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75
textfiles.com/magazines/HOE/hoe-0414.txt
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textfiles.com/magazines/HOE/hoe-0414.txt
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|
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'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #414 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Meet Betty" !!
|
||||
##:::: ##::. #####::: ########: by -> Phairgirl !!
|
||||
..:::::..::::.....::::........:: 1/10/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
I have to admit, I have a horrible crush on every single guy
|
||||
online.
|
||||
|
||||
It's true. Some guys suck me in worse than others. However,
|
||||
the bottom line remains, I could probably have some kind of bizarre
|
||||
sexual fantasy about anyone online, provided they were single.
|
||||
|
||||
I don't know why I let *girlfriends* or *wives* stop me from
|
||||
fantasizing, but quite frankly, the thought of sharing someone with
|
||||
another girl turns me off. Call me old-fashioned or crazy or whatever,
|
||||
I'm just not the harem girl type. And besides, the mere thought of
|
||||
some other girl getting something good from someone I'm messing around
|
||||
with just utterly repulses me.
|
||||
|
||||
However, I am aware that not every guy in the universe wants to
|
||||
have drooly modem chicks dreaming of their naked wet bodies. That's
|
||||
okay, I completely accept that. But don't think that I'm going to stop
|
||||
dreaming just because someone doesn't think I should. If you don't want
|
||||
to be fantasized about, you need a sure-fire cream dream killer: a
|
||||
girlfriend. And if this is not prudent at this juncture in your life,
|
||||
then you need the next best thing: Betty.
|
||||
|
||||
Betty is the all-purpose, imaginary, brush-off-the-modem-chicks
|
||||
girlfriend. She's beautiful. She's busty. She's got an ass you can
|
||||
bounce quarters on. She's done things in bed that make Amber Lynn
|
||||
blush. Best of all, she can't stand little puppy dog modem girls and
|
||||
is an expert in Judo.
|
||||
|
||||
Betty is as easy to use as a Fisher Price Little People Barn
|
||||
(the one that goes "MOOOOO"). Here's an example of Betty in motion:
|
||||
|
||||
<LonelyGrl> I looked at your pics. *giggles* You're cute!
|
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<BettysMan> Yeah, my girlfriend certainly thinks so.
|
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<LonelyGrl> Oh, you have a girlfriend? *sigh*
|
||||
<BettysMan> Yeah, her name is Betty. She's beautiful. She's busty.
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She's got an ass you can bounce quarters on. She's done
|
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things in bed that make Amber Lynn blush. And she doesn't
|
||||
like modem girls and is an expert in Judo.
|
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<LonelyGrl> You no longer find you to be cute.
|
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|
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Of course, Betty should be used with caution. Although most
|
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modem girls (about 80% or so) would see Betty's name mentioned and
|
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turn tail and run, there are those oddballs out there who don't see
|
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Betty as much of a threat.
|
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|
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<SinglChik> I want to have sex with you.
|
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<BettysMan> But, I have a girlfriend.
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<SinglChik> So what.
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<BettysMan> Her name is Betty. She's beautiful. She's busty. She's
|
||||
got an ass you can bounce quarters on. She's done things
|
||||
in bed that make Amber Lynn blush. And she doesn't like
|
||||
modem girls and is an expert in Judo.
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<SinglChik> I *am* Amber Lynn. And I want you both to try and make me
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blush.
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|
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There's never a sad ending! You never look like a jerk by
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brushing off an ugly girl! You can't lose with Betty.
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|
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Except, you're still home.
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|
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Alone.
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||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! #414, WRITTEN BY: PHAIRGIRL - 1/10/99 !!
|
59
textfiles.com/magazines/HOE/hoe-0415.txt
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textfiles.com/magazines/HOE/hoe-0415.txt
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|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #415 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Picking Your Ass in Public" !!
|
||||
##:::: ##::. #####::: ########: by -> Anjee !!
|
||||
..:::::..::::.....::::........:: 1/10/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
There is always at least one little thing that happens during
|
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the day, that no matter how minor it may be, is extremely annoying.
|
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These things happen to every single one of us, and we are always trying
|
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to find a way around them, attempting to avoid weird looks and crazy
|
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stares (well, most of us). A not-so-special outing to the restaurant
|
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tonight inspired me to write this article, my sister thinks I am a
|
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psycho, but that's okay. Because I am!
|
||||
|
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Most of you must know how it feels like to be in the middle of a
|
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fast-food restaurant, getting ready to leave as the place is begining to
|
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fill up when suddenly, your underpants seemed to have lodged themselves
|
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in your asscrack. You desperately try to ignore the violating feeling
|
||||
fearing what the others may think. But why? I say that you should just
|
||||
grab ahold of those uncomfortable panties and yank them right out of
|
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where they absolutely do not belong. Every single person (except the
|
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little kids in Ethiopia, because they just wear torn shirts) does it,
|
||||
and you shouldn't feel ashamed for trying to rid yourself of the
|
||||
awkward feeling of having fabric that seems to have accomodated itself
|
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in your asscrack without any previous warnings.
|
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|
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As to every rule, there is an exception... like I said earlier,
|
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I believe it is very okay and normal to want to pull your panties out
|
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of your ass (or depending on the situation -- grabbing your bra to
|
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replace it), however, I also believe that this should be done subtlely.
|
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I was explaining to my sister that it would be totally wrong to
|
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violently pull those underpants while letting "UGGGGGGHHHHHHHHH!@#!@$!"
|
||||
sounds escape from your mouth. That is, unless you like attention -- a
|
||||
lot of it.
|
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|
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There are many people who are afraid that they will be ridiculed
|
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for doing what I described above, but those who normally point and
|
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laugh are most often little 7 year old runts, so who cares? Although
|
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if you were litterally picking dingleberries from out of your asshairs
|
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in the middle of the mall, I too, would laugh. Not only would I laugh,
|
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I would laugh hysterically and begin rolling on the floor, turn bright
|
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red and convulse. Either that or I would quickly make my way to the
|
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nearest garbage/washrooms to barf.
|
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|
||||
In conclusion, everyone has a right to grab their asses, in
|
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public or in private as long as it is done it a not-so-noticable
|
||||
manner, unless you are at home, then it doesn't really matter. It is
|
||||
YOUR right, unlike many other rights -- this one is kind of useful. So
|
||||
go ahead, don't be afraid.
|
||||
|
||||
GO RIGHT AHEAD AND PICK OUT THOSE LITTLE PANTIES!@
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #415, WRITTEN BY: ANJEE - 1/10/99 !!
|
119
textfiles.com/magazines/HOE/hoe-0416.txt
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textfiles.com/magazines/HOE/hoe-0416.txt
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|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #416 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "A Package For a Girl" !!
|
||||
##:::: ##::. #####::: ########: by -> Styx !!
|
||||
..:::::..::::.....::::........:: 1/10/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
Dear Melanie,
|
||||
|
||||
I am running on 3 hours of sleep so don't expect any of this to
|
||||
make sense. I've got a big container full of coffee in front of me that
|
||||
I brought here to work but I forgot that coffee makes me sick. Infact,
|
||||
most things I eat or drink make me sick. My stomach hates everything
|
||||
besides vodka, nicotine, and tangerines. Um.. I only said tangerines
|
||||
because it rhymed with nicotine. I'm not complaining. I wish I could
|
||||
go to sleep. I'm still not complaining.
|
||||
|
||||
I barely remember anything that's happened in the past year. It's
|
||||
really unnerving. I feel like I'm finally waking up from _something_, I
|
||||
just hope I won't want to go back to sleep afterwards.
|
||||
|
||||
I think that if you get flattered too much, you start to think you
|
||||
can do no wrong. I'm not so sure flattery is such a good thing anymore.
|
||||
|
||||
An old friend of mine just stopped by to say hi. I wonder if he
|
||||
feels better? I hate it when people do that.
|
||||
|
||||
"MATT!!! say something HAPPY!!!"
|
||||
|
||||
You know what would make me happy right this second? Being with
|
||||
somebody that's capable of maintaining comfortable silences. For
|
||||
instance, let's say I have a friend/girlfriend over and he/she is
|
||||
sitting on my bed watching TV and I am sitting on the floor putting new
|
||||
strings on my guitar, or *whatever*, and neither of us are talking or
|
||||
even making eye-contact, yet we both feel secure enough in our
|
||||
relationship that neither of us care. He/she enjoys the TV and I enjoy
|
||||
my new guitar strings and both of us are content just to be in each
|
||||
other's presence. That would be the best fucking relationship in the
|
||||
world, but I doubt anybody is capable. Hell, I've never seen it; not
|
||||
in friends or girlfriends or boyfriends or fathers or anything.
