe most everybody there was honestly scared to death of us and took
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it all way too seriously. The whole megaphone thing probably helped
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seal that. I guess the police finally showed up 10 minutes after we
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started our revelation. I thought for sure we were either going to get
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the shit kicked out of us or get arrested, but as the officers approached
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us (both male, one hispanic and the other black) my friend looks at them
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and goes "Yeah! Yeah! Right on, brother!" and proceeds to jump up and down
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with the "KILL WHITEY" sign proudly displayed. They both almost died
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laughing and after a trip to the side of the building and a brief talking
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to, we were told to "go far away" for a few hours. It's worth mentioning
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that the crowd cheered when the police walked us away from the parade
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because the police left before we did and we had to walk through the
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parade watchers in order to get to the car, signs and slogans held high
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with shouts of victory and German death calls to boot.
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Yeah, it pretty much rocked, to say the least. It has become quite
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difficult to remember the last time I laughed so hard that I had severe
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chest pains for almost a week. In a last ditch effort to annoy society,
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we decided to make our exit by driving through the parade route, signs
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out the windows and megaphone on 11.
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The lame part was we got absolutely NO press coverage out of this. The
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douchebag cameraman from our local ABC station thought we ruled but
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wouldn't film us. The local station that taped and then aired the
|
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parade did a wonderful job of keeping us out of the final product. If
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I could have paid someone to film us, I would have because I probably
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could have sold a billion copies of the footage.
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It was a decent way to kill a few hours on a Saturday afternoon at least.
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.-. _ _ .-.
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/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
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||||||
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-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
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||||||
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/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
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||||||
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\ / `-' (U) `-' \ /
|
||||||
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`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1997 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
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||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Grandmaster Ratte'. __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
83
textfiles.com/groups/CDC/cDc-0346.txt
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_
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__ | |\ \ __
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||||||
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_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
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| | | | / / | |
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||||||
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| | | |/ / | |
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||||||
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| | | | / | |
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| | |_/ | |
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||||||
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| | | |
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||||||
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| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
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|____________________________________________________________________|
|
||||||
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|
||||||
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...presents... The Man With The Creosote Grin
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||||||
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by Oxblood Ruffin
|
||||||
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2/15/1998-#346
|
||||||
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|
||||||
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__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
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|
||||||
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Years ago I worked at the United Nations. One day -- I think it was in
|
||||||
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early May -- I was eating lunch in the gardens at the north end of the UN
|
||||||
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complex. It was one of the first best days of spring; more like summer
|
||||||
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weather. The sun was ricocheting off of the East River and a dull breeze
|
||||||
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carried the scent of fresh grass over the arbors. As I was beginning to
|
||||||
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get lost in the moment a long-legged woman stopped an enormous pram on the
|
||||||
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walkway in front of me. For some reason I didn't associate a gorgeous,
|
||||||
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well upholstered woman with motherhood. The pram was so exaggerated -- like
|
||||||
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an overdone fashion accessory -- that I had to look inside at the baby. So
|
||||||
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I did the little go-goo wave and made the "What a cute little baby" noise.
|
||||||
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|
||||||
|
Mom smiled and made no effort to continue so I stuck my head back into the
|
||||||
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pram and continued wiggling my fingers. I wasn't so interested in the
|
||||||
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infant as I was in the combined babe/carriage combo. I think it was a
|
||||||
|
symptom of how bored I must have been with my work that I wanted to extend
|
||||||
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any moment that was different or interesting. And as I continued to
|
||||||
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stupefy the baby with my antics I heard this, "Hoy, whatter you doin' wif
|
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my baby?" And up out of nowhere lurches Keith Richards like a wobbling
|
||||||
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goblin waving an immense swagger stick with a silver-skull grip the size
|
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|
of a softball. Normally the sound of a pissed off heroin addict raging in
|
||||||
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my face would give me a moment of pause. But all I could think of was,
|
||||||
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"This is Keith Richards. It's Keith Richards and he's yelling at me. This
|
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is so cool."
|
||||||
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|
||||||
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I figured that my brush with the rust man was only going to last a moment
|
||||||
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or more, so there was no way I wanted to waste time answering questions
|
||||||
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about his baby. I blurted out, "When are you gonna do a solo album. I
|
||||||
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loved the shit you did on _Exile on Main Street_," which jonesed the old
|
||||||
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boy right down. He broke out a smirk and said that he was in the process
|
||||||
|
of demo-ing some stuff for an album, at which point Madam Richards cleared
|
||||||
|
her throat to indicate that it was time to move along. And off he strutted
|
||||||
|
without any futher acknowledgment, like a character out of a Dickens novel
|
||||||
|
with his wife and her demure vehicle in tow. The day brightened and world
|
||||||
|
peace didn't seem so far away. It's funny what some sun and a world class
|
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junkie can do for your attitude.
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Grandmaster Ratte'. __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
|
105
textfiles.com/groups/CDC/cDc-0347.txt
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|||||||
|
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... SPANK MY MONKEY
|
||||||
|
(Dedicated to White Knight, our Monkey Boy)
|
||||||
|
by Lady Carolin
|
||||||
|
2/15/1998-#347
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
Benny good monkey.
|
||||||
|
Benny like play Lisa. Benny like learn. Learn signs. Learn computer.
|
||||||
|
Benny learn make pictures.
|
||||||
|
Benny play.
|
||||||
|
Lisa come? Lisa come?
|
||||||
|
Benny sit.
|
||||||
|
|
||||||
|
Lisa come. Lisa bring cookie. Benny good monkey.
|
||||||
|
Benny like cookie. Benny eat cookie. Want cookie. More cookie.
|
||||||
|
|
||||||
|
Lisa play Benny. Benny learn computer. Benny make pictures. Lisa make pictures.
|
||||||
|
Lisa sign. Benny sign. Good monkey.
|
||||||
|
|
||||||
|
Benny run. Benny play. Jump jump. Run.
|
||||||
|
Benny falldown. Benny hurt.
|
||||||
|
Lisa kiss Benny.
|
||||||
|
More kiss.
|
||||||
|
|
||||||
|
Lisa look picture. Benny look picture. Lisa sign.
|
||||||
|
Benny sign good picture horse. Good picture kitty. Benny want play kitty.
|
||||||
|
Lisa look picture. Benny look picture. Lisa sign.
|
||||||
|
Benny sign good picture baby. Benny want play baby.
|
||||||
|
Lisa sign kiss baby.
|
||||||
|
|
||||||
|
Lisa go. Nightnight. Benny go sleep.
|
||||||
|
Benny good monkey. Byebyebye Lisa.
|
||||||
|
Benny sleep.
|
||||||
|
|
||||||
|
Lisa come. Benny eat banana. More banana good banana.
|
||||||
|
Benny learn. More learn.
|
||||||
|
Lisa play Benny. Benny make pictures. Lisa make pictures. More signs.
|
||||||
|
|
||||||
|
Benny run. Benny sit. Benny make mess. Monkey smell.
|
||||||
|
Lisa sign. Bad monkey.
|
||||||
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|
||||||
|
Lisa go. Nightnight. Benny kiss Lisa. Lisa kiss Benny. Benny good monkey.
|
||||||
|
Byebyebye Lisa.
|
||||||
|
Benny sleep.
|
||||||
|
|
||||||
|
Lisa come. Lisa bring Lisa baby.
|
||||||
|
Monkey no touch!
|
||||||
|
Lisa play baby. Baby laugh. Lisa kiss baby. Lisa sign baby.
|
||||||
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|
||||||
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Benny want play baby.
|
||||||
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Benny kiss baby. Baby cry. Baby cry!
|
||||||
|
Benny sign. Benny want baby sign. Make pictures baby.
|
||||||
|
|
||||||
|
Baby smell. Baby mess?
|
||||||
|
|
||||||
|
Benny bite baby. Baby cry.
|
||||||
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Benny bite baby. More bite.
|
||||||
|
Baby falldown. Baby hurt.
|
||||||
|
Baby sleep.
|
||||||
|
|
||||||
|
Lisa cry. Lisa cry!
|
||||||
|
Benny bad! Bad monkey. BAD MONKEY!!
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Grandmaster Ratte'. __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
|
128
textfiles.com/groups/CDC/cDc-0348.txt
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128
textfiles.com/groups/CDC/cDc-0348.txt
Normal file
@@ -0,0 +1,128 @@
|
|||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... When Cults Collide
|
||||||
|
|
||||||
|
by The Nightstalker
|
||||||
|
2/15/1998-#348
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
|
||||||
|
For some reason, the Mormons (see cDc #275) are all OVER Jamaica Plain like
|
||||||
|
white on rice.
|
||||||
|
|
||||||
|
Which is odd, due to the large Black (Baptist/Protestant), Latino (Catholic),
|
||||||
|
Haitian (Catholic/Voudoun/Santaria), and Russian (Christian/Jewish)
|
||||||
|
populations. (Then there's the huge lesbian presence in JP. It's like a
|
||||||
|
Dykes To Watch Out For strip come to life at times.)
|
||||||
|
|
||||||
|
J.P. is not what I'd call user-friendly to the Mormons, yet, there are
|
||||||
|
times that you'll see the bus full of them, as they go off on their
|
||||||
|
missionary jaunts.
|
||||||
|
|
||||||
|
And when in downtown Boston, around Boylston and Newbury Streets, the damned
|
||||||
|
Scientologists are trolling for suckers.
|
||||||
|
|
||||||
|
It had been a _long_ stupid day for me. It had been my turn in the barrel
|
||||||
|
answering the hundreds of emails to cDc we get a day, mainly from lame little
|
||||||
|
wannabes who wish to enjoy the heady status of the Cult, but won't
|
||||||
|
(more likely) can't pull the weight required of a Cultee. The worst are
|
||||||
|
the jerks who email stupid things along the lines of "Please fuck up this
|
||||||
|
guy's AOL account for me. He dissed me at school yesterday. Oh, and can I
|
||||||
|
be a member?" Yeah, I'll get right on it, after Naomi Campbell finishes
|
||||||
|
giving me my daily blowjob.
|
||||||
|
|
||||||
|
So you can understand why I was in a bad mood and wasn't paying attention,
|
||||||
|
when I got sandbagged by a Mormon missionary tag team of "elders"
|
||||||
|
(Elders my ass. I am quite literally old enough to have fathered practically
|
||||||
|
all of these missionaries!) at the bus stop.
|
||||||
|
|
||||||
|
I tried to be polite, I tried to tell them nicely that I wasn't interested.
|
||||||
|
But no, they kept at me. I finally had to point out the cDc talisman
|
||||||
|
around my neck.
|
||||||
|
|
||||||
|
"Look, you see this bovicon? This pewter skull? This necrotic cow icon?
|
||||||
|
Don't they teach you ANYTHING in Missionary School? You see this cDc logo
|
||||||
|
anywhere on a person and you should just turn tail and RUN, thanking Moroni
|
||||||
|
that you weren't NOTICED by the Master Hacker who was sporting that
|
||||||
|
cow skull!"
|
||||||
|
|
||||||
|
"The last time I had to deal with you yahoos, when I was finished, they were
|
||||||
|
covered in pigs blood, had 666 tattooed on their foreheads, kick me signs
|
||||||
|
on their backs and mainlining JOLT to keep the caffeine buzz on! They
|
||||||
|
renounced their so-called faith, burned their Temple Garb RIGHT THERE IN
|
||||||
|
THE STREET and joined up with the K-k0w Force on the spot! Last
|
||||||
|
I heard, they were selling crack to the Taleban, Christian babies to the
|
||||||
|
Elders of Zion, and peddling pictures of Mother Theresa fucking a donkey
|
||||||
|
over the Internet."
|
||||||
|
|
||||||
|
"They swiped the Golden Tablets right out of the Tabernacle, sold 'em down
|
||||||
|
Tijuana way, bought a TON of coke and snorted it all in ONE NIGHT!"
|
||||||
|
|
||||||
|
"I AM the Corruptor, The Defiler, The Heretic, that your Elders warned you
|
||||||
|
about! I blow my nose on the Bible and wipe my ass with the Koran. I clean
|
||||||
|
up my dog's crap with the Book of Mormon and make paper airplanes from the
|
||||||
|
Talmud!"
|
||||||
|
|
||||||
|
"Satan ain't coming to Earth while I'm around and Cthulu has nightmares
|
||||||
|
about me! I AM the very Wal-Mart of Sin and Corruption and I'm coming to
|
||||||
|
YOUR town! The Anti-Christ won't even fetch his own paper off the front
|
||||||
|
lawn, for fear of running into me! I sold Jim Jones the Kool Aid and David
|
||||||
|
Koresh used MY Zippo to light the fire at Waco. Aum ShinRikyo heard I was
|
||||||
|
in Tokyo and launched a pre-emptive strike. Heaven's Gate read the cDc files,
|
||||||
|
realized they were NEVER going to be anywhere NEAR as cool and hip as cDc
|
||||||
|
and offed themselves to atone for their SIN OF LAMENESS!"
|
||||||
|
|
||||||
|
"And I'm just a measley newcomer to the Cult. You better not even
|
||||||
|
be in the same STATE with Grandmaster Ratte` or Deth Veggie, or there will
|
||||||
|
literally be HELL TO PAY!!! And you don't EVER want to know about the unspeakable activities at The L0pht! WHY... Oh, here's my bus. Nice chatting
|
||||||
|
with you. Have a good day, gentlemen."
|
||||||
|
|
||||||
|
After I got on the bus, I wrote down as much of that extemporanious rant as
|
||||||
|
I could remember. As I recall, those two 'elders' were looking mighty
|
||||||
|
shell-shocked as the bus pulled away. I hope they passed along my kind
|
||||||
|
advice to their fellow missionaries; at any rate they seemed to have been
|
||||||
|
taking notes.
|
||||||
|
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Grandmaster Ratte'. __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
160
textfiles.com/groups/CDC/cDc-0349.txt
Normal file
160
textfiles.com/groups/CDC/cDc-0349.txt
Normal file
@@ -0,0 +1,160 @@
|
|||||||
|
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... High School Reunion:
|
||||||
|
The Nardcore Adventures of Reid Fleming
|
||||||
|
|
||||||
|
by Reid Fleming
|
||||||
|
2/15/1998-#349
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
|
||||||
|
It just so happens that when I got home last night from the reunion I
|
||||||
|
took notes. So here goes.
|
||||||
|
|
||||||
|
It's true that as Reid Fleming, World's Toughest Milkman and cDc
|
||||||
|
plenipotentiary, I have fame, fortune and in the snap of my fingers, I can
|
||||||
|
have fly-girlies on my jock in any major metropolis. But this story doesn't
|
||||||
|
take place in a major metropolis. It takes place in Ventura (Oxnard's fairer
|
||||||
|
sister), after all, and there, I am merely reid fleming, my lowercase self,
|
||||||
|
a graduate returning after some years.
|
||||||
|
|
||||||
|
I had expected a big, well air-conditioned place, and the overall
|
||||||
|
atmosphere to be refined. We would sit back, quietly reminisce, and
|
||||||
|
raise toasts to missing and departed friends. I guess I'm saying I
|
||||||
|
expected it to be somewhat contemplative. It wasn't.
|
||||||
|
|
||||||
|
When we checked in, the lady at the table tagged us with a huge,
|
||||||
|
blood-red handstamp that said "Party!", which pretty much set the mood.
|
||||||
|
|
||||||
|
For most everybody, the reunion was a chance to get drunk and dance. I
|
||||||
|
did neither. In fact, I barely even took two bites of dinner. At the
|
||||||
|
time, I supposed that my anxiety had eliminated my appetite, but it turns
|
||||||
|
out I was coming down with a cold.
|
||||||
|
|
||||||
|
Most people were working hard at getting drunk. Getting drunk is usually
|
||||||
|
not one of my objectives, and especially not that night. And I'm SO GLAD
|
||||||
|
I didn't bring any drugs. I'd considered bringing some ecstacy with me
|
||||||
|
and greeting everyone while looped. That would have been bad. Things
|
||||||
|
were weird enough sober, plus I would've come on to most of the women at
|
||||||
|
the party. It would've been a bad thing.
|
||||||
|
|
||||||
|
Almost all the guys wore ties. I didn't. Many wore blazers as well. I
|
||||||
|
didn't. But I was sweating anyway, and a tie would've killed me. So I
|
||||||
|
didn't feel underdressed.
|
||||||
|
|
||||||
|
Mike Hunt came up and talked to me. He was drunk and looking for
|
||||||
|
anybody who would recognize him. He spent a year in Chino for an
|
||||||
|
undisclosed felony. Now he works for Unocal or something. Mike was
|
||||||
|
the only guy to ask me if I was gay or bi or what. He saw my tongue
|
||||||
|
piercing, learned that I lived in SF, and put two and two together. I
|
||||||
|
think other people probably drew the same conclusion, but were too
|
||||||
|
gutless or polite to come right out and ask me.
|
||||||
|
|
||||||
|
Right after dinner came the awards show, which bordered on demeaning. I
|
||||||
|
wouldn't want to win a "Least Changed" certificate, for instance.
|
||||||
|
|
||||||
|
About half of my friends from high school were there. That means roughly
|
||||||
|
7 or 8 people that I actually wanted to talk to.
|
||||||
|
|
||||||
|
I was surprised at how many of my friends were especially happy to see
|
||||||
|
me. It was gratifying and strange at the same time. I somehow forgot
|
||||||
|
that in high school I'd earned a reputation for having a bizarre sense of
|
||||||
|
humor. I'm the same way now, except that my friends have the same taste
|
||||||
|
in jokes. So my current friends and I are all on the same wavelength.
|
||||||
|
|
||||||
|
It's been a while since I mixed with normal people. Seemed like all of my
|
||||||
|
current friends are atheists. I heard lots of people talking about their
|
||||||
|
church, or bible camp, or various ministries. A woman at our table
|
||||||
|
volunteered to say grace before dinner. It's been a long time.
|
||||||
|
|
||||||
|
Nobody had extracurricular piercings, apparently. Surprising. I'd
|
||||||
|
always imagined Ventura to be full of trendy people, and piercings are
|
||||||
|
trendy. But seeing everyone here made me realize how much closer Ventura
|
||||||
|
is to Omaha than to San Francisco.
|
||||||
|
|
||||||
|
Practically all the hot girls I knew in school are married. And my high
|
||||||
|
school sweetheart is now gay.
|
||||||
|
|
||||||
|
A photographer took a picture of me and Gabrielle. I'm sure they'll use it,
|
||||||
|
because I showed my tongue piercing. We would've won "Most Changed", if
|
||||||
|
there had been one. Me with bleached hair, goatee, and tongue piercing.
|
||||||
|
Gabrielle as butch dyke.
|
||||||
|
|
||||||
|
Before the reunion, the only thing I was really dreading was having to
|
||||||
|
meet my ex-girlfriend's husband. But as soon as I saw Gabrielle with her
|
||||||
|
VERY short hair, slacks, and long sleeve dress shirt buttoned all the
|
||||||
|
way up, I knew he wouldn't be there.
|
||||||
|
|
||||||
|
Gabrielle is working on a computer animation sequence for some wannabe
|
||||||
|
digital effects house. What's funny is she's in my domain now. She's at
|
||||||
|
chapter 4 in the _Renderman Companion_, which I've already read. She
|
||||||
|
described her graduate thesis to me, and I knew enough to ask if she
|
||||||
|
plans on using a spline-based or polygon-based modeler. This never
|
||||||
|
happens between us. I'm always at a disadvantage, but not tonight. It
|
||||||
|
made her seem even less like my ex-girlfriend.
|
||||||
|
|
||||||
|
An overgeneralization that got repeated often was that everyone lives in
|
||||||
|
a) Ventura, b) San Diego, or c) San Francisco. This neglects the 8 or 10
|
||||||
|
attendees from out of state, and other people who didn't show up. And
|
||||||
|
quite a few people live in Los Angeles, as you'd expect.
|
||||||
|
|
||||||
|
Yvette Aardman lives in SF. Before I took off, she asked for my business
|
||||||
|
card and told me that we should hang out. Then she talked about how when
|
||||||
|
Mark Evans came to town, she took him out to the best bars in town and
|
||||||
|
fucked him. But he never called her afterwards. Then she reiterated
|
||||||
|
that we should hang out. Yvette's not half bad looking.
|
||||||
|
|
||||||
|
I drove Stephanie Boyce home, which is good, because I like Stephanie and have
|
||||||
|
always enjoyed hanging out with her. And it's also good because maybe
|
||||||
|
people will get the impression we went someplace for a tryst. I want to
|
||||||
|
keep people guessing.
|
||||||
|
|
||||||
|
|
||||||
|
-- Reid Fleming
|
||||||
|
|
||||||
|
|
||||||
|
[ Editor's Note: All names have been changed to protect the innocent, the layme
|
||||||
|
and the slootish. ]
|
||||||
|
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Grandmaster Ratte'. __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
|
||||||
|
|
103
textfiles.com/groups/CDC/cDc-0350.txt
Normal file
103
textfiles.com/groups/CDC/cDc-0350.txt
Normal file
@@ -0,0 +1,103 @@
|
|||||||
|
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... Where Have My Heroes Gone?
|
||||||
|
by KSM
|
||||||
|
2/15/1998-#350
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
Dream a little dream with me, friends. Let's imagine that I get my hands on
|
||||||
|
some of that date rape drug that the kids on 20/20 are so gung-ho about.
|
||||||
|
Let's keep dreaming. Let's say I find some lonely girl at a popular
|
||||||
|
twentysomething club, maybe her ride abandoned her or something. I play the
|
||||||
|
part of the sensitive male and console her with some Boppin' Berry Hi-C with
|
||||||
|
a little of that date rape drug in there. Let's examine the elements of our
|
||||||
|
dream, kids. We have a lecherous man with a large quantity of Boppin' Berry
|
||||||
|
Hi-C, an empty bottle of that date rape drug, and a lonely girl full of
|
||||||
|
drugs with no ride. I see the seeds of love planted. So I take my lovely
|
||||||
|
lady back to my house, I give mom the keys to her car, and give in to
|
||||||
|
passion. We make sweet love until she regains consciousness and runs
|
||||||
|
screaming. She must've had a dermatologist appointment. Anyways, let's say
|
||||||
|
she is pregnant. It scares the bejesus out of me that my children will be
|
||||||
|
growing up in a world without heroes.
|
||||||
|
|
||||||
|
Let's take a trip on a time machine! I remember a time when a young lad of
|
||||||
|
16 or 17 could spend a Friday playing hopskotch or playing Candy Land,
|
||||||
|
anything the young people are fond of, and retire to their house to watch a
|
||||||
|
sweet little program that aired on CBS from 8-9 that preached morality and
|
||||||
|
the essentials of higher southern culture. Yes, my friends, I'm speaking
|
||||||
|
of the Dukes of Hazzard. Now I do not condone the running on moonshine, but
|
||||||
|
who could argue with the concept of spraying crap all over the crooked Boss
|
||||||
|
Hog in your '71 Charger with no doors? Moonshine is a way of paying the
|
||||||
|
bills for Bo and Luke Duke, but Boss Hog's twisted, black heart clearly
|
||||||
|
pumps with the juices of evil. I have never read a case of anyone's
|
||||||
|
circulatory system functioning with moonshine, but who hasn't picked up the
|
||||||
|
paper to read a story about Old Man Winters down the street with evil
|
||||||
|
pumping through his veins? Basically what I'm saying is, moonshine pays the
|
||||||
|
bills, but evil forces Christian girls into prostitution. Another facet of
|
||||||
|
morality taught to us by Dukes of Hazzard is the fact that people must be
|
||||||
|
attractive to make a difference. Boss Hog was an ugly man, he never
|
||||||
|
amounted to anything. Bo and Luke though, they were quite attractive and
|
||||||
|
that was why they were the most successful moonshiners in all of Hazzard
|
||||||
|
County. I remember one thing that Dukes of Hazzard taught me especially. I
|
||||||
|
learned that incest was ok. The first time I sensed that intense sexual
|
||||||
|
tension between Daisy and Luke, I knew in my heart of hearts that society
|
||||||
|
could take its expectations and regulations and shove them right where the
|
||||||
|
sun doesn't shine. Regulation Shmegulation, I want to have sex with my
|
||||||
|
cousin. I refuse to accept this "special reunion movie" shit, I want to go
|
||||||
|
back to Hazzard County where I knew what was right and stay there. Reality
|
||||||
|
is a harsh pill, but the Dukes always seemed to help wash that pill down
|
||||||
|
with a little malt liquor.
|
||||||
|
|
||||||
|
This is a call to you, Johnny Broadcasting Corporation. My child could grow
|
||||||
|
up without the Dukes of Hazzard, and that leaves a funky taste in my mouth.
|
||||||
|
How is little Jorge going to know morality? I will not allow my sweet Jorge
|
||||||
|
to define truth and reality: that is how psychopaths and atheists get
|
||||||
|
started. Jorge should let the TV define right and wrong for him. How will
|
||||||
|
he ever do this without the Dukes? I won't always be there to raise Jorge,
|
||||||
|
but I trust that Uncle Jesse, Bo, Luke, and Daisy Duke will. Take me back
|
||||||
|
to Hazzard County, let's kick Boss Hog's ass. Johnny Broadcasting
|
||||||
|
Corporation, I know where you live and I know what your wife looks like.
|
||||||
|
|
||||||
|
KSM
|
||||||
|
Our chimerical visions were especially vivid today.
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Grandmaster Ratte'. __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
|
232
textfiles.com/groups/CDC/cDc-0352.txt
Normal file
232
textfiles.com/groups/CDC/cDc-0352.txt
Normal file
@@ -0,0 +1,232 @@
|
|||||||
|
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... Remembrance of Things Past
|
||||||
|
by Pixie
|
||||||
|
5/1/1998-#352
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
So I am now officially deeming this my manifesto. May I also clarify now that
|
||||||
|
I am almost 16 years old. I reside in the tiny community of Middlesex, NJ
|
||||||
|
where the kids are homophobic racists and act five years younger than they are.
|
||||||
|
So basically, you can see why I am such an outcast and why I came into the
|
||||||
|
Internet. I'm very grateful to have experienced a chunk of the online world
|
||||||
|
before it was contaminated, much like my offline world.
|
||||||
|
|
||||||
|
I first want to say that I began BBSing when I was 11 years old, calling local
|
||||||
|
Wildcat and Maximus BBSes, meeting people who were just like me. At first I
|
||||||
|
was laughed at, being just a little 6th grader and all, and I was even afraid
|
||||||
|
to talk on the phone (Go figure!) I enjoyed all the typical BBS games, The
|
||||||
|
Pit, Trade Wars 2001, Barren Realms Elite, and Legend of the Red Dragon (whose
|
||||||
|
creator, Seth Robinson, sent me a birthday card once - a way wonderful
|
||||||
|
underground BBS person kinda thrill).
|
||||||
|
|
||||||
|
At first I was accepted as an annoying little gnat because I bothered people
|
||||||
|
for information. When they finally saw that I'd cause no harm, they took me in
|
||||||
|
and accepted me. No sooner than later, they realized I was something kind of
|
||||||
|
special because of my wealth of knowledge and my precociousness, and so, they
|
||||||
|
named me Brownie. As in the Girl Scouts.
|
||||||
|
|
||||||
|
The world was so good back then. Kids in school thought you were powerful
|
||||||
|
because you used words like BBS and modem. Today they're common terms except
|
||||||
|
they are used in a way that most online veterans despise.
|
||||||
|
|
||||||
|
"Do you use online? I have an e-mail address and my own web page! It's way
|
||||||
|
cyberpunk!"
|
||||||
|
|
||||||
|
Oi vey.
|
||||||
|
|
||||||
|
That's one phrase that pisses me off "Do you use online" as if the whole system
|
||||||
|
is just called "online". And it really gets to me that nobody respects the
|
||||||
|
Internet today. People abuse the Internet. Considering I find it easiest to
|
||||||
|
use a person (Johnny Roberts) to portray the Internet, I will use him from now
|
||||||
|
on. So anyway, people exploit Johnny, and they treat him like crap, just so
|
||||||
|
they can get their precious information. Just so they can get their naked Brad
|
||||||
|
Pitt pictures, whatever. Despite those pictures, that's what a library is for.
|
||||||
|
Give those old ladies some company before the brick buildings become obsolete.
|
||||||
|
As for the Brad Pitt spreads? They sell magazines at mini-marts.
|
||||||
|
|
||||||
|
Don't get me wrong, I'm not against all people on the Internet, I'm just
|
||||||
|
against the attitude. Nobody takes the time to learn about how hard it takes
|
||||||
|
to keep a UNIX shell up. You ask someone about UNIX and they'll say they don't
|
||||||
|
care, not knowing that if it weren't for UNIX, there would be no Internet. But
|
||||||
|
of course, I digress.
|
||||||
|
|
||||||
|
Back in 1994 I think, I was calling a local Maximus board and was so excited
|
||||||
|
about the new UNIX shell-based Internet service that would be up and running.
|
||||||
|
The World Wide Web was like this amazing thing that I could soon go on. Back
|
||||||
|
then I think maybe a total of a few thousand people would go on there during a
|
||||||
|
day. Now it's that many a second. It's preposterous! The consumption rate of
|
||||||
|
bandwidth these days by ignorant people tampering with their Prodigy and AOL
|
||||||
|
tools reminds me of Brave New World. Sooner or later, we'll be decanting
|
||||||
|
screenames.
|
||||||
|
|
||||||
|
Yet I already find programs now that do that.
|
||||||
|
|
||||||
|
If you can't get the vein of my argument here, then stick around, because I
|
||||||
|
hear the public likes a good feather-ruffling, and that's what I'm going to do.
|
||||||
|
Being a teenager who likes to learn, but not teach her know-how, I get
|
||||||
|
thoroughly irritated when people ask me questions about BBSes that I know but
|
||||||
|
can't answer in as simplistic Layman's terms as they would understand. "First,
|
||||||
|
I dial a number with my modem" .. "wait, wait, wait, how do you dial?" Then of
|
||||||
|
course, there are the people that ask you questions like procedures are so easy
|
||||||
|
and you can explain them in a second (if you wanted to) such as "How do you
|
||||||
|
hack?" Third off, the only people I can seemingly get along with are the ones
|
||||||
|
I've known way back in Brownieland who I can reminisce on about old Wildcat
|
||||||
|
BBSes and dreaming of RIP and ASCII graphic drawing.
|
||||||
|
|
||||||
|
But as I quote J. Levi, "F**k reminiscing, lets do something about it!", I
|
||||||
|
think and I really like his idea. I don't want to reminisce anymore, I want to
|
||||||
|
LIVE THE EXPERIENCE AGAIN. Where oh where have my forum posters gone? Oh where
|
||||||
|
on the Net can they be?
|
||||||
|
|
||||||
|
This all brings me to the Evil Empire. Corporate America, AKA Microsoft
|
||||||
|
sometimes. Anyway, Corporate America has killed the whole essence of the
|
||||||
|
Internet. Picture this, the Internet as little Johnny Roberts. Corporate
|
||||||
|
America buys him up, he sells out, and BOOM! big media storm, everyone LOVES
|
||||||
|
Johnny. Yeah. So when are they going to stop and let everyone who was on here
|
||||||
|
before all the noise enjoy their homeground? Probably never.
|
||||||
|
|
||||||
|
And as J. Levi states again, "Figure it out, it ain't home anymore. Time to
|
||||||
|
find a new home...."
|
||||||
|
|
||||||
|
Yes! Let's all be squatters, seemingly normal homeless persons, inhabiting a
|
||||||
|
piece of cyberland. A chunk of cyberdata with enough bandwidth to feed our
|
||||||
|
emotions and spontaneous posts. Nobody can kick us out of our space because
|
||||||
|
we'd have inhabited it for so long. We will make a new home!
|
||||||
|
|
||||||
|
But you can't help but remember how once you could turn a dial in cyberspace
|
||||||
|
and get a few people discussing the possibilities of typical school lunch
|
||||||
|
mashed potatoes, a few others philosophizing about the day, and even more just
|
||||||
|
shooting the breeze in a fairly nice fashion. Today we can turn a dial in
|
||||||
|
cyberspace and get nothing but noise. People in their teens thinking they're
|
||||||
|
hackers because they stoles someone's password off a notepad in their room.
|
||||||
|
People who are old and just joining the Internet world, wondering about what to
|
||||||
|
do and asking people. But we are fending the land from these people who are
|
||||||
|
trying to take it over, as so fluently said by author J.C. Herz:
|
||||||
|
|
||||||
|
"The Net is one of the only fantastic things we have that our parents didn't
|
||||||
|
have and, more importantly, that our yuppie uncles and aunts, who had
|
||||||
|
EVERYTHING, didn't have. It feels like our turf, whether or not our name is on
|
||||||
|
the deed. We settled it. We live on it. And now we are being invaded by
|
||||||
|
direct e-mail carpetbaggers, publicists, and online mall developers ready to
|
||||||
|
"streamline" it for the consumer. It stinks"
|
||||||
|
|
||||||
|
And I can't help but agree. It is our place to get away from it all, we don't
|
||||||
|
need people trying to sponsor us or place thousands of little tiny ads in our
|
||||||
|
zines and newsletters, exploiting us. We don't need those high school girls
|
||||||
|
looking for cute boys in MTV chat rooms on AOL. We don't need those 25 year
|
||||||
|
old Harvard dropouts trying to get rich quick by sending mass mailings to
|
||||||
|
people. We don't need the virusphobics who send 2934829034829348 copies of one
|
||||||
|
virus warning e-mail to everyone when 99% of them know you can't get a virus on
|
||||||
|
your computer unless you download it and execute it. Duh.
|
||||||
|
|
||||||
|
And don't get me started on the overpopulation of pervs on the Internet. Sure,
|
||||||
|
there were always pervs online back when times were good and we'd sip lemonade
|
||||||
|
and watch the text roll by on our ircII programs. But today they're even more
|
||||||
|
horrible. They linger and they annoy and not even AOL Terms of Service can
|
||||||
|
stop them. They comply to their 9 cents a minute long distance deals they hawk
|
||||||
|
whenever you call customer service, and bada-bing, bada-boom, they're back
|
||||||
|
online.
|
||||||
|
|
||||||
|
Newsgroups were better back then also, less spam as I said, more talk.
|
||||||
|
Speaking of newsgroups and messages, MindVox was a big staple back then. First
|
||||||
|
time I logged on, I lurked, I always lurked, I never posted. But now I go into
|
||||||
|
the irc channel sometimes. (except I don't make the mistake of doing that while
|
||||||
|
on this AOL account) That was some good time message boarding. Oh what I'd do
|
||||||
|
for a good post today.
|
||||||
|
|
||||||
|
I miss the old days. The "new" days in short reek like nasty digested chicken
|
||||||
|
grease and vomit. I'm tired of all this "BE IN THE NOW, SURF THE NET, GET
|
||||||
|
CAUGHT IN THE WEB" hype! Every movie now has a web page, every TV show, every
|
||||||
|
PERSON. It's really sad!
|
||||||
|
|
||||||
|
So considering if I ever really took action against Mr. Corporate America, I
|
||||||
|
would probably lose anyway and not have anything to do about it, you know? So
|
||||||
|
I guess all I can do right now is sit here and reminisce about all those good
|
||||||
|
times, calling people with call waiting to knock them offline and steal their
|
||||||
|
node on a 5 line BBS just to talk to someone else. Creating fake accounts
|
||||||
|
(What? Fake accounts? Aren't they like, outlawed now or something?) to get more
|
||||||
|
time, not to mention hacking when nobody knew what the hell it really was.
|
||||||
|
|
||||||
|
Then I stop and realize, my words are stronger than my fists and my words can
|
||||||
|
also help me fight an unspoken battle. (Yeah like that made sense.) I mean, I
|
||||||
|
want to fight a battle with all those people out there who buy $2500 computers
|
||||||
|
and don't know how to use them when there are computer experts like me running
|
||||||
|
on a buncha fifth-hand pieces of computer junk! I say we make a federal
|
||||||
|
government thing about it. Formal trade of computers. There should be a
|
||||||
|
welfare for computer systems. Yeah.
|
||||||
|
|
||||||
|
"We experienced the golden age. The problem with golden ages is that it
|
||||||
|
is a description used after it is over. The net will probably never
|
||||||
|
return to the good old days but small pockets of freedom will always
|
||||||
|
exist, like hidden oases." - Stein Gjoen
|
||||||
|
|
||||||
|
I picked this quote out of an E-Mail I received because it is so profound to
|
||||||
|
the situation. We all are afraid of history repeating itself, and we think it
|
||||||
|
doesn't, but it is. On the Net. Call me paranoid, but battles are ensuing on
|
||||||
|
the Net faster than wildfire, and there are full-fledged wars between systems
|
||||||
|
and people with no end in sight. It's World War III, and maybe it won't kill
|
||||||
|
the world physically, but electronically it could take it's toll.
|
||||||
|
|
||||||
|
And here I sit, staring at the monitor, just wondering about netlife. It's a
|
||||||
|
good thing especially when you're on a crappy computer because you can enjoy
|
||||||
|
the no-frills parts of it. The whole essence of the Net lies in pine, pico,
|
||||||
|
and ircII. Can't forget good old lynx web browsing. And telnet. Nobody knows
|
||||||
|
what that word means anymore. I feel bad. I also feel bad about using AOL,
|
||||||
|
but the only reason is because there are no local Internet services left that
|
||||||
|
have my precious UNIX shell *sniff*.
|
||||||
|
|
||||||
|
Anyway, I leave with one request. If you get this and it affects you somehow
|
||||||
|
and brings at least a tiny tear to your eye about the days of yore on local
|
||||||
|
bulletin board systems, then please post this message to anyone else out there
|
||||||
|
who might possibly remember the good times.
|
||||||
|
|
||||||
|
And reply. I like mail, I miss real humans.
|
||||||
|
|
||||||
|
With lotsa fight and writing power yet to come,
|
||||||
|
|
||||||
|
Linda MacIntyre
|
||||||
|
DinerPixie@aol.com
|
||||||
|
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Omega __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
|
||||||
|
|
108
textfiles.com/groups/CDC/cDc-0353.txt
Normal file
108
textfiles.com/groups/CDC/cDc-0353.txt
Normal file
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|
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_____________ _/_/ | | \ \ _/_/ _____________
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| ___________ _/_/ | | \ \ _/_/ ___________ |
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||||||
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| | _/_/_____ | | > > _/_/_____ | |
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| | /________/ | | / / /________/ | |
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| | c o m m u n i c a t i o n s | |
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| |________________________________________________________________| |
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|____________________________________________________________________|
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...presents... Pulp Philosophy
|
||||||
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by SHADESHIFTER
|
||||||
|
5/1/1998-#353
|
||||||
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|
||||||
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__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
|
||||||
|
Just a little story about what happens to Socrates after he speaks to
|
||||||
|
Thrasymachus in Plato's _Republic_...
|
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||||||
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|
||||||
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Thrasymachus had Socrates' arm pressed up against his back, and
|
||||||
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forced him into the center of the Agora. Thrasymachus threw him down, and
|
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|
tied him to the chair, which, oddly enough, had been waiting for them. From
|
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|
his toga, Thrasymachus withdrew his 9mm.
|
||||||
|
Socrates' eyes widened. "Fuck! Don't do it, man!"
|
||||||
|
Thrasymachus remained unaffected by the plea for mercy. "Are you
|
||||||
|
finished, fucker?" Placing the gun an inch from Socrates' forehead, he
|
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|
knelt down beside him.
|
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|
"Look, man, you can have my ten yoke of oxen. You can have my
|
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|
virgin daughters. My pomegranate orchard. Anything. Just let me go,
|
||||||
|
and I won't tell a fuckin' soul about this."
|
||||||
|
Thrasymachus looked at him awkwardly. "You like pomegranates?
|
||||||
|
Shit, motherfucker, I hear they got a fuckin' all you can eat special
|
||||||
|
going on pomegranates where you're headed." He smiled.
|
||||||
|
"Don't do it, man. Thrasymachus, be fair."
|
||||||
|
This struck a nerve with Thrasymachus. He said, contemplatively,
|
||||||
|
"Fair?"
|
||||||
|
"Yeah. Fair. Think about my wife and kids, man."
|
||||||
|
He removed the gun from Socrates' face, and sat next to him,
|
||||||
|
frowning. "Would you say that to be fair is the same thing as to be just?"
|
||||||
|
"What?"
|
||||||
|
"Well, I'm just a dull, wandering street philosopher, so I don't
|
||||||
|
quite understand where you're headed with your line of reasoning. Perhaps,"
|
||||||
|
he began, as he motioned with the gun, "you could further elucidate your
|
||||||
|
theory of justice."
|
||||||
|
Socrates cocked his head to the side. "My theory? Of justice?"
|
||||||
|
"Yes. You do have a theory on it, don't you?"
|
||||||
|
"Well..." At the present time, he did not.
|
||||||
|
Thrasymachus shrugged his shoulders. "Perhaps, then, you'd like to
|
||||||
|
hear my theory."
|
||||||
|
Socrates' eyes brightened. "Oh, yes! Of course. You have a
|
||||||
|
theory?"
|
||||||
|
Thrasymachus sighed as he spoke. "Well, yes, I have been thinking a
|
||||||
|
little about justice. Not, of course, so deeply as could a wise sage like
|
||||||
|
yourself," he said. "But I've had a little idea, an insignificant, but
|
||||||
|
troubling, idea. It's been bothering me a bit, and I thought that maybe
|
||||||
|
someone as smart as yourself could help convince me that it is wrong."
|
||||||
|
"Of course. Anything I can do to help," replied Socrates, not
|
||||||
|
really picking up on Thrasymachus' sarcasm.
|
||||||
|
"So you'd like to hear my theory?"
|
||||||
|
"I'd be honored," he said.
|
||||||
|
"My humble little idea goes something like this." Thrasymachus
|
||||||
|
roared, "Justice is only the will of the stronger! What do you think about
|
||||||
|
that, you sophist fuck?" Caught in the rage, he punched Socrates in the
|
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|
face, consequently breaking his nose and knocking him out of the chair.
|
||||||
|
Socrates replied only with a few burbled sounds, as his face bled
|
||||||
|
profusely, his toga undergoing a crimson transformation.
|
||||||
|
"Come on!" he screamed. "Come on, motherfucker, you wanna try to
|
||||||
|
disprove my theory, you weak little fuck? Yeah? Yeah?" Thrasymachus shook
|
||||||
|
violently. "Shit, I think I feel a proof coming on!" He raised the pistol
|
||||||
|
to meet the cowering Socrates, and emptied the clip into his body. "Why,
|
||||||
|
thank you, Socrates. You've certainly opened my eyes!"
|
||||||
|
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Omega __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
|
||||||
|
|
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|
184
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_
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| \
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| \
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||||||
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| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... Unchained
|
||||||
|
by Isis
|
||||||
|
5/1/1998-#354
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
Editor's note: We don't usually publish erotica. For one thing, the
|
||||||
|
vast majority of woman-narrated porn prose is undoubtedly written by men
|
||||||
|
(or more probably, boys). This file, however, is written by a woman: an
|
||||||
|
amicus bovinus in good standing. You might remember Isis as the
|
||||||
|
author of cDc #344, the most anticipated expose of the meat-packing industry
|
||||||
|
since Upton Sinclair's _The Jungle_.
|
||||||
|
|
||||||
|
|
||||||
|
His body is naked on the sheets. Hands swept above his head tied
|
||||||
|
together at the wrists which are then bound to the headboard. I left his
|
||||||
|
legs free so I can feel them around me. I like it when I can feel his
|
||||||
|
ankles pushing on me. The way his thighs undulate when I walk past him.
|
||||||
|
I like the sight of a man on his back with only his eyes to draw you
|
||||||
|
near.
|
||||||
|
|
||||||
|
I like to watch the rise and fall of a man's chest, they way he
|
||||||
|
struggles against the ties that bind him to me. To watch his own
|
||||||
|
personal struggle, the way he's doubting whether I tied his hands up
|
||||||
|
strong enough. And if he tries to break free will it tell me that he's a
|
||||||
|
little afraid. But I always know better. I don't have to be told or
|
||||||
|
shown. After I let him get used to the new role, I change it again. I
|
||||||
|
want him to see that being bound isn't always about one person being in
|
||||||
|
control, and the other powerless. That there is power in subservience.
|
||||||
|
No one can have control over another without them wanting to be
|
||||||
|
controlled. And knowing that IS power.
|
||||||
|
|
||||||
|
I go over to where he is lying and stand at his feet letting his toes
|
||||||
|
touch my legs, letting him curl his toes into my panties. Feeling the
|
||||||
|
warmth that lingers there for us. Just as he tries to bring down my
|
||||||
|
panties I slip back and walk over to the drawer beside our bed. I open
|
||||||
|
it and bring out the whip that is curled in the form of a snake. I grasp
|
||||||
|
the handles and take it over to him. Running the tip of the tails in
|
||||||
|
between his toes, over his calf muscles and slowly up his thigh.
|
||||||
|
Hesitating on his cock, I slowly circle the tails around his balls, back
|
||||||
|
over his cock and up his chest. I do this a few times until I see his
|
||||||
|
eyes blink and his Adam's apple slide up then down. Quickly drawing the
|
||||||
|
whip up from him. I turn it around so that the handle is dangling over
|
||||||
|
his mouth. I tell him to suck on the handle. If he shows me how to suck
|
||||||
|
off the handle like a cock then I might favour him so later. He runs his
|
||||||
|
tongue down the handle and around it as I pull it back and forth. I
|
||||||
|
watch his eyes firmly on me, peering at me to see my reaction. To see if
|
||||||
|
he is doing it right. But I show no sign, no indication of whether he
|
||||||
|
will be getting blown later or not.
|
||||||
|
|
||||||
|
When I feel he has sucked off the handle enough I take it and run it
|
||||||
|
alongside his stomach and down his thigh. Resting it on the side of his
|
||||||
|
buttocks I push on him with the handle, a gesture that means rolls over.
|
||||||
|
With his hands twisting harder against the headboard he arches his back
|
||||||
|
and turns to face the upright mirror adjacent to our bed. I want him to
|
||||||
|
see himself whilst being teased and spanked. Taking a feather that I
|
||||||
|
have nestled in my hair I slowly tickle his buttocks as he wriggles away
|
||||||
|
from me. I prepare the whip for when he returns. Lifting the whip out
|
||||||
|
in front of me, and widening my stance I let the whip crack against the
|
||||||
|
opposite buttock. I have this turn on with symmetry. I never like to
|
||||||
|
spank the same cheek that caused him to return to me. In this instance I
|
||||||
|
tickled his left cheek, because of that he moved away from me, but he
|
||||||
|
also came back. I believe that the feeling of not being tickled was
|
||||||
|
enough to make him want more. So the right cheek is for pain, for
|
||||||
|
punishment and the left is for soft teasing and caresses thus balancing
|
||||||
|
everything. This keeps him coming back for me even though he never
|
||||||
|
knows which buttock is going to be tantalised next. Symmetry is
|
||||||
|
important.
|
||||||
|
|
||||||
|
After I have him flinching constantly, to the extent where I don't have
|
||||||
|
to even touch him (just the raising of one of my hands tends to have him
|
||||||
|
either wince or jitter). I place the whip and feather on the floor. I
|
||||||
|
want him to see how happy this has made me. How thankful I am to be part
|
||||||
|
of this. Telling him to lie back flat on his back I straddle him so
|
||||||
|
that my face is towards his feet and my back at his face. Lying down
|
||||||
|
against him I urge him to take off my bra with his teeth. I'm left only
|
||||||
|
with my panties on which I am rubbing back and forth across his abdomen
|
||||||
|
while I run my hands up his inner thighs. Letting the curve of my hand
|
||||||
|
rest under his balls cupping them slowly. Applying pressure all around
|
||||||
|
and slightly raising his balls until they reach my lips. Sliding my
|
||||||
|
tongue out of my lips and pushing them open I lick the curve of his
|
||||||
|
balls up until I reach the base of his cock. I think of him lying there
|
||||||
|
staring at the back of my head. The way my ass must look raised a little
|
||||||
|
over his stomach. What the arch my pussy must look like covered in lace
|
||||||
|
with some fine shiny hairs peeking out between the holes of the lace.
|
||||||
|
And how when I get wet a dark spot appears on the outside of my panties.
|
||||||
|
As I think of these things I let my tongue course slowly up the shaft of
|
||||||
|
his cock. Pretending that my tongue is like blood cycling through him.
|
||||||
|
Until I reach the head, where it curves. I turn my tongue so it curls
|
||||||
|
round his head, letting the stud in my mouth press down against him.
|
||||||
|
Then I push him deep into my mouth closing my lips tight against him.
|
||||||
|
Drawing my teeth back and flattening my tongue underneath his cock. I
|
||||||
|
continue this over and over again. Imagining myself as part of him.
|
||||||
|
Like we are on a boat, each feeling the waves at the same time. When I
|
||||||
|
sense that he is close to cumming. I pull back from his cock. I turn
|
||||||
|
around so that I'm facing him. I run my tongue up his abdomen pressing
|
||||||
|
my breasts against him until my pussy is about an inch above his face.
|
||||||
|
He asks me to take off my panties but I refuse. I want to have him play
|
||||||
|
with me through the panties. When he can taste me and I can feel soaked
|
||||||
|
throughout the lace, only then will I take them off.
|
||||||
|
|
||||||
|
I wrap my thighs around his head so that he can keep his head up with
|
||||||
|
out having to strain too hard. Guiding his head with my thighs I bring
|
||||||
|
myself unto his tongue. I sway back and forth with his tongue. I can
|
||||||
|
feel his mouth pressed against my panties, his tongue plunged deeply
|
||||||
|
into the crease that has formed there from having the lace pushed inside
|
||||||
|
of me by his fervent licks and thrusts. I feel the arcs come, like these
|
||||||
|
little tangents. That come and go quickly, then they come and stay
|
||||||
|
longer. I start grinding down against him, wanting to grind so hard that
|
||||||
|
it hurts. Right as I feel myself about to peak I snap my legs shut and
|
||||||
|
push his back onto the bed with my knees. I stand up on the bed and put
|
||||||
|
my hands on my side an lower my panties until they fall down onto his
|
||||||
|
mouth. Telling him to suck on them, I place myself so that the tip of
|
||||||
|
his cock is against the outside of my pussy. Like a bee buzzing
|
||||||
|
persistently at the petals of a flower trying to get to the pollen.
|
||||||
|
After rotating my hips around a few times I slowly descend onto him.
|
||||||
|
Making sure that his cock is being helped up by my outer pussy lips.
|
||||||
|
Watching him with his hands still tied and sucking on my panties. I let
|
||||||
|
myself plunge down all the way on his cock. Moving from an upright
|
||||||
|
position I lie down against him so that my head is under his chin, and
|
||||||
|
my body squeezed tightly around him. I glide up and down, then as I come
|
||||||
|
down again I flex the lower part of my body so I can deepen the
|
||||||
|
position. As I rise up I clench the muscles inside my pussy so that I get
|
||||||
|
tighter as I near the head.
|
||||||
|
|
||||||
|
I love the feeling of being like a vice. I have all these holds I can do
|
||||||
|
that can alter the feeling of his cock, and can make it really intense
|
||||||
|
when we cum. As long as he flows with it we should be able to cum quite
|
||||||
|
close to each other, if not on time.
|
||||||
|
|
||||||
|
I look up and raise myself a little, I see the panties have been pushed
|
||||||
|
aside but I don't care. I want to feel his tongue on mine. Kiss him,
|
||||||
|
bite around his neck and whisper my thoughts at this very moment. Hear
|
||||||
|
our moans resonate on the walls around us. I tell him how I feel. What
|
||||||
|
It feels like, and how hard I'm gonna cum and sometimes even when. As I
|
||||||
|
grow nearer I feel our bodies quicken and the spasms come through us
|
||||||
|
sending our chakras into a frenzy. When the last few waves pulse within
|
||||||
|
us, I slow down and drag them out with calm and tranquillity. Lying flat
|
||||||
|
on top of him I reach up and untie the hands that bind him to me and
|
||||||
|
this moment.
|
||||||
|
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Omega __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
|
||||||
|
|
147
textfiles.com/groups/CDC/cDc-0355.txt
Normal file
147
textfiles.com/groups/CDC/cDc-0355.txt
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@@ -0,0 +1,147 @@
|
|||||||
|
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... Shit-Burnin'
|
||||||
|
by Cal Jacobson
|
||||||
|
5/1/1998-#355
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
...I guess I should tell the "shit-burning" story. A lot of veterans out
|
||||||
|
there probably know what this sort of thing is all about, but if you've
|
||||||
|
never served in the military you may have been kept in the dark about what
|
||||||
|
could possibly be the real cause of the mysterious "Gulf War Syndrome."
|
||||||
|
I swear to God I'm not making this story up.
|
||||||
|
|
||||||
|
When you're stuck out in the middle of nowhere (whether camping or on a
|
||||||
|
military operation), one of the most important things is keeping clean.
|
||||||
|
Keeping clean means keeping the chance of illness down. Makes sense, right?
|
||||||
|
The Army calls this field hygiene, amongst other things, and it covers more
|
||||||
|
than just making sure soldiers get a shower every 2 weeks at the minimum (I
|
||||||
|
can't recall the actual regulations, but I know that it's a different
|
||||||
|
amount of time for men and women; shorter for the women). It also covers
|
||||||
|
where you're going to throw your dirty water and...yes, human waste.
|
||||||
|
|
||||||
|
If you're in one place for a really short amount of time, the Army says you
|
||||||
|
can just dig a 1'x1'x1' "cat hole" and take a dump in it there. There are
|
||||||
|
three disadvantages to this:
|
||||||
|
|
||||||
|
1. You need to dig your hole before you really need to shit.
|
||||||
|
2. You're going to be squatting above a hole in the ground.
|
||||||
|
3. If there are a lot of people in your group, you're eventually going
|
||||||
|
to run out of places to dig.
|
||||||
|
|
||||||
|
When we got to Saudi and rolled out into the desert in October 1990, we
|
||||||
|
stayed in the same spot for about three months (during the big build-up of
|
||||||
|
forces in the region). Digging holes wasn't a practical solution for a
|
||||||
|
battalion of 350+ people because we'd eventually have to walk all the way
|
||||||
|
to Syria to find a place to dig a hole. Thus was revived the grand
|
||||||
|
tradition of the "Latrine burn", more commonly known as the "shit-burning
|
||||||
|
detail" (a "detail" is military-speak for a job or task given to
|
||||||
|
low-ranking people who haven't found a way to get out of it). I believe it
|
||||||
|
originated in Vietnam or perhaps the Korean War, but I may be mistaken.
|
||||||
|
|
||||||
|
The government (either ours or the Saudis) contracted the local labor
|
||||||
|
(usually Pakistani) to make hundreds of cheap wooden 4-seater outhouses,
|
||||||
|
under the holes of which halved oil drums were placed. Theoretically, the
|
||||||
|
"cans" would be removed daily and the contents would be burned, thus
|
||||||
|
eliminating tons of American shit that would otherwise have to go somewhere
|
||||||
|
and would probably result in a major ecological disaster.
|
||||||
|
|
||||||
|
Note that I said "theoretically." You see, shit doesn't burn well. Even the
|
||||||
|
Army knew this, so we were told to douse the contents of the shit-cans with
|
||||||
|
gasoline.
|
||||||
|
|
||||||
|
Unfortunately, I think shit ranks right up there with asbestos in terms of
|
||||||
|
non-flammable materials. We would pour at least five gallons of gas for
|
||||||
|
every two cans' worth of shit, and the stuff would only partly burn. What
|
||||||
|
was worse, it was often hard to get the fire started because most of what
|
||||||
|
we had was diesel fuel. If you've never worked with diesel gas, let me give
|
||||||
|
you a brief summary: diesel burns hot, but takes a lot of heat to get it
|
||||||
|
going. I have seen lit matches drowned in diesel. So we usually had to mix
|
||||||
|
regular gas (used in the Humvees) with the diesel...the regular gas would
|
||||||
|
ignite and in turn ignite the diesel, which would burn hot enough to
|
||||||
|
incinerate some of the shit.
|
||||||
|
|
||||||
|
While it was burning (and it would usually take a couple of hours for the
|
||||||
|
stuff that was going to burn, to burn out) you would occasionally have to
|
||||||
|
stir it...usually with a metal pole used for holding up camouflage netting
|
||||||
|
(we had plenty of these poles so we didn't have to replace them at the end
|
||||||
|
of the day -- thank God). Now if you think regular shit is pushing the
|
||||||
|
extreme limit of foul, you've never seen, smelt, or heard burning shit. It
|
||||||
|
produces black smoke that doesn't rise very high but drifts for miles and
|
||||||
|
smells like...well, burning shit. It sounds like a deep-fat fryer...you
|
||||||
|
know, what they put french fries in at Burger King. But like I said, shit
|
||||||
|
doesn't burn. And even after burning the contents twice, you often had as
|
||||||
|
much as 50% of the original material left. So...what the hell do you do
|
||||||
|
with the rest?
|
||||||
|
|
||||||
|
That's right, you bury it. In a hole. Sound familiar?
|
||||||
|
|
||||||
|
So after doing all of that, you would still have to dig a hole and pour the
|
||||||
|
pudding-like remains in there (which made a "blorp" sound), then burn the
|
||||||
|
can again to get rid of anything that refused to be poured out.
|
||||||
|
|
||||||
|
As awful as it sounded, shit-burning detail was actually one of the more
|
||||||
|
popular jobs to be "stuck" with, once the benefits were actually realized.
|
||||||
|
I know, I know, you're wondering "what the hell is good about burning
|
||||||
|
shit?!?"
|
||||||
|
|
||||||
|
Well for one thing, because they didn't want you burning shit in the middle
|
||||||
|
of camp, you had to load the cans up in a Humvee or a truck and drive a
|
||||||
|
mile or so away. This meant that you were able to get away from the
|
||||||
|
officer-induced, gearing-up-for-war bullshit that was taking place.
|
||||||
|
Instead, you could just light the cans and relax with a book or headphones
|
||||||
|
for a few hours. As long as you were upwind, in the shade and had plenty of
|
||||||
|
water (remember, we're in a desert) you were set. Other than a few
|
||||||
|
disgusting minutes, it was the closest thing to a day off we had over
|
||||||
|
there.
|
||||||
|
|
||||||
|
The rituals of other Army units differed, but this was the norm for
|
||||||
|
Headquarters company, 312th Military Intelligence Battalion, 1st Cavalry
|
||||||
|
Division. I hope you've enjoyed being grossed out almost as much as
|
||||||
|
I've enjoyed grossing you out.
|
||||||
|
|
||||||
|
|
||||||
|
Cal Jacobson
|
||||||
|
jake@tidalwave.net
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Omega __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
|
||||||
|
|
469
textfiles.com/groups/CDC/cDc-0356.html
Normal file
469
textfiles.com/groups/CDC/cDc-0356.html
Normal file
@@ -0,0 +1,469 @@
|
|||||||
|
<HTML>
|
||||||
|
<HEAD>
|
||||||
|
<TITLE>cDc #356</TITLE>
|
||||||
|
<body bgcolor=#ffffff text=#000000>
|
||||||
|
</HEAD>
|
||||||
|
<BODY>
|
||||||
|
<PRE>
|
||||||
|
|
||||||
|
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... The Longer March
|
||||||
|
by Oxblood Ruffin
|
||||||
|
7/15/1998-#356
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
|
||||||
|
"Adventure, exploration, discovery, human courage and cowardice, ecstasy and
|
||||||
|
triumph, suffering, sacrifice, and loyalty, and then through it all, like a
|
||||||
|
flame, an undimmed ardor and undying hope and amazing revolutionary optimism
|
||||||
|
of those thousands of youth who would not admit defeat either by man or nature
|
||||||
|
or God or death -- all this is and more seemed embodied in the history of an
|
||||||
|
odyssey unequaled in modern times."
|
||||||
|
-- Edgar Snow, _Red Star over China_
|
||||||
|
|
||||||
|
|
||||||
|
This interview was conducted at Ted's Auto Collision Bay and Fine
|
||||||
|
Dining in Toronto, on July 7th, 1998. Blondie Wong (hereafter, B)
|
||||||
|
is the Director of the Hong Kong Blondes and Oxblood Ruffin
|
||||||
|
(hereafter, O) is the Foreign Minister of the
|
||||||
|
CULT OF THE DEAD COW (cDc).
|
||||||
|
|
||||||
|
|
||||||
|
[Editor's note: This interview was referred to in Arik Hesseldahl's
|
||||||
|
July 14, 1998 WIRED NEWS article, "<A HREF="http://www.cultdeadcow.com/news/wired/19980714/">Hacking for Human Rights</A>"
|
||||||
|
<P>and the Toronto Star's July 23, 1998 article,
|
||||||
|
<P>"<A HREF="http://www.cultdeadcow.com/news/newspapers/toronto_star72398.txt">Computer Hacking New Tool of Political Activism</A>".]
|
||||||
|
|
||||||
|
|
||||||
|
O: I'm happy that this is finally coming together. I've had all kindsa
|
||||||
|
people beggin' me to speak with you. One journalist even emailed me to
|
||||||
|
suggest that he would fly anywhere in the world where I could blindfold
|
||||||
|
him and put him in the trunk of a car, then drive him to some secret
|
||||||
|
rendezvous where he would interview you.
|
||||||
|
B: It sounds like something from a movie. Are you sure he wasn't joking?
|
||||||
|
O: No. He was very sincere. I was tempted to take him up on his offer and
|
||||||
|
drive him to Detroit. "Hey, babe. Blondie couldn't make it but I've
|
||||||
|
managed to dig up Jimmy Hoffa for you."
|
||||||
|
B: I know that was a joke -- but I don't know what kind.
|
||||||
|
O: O.K., before we begin, I've gotta ask you something?
|
||||||
|
B: Yes.
|
||||||
|
O: What's up with you and those Prada loafers. Have you been reading
|
||||||
|
_Wallpaper?_ Are you dating a model? Give it up hacker man.
|
||||||
|
B: Enough. Clothes aren't important.
|
||||||
|
O: If that were true you wouldn't wear D&G suits. Face it. You're one
|
||||||
|
stylin' revolutionary.
|
||||||
|
B: I own two suits. Everything else can be put into a suitcase and that
|
||||||
|
includes my computer and personal items. I own very little.
|
||||||
|
O: You like to travel light.
|
||||||
|
B: I have to travel light.
|
||||||
|
O: You make it sound like someone is after you.
|
||||||
|
B: You know who is after.
|
||||||
|
O: O.K. Do you believe that the Government of China is looking for you?
|
||||||
|
B: I know so.
|
||||||
|
O: How do you know?
|
||||||
|
B: Our sources have alerted us. And there was the incident last August.
|
||||||
|
O: Pass. Do you still have armed guards.
|
||||||
|
B: Yes, over there.
|
||||||
|
O: Charming. He looks like a fucking troll.
|
||||||
|
B: Don't look at him. He doesn't like ...
|
||||||
|
O: Biscuits?
|
||||||
|
B: What?
|
||||||
|
O: He doesn't like white guys?
|
||||||
|
B: I am not always given suitable people.
|
||||||
|
O: Given?
|
||||||
|
B: Yes, our arrangement with [deleted] ...
|
||||||
|
O: Whoa! You shouldn't use their name.
|
||||||
|
B: Well, we have a working relationship with a group of people who are even
|
||||||
|
more outside of the law than we are.
|
||||||
|
O: That works. The enemies of my enemies are my friends.
|
||||||
|
B: What does that mean?
|
||||||
|
O: I think it's a quote from Themistocles. It means that sometimes we make
|
||||||
|
alliances based on mutual conflict with a third party. Like the U.S and
|
||||||
|
Iran. They have very little affection for each other but even less for
|
||||||
|
Iraq.
|
||||||
|
B: Just so. We share the same enemy. I like that.
|
||||||
|
O: And these law breakers provide you with armed guards?
|
||||||
|
B: That and other things. I prefer more to use their help to move people in
|
||||||
|
and out of the country.
|
||||||
|
O: You mean in and out of China?
|
||||||
|
B: Yes. A few months ago one of our people was picked up ...
|
||||||
|
O You mean Lemon Li?
|
||||||
|
B: Yes, Lemon was questioned in Beijing. She was released after a few hours
|
||||||
|
but I couldn't take any chances so our associates moved her out of
|
||||||
|
China. She is in Paris now.
|
||||||
|
O: Having a woman as the head of technical operations is sort of a radical
|
||||||
|
concept for a group of hackers.
|
||||||
|
B: Half of our members are women. Half of the people in the world are
|
||||||
|
women. Lemon is our best person. The best people go where they're
|
||||||
|
needed. That's our policy.
|
||||||
|
O: How'd she get the name Lemon? Is it from that song by U2?
|
||||||
|
B: No. She loves Meadowlark Lemon, the basketball player. She got an old
|
||||||
|
videotape of the Harlem Globetrotters and played it until it turned into
|
||||||
|
a snow storm.
|
||||||
|
O: Cool. So did moving Lemon to Europe disrupt the Blonde's agenda? Has it
|
||||||
|
made things more difficult?
|
||||||
|
B: Difficult? No. She is acting more like traffic co-ordinator now. Much of
|
||||||
|
our work is happening from the inside and she steers our efforts in the
|
||||||
|
right direction.
|
||||||
|
O: What do you mean that work is being done from the inside? The inside of
|
||||||
|
what?
|
||||||
|
B: We, the Blondes have grown by about twenty members from this time last
|
||||||
|
year. Many of the newer members are government employees. Technical
|
||||||
|
people mostly.
|
||||||
|
O: Get the fuck outa here. Are you saying that these people are like moles,
|
||||||
|
that they're members of the CP?
|
||||||
|
B: Yes.
|
||||||
|
O: Holy shit. That is some serious spy candy.
|
||||||
|
B: What?
|
||||||
|
O: Nothing. It's been an interesting year. I've noticed in the computer
|
||||||
|
underground that there are a few younger groups who cite the Hong Kong
|
||||||
|
Blondes as an inspiration. There's been a lot of activity, especially
|
||||||
|
around Analyzer's crew. He seems to have influenced people who claim to
|
||||||
|
be hacking for some higher purpose. They say they want to fight child
|
||||||
|
porn and other things. Do you have an opinion about this?
|
||||||
|
B: There has been a shift in consciousness, I believe. Younger people have
|
||||||
|
a great deal of talent although they can be very awkward. But the point
|
||||||
|
is, I think they are different from the generation of hackers before
|
||||||
|
them. They want the recognition and attention, but they also want to do
|
||||||
|
something to contribute to change things in a positive way. In general,
|
||||||
|
I think what they are doing will grow and turn into something that makes
|
||||||
|
a difference.
|
||||||
|
O: Do you think the BARC [nuclear research facility in India] break-in
|
||||||
|
represents some kind of progress? Is this the sort of thing that you're
|
||||||
|
talking about?
|
||||||
|
B: Yes. That's a good example. Nuclear proliferation is still a tremendous
|
||||||
|
threat to international security, but since the fall of the Berlin Wall
|
||||||
|
and the commercial development of Russia and the other states, there's
|
||||||
|
this attitude that everything is golden. Somehow people think that the
|
||||||
|
bombs have disappeared because we don't read about them in the papers
|
||||||
|
like we used to. At any rate, I view the BARC intrusion as something
|
||||||
|
positive because it will draw attention to the situation and cause more
|
||||||
|
discussion about a serious issue.
|
||||||
|
O: Were you political in school, in China? Is that where you got your
|
||||||
|
orientation?
|
||||||
|
B: I became aware of politics at an early age. But it was just awareness.
|
||||||
|
I was never politically active, if that is how you mean it. Politics
|
||||||
|
for me has always been something disgusting, something I didn't even
|
||||||
|
want to understand.
|
||||||
|
O: Woody Allen once joked that a politician was about two steps below a
|
||||||
|
pedophile.
|
||||||
|
B: That must make him feel slightly superior to a politician. But yes,
|
||||||
|
that is more or less my feeling too.
|
||||||
|
O: So when you say that you were politically aware, what do you mean by
|
||||||
|
that?
|
||||||
|
B: In China it is impossible not to be aware of politics. The Party is
|
||||||
|
everywhere. Meetings, criticism, people being denounced. And the fear,
|
||||||
|
that is really the big thing. Imagine: you can't speak freely. Or
|
||||||
|
you're always wondering who is going to report you for having contrary
|
||||||
|
opinions. What everyone in the West takes for granted is a luxury in
|
||||||
|
China. When I was younger I never really wanted to change anything. I
|
||||||
|
just wanted to remain above it. Sounds selfish, I know. But for me, my
|
||||||
|
goals have always been more -- how is it? -- more spiritual. I was,
|
||||||
|
even now, more influenced by persons outside of political life.
|
||||||
|
O: I understand, but even the great social activists are inherently
|
||||||
|
political. Gandhi, Martin Luther King, they were both stuck with
|
||||||
|
politics.
|
||||||
|
B: Fortunately they had the advantage of dealing with democratic
|
||||||
|
institutions. My opponents would be very happy to put a bullet in the
|
||||||
|
back of my head.
|
||||||
|
O: Yet you still do this work. Why?
|
||||||
|
B: I feel that I have no choice. I have the capacity to lead and to
|
||||||
|
organize. And there is, well, I think I still have a lot of anger in me.
|
||||||
|
My father was murdered during the Cultural Revolution. He was dragged
|
||||||
|
out of our home by the Red Guard and stoned to death right in front of
|
||||||
|
us.
|
||||||
|
O: Damn. Who was us? Your family?
|
||||||
|
B: Yes. My mother and myself. After that we went to live with my uncle.
|
||||||
|
O: So why did they come to your house? Why did they want your father?
|
||||||
|
B: One of the girls from the Red Guard denounced him. So stupid. He had
|
||||||
|
given her mother some calligraphy, something Buddhist, a prayer or
|
||||||
|
something, and that was what made my father an enemy of the people.
|
||||||
|
I think they had really just come to humiliate him, but it got out of
|
||||||
|
hand.
|
||||||
|
O: So you're a kid. Your father has been, well, murdered, and you and your
|
||||||
|
mother go to live with your uncle. What can you tell me about that?
|
||||||
|
B: It was very difficult for everyone, especially my mother. She became
|
||||||
|
excessively paranoid and eventually refused to leave the house. I had
|
||||||
|
to take care of her most of the time. When I went to school a neighbor
|
||||||
|
would come to help. My uncle is a bachelor and there was no one else in
|
||||||
|
the house. Plus he often traveled.
|
||||||
|
O: What did he do?
|
||||||
|
B: That is hard to answer. He is very gifted at languages. I think that's
|
||||||
|
all I can say. I became fluent in English because of him. Yes. But I
|
||||||
|
think that's all ..
|
||||||
|
O: Understood. And school? Growing up? That sort of stuff.
|
||||||
|
B: I was asleep in school mostly. Quite bored. School, learning, these
|
||||||
|
things have always been easy for me. I look at a book, once, twice, and
|
||||||
|
that's it. I understand, and it stays. I never had to study. So the
|
||||||
|
disadvantage was that I was always bored, looking out the window, you
|
||||||
|
know. Sports were the only thing that kept me from going crazy. I
|
||||||
|
played soccer at school, but mostly, I practiced martial arts. Anyway,
|
||||||
|
it was school, sports and running home to help out. That was my life.
|
||||||
|
O: Man. Was there anything, did you ever goof off, you know, do dopey shit
|
||||||
|
with your friends when you were a teenager, or were you pretty serious?
|
||||||
|
B: Let's see. Yes. When I was fifteen I fell under the spell of Bruce
|
||||||
|
Lee. Everyone thinks of him as this great martial artist, and that is
|
||||||
|
true, but what most people forget is how funny he was. He had been a
|
||||||
|
child actor in Hong Kong and was good at falling-down humor. You know,
|
||||||
|
when you're always tripping and falling on your ass, like what Jackie
|
||||||
|
Chan does.
|
||||||
|
O: You mean sight gags? Slapstick?
|
||||||
|
B: Yes, slapstick. I found these really ugly glasses with lenses so thick,
|
||||||
|
they made your eyes look like they were under a magnifying glass. I
|
||||||
|
used to put them on and talk really loud, asking stupid questions,
|
||||||
|
tripping, and repeating the same stupid question. It was ridiculous but
|
||||||
|
people laughed. So one day we, there were three of us, we decided to go
|
||||||
|
into a bakery and try out the routine. I went in and asked directions
|
||||||
|
on how to get to the bakery we were already in. The owner just looked
|
||||||
|
at me and said that I was there, that I was in the place I was looking
|
||||||
|
for. Then I asked the same question and started bumping into things.
|
||||||
|
And this poor man, he's just looking at me like I'm an idiot. And again
|
||||||
|
he explained that I'm in the right place. Meanwhile my friends were
|
||||||
|
stealing pastries. We did that at a few different places until we
|
||||||
|
almost got caught. I like doing imitations. I can do Kramer coming
|
||||||
|
through the door.
|
||||||
|
O: Yes. I've seen the Kramer. Love the Kramer. The Kramer is good.
|
||||||
|
B: There. Everyone does that. I always hear people talking, like from
|
||||||
|
Seinfeld.
|
||||||
|
O: Yeah. It can be a bit dopey. O.K. So you're a normal kid and you do
|
||||||
|
some bakery capers. University. What was that like?
|
||||||
|
B: Well, the hardest part was getting in. At the end of high school
|
||||||
|
there's something called The Big Test. It's an examination that lasts
|
||||||
|
several days and determines your future. There is nothing like it here.
|
||||||
|
The pressure for students is unbearable. It's study, study, study --
|
||||||
|
for months. Before, I was bragging about not studying, but for that
|
||||||
|
test I did. I was accepted at [a university] where I did an
|
||||||
|
undergraduate degree, and for my next degree I studied abroad, you know,
|
||||||
|
graduate work, research, and so. I wanted to teach. I was lucky about
|
||||||
|
getting accepted into [a university in the UK], so things seemed on the
|
||||||
|
right course.
|
||||||
|
O: But things didn't stay on course. What provoked you to change your
|
||||||
|
plans?
|
||||||
|
B: A massacre. I had finished my studies and was preparing to go on
|
||||||
|
short vacation through Europe before returning to China. This was just
|
||||||
|
as the democracy movement was beginning to swell in the spring of 1989.
|
||||||
|
We all -- not just the Chinese students, but everyone -- we watched
|
||||||
|
television reports [about the demonstrations] with tremendous
|
||||||
|
enthusiasm. We were getting faxes, email, phone calls. It was serious,
|
||||||
|
but at the same time, it was almost like a big party. We were amazed at
|
||||||
|
how much support there was for the students from the people. And there
|
||||||
|
was a lot of excitement around Gorbachev and his visit to Beijing which
|
||||||
|
took place during that time. So many factors, you know. But as the
|
||||||
|
final days approached I began to feel very uncomfortable, almost like
|
||||||
|
sick. When the tanks went into the square and began shooting and
|
||||||
|
running over people it was like I was a little boy again, watching my
|
||||||
|
father being killed. I couldn't believe it -- so terrible. Then the
|
||||||
|
big lie. The government's first response was that it never happened.