|
||||
|
||||
People are so wrapped up in the trivial details of their
|
||||
relationships instead of being concerned about the important things. A
|
||||
relationship is _two people co-existing comfortably_. That's all. It's
|
||||
that simple. When one person begins to feel uncomfortable, the
|
||||
relationship ends. That's all. It's that simple. Anything else is
|
||||
irrelevant.
|
||||
|
||||
That's _all_. It's _that simple_.
|
||||
|
||||
Until you find somebody that you're consistently comfortable with,
|
||||
all you're doing is playing the game. The worst part about it is that
|
||||
it's necessary and inevitable. You either play the little games or
|
||||
you're alone. I'm not sure which is worse.
|
||||
|
||||
Maybe the worst thing is to play the game _and_ be alone. You do
|
||||
the whole socializing bit and you surround yourself with your boring,
|
||||
shallow, useless friends, but you still end up alone at the end of the
|
||||
night anyway and you do it on purpose.
|
||||
|
||||
I'm _still_ not complaining.
|
||||
|
||||
I'm progressing past all of this; at least, I've taken the first
|
||||
few steps. "All is fair in love and war." Whoever said that was right.
|
||||
If things don't work out, you step right over it. It isn't callous or
|
||||
heartless, it's just making sure that you come out of things alright.
|
||||
The _last_ thing it is is "selfish," quote unquote. Since when did
|
||||
self-preservation become self-ish, anyway? I must've missed that
|
||||
meeting.
|
||||
|
||||
It's too bad everyone is such a physical whore. Most relationships
|
||||
I've witnessed _began_ with sex. What the hell? Isn't sex sacred
|
||||
anymore? Whatever happened to our priorities and morals? There's
|
||||
barely anyone left.
|
||||
|
||||
What gets me the most are the people who wait two or three weeks
|
||||
before having sex with each other and they think they're hot shit for
|
||||
waiting that long; no, they're just as disgusting as the people who fuck
|
||||
on the first day. The only difference is the time. I'm not saying
|
||||
there's a specific time frame that applies to every relationship as far
|
||||
as when having sex goes, but three weeks? That's called being a whore
|
||||
in my world.
|
||||
|
||||
I wish I could just go home and sleep. I'm so tired.
|
||||
|
||||
You know, in the relationship I had before, we waited _twenty-two_
|
||||
months before sleeping with each other. It was because we had morals
|
||||
and stable priorities. As cataclysmic as the relationship turned out to
|
||||
be in the end, we *always* respected ourselves and each other when it
|
||||
came to sex. That doesn't mean I'm better than anyone else, but shit,
|
||||
maybe it does. Can you think of any guy you know that would wait
|
||||
twenty-two months, Melanie?
|
||||
|
||||
Yet it seems that once somebody loses their virginity, they feel
|
||||
that there's no more sense in waiting with anybody else. They've
|
||||
already had sex so there's no boundaries; it's easy, now. Idiots! They
|
||||
just don't understand and they never will because they're too busy
|
||||
fucking people and watching TV to stop for a moment and _think_. AIDS
|
||||
is a blessing. I praise it for knocking these assholes off (credit;
|
||||
Jeff Koyen).
|
||||
|
||||
You think Montel Williams is going to keep your legs shut, Melanie?
|
||||
How about music? Your poetry? Mommy? You act on instinct without
|
||||
second thought, just like the rest of them.
|
||||
|
||||
So here's your fucking package I promised to send. Enclosed with
|
||||
this letter is ground sirloin steak sealed in a ziplock bag. Take a
|
||||
long, hard look at it, Melanie, because that's all you've made yourself
|
||||
out to be -- raw meat. I've named it "human." Take care of it, and
|
||||
don't let it spoil! Spoiled humans give off a foul scent...
|
||||
|
||||
- Matt
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #416, WRITTEN BY: STYX - 1/10/99 !!
|
67
textfiles.com/magazines/HOE/hoe-0417.txt
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67
textfiles.com/magazines/HOE/hoe-0417.txt
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|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #417 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "That Silly Dog" !!
|
||||
##:::: ##::. #####::: ########: by -> Trilobyte !!
|
||||
..:::::..::::.....::::........:: 1/10/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
i used to be rastafarian, but then i changed my ways. i took
|
||||
off the multicolored hat of my homeland, i dyed my skin a color akin
|
||||
to peachish white, and moved away from reggae and ska musics. i grew
|
||||
to like other things in life, there are so many other things besides
|
||||
the daily ritual of smoking ganja and loving allah. there's also
|
||||
growing pot, making love to the wimmen, buying hashish... i moved to
|
||||
san francisco, land of the rice things and streetcars, and forded
|
||||
myself a stream across the bloody rivers of the bastioned american
|
||||
workforce. but all of a sudden, my black facial hair started to grow
|
||||
uncontrollably. one second i'd shave, and a few minutes later i'd have
|
||||
a full dreaded beard. it gave away my identity and all the
|
||||
leather-wearing alligator gay homosexual men would throw me out of the
|
||||
streetcars and out into the roads of the streets.
|
||||
|
||||
i was down and dejected and depressed and demoralized and
|
||||
detoxed. so i went to find my reefer. i went into a drug store but
|
||||
they only had aspirin and these chia pet things, and some old women
|
||||
selling make-up, which i don't wear, because it doesn't complement my
|
||||
complexion. well, no more than the darned flourescent lights do. i
|
||||
went outside and found a dog, which i picked up and put in my coat.
|
||||
"what is a former rastafarian without a dog?" i ask, but nobody answers.
|
||||
nobody is listening. it is as if i am playing really bad music in a
|
||||
crowded room. nobody listens to it but nobody tells me to shut up
|
||||
because they're afraid someone else is listening and the wouldn't want
|
||||
to make a really bad impression. you know.
|
||||
|
||||
my eyes became bloodhsot for no reason. i hadn't been smoking
|
||||
up. i looked around at all the storefronts, there were non that
|
||||
interested me. i scurried over to the italian restaurant to smoke me
|
||||
some basil. it smelled like basil, it tasted like basil, it probably
|
||||
was basil, but doggonit, if that stuff wasn't marijuana! i was more
|
||||
happy at that moment than during the whole rest of my time in san
|
||||
francisco. it was time to find love. girls aren't just plastered to
|
||||
walls of buildings, one has to subvert one's self past the typical
|
||||
methods of lubrication in order to find unfettered harlots.
|
||||
|
||||
i found one. inside the dog.
|
||||
|
||||
"come out, fair maiden, i will make you whole," i spoke to the
|
||||
rear of the dog. i could see her in there.
|
||||
|
||||
she breathed a great sigh and came out of the dog. the dog
|
||||
split open because she was much, much bigger than he. in fact, her
|
||||
breast alone was the size of a medium-sized schnauzer, yum! i took her
|
||||
to the drug store to get her some clothing and to clean the dog parts
|
||||
off of her. i picked up one of the old women working there and wiped
|
||||
off my woman with it. it wasn't happy about being used as a brush, but
|
||||
then again, i wouldn't be either. i stepped on it and broke it apart
|
||||
and threw it at things and knocked them over and knocked up my woman and
|
||||
now all that was left was to find allah.
|
||||
|
||||
oh, wait, damnit, allah was the dog. isn't that quite a
|
||||
catch-22. damn.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! #417, WRITTEN BY: TRILOBYTE - 1/10/99 !!
|
50
textfiles.com/magazines/HOE/hoe-0418.txt
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50
textfiles.com/magazines/HOE/hoe-0418.txt
Normal file
@@ -0,0 +1,50 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #418 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "FuCkelibacy Soot Rant" !!
|
||||
##:::: ##::. #####::: ########: by -> Miasma !!
|
||||
..:::::..::::.....::::........:: 1/10/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
I dunno whats happening with this two ton weight lifting itself
|
||||
off my soldiers fighting arming themselves against an enema burning in
|
||||
time over and over ndovr swelling up like 1950 family shows cause my
|
||||
TV dad shut himself off remote control fever has this ghost town
|
||||
thinking that its living in a material world and for god sakes man im
|
||||
not a material girl im a man madam, im adam. So eve can take her ribs
|
||||
and shove it up her ass cause it would be like sweet nothings in my ear
|
||||
you're whispering in repetition thats over and over ndovr
|
||||
|
||||
so don't pledge yourself to the egyptian gods cause you arent
|
||||
worthy embracing in a babbled tongue like serpents caressing each other
|
||||
with invisible hands cause its magic magic magic tricks and treats and
|
||||
threats and wreaths cause christmas is coming and santa's got a
|
||||
reindeer on death row about to fry cause dinner ain't free for everyone
|
||||
but dead people don't got to eat cause they don't have to worry about
|
||||
getting thin or fat or fin or that it just keeps speaking to me telling
|
||||
me things i want to hear so i can write them down and sound like im
|
||||
ranting like an evil genius franknstein never had this problem did he?
|
||||
I guess you have to be a monster just for anyone to misunderstand you
|
||||
in this world. Maybe I'll just grunt and waddle from side to side from
|
||||
front to back from frick to frack to hell and back cause I'm just not
|
||||
the type of person who likes that type of weather who likes that type
|
||||
of leather restraining sex in a society which conceived itself its
|
||||
liberty baby, mother-fucking liberty.
|
||||
|
||||
Sweet dreams of peppermint of pick up sticks of ice cream flavors
|
||||
of asking favors cause things are never hard they are always easy easy
|
||||
easy and its nothing just to bring it back to where it all began cause
|
||||
crazy people have something to say too we're just too unwilling to
|
||||
listen cause to hear it you got to sit down for a a minute or too or
|
||||
five or nineteen and hear those birds chirping and dads burping and
|
||||
reptiles slurping and other things that rhyme and rhyme in tyme and
|
||||
time again. It's a manmade thing and it just clanks and whirrs. Like
|
||||
a machine. proverbial. and intelligible.
|
||||
|
||||
and listening.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #418, WRITTEN BY: MIASMA - 1/10/99 !!
|
283
textfiles.com/magazines/HOE/hoe-0419.txt
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283
textfiles.com/magazines/HOE/hoe-0419.txt
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@@ -0,0 +1,283 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #419 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "The Rape and Murder of !!
|
||||
##:::: ##::. #####::: ########: Katherine Genovese" !!
|
||||
..:::::..::::.....::::........:: by -> AIDS 1/10/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
A MUSICAL PLAY in one small act.
|
||||
|
||||
(The scene - A courtyard, urban New York street in front of an
|
||||
apartment building. The stage should be set up like this:
|
||||
|
||||
Window Window
|
||||
Window Window
|
||||
Window Window
|
||||
|
||||
Street
|
||||
|
||||
Where each level of window is off the stage, and contains one
|
||||
member of the cast. The street level is the stage itself, where the
|
||||
rape and muder takes place. The windows are were the dialoge takes
|
||||
place.)
|
||||
|
||||
(A scream off-stage. Enter Katherine Genovese and her
|
||||
attacker. Her attacker throws her to the ground, and begins to rape
|
||||
her. Lights turn on in all the windows, and the members of the cast
|
||||
move to them to see the action outside. They see the rape/murder going
|
||||
on and turn off their lights. However, their silouettes remain
|
||||
illuminated, allowing us to realize they are still watching the action
|
||||
like the ghouls and jackals they are.)
|
||||
|
||||
(The attacker takes out his knife, and begins to stab
|
||||
Genovese brutally while still raping her. One of the silouttes,
|
||||
preferably a female one, puts her hand to her mouth in horror. But
|
||||
does nothing.)
|
||||
|
||||
(The top left window lights up, and we see the apartment of
|
||||
Average Joe. It's tastefully decorated for a blue-color guy in the
|
||||
nineteen sixties.)
|
||||
|
||||
(Joe's song is sung over the screams of Genovese, which are
|
||||
audible throughout the entire play and all the songs.)
|
||||
|
||||
Joe:
|
||||
(verse)
|
||||
Well, now, I'm just your Average Joe.
|
||||
Breaking my back to earn some dough.
|
||||
I work all day, I sleep all night.
|
||||
Weekends come, I like beer and fights.
|
||||
I don't want any trouble no time,
|
||||
so I mind my business and commit no crime.
|
||||
|
||||
(chorus)
|
||||
It ain't my fault she's getting raped.
|
||||
It ain't my fault the world isn't fair.
|
||||
I bet it's her low-cut blouse and mini-skirt;
|
||||
Maybe it's her long sultry hair.
|
||||
It ain't my fault she's getting raped.
|
||||
|
||||
Now, I'm just the Average Joe.
|
||||
I'm not no Superman.
|
||||
Now her trouble ain't my trouble, though
|
||||
I wish they'd hurry and end the show,
|
||||
'cause I gotta use the can.
|
||||
|
||||
(chorus)
|
||||
|
||||
Oh, please, hurry up and stop!
|
||||
I can't hardly stand the pain!
|
||||
The piss'll be running down like rain!
|
||||
And the shit'll be doing a flop!
|
||||
Hurry and die!
|
||||
Hurry and die!
|
||||
|
||||
(chorus)
|
||||
|
||||
(The lights in Average Joe's apartment dim down to the previous
|
||||
silouette lighting, and the lights in the window next to his turn up.
|
||||
Concerned Mother take the stage, and sings her blessed heart out.)
|
||||
|
||||
Mother:
|
||||
(verse)
|
||||
I certainly hope our children aren't exposed,
|
||||
No, to them, it most definitely should be closed!
|
||||
This is adult entertainment only
|
||||
And of such an indepth nature certainly uncommonly!
|
||||
Keep it away from their little eyes!
|
||||
This is for grown gals and guys!
|
||||
|
||||
|
||||
(chorus)
|
||||
Oh, I do love these violent things!
|
||||
But for our Children, no way, unnuhh!
|
||||
Stab her in the stomach, don't stop!
|
||||
Oh, all this blood and rape makes me pop!
|
||||
This show certainly features divine beings!
|
||||
|
||||
(verse)
|
||||
Certainly, I love the fight scene!
|
||||
And the love scenes, they're really keen!
|
||||
But they're for us!
|
||||
For the children, I recommend "Toby, The Talking Bus!"
|
||||
Keep this to ourselves, and we'll never have to share
|
||||
or worry about their precious little minds being ensnared!
|
||||
|
||||
(chorus)
|
||||
|
||||
(verse)
|
||||
Some parents aren't as good as me!
|
||||
Don't keep their children under lock and key!
|
||||
So I do the job for them,
|
||||
I play the role of Mother hen.
|
||||
Blood and guts, that's for me!
|
||||
And not little Dorothy!
|
||||
|
||||
(chorus)
|
||||
|
||||
(Again, the lights dim, revealing the old silouette. The window
|
||||
directly beneath her lights up on the apartment of Crazed Sicko. The
|
||||
room is in disarray.)
|
||||
|
||||
Sicko:
|
||||
(verse)
|
||||
I know that girl, know her real well!
|
||||
When I grabbed her ass, she told me to go to hell!
|
||||
Well, it serves the bitch right.
|
||||
Shouldn't have put up a fight.
|
||||
Could have been on a date with me tonight.
|
||||
Instead some guy is giving her an indepth tour of
|
||||
vivisection.
|
||||
Yeah, he's doing a real nice job of inspection.
|
||||
Well, I hope you enjoy it, whore!
|
||||
I hope your head likes that cement floor!
|
||||
Give her a thrust for me!
|
||||
|
||||
(chorus)
|
||||
Oh, I hope you're happy now!
|
||||
Oh, I hope you're happy now!
|
||||
He's kicking your ass real hard!
|
||||
Raping you and stabbing you with a metal shard!
|
||||
Oh, I hope you're happy now!
|
||||
|
||||
(verse)
|
||||
Kill her! Kill her! Show her death!
|
||||
I wonder if could have been my breath...
|
||||
Why did she reject me?
|
||||
Aren't I good enough for she?
|
||||
Well, doesn't matter now!
|
||||
Wouldn't never want to date a girl
|
||||
whose stomach is a gaping swirl
|
||||
of blood and flesh!
|
||||
Perhaps they'll put you back together with wire mesh!
|
||||
|
||||
(chorus)
|
||||
|
||||
(verse)
|
||||
Eat some death now, little slut!
|
||||
Why, why, oh why wouldn't you lick my walnut?
|
||||
Maybe I'll come down and get you after he's gone.
|
||||
Maybe I won't.
|
||||
I think I saw something like this in a porn.
|
||||
A lot of fun it was.
|
||||
Ah, screw you, I hope you die... just because!
|
||||
|
||||
(chorus)
|
||||
|
||||
(The same time-honored routine. The window next to sickos
|
||||
illuminates, and reveals Timid Geek. His apartment is impeccable.)