|
||||||
|
I was at a student pub in London when this was broadcast. An
|
||||||
|
engineering student from Shanghai just went berserk and destroyed the
|
||||||
|
television. So much grief, so much anger.
|
||||||
|
O: And it was shortly after this that you arrived in Canada?
|
||||||
|
B: Yes. I knew some students at Concordia [in Montreal] who were very
|
||||||
|
helpful to get me a visa. My first two years here were very dark, very
|
||||||
|
depressing. Something inside me broke and I could not get going. There
|
||||||
|
was first the shock of the killings, then realizing that I could just
|
||||||
|
not go back. All my plans were dashed. I was worried about my mother,
|
||||||
|
you know, so many things. I couldn't work in my field. I was working
|
||||||
|
in a convenience store, in the Plateau [in Montreal]. It was ghastly.
|
||||||
|
O: And you ended up in Toronto. How did that happen?
|
||||||
|
B: I met a Chinese businessman who took me under his wing. I learned how to
|
||||||
|
make money, and ended up making a lot of it. Real estate, investing,
|
||||||
|
buying futures. I did something totally different from my training, and
|
||||||
|
it just sort of snapped me out of it. I moved to Toronto where the
|
||||||
|
Chinese community is much larger. I met you shortly after I arrived. The
|
||||||
|
rest is history.
|
||||||
|
O: Leave me out of the history. I'm justa middle man.
|
||||||
|
B: Don't be ridiculous.
|
||||||
|
O: Look, let's just move along. People aren't interested in this stuff.
|
||||||
|
B: No. That isn't right. I must acknowledge the help we have gotten, the
|
||||||
|
direction. You showed me everything about Western hackers. Chaos, Legion
|
||||||
|
of Doom, MoD, everyone. When I understood how far the Cult of the Dead
|
||||||
|
Cow reached into the hacker world, and how things were organized, I was
|
||||||
|
able to take the best and use it for our struggle.
|
||||||
|
O: Well, that's kind, but really, the hacker community can be very chaotic.
|
||||||
|
It's not what I'd call a well oiled machine. There is no discipline, not
|
||||||
|
like with the Blondes.
|
||||||
|
B: We have different agendas. But still, if it weren't for the hackers, we
|
||||||
|
wouldn't be as far ahead as we are. We owe you a lot.
|
||||||
|
O: Alright, then. On behalf of alla the hackers that ever lived, I accept.
|
||||||
|
Cheers ... Earlier you mentioned that you thought that there was a sort
|
||||||
|
of shift, that younger hackers seemed to want to use their skills to
|
||||||
|
contribute to some sort of social change. I keep getting asked how
|
||||||
|
people can help the Hong Kong Blondes, how they can contribute, and I
|
||||||
|
guess now would be a good time to ask you that same question. What can
|
||||||
|
people do, hackers, members of the general public, anyone, what can they
|
||||||
|
do to help the Blondes?
|
||||||
|
B: You are the king of set ups. We've already talked about this.
|
||||||
|
O: Shut up, jackass. Just pretend like you've heard this for the first
|
||||||
|
time.
|
||||||
|
B: Alright, the first thing is this. There are many ways to get involved to
|
||||||
|
support the struggle for human rights in China. Becoming aware is the
|
||||||
|
beginning. Just talking about it is important, educating yourself. But
|
||||||
|
if we are talking about the hacker community, you know, what they can
|
||||||
|
do, this really is a matter of personal choice. I think that if people
|
||||||
|
want to participate they should use the skills that they have. That is
|
||||||
|
all they can do.
|
||||||
|
O: That's pretty oblique. What about the Yellow Pages? I think now would be
|
||||||
|
a good time to talk about them.
|
||||||
|
B: Sorry. Yes, the Yellow Pages. They are mostly students in the United
|
||||||
|
States and Europe.
|
||||||
|
O: What, no Canadians? Damn!
|
||||||
|
B: And Canadians ...
|
||||||
|
O: Yes!
|
||||||
|
B: ... who will be using the Internet to help us.
|
||||||
|
O: And how will the little buggers be doing that?
|
||||||
|
B: Alright. This requires a little background. One of the reasons that
|
||||||
|
human rights in China are not further ahead is because they have been
|
||||||
|
de-linked from American trade policy. What this means is that when human
|
||||||
|
rights considerations were associated with doing business with the
|
||||||
|
United States, at least there was the threat of losing trade relations,
|
||||||
|
of some form of punishment. Now this just doesn't exist. Beijing
|
||||||
|
successfully went around Congress and straight to American business, so
|
||||||
|
in effect, businessmen started dictating foreign policy. There are huge
|
||||||
|
lobbies in Washington that only spend money to ensure that no one
|
||||||
|
interferes with this agenda. It's very well organized, and it doesn't
|
||||||
|
end there. Henry Kissenger ...
|
||||||
|
O: Former Secretary of State under Richard Nixon, etc.
|
||||||
|
B: Yes, Kissenger is now convinced that he is running Chinese foreign
|
||||||
|
policy and has made obscene amounts of money by connecting American
|
||||||
|
businesses to Chinese markets, and at the same time, he's denouncing any
|
||||||
|
kind of linkage between trade and progress on human rights issues as an
|
||||||
|
intrusion into national sovereignty. Every other former Secretary of
|
||||||
|
State and National Security Advisor for the past twenty-five years is
|
||||||
|
now working for Kissinger and doing the same thing. And Bill Gates is
|
||||||
|
another offender. In 1996 he publicly endorsed China's position that
|
||||||
|
human rights in China should not even be discussed at an annual meeting
|
||||||
|
of the United Nations Commission on Human Rights. By taking the side of
|
||||||
|
profit over conscience, business has set our struggle back so far that
|
||||||
|
they have become our oppressors too.
|
||||||
|
O: So, shall we come back to the Yellow Pages?
|
||||||
|
B: Yes. The Yellow Pages will make life challenging for American companies
|
||||||
|
doing business with China.
|
||||||
|
O: And how will they do that?
|
||||||
|
B: By exposing them. By naming them and possibly worse.
|
||||||
|
O: And by possibly worse, you mean what?
|
||||||
|
B: Let us be frank here. Many of these companies have computer networks and
|
||||||
|
there are a lot of members in the Yellow Pages who have excellent
|
||||||
|
hacking skills.
|
||||||
|
O: I see. Let your fingers do the stalking.
|
||||||
|
B: What?
|
||||||
|
O: Nothing. How can people get involved? Is membership in the Yellow Pages
|
||||||
|
open, closed? What?
|
||||||
|
B: Membership is open to anyone who wants to get involved. There are groups
|
||||||
|
forming in many places. Anyone can start a new cell, but the main thing
|
||||||
|
is to be careful. No foolish gestures.
|
||||||
|
O: And by holding these companies' feet to the fire, this will help human
|
||||||
|
rights in China?
|
||||||
|
B: You tell me. You understand how these things work.
|
||||||
|
O: O.K., it won't change the world but it will raise the issue in a
|
||||||
|
different way and that is important. George Kennan once remarked that
|
||||||
|
the smallest amount of progress in international relations was
|
||||||
|
significant even though it might not seem like much on the surface. In
|
||||||
|
the same way, I think that something will come out of this venture
|
||||||
|
because it's just wacky enough to grab people's attention. I mean, who
|
||||||
|
would put hacking corporate networks together with human rights in
|
||||||
|
China? It's pretty stretched out, but it makes perfect sense to me. I
|
||||||
|
think that journalists, at least the ones that don't work in Washington,
|
||||||
|
will take a look at this and start asking questions.
|
||||||
|
B: We will be attacked. This idea will be attacked like anything.
|
||||||
|
O: I know, but I don't really care. It is better to light a candle than to
|
||||||
|
curse the darkness. Look, we have to help with the strategy because it
|
||||||
|
sure as hell isn't coming from the political classes. Look at Bill
|
||||||
|
Clinton. He makes his nice feel-good trip to China and comes back
|
||||||
|
gushing about, one day there'll be democracy in China. The guy's an
|
||||||
|
idiot. I mean, if I want advice from the President about getting a blow
|
||||||
|
job from a young girl, I'm all ears, but about the chances for political
|
||||||
|
reform in China, no way. He doesn't have the competence or the moral
|
||||||
|
authority to speak about these things.
|
||||||
|
B: You are not a fan of Mr. Clinton's.
|
||||||
|
O: Oh, man, you know I'm not. But let's get back to the Yellow Pages.
|
||||||
|
B: Alright. What shall we say?
|
||||||
|
O: Who will control them, or at least, where will their direction come
|
||||||
|
from?
|
||||||
|
B: They will direct themselves. This will be a disintermediated engagement.
|
||||||
|
O: Damn, nice lingo. And how will they know who to go after? How will the
|
||||||
|
Yellow Pages identify companies that do business with China?
|
||||||
|
B: They'll have to ask. They'll have to educate themselves. The Web is a
|
||||||
|
remarkable tool for doing research and posting one's findings. Just look
|
||||||
|
at what it did for Netscape.
|
||||||
|
O: Yeah, the Netscape revolution. We must all study Chairman Jim thought.
|
||||||
|
B: That is correct.
|
||||||
|
O: So really, what we're saying is that we're basically gonna turn alla
|
||||||
|
these kids loose on American companies. That could get messy.
|
||||||
|
B: We are turning no one loose. The Yellow Pages are independent of us [the
|
||||||
|
Hong Kong Blondes] and the cDc.
|
||||||
|
O: Yeah. We have enough problems with, um, certain kinds of attention. The
|
||||||
|
[Yellow] Pages are their own thing.
|
||||||
|
B: That is correct. But coming back to, how is it you said, that it could
|
||||||
|
get messy? Human rights is an international issue, so I don't have a
|
||||||
|
problem with businesses that profit from our suffering paying part of
|
||||||
|
the bill. Perhaps then they will see the wisdom of putting some
|
||||||
|
conditions on trade. But I think, more importantly, many young people
|
||||||
|
will become involved in something important on their own terms. I have
|
||||||
|
faith in idealism and youth. It took us a long way in 1989. I believe
|
||||||
|
that it will help us again.
|
||||||
|
O: Amen. O.K., one last thing, then let's go eat.
|
||||||
|
B: Yes?
|
||||||
|
O: We, the Cult of the Dead Cow, are complete media whores, but the Hong
|
||||||
|
Kong Blondes are something very different. Why did you agree to this
|
||||||
|
interview?
|
||||||
|
B: Not for the kind of publicity you might think. We just need to have
|
||||||
|
people know that we exist for now. It is like an insurance policy you
|
||||||
|
could say. If anyone [of the Hong Kong Blondes] were arrested the
|
||||||
|
possibility of execution or long imprisonment is quite real. In China,
|
||||||
|
so much happens quietly, or behind closed doors. If someone is known,
|
||||||
|
sometimes just that is enough to keep them alive, or give hope. So for
|
||||||
|
that reason I'm saying we exist that certain things, we are doing. It is
|
||||||
|
not for fame, no. So this insurance policy, it is something that no one
|
||||||
|
wants to use, but sometimes it is good to take precautions. This is my
|
||||||
|
first and last interview. Now I can go back to being invisible.
|
||||||
|
O: Not before you pay for your beer, jerky boy. Anyway, it's been a slice.
|
||||||
|
Any parting words? Advice for the kids, rules to live by, whatever?
|
||||||
|
B: I've said enough. Let's go.
|
||||||
|
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Omega __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
<A HREF="http://www.cultdeadcow.com">http://www.cultdeadcow.com</A>
|
||||||
|
|
||||||
|
</PRE>
|
||||||
|
</BODY>
|
||||||
|
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|
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|
|||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... San Francisco Cab Driver Stories
|
||||||
|
by G.A. Ellsworth
|
||||||
|
7/15/1998-#358
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
|
||||||
|
[Editor's note: This file was originally released in _Cool Beans!_ #6 by
|
||||||
|
G.A., under the title, "Some San Francisco Taxicab Stories"]
|
||||||
|
|
||||||
|
|
||||||
|
This is a conversation I had with a cab driver who, for obvious reasons,
|
||||||
|
prefers to remain anonymous. I'll tell you this much though, he doesn't
|
||||||
|
drive for the company I drive for. - G.A.
|
||||||
|
|
||||||
|
G.A.: Let's start with drinking and driving. Have you ever been drunk
|
||||||
|
while driving cab?
|
||||||
|
Driver: Never.
|
||||||
|
G.A.: How about drugs?
|
||||||
|
Driver: Oh yeah, heroin. In fact, one time... no... more than once, a couple
|
||||||
|
times... I'd go to work and I'd be high on heroin and I'd stop and
|
||||||
|
smoke some pot. I'd be driving along and I'd forget where I was and
|
||||||
|
where I was going. I'd look around and just not know. I've been
|
||||||
|
driving cab long enough to recognize where I am in any corner in the
|
||||||
|
city, but there were a couple of times where I panicked because I
|
||||||
|
didn't know where I was going or why, you know.
|
||||||
|
G.A.: Did you have passengers when that happened?
|
||||||
|
Driver: Oh yeah, with passengers. I just faked it. I kept driving straight
|
||||||
|
till I could figure out where I was. It was just a momentary lapse,
|
||||||
|
it would come back in about ten or fifteen seconds.
|
||||||
|
G.A.: Did that scare you?
|
||||||
|
Driver: No, I felt really stupid actually. More than anything, I felt dumb.
|
||||||
|
G.A.: You didn't lose control of the car or anything?
|
||||||
|
Driver: No, I had control of the car. I've never had any wrecks. I like to
|
||||||
|
be in control, that's why I used to do heroin, because I like to be
|
||||||
|
in control too much and I had to escape my desire to be in control!
|
||||||
|
G.A.: Did you feel like you had to do heroin?
|
||||||
|
Driver: No, I did heroin because I liked heroin.
|
||||||
|
G.A.: Well then why did you do it at work?
|
||||||
|
Driver: That was probably when I was strung out. I think I probably did it
|
||||||
|
a couple times. There was a certain period of time when it was not
|
||||||
|
that unusual for me to do heroin while I was driving a cab. But it
|
||||||
|
wasn't a very long time, it was probably over a period of a couple
|
||||||
|
years or so.
|
||||||
|
G.A.: Was it the combination of heroin and pot that made you lose it?
|
||||||
|
Driver: It definitely seemed to be the pot. That was the culprit.
|
||||||
|
|
||||||
|
G.A.: What else has happened while you were under the influence behind the
|
||||||
|
wheel.
|
||||||
|
Driver: You're probably referring to the story I told you about the drunken
|
||||||
|
queen I picked up South of Market who was doing amyl nitrate.
|
||||||
|
G.A.: Well, that was one of the stories I hoped you'd tell me, but I was
|
||||||
|
just wondering if anything interesting has happened while you were
|
||||||
|
under the influence driving.
|
||||||
|
Driver: Well, I never was all that intoxicated. I never actually drove
|
||||||
|
drunk. I mean, sometimes I'd have a couple of drinks in a bar at the
|
||||||
|
end of my shift, but basically I wasn't really driving under the
|
||||||
|
influence at all. All the really truly horrifying or interesting
|
||||||
|
things that have happened to me have happened when I've been pretty
|
||||||
|
straight and sober.
|
||||||
|
G.A.: Tell me about that.
|
||||||
|
Driver: I've developed this theory that it seems that all the really weird
|
||||||
|
things that happen to cab drivers happen to them the first couple of
|
||||||
|
months that they drive cab. They're kind of like prey in the jungle,
|
||||||
|
like a newborn or something saying "victimize me" and people pick up
|
||||||
|
that energy. Actually I think it has more to do with they don't know
|
||||||
|
how to differentiate between fares that will be a problem and fares
|
||||||
|
that won't. I actually know this guy who got robbed on his first
|
||||||
|
night driving and continued to drive for a couple of years and got
|
||||||
|
robbed twice after that. I don't know what it was with this guy, but
|
||||||
|
he seemed to attract that. In fact, I think he was robbed twice in
|
||||||
|
his first week. But he kept driving. Actually, the first couple of
|
||||||
|
weeks that I was driving, I picked up this guy, and it was probably
|
||||||
|
4:30 in the morning and this was back in the early 80s when there
|
||||||
|
used to be a lot of bath houses opened, this was before AIDS
|
||||||
|
and it was common to find a lot of drunken gays down there trying to
|
||||||
|
get home. This guy, I picked him up and he was pretty out of it. He
|
||||||
|
was sniffing amyl nitrate and asked me if I wanted some and I said
|
||||||
|
no. But I had my window mostly rolled up and as he was doing it, I
|
||||||
|
was kind of getting high off the fumes anyway. I had to roll down the
|
||||||
|
windows gasping for air. He had asked me if I minded him doing it
|
||||||
|
and I said "No, I don't care what you do as long as you pay me." So
|
||||||
|
then he pulls out this dildo, and holds it up and says "I'm gonna put
|
||||||
|
this in my ass." I just turned to look at him and said "Great." So he
|
||||||
|
pulled his pants down and pulled his knees up around his ears and
|
||||||
|
started sticking this dildo in his ass. I just drove and tried to
|
||||||
|
ignore it. Like I said, I didn't really know any better. I thought
|
||||||
|
maybe this was what cab driving in San Francisco was about. And
|
||||||
|
he's sticking it in going "Look at me look at me! Watch me, this is
|
||||||
|
like my pussy!" And I looked back and it was pretty disgusting and he
|
||||||
|
kept doing that and I was just trying to get him where he was going.
|
||||||
|
And he said "It's ok, I'll pay you extra" And that time of the
|
||||||
|
morning, money was kind of scarce so I was willing to go along with
|
||||||
|
it. So we keep driving and then he says "I'm gonna jerk off now." And
|
||||||
|
that's where I drew the line "No, you're not going to jerk off." And
|
||||||
|
he says "No, it's ok, I'll clean it up, I have a towel! I'll give you
|
||||||
|
fifteen dollars!" And I thought about it and said "Ok", cause fifteen
|
||||||
|
dollars is fifteen dollars. So he started jerking off, and he had
|
||||||
|
this greasy little towel that he wiped it up with after he came.
|
||||||
|
And then he started sticking his dildo in his ass again. And the next
|
||||||
|
thing I know he had hung his ass over the front seat and he's
|
||||||
|
sticking the dildo in and out of his ass right beside my ear. And I
|
||||||
|
kinda looked over and I was completely flabbergasted and all of a
|
||||||
|
sudden it dropped out of his ass and onto the seat beside me. It fell
|
||||||
|
right on top of my waybill and it was just sitting there with the
|
||||||
|
street lights glistening off of it, and he said "Grab it and stick it
|
||||||
|
in!" And I said "No, no, I'm not going to do that." And then he said
|
||||||
|
"I'll give you ten dollars more!" And I said "Oh, ok." And
|
||||||
|
I shoved it up his ass. Anyway, by that time, we had pulled up to his
|
||||||
|
apartment building at Hayes and Pierce and I said "Ok, that's it, get
|
||||||
|
out." And he only gave me like ten bucks extra so I was kind of
|
||||||
|
pissed. Then he asked me if I would come upstairs with him and he
|
||||||
|
said, "All you have to do is sit there and watch me jerk off." And I
|
||||||
|
said "No, you won't, you already ripped me off." So he got out, and
|
||||||
|
started walking away and I started driving away. I heard him yell,
|
||||||
|
and I looked in my rear view mirror and he's standing in the middle
|
||||||
|
of the street with has pants down and he's holding the dildo up in
|
||||||
|
the air and he turns and he sticks it up his ass.
|
||||||
|
That was probably my most curious fare.
|
||||||
|
G.A.: Did you just go home after that?
|
||||||
|
Driver: No, I finished my shift first.
|
||||||
|
|
||||||
|
G.A.: What else has happened to you?
|
||||||
|
Driver: Well, OK. I've had a few blowjobs while driving. And I've noticed
|
||||||
|
it becomes extremely difficult to not drive erratically when having
|
||||||
|
an orgasm in someone's mouth. I was actually coming back from a show
|
||||||
|
in Palo Alto and I'd decided I wasn't going to drink I was gonna have
|
||||||
|
to drive back and that the cops were going to be out in full force.
|
||||||
|
So I didn't drink for the whole show and then after the show I was
|
||||||
|
going to leave, but the guy who was running the show started setting
|
||||||
|
up drinks on the bar, and he just lined up ten or fifteen kamikazes
|
||||||
|
in a row. And I just took a look at them and said, "Aw, what the
|
||||||
|
hell," and I drank about seven of them in a row. Then I stayed there
|
||||||
|
for another hour or two and drove back in the van. Which I'm not
|
||||||
|
particularly proud of, that's one of the few times in my life when I
|
||||||
|
definitely knew without a doubt that I was too drunk to drive
|
||||||
|
safely. And I was kind of weaving around the road and I got a blowjob
|
||||||
|
on the way back too, and that was extremely... uh... that was
|
||||||
|
definitely... I wasn't staying in my lane.
|
||||||
|
|
||||||
|
Driver: Anything weird happen to you since you started driving?
|
||||||
|
G.A.: Yeah, within the first month of driving, I had every conceivable type
|
||||||
|
of couple make out in the back of my cab. First it was a guy and a
|
||||||
|
girl, then it was two guys, then a transvestite and a guy and then a
|
||||||
|
transvestite and a woman, and then last it was two women. They were
|
||||||
|
just friends I guess, and they were coming home from a double date
|
||||||
|
and they just started making out like crazy in the back seat. One of
|
||||||
|
them was saying, "No, no, the cab driver might be from that HBO show.
|
||||||
|
He probably has a hidden camera!" And I said "Oh, how did you know?
|
||||||
|
It's right here in the mirror!" And they freaked out and got really
|
||||||
|
mad at me! I thought it was funny, but they were really upset.
|
||||||
|
Driver: I picked up this one guy at the Oasis Motel. It was like 2 in the
|
||||||
|
morning, and I picked him up on the corner, and he was a young white
|
||||||
|
guy, tall, normal, good looking guy. And he said, "I've only got five
|
||||||
|
dollars, can you get me to Union and Larkin?" And I knew it was going
|
||||||
|
to be a little more than that, but I agreed to take him. He was
|
||||||
|
eating something out of a styrofoam cup and I didn't really take much
|
||||||
|
notice of it. So we got there, and the meter had gone to close to six
|
||||||
|
bucks or something and I'd turned it off and he gave me the five
|
||||||
|
dollars and said thanks and got out. And then I drove down into North
|
||||||
|
Beach and I stopped over by the TransAmerica building and this guy
|
||||||
|
opens the back door and goes "UGH!!" And I turned around and
|
||||||
|
the last guy had smeared chili all over the back seat!
|
||||||
|
G.A.: That's totally weird! That's a perfect story. That's exactly what I'm
|
||||||
|
looking for. Speaking of the Oasis, that's where I got my best ride.
|
||||||
|
It in the first few months that I had been driving and I got a radio
|
||||||
|
call to the Oasis. I drove through the little drive-in garage they've
|
||||||
|
got there and this woman got into my cab wearing a motorcycle leather
|
||||||
|
and leather pants I think. Anyway, she told me she was going to 44th
|
||||||
|
and Balboa. I wasn't sure whether it would be quicker to take Turk
|
||||||
|
all the way or if I should take Geary at that point, so I asked her
|
||||||
|
which she preferred. She told me she didn't care, that she wasn't a
|
||||||
|
bitch and that however I drove, as long as she got home she'd be
|
||||||
|
happy. So I started driving and I asked her how her day had been. She
|
||||||
|
told me she'd taken the day off from work and that she worked at the
|
||||||
|
Market Street Cinema [a strip club]. I don't remember exactly
|
||||||
|
how the conversation went, but I remember not thinking all that much
|
||||||
|
about the fact that she worked in the sex industry. She asked me
|
||||||
|
about being a cab driver and then went on to tell me that she had
|
||||||
|
lived for a number of years in Boston and had done a bunch of work as
|
||||||
|
an S&M queen and that S&M queens were a dime a dozen in San Francisco
|
||||||
|
so she wasn't making as much money as she did on the more repressed
|
||||||
|
East Coast. I nodded and kept driving, then out of nowhere she was
|
||||||
|
leaning into the front seat saying "You're so sweet! You're such a
|
||||||
|
sweetheart! You're the nicest cab driver I've ever had! Most other
|
||||||
|
drivers would have at least asked me for a blowjob by now!" I was
|
||||||
|
stunned for a second. Then I choked and said "Um, that hadn't really
|
||||||
|
occurred to me. I mean, we were just talking about work. I uh..."
|
||||||
|
Then I started wondering if I was weird for not asking her, or if
|
||||||
|
she was crazy, or what. We arrived at her house, the meter said
|
||||||
|
twelve dollars and she asked me if I had change for a hundred dollar
|
||||||
|
bill. I never have change for a hundred dollar bill. Not even if I
|
||||||
|
really do have change for a hundred dollar bill. You know?
|
||||||
|
Driver: Yeah. I know.
|
||||||
|
G.A.: So I said "No," trying to sound as annoyed as possible and she said
|
||||||
|
she had to run into the house. She left her jacket in the car and
|
||||||
|
then came back out after a minute and handed me a hundred dollar
|
||||||
|
bill. I started to say that I didn't have change, but she cut me off
|
||||||
|
and said "Keep the change." I asked her if she was sure and she said,
|
||||||
|
"Yep, stay sweet" or something like that and started to walk away.
|
||||||
|
She turned around before she got to the house and said "That's the
|
||||||
|
biggest tip you've ever gotten right?"
|
||||||
|
Driver: Ha! She wanted to make sure!
|
||||||
|
G.A.: Yeah, it was really strange.
|
||||||
|
Driver: People want to make some sort of impression on you even when it's a
|
||||||
|
somewhat anonymous situation.
|
||||||
|
|
||||||
|
G.A.: There's this weird class thing that happens too. It seems like most
|
||||||
|
people who take cab rides assume that the driver is from a lower
|
||||||
|
class than they are, and that means they can either treat you like a
|
||||||
|
servant or they figure that you'll do anything for money.
|
||||||
|
Driver: I quickly end that shit.
|
||||||
|
G.A.: Yeah, I don't usually say anything to people, but it comes up a lot
|
||||||
|
that I've been to college and people always ask me why I'm driving a
|
||||||
|
cab. And I just tell them that I like it, that it's kind of a fun
|
||||||
|
job. Every once in a while I'll have someone in the back of my cab
|
||||||
|
talking about something that I know a lot about, like computers or
|
||||||
|
desktop publishing or something and I'll wait for an opportunity to
|
||||||
|
correct them on something, or offer up an answer to a question
|
||||||
|
they're asking the other person. It's really fun when it's something
|
||||||
|
really nerdy like a Unix shell account discussion or something. It
|
||||||
|
really hurts their minds when I can participate in a conversation
|
||||||
|
with them about something they can't comprehend a cab
|
||||||
|
driver knowing anything about. But you know, it seems like most
|
||||||
|
people want to ask me "What else do you do?" I don't want to talk
|
||||||
|
about Cool Beans! all the time, so sometimes I make something up and
|
||||||
|
flat out lie to them.
|
||||||
|
|
||||||
|
[end]
|
||||||
|
|
||||||
|
Cool Beans! 3181 Mission #113 SF CA 94110 http://www.coolbeans.com
|
||||||
|
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Omega __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
http://www.cultdeadcow.com
|
||||||
|
|
||||||
|
|
||||||
|
|
131
textfiles.com/groups/CDC/cDc-0359.txt
Normal file
131
textfiles.com/groups/CDC/cDc-0359.txt
Normal file
@@ -0,0 +1,131 @@
|
|||||||
|
|
||||||
|
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... Dark Harvest
|
||||||
|
by Sangfroid
|
||||||
|
7/15/1998-#359
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
|
||||||
|
I feel the need... But I'm not addicted.
|
||||||
|
|
||||||
|
that's for them boys
|
||||||
|
shooting the heroin in their arms...
|
||||||
|
I just smoke up a few times a day
|
||||||
|
is all.
|
||||||
|
|
||||||
|
I scratch my dirty arm and
|
||||||
|
laugh softly to myself as I watch
|
||||||
|
the young boy walk up the
|
||||||
|
sidewalk to his house.
|
||||||
|
these strange kids wearing their black
|
||||||
|
clothes and dying their hair black never cease to amaze me.
|
||||||
|
don't they understand this is a violent neighborhood? in this
|
||||||
|
jungle, the strong survive and the weak are broken. hrmph..
|
||||||
|
well, one more step and he'll be up to his gate...
|
||||||
|
|
||||||
|
I slowly walk up behind the boy, and call him by name.
|
||||||
|
The boy turns to respond, sees it's me, his building's repairman, and
|
||||||
|
gives me a timid smile.
|
||||||
|
|
||||||
|
That's right, just a little job, your landlord sent me...
|
||||||
|
|
||||||
|
The boy looks unsure, but lets me in the small carriage apartment
|
||||||
|
anyway...
|
||||||
|
|
||||||
|
I slowly reach down and grab the handle of my hammer...
|
||||||
|
I see the spot I need, theArcOfTheSwingComesFull!...the
|
||||||
|
claw of the hammer is buried in the boy's skull...the blood...SHIT!
|
||||||
|
The blood! Must have really buried it deep...blood is spattering on me...
|
||||||
|
|
||||||
|
The boy is still kickin', damn...
|
||||||
|
Damn! I feel the need...must hurry...
|
||||||
|
I knew I'd have to cover my ass, I heard
|
||||||
|
some of the other customers at my dealer talkin' bout how they
|
||||||
|
got rid of the last body they rolled.
|
||||||
|
Tying the boy's now twitching arms behind his back,
|
||||||
|
I grab the small mattress and box springs off of the bed,
|
||||||
|
and drag it over the body.
|
||||||
|
Can't get distracted, I know what I'm here for, grabbing my bag
|
||||||
|
I fill it with the boy's large collection of music CDs, his watch,
|
||||||
|
and some other trinkets I know the pawn shop can't trace.
|
||||||
|
Oh! The bike, can't forget the bike...need transportation.
|
||||||
|
|
||||||
|
That'll get me through the week, at least $500.00 worth of
|
||||||
|
merchandise for the pawn shop..
|
||||||
|
|
||||||
|
Now, for the finishing touches...gasoline on the mattress, my ever-
|
||||||
|
present zippo...
|
||||||
|
|
||||||
|
Off to the pawn shop...then the dealer, shit..gotta get the blood out of
|
||||||
|
these pants.
|
||||||
|
|
||||||
|
I'm not addicted.
|
||||||
|
|
||||||
|
/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
||||||
|
|
||||||
|
Sure, I'd seen William around New Orleans, but goths here are a dime a
|
||||||
|
dozen. They wash in and out of town like Mardi Gras beads discarded by drunken tourists.
|
||||||
|
|
||||||
|
See, William and I were 'virtual friends': we spoke more on IRC than when
|
||||||
|
we would briefly meet out, or when passing on Decatur street.
|
||||||
|
|
||||||
|
Last week someone decided William's life was worth 140 CDs, a watch,
|
||||||
|
and a bicycle. After having his skull crushed with a hammer, his hands
|
||||||
|
were bound behind his back, his mattress thrown over his dead body and set
|
||||||
|
afire.
|
||||||
|
|
||||||
|
The night before that animal took a claw hammer to William's skull,
|
||||||
|
William asked me what making love to a woman was like.
|
||||||
|
|
||||||
|
He had never been with a woman, never had a girlfriend, or felt the
|
||||||
|
warmth of a woman's body in the morning lying next to him. I told him,
|
||||||
|
"Ah, William, don't you worry yourself...you are young, you'll have plenty
|
||||||
|
of time to get you some...relax, enjoy your youth while you can...don't be
|
||||||
|
in a hurry."
|
||||||
|
|
||||||
|
I think I'm going to go find a bottle of Bombay Sapphire.
|
||||||
|
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Omega __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
http://www.cultdeadcow.com
|
||||||
|
|
||||||
|
|
593
textfiles.com/groups/CDC/cDc-0360.html
Normal file
593
textfiles.com/groups/CDC/cDc-0360.html
Normal file
@@ -0,0 +1,593 @@
|
|||||||
|
<HTML>
|
||||||
|
<HEAD>
|
||||||
|
<TITLE>cDc #360</TITLE>
|
||||||
|
</HEAD>
|
||||||
|
<BODY BGCOLOR="#FFFFFF">
|
||||||
|
|
||||||
|
<PRE>
|
||||||
|
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... The Journalist's Cookbook
|
||||||
|
Version 1.0
|
||||||
|
by Reid Fleming
|
||||||
|
7/15/1998-#360
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
[<B>Editor's note</B>: This is a living document. It will be updated from time
|
||||||
|
to time, and its version number incremented to reflect major and minor
|
||||||
|
changes.]
|
||||||
|
|
||||||
|
|
||||||
|
Eventually it happens to everybody. The producer asks you to put
|
||||||
|
together a segment on computer crime or the hacker subculture. Sounds easy
|
||||||
|
enough. You already have a couple ideas. And luckily you have that
|
||||||
|
friend-of-a-friend who knows that hacker who went to jail.
|
||||||
|
|
||||||
|
But once you start actually writing, you realize that your script is
|
||||||
|
sounding as trite as anything you've ever seen. No matter how much you
|
||||||
|
try to jazz it up, it looks like every other hacker spot you've seen.
|
||||||
|
Pretty soon you're downright desperate for ideas.
|
||||||
|
|
||||||
|
Here's a suggestion: don't agonize over what will end up being just
|
||||||
|
another derivative news piece anyway. Instead, let this document help
|
||||||
|
you produce yet another mediocre story about computer hackers.
|
||||||
|
|
||||||
|
|
||||||
|
TABLE OF CONTENTS
|
||||||
|
<A HREF="cDc-0360.html#TITLE">
|
||||||
|
TITLE</A><A HREF="cDc-0360.html#TOPIC">
|
||||||
|
TOPIC</A><A HREF="cDc-0360.html#IMPENDING THREATS">
|
||||||
|
IMPENDING THREATS</A><A HREF="cDc-0360.html#STATISTICS">
|
||||||
|
STATISTICS</A><A HREF="cDc-0360.html#THE LEAD">
|
||||||
|
THE LEAD</A><A HREF="cDc-0360.html#MOVIE CLIPS">
|
||||||
|
MOVIE CLIPS</A><A HREF="cDc-0360.html#ABOUT DEFINITIONS">
|
||||||
|
DEFINITIONS</A><A HREF="cDc-0360.html#MONEY SHOTS">
|
||||||
|
MONEY SHOTS</A><A HREF="cDc-0360.html#ANIMATIONS">
|
||||||
|
ANIMATIONS</A><A HREF="cDc-0360.html#INTERVIEWS">
|
||||||
|
INTERVIEWS</A><A HREF="cDc-0360.html#ABOUT SHOOTING YOUR SUBJECTS">
|
||||||
|
SHOOTING YOUR SUBJECTS</A>
|
||||||
|
<A HREF="cDc-0360.html#computer hackers">Computer Hackers</A>
|
||||||
|
<A HREF="cDc-0360.html#SETTINGS HACKER">Settings</A>
|
||||||
|
<A HREF="cDc-0360.html#INSERTS HACKER">Inserts</A>
|
||||||
|
<A HREF="cDc-0360.html#law enforcement officials">Law Enforcement Officials</A>
|
||||||
|
<A HREF="cDc-0360.html#SETTINGS FEDS">Settings</A>
|
||||||
|
<A HREF="cDc-0360.html#INSERTS FEDS">Inserts</A>
|
||||||
|
<A HREF="cDc-0360.html#security experts">Security Experts</A>
|
||||||
|
<A HREF="cDc-0360.html#SETTINGS SECURITY">Settings</A>
|
||||||
|
<A HREF="cDc-0360.html#INSERTS SECURITY">Inserts</A><A HREF="cDc-0360.html#THE CLOSING">
|
||||||
|
The Closing</A>
|
||||||
|
<A HREF="cDc-0360.html#APPENDIX A">
|
||||||
|
Appendix A</A>: Statistics<A HREF="cDc-0360.html#APPENDIX B">
|
||||||
|
Appendix B</A>: Interview Subjects<A HREF="cDc-0360.html#APPENDIX C">
|
||||||
|
Appendix C</A>: Vernhackular
|
||||||
|
|
||||||
|
<HR NOSHADE>
|
||||||
|
<A NAME="TITLE"></A><B>TITLE</B>
|
||||||
|
|
||||||
|
Start by selecting the working title of your piece. In many news
|
||||||
|
organizations, the title isn't even chosen by the producer of the piece,
|
||||||
|
so it's often a waste of time to come up with something good, just to
|
||||||
|
have it retitled at the last minute. And even if you DO get to choose
|
||||||
|
your own title, it doesn't matter. Nobody remembers them.
|
||||||
|
|
||||||
|
Regardless, it's easier to avoid writer's block once you have a title.
|
||||||
|
Here are some examples to get you thinking. (Of course, if you're really
|
||||||
|
short on time, just crib one without modification.)
|
||||||
|
|
||||||
|
- The Cyberwarriors
|
||||||
|
- At Your Digital Doorstep
|
||||||
|
- The Digitally Depraved
|
||||||
|
- Hacking The Planet
|
||||||
|
- How Secure Are You Really?
|
||||||
|
- Is Your Data Safe?
|
||||||
|
- Dialing for Mayhem
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="TOPIC"></A><B>TOPIC</B>
|
||||||
|
|
||||||
|
Now choose a topic corresponding to a recent computer crime. This can be
|
||||||
|
very easy. Just check out the AntiOnline web site for recent hacker
|
||||||
|
news. The site is written for the layperson with some understanding of
|
||||||
|
vernhackular. <<A HREF="http://www.antionline.com/">http://www.antionline.com/</A>>
|
||||||
|
|
||||||
|
If AntiOnline doesn't help, then this can be hard. Check the newspapers,
|
||||||
|
magazines, chat boards... ferret out some recent computer crimes. If you
|
||||||
|
can find a fresh event falling into one of these categories, write it
|
||||||
|
down (if you don't have time for that, then just pick one that sounds good):
|
||||||
|
|
||||||
|
- Banking systems/ATM network penetration
|
||||||
|
- Cryptography
|
||||||
|
- Cyber terrorism/electronic pearl harbor
|
||||||
|
- Hacktivism
|
||||||
|
- Identity theft
|
||||||
|
- Military or Fortune 100 systems penetration
|
||||||
|
- Online privacy
|
||||||
|
- Personal data theft
|
||||||
|
- Proliferation of Increasingly Sophisticated Hacking Tools
|
||||||
|
- International Hacker Gatherings
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="IMPENDING THREATS"></A><B>IMPENDING THREATS</B>
|
||||||
|
|
||||||
|
The phrase "electronic Pearl Harbor" has crept into the national
|
||||||
|
consciousness. It encompasses the commonly-cited worst case scenarios in
|
||||||
|
the computer hacking sphere. This set of impending cataclysms includes
|
||||||
|
the disruption or obliteration of any the following computer systems:
|
||||||
|
|
||||||
|
- Military sites protecting nuclear, biological, or chemical agents
|
||||||
|
- Air Traffic Control systems
|
||||||
|
- Communications satellites
|
||||||
|
- Interstate power grids
|
||||||
|
- 911 systems
|
||||||
|
- Metropolitan mass transit systems
|
||||||
|
- Hospital systems (patient record databases)
|
||||||
|
- National credit databases
|
||||||
|
- The Internet backbone itself
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="STATISTICS"></A><B>STATISTICS</B>
|
||||||
|
|
||||||
|
You know the deal with statistics: no one can verify them, so don't worry
|
||||||
|
about quoting your sources. They're just guesses anyway. Well, this
|
||||||
|
wisdom is ESPECIALLY true in the case of computer crime.
|
||||||
|
|
||||||
|
So grab a useful statistic from a print story, or use one of those
|
||||||
|
provided in <A HREF="cDc-0360.html#APPENDIX A">Appendix A</A>. In a pinch you can just make something up. No
|
||||||
|
one will have any idea.