|
||||
|
||||
Geek:
|
||||
(verse)
|
||||
Kitty, you're my friend.
|
||||
Stick together to the very end.
|
||||
We've laughed together, danced together,
|
||||
even talked about secret things together.
|
||||
But how, how can I go down there
|
||||
and help you? What if he sticks the knife here?
|
||||
Or here? Or here? Or anywhere on my body?
|
||||
Something I wouldn't like to hear, that melody.
|
||||
|
||||
(chorus)
|
||||
Kitty, I want to save you!
|
||||
But, Kitty, I'm too scared!
|
||||
That huge man is much feared!
|
||||
Kitty I want to save you!
|
||||
But, Kitty, I'm much too scared!
|
||||
|
||||
(verse)
|
||||
Oh, just hold on, till the police arrive!
|
||||
Oh, if you can only just stay alive!
|
||||
They'll help you, and I'll be pleased!
|
||||
Then my burden will be eased.
|
||||
I don't want to call them, however.
|
||||
In self-presevation, I'm a true believer!
|
||||
What if he found out I made the call?
|
||||
He'd nail me to the wall!
|
||||
|
||||
(chorus)
|
||||
|
||||
(verse)
|
||||
I'll miss you Kitty, I'll miss you dearly!
|
||||
I place a flower on your grave yearly!
|
||||
You've been a real good friend!
|
||||
But now, you've met the bitter end!
|
||||
I can tell by that huge pool of blood,
|
||||
that's becoming a big red flood,
|
||||
you're going to die soon!
|
||||
See you on the other side of the moon!
|
||||
|
||||
(chorus)
|
||||
|
||||
(the same. The window beneath him lights up and reveals Crime
|
||||
Oriented Old Woman. She sings her song.)
|
||||
|
||||
Old Woman:
|
||||
(verse)
|
||||
What's this city coming to?
|
||||
When people get murdered in the street?
|
||||
Their blood gets on my shoe!
|
||||
And dirties my feet!
|
||||
What if it happened to me?
|
||||
Where would the police be?
|
||||
Oh dear me, the crime boggles the mind!
|
||||
It's an act against human kind!
|
||||
That poor girl, how badly I feel for her
|
||||
|
||||
(chorus)
|
||||
This city is a pit!
|
||||
I really hate it!
|
||||
I'm scared in my own house!
|
||||
Like a little mouse!
|
||||
This city really is a pit!
|
||||
|
||||
(verse)
|
||||
Murder and rape is just the least of it!
|
||||
Why do the police permit?
|
||||
They even stole my golden necklace!
|
||||
Broke in and took it right off my face!
|
||||
Thieves! They took my necklace!
|
||||
And stole everything else in the place!
|
||||
Everything I worked and slaved for!
|
||||
They wouldn't even let me talk to the prosecutor!
|
||||
Too busy for petty theft, they said!
|
||||
I'd like to smack his head!
|
||||
|
||||
(chorus)
|
||||
|
||||
(verse)
|
||||
My daughter was mugged the other night!
|
||||
Gave us such a fright!
|
||||
Getting so that girls can't even walk outside.
|
||||
No one has any more civic pride!
|
||||
No cares that these things happen!
|
||||
|
||||
(chorus)
|
||||
|
||||
(the same. The window next to her lights up and reveals Pissed
|
||||
Off T.V. Guy. The most prominent thing in his apartment is a huge
|
||||
television.)
|
||||
|
||||
T.V. Guy:
|
||||
(verse)
|
||||
I wish she'd shut up!
|
||||
I want to watch the t.v.!
|
||||
I wish he'd speedup!
|
||||
Her screams are really starting to bother me!
|
||||
I can't hear what the t.v. is saying!
|
||||
I can't hear what the bands are playing!
|
||||
|
||||
(chorus)
|
||||
Her screams piss me off!
|
||||
She's too loud!
|
||||
oh, great, now I've got to deal with her blood-choked coughs!
|
||||
Of my t.v., I'm really proud!
|
||||
Too bad I can't hear it over this wailing whore!
|
||||
I'd like to break her head on the floor!
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #419, WRITTEN BY: AIDS - 1/10/99 !!
|
63
textfiles.com/magazines/HOE/hoe-0420.txt
Normal file
63
textfiles.com/magazines/HOE/hoe-0420.txt
Normal file
@@ -0,0 +1,63 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #420 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "The Story Of Want and Love" !!
|
||||
##:::: ##::. #####::: ########: by -> Muze !!
|
||||
..:::::..::::.....::::........:: 1/10/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
This was a piece written on 5-14-96. It is a true story.
|
||||
Pay attention to the names of the characters so the story makes sense.
|
||||
|
||||
!!========================================================================!!
|
||||
|
||||
Love had a happy life, as did Want.
|
||||
|
||||
One day Love and Want met and became instant friends. Soon after
|
||||
this, they met a boy on seperate occassions and were both attracted to
|
||||
him. Love could love this boy so much, but that's not what he wanted.
|
||||
Want claimed that she could love him, but she never could because she
|
||||
was Want. We are what we are, not what we want.
|
||||
|
||||
Soon the phase of this boy passed and moved away to make room for
|
||||
yet another to come to Wants attention.
|
||||
|
||||
Love and Want got to know this new boy as well as he would let
|
||||
them. Love truly cared for this new boy with all her heart. Want
|
||||
merely tried to gain his attention. Want is not capable of Love, for we
|
||||
are what we are, not what we want.
|
||||
|
||||
This new boy had a very close friend, they were almost brothers.
|
||||
Love cared for the brother as well as the new boy, for they all were of
|
||||
the same clan. Love and the new boy became close, and she had a short,
|
||||
strange obsession with the brother. Soon it was over, though everyone
|
||||
thought it was still going on. Not that it mattered. One day, Want
|
||||
decided that she wanted the new boy this time. Want sat back for a
|
||||
while and watched Love and the new boy become closer. Want soon got
|
||||
jealous of Love because she wasn't capable of it.
|
||||
|
||||
Want, still thinking that Love obssessed over the brother, tried
|
||||
to get close to the brother. Want tried to make Love jealous. Love
|
||||
recognized this weak attempt for an attack, but dismissed it as childish
|
||||
and freshman. Love continued to grow closer to the new boy. Soon she
|
||||
got intimidated by this new boy because he hid his feelings so well. But
|
||||
Love kept trying and prying into his heart. Meanwhile, Want kept showing
|
||||
a public show of affection for the brother to spite Love. The more Want
|
||||
did this, the more Love was driven closer to this new boy.
|
||||
|
||||
One day, Love got so tired of Wants incessant acting. To get back
|
||||
at her, Love gave everything she had in herself. In doing this, she won
|
||||
the heart of this new boy and all those around her. Want could never win
|
||||
the brother or this new boy, for she was not capable of Love. The
|
||||
jealousy Want felt for Love drove her to change her name to Spite.
|
||||
|
||||
We are what we are,
|
||||
not what we want.
|
||||
Don't spite those who
|
||||
have more.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #420, WRITTEN BY: MUZE - 1/10/99 !!
|
35
textfiles.com/magazines/HOE/hoe-0421.txt
Normal file
35
textfiles.com/magazines/HOE/hoe-0421.txt
Normal file
@@ -0,0 +1,35 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #421 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "RONCO PROPAGANDA" !!
|
||||
##:::: ##::. #####::: ########: by -> RON POPEIL !!
|
||||
..:::::..::::.....::::........:: 1/13/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
RONCORONCORONCORONCORONCO HOE RONCORONCORONCORONCORONCO
|
||||
O R
|
||||
N HELLO EVERYONE! THIS IS RON POPEIL OF RONCO, INC! O
|
||||
C NORMALLY, I WOULD BE HERE TO ANNOUNCE A GREAT NEW N
|
||||
O RONCO PRODUCT, LIKE THE WONDERFUL _RONCO NEW AND C
|
||||
R IMPROVED FOOD DEHYDRATORS_!! BUT TODAY, I AM HERE O
|
||||
O TO LET ALL OF YOU, MY FRIENDS, KNOW ABOUT MY GOOD R
|
||||
N FRIENDS, THE "HOE" E-ZINE WRITER GROUP!!!!!!!!!!! O
|
||||
C THEY ARE GOOD RONCO CUSTOMERS-YOU CAN ALWAYS HEAR N
|
||||
O ONE OF THEM RAVING ABOUT AN EXCELLENT _RONCO FOOD C
|
||||
R DEHYDRATOR_ RECIPE OR A GREAT PASTA MADE WITH THE O
|
||||
O SUPER-DUPER _RONCO PASTA MAKER_!!! PLUS, THEY ARE R
|
||||
N AMAZING WRITERS!! I HIGHLY RECOMMEND "HOE" E-ZINE O
|
||||
C FOR READING DURING THAT _30 SECONDS OF WAIT TIME_ N
|
||||
O YOU ENDURE WHEN USING YOUR _RONCO PASTA MAKER_!!! C
|
||||
R BY THE WAY, THE COOL _NEW AND IMPROVED RONCO FOOD O
|
||||
O DEHYDRATORS ARE A GREAT BUY! YOU CAN GET YOUR OWN R
|
||||
N FOR JUST _4 EASY PAYMENTS_ OF _$29.95_!!!!!!!!!!! O
|
||||
C http://www.dto.net/hoe/ N
|
||||
O C
|
||||
RONCORONCORONCORONCORONCO HOE RONCORONCORONCORONCORONCO
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! #421, WRITTEN BY: RON POPEIL - 1/13/99 !!
|
93
textfiles.com/magazines/HOE/hoe-0422.txt
Normal file
93
textfiles.com/magazines/HOE/hoe-0422.txt
Normal file
@@ -0,0 +1,93 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #422 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Talented" !!
|
||||
##:::: ##::. #####::: ########: by -> Mutter !!
|
||||
..:::::..::::.....::::........:: 1/13/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
Somewhere in time and space a young man searches for the answer
|
||||
to the question which is life. He walks countless miles and climbs
|
||||
for countless days to reach the top of the mountain. When he finally
|
||||
arrives, he finds a old man with a long, white beard sitting in the
|
||||
lotus position, meditating.
|
||||
|
||||
"Oh, honorable elder," the young man says with exhaustion.
|
||||
"I've traveled countless miles, climbed countless days and have obtained
|
||||
countless calluses on my hands and feet all to ask to receive some small
|
||||
nugget of knowledge which will enlighten me for the rest of my days..."
|
||||
|
||||
The elder slowly breaks his meditation and turns to look at the
|
||||
young man's expectant face. He slowly opens his mouth to the young man's
|
||||
delight, "You are talented in many ways." Then he is silent. He turns
|
||||
away from the young man and goes back into his meditation. The young
|
||||
man, feeling ripped off by the quality of the message he had wasted a
|
||||
good portion of his life chasing, promptly commits suicide by jumping
|
||||
off a cliff.
|
||||
|
||||
Of course who could blame him? He came seeking enlightenment and
|
||||
walked away with a complement -- and a lame one at that. That's exactly
|
||||
how I felt when I saw what passes for fortune cookie fortunes these
|
||||
days...
|
||||
|
||||
"You are talented in many ways."
|
||||
|
||||
What the fuck is that?! Is this a fortune or a direct quote from
|
||||
"I'm Ok, You're Ok"? Technically, it's not even a fortune! Did some
|
||||
new age, reject Complement Cookies (TM) by mistake find its way into
|
||||
my Wednesday dinner? COME ON! If I paid 10 dollars for a reading from
|
||||
some mystic on the street corner to tell me that "You are talented in
|
||||
many ways." I'd demand my money back, then beat them over the head with
|
||||
their crystal ball. What's next?
|
||||
|
||||
"You are very smart."
|
||||
"Everybody loves you."
|
||||
"Your dick is very big."
|
||||
|
||||
It's great for those first impressions...
|
||||
|
||||
"So, Mutter, tell me a little bit about yourself."
|
||||
"Well, apparently my dinner thinks I am quite talented (in
|
||||
many ways)."
|
||||
"I... see..."
|
||||
|
||||
I don't even like Chinese food. The only thing I even remotely
|
||||
enjoy about the whole Chinese fast food eating experience is the fucking
|
||||
fortune cookies. They are tasty as hell and come with a bit of
|
||||
entertainment. But can I have a nice normal fortune cookie? No.
|
||||
Instead I get some cookie designed for the manic depressant in us all.
|
||||
The cookie itself probably contained a good dose of prozac. I can see
|
||||
it now...
|
||||
|
||||
"Sir, Americans are just too fat and lazy. They see their work
|
||||
as pointless. Production is very low."
|
||||
|
||||
"What can we do to alleviate these problems?"
|
||||
|
||||
"Well, our research team has determined that the average
|
||||
American loves fast food... especially Chinese fast food. The
|
||||
development team came up with these fortune cookies, guaranteed to
|
||||
reduce the American worker to the smiling dolt he should be."
|
||||
|
||||
"Yes! A happy worker is a hard worker. Send the happy cookies
|
||||
into their food stream immediately!"
|
||||
|
||||
Or maybe the story behind the message is even more sinister. A
|
||||
warped experiment in mind control? Shifting the will of the people
|
||||
through some cleverly placed seeds from an unexpected source? Think
|
||||
about the subliminal effects of such a message on the collective. Will
|
||||
crime decrease? Will the economy get better? Will drug use increase
|
||||
among teenagers? Who knows the ripple effects a seemingly innocent,
|
||||
yet weird message would have on the human mind? Did you know that many
|
||||
fortune cookie companies in America are actually CIA fronts or in other
|
||||
ways silently owned by the U.S. government? It's true. What effect
|
||||
might the fortune cookies have on the political swaying of America? Who
|
||||
cares? All I want is some trite little statement about the future
|
||||
inside a tasty cookie. But not even that simple desire will be met in
|
||||
the happy-joy world of today where your dinner is giving you pep talks.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #422, WRITTEN BY: MUTTER - 1/13/99 !!
|
41
textfiles.com/magazines/HOE/hoe-0423.txt
Normal file
41
textfiles.com/magazines/HOE/hoe-0423.txt
Normal file
@@ -0,0 +1,41 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #423 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "A Day in The Life of a Gangster" !!
|
||||
##:::: ##::. #####::: ########: by -> Belial !!
|
||||
..:::::..::::.....::::........:: 1/13/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
there was this time my friend (his name is tim!) and i were
|
||||
walking to the store down on the corner to get some candy and all the
|
||||
sudden, a giant horse fell out of the sky and landed right on TIM! i
|
||||
couldn't believe it! i said, "hey you fucking horse, get off my
|
||||
friend!" but it just looked at me with its big ass eyes and then rolled
|
||||
its lips back. so i said, "punk! feel my wrath!" and started kicking
|
||||
it in the side. "this is for tim, you son of a bitch!" i said as i
|
||||
kicked the dumb horse.
|
||||
|
||||
you wouldn't believe what happened next!
|
||||
|
||||
the horse got up off of tim and said, "i am a horse! you have
|
||||
no right to kick me." the next thing i know, a giant cow (his name is
|
||||
ralph!) fell out of the sky and landed right on me! it hurt like hell,
|
||||
but i said, "fucking cow, get off me!" the cow was all dumb and shit
|
||||
and it said, "milk? ok!" and shot a gallon of milk all over me. "ack!
|
||||
you piece of shit! quit squirting milk all over me and get the hell up!"
|
||||
|
||||
when the cow finally did get up, i said, "it's about damn time!"
|
||||
|
||||
then i said to the horse (i don't remember what its name was),
|
||||
"hey fucker, why don't you get the hell out of here like that cow!" the
|
||||
horse thought it was suave and shit and said, "sure!"
|
||||
|
||||
well, ted and i watched the two dumb fucks walk down the street
|
||||
for a while and then we just said, "pfff! farm animals!" and went into
|
||||
the store. i got a pack of gum and ted got some bitter ass shocktarts.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #423, WRITTEN BY: BELIAL - 1/13/99 !!
|
226
textfiles.com/magazines/HOE/hoe-0424.txt
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226
textfiles.com/magazines/HOE/hoe-0424.txt
Normal file
@@ -0,0 +1,226 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #424 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "House and Home with Lynette Jennings" !!
|
||||
##:::: ##::. #####::: ########: by -> AnonGirl !!
|
||||
..:::::..::::.....::::........:: 1/13/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
"And five, four, three..." <two fingers, one finger, action!>
|
||||
|
||||
<Cue lame early 1990's theme music.>
|
||||
|
||||
<Cue lame intro sequence.>
|
||||
|
||||
<Cue host.>
|
||||
|
||||
"Hi, welcome to House and Home. I'm your host, Lynette
|
||||
Jennings. Today we'll be focusing on crafts, as a part of our 'Making
|
||||
Housework Fun!' week. We've got oodles of guests here with us,
|
||||
including world renowned craft specialist, Marnie Williams. But we
|
||||
can't get the show off on the right foot without a peek into our
|
||||
mailbag. Jim, why don't you bring out the mailbag?"