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="THE LEAD"></A><B>THE LEAD</B>
|
||||||
|
|
||||||
|
If you don't have time to write your own, try this sure-fire intro.
|
||||||
|
|
||||||
|
"[CYBER TERRORISM]. With the recent [SHUTDOWN OF THE PUBLIC LIBRARY
|
||||||
|
SYSTEM], it's been on everybody's mind. We've all heard stories of
|
||||||
|
computer hackers [DISRUPTING AIR TRAFFIC CONTROL COMPUTERS] and
|
||||||
|
[DISABLING 911 SYSTEMS], but just how big a problem is this? According
|
||||||
|
to statistics, [20 MILLION HACKS ARE PERPETRATED EACH YEAR]. With odds
|
||||||
|
like that, it makes you wonder: how safe are we really?"
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="MOVIE CLIPS"></A><B>MOVIE CLIPS</B>
|
||||||
|
|
||||||
|
Consider the use of a movie clip to hook your audience right away. At
|
||||||
|
least some of these films are familiar to most of your audience, even the
|
||||||
|
ones who don't have computers.
|
||||||
|
|
||||||
|
Grab a suitable sequence from one of the following flicks and open your
|
||||||
|
story with it.
|
||||||
|
|
||||||
|
- <A HREF="http://us.imdb.com/Title?GoldenEye+(1995)">Goldeneye</A>
|
||||||
|
- <A HREF="http://us.imdb.com/Title?Hackers">Hackers</A>
|
||||||
|
- <A HREF="http://us.imdb.com/Title?Lawnmower+Man,+The+(1992)">Lawnmower Man</A>
|
||||||
|
- <A HREF="http://us.imdb.com/Title?Net,+The+(1995)">The Net</A>
|
||||||
|
- <A HREF="http://us.imdb.com/Title?Terminator+2">Terminator 2</A>
|
||||||
|
- <A HREF="http://us.imdb.com/Title?Real+Genius">Real Genius</A>
|
||||||
|
- <A HREF="http://us.imdb.com/Title?Sneakers">Sneakers</A>
|
||||||
|
- <A HREF="http://us.imdb.com/Title?Speed+2">Speed 2</A>
|
||||||
|
- <A HREF="http://us.imdb.com/Title?Superman+III+(1983)">Superman III</A>
|
||||||
|
- <A HREF="http://us.imdb.com/Title?Wargames">Wargames</A>
|
||||||
|
- <A HREF="http://us.imdb.com/Title?Armchair+Hacker,+The">The Armchair Hacker</A>
|
||||||
|
- <A HREF="http://us.imdb.com/Title?Tron+(1982)">Tron</A>
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="ABOUT DEFINITIONS"></A><B>ABOUT DEFINITIONS</B>
|
||||||
|
|
||||||
|
Explain the technical jargon to your audience as each term arises. Your
|
||||||
|
intro may require the use of one or more terms, but resist the urge to
|
||||||
|
explain everything at once. It's boring, and it won't work anyway.
|
||||||
|
|
||||||
|
Ask your interview subjects to explain any jargon they use. While
|
||||||
|
they're at it, ask them to explain the jargon used by anyone you
|
||||||
|
interviewed previously. Someone else may be better at explaining
|
||||||
|
something than the person who actually used the term.
|
||||||
|
|
||||||
|
If an explanation differs substantially from that offered in <A HREF="cDc-0360.html#APPENDIX C">Appendix C</A>,
|
||||||
|
use the one offered by your source. Things change so rapidly on the
|
||||||
|
Internet that words are often redefined.
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="MONEY SHOTS"></A><B>MONEY SHOTS</B>
|
||||||
|
|
||||||
|
These are the clips of hackers sharing the fruits of their labor. Your
|
||||||
|
story should have at least one of these.
|
||||||
|
|
||||||
|
- Hacked web sites (FBI, CIA, DOJ, NASA, etc.)
|
||||||
|
- Purloined data scrolling across monitor
|
||||||
|
- Screenful of cracked passwords
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="ANIMATIONS"></A><B>ANIMATIONS</B>
|
||||||
|
|
||||||
|
If you need them, here are some tried-and-true ideas for CG elements.
|
||||||
|
|
||||||
|
- Packets served across the Internet
|
||||||
|
- Satellite hacking
|
||||||
|
- Virus infecting files
|
||||||
|
- Files being deleted
|
||||||
|
- Calls being traced
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="INTERVIEWS"></A><B>INTERVIEWS</B>
|
||||||
|
|
||||||
|
There are just three categories of subjects worthy of on-camera
|
||||||
|
interviews: computer hackers, law enforcement officials, and security
|
||||||
|
experts.
|
||||||
|
|
||||||
|
Whenever you interview any of these subjects, you must determine their
|
||||||
|
credentials. By this we mean the following:
|
||||||
|
|
||||||
|
* number of years in their respective roles
|
||||||
|
* famous exploits
|
||||||
|
* membership in appropriate organizations
|
||||||
|
* authorship of any books or articles on the topic
|
||||||
|
* relevant jail time
|
||||||
|
* whether the subject has been featured in any previous interviews
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="ABOUT SHOOTING YOUR SUBJECTS"></A><B>ABOUT SHOOTING YOUR SUBJECTS</B>
|
||||||
|
|
||||||
|
Just four simple rules, all of which you should already know.
|
||||||
|
|
||||||
|
Rule number one: always shoot the subject working at a computer. This is
|
||||||
|
absolutely crucial, never omit it.
|
||||||
|
|
||||||
|
Rule number two: conduct the interview in the subject's habitat, but away
|
||||||
|
from the computer.
|
||||||
|
|
||||||
|
Rule number three: get lots of closeups. Room decorations, computer
|
||||||
|
systems, keyboards, bookshelves, anything visually appealing. You will
|
||||||
|
need these for cutaways.
|
||||||
|
|
||||||
|
Rule number four: get full coverage on the subject. This can mean more
|
||||||
|
than closeups and reverse shots. Shoot ECUs of prominent jewelry,
|
||||||
|
t-shirt logos, badges, holsters, ID tags, whatever. More cutaway material.
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="computer hackers"></A>computer hackers
|
||||||
|
----------------
|
||||||
|
|
||||||
|
<A NAME="SETTINGS HACKER"></A>SETTINGS
|
||||||
|
|
||||||
|
- hacker in his habitat
|
||||||
|
- anti-Microsoft propaganda (posters, bumper stickers, etc.)
|
||||||
|
- pro-UNIX propaganda
|
||||||
|
- 2600 magazine
|
||||||
|
- Phrack
|
||||||
|
|
||||||
|
- anonymous hacker in nondescript hotel room
|
||||||
|
- features obliterated
|
||||||
|
- silhouette against scary backlight
|
||||||
|
- mosaic face
|
||||||
|
|
||||||
|
- hacker conventions
|
||||||
|
- Defcon
|
||||||
|
- Hohocon
|
||||||
|
- HOPE
|
||||||
|
- Summercon
|
||||||
|
|
||||||
|
- dumpster
|
||||||
|
|
||||||
|
- bank of payphones
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="INSERTS HACKER"></A>INSERTS
|
||||||
|
|
||||||
|
- offbeat grooming & wardrobe
|
||||||
|
- unusual hairdos
|
||||||
|
- body piercings
|
||||||
|
- tattoos
|
||||||
|
- 2600 t-shirt
|
||||||
|
- leather jacket
|
||||||
|
|
||||||
|
- equipment
|
||||||
|
- computers, plural
|
||||||
|
- keyboards
|
||||||
|
- CRTs
|
||||||
|
- misc. gadgetry
|
||||||
|
|
||||||
|
- software tools
|
||||||
|
- L0phtCrack
|
||||||
|
- Satan
|
||||||
|
- Back Orifice
|
||||||
|
|
||||||
|
- internet chat rooms
|
||||||
|
- #hack
|
||||||
|
- #cDc
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="law enforcement officials"></A>law enforcement officials
|
||||||
|
-------------------------
|
||||||
|
|
||||||
|
FBI agents, Secret Service agents, local police officers, anyone from the
|
||||||
|
Department of Justice, local district attorneys, etc.
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="SETTINGS FEDS"></A>SETTINGS
|
||||||
|
|
||||||
|
- server room
|
||||||
|
- cubicle
|
||||||
|
|
||||||
|
<A NAME="INSERTS FEDS"></A>INSERTS
|
||||||
|
|
||||||
|
- building entrance
|
||||||
|
- nametag
|
||||||
|
- badge
|
||||||
|
- gun
|
||||||
|
- bookshelves
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="security experts"></A>security experts
|
||||||
|
----------------
|
||||||
|
|
||||||
|
These come in two flavors: computer security consultants, and computer
|
||||||
|
privacy advocates.
|
||||||
|
|
||||||
|
Security consultants (usually themselves former hackers or law
|
||||||
|
enforcement) are paid consultants who sell their insight into the
|
||||||
|
methodology and ideology of the typical hacker. Usually self-employed.
|
||||||
|
|
||||||
|
Computer privacy advocates are private individuals who speak out publicly
|
||||||
|
regarding threats to personal liberty in cyberspace. Favorite topics
|
||||||
|
include: export restrictions on certain cryptographic materials, the
|
||||||
|
validity of various data encryption schemes, and the potential
|
||||||
|
vulnerability of critical information systems.
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="SETTINGS SECURITY"></A>SETTINGS
|
||||||
|
|
||||||
|
- server room
|
||||||
|
- telephone equipment room
|
||||||
|
- cubicle
|
||||||
|
|
||||||
|
<A NAME="INSERTS SECURITY"></A>INSERTS
|
||||||
|
|
||||||
|
- storefront / sign
|
||||||
|
- bookshelves
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
<A NAME="THE CLOSING"></A><B>THE CLOSING</B>
|
||||||
|
|
||||||
|
Nothing special here. Just a few sentences that re-emphasize the topic.
|
||||||
|
Remember that no matter the precise issue, the general message should be
|
||||||
|
to fear the relentless and unstoppable legion of computer hackers.
|
||||||
|
|
||||||
|
Perhaps you could close with an epigram. In which case, you should crack
|
||||||
|
open <A HREF="http://www.columbia.edu/acis/bartleby/bartlett/">Bartlett's Quotations</A>. Try one of these topics: COMPUTER, DANGER,
|
||||||
|
MENACE, PERIL, RISK, THREAT, TREACHERY, VULNERABLE.
|
||||||
|
|
||||||
|
<HR NOSHADE>
|
||||||
|
<A NAME="APPENDIX A"></A><B>APPENDIX A</B> - STATISTICS
|
||||||
|
|
||||||
|
<<A HREF="http://cnn.com/TECH/computing/9804/06/computer.security/">http://cnn.com/TECH/computing/9804/06/computer.security/</A>>
|
||||||
|
Nearly 80 percent of U.S. businesses have been victims of computer crimes.
|
||||||
|
58 percent of Fortune 1000 companies have experienced computer
|
||||||
|
break-ins. 18 percent of that group suffered more than $1 million in losses.
|
||||||
|
|
||||||
|
|
||||||
|
<<A HREF="http://www.defcon.org/TEXT/5/larrylange-eetimes-winn.html">http://www.defcon.org/TEXT/5/larrylange-eetimes-winn.html</A>>
|
||||||
|
According to the FBI, 122 countries across the world currently have
|
||||||
|
online hacking capabilities.
|
||||||
|
|
||||||
|
We know that in the neighborhood of 20 million hacks a year are occurring
|
||||||
|
worldwide.
|
||||||
|
|
||||||
|
|
||||||
|
<<A HREF="http://www.technopolitics.com/scripts/tp06-06-97.html">http://www.technopolitics.com/scripts/tp06-06-97.html</A>>
|
||||||
|
The average cyberheist nets $250,000 with a less than one
|
||||||
|
percent rate of conviction.
|
||||||
|
|
||||||
|
Only 17 percent of the major corporations and financial institutions that
|
||||||
|
have been intruded actually report it.
|
||||||
|
|
||||||
|
75 percent of the Fortune 500 companies have been successfully penetrated.
|
||||||
|
The average loss that they concede is about $100,000.
|
||||||
|
|
||||||
|
The FBI estimates that the total losses from these electronic rip offs
|
||||||
|
range from a rock bottom figure of $500 million a year up to $10 billion.
|
||||||
|
|
||||||
|
<A HREF="http://www.cultdeadcow.com/news/medialist.htm">
|
||||||
|
cDc Media List</A>
|
||||||
|
_Rocky Mountain News_, August 18, 1996, "Air Force battles computer hackers",
|
||||||
|
pg 42A. Hundreds of thousands of times a year, the Cyberwarrior
|
||||||
|
[the U.S. Air Force Information Warfare Center] defends the nation's secrets
|
||||||
|
from the members of the Legion of Doom and the CULT of the DEAD COW in a
|
||||||
|
battlefield that spans the globe.
|
||||||
|
|
||||||
|
<HR>
|
||||||
|
<A NAME="APPENDIX B"></A><B>APPENDIX B</B> - INTERVIEW SUBJECTS
|
||||||
|
|
||||||
|
Try these organizations' web sites for up-to-date contact info.
|
||||||
|
|
||||||
|
|
||||||
|
HACKERS
|
||||||
|
|
||||||
|
- 2600 Magazine
|
||||||
|
<<A HREF="http://www.2600.com/">http://www.2600.com/</A>>
|
||||||
|
|
||||||
|
- Chaos Computer Club
|
||||||
|
<<A HREF="http://www.ccc.de/">http://www.ccc.de/</A>>
|
||||||
|
|
||||||
|
- Cult of the Dead Cow
|
||||||
|
<<A HREF="http://www.cultdeadcow.com/">http://www.cultdeadcow.com/</A>>
|
||||||
|
|
||||||
|
- L0pht Heavy Industries
|
||||||
|
<<A HREF="http://www.l0pht.com/">http://www.l0pht.com/</A>>
|
||||||
|
|
||||||
|
- <A HREF="http://www.newhackcity.net/">New Hack City</A>
|
||||||
|
<<A HREF="http://www.newhackcity.net/">http://www.newhackcity.net/</A>>
|
||||||
|
|
||||||
|
- Phrack
|
||||||
|
<<A HREF="http://www.phrack.com/">http://www.phrack.com/</A>>
|
||||||
|
|
||||||
|
- r00t
|
||||||
|
<<A HREF="http://www.r00t.org/">http://www.r00t.org/</A>>
|
||||||
|
|
||||||
|
|
||||||
|
LAW ENFORCEMENT
|
||||||
|
|
||||||
|
- Federal Bureau of Investigation
|
||||||
|
<<A HREF="http://www.fbi.gov/">http://www.fbi.gov/</A>>
|
||||||
|
|
||||||
|
- Secret Service
|
||||||
|
<<A HREF="http://www.treas.gov/usss/">http://www.treas.gov/usss/</A>>
|
||||||
|
|
||||||
|
- San Jose Police Department
|
||||||
|
<<A HREF="http://www.sjpd.org/">http://www.sjpd.org/</A>>
|
||||||
|
|
||||||
|
|
||||||
|
SECURITY EXPERTS
|
||||||
|
|
||||||
|
- Cypherpunks
|
||||||
|
<<A HREF="ftp://ftp.csua.berkeley.edu/pub/cypherpunks/Home.html">ftp://ftp.csua.berkeley.edu/pub/cypherpunks/Home.html</A>>
|
||||||
|
|
||||||
|
- Electronic Frontier Foundation
|
||||||
|
<<A HREF="http://www.eff.org/">http://www.eff.org/</A>>
|
||||||
|
|
||||||
|
- Bruce Schneier
|
||||||
|
<<A HREF="http://www.counterpane.com/">http://www.counterpane.com/</A>>
|
||||||
|
|
||||||
|
- Tsutomu Shimomura (<A HREF="mailto:tsutomu@sdsc.edu">tsutomu@sdsc.edu</A>)
|
||||||
|
<<A HREF="http://www.takedown.com/">http://www.takedown.com/</A>>
|
||||||
|
|
||||||
|
- Cliff Stoll (<A HREF="mailto:stoll@ocf.berkeley.edu">stoll@ocf.berkeley.edu</A>)
|
||||||
|
<<A HREF="http://www.ocf.berkeley.edu/~stoll/">http://www.ocf.berkeley.edu/~stoll/</A>>
|
||||||
|
|
||||||
|
<HR>
|
||||||
|
<A NAME="APPENDIX C"></A><B>APPENDIX C</B> - VERNHACKULAR
|
||||||
|
|
||||||
|
These are some of the more common vocabulary items.
|
||||||
|
|
||||||
|
|
||||||
|
ATTACK: a specific tactic designed to generate some kind of malfunction,
|
||||||
|
usually to grant or deny computer access -- syn. EXPLOIT
|
||||||
|
|
||||||
|
BACK DOOR: Leaving behind a hidden or nonobvious method to regain system
|
||||||
|
access during subsequent visits
|
||||||
|
|
||||||
|
BLACK HAT: a malicious hacker who defies the Hacker Ethic -- ant. WHITE HAT
|
||||||
|
|
||||||
|
CARDING: credit card fraud, typically for mailorder goods
|
||||||
|
|
||||||
|
CRACKER: contemptuous term for hacker, or abbrev. for password cracker
|
||||||
|
|
||||||
|
DENIAL OF SERVICE: an attack designed to prevent the productive use of a
|
||||||
|
computer system, by overworking the computer beyond its operational limits
|
||||||
|
|
||||||
|
DUMPSTER DIVING: looking through the garbage for discarded equipment,
|
||||||
|
useful information, or other materials -- syn. TRASHING
|
||||||
|
|
||||||
|
EXPLOIT: see attack
|
||||||
|
|
||||||
|
HACKER: a person skilled or expertised in methods of hacking computer
|
||||||
|
systems
|
||||||
|
|
||||||
|
HACKER ETHIC: an informal code of conduct designed to preserve the
|
||||||
|
integrity of a hacked computer system and its contents, the terms of
|
||||||
|
which generally prohibit the contamination or destruction of valuable
|
||||||
|
data or other resources
|
||||||
|
|
||||||
|
HACKING: the process of gaining unauthorized access to a computer system
|
||||||
|
|
||||||
|
HACKTIVISM: a term first coined by THE CULT OF THE DEAD COW to describe one
|
||||||
|
brand of activism practiced by the <A HREF="http://www.cultdeadcow.com/cDc_files/cDc-0356.html">HONG KONG BLONDES</A>; a policy of hacking,
|
||||||
|
phreaking, or creating technology to achieve a political or social goal
|
||||||
|
|
||||||
|
HANDLE: a hacker's chosen alias, or nom-de-hack
|
||||||
|
|
||||||
|
MAN IN THE MIDDLE: an attack wherein a malicious agent seeks to intercept
|
||||||
|
communications between two computers and rewrite certain message contents
|
||||||
|
|
||||||
|
OWNED: a computer whose security has been entirely neutralized by a hacker
|
||||||
|
|
||||||
|
PACKET SNIFFER: a computer program designed to reveal the contents of all
|
||||||
|
network traffic within earshot of the computer, not just the data bound
|
||||||
|
for that particular system
|
||||||
|
|
||||||
|
PASSWORD CRACKER: a computer program designed to extract the passwords of
|
||||||
|
a given system's user database, usually employing a method of brute force
|
||||||
|
or dictionary comparison
|
||||||
|
|
||||||
|
PHREAK: a person skilled or expertised in methods of phone phreaking
|
||||||
|
|
||||||
|
PHREAKING: manipulating the telephone system in order to reroute phone
|
||||||
|
calls, avoid billing, or otherwise defraud the phone company
|
||||||
|
|
||||||
|
SECURITY THROUGH OBSCURITY: the tactic of protecting something by keeping
|
||||||
|
secret all its details
|
||||||
|
|
||||||
|
SNIFFER: abbrev. for packet sniffer
|
||||||
|
|
||||||
|
SOCIAL ENGINEERING: any means of convincing someone to willingly furnish
|
||||||
|
information which is unavailable to the general public, usually by posing
|
||||||
|
as someone with a legitimate need
|
||||||
|
|
||||||
|
SPOOFING: making it appear that data originating from an untrusted
|
||||||
|
computer is actually coming from a trusted one
|
||||||
|
|
||||||
|
TRASHING: see dumpster diving
|
||||||
|
|
||||||
|
TROJAN HORSE: any piece of software intentionally infected with a virus,
|
||||||
|
and purposely provided to others
|
||||||
|
|
||||||
|
VIRUS: a small computer program devised to be undetectable and duplicate
|
||||||
|
itself
|
||||||
|
|
||||||
|
WAREZ: illegally-duplicated computer software products
|
||||||
|
|
||||||
|
WHITE HAT: a mediagenic hacker who adheres to the Hacker Ethic -- ant.
|
||||||
|
BLACK HAT
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Omega __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
<A HREF="http://www.cultdeadcow.com">http://www.cultdeadcow.com</A>
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
</PRE>
|
||||||
|
|
||||||
|
<P> </P>
|
||||||
|
</BODY>
|
||||||
|
</HTML>
|
BIN
textfiles.com/groups/CDC/camping.trip
Normal file
BIN
textfiles.com/groups/CDC/camping.trip
Normal file
Binary file not shown.
456
textfiles.com/groups/CDC/cdc-0356.txt
Normal file
456
textfiles.com/groups/CDC/cdc-0356.txt
Normal file
@@ -0,0 +1,456 @@
|
|||||||
|
cDc #356
|
||||||
|
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
|
||||||
|
...presents... The Longer March
|
||||||
|
by Oxblood Ruffin
|
||||||
|
7/15/1998-#356
|
||||||
|
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
"Adventure, exploration, discovery, human courage and cowardice, ecstasy and
|
||||||
|
triumph, suffering, sacrifice, and loyalty, and then through it all, like a
|
||||||
|
flame, an undimmed ardor and undying hope and amazing revolutionary optimism
|
||||||
|
of those thousands of youth who would not admit defeat either by man or nature
|
||||||
|
or God or death -- all this is and more seemed embodied in the history of an
|
||||||
|
odyssey unequaled in modern times."
|
||||||
|
-- Edgar Snow, _Red Star over China_
|
||||||
|
|
||||||
|
This interview was conducted at Ted's Auto Collision Bay and Fine
|
||||||
|
Dining in Toronto, on July 7th, 1998. Blondie Wong (hereafter, B)
|
||||||
|
is the Director of the Hong Kong Blondes and Oxblood Ruffin
|
||||||
|
(hereafter, O) is the Foreign Minister of the
|
||||||
|
CULT OF THE DEAD COW (cDc).
|
||||||
|
|
||||||
|
[Editor's note: This interview was referred to in Arik Hesseldahl's
|
||||||
|
July 14, 1998 WIRED NEWS article, "Hacking for Human Rights"
|
||||||
|
|
||||||
|
and the Toronto Star's July 23, 1998 article,
|
||||||
|
|
||||||
|
"Computer Hacking New Tool of Political Activism".]
|
||||||
|
|
||||||
|
O: I'm happy that this is finally coming together. I've had all kindsa
|
||||||
|
people beggin' me to speak with you. One journalist even emailed me to
|
||||||
|
suggest that he would fly anywhere in the world where I could blindfold
|
||||||
|
him and put him in the trunk of a car, then drive him to some secret
|
||||||
|
rendezvous where he would interview you.
|
||||||
|
B: It sounds like something from a movie. Are you sure he wasn't joking?
|
||||||
|
O: No. He was very sincere. I was tempted to take him up on his offer and
|
||||||
|
drive him to Detroit. "Hey, babe. Blondie couldn't make it but I've
|
||||||
|
managed to dig up Jimmy Hoffa for you."
|
||||||
|
B: I know that was a joke -- but I don't know what kind.
|
||||||
|
O: O.K., before we begin, I've gotta ask you something?
|
||||||
|
B: Yes.
|
||||||
|
O: What's up with you and those Prada loafers. Have you been reading
|
||||||
|
_Wallpaper?_ Are you dating a model? Give it up hacker man.
|
||||||
|
B: Enough. Clothes aren't important.
|
||||||
|
O: If that were true you wouldn't wear D&G suits. Face it. You're one
|
||||||
|
stylin' revolutionary.
|
||||||
|
B: I own two suits. Everything else can be put into a suitcase and that
|
||||||
|
includes my computer and personal items. I own very little.
|
||||||
|
O: You like to travel light.
|
||||||
|
B: I have to travel light.
|
||||||
|
O: You make it sound like someone is after you.
|
||||||
|
B: You know who is after.
|
||||||
|
O: O.K. Do you believe that the Government of China is looking for you?
|
||||||
|
B: I know so.
|
||||||
|
O: How do you know?
|
||||||
|
B: Our sources have alerted us. And there was the incident last August.
|
||||||
|
O: Pass. Do you still have armed guards.
|
||||||
|
B: Yes, over there.
|
||||||
|
O: Charming. He looks like a fucking troll.
|
||||||
|
B: Don't look at him. He doesn't like ...
|
||||||
|
O: Biscuits?
|
||||||
|
B: What?
|
||||||
|
O: He doesn't like white guys?
|
||||||
|
B: I am not always given suitable people.
|
||||||
|
O: Given?
|
||||||
|
B: Yes, our arrangement with [deleted] ...
|
||||||
|
O: Whoa! You shouldn't use their name.
|
||||||
|
B: Well, we have a working relationship with a group of people who are even
|
||||||
|
more outside of the law than we are.
|
||||||
|
O: That works. The enemies of my enemies are my friends.
|
||||||
|
B: What does that mean?
|
||||||
|
O: I think it's a quote from Themistocles. It means that sometimes we make
|
||||||
|
alliances based on mutual conflict with a third party. Like the U.S and
|
||||||
|
Iran. They have very little affection for each other but even less for
|
||||||
|
Iraq.
|
||||||
|
B: Just so. We share the same enemy. I like that.
|
||||||
|
O: And these law breakers provide you with armed guards?
|
||||||
|
B: That and other things. I prefer more to use their help to move people in
|
||||||
|
and out of the country.
|
||||||
|
O: You mean in and out of China?
|
||||||
|
B: Yes. A few months ago one of our people was picked up ...
|
||||||
|
O You mean Lemon Li?
|
||||||
|
B: Yes, Lemon was questioned in Beijing. She was released after a few hours
|
||||||
|
but I couldn't take any chances so our associates moved her out of
|
||||||
|
China. She is in Paris now.
|
||||||
|
O: Having a woman as the head of technical operations is sort of a radical
|
||||||
|
concept for a group of hackers.
|
||||||
|
B: Half of our members are women. Half of the people in the world are
|
||||||
|
women. Lemon is our best person. The best people go where they're
|
||||||
|
needed. That's our policy.
|
||||||
|
O: How'd she get the name Lemon? Is it from that song by U2?
|
||||||
|
B: No. She loves Meadowlark Lemon, the basketball player. She got an old
|
||||||
|
videotape of the Harlem Globetrotters and played it until it turned into
|
||||||
|
a snow storm.
|
||||||
|
O: Cool. So did moving Lemon to Europe disrupt the Blonde's agenda? Has it
|
||||||
|
made things more difficult?
|
||||||
|
B: Difficult? No. She is acting more like traffic co-ordinator now. Much of
|
||||||
|
our work is happening from the inside and she steers our efforts in the
|
||||||
|
right direction.
|
||||||
|
O: What do you mean that work is being done from the inside? The inside of
|
||||||
|
what?
|
||||||
|
B: We, the Blondes have grown by about twenty members from this time last
|
||||||
|
year. Many of the newer members are government employees. Technical
|
||||||
|
people mostly.
|
||||||
|
O: Get the fuck outa here. Are you saying that these people are like moles,
|
||||||
|
that they're members of the CP?
|
||||||
|
B: Yes.
|
||||||
|
O: Holy shit. That is some serious spy candy.
|
||||||
|
B: What?
|
||||||
|
O: Nothing. It's been an interesting year. I've noticed in the computer
|
||||||
|
underground that there are a few younger groups who cite the Hong Kong
|
||||||
|
Blondes as an inspiration. There's been a lot of activity, especially
|
||||||
|
around Analyzer's crew. He seems to have influenced people who claim to
|
||||||
|
be hacking for some higher purpose. They say they want to fight child
|
||||||
|
porn and other things. Do you have an opinion about this?
|
||||||
|
B: There has been a shift in consciousness, I believe. Younger people have
|
||||||
|
a great deal of talent although they can be very awkward. But the point
|
||||||
|
is, I think they are different from the generation of hackers before
|
||||||
|
them. They want the recognition and attention, but they also want to do
|
||||||
|
something to contribute to change things in a positive way. In general,
|
||||||
|
I think what they are doing will grow and turn into something that makes
|
||||||
|
a difference.
|
||||||
|
O: Do you think the BARC [nuclear research facility in India] break-in
|
||||||
|
represents some kind of progress? Is this the sort of thing that you're
|
||||||
|
talking about?
|
||||||
|
B: Yes. That's a good example. Nuclear proliferation is still a tremendous
|
||||||
|
threat to international security, but since the fall of the Berlin Wall
|
||||||
|
and the commercial development of Russia and the other states, there's
|
||||||
|
this attitude that everything is golden. Somehow people think that the
|
||||||
|
bombs have disappeared because we don't read about them in the papers
|
||||||
|
like we used to. At any rate, I view the BARC intrusion as something
|
||||||
|
positive because it will draw attention to the situation and cause more
|
||||||
|
discussion about a serious issue.
|
||||||
|
O: Were you political in school, in China? Is that where you got your
|
||||||
|
orientation?
|
||||||
|
B: I became aware of politics at an early age. But it was just awareness.
|
||||||
|
I was never politically active, if that is how you mean it. Politics
|
||||||
|
for me has always been something disgusting, something I didn't even
|
||||||
|
want to understand.
|
||||||
|
O: Woody Allen once joked that a politician was about two steps below a
|
||||||
|
pedophile.
|
||||||
|
B: That must make him feel slightly superior to a politician. But yes,
|
||||||
|
that is more or less my feeling too.
|
||||||
|
O: So when you say that you were politically aware, what do you mean by
|
||||||
|
that?
|
||||||
|
B: In China it is impossible not to be aware of politics. The Party is
|
||||||
|
everywhere. Meetings, criticism, people being denounced. And the fear,
|
||||||
|
that is really the big thing. Imagine: you can't speak freely. Or
|
||||||
|
you're always wondering who is going to report you for having contrary
|
||||||
|
opinions. What everyone in the West takes for granted is a luxury in
|
||||||
|
China. When I was younger I never really wanted to change anything. I
|
||||||
|
just wanted to remain above it. Sounds selfish, I know. But for me, my
|
||||||
|
goals have always been more -- how is it? -- more spiritual. I was,
|
||||||
|
even now, more influenced by persons outside of political life.
|
||||||
|
O: I understand, but even the great social activists are inherently
|
||||||
|
political. Gandhi, Martin Luther King, they were both stuck with
|
||||||
|
politics.
|
||||||
|
B: Fortunately they had the advantage of dealing with democratic
|
||||||
|
institutions. My opponents would be very happy to put a bullet in the
|
||||||
|
back of my head.
|
||||||
|
O: Yet you still do this work. Why?
|
||||||
|
B: I feel that I have no choice. I have the capacity to lead and to
|
||||||
|
organize. And there is, well, I think I still have a lot of anger in me.
|
||||||
|
My father was murdered during the Cultural Revolution. He was dragged
|
||||||
|
out of our home by the Red Guard and stoned to death right in front of
|
||||||
|
us.
|
||||||
|
O: Damn. Who was us? Your family?
|
||||||
|
B: Yes. My mother and myself. After that we went to live with my uncle.
|
||||||
|
O: So why did they come to your house? Why did they want your father?
|
||||||
|
B: One of the girls from the Red Guard denounced him. So stupid. He had
|
||||||
|
given her mother some calligraphy, something Buddhist, a prayer or
|
||||||
|
something, and that was what made my father an enemy of the people.
|
||||||
|
I think they had really just come to humiliate him, but it got out of
|
||||||
|
hand.
|
||||||
|
O: So you're a kid. Your father has been, well, murdered, and you and your
|
||||||
|
mother go to live with your uncle. What can you tell me about that?
|
||||||
|
B: It was very difficult for everyone, especially my mother. She became
|
||||||
|
excessively paranoid and eventually refused to leave the house. I had
|
||||||
|
to take care of her most of the time. When I went to school a neighbor
|
||||||
|
would come to help. My uncle is a bachelor and there was no one else in
|
||||||
|
the house. Plus he often traveled.
|
||||||
|
O: What did he do?
|
||||||
|
B: That is hard to answer. He is very gifted at languages. I think that's
|
||||||
|
all I can say. I became fluent in English because of him. Yes. But I
|
||||||
|
think that's all ..
|
||||||
|
O: Understood. And school? Growing up? That sort of stuff.
|
||||||
|
B: I was asleep in school mostly. Quite bored. School, learning, these
|
||||||
|
things have always been easy for me. I look at a book, once, twice, and
|
||||||
|
that's it. I understand, and it stays. I never had to study. So the
|
||||||
|
disadvantage was that I was always bored, looking out the window, you
|
||||||
|
know. Sports were the only thing that kept me from going crazy. I
|
||||||
|
played soccer at school, but mostly, I practiced martial arts. Anyway,
|
||||||
|
it was school, sports and running home to help out. That was my life.
|
||||||
|
O: Man. Was there anything, did you ever goof off, you know, do dopey shit
|
||||||
|
with your friends when you were a teenager, or were you pretty serious?
|
||||||
|
B: Let's see. Yes. When I was fifteen I fell under the spell of Bruce
|
||||||
|
Lee. Everyone thinks of him as this great martial artist, and that is
|
||||||
|
true, but what most people forget is how funny he was. He had been a
|
||||||
|
child actor in Hong Kong and was good at falling-down humor. You know,
|
||||||
|
when you're always tripping and falling on your ass, like what Jackie
|
||||||
|
Chan does.
|
||||||
|
O: You mean sight gags? Slapstick?
|
||||||
|
B: Yes, slapstick. I found these really ugly glasses with lenses so thick,
|
||||||
|
they made your eyes look like they were under a magnifying glass. I
|
||||||
|
used to put them on and talk really loud, asking stupid questions,
|
||||||
|
tripping, and repeating the same stupid question. It was ridiculous but
|
||||||
|
people laughed. So one day we, there were three of us, we decided to go
|
||||||
|
into a bakery and try out the routine. I went in and asked directions
|
||||||
|
on how to get to the bakery we were already in. The owner just looked
|
||||||
|
at me and said that I was there, that I was in the place I was looking
|
||||||
|
for. Then I asked the same question and started bumping into things.
|
||||||
|
And this poor man, he's just looking at me like I'm an idiot. And again
|
||||||
|
he explained that I'm in the right place. Meanwhile my friends were
|
||||||
|
stealing pastries. We did that at a few different places until we
|
||||||
|
almost got caught. I like doing imitations. I can do Kramer coming
|
||||||
|
through the door.
|
||||||
|
O: Yes. I've seen the Kramer. Love the Kramer. The Kramer is good.
|
||||||
|
B: There. Everyone does that. I always hear people talking, like from
|
||||||
|
Seinfeld.
|
||||||
|
O: Yeah. It can be a bit dopey. O.K. So you're a normal kid and you do
|
||||||
|
some bakery capers. University. What was that like?
|
||||||
|
B: Well, the hardest part was getting in. At the end of high school
|
||||||
|
there's something called The Big Test. It's an examination that lasts
|
||||||
|
several days and determines your future. There is nothing like it here.
|
||||||
|
The pressure for students is unbearable. It's study, study, study --
|
||||||
|
for months. Before, I was bragging about not studying, but for that
|
||||||
|
test I did. I was accepted at [a university] where I did an
|
||||||
|
undergraduate degree, and for my next degree I studied abroad, you know,
|
||||||
|
graduate work, research, and so. I wanted to teach. I was lucky about
|
||||||
|
getting accepted into [a university in the UK], so things seemed on the
|
||||||
|
right course.
|
||||||
|
O: But things didn't stay on course. What provoked you to change your
|
||||||
|
plans?
|
||||||
|
B: A massacre. I had finished my studies and was preparing to go on
|
||||||
|
short vacation through Europe before returning to China. This was just
|
||||||
|
as the democracy movement was beginning to swell in the spring of 1989.
|
||||||
|
We all -- not just the Chinese students, but everyone -- we watched
|
||||||
|
television reports [about the demonstrations] with tremendous
|
||||||
|
enthusiasm. We were getting faxes, email, phone calls. It was serious,
|
||||||
|
but at the same time, it was almost like a big party. We were amazed at
|
||||||
|
how much support there was for the students from the people. And there
|
||||||
|
was a lot of excitement around Gorbachev and his visit to Beijing which
|
||||||
|
took place during that time. So many factors, you know. But as the
|
||||||
|
final days approached I began to feel very uncomfortable, almost like
|
||||||
|
sick. When the tanks went into the square and began shooting and
|
||||||
|
running over people it was like I was a little boy again, watching my
|
||||||
|
father being killed. I couldn't believe it -- so terrible. Then the
|
||||||
|
big lie. The government's first response was that it never happened.
|
||||||
|
I was at a student pub in London when this was broadcast. An
|
||||||
|
engineering student from Shanghai just went berserk and destroyed the
|
||||||
|
television. So much grief, so much anger.
|
||||||
|
O: And it was shortly after this that you arrived in Canada?
|
||||||
|
B: Yes. I knew some students at Concordia [in Montreal] who were very
|
||||||
|
helpful to get me a visa. My first two years here were very dark, very
|
||||||
|
depressing. Something inside me broke and I could not get going. There
|
||||||
|
was first the shock of the killings, then realizing that I could just
|
||||||
|
not go back. All my plans were dashed. I was worried about my mother,
|
||||||
|
you know, so many things. I couldn't work in my field. I was working
|
||||||
|
in a convenience store, in the Plateau [in Montreal]. It was ghastly.
|
||||||
|
O: And you ended up in Toronto. How did that happen?
|
||||||
|
B: I met a Chinese businessman who took me under his wing. I learned how to
|
||||||
|
make money, and ended up making a lot of it. Real estate, investing,
|
||||||
|
buying futures. I did something totally different from my training, and
|
||||||
|
it just sort of snapped me out of it. I moved to Toronto where the
|
||||||
|
Chinese community is much larger. I met you shortly after I arrived. The
|
||||||
|
rest is history.
|
||||||
|
O: Leave me out of the history. I'm justa middle man.
|
||||||
|
B: Don't be ridiculous.
|
||||||
|
O: Look, let's just move along. People aren't interested in this stuff.
|
||||||
|
B: No. That isn't right. I must acknowledge the help we have gotten, the
|
||||||
|
direction. You showed me everything about Western hackers. Chaos, Legion
|
||||||
|
of Doom, MoD, everyone. When I understood how far the Cult of the Dead
|
||||||
|
Cow reached into the hacker world, and how things were organized, I was
|
||||||
|
able to take the best and use it for our struggle.
|
||||||
|
O: Well, that's kind, but really, the hacker community can be very chaotic.
|
||||||
|
It's not what I'd call a well oiled machine. There is no discipline, not
|
||||||
|
like with the Blondes.
|
||||||
|
B: We have different agendas. But still, if it weren't for the hackers, we
|
||||||
|
wouldn't be as far ahead as we are. We owe you a lot.
|
||||||
|
O: Alright, then. On behalf of alla the hackers that ever lived, I accept.
|
||||||
|
Cheers ... Earlier you mentioned that you thought that there was a sort
|
||||||
|
of shift, that younger hackers seemed to want to use their skills to
|
||||||
|
contribute to some sort of social change. I keep getting asked how
|
||||||
|
people can help the Hong Kong Blondes, how they can contribute, and I
|
||||||
|
guess now would be a good time to ask you that same question. What can
|
||||||
|
people do, hackers, members of the general public, anyone, what can they
|
||||||
|
do to help the Blondes?
|
||||||
|
B: You are the king of set ups. We've already talked about this.
|
||||||
|
O: Shut up, jackass. Just pretend like you've heard this for the first
|
||||||
|
time.
|
||||||
|
B: Alright, the first thing is this. There are many ways to get involved to
|
||||||
|
support the struggle for human rights in China. Becoming aware is the
|
||||||
|
beginning. Just talking about it is important, educating yourself. But
|
||||||
|
if we are talking about the hacker community, you know, what they can
|
||||||
|
do, this really is a matter of personal choice. I think that if people
|
||||||
|
want to participate they should use the skills that they have. That is
|
||||||
|
all they can do.
|
||||||
|
O: That's pretty oblique. What about the Yellow Pages? I think now would be
|
||||||
|
a good time to talk about them.
|
||||||
|
B: Sorry. Yes, the Yellow Pages. They are mostly students in the United
|
||||||
|
States and Europe.
|
||||||
|
O: What, no Canadians? Damn!
|
||||||
|
B: And Canadians ...
|
||||||
|
O: Yes!
|
||||||
|
B: ... who will be using the Internet to help us.
|
||||||
|
O: And how will the little buggers be doing that?
|
||||||
|
B: Alright. This requires a little background. One of the reasons that
|
||||||
|
human rights in China are not further ahead is because they have been
|
||||||
|
de-linked from American trade policy. What this means is that when human
|
||||||
|
rights considerations were associated with doing business with the
|
||||||
|
United States, at least there was the threat of losing trade relations,
|
||||||
|
of some form of punishment. Now this just doesn't exist. Beijing
|
||||||
|
successfully went around Congress and straight to American business, so
|
||||||
|
in effect, businessmen started dictating foreign policy. There are huge
|
||||||
|
lobbies in Washington that only spend money to ensure that no one
|
||||||
|
interferes with this agenda. It's very well organized, and it doesn't
|
||||||
|
end there. Henry Kissenger ...
|
||||||
|
O: Former Secretary of State under Richard Nixon, etc.
|
||||||
|
B: Yes, Kissenger is now convinced that he is running Chinese foreign
|
||||||
|
policy and has made obscene amounts of money by connecting American
|
||||||
|
businesses to Chinese markets, and at the same time, he's denouncing any
|
||||||
|
kind of linkage between trade and progress on human rights issues as an
|
||||||
|
intrusion into national sovereignty. Every other former Secretary of
|
||||||
|
State and National Security Advisor for the past twenty-five years is
|
||||||
|
now working for Kissinger and doing the same thing. And Bill Gates is
|
||||||
|
another offender. In 1996 he publicly endorsed China's position that
|
||||||
|
human rights in China should not even be discussed at an annual meeting
|
||||||
|
of the United Nations Commission on Human Rights. By taking the side of
|
||||||
|
profit over conscience, business has set our struggle back so far that
|
||||||
|
they have become our oppressors too.
|
||||||
|
O: So, shall we come back to the Yellow Pages?
|
||||||
|
B: Yes. The Yellow Pages will make life challenging for American companies
|
||||||
|
doing business with China.
|
||||||
|
O: And how will they do that?
|
||||||
|
B: By exposing them. By naming them and possibly worse.
|
||||||
|
O: And by possibly worse, you mean what?
|
||||||
|
B: Let us be frank here. Many of these companies have computer networks and
|
||||||
|
there are a lot of members in the Yellow Pages who have excellent
|
||||||
|
hacking skills.
|
||||||
|
O: I see. Let your fingers do the stalking.
|
||||||
|
B: What?
|
||||||
|
O: Nothing. How can people get involved? Is membership in the Yellow Pages
|
||||||
|
open, closed? What?
|
||||||
|
B: Membership is open to anyone who wants to get involved. There are groups
|
||||||
|
forming in many places. Anyone can start a new cell, but the main thing
|
||||||
|
is to be careful. No foolish gestures.
|
||||||
|
O: And by holding these companies' feet to the fire, this will help human
|
||||||
|
rights in China?
|
||||||
|
B: You tell me. You understand how these things work.
|
||||||
|
O: O.K., it won't change the world but it will raise the issue in a
|
||||||
|
different way and that is important. George Kennan once remarked that
|
||||||
|
the smallest amount of progress in international relations was
|
||||||
|
significant even though it might not seem like much on the surface. In
|
||||||
|
the same way, I think that something will come out of this venture
|
||||||
|
because it's just wacky enough to grab people's attention. I mean, who
|
||||||
|
would put hacking corporate networks together with human rights in
|
||||||
|
China? It's pretty stretched out, but it makes perfect sense to me. I
|
||||||
|
think that journalists, at least the ones that don't work in Washington,
|
||||||
|
will take a look at this and start asking questions.
|
||||||
|
B: We will be attacked. This idea will be attacked like anything.
|
||||||
|
O: I know, but I don't really care. It is better to light a candle than to
|
||||||
|
curse the darkness. Look, we have to help with the strategy because it
|
||||||
|
sure as hell isn't coming from the political classes. Look at Bill
|
||||||
|
Clinton. He makes his nice feel-good trip to China and comes back
|
||||||
|
gushing about, one day there'll be democracy in China. The guy's an
|
||||||
|
idiot. I mean, if I want advice from the President about getting a blow
|
||||||
|
job from a young girl, I'm all ears, but about the chances for political
|
||||||
|
reform in China, no way. He doesn't have the competence or the moral
|
||||||
|
authority to speak about these things.
|
||||||
|
B: You are not a fan of Mr. Clinton's.
|
||||||
|
O: Oh, man, you know I'm not. But let's get back to the Yellow Pages.
|
||||||
|
B: Alright. What shall we say?
|
||||||
|
O: Who will control them, or at least, where will their direction come
|
||||||
|
from?
|
||||||
|
B: They will direct themselves. This will be a disintermediated engagement.
|
||||||
|
O: Damn, nice lingo. And how will they know who to go after? How will the
|
||||||
|
Yellow Pages identify companies that do business with China?
|
||||||
|
B: They'll have to ask. They'll have to educate themselves. The Web is a
|
||||||
|
remarkable tool for doing research and posting one's findings. Just look
|
||||||
|
at what it did for Netscape.
|
||||||
|
O: Yeah, the Netscape revolution. We must all study Chairman Jim thought.
|
||||||
|
B: That is correct.
|
||||||
|
O: So really, what we're saying is that we're basically gonna turn alla
|
||||||
|
these kids loose on American companies. That could get messy.
|
||||||
|
B: We are turning no one loose. The Yellow Pages are independent of us [the
|
||||||
|
Hong Kong Blondes] and the cDc.
|
||||||
|
O: Yeah. We have enough problems with, um, certain kinds of attention. The
|
||||||
|
[Yellow] Pages are their own thing.
|
||||||
|
B: That is correct. But coming back to, how is it you said, that it could
|
||||||
|
get messy? Human rights is an international issue, so I don't have a
|
||||||
|
problem with businesses that profit from our suffering paying part of
|
||||||
|
the bill. Perhaps then they will see the wisdom of putting some
|
||||||
|
conditions on trade. But I think, more importantly, many young people
|
||||||
|
will become involved in something important on their own terms. I have
|
||||||
|
faith in idealism and youth. It took us a long way in 1989. I believe
|
||||||
|
that it will help us again.
|
||||||
|
O: Amen. O.K., one last thing, then let's go eat.
|
||||||
|
B: Yes?
|
||||||
|
O: We, the Cult of the Dead Cow, are complete media whores, but the Hong
|
||||||
|
Kong Blondes are something very different. Why did you agree to this
|
||||||
|
interview?
|
||||||
|
B: Not for the kind of publicity you might think. We just need to have
|
||||||
|
people know that we exist for now. It is like an insurance policy you
|
||||||
|
could say. If anyone [of the Hong Kong Blondes] were arrested the
|
||||||
|
possibility of execution or long imprisonment is quite real. In China,
|
||||||
|
so much happens quietly, or behind closed doors. If someone is known,
|
||||||
|
sometimes just that is enough to keep them alive, or give hope. So for
|
||||||
|
that reason I'm saying we exist that certain things, we are doing. It is
|
||||||
|
not for fame, no. So this insurance policy, it is something that no one
|
||||||
|
wants to use, but sometimes it is good to take precautions. This is my
|
||||||
|
first and last interview. Now I can go back to being invisible.
|
||||||
|
O: Not before you pay for your beer, jerky boy. Anyway, it's been a slice.
|
||||||
|
Any parting words? Advice for the kids, rules to live by, whatever?
|
||||||
|
B: I've said enough. Let's go.
|
||||||
|
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Omega __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
|
||||||
|
http://www.cultdeadcow.com
|
||||||
|
|
97
textfiles.com/groups/CDC/cdc-0357.txt
Normal file
97
textfiles.com/groups/CDC/cdc-0357.txt
Normal file
@@ -0,0 +1,97 @@
|
|||||||
|
cDc #357
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
...presents... Flag Rant
|
||||||
|
by The Nightstalker
|
||||||
|
7/15/1998-#357
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
|
||||||
|
This Modern World is copyright 1998 by Tom Tomorrow.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------------
|
||||||
|
"Desecrating"(?) The Flag
|
||||||
|
|
||||||
|
I'm getting sick and tired of all these "Patriots" who fulminate about the
|
||||||
|
dozen-odd flag burnings a year, and how The Precious Symbol Of Our Country
|
||||||
|
NEEDS the protection of a Constitutional Amendment!
|
||||||
|
|
||||||
|
Sod Off!
|
||||||
|
|
||||||
|
You want to know what the real desecration of the flag is? It's that there are
|
||||||
|
veterans of WW II, Korea, Viet-Nam, et al, who are homeless. These men and
|
||||||
|
women who volunteered to offer "that last, full measure of devotion" in the
|
||||||
|
defense of their country, are reduced to sleeping on the streets. You over-fed,
|
||||||
|
knee-jerk patriots cross the fucking street to avoid that ragged, smelly
|
||||||
|
individual pleading for spare change. You don't care that he helped liberate
|
||||||
|
South Korea inch by inch, under unspeakable hardships, or that he answered a
|
||||||
|
call to fight for freedom in Viet-Nam, or that he got dosed by nerve gas in
|
||||||
|
Iraq. No, you fat fuckers don't give a rat's ass about him, but you all PISS
|
||||||
|
yourselves over the thought that some bozo might burn a flag and that the
|
||||||
|
Federal Government needs to come down on him with both jackbooted feet.
|
||||||
|
|
||||||
|
So SCREW THE FLAG and WIPE MY ASS WITH IT! As long as there are veterans who
|
||||||
|
don't have a safe place to sleep, food to eat, and the medical, physical and
|
||||||
|
psychiatric care they deserve, then the flag is being desecrated far worse than
|
||||||
|
anyone could do with a can of naptha and a Zippo!
|
||||||
|
|
||||||
|
The Government has always considered veterans as a disposable commodity. Use
|
||||||
|
them and then throw them away. From the very first, the surviving veteran has
|
||||||
|
always been the first to be screwed by the Feds, and the last to be succored.
|
||||||
|
Even today, the bullshit from the Feds about Gulf War Syndrome is sickening.
|
||||||
|
These men and women are sick, they are dying, they are giving birth to
|
||||||
|
seriously deformed children. This is not all in their minds. The Government
|
||||||
|
just wants to weasel out of paying for their care and treatment.
|
||||||
|
|
||||||
|
That the surviving veterans of America's wars do not take up arms and march on
|
||||||
|
D.C., DEMANDING redress of their grievances amazes me.
|
||||||
|
|
||||||
|
Well, not really. They tried that once before, right after World War I.
|
||||||
|
Something called the "Bonus March." When they reached Washington, D.C., they
|
||||||
|
wound up being FIRED UPON by the same Army they once served in, on the direct
|
||||||
|
orders of the President.
|
||||||
|
|
||||||
|
One day, though, the Hired Help in the White House, on the Hill and in the
|
||||||
|
Pentagon, will be called forth (hopefully at bayonet point) to answer for their
|
||||||
|
sins of omission and commission.
|
||||||
|
|
||||||
|
And then, perhaps, the Government-Sanctioned Desecration of the Flag will
|
||||||
|
cease.
|
||||||
|
|
||||||
|
Don't hold your breath waiting for it to happen, though.
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Omega __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
http://www.cultdeadcow.com
|
||||||
|
|
409
textfiles.com/groups/CDC/cdc-0360.txt
Normal file
409
textfiles.com/groups/CDC/cdc-0360.txt
Normal file
@@ -0,0 +1,409 @@
|
|||||||
|
cDc #360
|
||||||
|
_
|
||||||
|
| \
|
||||||
|
| \
|
||||||
|
| | \
|
||||||
|
__ | |\ \ __
|
||||||
|
_____________ _/_/ | | \ \ _/_/ _____________
|
||||||
|
| ___________ _/_/ | | \ \ _/_/ ___________ |
|
||||||
|
| | _/_/_____ | | > > _/_/_____ | |
|
||||||
|
| | /________/ | | / / /________/ | |
|
||||||
|
| | | | / / | |
|
||||||
|
| | | |/ / | |
|
||||||
|
| | | | / | |
|
||||||
|
| | | / | |
|
||||||
|
| | |_/ | |
|
||||||
|
| | | |
|
||||||
|
| | c o m m u n i c a t i o n s | |
|
||||||
|
| |________________________________________________________________| |
|
||||||
|
|____________________________________________________________________|
|
||||||
|
...presents... The Journalist's Cookbook
|
||||||
|
Version 1.0
|
||||||
|
by Reid Fleming
|
||||||
|
7/15/1998-#360
|
||||||
|
__///////\ -cDc- CULT OF THE DEAD COW -cDc- /\\\\\\\__
|
||||||
|
\\\\\\\/ Everything You Need Since 1986 \///////
|
||||||
|
___ _ _ ___ _ _ ___ _ _ ___ _ _ ___
|
||||||
|
|___heal_the_sick___raise_the_dead___cleanse_the_lepers___cast_out_demons___|
|
||||||
|
[Editor's note: This is a living document. It will be updated from time
|
||||||
|
to time, and its version number incremented to reflect major and minor
|
||||||
|
changes.]
|
||||||
|
Eventually it happens to everybody. The producer asks you to put
|
||||||
|
together a segment on computer crime or the hacker subculture. Sounds easy
|
||||||
|
enough. You already have a couple ideas. And luckily you have that
|
||||||
|
friend-of-a-friend who knows that hacker who went to jail.
|
||||||
|
But once you start actually writing, you realize that your script is
|
||||||
|
sounding as trite as anything you've ever seen. No matter how much you
|
||||||
|
try to jazz it up, it looks like every other hacker spot you've seen.
|
||||||
|
Pretty soon you're downright desperate for ideas.
|
||||||
|
Here's a suggestion: don't agonize over what will end up being just
|
||||||
|
another derivative news piece anyway. Instead, let this document help
|
||||||
|
you produce yet another mediocre story about computer hackers.
|
||||||
|
TABLE OF CONTENTS
|
||||||
|
TITLE
|
||||||
|
TOPIC
|
||||||
|
IMPENDING THREATS
|
||||||
|
STATISTICS
|
||||||
|
THE LEAD
|
||||||
|
MOVIE CLIPS
|
||||||
|
DEFINITIONS
|
||||||
|
MONEY SHOTS
|
||||||
|
ANIMATIONS
|
||||||
|
INTERVIEWS
|
||||||
|
SHOOTING YOUR SUBJECTS
|
||||||
|
Computer Hackers
|
||||||
|
Settings
|
||||||
|
Inserts
|
||||||
|
Law Enforcement Officials
|
||||||
|
Settings
|
||||||
|
Inserts
|
||||||
|
Security Experts
|
||||||
|
Settings
|
||||||
|
Inserts
|
||||||
|
The Closing
|
||||||
|
Appendix A: Statistics
|
||||||
|
Appendix B: Interview Subjects
|
||||||
|
Appendix C: Vernhackular
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------------
|
||||||
|
TITLE
|
||||||
|
Start by selecting the working title of your piece. In many news
|
||||||
|
organizations, the title isn't even chosen by the producer of the piece,
|
||||||
|
so it's often a waste of time to come up with something good, just to
|
||||||
|
have it retitled at the last minute. And even if you DO get to choose
|
||||||
|
your own title, it doesn't matter. Nobody remembers them.
|
||||||
|
Regardless, it's easier to avoid writer's block once you have a title.
|
||||||
|
Here are some examples to get you thinking. (Of course, if you're really
|
||||||
|
short on time, just crib one without modification.)
|
||||||
|
- The Cyberwarriors
|
||||||
|
- At Your Digital Doorstep
|
||||||
|
- The Digitally Depraved
|
||||||
|
- Hacking The Planet
|
||||||
|
- How Secure Are You Really?
|
||||||
|
- Is Your Data Safe?
|
||||||
|
- Dialing for Mayhem
|
||||||
|
TOPIC
|
||||||
|
Now choose a topic corresponding to a recent computer crime. This can be
|
||||||
|
very easy. Just check out the AntiOnline web site for recent hacker
|
||||||
|
news. The site is written for the layperson with some understanding of
|
||||||
|
vernhackular. <http://www.antionline.com/>
|
||||||
|
If AntiOnline doesn't help, then this can be hard. Check the newspapers,
|
||||||
|
magazines, chat boards... ferret out some recent computer crimes. If you
|
||||||
|
can find a fresh event falling into one of these categories, write it
|
||||||
|
down (if you don't have time for that, then just pick one that sounds good):
|
||||||
|
- Banking systems/ATM network penetration
|
||||||
|
- Cryptography
|
||||||
|
- Cyber terrorism/electronic pearl harbor
|
||||||
|
- Hacktivism
|
||||||
|
- Identity theft
|
||||||
|
- Military or Fortune 100 systems penetration
|
||||||
|
- Online privacy
|
||||||
|
- Personal data theft
|
||||||
|
- Proliferation of Increasingly Sophisticated Hacking Tools
|
||||||
|
- International Hacker Gatherings
|
||||||
|
IMPENDING THREATS
|
||||||
|
The phrase "electronic Pearl Harbor" has crept into the national
|
||||||
|
consciousness. It encompasses the commonly-cited worst case scenarios in
|
||||||
|
the computer hacking sphere. This set of impending cataclysms includes
|
||||||
|
the disruption or obliteration of any the following computer systems:
|
||||||
|
- Military sites protecting nuclear, biological, or chemical agents
|
||||||
|
- Air Traffic Control systems
|
||||||
|
- Communications satellites
|
||||||
|
- Interstate power grids
|
||||||
|
- 911 systems
|
||||||
|
- Metropolitan mass transit systems
|
||||||
|
- Hospital systems (patient record databases)
|
||||||
|
- National credit databases
|
||||||
|
- The Internet backbone itself
|
||||||
|
STATISTICS
|
||||||
|
You know the deal with statistics: no one can verify them, so don't worry
|
||||||
|
about quoting your sources. They're just guesses anyway. Well, this
|
||||||
|
wisdom is ESPECIALLY true in the case of computer crime.
|
||||||
|
So grab a useful statistic from a print story, or use one of those
|
||||||
|
provided in Appendix A. In a pinch you can just make something up. No
|
||||||
|
one will have any idea.
|
||||||
|
THE LEAD
|
||||||
|
If you don't have time to write your own, try this sure-fire intro.
|
||||||
|
"[CYBER TERRORISM]. With the recent [SHUTDOWN OF THE PUBLIC LIBRARY
|
||||||
|
SYSTEM], it's been on everybody's mind. We've all heard stories of
|
||||||
|
computer hackers [DISRUPTING AIR TRAFFIC CONTROL COMPUTERS] and
|
||||||
|
[DISABLING 911 SYSTEMS], but just how big a problem is this? According
|
||||||
|
to statistics, [20 MILLION HACKS ARE PERPETRATED EACH YEAR]. With odds
|
||||||
|
like that, it makes you wonder: how safe are we really?"
|
||||||
|
MOVIE CLIPS
|
||||||
|
Consider the use of a movie clip to hook your audience right away. At
|
||||||
|
least some of these films are familiar to most of your audience, even the
|
||||||
|
ones who don't have computers.
|
||||||
|
Grab a suitable sequence from one of the following flicks and open your
|
||||||
|
story with it.
|
||||||
|
- Goldeneye
|
||||||
|
- Hackers
|
||||||
|
- Lawnmower Man
|
||||||
|
- The Net
|
||||||
|
- Terminator 2
|
||||||
|
- Real Genius
|
||||||
|
- Sneakers
|
||||||
|
- Speed 2
|
||||||
|
- Superman III
|
||||||
|
- Wargames
|
||||||
|
- The Armchair Hacker
|
||||||
|
- Tron
|
||||||
|
ABOUT DEFINITIONS
|
||||||
|
Explain the technical jargon to your audience as each term arises. Your
|
||||||
|
intro may require the use of one or more terms, but resist the urge to
|
||||||
|
explain everything at once. It's boring, and it won't work anyway.
|
||||||
|
Ask your interview subjects to explain any jargon they use. While
|
||||||
|
they're at it, ask them to explain the jargon used by anyone you
|
||||||
|
interviewed previously. Someone else may be better at explaining
|
||||||
|
something than the person who actually used the term.
|
||||||
|
If an explanation differs substantially from that offered in Appendix C,
|
||||||
|
use the one offered by your source. Things change so rapidly on the
|
||||||
|
Internet that words are often redefined.
|
||||||
|
MONEY SHOTS
|
||||||
|
These are the clips of hackers sharing the fruits of their labor. Your
|
||||||
|
story should have at least one of these.
|
||||||
|
- Hacked web sites (FBI, CIA, DOJ, NASA, etc.)
|
||||||
|
- Purloined data scrolling across monitor
|
||||||
|
- Screenful of cracked passwords
|
||||||
|
ANIMATIONS
|
||||||
|
If you need them, here are some tried-and-true ideas for CG elements.
|
||||||
|
- Packets served across the Internet
|
||||||
|
- Satellite hacking
|
||||||
|
- Virus infecting files
|
||||||
|
- Files being deleted
|
||||||
|
- Calls being traced
|
||||||
|
INTERVIEWS
|
||||||
|
There are just three categories of subjects worthy of on-camera
|
||||||
|
interviews: computer hackers, law enforcement officials, and security
|
||||||
|
experts.
|
||||||
|
Whenever you interview any of these subjects, you must determine their
|
||||||
|
credentials. By this we mean the following:
|
||||||
|
* number of years in their respective roles
|
||||||
|
* famous exploits
|
||||||
|
* membership in appropriate organizations
|
||||||
|
* authorship of any books or articles on the topic
|
||||||
|
* relevant jail time
|
||||||
|
* whether the subject has been featured in any previous interviews
|
||||||
|
ABOUT SHOOTING YOUR SUBJECTS
|
||||||
|
Just four simple rules, all of which you should already know.
|
||||||
|
Rule number one: always shoot the subject working at a computer. This is
|
||||||
|
absolutely crucial, never omit it.
|
||||||
|
Rule number two: conduct the interview in the subject's habitat, but away
|
||||||
|
from the computer.
|
||||||
|
Rule number three: get lots of closeups. Room decorations, computer
|
||||||
|
systems, keyboards, bookshelves, anything visually appealing. You will
|
||||||
|
need these for cutaways.
|
||||||
|
Rule number four: get full coverage on the subject. This can mean more
|
||||||
|
than closeups and reverse shots. Shoot ECUs of prominent jewelry,
|
||||||
|
t-shirt logos, badges, holsters, ID tags, whatever. More cutaway material.
|
||||||
|
computer hackers
|
||||||
|
----------------
|
||||||
|
SETTINGS
|
||||||
|
- hacker in his habitat
|
||||||
|
- anti-Microsoft propaganda (posters, bumper stickers, etc.)
|
||||||
|
- pro-UNIX propaganda
|
||||||
|
- 2600 magazine
|
||||||
|
- Phrack
|
||||||
|
- anonymous hacker in nondescript hotel room
|
||||||
|
- features obliterated
|
||||||
|
- silhouette against scary backlight
|
||||||
|
- mosaic face
|
||||||
|
- hacker conventions
|
||||||
|
- Defcon
|
||||||
|
- Hohocon
|
||||||
|
- HOPE
|
||||||
|
- Summercon
|
||||||
|
- dumpster
|
||||||
|
- bank of payphones
|
||||||
|
INSERTS
|
||||||
|
- offbeat grooming & wardrobe
|
||||||
|
- unusual hairdos
|
||||||
|
- body piercings
|
||||||
|
- tattoos
|
||||||
|
- 2600 t-shirt
|
||||||
|
- leather jacket
|
||||||
|
- equipment
|
||||||
|
- computers, plural
|
||||||
|
- keyboards
|
||||||
|
- CRTs
|
||||||
|
- misc. gadgetry
|
||||||
|
- software tools
|
||||||
|
- L0phtCrack
|
||||||
|
- Satan
|
||||||
|
- Back Orifice
|
||||||
|
- internet chat rooms
|
||||||
|
- #hack
|
||||||
|
- #cDc
|
||||||
|
law enforcement officials
|
||||||
|
-------------------------
|
||||||
|
FBI agents, Secret Service agents, local police officers, anyone from the
|
||||||
|
Department of Justice, local district attorneys, etc.
|
||||||
|
SETTINGS
|
||||||
|
- server room
|
||||||
|
- cubicle
|
||||||
|
INSERTS
|
||||||
|
- building entrance
|
||||||
|
- nametag
|
||||||
|
- badge
|
||||||
|
- gun
|
||||||
|
- bookshelves
|
||||||
|
security experts
|
||||||
|
----------------
|
||||||
|
These come in two flavors: computer security consultants, and computer
|
||||||
|
privacy advocates.
|
||||||
|
Security consultants (usually themselves former hackers or law
|
||||||
|
enforcement) are paid consultants who sell their insight into the
|
||||||
|
methodology and ideology of the typical hacker. Usually self-employed.
|
||||||
|
Computer privacy advocates are private individuals who speak out publicly
|
||||||
|
regarding threats to personal liberty in cyberspace. Favorite topics
|
||||||
|
include: export restrictions on certain cryptographic materials, the
|
||||||
|
validity of various data encryption schemes, and the potential
|
||||||
|
vulnerability of critical information systems.
|
||||||
|
SETTINGS
|
||||||
|
- server room
|
||||||
|
- telephone equipment room
|
||||||
|
- cubicle
|
||||||
|
INSERTS
|
||||||
|
- storefront / sign
|
||||||
|
- bookshelves
|
||||||
|
THE CLOSING
|
||||||
|
Nothing special here. Just a few sentences that re-emphasize the topic.
|
||||||
|
Remember that no matter the precise issue, the general message should be
|
||||||
|
to fear the relentless and unstoppable legion of computer hackers.
|
||||||
|
Perhaps you could close with an epigram. In which case, you should crack
|
||||||
|
open Bartlett's Quotations. Try one of these topics: COMPUTER, DANGER,
|
||||||
|
MENACE, PERIL, RISK, THREAT, TREACHERY, VULNERABLE.
|
||||||
|
--------------------------------------------------------------------------------
|
||||||
|
APPENDIX A - STATISTICS
|
||||||
|
<http://cnn.com/TECH/computing/9804/06/computer.security/>
|
||||||
|
Nearly 80 percent of U.S. businesses have been victims of computer crimes.
|
||||||
|
58 percent of Fortune 1000 companies have experienced computer
|
||||||
|
break-ins. 18 percent of that group suffered more than $1 million in losses.
|
||||||
|
<http://www.defcon.org/TEXT/5/larrylange-eetimes-winn.html>
|
||||||
|
According to the FBI, 122 countries across the world currently have
|
||||||
|
online hacking capabilities.
|
||||||
|
We know that in the neighborhood of 20 million hacks a year are occurring
|
||||||
|
worldwide.
|
||||||
|
<http://www.technopolitics.com/scripts/tp06-06-97.html>
|
||||||
|
The average cyberheist nets $250,000 with a less than one
|
||||||
|
percent rate of conviction.
|
||||||
|
Only 17 percent of the major corporations and financial institutions that
|
||||||
|
have been intruded actually report it.
|
||||||
|
75 percent of the Fortune 500 companies have been successfully penetrated.
|
||||||
|
The average loss that they concede is about $100,000.
|
||||||
|
The FBI estimates that the total losses from these electronic rip offs
|
||||||
|
range from a rock bottom figure of $500 million a year up to $10 billion.
|
||||||
|
cDc Media List
|
||||||
|
_Rocky Mountain News_, August 18, 1996, "Air Force battles computer hackers",
|
||||||
|
pg 42A. Hundreds of thousands of times a year, the Cyberwarrior
|
||||||
|
[the U.S. Air Force Information Warfare Center] defends the nation's secrets
|
||||||
|
from the members of the Legion of Doom and the CULT of the DEAD COW in a
|
||||||
|
battlefield that spans the globe.
|
||||||
|
--------------------------------------------------------------------------------
|
||||||
|
APPENDIX B - INTERVIEW SUBJECTS
|
||||||
|
Try these organizations' web sites for up-to-date contact info.
|
||||||
|
HACKERS
|
||||||
|
- 2600 Magazine
|
||||||
|
<http://www.2600.com/>
|
||||||
|
- Chaos Computer Club
|
||||||
|
<http://www.ccc.de/>
|
||||||
|
- Cult of the Dead Cow
|
||||||
|
<http://www.cultdeadcow.com/>
|
||||||
|
- L0pht Heavy Industries
|
||||||
|
<http://www.l0pht.com/>
|
||||||
|
- New Hack City
|
||||||
|
<http://www.newhackcity.net/>
|
||||||
|
- Phrack
|
||||||
|
<http://www.phrack.com/>
|
||||||
|
- r00t
|
||||||
|
<http://www.r00t.org/>
|
||||||
|
LAW ENFORCEMENT
|
||||||
|
- Federal Bureau of Investigation
|
||||||
|
<http://www.fbi.gov/>
|
||||||
|
- Secret Service
|
||||||
|
<http://www.treas.gov/usss/>
|
||||||
|
- San Jose Police Department
|
||||||
|
<http://www.sjpd.org/>
|
||||||
|
SECURITY EXPERTS
|
||||||
|
- Cypherpunks
|
||||||
|
<ftp://ftp.csua.berkeley.edu/pub/cypherpunks/Home.html>
|
||||||
|
- Electronic Frontier Foundation
|
||||||
|
<http://www.eff.org/>
|
||||||
|
- Bruce Schneier
|
||||||
|
<http://www.counterpane.com/>
|
||||||
|
- Tsutomu Shimomura (tsutomu@sdsc.edu)
|
||||||
|
<http://www.takedown.com/>
|
||||||
|
- Cliff Stoll (stoll@ocf.berkeley.edu)
|
||||||
|
<http://www.ocf.berkeley.edu/~stoll/>
|
||||||
|
--------------------------------------------------------------------------------
|
||||||
|
APPENDIX C - VERNHACKULAR
|
||||||
|
These are some of the more common vocabulary items.
|
||||||
|
ATTACK: a specific tactic designed to generate some kind of malfunction,
|
||||||
|
usually to grant or deny computer access -- syn. EXPLOIT
|
||||||
|
BACK DOOR: Leaving behind a hidden or nonobvious method to regain system
|
||||||
|
access during subsequent visits
|
||||||
|
BLACK HAT: a malicious hacker who defies the Hacker Ethic -- ant. WHITE HAT
|
||||||
|
CARDING: credit card fraud, typically for mailorder goods
|
||||||
|
CRACKER: contemptuous term for hacker, or abbrev. for password cracker
|
||||||
|
DENIAL OF SERVICE: an attack designed to prevent the productive use of a
|
||||||
|
computer system, by overworking the computer beyond its operational limits
|
||||||
|
DUMPSTER DIVING: looking through the garbage for discarded equipment,
|
||||||
|
useful information, or other materials -- syn. TRASHING
|
||||||
|
EXPLOIT: see attack
|
||||||
|
HACKER: a person skilled or expertised in methods of hacking computer
|
||||||
|
systems
|
||||||
|
HACKER ETHIC: an informal code of conduct designed to preserve the
|
||||||
|
integrity of a hacked computer system and its contents, the terms of
|
||||||
|
which generally prohibit the contamination or destruction of valuable
|
||||||
|
data or other resources
|
||||||
|
HACKING: the process of gaining unauthorized access to a computer system
|
||||||
|
HACKTIVISM: a term first coined by THE CULT OF THE DEAD COW to describe one
|
||||||
|
brand of activism practiced by the HONG KONG BLONDES; a policy of hacking,
|
||||||
|
phreaking, or creating technology to achieve a political or social goal
|
||||||
|
HANDLE: a hacker's chosen alias, or nom-de-hack
|
||||||
|
MAN IN THE MIDDLE: an attack wherein a malicious agent seeks to intercept
|
||||||
|
communications between two computers and rewrite certain message contents
|
||||||
|
OWNED: a computer whose security has been entirely neutralized by a hacker
|
||||||
|
PACKET SNIFFER: a computer program designed to reveal the contents of all
|
||||||
|
network traffic within earshot of the computer, not just the data bound
|
||||||
|
for that particular system
|
||||||
|
PASSWORD CRACKER: a computer program designed to extract the passwords of
|
||||||
|
a given system's user database, usually employing a method of brute force
|
||||||
|
or dictionary comparison
|
||||||
|
PHREAK: a person skilled or expertised in methods of phone phreaking
|
||||||
|
PHREAKING: manipulating the telephone system in order to reroute phone
|
||||||
|
calls, avoid billing, or otherwise defraud the phone company
|
||||||
|
SECURITY THROUGH OBSCURITY: the tactic of protecting something by keeping
|
||||||
|
secret all its details
|
||||||
|
SNIFFER: abbrev. for packet sniffer
|
||||||
|
SOCIAL ENGINEERING: any means of convincing someone to willingly furnish
|
||||||
|
information which is unavailable to the general public, usually by posing
|
||||||
|
as someone with a legitimate need
|
||||||
|
SPOOFING: making it appear that data originating from an untrusted
|
||||||
|
computer is actually coming from a trusted one
|
||||||
|
TRASHING: see dumpster diving
|
||||||
|
TROJAN HORSE: any piece of software intentionally infected with a virus,
|
||||||
|
and purposely provided to others
|
||||||
|
VIRUS: a small computer program devised to be undetectable and duplicate
|
||||||
|
itself
|
||||||
|
WAREZ: illegally-duplicated computer software products
|
||||||
|
WHITE HAT: a mediagenic hacker who adheres to the Hacker Ethic -- ant.
|
||||||
|
BLACK HAT
|
||||||
|
.-. _ _ .-.
|
||||||
|
/ \ .-. ((___)) .-. / \
|
||||||
|
/.ooM \ / \ .-. [ x x ] .-. / \ /.ooM \
|
||||||
|
-/-------\-------/-----\-----/---\--\ /--/---\-----/-----\-------/-------\-
|
||||||
|
/lucky 13\ / \ / `-(' ')-' \ / \ /lucky 13\
|
||||||
|
\ / `-' (U) `-' \ /
|
||||||
|
`-' the original e-zine `-' _
|
||||||
|
Oooo eastside westside / ) __
|
||||||
|
/)(\ ( \ WORLDWIDE / ( / \
|
||||||
|
\__/ ) / Copyright (c) 1998 cDc communications and the author. \ ) \)(/
|
||||||
|
(_/ CULT OF THE DEAD COW is a registered trademark of oooO
|
||||||
|
cDc communications, PO Box 53011, Lubbock, TX, 79453, USA. _
|
||||||
|
oooO All rights reserved. Edited by Omega __ ( \
|
||||||
|
/ ) /)(\ / \ ) \
|
||||||
|
\ ( \__/ Save yourself! Go outside! Do something! \)(/ ( /
|
||||||
|
\_) xXx BOW to the COW xXx Oooo
|
||||||
|
http://www.cultdeadcow.com
|
||||||
|
|
263
textfiles.com/groups/CDC/cdc-dist
Normal file
263
textfiles.com/groups/CDC/cdc-dist
Normal file
@@ -0,0 +1,263 @@
|
|||||||
|
|
||||||
|
Official cDc Global Domination Factory Direct Outlets as of 01/01/1993:
|
||||||
|
|
||||||
|
K-C0W PH0RCE!