|
||||
|
||||
<Cue guy in polo t-shirt with headset bringing mailbag.>
|
||||
|
||||
<Polo-shirt guy passing Lynette the mailbag.>
|
||||
|
||||
<Polo-shirt guy looking dumbfoundedly at the camera.>
|
||||
|
||||
<Polo-shirt guy walking offset.>
|
||||
|
||||
Lynette: "Okay let's see what we've got here today." <pulling out
|
||||
already-opened letter covered in yellow Hi-Liter.> "'Dear
|
||||
Ms. Jennings, you are just fabulous." <flattered laughter
|
||||
coming from Lynette.> "I watch your show religiously, right
|
||||
after I see the kids off to school. I'd force them to watch
|
||||
the show too if they weren't off.. learning.. all the time."
|
||||
<confused.> "Anyhoo, I just wanted to say that you are what
|
||||
makes the world go round. Sincerely yours, Muriel Cole,
|
||||
Ackley, Iowa.'
|
||||
|
||||
"Well Muriel, I'm so glad you watch my show. It really touches
|
||||
me to recieve heartfelt letters like yours. And I love it
|
||||
when people adresss me as Ms.!" <laughing at her own joke.>
|
||||
|
||||
"Let's see what else we've got here. <fishing through mailbag;
|
||||
pulling out another letter; clearing voice.> Okay, 'Dear
|
||||
Lynette, my name is Amy and I live in Klamath Falls, Oregon.
|
||||
I'm 10 years old and I like your show this much:" <pauses.>
|
||||
|
||||
"Oh how cute she drew a little line showing how much she likes
|
||||
my show. Can we get a shot of this?" <showing letter to
|
||||
camera.> "Carl? Can you get this?" <camera zooms in.>
|
||||
"Excellent. Great. Okay. 'I am writing you because I have
|
||||
a... secret, and I don't have a lot of friends so I'm going to
|
||||
tell you. Okay, here goes: Every night, when I'm in bed, my
|
||||
Daddy comes in and--'" <pauses, holding letter up.> Is this
|
||||
some kind of joke? Come on, who pulled the prank on me this
|
||||
time?" <looking around, smiling.> "Carl? Carl you're
|
||||
looking pretty suspicious!" <sounds of Carl chuckling.> "Carl!
|
||||
You silly, silly man! <laughing> You know, they always get me.
|
||||
But I'm a sucker for practical jokes! ha ha! Ha! ha ha!"
|
||||
<serious.>
|
||||
|
||||
"We'll be right back."
|
||||
|
||||
<Cue lame sax&drum music.>
|
||||
|
||||
<Cue commercial break.>
|
||||
|
||||
<..>
|
||||
|
||||
<Cue lame musak.>
|
||||
|
||||
<Cue host.>
|
||||
|
||||
"And we're back over here in our Craft Cave." <putting on floral
|
||||
pattern hard-hat.> "You have to be careful here in our Craft Cave.
|
||||
There's some heavy duty crafting going on! Haha! We've got a very
|
||||
special guest with us today. This woman is a pioneer in the arts and
|
||||
crafts department, being the inventor of the Salt and Pepper
|
||||
Shaker-Napkin Dispenser-Thanksgiving Centerpiece. Marnie? Marnie
|
||||
Williams? Are you there?"
|
||||
|
||||
<Marnie jogging out pleasantly from backstage.>
|
||||
|
||||
"There you are!" <both laughing.> "Hi!" <cheek kisses.>
|
||||
|
||||
Marnie: "Hi Lynette! I'm so glad to be here! I've got a whole bunch
|
||||
of fun things for us to create today!"
|
||||
Lynette: "I'm so excited! You know, <looking into camera> I'd like to
|
||||
take a serious moment here to discuss the importance of crafts
|
||||
in the '90's. Without crafts, housewives all around would be
|
||||
left with nothing to do all day long while her man is out
|
||||
working and the kids are at school..."
|
||||
|
||||
M: "Say it, sister!"
|
||||
L: "...we would be left to do our expected chores such as laundry and
|
||||
mopping floors and watching soap operas and other home decor shows
|
||||
like my own which will slowly but surely lead us all to our sad,
|
||||
horrible and pathetically boring deaths with nothing to show for
|
||||
except a few odd heart-shaped wicker baskets filled with dried
|
||||
leaves and plastic flowers with little balloons and bunnies and
|
||||
flowerspineconeshazelnutspiceracks....."
|
||||
|
||||
<Cue lame music.>
|
||||
|
||||
<Cue commercial break.>
|
||||
|
||||
<..>
|
||||
|
||||
<Cue happy host.>
|
||||
|
||||
"Welcome back to House and Home! If you're just joining us I'm
|
||||
here with Marnie Williams in our Craft Cave <knocking on floral hard
|
||||
hat.> making crafts! Marnie has already started making something. What
|
||||
are you making there, Marnie?"
|
||||
|
||||
M: "I'm building every housewife's dream come true. It's a decorative
|
||||
piece I like to call the SquirrelKnocker."
|
||||
L: "SquirrelKnocker? Can we say that? <looking past camera; nodding>
|
||||
ha ha!"
|
||||
M: "It's purpose serves as a doorknocker-slash-squirrel feeder!
|
||||
<holding up squirrelknocker> You can make them in any material you
|
||||
like, although my personal favourite would have to be wicker. I
|
||||
just love wicker. My husband loves wicker, too. He's always
|
||||
getting his hands on more wicker!"
|
||||
L: "A real wickerman!" <both laughing> Ha! ha! HA!
|
||||
M: "Lynette, you *kill* me! Anyhoo, you can add fun little decorations
|
||||
to your SquirrelKnockers. Mine here has tiny pah-pee-aye mah-shay
|
||||
flowers all around, with a small decorative sign that says
|
||||
'SquirrelKnocker' in a nice cursive." <holding up squirrelknocker>
|
||||
L: "And you can put anything you want on the sign?"
|
||||
M: "Yes, you can inscribe anything you like on the sign. You'll need a
|
||||
good model enamel, so that it will survive the harsh treatment of
|
||||
rain and snow. Personally I like to put a wood finish on my
|
||||
SquirrelKnockers to add that extra.. je ne sais quoi!"
|
||||
L: "Wow, isn't that terrific? But, Marnie, what if you're not much of a
|
||||
Van Gogh?"
|
||||
M: "So?"
|
||||
L: "Well how will you make your cute little sign?"
|
||||
M: "It's not very difficult, Lynette. It's as easy as writing with a
|
||||
pen!"
|
||||
L: "Yeah, but what if you're a quadriplegic and are incapable of using
|
||||
paintbrushes? What then?? How will our quadriplegic viewers be able
|
||||
to make their own little wooden sign inscriptions??"
|
||||
M: "Let's move on to our next little craft, the-"
|
||||
L: "NO! I want to KNOW! HOW THE HELL-" <Marnie walking off set>
|
||||
|
||||
<Cue lame fresh&alive music.>
|
||||
|
||||
<Cue Commercial Break.>
|
||||
|
||||
<..>
|
||||
|
||||
<Cue happy host.>
|
||||
|
||||
"Hi, welcome back, I'm Lynette Jennings and this is House and
|
||||
Home. It's time for my favourite part of the show, 'This is Delicious,
|
||||
Mom!' Cooking with us today is world famous chef, John Wilkinson.
|
||||
John's appeared in such cooking programs as 'Ready, Set, Cook!' and
|
||||
'FOOD NOW!'. Come on out, John!"
|
||||
|
||||
<John jogging out smiling.>
|
||||
|
||||
J: "Hi Lynette, you don't know what a pleasure it is to be on your
|
||||
public access television program. Really!" <both laughing>
|
||||
L: "It's great to see you again, John!"
|
||||
J: "But, we've never met..?"
|
||||
L: "Ha ha ha HA HA HA ha HAHA John you're such a joker! Anyhoo, what
|
||||
are we cooking today?"
|
||||
J: "Well today I thought we'd make something really, very special.
|
||||
Since the holidays are coming up I was thinking of making some
|
||||
super-ultra-insanely-low-fat-appetizers for all those Christmas
|
||||
parties this time of year. All you'll need to prepare these cute
|
||||
little hors d'oeuvres is some lettuce, wheat germ, and McGarry's
|
||||
sausages. Looks like we're just about ready to start, Lynette!"