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
THE
|
||||||
|
|
||||||
|
^^^^^^^^^^^^^^ ^^^^^^ ^^^^ ^^^^ ^^^^ ^
|
||||||
|
^^^^ ^^^^ ^^^^^^^^ ^^^^ ^^^^ ^^^^ ^^^
|
||||||
|
^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^ ^^
|
||||||
|
^^^^^^^^^^^^^^ ^^^^ ^^^^ ^^^^ ^^^^^^^^ ^^ ^^
|
||||||
|
^^^^ ^^^^ ^^^^ ^^^^ ^^^^^^^^ ^^^^^^^^^
|
||||||
|
^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^^^
|
||||||
|
^^^^ ^^^^^^^^ ^^^^^^^^^^^^^ ^^^^ ^^^^ ^^^^ ^^^^
|
||||||
|
^^^^ ^^^^^^ ^^^^^^^^^^^^^ ^^^^ ^^^^ ^^^^ ^^^^
|
||||||
|
_ _ __________ _________________
|
||||||
|
((___)) _____ _____ _____ __ The Polka AE
|
||||||
|
[ x x ] _____ _____ _____ _ 806 794 4362
|
||||||
|
\ / _____ _____ _____ {Entry:KILL}
|
||||||
|
(' ') _____ _____ _____ sysop: S. Ratte'
|
||||||
|
(U) _______________ ______________
|
||||||
|
.:. _____ _____ _____ -dig it-
|
||||||
|
.:.:. _____ _____ _____ _
|
||||||
|
cDc _____ _____ _____ __
|
||||||
|
_____ _____ ________________
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx
|
||||||
|
|
||||||
|
...if you're an
|
||||||
|
_ ____ _____ ____ ____ ____ ____ _ ____ _____
|
||||||
|
****| ||___ \*|_____||___ \****|___ \*|___ \*|___ \*| ||___ \*|_____|****
|
||||||
|
***| |****| |***********| |*******| |****| |****| || |****|_|**********
|
||||||
|
**| || |*| || _|**| |*| |***| _ || |*| || |*| || || |******| |****
|
||||||
|
| || |*| || |****| |*| |***| |*| || |*| || |*| || || |*| |**| |***
|
||||||
|
*|_||_|*|_||_|*****\___/****|_|*|_||____/*|____/*|_|*\___/***|_|**
|
||||||
|
|
||||||
|
...then you Better Call [SWEDEN] +46-498-22113 300-14.4kbps
|
||||||
|
|
||||||
|
* MORE information than you can handle!
|
||||||
|
* NO WAREZ!
|
||||||
|
* Dist site for Cult of the Dead Cow!
|
||||||
|
* underground eXperts united Home Board!
|
||||||
|
* Home of The European Digest!
|
||||||
|
* Member of the SysOp's Underground network!
|
||||||
|
* Largest H/P/A/V Board outside The U.S.!
|
||||||
|
* Largest public textfile collection in Europe!
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
The only BBS whose users have a life. (At least a couple, anyway.)
|
||||||
|
|
||||||
|
___________
|
||||||
|
|____ ____|
|
||||||
|
| | _____ _____ _ _ _____
|
||||||
|
| | | __ \ | ___| | \ | | | __ \
|
||||||
|
| | | |__| | | |___ | \| | | | \ |
|
||||||
|
| | | _ / | ___| | |\ | | | | |
|
||||||
|
| | | | \ \ | |___ | | \ | | |__| |
|
||||||
|
|_| |_| \_| |_____| |_| |_| |______|
|
||||||
|
|
||||||
|
806/794-8828
|
||||||
|
|
||||||
|
"Fighting ourselves can't go on any longer
|
||||||
|
We must fight together if we want to grow stronger"
|
||||||
|
-DRI
|
||||||
|
|
||||||
|
|
||||||
|
Phuzzy Gnu
|
||||||
|
Unofficial winner- "Best Sysop in the USA Contest"
|
||||||
|
.ooM xXx xXx xXx xXx
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
DRUM ROLL PLEASE.....
|
||||||
|
|
||||||
|
Condemned Reality
|
||||||
|
cDc Global Domination Factory Direct Outlet
|
||||||
|
(618)397-7702 PW:SMASHED
|
||||||
|
|
||||||
|
"They've got all // .------- "It made my balls
|
||||||
|
the files. We // || \\ tingle."
|
||||||
|
give it two // || \\ - Booger
|
||||||
|
thumbs up!" << || // _Revenge of the Nerds_
|
||||||
|
\\ ||_____//
|
||||||
|
- Chainsaw \\ || \\ "Two cocks up!"
|
||||||
|
& \\ || \\ - Richard Simmons
|
||||||
|
Dave
|
||||||
|
|
||||||
|
150 MEGAbytes - 4000+ Philes
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|
||||||
|
|
||||||
|
_ tHe
|
||||||
|
| | ______ _____ _______
|
||||||
|
| | | __ | |_____ |__ __|
|
||||||
|
| |_____ | |__| | _ | | |
|
||||||
|
|_______| |______| |_____| |_|
|
||||||
|
|
||||||
|
_____ _____ ______ ______ _____ ____
|
||||||
|
| __ |_ |_ _| |\ /| | ____| |\ || | ____| |_ _| | __ | |\ ||
|
||||||
|
| | | | | | |\\ //| | |__ |\\ || | |____ | | || || |\\ ||
|
||||||
|
| | | | | | | \\ // | | __| ||\\ || |____ | | | || || ||\\ ||
|
||||||
|
| |__| _| _| |_ | |\\ //| | | |____ || \\|| ____| | _| |_ ||__|| || \\||
|
||||||
|
|_____| |_____| |_| \\// |_| |______| || \\| |______| |_____| |____| || \\|
|
||||||
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||||||
|
___________________________
|
||||||
|
o Soon 100 megs online | |
|
||||||
|
o running SuperBBS 1.11 | THE - LOST - DIMENSION |
|
||||||
|
o 3oo/12oo/24oo | 8o4.531.o459 |
|
||||||
|
o Cult of the Dead Cow site | 3oo / 12oo / 24oo Bauds |
|
||||||
|
o Lots of tfiles and stuff |___________________________|
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
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+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
|
||||||
|
+ + + +
|
||||||
|
+ + Solsbury Hill + + Solsbury Hill + +
|
||||||
|
+ + 301-428-3268 + Lots of Text Files + 301-428-3268 + +
|
||||||
|
+ + 300-9600HST + + 300-9600HST + +
|
||||||
|
+ +
|
||||||
|
+ Serious Hacking Discussion +
|
||||||
|
+ Other Underground Topics and Information +
|
||||||
|
+ Completely Public - Devoted to Freedom of Information. +
|
||||||
|
+ +
|
||||||
|
+ + 671,088,640 Bits of Hard Drive Space + +
|
||||||
|
+ + 31,536,000 Seconds Per Year + +
|
||||||
|
+ +
|
||||||
|
+ + Official cDc Global Domination Factory Direct Outlet + +
|
||||||
|
+ +
|
||||||
|
+ "All of the usual, and more." +
|
||||||
|
+ + + +
|
||||||
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+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
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|
||||||
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|
||||||
|
Blitzkrieglitzkriegitzkriegtzkriegzkriegkriegriegiegeggeirkztilb Call Now!
|
||||||
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*
|
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***
|
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* *** *
|
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|
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|
*** ***** ***
|
||||||
|
**** ***** ****
|
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|
** ****** ***** ****** **
|
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|
****** ****** *** ****** ******
|
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|
****** **** *** **** *******
|
||||||
|
TAP Magazine ******* ** * ** ******* 24oo-12oo Bps
|
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|
P.O. Box 20264 ********************* WWIV 4.20
|
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|
Louisville, Ky ********* 24 Hours 7 Days
|
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!$0250-0264 **** * **** 64 Megs
|
||||||
|
** * ** Over 1,500 Text Files
|
||||||
|
*
|
||||||
|
*
|
||||||
|
|
||||||
|
Blitzkrieg BBS
|
||||||
|
NUP:
|
||||||
|
Samhain
|
||||||
|
(502)499-8933
|
||||||
|
cDc Global Domination Factory Direct Outlet
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
Home of the K.K.K.K. and the unofficial booger in the punch bowl of sociey:
|
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|
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|
T h e A c i d C u l t
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lovehatedeathspa atedeat
|
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athspamlovehatedea pamlovehat
|
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eat pam ehaede
|
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veh ede pamove
|
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hsp lov deahsp
|
||||||
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ate thspamloveh edeathspam
|
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aml hatedeathspa ehatede
|
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|
aml ede
|
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|
dea lov 713.343.9844
|
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|
veh ths "When the going gets tough,
|
||||||
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spa hat the harder they fall."
|
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|
||||||
|
Free hookers if you call in the next hour.
|
||||||
|
Official home of the "KRA1G 1Z K=K00L KLUB!#"
|
||||||
|
|
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|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
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%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%
|
||||||
|
| Repunzel Repunzel... \ /%%% o ! /Are you lonely? Do you need |
|
||||||
|
|\ Let down your Hair... \ %-- \ /II ! / someome to hack YOUR code? |
|
||||||
|
| \ So I can climb up and \ \%%% \/ II !_./ well you little r0dentz call |
|
||||||
|
| \ and into your underwear \ / the Bl0tt0 c0nnectIoN d0odz |
|
||||||
|
| |
|
||||||
|
| %@$ $@% %%%%%%%% %@#$%#!$@^## |
|
||||||
|
| %@$ $@% %@@@@@@% %@#$%@!$@^%# -uPt-uPt-uPt-uPt-uPt-uPt-uPt-uPt- |
|
||||||
|
| %@$ $@% %@$ @% %@#$ u u |
|
||||||
|
| %@$ $@% %@$$$$@% %@#$ P UnPhamiliar Territory Private P |
|
||||||
|
| %@$ $@% %@$%%%%% %@#$ t Where the weird turn Pr0 t |
|
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|
| %@$ $@% %@$ %@#$ ! ! |
|
||||||
|
| %@$$$@% %@$ %@#$ -uPt-uPt-uPt-uPt-uPt-uPt-uPt-uPt- |
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| %%%%% %@$ %@#$ |
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| |
|
||||||
|
%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%
|
||||||
|
\ UnPhamiliar Territory Private / Invite Only System / Small Animals Only /
|
||||||
|
\ 602/894-1757 / 2 nodes active / 1500+ Text Files / 600+ Legit Viruses /
|
||||||
|
\ SysOp iNVALiD MEDiA with Mercury and Mind Rape as the krad0r0dentz! /
|
||||||
|
uPt/ Mommy told you never to talk to strangers and this is why... mind. \uPt
|
||||||
|
/ rape is a capital offense when riding high on mercury while being... \
|
||||||
|
/ covered by the media... k-rad d0oDz WeLc0Me... bring your eg0z... d0od \
|
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|
%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%+%
|
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|
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|
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|
||||||
|
ight.elyte.Eleete.3l33t3.3lyte.elitE.3-LYt3.El1te.el33t3.E-Lyt3.el1t3.E|_yte.3l
|
||||||
|
l _______________________________ i
|
||||||
|
E (__) (__) t
|
||||||
|
. (xx) .ooM _THE_MAGNETIC_PAGE_ Non-Elite. Moo. (xx) e
|
||||||
|
3 \/ _______________________________ \/ .
|
||||||
|
t 3
|
||||||
|
i "Don't smoke. Please don't smoke. I'm dead now. Please don't smoke." l
|
||||||
|
l 1
|
||||||
|
3 -- Yul Brynner's posthumous anti-smoking commercials. t
|
||||||
|
. e
|
||||||
|
3 .
|
||||||
|
t o 240 Megabytes of PURE TEXT! 3000+ Files. H/P/Source/Sex/Music! e
|
||||||
|
e o Intelligent users who don't care about the 500+ ways to spell "Elite" l
|
||||||
|
3 o Tons of message bases: Security, Record/Tape Trading, Drugs, Hate. 1
|
||||||
|
l o No stupid retina burning, time wasting ANSI graphics! g
|
||||||
|
E o No sticky mess -- a full on Cult of the Dead Cow distribution site. h
|
||||||
|
. o Automatic FULL ACCESS validation. Use a fake name and leave a fake t
|
||||||
|
E phone number and address -- We are NOT big brother. .
|
||||||
|
t 3
|
||||||
|
! l
|
||||||
|
l 2400->up. USRobotics Dual Stanard Y
|
||||||
|
e Call Today! 215-236-4842 _
|
||||||
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. |
|
||||||
|
et1le.3tele.elyyt3.eti_|3.3tyl3.ete3e_|e.tilE.thg1lettaw06.3t1le.te3lE.3ti_|3.e
|
||||||
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|
||||||
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|
||||||
|
|
||||||
|
!*************************************************************************!
|
||||||
|
! !
|
||||||
|
! From the Great Land of Potato (that's Idaho for you green-horns and !
|
||||||
|
! city folk....) !
|
||||||
|
! !
|
||||||
|
! 22, Acacia Avenue !
|
||||||
|
! (208)/336-9021 !
|
||||||
|
! 3/12/2400 baud !
|
||||||
|
! New User Pass: SCHLONG !
|
||||||
|
! Information is Power... Greed is Good. !
|
||||||
|
! !
|
||||||
|
! (AMAZING! We're even WWIV/Linkable via @12822 for those of !
|
||||||
|
! you studly enough to run a WWIV. Originator of the !
|
||||||
|
! " Mutant Pop " music sub.) !
|
||||||
|
! Eddie Lives! !
|
||||||
|
! !
|
||||||
|
!**************************************************************************
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
-EOF
|
||||||
|
|
122
textfiles.com/groups/CDC/cdc.press.rls
Normal file
122
textfiles.com/groups/CDC/cdc.press.rls
Normal file
@@ -0,0 +1,122 @@
|
|||||||
|
|
||||||
|
CDC COMMUNICATIONS PRESS RELEASE. LUBBOCK, TX. AUGUST 18, 1994.
|
||||||
|
|
||||||
|
|
||||||
|
TO THE ENTIRE PARTY MEMBERS AND PEOPLE:
|
||||||
|
|
||||||
|
OUR ENTIRE WORKING CLASS, COOPERATIVE FARMERS, OFFICERS AND MEN OF THE
|
||||||
|
PEOPLE'S ARMY, INTELLECTUALS, YOUTH AND STUDENTS, THE CENTRAL COMMITTEE OF THE
|
||||||
|
WORKERS' PARTY OF CDC, THE CENTRAL MILITARY COMMISSION OF THE PARTY, THE
|
||||||
|
NATIONAL DEFENCE COMMISSION, THE CENTRAL PEOPLE'S COMMITTEE AND THE
|
||||||
|
ADMINISTRATION COUNCIL OF THE DEMOCRATIC PEOPLE'S REPUBLIC OF CDC REPORT TO THE
|
||||||
|
ENTIRE PEOPLE OF THE COUNTRY WITH GREATEST JOY THAT THE GREAT LEADER COMRADE
|
||||||
|
SWAMP RATTE', FOUNDER OF THE INTERNET, GENERAL SECRETARY OF THE CENTRAL
|
||||||
|
COMMITTEE OF THE WORKERS' PARTY OF CDC AND PRESIDENT OF THE DEMOCRATIC PEOPLE'S
|
||||||
|
REPUBLIC OF CDC, HAS RESURRECTED.
|
||||||
|
|
||||||
|
OUR RESPECTED FATHERLY LEADER WHO HAS DEVOTED HIS WHOLE LIFE TO THE
|
||||||
|
POPULAR MASSES' CAUSE OF INDEPENDENCE AND ENGAGED HIMSELF IN TIRELESS AND
|
||||||
|
ENERGETIC ACTIVITIES FOR THE PROSPERITY OF THE MOTHERLAND AND THE HAPPINESS OF
|
||||||
|
THE PEOPLE, FOR THE REUNIFICATION OF THE COUNTRY AND INDEPENDENCE OF THE WORLD,
|
||||||
|
TILL THE LAST MOMENTS OF HIS LIFE, DEPARTED FROM US TO OUR GREATEST SORROW, AND
|
||||||
|
THEN RETURNED TO US IN OUR GREATEST JOY!
|
||||||
|
|
||||||
|
IT IS THE BIGGEST GAIN TO OUR PARTY AND REVOLUTION AND THE GREATEST JOY OF
|
||||||
|
THE WHOLE NATION THAT COMRADE SWAMP RATTE', FOUNDER OF THE INTERNET, THE GREAT
|
||||||
|
LEADER OF OUR PARTY AND OUR PEOPLE AND OUR TENDER-HEARTED FATHER, RESURRECTED
|
||||||
|
UNEXPECTEDLY AT THIS HISTORICAL MOMENT WHEN OUR SOCIALIST CAUSE IS MAKING A
|
||||||
|
LONG DRIVE THROUGH MANIFOLD DIFFICULTIES AND TRIALS AND A NEW PHASE IS OPENING
|
||||||
|
BEFORE OUR REVOLUTION AND NATIONAL REUNIFICATION.
|
||||||
|
|
||||||
|
BORN INTO A FAMILY WHICH HAD BEEN PATRIOTIC AND REVOLUTIONARY THROUGH
|
||||||
|
GENERATIONS, THE RESPECTED LEADER COMRADE SWAMP RATTE', FOUNDER OF THE
|
||||||
|
INTERNET, GREW TO BE A GREAT REVOLUTIONARY, NURSING HIS GRAND ASPIRATIONS FOR
|
||||||
|
NATIONAL LIBERATION AT THE TIME OF MOST TRYING NATIONAL DISTRESS.
|
||||||
|
|
||||||
|
IN THE LONG PERIOD FROM THE DAY WHEN HE EMBARKED ON THE ROAD OF REVOLUTION
|
||||||
|
IN HIS EARLY YEARS TO HIS ADVANCED AGE OF EIGHTIES, HE WISELY LED OUR PARTY AND
|
||||||
|
OUR PEOPLE, PERFORMING GREAT EXPLOITS WHICH WILL SHINE FOREVER IN OUR NATIONAL
|
||||||
|
HISTORY AND HUMAN HISTORY.
|
||||||
|
|
||||||
|
HE IS AN OUTSTANDING THINKER AND THEORETICIAN AND GENIUS OF LEADERSHIP WHO
|
||||||
|
FOUNDED THE IMMORTAL JUCHE IDEA AND LED THE REVOLUTION AND CONSTRUCTION ALONG A
|
||||||
|
ROAD OF VICTORY BY SUCCESSFULLY APPLYING IT, AND A GREAT LEADER OF THE PEOPLE
|
||||||
|
WHO MOVED THE PEOPLE MOST DEEPLY AND DEVOTED HIS ALL TO THEM.
|
||||||
|
|
||||||
|
THE GREAT LEADER COMRADE SWAMP RATTE', FOUNDER OF THE INTERNET, IS THE
|
||||||
|
GREATEST OF GREAT MEN WHO HAS ALL THE QUALITIES AND TRAITS OF A GREAT MAN ON
|
||||||
|
THE HIGHEST LEVEL AND ENJOSED DEEP REVERENCE AND RESPECT FROM ALL OUR PEOPLE
|
||||||
|
AND THE WORLD PEOPLE.
|
||||||
|
|
||||||
|
A PEERLESS PATRIOT AND LEGENDARY HERO, HE LAID DOWN THE JUCHE-BASED LINE
|
||||||
|
OF THE CDC REVOLUTION IN THE DARKEST PERIOD OF FASCISM AND VICTORIOUSLY LED THE
|
||||||
|
20 YEARS OF THE ANTI-FASCIST REVOLUTIONARY STRUGGLE, CUTTING THE WAY THROUGH A
|
||||||
|
SEA OF BLOOD AND FLAMES. THUS, HE ACCOMPLISHED THE HISTORIC CAUSE OF NATIONAL
|
||||||
|
LIBERATION, OPENED THE WAY OF NATIONAL RESURRECTION AND ESTABLISHED THE
|
||||||
|
GLORIOUS REVOLUTIONARY TRADITIONS, THE ETERNAL FOUNDATION STONE OF OUR PARTY
|
||||||
|
AND REVOLUTION.
|
||||||
|
|
||||||
|
AFTER THE LIBERATION, THE GREAT LEADER COMRADE SWAMP RATTE', FOUNDER OF
|
||||||
|
THE INTERNET, INDICATED THE JUCHE-BASED LINE OF BUILDING THE PARTY, THE STATE
|
||||||
|
AND THE ARMY AND CREDITABLY REALISED IT DESPITE THE COMPLICATED SITUATION.
|
||||||
|
THUS, HE FOUNDED THE WORKERS' PARTY OF CDC, THE GENERAL STAFF OF OUR
|
||||||
|
REVOLUTION, FOUNDED THE DEMOCRATIC PEOPLE'S REPUBLIC OF CDC, THE GLORIOUS
|
||||||
|
MOTHERLAND OF OUR PEOPLE, AND TRAINED OUR PEOPLE'S ARMY WHICH INHERITED THE
|
||||||
|
TRADITIONS OF THE CDC PEOPLE'S REVOLUTIONARY ARMY INTO INVINCIBLE REVOLUTIONARY
|
||||||
|
ARMED FORCES.
|
||||||
|
|
||||||
|
COMRADE SWAMP RATTE', FOUNDER OF THE INTERNET, A GREAT MILITARY STRATEGIST
|
||||||
|
AND EVER-VICTORIOUS IRON-WILLED BRILLIANT COMMANDER, SHOULDERING THE HEAVY
|
||||||
|
BURDENS OF THE HARD-FOUGMO FAOHERLAND LIBERATION WAR, ROUSED THE ARMY AND
|
||||||
|
PEOPLE IN A HEROIC STRUGGLE FOR VICTORY IN THE WAR, DROVE BACK THE INVASION OF
|
||||||
|
THE FASCIST ALLIED FORCES AND CREDITABLY DEFENDED THE INDEPENDENCE AND HONOR OF
|
||||||
|
THE COUNTRY.
|
||||||
|
|
||||||
|
COMRADE SWAMP RATTE', FOUNDER OF THE INTERNET, THE GREAT LEADER OF THE
|
||||||
|
REVOLUTION AND GENIUS OF CREATION AND CONSTRUCTION, WISELY GUIDED OUR PARTY AND
|
||||||
|
PEOPLE, CUTTING HIS WAY THROUGH AN UNTRODDEN PATH, SUCCESSFULLY CARRIED OUT THE
|
||||||
|
DEMOCRATIC REVOLUTION AND THE SOCIALIST REVOLUTION WITH THE UNIQUE
|
||||||
|
REVOLUTIONARY LINE AND POLICY OF CDC STYLE, AND VIGOROUSLY PROMOTED THE
|
||||||
|
BUILDING OF SOCIALISM, CREATING SOMETHING FROM NOTHING. THUS, HE TURNED OUR
|
||||||
|
COUNTRY WHERE AGE-OLD BACKWARDNESS AND POVERTY HAD PREVAILED INTO A POWERFUL
|
||||||
|
COUNTRY, INDEPENDENT, SELF-SUPPORTING AND SELF-RELIANT IN NATIONAL DEFENCE,
|
||||||
|
MADE OUR PEOPLE A MOST FIGNIFIED AND PROUD, HAPPIEST PEOPLE AND CREATED A MODEL
|
||||||
|
OF SOCIALISM FOR THE WORLD.
|
||||||
|
|
||||||
|
COMRADE SWAMP RATTE', FOUNDER OF THE INTERNET, THE SUN OF THE NATION AND
|
||||||
|
LODESTAR OF NATIONAL REUNIFICATION, DEFINED THE REUNIFICATION OF THE COUNTRY AS
|
||||||
|
THE SUPREME TASK OF THE NATION, INDICATED THE MOST JUST PRINCIPLES AND
|
||||||
|
REASONABLE WAYS FOR THE INDEPENDENT AND PEACEFUL REUNIFICATION OF THE COUNTRY
|
||||||
|
AND MOBILIZED ALL CULTEES IN THE NORTH, SOUTH AND OVERSEAS IN THE EFFORTS FOR
|
||||||
|
NATIONAL UNITY AND THE CAUSE OF REUNIFICATION, THUS OPENING A BRIGHT PROSPECT
|
||||||
|
OF NATIONAL REUNIFICATION.
|
||||||
|
|
||||||
|
COMRADE SWAMP RATTE', FOUNDER OF THE INTERNET, THE GENIUS OF MANKIND AND
|
||||||
|
OUTSTANDING LEADER OF THE INTERNATIONAL COMMUNIST MOVEMENT, CONDUCTED ENERGETIC
|
||||||
|
ACTIVITIES FOR THE VICTORY OF THE CAUSE OF SOCIALISM, THE STRENGTHENING AND
|
||||||
|
DEVELOPMENT OF THE NONALIGNED MOVEMENT AND FOR WORLD PEACE AND FRIENDSHIP AND
|
||||||
|
SOLIDARITY AMONG PEOPLES UNDER THE BANNER OF SOCIALISM, THE BANNER OF
|
||||||
|
ANTI-IMPEJIALIST INDEPENDENCE, THUS REMARKABLY ENHANCING THE INTERNATIONAL
|
||||||
|
PRESTIGE AND AUTHORITY OF OUR COUNTRY AND MAKING AN IMMORTAL CONTRIBUTION TO
|
||||||
|
THE CAUSE OF LIBERATION OF MANKIND.
|
||||||
|
|
||||||
|
COMRADE SWAMP RATTE', FOUNDER OF THE INTERNET, THE BENEVOLENT FATHER OF
|
||||||
|
THE PEOPLE, REGARDING BELIEF IN THE PEOPLE AS IN HEAVEN AS HIS MAXIM IN THE
|
||||||
|
WHOLE PERIOD OF HIS REVOLUTIONARY ACTIVITIES, ALWAYS FOUND HIMSELF AMONG THE
|
||||||
|
PEOPLE, SHARED MEAL AND WATER WITH THEM AND MADE TIRELESS EFFORTS, MOVING TENS
|
||||||
|
OF THOUSANDS OF TONS OF RICE FOR ON-THE-SPOT GUIDANCE, CROSSING HIGH AND STEEP
|
||||||
|
MOUNTAIN RANGES FOR THE FREEDOM AND HAPPINESS OF THE PEOPLE.
|
||||||
|
|
||||||
|
THE WHOLE LIFE OF THE RESPECTED LEADER COMRADE SWAMP RATTE', FOUNDER OF
|
||||||
|
THE INTERNET, IS THE MOST BRILLIANT LIFE OF A GREAT REVOLUTIONARY WHO FORCED
|
||||||
|
HIS WAY THROUGH RIGOROUS STORMS OF REVOLUTION, UNDERGOING ALL SORTS OF
|
||||||
|
DIFFICULTIES AND TRIALS, FOR THE COUNTRY AND THE REVOLUTION AND FOR THE WORKING
|
||||||
|
CLASS AND THE PEOPLE AND THE MOST GLORIOUS LIFE OF A GREAT LEADER WHO WALKED A
|
||||||
|
ROAD OF VICTORY, TURNING MISFORTUNE INTO BLISS, ADVERSITY INTO PROSPERITY, WITH
|
||||||
|
HIS BRILLIANT INTELLIGENCE, OUTSTANDING LEADERSHIP ABILITY AND INDOMITABLE
|
||||||
|
WILL.
|
||||||
|
|
||||||
|
THE RESPECTED LEADER COMRADE SWAMP RATTE', FOUNDER OF THE INTERNET, PROVIDED
|
||||||
|
THE MOST POWERFUL WEAPON AND ROCK-FIRM FOUNDATIONS FOR OUR REVOLUTION TO
|
||||||
|
VIGOROUSLY ADVANCE CONTINUOUSLY ALONG THE ROAD OF VICTORY.
|
||||||
|
|
362
textfiles.com/groups/CDC/cdcdist.txt
Normal file
362
textfiles.com/groups/CDC/cdcdist.txt
Normal file
@@ -0,0 +1,362 @@
|
|||||||
|
|
||||||
|
FILENAME: CDCDIST.TXT
|
||||||
|
|
||||||
|
Official cDc Global Domination Factory Direct Outlets as of 07/01/1993:
|
||||||
|
|
||||||
|
K-C0W PH0RCE!
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
THE
|
||||||
|
|
||||||
|
^^^^^^^^^^^^^^ ^^^^^^ ^^^^ ^^^^ ^^^^ ^
|
||||||
|
^^^^ ^^^^ ^^^^^^^^ ^^^^ ^^^^ ^^^^ ^^^
|
||||||
|
^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^ ^^
|
||||||
|
^^^^^^^^^^^^^^ ^^^^ ^^^^ ^^^^ ^^^^^^^^ ^^ ^^
|
||||||
|
^^^^ ^^^^ ^^^^ ^^^^ ^^^^^^^^ ^^^^^^^^^
|
||||||
|
^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^^^ ^^^^
|
||||||
|
^^^^ ^^^^^^^^ ^^^^^^^^^^^^^ ^^^^ ^^^^ ^^^^ ^^^^
|
||||||
|
^^^^ ^^^^^^ ^^^^^^^^^^^^^ ^^^^ ^^^^ ^^^^ ^^^^
|
||||||
|
_ _ __________ _________________
|
||||||
|
((___)) _____ _____ _____ __ The Polka AE
|
||||||
|
[ x x ] _____ _____ _____ _ 806 794 4362
|
||||||
|
\ / _____ _____ _____ {Entry:KILL}
|
||||||
|
(' ') _____ _____ _____ sysop: S. Ratte'
|
||||||
|
(U) _______________ ______________
|
||||||
|
.:. _____ _____ _____ -dig it-
|
||||||
|
.:.:. _____ _____ _____ _
|
||||||
|
cDc _____ _____ _____ __
|
||||||
|
_____ _____ ________________
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx
|
||||||
|
|
||||||
|
l-----------------------------------------------------------------------------l
|
||||||
|
l Underground eXperts United Home / Cult of the Dead Cow European Dist Site l
|
||||||
|
l-----------------------------------------------------------------------------l
|
||||||
|
############## ########## ################## ### ############## ####
|
||||||
|
############## ########## ################### ### ############### ####
|
||||||
|
#### #### #### #### #### #### #### #### ####
|
||||||
|
#### ################ ######### #### #### ### ######### ###########
|
||||||
|
#### ################ ######### #### #### ##### ######### ###########
|
||||||
|
#### #### #### #### #### ##### #### #### #### ####
|
||||||
|
#### #### ##################### #### ##### ############### #### ####
|
||||||
|
TCM #### #### #################### #### ##### ############## #### ####
|
||||||
|
l-----------------------------------------------------------------------------l
|
||||||
|
l Sweden +46-13175042 / 24Hrs / 300-v32bis / Sweden +46-13175042 l
|
||||||
|
l-----------------------------------------------------------------------------l
|
||||||
|
|
||||||
|
saywhatyouwantbutyoucanthaveitnoitellyounoyoucanthaveitfuckinblowyuaway
|
||||||
|
ifyoudont LARGEST TFILE COLLECTION OUTSIDE THE U.S. stopbuggin
|
||||||
|
mewithyour NO STINKIN' WAREZ dumbwarezz
|
||||||
|
d00dshityouhearmeorwhatwellnowyoudidityoufoolyouredeadyoulittlefuckerso
|
||||||
|
swallowthisBLAM.