|
||||
L: "That's great. But what about variety, John? Isn't that what it's
|
||||
all about these days? Someone doesn't like what the other likes,
|
||||
and vice versa? Surely you can't serve lettuce wheat germ sausages
|
||||
all night long?"
|
||||
J: "Well, that's the fun part, Lynette. With these three simple
|
||||
ingredients, you can make over 30 different appetizers, all under 3
|
||||
grams of fat!"
|
||||
L: "Wow! I like the sound of that! Show us how it's done."
|
||||
J: "Well, you just get a good saucepan, and chop up some of the lettuce
|
||||
into it. Make sure it's washed! Then, fry the sausages in a frying
|
||||
pan until they're nicely browned, periodically sprinkling wheat germ
|
||||
on them. This will add flavour to the sausages, as well as protein!
|
||||
Once the sausages are done, wrap a small piece of lettuce around the
|
||||
sausage and hold it together with a toothpick. Once you're done,
|
||||
you should have something that looks like this:"
|
||||
|
||||
<pulls out huge tray with 30 different sausage creations.>
|
||||
|
||||
L: "Wow! Look at all those different kinds of wheat germ sausages
|
||||
wrapped in lettuce! I don't think I've ever seen such variety!
|
||||
That's absolutely wonderful, John, really."
|
||||
J: "It's my specialty!"
|
||||
L: <to camera> "We'll be right back."
|
||||
|
||||
<Cue stolen Oprah music.>
|
||||
|
||||
<Cue commercial break.>
|
||||
|
||||
<..>
|
||||
|
||||
<Cue host.>
|
||||
|
||||
"Well, folks, I hate to say it, but that's all the time we have
|
||||
for today! I'd like to thank my guests today Marnie Williams and John
|
||||
Wilkinson for their wonderful cooperation. Tomorrow we've got Aikido
|
||||
champion Bob Su who's going to show us how to make one hell of a shish
|
||||
kabab! Hope you'll join us. Bah-bye." <waves.>
|
||||
|
||||
<Cue midi.>
|
||||
|
||||
<Cue credits.>
|
||||
|
||||
<Fade.>
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #424, WRITTEN BY: ANONGIRL - 1/13/99 !!
|
46
textfiles.com/magazines/HOE/hoe-0425.txt
Normal file
46
textfiles.com/magazines/HOE/hoe-0425.txt
Normal file
@@ -0,0 +1,46 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #425 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Organic Farming" !!
|
||||
##:::: ##::. #####::: ########: by -> Kaia !!
|
||||
..:::::..::::.....::::........:: 1/13/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
The girl liked boys but thought too much. She snubbed other
|
||||
girls because she thought she was a princess. She acted like a rare
|
||||
find because she thought she was full of coyness, cleverness, wit,
|
||||
independence, and feminine wiles. She thought that by maintaining
|
||||
some distance from everyone, she'd project confidence and assurance,
|
||||
but to others she instead seemed a bit unfriendly and standoff-ish.
|
||||
Men found her attractive, but mostly for her striking combinations
|
||||
tonight: black hair & red-flicked blue eyes, thin waist supporting
|
||||
silver velvet glam pants that flared at the hips.
|
||||
|
||||
At the club, she mingled only with the scenesters who owned the
|
||||
hippest boutiques and organized the best parties in the city. If she
|
||||
didn't perceive you as high-status, she'd ignore you... until she
|
||||
discovers your critical involvement in the BUGS, WORMS, ROOTS, AND
|
||||
DEAD LEAVES! THESE ARE AMONG THE TIDBITS FOUND IN OUR TOPSOIL. WE
|
||||
DON'T USE HERBICIDES OR need! PESTICIDES, AND WE USE COW SHIT AS A
|
||||
NATURAL FERTILIZER THAT CYCLES THE NITROGEN BACK TO THE please more!
|
||||
EARTH. WE GROW involvement in planning the annual vampyre ball, a
|
||||
yearly legend in elegant campiness. But beneath the hard facade, she
|
||||
was really a sensitive little girl who took everything a little WE GROW
|
||||
ROWS OF LEEKS, CARROTS, SHALLOTS, need more please more need BEETS,
|
||||
KOHLRABI, LIMA BEANS, RADISHES, PINEAPPLES, SALAMI, DALAI LAMA, a
|
||||
little too personally, but SHITFACED, PLASTERED, but actually, she just
|
||||
needed EGO-STROKING someone to love DRUNK, and fear SCREWED, but A
|
||||
LITTLE NEUROCHEMICALLY ALTERED not without a chase AND KALE. because
|
||||
she had a problem with loving people back, and wanted nothing more than
|
||||
to gain, though coyness, cleverness, wit, independence, and feminine
|
||||
wiles, the favor of the alpha male.
|
||||
|
||||
APHIDS LIKE KALE. WE SPRAY OUR KALE WITH SOAP AND VEGETABLE OIL.
|
||||
SOAP KILLS THE BUGS, WHILE VEGETABLE OIL MAKES THE SOAP STICK TO THE
|
||||
BUDS. I MEAN BUGS.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #425, WRITTEN BY: KAIA - 1/13/99 !!
|
47
textfiles.com/magazines/HOE/hoe-0426.txt
Normal file
47
textfiles.com/magazines/HOE/hoe-0426.txt
Normal file
@@ -0,0 +1,47 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #426 !!
|
||||
#########: ##:::: ##: ######::: ===========================================
|
||||
##.... ##: ##:::: ##: ##...:::: "Area 401" !!
|
||||
##:::: ##:. ##:: ##:: ##::::::: *or* !!
|
||||
##:::: ##::. #####::: ########: "RI Telecom From A Feminine Perspective" !!
|
||||
..:::::..::::.....::::........:: by -> Laja 1/13/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
Well, kidz, what we have here today is a look at what once was
|
||||
THE SCENE in area code 401. Now, I'm not talking about hacking, writing
|
||||
text files, creating art, pirating softwarez (ARRRR, MATEY), or anything
|
||||
cool/psuedo-productive like that. I am talking about the chick scene...
|
||||
the HOT MODEM MOMMAS which were so often overlooked.
|
||||
|
||||
My time in THE SCENE started in 1995. This, of course, being
|
||||
after everything that was or could have been cool about BBS's and
|
||||
modems had already happened. This time, lasting a few years before my
|
||||
arrival, will be forever referred to as THE GOOD OLE DAYS [tm].
|
||||
|
||||
So, anyways, it was me, CHICK X, CHICK Y, The Tyrant, SQUINKY,
|
||||
and a bunch of random Kurt Cobain-worshipping 14 year olds. I
|
||||
worshipped SQUINKY in his amazing telecom techniquez (see: HOE #334).
|
||||
For all practical purposes, we can call Tyrant CHICK Z, because, well,
|
||||
for all practical purposes, he was. We talked about nothing. And we
|
||||
talked about it a lot. It was cliquey and bitchy and we liked it that
|
||||
way.
|
||||
|
||||
Essentially, there were only two BBS's in my calling area that
|
||||
didn't suck. Oh well. So it goes. I am not going to go through the
|
||||
hassle of remembering any details about any of this, because
|
||||
submitting logs about Area 401 is Squinky's job.
|
||||
|
||||
As with most close-knit, 15 year old trios of bitches, we all
|
||||
started to severely dislike eachother. CHICK Z left us for a life of
|
||||
passionate sex with a married woman and massive amounts of diaper
|
||||
changing (see: http://users.tmok.com/~minmei), CHICK X and CHICK Y went
|
||||
on to live in denial about their torrid lesbian love affair, and I
|
||||
moved on with my own self to read books, do drugs, geek out, and write
|
||||
boring text files for HOE.
|
||||
|
||||
Isn't that a cute story?