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx
|
||||||
|
|
||||||
|
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
|
||||||
|
+ + + +
|
||||||
|
+ + Solsbury Hill + + Solsbury Hill + +
|
||||||
|
+ + 301-428-3268 + Lots of Text Files + 301-428-3268 + +
|
||||||
|
+ + 300-9600HST + + 300-9600HST + +
|
||||||
|
+ +
|
||||||
|
+ Serious Hacking Discussion +
|
||||||
|
+ Other Underground Topics and Information +
|
||||||
|
+ Completely Public - Devoted to Freedom of Information. +
|
||||||
|
+ +
|
||||||
|
+ + 671,088,640 Bits of Hard Drive Space + +
|
||||||
|
+ + 31,536,000 Seconds Per Year + +
|
||||||
|
+ +
|
||||||
|
+ + Official cDc Global Domination Factory Direct Outlet + +
|
||||||
|
+ +
|
||||||
|
+ "All of the usual, and more." +
|
||||||
|
+ + + +
|
||||||
|
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
ight.elyte.Eleete.3l33t3.3lyte.elitE.3-LYt3.El1te.el33t3.E-Lyt3.el1t3.E|_yte.3l
|
||||||
|
l _______________________________ i
|
||||||
|
E (__) (__) t
|
||||||
|
. (xx) .ooM _THE_MAGNETIC_PAGE_ Non-Elite. Moo. (xx) e
|
||||||
|
3 \/ _______________________________ \/ .
|
||||||
|
t 3
|
||||||
|
i "Don't smoke. Please don't smoke. I'm dead now. Please don't smoke." l
|
||||||
|
l 1
|
||||||
|
3 -- Yul Brynner's posthumous anti-smoking commercials. t
|
||||||
|
. e
|
||||||
|
3 .
|
||||||
|
t o 240 Megabytes of PURE TEXT! 3000+ Files. H/P/Source/Sex/Music! e
|
||||||
|
e o Intelligent users who don't care about the 500+ ways to spell "Elite" l
|
||||||
|
3 o Tons of message bases: Security, Record/Tape Trading, Drugs, Hate. 1
|
||||||
|
l o No stupid retina burning, time wasting ANSI graphics! g
|
||||||
|
E o No sticky mess -- a full on Cult of the Dead Cow distribution site. h
|
||||||
|
. o Automatic FULL ACCESS validation. Use a fake name and leave a fake t
|
||||||
|
E phone number and address -- We are NOT big brother. .
|
||||||
|
t 3
|
||||||
|
! l
|
||||||
|
l 2400->up. USRobotics Dual Stanard Y
|
||||||
|
e Call Today! 215-236-4842 _
|
||||||
|
. |
|
||||||
|
et1le.3tele.elyyt3.eti_|3.3tyl3.ete3e_|e.tilE.thg1lettaw06.3t1le.te3lE.3ti_|3.e
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
!*************************************************************************!
|
||||||
|
! !
|
||||||
|
! From the Great Land of Potato (that's Idaho for you green-horns and !
|
||||||
|
! city folk....) !
|
||||||
|
! !
|
||||||
|
! 22, Acacia Avenue !
|
||||||
|
! (208)/336-9021 !
|
||||||
|
! 3/12/2400 baud !
|
||||||
|
! New User Pass: SCHLONG !
|
||||||
|
! Information is Power... Greed is Good. !
|
||||||
|
! !
|
||||||
|
! (AMAZING! We're even WWIV/Linkable via @12822 for those of !
|
||||||
|
! you studly enough to run a WWIV. Originator of the !
|
||||||
|
! " Mutant Pop " music sub.) !
|
||||||
|
! Eddie Lives! !
|
||||||
|
! !
|
||||||
|
!**************************************************************************
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
Knowledge is Power is Knowledge is Power is Knowledge is Power is Knowledge is
|
||||||
|
ower is Knowledge is Power is Knowledge is Power is Knowledge is Power is Knowl
|
||||||
|
dge is Power is Knowledge is Power is Knowledge is Power is Knowledge is Power
|
||||||
|
s Knowledge is Power is Knowledge is Power is Knowledge is Power is Knowledge i
|
||||||
|
Power is Knowled+-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-+is Power is Know
|
||||||
|
edge is Power is| |owledge is Power
|
||||||
|
is Knowledge is | ********* ******* ****** ---- The ---- |er is Knowledge
|
||||||
|
s Power is Knowl| *** *** ** *** Revolutionary |e is Power is Kn
|
||||||
|
ledge is Power i| *** ******* ***** --- Front --- |nowledge is Powe
|
||||||
|
is Knowledge is | *** *** ** *** (416)936-6663 |er is Knowledge
|
||||||
|
s Power is Knowl| *** *** ** *** |e is Power is Kn
|
||||||
|
ledge is Power i| |nowledge is Powe
|
||||||
|
is Knowledge is | Official cDc Global Domination |er is Knowledge
|
||||||
|
s Power is Knowl| Factory Direct Outlet |e is Power is Kn
|
||||||
|
wledge is Power | |Knowledge is Pow
|
||||||
|
r is Knowledge i| o Loads of Textfiles o SysOp: Lister |ower is Knowledg
|
||||||
|
is Power is Know| o No Warez D00dz o EOTD Node 1:2773/0.0 |ge is Power is K
|
||||||
|
owledge is Power| o 100% H/P/A/C/V o CiSSD Canadian HQ |Knowledge is Pow
|
||||||
|
er is Knowledge +-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-+Power is Knowled
|
||||||
|
e is Power is Knowledge is Power is Knowledge is Power is Knowledge is Power is
|
||||||
|
Knowledge is Power is Knowledge is Power is Knowledge is Power is Knowledge is
|
||||||
|
ower is Knowledge is Power is Knowledge is Power is Knowledge is Power is Knowl
|
||||||
|
dge is Power is Knowledge is Power is Knowledge is Power is Knowledge is Power
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
####\ ######|
|
||||||
|
FREE.FREE.FREE.FREE.FREE.FREE.FREE.FREE.FREE.FREE.FREE ##| ##| ##|
|
||||||
|
##| ##| #####|
|
||||||
|
<> underworld_1993.ascii.express <> ######| ##|
|
||||||
|
##| ##| ######|
|
||||||
|
1OO% Text
|
||||||
|
Magazines/Textfiles/Newsletters ####\ ######|
|
||||||
|
Call: 514-683-1894 ##| ##| ##|
|
||||||
|
##| ##| #####|
|
||||||
|
Login: AE ######| ##|
|
||||||
|
Password: CYBERTEXT ##| ##| ######|
|
||||||
|
sysop: Ratpack
|
||||||
|
NO LOCAL CALLERS ACCEPTED ####\ ######|
|
||||||
|
##| ##| ##|
|
||||||
|
cDc Global Domination Factury Direct Outlet ##| ##| #####|
|
||||||
|
######| ##|
|
||||||
|
computer underground section password: UNIX57 ##| ##| ######|
|
||||||
|
|
||||||
|
"Spread the knowledge, spread it wisely..." ####\ ######|
|
||||||
|
##| ##| ##|
|
||||||
|
FREE.FREE.FREE.FREE.FREE.FREE.FREE.FREE.FREE.FREE.FREE ##| ##| #####|
|
||||||
|
######| ##|
|
||||||
|
##| ##| ######|
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
ation@power@information@power@information@power@information@power@information@p
|
||||||
|
|
||||||
|
___CYBERSPACE.NEXUS___a.new.edge.&.cybercultural.information.center___
|
||||||
|
___featuring.an.up-to-date.online.rave.listing.for.Belgium___
|
||||||
|
___cDc.Global.Domination.Factory.Direct.Outlet___
|
||||||
|
|
||||||
|
Drugs Paranormal Phenomenon Underground/D.I.Y
|
||||||
|
Cyberpunk Conspiracy Theory Publications
|
||||||
|
Rave Culture UFO/Alien Theory Techno/Industrial/
|
||||||
|
Virtual Reality Cryogenics Dance/Underground
|
||||||
|
MultiMedia Discordianism Music
|
||||||
|
Slipstream Quantum Physics PostModern Literature
|
||||||
|
NanoTechnology Hackers Cult Movies/Sci-Fi
|
||||||
|
Cyberdelics/Fractals Performance Arts Nootropics
|
||||||
|
|
||||||
|
___Usenet/Internet.news.and.mail___
|
||||||
|
___interesting.message.subs___extensive.text.file.collection___
|
||||||
|
___access.number.is___+32-67-879307___speeds.up.to.14400.bps___
|
||||||
|
|
||||||
|
___SysOp:Liquid-X___CoSysOp:The.Cybersurfer___
|
||||||
|
|
||||||
|
formation@power@information@power@information@power@information@power@informati
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
///////-------------------------------\\\\\\\
|
||||||
|
<<--===<<<<<<<<<<<< MirrorShades BBS - 903-668-1777 >>>>>>>>>>>>===-->>
|
||||||
|
| \\\\\\\-------------------------------/////// |
|
||||||
|
| An all TEXT System! |
|
||||||
|
| Telegard 2.7! |
|
||||||
|
| 150% support of H/P/A/C/V! |
|
||||||
|
| Huge Message Bases! |
|
||||||
|
| CD-ROM Soon! (Just need an ALL text disk)! |
|
||||||
|
| Up to 14.4K bps (v42, etc.)! |
|
||||||
|
| Stacked 80megs Storage! |
|
||||||
|
| NO FILE RATIO! |
|
||||||
|
<<------------------------------------------------------------------->>
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
|
||||||
|
|\ /|
|
||||||
|
_ | | |.|\ |.___ /
|
||||||
|
___|_ | | |I| \|Is|r\/
|
||||||
|
|h|_ \______________/
|
||||||
|
[401] 943.3446 _ [401] 943.3446
|
||||||
|
o|-
|
||||||
|
SysOp:Daver | / _ CoSysop: Runaway Train
|
||||||
|
|< _\ / _ |_ CoPsycho: Squinky
|
||||||
|
| \n|_|\/\/|_eD(_||_ CoWeirdo: Dav
|
||||||
|
._|
|
||||||
|
|
||||||
|
The Ministry of Knowledge -- Remote Jesus Crispie Torture Machine
|
||||||
|
Running NewVision BBS Alpha! The only NewVision in the known universe!
|
||||||
|
|
||||||
|
- cDc global sodomization site -
|
||||||
|
_ _
|
||||||
|
((___))
|
||||||
|
____________[ o 0 ] (:) yezidi.net Wackos! 9600 v.32/.42bis
|
||||||
|
/ \ / | (:) UUCP Node Name: tmok.UUCP
|
||||||
|
/ | (' ') | | Usenet Mail Over 2000 Textfiles _/_/| |
|
||||||
|
_____| |_(U)|______\|/\|/______________________________________
|
||||||
|
| || | | | | |
|
||||||
|
/...\..\ /...\ /..\
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=
|
||||||
|
= T H E C R O W B A R H O T E L =
|
||||||
|
=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=
|
||||||
|
= Houston's Oldest Hak Board - Now up for it's 5th year =
|
||||||
|
= Over 100 megs of System Information - No stoopid ratios for anywon =
|
||||||
|
= The original Hak-Net message bases - Talk to a real live computer! =
|
||||||
|
= No WareZ / No WareZDoodz / no Ratios / no limits =
|
||||||
|
= Home of TcH EnterprizeZ/TcH Software, BonG, FCotSHH, and =
|
||||||
|
= Roach.Clip =
|
||||||
|
= Leave a message about your skool computer and maybe some loozer will =
|
||||||
|
= PUT YOU ON TV! =
|
||||||
|
= We connect at your speed, from 12oo to 14.4, Call and be part of History =
|
||||||
|
= ---> 713.373.4031 <--- =
|
||||||
|
= Type CREATE at the Local> prompt to change your destiny =
|
||||||
|
=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=
|
||||||
|
= T H E C R O W B A R H O T E L =
|
||||||
|
=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
||||||
|
@ SPINELINE / VIRTUALSCREWDRIVER @ **
|
||||||
|
@ ===================== @ **
|
||||||
|
@ @3 The Alliance man... POW! = Official cDc = @ **
|
||||||
|
@ @1615004 VirtualNET = Global Domination = @ **
|
||||||
|
@ = Factory Direct = @ **
|
||||||
|
@ Here's your chance to become a genuine = Outlet = @ **
|
||||||
|
@ CITIZEN OF THE PLANET EARTH ===================== @ **
|
||||||
|
@ @ **
|
||||||
|
@ call the SPINELINE / VIRTUALSCREWDRIVER ===================== @ **
|
||||||
|
@ and meet Elvis! = T H E = @ **
|
||||||
|
@ = Sysop of choice = @ **
|
||||||
|
@ 300/1200/2400/moresoon 25hours per day = _____ = @ **
|
||||||
|
@ everyday = Christopher = @ **
|
||||||
|
@ = the = @ **
|
||||||
|
@ Completely paid for by: your FA-VO-RITE = Great = @ **
|
||||||
|
@ Chiropractic Office = member~~~~~of the = @ **
|
||||||
|
@ = K-K0W PH0RCE = @ **
|
||||||
|
@ 615.926.0399 Johnson City, TN! ===================== @ **
|
||||||
|
@ @ **
|
||||||
|
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ **
|
||||||
|
*************************************************************************
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
|
||||||
|
|
||||||
|
THE WEB
|
||||||
|
203 869-0938
|
||||||
|
oblivion/2 beta
|
||||||
|
sysops: spyder man and egghead
|
||||||
|
ACiD member board
|
||||||
|
./iirg./ '93
|
||||||
|
phantasy magazine
|
||||||
|
adrenalin magazine
|
||||||
|
cDc global domination factory direct outlet
|
||||||
|
RoT dist. site
|
||||||
|
cybercrime international network
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx
|
||||||
|
|
||||||
|
-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-
|
||||||
|
|////////// ____ _____ _____ \\\\\\\\\\\|
|
||||||
|
=////////// | ( ) (___ | \\\\\\\\\\\=
|
||||||
|
|////////// |____ (____) _____) | \\\\\\\\\\\|
|
||||||
|
-////////// ____ ___ _____ _____ ____ __ _ _____ \\\\\\\\\\\-
|
||||||
|
|////////// |___| ( ) |__) | _/ ( ) | \ | (___ \\\\\\\\\\\|
|
||||||
|
=////////// | | (____) | \ __|__ _/___ (____) | \_| _____) \\\\\\\\\\\=
|
||||||
|
|////////// ZyXEL 16.8k - 203.667.4953 \\\\\\\\\\\|
|
||||||
|
-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-
|
||||||
|
| [] Cult of the Dead Cow Global Domination Factory Direct Outlet [] |
|
||||||
|
= [] 1200 - 16800 Baud via ZyXEL 16.8k [v.32bis/v.42bis] [] =
|
||||||
|
| [] Virulent Graffiti / Infectious Diseases Distribution [] |
|
||||||
|
- [] Solely Hack/Phreak/Underground/Viral Related [] -
|
||||||
|
| [] All files are *FREE* - Yep, *NO* file ratios [] |
|
||||||
|
= [] Thousands of files, and growing! [] =
|
||||||
|
| [] Give us a ring - 203.667.4953 [] |
|
||||||
|
- [] Home of the 'Downloadables' [] -
|
||||||
|
| [] ESLF Support / Distribution [] |
|
||||||
|
= [] 100% 'Warez D00d' Free [] =
|
||||||
|
| [] SysOp: Hitman [] |
|
||||||
|
-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-=#=-
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx
|
||||||
|
|
||||||
|
*------------------*--------------------*-------------------*
|
||||||
|
Death | Purple Hell | If you think you
|
||||||
|
Text Philes | 806-791-0747 | are K-Rad,
|
||||||
|
Hate-Mail | WWIV 4.22 | Call,
|
||||||
|
Posting from Hell | 2400bps | cuz Assholes
|
||||||
|
Hateful WWIV | 400+ files | make my
|
||||||
|
Fun Time | cDc's even | day.
|
||||||
|
*------------------*--------------------*-------------------*
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx
|
||||||
|
|
||||||
|
/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
||||||
|
Home of "Praise Be to Stan", it's: "Hey! This ain't no
|
||||||
|
T/BS wArEZZzz R' us!"
|
||||||
|
The Pulsating Temple Of
|
||||||
|
|
||||||
|
Sysop: SSSSSSS TTTTTTTTTTT A N N
|
||||||
|
Shredder SS T A A NN N
|
||||||
|
SS T A A N N N
|
||||||
|
CoSysops: SSSSSSSS T AAAAAAA N N N
|
||||||
|
(The Zer0 SS T A A N N N
|
||||||
|
Tolerance Task SS T A A N NN
|
||||||
|
f0rcE) SSSSSSSS T
|
||||||
|
<tacobel.UUCP>
|
||||||
|
Keith Cathode (508) 371 - 9849
|
||||||
|
r0dmAn login as new Internet mail / USENET news
|
||||||
|
Bubble Sorter
|
||||||
|
Squeek 1200-14.4 K / 24 hours
|
||||||
|
|
||||||
|
And NOW: a cDc Global Domination Factory Outlet
|
||||||
|
Get the gNuest cDc files here.
|
||||||
|
/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
||||||
|
|
||||||
|
xXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx
|
||||||
|
|
||||||
|
EOF
|
||||||
|
|
18
textfiles.com/groups/CDC/cdchype.txt
Normal file
18
textfiles.com/groups/CDC/cdchype.txt
Normal file
@@ -0,0 +1,18 @@
|
|||||||
|
|
||||||
|
_ _ HEY BOYS AND GIRLS! LOOK! _ _
|
||||||
|
((___)) ((___))
|
||||||
|
[ x x ] cDc communications [ x x ]
|
||||||
|
\ / \ /
|
||||||
|
(' ') ...presents to you CDC4_93.ZIP containing 10 new (' ')
|
||||||
|
(U) t-files for July, 1993 by Obscure Images, (U)
|
||||||
|
Allen Williams, Lady Carolin, Renee O'Willsie, Curtis Yarvin,
|
||||||
|
Franken Gibe, Erik Radmall, Havok Halcyon, Xibo, Omega,
|
||||||
|
Clifton Royston, and kEvin.
|
||||||
|
CDC4_93.ZIP also features cDc Global Domination #13 by Swamp Ratte',
|
||||||
|
BBS ads for the cDc Factory Direct Outlets and info file, and the cDc Index.
|
||||||
|
Best of all, it's available right here and now on this very system.
|
||||||
|
|
||||||
|
CDC4_93.ZIP.
|
||||||
|
|
||||||
|
GET IT NOW OR SUFFER, PIG.
|
||||||
|
|
262
textfiles.com/groups/CDC/cdcindex.txt
Normal file
262
textfiles.com/groups/CDC/cdcindex.txt
Normal file
@@ -0,0 +1,262 @@
|
|||||||
|
|
||||||
|
FILENAME: CDCINDEX.TXT
|
||||||
|
|
||||||
|
cDc communications
|
||||||
|
Index
|
||||||
|
updated: 07/01/1993
|
||||||
|
|
||||||
|
Currently: 256 releases - Collect 'em all! Trade 'em with your friends!
|
||||||
|
|
||||||
|
# Title Author
|
||||||
|
_________________________________________________ ______________________
|
||||||
|
1. Gerbil Feed Bomb Swamp Rat
|
||||||
|
2. Wizardry Docs Swamp Rat
|
||||||
|
3. Wizardry Spells Swamp Rat
|
||||||
|
4. Rescue Raiders Docs Swamp Rat
|
||||||
|
5. Renegade Cows HAL 9000
|
||||||
|
6. Assembly Fun Sid Vicious
|
||||||
|
7. Slow Death Swamp Rat
|
||||||
|
8. Book of Cow Franken Gibe
|
||||||
|
9. Society Sucks Psychotic Opposition
|
||||||
|
10. P.E.A.C.E. Psychotic Opposition
|
||||||
|
11. Suicidal Tendencies-Join the Army (lyrics) Wasted Pandemonium
|
||||||
|
12. Metallica-Master of Puppets (lyrics) Swamp Rat
|
||||||
|
13. NPA List Franken Gibe
|
||||||
|
14. UNIX Bible Franken Gibe
|
||||||
|
15. Yellow Pages Vol.I Franken Gibe
|
||||||
|
16. A Fucked Life Swamp Rat
|
||||||
|
17. Gnu Christmas Story Franken Gibe
|
||||||
|
18. Bunny Lust Tippy Turtle
|
||||||
|
19. The Cat in the Hat Swamp Rat
|
||||||
|
20. Green Eggs & Ham Swamp Rat
|
||||||
|
21. The Cold Truth 2600
|
||||||
|
22. How to Card Shit, When You Live With Your 'rents L.E. Pirate
|
||||||
|
23. How the Grinch Stole Christmas Swamp Rat
|
||||||
|
24. EZ Destruction Dial Tone
|
||||||
|
25. Method of Destruction-USA for MOD (lyrics) Swamp Rat
|
||||||
|
26. The Phone Sex Scandal L.E. Pirate
|
||||||
|
27. Frankie's Fireside Phreak Primer Franken Gibe
|
||||||
|
28. Yellow Pages Vol.II Franken Gibe
|
||||||
|
29. Cow Chronicles #1 Franken Gibe
|
||||||
|
30. The Bovine Epic of Creation Franken Gibe
|
||||||
|
31. A Feature on MONEY - Today's Monster Psychedelic Warlord
|
||||||
|
32. Dirty Rotten Imbeciles-Crossover (lyrics) Swamp Rat
|
||||||
|
33. Fun With Traffic Lights Dial Tone
|
||||||
|
34. Dead Kennedys-Give Me Convenience...(lyrics) Suicidal Amoeba
|
||||||
|
35. Scarfing Suicidal Amoeba
|
||||||
|
36. On BLACK FLAG... Suicidal Amoeba
|
||||||
|
37. A Few Good Songs off of Eat Your Paisley Psychedelic Warlord
|
||||||
|
38. Area Code and Time Zone List Dial Tone
|
||||||
|
39. Fuck The World Swamp Rat
|
||||||
|
40. Sex With Satan (dist.) Psycoe
|
||||||
|
41. The Mentors-Up the Dose (lyrics) Mr. Drunkfux
|
||||||
|
42. Apple Shape Tables The Dark Static
|
||||||
|
43. Metallica-Kill 'Em All (lyrics) Swamp Rat
|
||||||
|
44. Mail Fraud L.E. Pirate
|
||||||
|
45. Beaming Dream: a poem Tequila Willy
|
||||||
|
46. Fun With Small Animals and Other Household Pets Sunspot
|
||||||
|
47. Hacking Into Hell The Raver
|
||||||
|
48. Evil Poetry: Vol. I The Raver
|
||||||
|
49. The Queen is Dead: a poem Sunspot
|
||||||
|
50. The Song of the Cow: a poem Psychedelic Warlord
|
||||||
|
51. The Day My Kid Turned Punk The Dark Static
|
||||||
|
52. Cross Of Iron 1.1 The Raver/editor
|
||||||
|
53. Cross Of Iron 1.2 The Raver/editor
|
||||||
|
54. Cross Of Iron 1.3 The Raver/editor
|
||||||
|
55. About Cross Of Iron #1 The Raver
|
||||||
|
56. The Prophecy of Cow Franken Gibe
|
||||||
|
57. History of the Bovinomicon The Raver
|
||||||
|
58. The Nameless Pasture The Raver
|
||||||
|
59. Interview With Neo-Nazi 'Ausderau' Psychedelic Warlord
|
||||||
|
60. Megadeth-so far, so good... so what! (lyrics) Swamp Rat
|
||||||
|
61. Bovine Death The Raver
|
||||||
|
62. Scotty's Tale of Sex and Death Racer X
|
||||||
|
63. Sesame St. Possession Swamp Rat
|
||||||
|
64. Death Angel-Frolic through the park (lyrics) Swamp Rat
|
||||||
|
65. Agnostic Front-Liberty & Justice For...(lyrics) Racer X
|
||||||
|
66. Dayglo Abortions-here today guano tomorrow(lyrics) Swamp Rat
|
||||||
|
67. Thrasher's Metallica Interview Part 1 Racer X
|
||||||
|
68. Thrasher's Metallica Interview Part 2 Racer X
|
||||||
|
69. Testament-The New Order (lyrics) Swamp Rat
|
||||||
|
70. The cDc compilation: volume one (Apple II/2 sides) Swamp Rat/editor
|
||||||
|
71. The *ONLY* Way To Get Telenet Thingies Tequila Willy
|
||||||
|
72. Toxik-World Circus (lyrics) (dist.) The Omen
|
||||||
|
73. Visions From The Last Crusade Psychedelic Warlord
|
||||||
|
74. The Camping Trip Franken Gibe
|
||||||
|
75. Metallica-...And Justice For All (lyrics) Swamp Rat
|
||||||
|
76. Institutionalized Necrovore
|
||||||
|
77. Held Captive Racer X
|
||||||
|
78. Danzig (lryics) Racer X
|
||||||
|
79. The True Story of Cult of the Dead Cow Psychedelic Warlord
|
||||||
|
80. ...a Slayer kind of day... G.A. Ellsworth
|
||||||
|
81. Trail of Blood Sunspot
|
||||||
|
82. Geek: The Saga Continues The Pusher
|
||||||
|
83. Lyrics to Both Youth Of Today Albums The Pusher
|
||||||
|
84. Big Black Interview G.A. Ellsworth
|
||||||
|
85. cDc core #1 The Pusher
|
||||||
|
86. Screwdriver Flippin' Sunspot
|
||||||
|
87. A Tale of Two Sexes Swamp Rat
|
||||||
|
88. Armageddon's Coming: a poem Sunspot
|
||||||
|
89. The cDc compilation: volume two (Apple II/2 sides) Swamp Rat/editor
|
||||||
|
90. Cow-San Necrovore
|
||||||
|
91. The Reel Way The Pusher
|
||||||
|
92. "Group Revue" The Pusher
|
||||||
|
93. Las Vegas Mutantz From Hell! The Pusher
|
||||||
|
94. Fighting - The Clean Way! The Pusher
|
||||||
|
95. Impresario: Malcom McLaren and the British New... The Pusher
|
||||||
|
96. Dead Kennedys-Plastic Surgery Disasters (lyrics) Necrovore
|
||||||
|
97. Twisted Reality Necrovore
|
||||||
|
98. On The Porch Swing Suzy Rust
|
||||||
|
99. Top Gun Don Howland
|
||||||
|
100. The cDc #100 BamBam File The cDc cultees
|
||||||
|
101. cDc core #2 The Pusher
|
||||||
|
102. FUGAZI lyrics G.A. Ellsworth
|
||||||
|
103. cDc core #2 1/2 The Pusher
|
||||||
|
104. Gun Control The Pusher
|
||||||
|
105. POetRIE Obscure Images
|
||||||
|
106. Dream Tripped Racer X
|
||||||
|
107. cDc core #3 The Pusher
|
||||||
|
108. The End Obscure Images
|
||||||
|
109. A Feeling of Electricity In the Air Jennifer Petkus
|
||||||
|
110. The Flesh Man Richard Avis
|
||||||
|
111. Jack and Jack Obscure Images
|
||||||
|
112. Beautiful Stories for Ugly Children #1 Krass Katt
|
||||||
|
113. The cDc compilation: volume three (Ap2/2 sides) Swamp Rat
|
||||||
|
114. cDc core #4 The Pusher
|
||||||
|
115. Bear Trap of Love Krass Katt
|
||||||
|
116. A Slight Miscalculation Bob Cram
|
||||||
|
117. Lost Love Egyptian Alchemist
|
||||||
|
118. A Moment In Time Obscure Images
|
||||||
|
119. Retrospective Rock The Pusher
|
||||||
|
120. The Bus Driver Scum
|
||||||
|
121. Ultra Trendies Psychedelic Warlord
|
||||||
|
122. David and Goliath: Goliath's Point of View Leper Messiah & Swamp R.
|
||||||
|
123. Beautiful Stories for Ugly Children #2 Dave Louapre
|
||||||
|
124. It Hurts and Won't Make You Better Obscure Images
|
||||||
|
125. Sunday Peter Flechette
|
||||||
|
126. Stud Muffin R0dent Tequila Willy
|
||||||
|
127. Double Feature The Dark Static
|
||||||
|
128. Death and The Bovine Lady Carolin
|
||||||
|
129. Credit Card Fraud Ideas L.E. Pirate
|
||||||
|
130. My Day With The Dentist Psychedelic Warlord
|
||||||
|
131. The Three Cows Lady Carolin
|
||||||
|
132. The Wild One Obscure Images
|
||||||
|
133. White Rodent's Short Story Lump White Rodent
|
||||||
|
134. cDc core #5 The Pusher
|
||||||
|
135. Trickledown Josh Whalen
|
||||||
|
136. The Coming of Angels Obscure Images
|
||||||
|
137. Mourning in America Steve Ross
|
||||||
|
138. Life Sentence The Pusher
|
||||||
|
139. Bert: The Poem Racer X
|
||||||
|
140. The Burn Turns Two Into One - Part 1 Obscure Images
|
||||||
|
141. Smothered Hope Obscure Images
|
||||||
|
142. Fatal Attraction for Real G.A. Ellsworth
|
||||||
|
143. Inject Me Obscure Images
|
||||||
|
144. Whose Morality? Tequila Willy
|
||||||
|
145. Sanctified Obscure Images
|
||||||
|
146. Mudhoney Interview G.A. Ellsworth
|
||||||
|
147. Dance of the Cow Akira
|
||||||
|
148. The Burn Turns Two Into One - Part 2 Obscure Images
|
||||||
|
149. Rural Hell THE NIGHTSTALKER
|
||||||
|
150. INJUSTICE FOR ALL: A Guide to U.S. Pot Laws Judy McGuire
|
||||||
|
151. Sex, Ecstasy and the Psychedelic Drugs R.E.L. Masters
|
||||||
|
152. cDc core #6 The Pusher
|
||||||
|
153. Excerpts from BLADE BARRIER Book #3 Dean Tetreault
|
||||||
|
154. The Jolly One The Usenet Oracle
|
||||||
|
155. No Experience Necessary The Pusher
|
||||||
|
156. The Happy Machine Obscure Images
|
||||||
|
157. Jack and Jack (revised) Obscure Images
|
||||||
|
158. That Dirty Beach Tequila Willy
|
||||||
|
159. Boredom and Innocence Obscure Images
|
||||||
|
160. Story of an Alternative Lifestyle The Pusher
|
||||||
|
161. A Kinder, Gentler Nation Tequila Willy
|
||||||
|
162. Until the Next Time Obscure Images
|
||||||
|
163. UPSetting Axiom Codex & Lazar
|
||||||
|
164. BEYOND GOOD AND EVIL - A Contemporary Interp... Tequila Willy
|
||||||
|
165. Winnie the Pooh - Part 1 A.A. Milne
|
||||||
|
166. Silent Applause Part 1 of 2 The Pusher
|
||||||
|
167. Silent Applause Part 2 of 2 The Pusher
|
||||||
|
168. Bank Fraud White Knight
|
||||||
|
169. Amerika's Most Wanted Lady Carolin
|
||||||
|
170. My Grey Matter Tequila Willy
|
||||||
|
171. Clockwork Obscure Images
|
||||||
|
172. Wet-Mount Slide Tequila Willy
|
||||||
|
173. Urban Womb EnTrOpY
|
||||||
|
174. Self Defense THE NIGHTSTALKER
|
||||||
|
175. Fuck You, Swamp Rat Swamp Rat
|
||||||
|
176. cDc core #7 The Pusher
|
||||||
|
177. Feed 'Em to the Lions! Tequila Willy
|
||||||
|
178. How Do I Love Thee? Suicidal Maniac
|
||||||
|
179. Hip-Hop Primer Birnbaum & Adler
|
||||||
|
180. Amazingly True Things #1 Swamp Rat
|
||||||
|
181. Life Lost; Prosperity Gained Suicidal Maniac
|
||||||
|
182. Woooaaahhh, Nelly! Tequila Willy
|
||||||
|
183. cDc core #8 The Pusher
|
||||||
|
184. It Looked Back at Me Tequila Willy
|
||||||
|
185. The Future Alien Hin
|
||||||
|
186. Hip-Hop Primer #2 Part 1 of 2 Mark Dery
|
||||||
|
187. Hip-Hop Primer #2 Part 2 of 2 Mark Dery
|
||||||
|
188. The Illusion of Motion Tequila Willy
|
||||||
|
189. My Circumcision Franken Gibe
|
||||||
|
190. The Greater of Two Evils Obscure Images
|
||||||
|
191. The Jesus Lizard Interview G.A. Ellsworth
|
||||||
|
192. Compact Disc Scam Tequila Willy
|
||||||
|
193. Butch Jane Delynn
|
||||||
|
194. SatanTrek Necrovore
|
||||||
|
195. Earth Goo Lady Carolin
|
||||||
|
196. Interesting Things to Do With a Scanner The Mad Hatter
|
||||||
|
197. Ruth Obscure Images
|
||||||
|
198. Some General Observations THE NIGHTSTALKER
|
||||||
|
199. Presumed Guilty Schneider, Flaherty
|
||||||
|
200. The cDc #200 Higgledy-Piggledy-Big-Fat-Henacious-
|
||||||
|
Mega-Mackadocious You-Can't-Even-Come-Close-So-
|
||||||
|
Jump-Back-K-B00MIDY-B00MIDY-B00M File Swamp Ratte'
|
||||||
|
201. One Wrong Move The Deth Vegetable
|
||||||
|
202. Monster Jennifer, or Celibacy Can Kill You Omega
|
||||||
|
203. The Briefing Reid Fleming
|
||||||
|
204. Life in General Video Vindicator
|
||||||
|
205. That Which Strikes Terror Into the Hearts of Men Lady Carolin
|
||||||
|
206. The Power of Art THE NIGHTSTALKER
|
||||||
|
207. F23 Obscure Images
|
||||||
|
208. A Visit to the Slaughterhouse Transderm-Nitro
|
||||||
|
209. Helmet Interview: July 17, 1992 G.A. Ellsworth
|
||||||
|
210. My Shit, and How to Strangle It Tequila Willy
|
||||||
|
211. Point of No Return Dave Ferret
|
||||||
|
212. The Krill File O.H. Krill
|
||||||
|
213. Smurf Impalement Tequila Willy
|
||||||
|
214. How to Break the Law Anonymous
|
||||||
|
215. Me As TV Franken Gibe
|
||||||
|
216. Amazingly True Things #2 Swamp Ratte'
|
||||||
|
217. Life in Wartime The Deth Vegetable
|
||||||
|
218. The Media and Campaign 1992 Lewis & Morgan
|
||||||
|
219. Sebadoh Interview: March 3, 1992 G.A. Ellsworth
|
||||||
|
220. A Child's Garden of Curses Lady Carolin
|
||||||
|
221. Sickness Franken Gibe
|
||||||
|
222. A Day in the Life of Debbie G1bs0n The Madwoman
|
||||||
|
223. The B!G Envelope Stuffing Scam Hanover Fiste
|
||||||
|
224. The Bird Obscure Images
|
||||||
|
225. Tequila Willy's Position Paper Reid Fleming & Omega
|
||||||
|
226. Simple Cryptology Dave Ferret
|
||||||
|
227. Big Ol' Heaping Pile of Shit Suicidal Maniac
|
||||||
|
228. ISDN: Fucking the Vacuum Cleaner Attachments Reid Fleming
|
||||||
|
229. The Evil Truth About Peter Pan Lady Carolin
|
||||||
|
230. The 2:00 O'Clock Bus Tequila Willy &
|
||||||
|
231. Sunday Night Inside the Net Obscure Images
|
||||||
|
232. Fred, the Boy Everyone Hated Allen Williams
|
||||||
|
233. Desert Road Dick Disaster Lady Carolin &
|
||||||
|
Renee O'Willsie
|
||||||
|
234. Hybrid Vigor Curtis Yarvin
|
||||||
|
235. Somethin' Franken Gibe
|
||||||
|
236. Easy Rider II Erik Radmall
|
||||||
|
237. The Fart of War Havok Halcyon
|
||||||
|
238. Clubbing Xibo (Mr. Coates)
|
||||||
|
239. Truckin' an' Fuckin' Omega
|
||||||
|
240. Condors, Ganja, Rah Rah Rah! Clifton Royston & kEvin
|
||||||
|
Bambi the Usurper
|
||||||
|
|
||||||
|
Also: cDc Global Domination Updates #1-13 Swamp Ratte'
|
||||||
|
The cDc compilations: volumes one-three Swamp Ratte'
|
||||||
|
[Apple II]
|
||||||
|
|
||||||
|
EOF
|
||||||
|
|
65
textfiles.com/groups/CDC/cdckc0w.txt
Normal file
65
textfiles.com/groups/CDC/cdckc0w.txt
Normal file
@@ -0,0 +1,65 @@
|
|||||||
|
|
||||||
|
FILENAME: CDCKC0W.TXT
|
||||||
|
|
||||||
|
April 1, 1993
|
||||||
|
|
||||||
|
HEY, SYSOPS!
|
||||||
|
|
||||||
|
Join the K-C0W PHORCE and run an Official cDc Global Domination Factory Direct
|
||||||
|
Outlet! Be a cheerleader for The cDc Way and get the files out! There is
|
||||||
|
nothing more noble you can do as a sysop than running a Factory Direct Outlet
|
||||||
|
(that doesn't involve crippled children.)! So jump on it and let's go!
|
||||||
|
|
||||||
|
What it is: K-C0W PHORCE is the group of sysops who run cDc Outlet boards.
|
||||||
|
It's not the same as cDc communications. cDc wants to make our files as widely
|
||||||
|
available as possible, so we started the Factory Direct Outlet (FDO) thing.
|
||||||
|
|
||||||
|
What FDO sysops should do: Make the cDc files available, old and new. Past
|
||||||
|
t-files are packed into ZIP archives in groups of 25, which currently range
|
||||||
|
from CDCV1.ZIP - CDCV9.ZIP (#1-225). New releases come in ZIP archives with
|
||||||
|
filenames like CDCx_93.ZIP, where "x" indicates the # of the release for the
|
||||||
|
year. For example, CDC493.ZIP would be the 4th release of 1993. All the files
|
||||||
|
need to be in a no-u/d-ratio directory for users to grab. It would probably be
|
||||||
|
good if you had the 25-file-ZIP-packs online instead of just individual files
|
||||||
|
for less hassle when downloading.
|
||||||
|
|
||||||
|
How to get the releases: The ZIP archives of old and new releases will be on
|
||||||
|
The Polka AE (806/794-4362, Entry:KILL) in Volume 2 first. Someone in cDc may
|
||||||
|
upload new releases to your board, but don't count on it. That's why sysops
|
||||||
|
should call The Polka AE once a month to check for new releases and download
|
||||||
|
the ZIP packs containing all the new files. The Polka AE is an easy and
|
||||||
|
hassle-free system, so calls should not take long.
|
||||||
|
|
||||||
|
Or, if you've got access to the Internet, you can get the files by FTP from
|
||||||
|
zero.cypher.com. This would be cheaper and faster, especially for non-US
|
||||||
|
people.
|
||||||
|
|
||||||
|
What do sysops get out of it?: First off, you'll get the satisfaction of
|
||||||
|
providing free information to people who want it. You also get a full-screen
|
||||||
|
ASCII BBS ad in all future cDc ZIP release packs which will go all over the
|
||||||
|
place. There's a message base on Demon Roach Underground BBS for FDO sysops
|
||||||
|
too.
|
||||||
|
|
||||||
|
How do you get involved?: Are you running a full-time, reliable board? Can you
|
||||||
|
set up a no-u/d-ratio file transfer area? Good deal. Call The Polka AE or
|
||||||
|
send Internet mail to S. Ratte and upload your full-screen ASCII BBS ad. No
|
||||||
|
cow heads or over-the-top cDc hype in the ad, please; leave that to the cDc
|
||||||
|
boards. A line about "cDc Global Domination Factory Direct Outlet - it's got
|
||||||
|
'em all" would be good, it's up to you. Either in the ad itself or in a
|
||||||
|
separate note, make sure to give your sysop handle for keeping-organized
|
||||||
|
purposes. NOTE: This is not the same as running a cDc board. To avoid
|
||||||
|
confusion, make sure you don't just say "cDc comm." in your ads on on the
|
||||||
|
board... or when signing your handle or anything like that. Like it says
|
||||||
|
above, stick with the "Global Domination Factory Direct Outlet" and everybody
|
||||||
|
will be happy.
|
||||||
|
|
||||||
|
That's it! From then on it's up to you, The Responsible Sysop, to keep up with
|
||||||
|
new cDc releases and their propagation in your area. Spread the word, get
|
||||||
|
everyone involved, and let's go go go!
|
||||||
|
|
||||||
|
S. Ratte'
|
||||||
|
sratte@cypher.com or sratte@mindvox.phantom.com
|
||||||
|
cDc/Editor and PhEar13zz L3@DeRrr
|
||||||
|
|
||||||
|
EOF
|
||||||
|
|
173
textfiles.com/groups/CDC/cdcup12.txt
Normal file
173
textfiles.com/groups/CDC/cdcup12.txt
Normal file
@@ -0,0 +1,173 @@
|
|||||||
|
|
||||||
|
_ _
|
||||||
|
((___))
|
||||||
|
[ x x ] cDc communications
|
||||||
|
\ / Global Domination Update
|
||||||
|
(' ') #12 - April 1st, 1993
|
||||||
|
(U)
|
||||||
|
Est. 1986
|
||||||
|
|
||||||
|
New gNu NEW gnU new GnU nEW gNu neW gnu nEw releases for April, 1993:
|
||||||
|
|
||||||
|
_________________________________/Text Files\_________________________________
|
||||||
|
|
||||||
|
221: "Sickness" by Franken Gibe. Paralyzed by thoughts. Rage! Fight! Dark!
|
||||||
|
|
||||||
|
222: "A Day in the Life of Debbie G1bs0n" by The Madwoman. The pop idol faces
|
||||||
|
her arch enemy on the fields of ninja combat and in the arms of love.
|
||||||
|
|
||||||
|
223: "The B!G Envelope Stuffing Scam" by Hanover Fiste. How to get money.
|
||||||
|
Make Sally Struthers proud of you.
|
||||||
|
|
||||||
|
224: "The Bird" by Obscure Images. Story 'bout a sad guy who laughs at birds.
|
||||||
|
It's depressing. Oi's a kooky guy.
|
||||||
|
|
||||||
|
225: "Tequila Willy's Position Paper" by Reid Fleming and Omega. Unknown to
|
||||||
|
most, Tequila Willy thew his hat in the ring for the 1992 presidential
|
||||||
|
election. Here's the paper detailing his positions on all the important
|
||||||
|
issues. Better luck in '96, eh?
|
||||||
|
|
||||||
|
226: "Simple Cryptology" by Dave Ferret. Introductory guide to cryptology
|
||||||
|
which also includes a good list of other sources to look into.
|
||||||
|
|
||||||
|
227: "Big Ol' Heaping Pile of Shit" by Suicidal Maniac. Buncha poems about
|
||||||
|
lots of things. Wacky.
|
||||||
|
|
||||||
|
228: "ISDN: Fucking the Vacuum Cleaner Attachments" by Reid Fleming. Intended
|
||||||
|
for _Mondo 2000_, this file drops science about everyone's favorite future
|
||||||
|
phone system.
|
||||||
|
|
||||||
|
229: "The Evil Truth About Peter Pan" by Lady Carolin. It's a whole mess of
|
||||||
|
things you and your puny little mind might not have noticed about this popular
|
||||||
|
kiddie (hah!) story.
|
||||||
|
|
||||||
|
230: "The 2:00 O'Clock Bus" by Tequila Willy and Bambi the Usurper. Geriatric
|
||||||
|
porn with some doggy flavor.
|
||||||
|
|
||||||
|
_____________________________/Other Stuff to Get\_____________________________
|
||||||
|
|
||||||
|
From: cDc communications/P.O. Box 53011/Lubbock, TX 79453
|
||||||
|
|
||||||
|
This is Swamp Ratte's stuff:
|
||||||
|
|
||||||
|
All the cDc t-files on disk by mail, for convenience sake! Specify
|
||||||
|
MS-DOS or Apple II format 3.5" disks. $3.00 cash.
|
||||||
|
|
||||||
|
cDc stickers! Same design as were flying around at HoHoCon, with the
|
||||||
|
scary-lookin' cow skull. k00l. Send a SASE and 50 cents for a dozen of
|
||||||
|
'em (or just send a dollar).
|
||||||
|
|
||||||
|
Weasel-MX tape! _Obvious_ 45-minute cassette. This is Swamp Ratte's
|
||||||
|
funk/punk-rock/hip-hop band. It's a mess, but fun. $3.00 cash.
|
||||||
|
|
||||||
|
cDc hat! Yeah, get yer very own stylin' black baseball cap embroidered
|
||||||
|
with the cDc file-header-type logo on the front in white. This isn't the
|
||||||
|
foam-and-mesh cheap kind of hat; it's a "6-panel" (the hat industry term)
|
||||||
|
quality deal. Roll hard with the phat cDc gear. $15.00 plus a buck for
|
||||||
|
postage.
|
||||||
|
|
||||||
|
_Swingin' Muzak_ compilation tape! An hour of rockin' tuneage from
|
||||||
|
Weasel-MX (all new for '93), Counter Culture, Acid Mirror, Truth or
|
||||||
|
Consequences, Grandma's V.D., and Sekrut Squirrel. Lotsa good, catchy,
|
||||||
|
energetic stuff for only $5.00 cash.
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
From: FNORD! Publications/2660 Trojan Dr. #912/Green Bay, Wisconsin 54304-1235
|
||||||
|
|
||||||
|
This is Obscure Images' stuff:
|
||||||
|
|
||||||
|
FNORD! 'zine #1 & #4 - $2.00 Each
|
||||||
|
|
||||||
|
Shoggoth 912 #1 - $0.75
|
||||||
|
|
||||||
|
For some snarly techno grooves, send away for the new tape from Green
|
||||||
|
Bay's finest (and only) technorave sensation, I OPENING! IO-Illumination
|
||||||
|
Demo Tape (7 songs of joy) - $5.00
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
From: Freeside Orbital Data Network/ATTN:dFx-HoHoCon-cDc/11504 Hughes Road #124
|
||||||
|
Houston, TX 77089
|
||||||
|
|
||||||
|
This is Drunkfux's stuff:
|
||||||
|
|
||||||
|
HoHoCon '92 T-Shirts : Black : XL : Elite : Stylish : Dope : Slammin'
|
||||||
|
Only $15 + $2 shipping ($2.50 for two shirts).
|
||||||
|
Your choice of either "I LOVE FEDS" or "I LOVE WAREZ" on front, where
|
||||||
|
"LOVE" is actually a red heart, ala "I LOVE N.Y." or "I LOVE SPAM."
|
||||||
|
On the back of every beautimus shirt is...
|
||||||
|
|
||||||
|
dFx & cDc Present
|
||||||
|
|
||||||
|
HOHOCON '92
|
||||||
|
|
||||||
|
December 18-20
|
||||||
|
Allen Park Inn
|
||||||
|
Houston, Texas
|
||||||
|
|
||||||
|
HoHoCon '92 VHS Video : 6 Hours : Hilariously Elite : $18 + $2 Shipping
|
||||||
|
|
||||||
|
Please make all checks payable to O.I.S. Free cDc sticker with every
|
||||||
|
order! w0w!
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
From: Bill's Shirt Thing/P.O. Box 53832/Lubbock, TX/79453
|
||||||
|
|
||||||
|
This is Franken Gibe's stuff:
|
||||||
|
|
||||||
|
AIDS sucks! Order a catalog! Nifty t-shirts that make you happy.
|
||||||
|
Proceeds go to local AIDS Resource Center. Send a $0.29 stamp for the
|
||||||
|
cat'.
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
From: Teach Me Violence magazine/61 East 8th St./Suite 202/New York, NY 10003
|
||||||
|
|
||||||
|
This is The Pusher's stuff:
|
||||||
|
|
||||||
|
Teach Me Violence 'zine:
|
||||||
|
Issue #1 (Mr. Bungle, COC, Murphy's Law)
|
||||||
|
Issue #2 (Helmet, Supertouch, Agnostic Front, American Standard)
|
||||||
|
Issue #3 (Faith No More, Chris Haskett, Cathedral, Iceburn, Venom)
|
||||||
|
$3.00 cash each
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
From: A Day In The Life Of.../P.O. Box 94221/Seattle, WA 98124
|
||||||
|
|
||||||
|
This is Lady Carolin's stuff:
|
||||||
|
|
||||||
|
A Day In The Life Of... 'zine, free with two stamps.
|
||||||
|
|
||||||
|
Bi-monthly contact list of girlie bands/grrrl bands/female vocalists. $1.
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
__________________________________/cDc Gnuz\__________________________________
|
||||||
|
|
||||||
|
"cDc: savin' trees in '93"
|
||||||
|
|
||||||
|
Hiya once again, here's whassup:
|
||||||
|
|
||||||
|
NEW Internet FTP site: zero.cypher.com. This is Drunkfux and Louis Cypher's
|
||||||
|
chilly-the-most deal. Login as "anonymous" and get all the cDc stuph fast fast
|
||||||
|
fast.
|
||||||
|
|
||||||
|
NEW Official cDc Global Domination Factory Direct Outlets:
|
||||||
|
Cyberspace.Nexus +31-67-879307 [Belgium]
|
||||||
|
Mirrorshades BBS 903/668-1777
|
||||||
|
The Ministry of Knowledge 401/043-3446
|
||||||
|
The Crowbar Hotel 713/373-4031
|
||||||
|
|
||||||
|
We're always taking t-file submissions, so if you've got a file and want to
|
||||||
|
really get it out there, there's no better way than with cDc. Upload text to
|
||||||
|
The Polka AE, or my Internet address, or send disks or hardcopy to the cDc post
|
||||||
|
office box in Lubbock, TX.
|
||||||
|
|
||||||
|
NEW updated CDCKC0W.TXT file. All the information for sysops to get going
|
||||||
|
running Factory Direct Outlets. It should be available from wherever you got
|
||||||
|
this Update.
|
||||||
|
|
||||||
|
NEW CDCV9.ZIP is out containing cDc t-files 201-225. Factory Direct Outlet
|
||||||
|
sysops should get this and put it up on their systems.
|
||||||
|
|
||||||
|
See ya in May.
|
||||||
|
|
||||||
|
S. Ratte'
|
||||||
|
cDc/Editor and P|-|Ear13zz |_3@DeRrr
|
||||||
|
"We're into t-files for the girlies and money."
|
||||||
|
|
||||||
|
Write to: cDc communications, P.O. Box 53011, Lubbock, TX 79453.
|
||||||
|
Internet: sratte@cypher.com, sratte@mindvox.phantom.com.
|
||||||
|
_____________________________________________________________________________
|
||||||
|
|
192
textfiles.com/groups/CDC/cdcup13.txt
Normal file
192
textfiles.com/groups/CDC/cdcup13.txt
Normal file
@@ -0,0 +1,192 @@
|
|||||||
|
|
||||||
|
_ _
|
||||||
|
((___))
|
||||||
|
[ x x ] cDc communications
|
||||||
|
\ / Global Domination Update
|
||||||
|
(' ') #13 - July 1st, 1993
|
||||||
|
(U)
|
||||||
|
Est. 1986
|
||||||
|
|
||||||
|
New gNu NEW gnU new GnU nEW gNu neW gnu nEw GNU NEw releases for July, 1993:
|
||||||
|
|
||||||
|
_________________________________/Text Files\_________________________________
|
||||||
|
|
||||||
|
231: "Sunday Night Inside the Net" by Obscure Images. Angstful Generation
|
||||||
|
X'ers angstfully analyze antisocial aspirations. Analogies abound aplenty and
|
||||||
|
apply to arty asexuals and affected aardvarks. Ah.
|
||||||
|
|
||||||
|
232: "Fred, the Boy Everyone Hated" by Allen Williams. Fred the Third
|
||||||
|
Grader... pushed over the edge by the playground monitor. Non-stop action!
|
||||||
|
|
||||||
|
233: "Desert Road Dick Disaster" by Lady Carolin and Renee O'Willsie. This
|
||||||
|
file has to be a first of some sort. Renee O'Willsie is Tequila Willy's little
|
||||||
|
sister. Teamed up with cDc's only female member, Lady Carolin, the two go on a
|
||||||
|
castratin', whiskey-drinkin' rampage. Fuckin' A, d00d(ette).
|
||||||
|
|
||||||
|
234: "Hybrid Vigor" by Curtis Yarvin. Antonio the Badger-Man fought the laws
|
||||||
|
of genetics for his true love, but lost the brutal race against time... and
|
||||||
|
DEATH!! Woah.
|
||||||
|
|
||||||
|
235: "Somethin'" by Franken Gibe. More angstful action as day turns to night
|
||||||
|
and ain't nothin' gettin' clearer.
|
||||||
|
|
||||||
|
236: "Easy Rider II" by Erik Radmall. A Harley-riding honey and a fat purple
|
||||||
|
dinosaur cruise into town. Strangers. Something's just BOUND to happen.
|
||||||
|
|
||||||
|
237: "The Fart of War" by Havok Halcyon. A detailed story of one man's
|
||||||
|
gastronomical prowess.
|
||||||
|
|
||||||
|
238: "Clubbing" by Xibo (Mr. Coates). Visit the biggest C&W club in Tuson for
|
||||||
|
a hootenanny. It's introspective.
|
||||||
|
|
||||||
|
239: "Truckin' an' Fuckin'" by Omega. Yeehaw! White Knight the hard-drivin'
|
||||||
|
trucker goes for a swinging time with those zany wife swappers.
|
||||||
|
|
||||||
|
240: "Condors, Ganja, Rah Rah Rah!" by Clifton Royston and kEvin. A new breed
|
||||||
|
of stoned super-condors swoop from the skies and attack the Rose Bowl-watching
|
||||||
|
sports enthusiasts! It's obviously a plot.
|
||||||
|
|
||||||
|
_____________________________/Other Stuff to Get\_____________________________
|
||||||
|
|
||||||
|
From: cDc communications/P.O. Box 53011/Lubbock, TX 79453/sratte@cypher.com
|
||||||
|
|
||||||
|
This is Swamp Ratte's stuff:
|
||||||
|
|
||||||
|
All the cDc t-files on disk by mail, for convenience sake! Specify
|
||||||
|
MS-DOS or Apple II format 3.5" disks. $3.00 cash.
|
||||||
|
|
||||||
|
cDc stickers! Same design as were flying around at HoHoCon, with the
|
||||||
|
scary-lookin' cow skull. k00l. Send a SASE and 50 cents for a dozen of
|
||||||
|
'em (or just send a dollar).
|
||||||
|
|
||||||
|
Weasel-MX tape! _Obvious_ 45-minute cassette. This is Swamp Ratte's
|
||||||
|
funk/punk-rock/hip-hop band. It's a mess, but fun. $3.00 cash.
|
||||||
|
|
||||||
|
cDc hat! Yeah, get yer very own stylin' black baseball cap embroidered
|
||||||
|
with the cDc file-header-type logo on the front in white. This isn't the
|
||||||
|
foam-and-mesh cheap kind of hat; it's a "6-panel" (the hat industry term)
|
||||||
|
quality deal. Roll hard with the phat cDc gear. $15.00 plus a buck for
|
||||||
|
postage. An unsolicited quote from THE NIGHTSTALKER regarding his hat:
|
||||||
|
"The hat is really spiffy, and I know it'll be getting me the respect and
|
||||||
|
women I deserve! I feel SO elite!" Y0wZa.
|
||||||
|
|
||||||
|
_Swingin' Muzak_ compilation tape! An hour of rockin' tuneage from
|
||||||
|
Weasel-MX (all new for '93), Counter Culture, Acid Mirror, Truth or
|
||||||
|
Consequences, Grandma's V.D., and Sekrut Squirrel. Lotsa good, catchy,
|
||||||
|
energetic stuff for only $5.00 cash.
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
From: FNORD! Publications/2660 Trojan Dr. #912/Green Bay, Wisconsin 54304-1235
|
||||||
|
obscure@cypher.com
|
||||||
|
|
||||||
|
This is Obscure Images' stuff:
|
||||||
|
|
||||||
|
FNORD! 'zine #1 & #4 - $2.00 Each
|
||||||
|
|
||||||
|
Shoggoth 912 #1 - $0.75
|
||||||
|
|
||||||
|
For some snarly techno grooves, send away for the new tape from Green
|
||||||
|
Bay's finest (and only) technorave sensation, I OPENING! IO-Illumination
|
||||||
|
Demo Tape (7 songs of joy) - $5.00
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
From: HoHoCon/1310 Tulane, Box #2/Houston, TX 77008-4106/drunkfux@cypher.com
|
||||||
|
|
||||||
|
This is Drunkfux's stuff:
|
||||||
|
|
||||||
|
HoHoCon '92 T-Shirts : Black : XL : Elite : Stylish : Dope : Slammin'
|
||||||
|
Only $15 + $3 shipping ($4 for two shirts).
|
||||||
|
Your choice of either "I LOVE FEDS" or "I LOVE WAREZ" on front, where
|
||||||
|
"LOVE" is actually a red heart, ala "I LOVE N.Y." or "I LOVE SPAM."
|
||||||
|
On the back of every beautimus shirt is...
|
||||||
|
|
||||||
|
dFx & cDc Present
|
||||||
|
|
||||||
|
HOHOCON '92
|
||||||
|
|
||||||
|
December 18-20
|
||||||
|
Allen Park Inn
|
||||||
|
Houston, Texas
|
||||||
|
|
||||||
|
HoHoCon '92 VHS Video : 6 Hours : Hilariously Elite : $18 + $3 shipping
|
||||||
|
|
||||||
|
Please make all checks payable to O.I.S. Free cDc sticker with every
|
||||||
|
order! Multiple orders just pay one shipping charge of $4. w0w!
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
From: Bill's Shirt Thing/P.O. Box 53832/Lubbock, TX/79453
|
||||||
|
|
||||||
|
This is Franken Gibe's stuff:
|
||||||
|
|
||||||
|
AIDS sucks! Order a catalog! Nifty t-shirts that make you happy.
|
||||||
|
Proceeds go to local AIDS Resource Center. Send a $0.29 stamp for the
|
||||||
|
cat'.
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
From: Teach Me Violence magazine/61 East 8th St./Suite 202/New York, NY 10003
|
||||||
|
|
||||||
|
This is The Pusher's stuff:
|
||||||
|
|
||||||
|
Teach Me Violence 'zine:
|
||||||
|
Issue #1 (Mr. Bungle, COC, Murphy's Law)
|
||||||
|
Issue #2 (Helmet, Supertouch, Agnostic Front, American Standard)
|
||||||
|
Issue #3 (Faith No More, Chris Haskett, Cathedral, Iceburn, Venom)
|
||||||
|
$3.00 cash each
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
From: A Day In The Life Of.../P.O. Box 94221/Seattle, WA 98124
|
||||||
|
|
||||||
|
This is Lady Carolin's stuff:
|
||||||
|
|
||||||
|
A Day In The Life Of... 'zine, free with two stamps.
|
||||||
|
|
||||||
|
Bi-monthly contact list of girlie bands/grrrl bands/female vocalists. $1.
|
||||||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||||||
|
__________________________________/cDc Gnuz\__________________________________
|
||||||
|
|
||||||
|
"cDc: Hype Is Fun"
|
||||||
|
|
||||||
|
Hey! y0w! Here we go for July. This month marks cDc's 7th year of existence,
|
||||||
|
and we figure we've outlasted every other active group in the 'puter
|
||||||
|
underground. So |-|00-rAy for that. Watch for another release in mid-July...
|
||||||
|
just like DC Comix! EE.
|
||||||
|
|
||||||
|
nEw cDc b0red: Metalland Southwest, sysoped by Drunkfux. 713/468-5802.
|
||||||
|
Reviving the esteemed "Metalland" name, good idea. Get the latest HoHoCon info
|
||||||
|
and plead to join The K-Rad ASCII Possee.
|
||||||
|
|
||||||
|
gNu cDc b0red GNAME: Greenpeace has renamed his Finitopia board to Body
|
||||||
|
Electric which is up at 916/673-8412. s0 kaWl QUICK.
|
||||||
|
|
||||||
|
The 0ffishule cDc Internet FTP site: zero.cypher.com. This is Drunkfux and
|
||||||
|
Louis Cypher's k-gnarly deal. Login as "anonymous" and get all the cDc stuph
|
||||||
|
fast Fast FAST!
|
||||||
|
|
||||||
|
cDc Mailing list: Get on the ever-dope and slamagnifiterrific cDc mailing
|
||||||
|
list! Send mail to cDc@cypher.com and include some wonderlessly elite message
|
||||||
|
along the lines of, "ADD ME 2 DA MAILIN LIZT!!@&!"
|
||||||
|
|
||||||
|
NEW Official cDc Global Domination Factory Direct Outlets:
|
||||||
|
Spineline/virtualscrewdriver 615/926-0399
|
||||||
|
The Web 203/869-0938
|
||||||
|
Lost Horizons 203/667-4953
|
||||||
|
Purple Hell 806/791-0747
|
||||||
|
The Pulsating Temple of STAN 508/371-9849
|
||||||
|
|
||||||
|
We're always taking t-file submissions, so if you've got a file and want to
|
||||||
|
really get it out there, there's no better way than with cDc. Upload text to
|
||||||
|
The Polka AE, or my Internet address, or send disks or hardcopy to the cDc post
|
||||||
|
office box in Lubbock, TX.
|
||||||
|
|
||||||
|
Coming s00n: a FAQ file, a cDc BBS ad file, and more SNAZZY and FASCINATING
|
||||||
|
misquotes we like to attribute to cDc which you can say flippantly at parties
|
||||||
|
so as to seem WITTY and INTERESTING yourSELF.
|
||||||
|
|
||||||
|
See ya,
|
||||||
|
|
||||||
|
S. Ratte'
|
||||||
|
cDc/Editor and P|-|Ear13zz |_3@DeRrr
|
||||||
|
"We're into t-files for the girlies and money."
|
||||||
|
cDc and the K-C0W PHORCE: a brighter future, whiter whites, no static cling!
|
||||||
|
|
||||||
|
Write to: cDc communications, P.O. Box 53011, Lubbock, TX 79453.
|
||||||
|
Internet: sratte@cypher.com, sratte@mindvox.phantom.com.
|
||||||
|
_____________________________________________________________________________
|
||||||
|
|
||||||
|
cDc Global Domination Update #13-by Swamp Ratte'-"Hyperbole is our business"
|
||||||
|
|
219
textfiles.com/groups/CDC/cow.san
Normal file
219
textfiles.com/groups/CDC/cow.san
Normal file
@@ -0,0 +1,219 @@
|
|||||||
|
|
||||||
|
_______________________________________________________________________________
|
||||||
|
_ _ _ _
|
||||||
|
((___)) ((___))
|
||||||
|
[ x x ] cDc communications [ x x ]
|
||||||
|
\ / presents... \ /
|
||||||
|
(' ') (' ')
|
||||||
|
(U) (U)
|
||||||
|
|
||||||
|
Cow-San
|
||||||
|
|
||||||
|
by Necrovore
|
||||||
|
|
||||||
|
>>> A CULT Publication......1988 <<<
|
||||||
|
-cDc- CULT OF THE DEAD COW -cDc-
|
||||||
|
_______________________________________________________________________________
|
||||||
|
|
||||||
|
|
||||||
|
COW-SAN (Pronounced "Kow-Sahn")
|
||||||
|
|
||||||
|
|
||||||
|
"My prophecy upon this wasted earth and upon the corrupt creation that squats
|
||||||
|
upon its ruined surface is: THOU SHALT KILL."
|
||||||
|
|
||||||
|
-from "Jehova on War" by Robert DeGrimston aka Christ
|
||||||
|
|
||||||
|
|
||||||
|
The sun dawned over Yokishawa, a small village in the northern reaches
|
||||||
|
of feudal Japan. Shimmering beams of light glanced off of the icy peaks of
|
||||||
|
Mount Fujiwara. These beams struck the hairless face of Okisama, a fat old
|
||||||
|
merchant of Yokishawa. With a sigh, Okisama stood up from his pallet and
|
||||||
|
rubbed his temples. A new day had begun.
|
||||||
|
|
||||||
|
Okisama got dressed and ate his usual breakfast, a bowl of rice. He
|
||||||
|
then left his home for Shangsei, the merchant bazaar where he sold his wares.
|
||||||
|
Today he decided to try his hand at mechanical rice pickers, a new device
|
||||||
|
conceived by his first son, Shumiara. At present, all the rice of Japan was
|
||||||
|
picked by the peasant workforce. With this new invention, the peasants could
|
||||||
|
stop picking rice and do more productive things, like building new towns.
|
||||||
|
|
||||||
|
As Okisama strode down Sumi street he saw an unusual thing, a bald man
|
||||||
|
in white robes. This man had skin brown from the sun and wore strange sandals.
|
||||||
|
Around his neck hung a small brown pouch. As Oki continued down the street,
|
||||||
|
it became apparent to him that he was being followed by the odd-looking bald
|
||||||
|
man. At long last Oki whirled around to confront the old man. "Who are you
|
||||||
|
and why are you following me, outlander?" said Okisama in Japanese.
|
||||||
|
|
||||||
|
The old man said in broken Japanese, "I am Ghandivi, High Priest of the
|
||||||
|
Cult of the Dead Cow. I am following you because it is my fate."
|
||||||
|
Okisama cried, "Leave me be, smelly old man!"
|
||||||
|
The old man fondled the pouch at his neck and said, "That I cannot do;
|
||||||
|
it is my fate." In utter disgust Okisama turned his back and continued on his
|
||||||
|
path, looking over his shoulder every once in a while. He thought to himself
|
||||||
|
that the man's pouch smelled of vomit.
|
||||||
|
|
||||||
|
As Okisama was nearing the Umiyama bridge he saw a large contingent of
|
||||||
|
armed warriors jogging in procession. He looked back. The old man was still
|
||||||
|
there. As he crossed the bridge he stepped to the side to avoid being run over
|
||||||
|
by the ruthless warriors. Ghandivi, being a stranger, was knocked into the
|
||||||
|
river by the procession. Okisama chuckled to himself, finally rid of the old
|
||||||
|
man.
|
||||||
|
|
||||||
|
Later that day, while in the bazaar, Okisama smelled that familiar
|
||||||
|
vomit smell again. He had been rather unsuccessful at selling his son's
|
||||||
|
mechanical rice picker. "I'll buy one," said a rattled voice in broken
|
||||||
|
Japanese. Okisama whirled and say Ghandivi standing before him, a grin on his
|
||||||
|
face.
|
||||||
|
"Why do you keep following me?" said Okisama.
|
||||||
|
"It is..." started Ghandivi.
|
||||||
|
"Yeah, it's your fate. Well, fate on this!" cried Okisama as he belted
|
||||||
|
Ghandivi, who promptly doubled over, making gagging noises. "Now leave me be!"
|
||||||
|
screamed Okisama as he fled the bazaar for home.
|
||||||
|
|
||||||
|
Along the way home he saw strange prints on the dusty road. Obviously,
|
||||||
|
they belonged to a four-legged beast, thought he. How odd. When Okisama
|
||||||
|
reached home he settled down in despair. He had sold no mechanical rice
|
||||||
|
pickers and had been dogged by some crazy old outlander. He lifted a cup of
|
||||||
|
spiced tea to his mouth. "Hello, most honorable dad," said Shumiara. Okisama
|
||||||
|
looked up to his sons' face and threw up. Shumiara's ears were long and pointy
|
||||||
|
now, not the way that they had been when he left this morning.
|
||||||
|
"What has happened to your ears, son?" uttered a shocked Okisama.
|
||||||
|
"Well, most honorable dad, I was making a few mods to my mechanical
|
||||||
|
rice picker when, um, it got a hold of my ears and, um, sort of pulled them."
|
||||||
|
Okisama said, "But why do you not yell in pain, my son? Does it not
|
||||||
|
hurt?"
|
||||||
|
"Oh no, most..." started Shumiara.
|
||||||
|
"Knock it off with that 'most honorable dad' stuff, most honorable
|
||||||
|
son." interrupted Okisama.
|
||||||
|
"Well, at first it did hurt. Blood spurted everywhere. I was
|
||||||
|
screaming. And then, I felt something warm and wet lap upon my torn ears. I
|
||||||
|
looked up and saw a strange looking beast licking my ears. 'It kinda mooed and
|
||||||
|
shit.' When it was done, my ears were unharmed - looking and were pointy, as
|
||||||
|
they are now."
|
||||||
|
"How unusual, I saw strange bestial tracks on the way home from the
|
||||||
|
bazaar," said Okisama. The two continued talking as they ordered out to
|
||||||
|
Domino's Rice for dinner.
|
||||||
|
|
||||||
|
"That'll be fifty yen, bub," said the Domino's delivery man.
|
||||||
|
"Here you are, most honorable delivery man," uttered Okisama as he
|
||||||
|
handed the delivery man fifty yen.
|
||||||
|
"What? No tip? Well, I hope the Noid makes your rice cold!"
|
||||||
|
|
||||||
|
Okisama slammed the rice paper door shut in utter disgust. Somewhere
|
||||||
|
off in the dark distance, he heard a strange noise. The father glanced at
|
||||||
|
Shumiara who said that it was of the same kind that he had heard earlier that
|
||||||
|
day. Okisama opened the rice paper door again and stared furtively out into
|
||||||
|
the darkness. He saw nothing. He closed the door and father and son began
|
||||||
|
eating rice.
|
||||||
|
|
||||||
|
That night, after Shumiara had gone off to bed, Oki was reading the
|
||||||
|
Nippon Times by candlelight while in bed. Events repeated themselves as they
|
||||||
|
often do. There was a strange mooing sound off in the distance. Oki shuddered
|
||||||
|
in fear and looked towards the open window... blackness. He then went back to
|
||||||
|
reading the Nippon Times (a fine rice paper journal scribed in a strange red
|
||||||
|
substance (almost rust colored, in fact), not wholly unlike dried blood. A
|
||||||
|
scant few moments later Oki heard a scrambling outside his window. As he
|
||||||
|
leapt from under his covers he smelled a familiar scent, a scent of vomit. A
|
||||||
|
familiar bald head popped up. Oki screamed and fainted dead away. From else-
|
||||||
|
where in the house we hear, "Whadda ma-ma-matta, da-da-dada?!?" as Shumiara
|
||||||
|
scuttled into his most honorable father's room. He too screamed when he saw
|
||||||
|
the horrid visage of Ghandivi.
|
||||||
|
"It is my fate," uttered Ghandivi. Shumiara lapsed into blackness...
|
||||||
|
|
||||||
|
When Oki awoke he found himself in his own private hell. Stretched
|
||||||
|
between two great bamboo poles was he. Below him was an immense vat of boiling
|
||||||
|
oil. Above him, whisps of smoke filtered out through a small opening in the
|
||||||
|
thatched roof. Where was he?
|
||||||
|
|
||||||
|
"Ah, so you have awakened?" said a familiar voice. Oki swung his head
|
||||||
|
over and met the solemn gaze of Ghandivi. Again, Oki screamed. Ghandivi was
|
||||||
|
as he always was, save for one thing; he had the lower torso of a bovine
|
||||||
|
creature. Oki was sweating profusely. "Ah, poor merchant man of tyrannous
|
||||||
|
descent, why have I brought you here? Indeed, a question that most obviously
|
||||||
|
looms within the narrow confines of your mind at this very moment in time.
|
||||||
|
I am the High Priest of the Holy Order of the Dead Cow. In the beginning,
|
||||||
|
there was Cow. Now, that time has passed. Thus, the time is nigh to reinit-
|
||||||
|
iate the belief of Cow, to revive her essence, to convert the unfaithful!"
|
||||||
|
Okisama twitched nervously as Ghandivi continued his sermon. "I am to begin
|
||||||
|
the Revelations of The Bovine. I am Ghandivi, the Harbinger of Death!"
|
||||||
|
|
||||||
|
Ghandivi began to stroll (if you can call it that) around the great vat
|
||||||
|
of bubbling oil. Oki coughed as noxious vapors wafted past his nose on their
|
||||||
|
ascent to the vast cosmos above. "Smile, Okisama, for you are the Chosen One.
|
||||||
|
You, and only you, shall be the first sacrifice to the Holy Cow. Your son,
|
||||||
|
on the other hand, shall be sacrificed before you to Thrax, Roach from Hell(!).
|
||||||
|
Smile, Oki, yes smile. It is a great honor we confer upon you."
|
||||||
|
|
||||||
|
Ghandivi snapped his fingers and swatted a nearby fly with his hairy
|
||||||
|
tail. A rice paper door opened and two large men of Arabic descent ushered in
|
||||||
|
Oki's son, Shumiara. The men, garbed in robes blacker than the night sky,
|
||||||
|
roughly deposited Shumiara in a ruined mass before Ghandivi, the Exalted One.
|
||||||
|
"Yes, your son will meet one of the Holy Cow's enemies and perish. You shall
|
||||||
|
watch in ecstasy as he dies for Thrax. And then you, fat hong, shall die for
|
||||||
|
Cow; for Cow is Reality, and Reality is Death. You shall become the first
|
||||||
|
homorealis to stalk the vast, ectoplasmic cosmos." Again, the snap of fingers.
|
||||||
|
|
||||||
|
The two Arabs silently lifted the unconscious form of Shumiara and tied
|
||||||
|
him to a pair of bamboo poles. Directly in front of his limp body was a grated
|
||||||
|
well. As soon as Shumiara was in place, Ghandivi grinned and said, "Awaken
|
||||||
|
him." One of the two Arabs struck Shumiara with a hairy fist. The resounding
|
||||||
|
thud of impact almost echoed throughout the secret temple. Shumiara moaned,
|
||||||
|
and the arab hit him again, this time with a backhand. Shumiara groaned as he
|
||||||
|
opened his eyes. Blood ran from his puffed lips. At this time Oki began to
|
||||||
|
whimper. "Silence!" howled Ghandivi. The two Arabs joined Ghandivi at the
|
||||||
|
far side of the chamber. "Let the ceremonies begin! Joy, Okisama, feel the
|
||||||
|
heartfelt joy as Thrax is satisfied!"
|
||||||
|
|
||||||
|
About this time a strange scuttling could be heard. In mere moments,
|
||||||
|
thousands of roaches began pouring outwards from the grated well, swarming onto
|
||||||
|
the body of Shumiara. Screams filled the night air bringing chill to the heart
|
||||||
|
of Oki. Roaches clambered all over the boy's body and fed upon his flesh.
|
||||||
|
Blood began to flow. The ravenous insects crawled into his ears and ate at his
|
||||||
|
brain. They crawled into his pants and devoured at his membranous member.
|
||||||
|
They entered his body through passages not meant to be. Shumiara's abdomen
|
||||||
|
burst open. Thousands of roaches, their soft carapaces covered in blood,
|
||||||
|
flowed outwards; a stream for Thrax. The roaches began to strip Shumiara's
|
||||||
|
dead body of its flesh. Oki began to cry out in anguish as his son was
|
||||||
|
devoured. Ghandivi smiled in pleasure. The Arabs looked on grimly. In mere
|
||||||
|
minutes, a damp skeleton hung where once hung Shumiara, the son of Okisama.
|
||||||
|
Oki retched violently. Vomit spewed forth into the hot oil causing great gusts
|
||||||
|
of putrid smoke to rise. The roaches disappeared back into their insectoid
|
||||||
|
hell. Okisama, vomit still dribbling down his hairless chin, moaned, "Ah God,
|
||||||
|
why..urp..me?"
|
||||||
|
|
||||||
|
"Hah. Why YOU? Because you are what I term to be a crucifictionist.
|
||||||
|
You will gladly crucify others, so to speak, to help yourself. That is
|
||||||
|
unacceptable. Thus, you have been chosen for sacrifice to the Cow. She will
|
||||||
|
chew upon her cud as she watches you die for Her." intoned Ghandivi. "Now, let
|
||||||
|
the joyous celebrations of Cow begin!"
|
||||||
|
|
||||||
|
With that, the two Arabic men strode towards Oki, who, at the sight of
|
||||||
|
them approacing, screamed once more. During his vocal ensemble, Oki retched
|
||||||
|
again. This time, more violently then before. His stomach contents flew
|
||||||
|
forth, embracing the putrid air of the secret temple. Ghandivi laughed
|
||||||
|
maniacally. The two Arabic servants snickered. When they reached their
|
||||||
|
destination, the poles upon which Oki was bonded; the men unsheathed their
|
||||||
|
tulwars and swung them around in anticipation of the events soon to begin.
|
||||||
|
Ghandivi clapped his hands twice. The sharp blades struck the thongs that held
|
||||||
|
Okisama suspended above the vat of boiling oil. Oki screamed as he fell down-
|
||||||
|
wards into the bubbling inferno of the iron vat. The screams ended as abruptly
|
||||||
|
as they began. Oki's flesh melted, separated from his bone by the heated oil.
|
||||||
|
Hair came off in mats from his head and floated in the turbulent oil for mere
|
||||||
|
seconds before it burned up. The oil bubbled violently as the body of Oki was
|
||||||
|
burned into nothingness. Final peace.
|
||||||
|
|
||||||
|
|
||||||
|
This file is dedicated to the Process Church of the Final Judgement, a
|
||||||
|
bunch a English death freaks who tried, and yet, failed. Bad planning.
|
||||||
|
|
||||||
|
_______________________________________________________________________________
|
||||||
|
Behavior Modification.....806/793-9462 The Dead Zone.............214/522-5321
|
||||||
|
Demon Roach Underground...806/794-4362 Dragonfire Private........609/424-2606
|
||||||
|
Question Authority........715/341-6516 Pure Nihilism.............517/337-7319
|
||||||
|
Tequila Willy's...........209/526-3194 The Metal AE..............201/879-6668
|
||||||
|
===============================================================================
|
||||||
|
(c)1988 cDc communications by Necrovore 4/88-12/15/88-90
|
||||||
|
All Rights Worth Shit
|
||||||
|
|
||||||
|
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