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #426, WRITTEN BY: LAJA - 1/13/99 !!
|
102
textfiles.com/magazines/HOE/hoe-0427.txt
Normal file
102
textfiles.com/magazines/HOE/hoe-0427.txt
Normal file
@@ -0,0 +1,102 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #427 !!
|
||||
#########: ##:::: ##: ######::: ===========================================
|
||||
##.... ##: ##:::: ##: ##...:::: "One man, Standing At The Threshold" !!
|
||||
##:::: ##:. ##:: ##:: ##::::::: *or* !!
|
||||
##:::: ##::. #####::: ########: "I Am An Adventurer!@" !!
|
||||
..:::::..::::.....::::........:: by -> Rantaslin 1/13/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
What exactly this title will have to do with the eventual outcome
|
||||
of this article means little or nothing to me. The true value comes
|
||||
from the fact that I have no better title, it sounds neat, and it's my
|
||||
first article for HOE, authored by myself, Rantaslin (for bitterness),
|
||||
and edited by Teerts (for flow[!?])...
|
||||
|
||||
Now let's take a stab at it shall we? After much prodding and
|
||||
poking by a dear friend of mine, whom some of you probably already
|
||||
know if you read HOE with any frequency (Teerts), I decided to write
|
||||
an article. So in my own hack-and-slash style, let's give it a go.
|
||||
|
||||
Ahem.
|
||||
|
||||
The topic of today's discussion, boys and girls? Consideration
|
||||
for others, and the entire sociological make up of this town that
|
||||
Teerts and I know, but doubtfully love, called Reading, Pennsylvania.
|
||||
It all starts with an average evening of late for myself and Teerts.
|
||||
I, being the motivator of the group, (well, due more to the fact that
|
||||
Teerts is the most indecisive S.O.B. that I know, and the rest can be
|
||||
like lemmings), we gather at my house to plan our activities for the
|
||||
night. While sitting around, and tossing these nifty little popper
|
||||
things that fly an amazingly long distance for their size I might add,
|
||||
we decide that sitting around is definitely *not* what we got together
|
||||
for, in fact it's what we try to avoid. So as we see it we have two
|
||||
choices -- Denny's or the Mall(s). We can't decide, so we hop into two
|
||||
cars (which is a silly idea, since we always get separated along the
|
||||
way) -- myself and Teerts in the Bugula (ya know, one of those shiny
|
||||
and nifty new VW creations), and Altrocks and a mutual friend of ours
|
||||
in the other.
|
||||
|
||||
Pulling out onto the bypass... all goes well, until a rather
|
||||
large truck decides to ride my ass, and not let me merge trafic. After
|
||||
getting onto the bypass and deciding I don't wanna put up with this
|
||||
shit right now. I move to pass him... no big deal... three cars in a
|
||||
row... done this before, just blow right by them. Simple enough right?
|
||||
Not when the last car you pass is a marked police car without it's
|
||||
lights on.
|
||||
|
||||
Being the astute observer that he is, Teerts exclaims 'That's
|
||||
a cop.'
|
||||
|
||||
Eh, from 85 to 60 in no time flat, but not fast enough. I pass
|
||||
the cop doing 60 in a 55 zone, and proceed to pull in front of him.
|
||||
Thinking that he may let me go. I relax... a bit too much...65, and
|
||||
the white and blue starts to flash. Meanwhile car "B", (Altrocks) sees
|
||||
all, and manages to get by without a hitch (if you knew how he normally
|
||||
drove you'd find this hilarious). So, anyway, off the road I pull, and
|
||||
I prepare to face the worst... my mind racing. Thinking of having to
|
||||
tell my parents a day before christmas that I got a $70 ticket for
|
||||
speeding, when the cop walks up and says "If you tell me a little bit
|
||||
about your car, I'll let you off. I always wanted to see the inside of
|
||||
one of these, isn't information a good trade instead of a ticket?"
|
||||
Slightly shaking from surprise, anxiety, and confusion, I do so. The
|
||||
fact that a man can be so seemingly benevolent amazes me. It kicks ass.
|
||||
By this time car "B" is long gone, having resumed its crusing at speeds
|
||||
nearing mach 1.
|
||||
|
||||
Teerts and I try vainly to explain this occurence to one another
|
||||
and we eventually settle on one of two theories: one, the cop was a
|
||||
sheriff and he knew that some speeding kids aren't really part of the
|
||||
big crime problem in Reading -- or two, the cop felt pity for me after
|
||||
seing my Drivers license photo.
|
||||
|
||||
We resume our search for car "B". Reaching the farther out of
|
||||
the two malls, we look around, Teerts suggests that they turned around
|
||||
and looked for us. Wasting more than half of an hour cruising around
|
||||
looking for them we eventually return to the mall and find them there.
|
||||
'Told yah, Teerts,' to which he responds, 'Fuck you, Rant."
|
||||
|
||||
Reunited, we proceed through the mall, in all its whack glory.
|
||||
We see a few friends, continue our cyclic mall procession, and
|
||||
eventually Teerts and I become alienated... shoved off into a corner.
|
||||
This pisses us off, we aren't being abnormally prickish (well, Teerts
|
||||
is, but not me), especially considering the normal level of
|
||||
prickishness present (often just facetious, though not always) in our
|
||||
circle of friends. After about 45 mintues of what felt like being
|
||||
ignored, pissed, and shit on, we get bored and head over to borders,
|
||||
get a drink read some books, gee great fun. Meanwhile those from
|
||||
car "B", have still not had the curtesy to catch up with us.
|
||||
|
||||
In any event my final observation is that a cop whom I have no
|
||||
relation to, who owes me nothing, and who knows no more than the
|
||||
information readily avalible on my drivers license, give me no ticket,
|
||||
not even a citation or warning, just asks about my car, and bids me a
|
||||
happy holidays and tells me to be careful, and sends me on my merry
|
||||
way. At the same time, my friends basically tell me to fuck off. So
|
||||
it goes, I suppose, and this is just another one of my rants. So I
|
||||
stand at the threshold, waiting for thought to arrive...
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! #427, WRITTEN BY: RANTASLIN - 1/13/99 !!
|
526
textfiles.com/magazines/HOE/hoe-0428.txt
Normal file
526
textfiles.com/magazines/HOE/hoe-0428.txt
Normal file
@@ -0,0 +1,526 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #428 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Lamb of God" !!
|
||||
##:::: ##::. #####::: ########: by -> AIDS !!
|
||||
..:::::..::::.....::::........:: 1/13/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
Date: Wed, 16 Dec 1998 23:28:04 -0500 (EST)
|
||||
From: Jarett Kobek <jwk208>
|
||||
To: <ADDDDRESS OMITTED> (Agnes)
|
||||
Subject: I WANT TO BE HAPPY / der Zorn Gottes / Agnus Dei
|
||||
|
||||
Lamb of God,
|
||||
|
||||
What can I say? Were it not so, it would not be, but it is. I
|
||||
don't know why, but today, the hand of God was upon me.
|
||||
|
||||
For wandering through Times Square what did I encounter but
|
||||
part of the Chiat/Day Levi's What's True campaign, starring either you
|
||||
or your Doppelganger, tangled up in blue. Much amazement was had by
|
||||
all, which at the time, was but me alone, wondering if strange
|
||||
machinations were at work, acasual connecting principles, very
|
||||
Jungian, Very synchronatic. Or perhaps the work of a higher power?
|
||||
Perhaps His hand's guidance?
|
||||
|
||||
Well, confused as I was, Times Square quickly became too much.
|
||||
Too, too much. Thankfully it itself lacked a twin. The only possible
|
||||
solution? Homeward bound, down desolation row, back to the warmth of
|
||||
the now corrupt, the now suburban neighborhoods.
|
||||
|
||||
And then, at the last minute, as if GUIDED by some other force,
|
||||
I decided to uncover park ranger truths, and cut through Wash. Sq. and
|
||||
was, upon reflection, confronted with the very living image of
|
||||
yourself. Certain changes in appearance keeping immediate recognition
|
||||
impossible, most unusual in light of having just seen your vizage in
|
||||
duplicate on 48th, but still, what got me a-thinkin' was that ol' blue
|
||||
jacket and wry smile.
|
||||
|
||||
Now that I reflect, I hasten to add in the purchase of _Highway
|
||||
'61 Revisted_ in Times Square, manic attack of consumerism.
|
||||
|
||||
So what does it all mean? I feel like I am an owl in daylight,
|
||||
befuddled and bewildered. Or a Jew at Christmas. Take your pick.
|
||||
|
||||
Anyhow, the only thing I could decipher from today's
|
||||
synchronicity, definitely acasual, was that God, or whatever the word
|
||||
represents, was trying to get a message across to me. Then I was
|
||||
thinking about the Agnus Dei, remembered the translation is Lamb of
|
||||
God, and knew that I must email you.
|
||||
|
||||
Have you been having any visions lately?
|
||||
|
||||
-Jarett
|
||||
|
||||
--
|
||||
"If 65 cents buys this much action, I'm hooked on Ghost Rider for Life!"
|
||||
|
||||
!!========================================================================!!
|
||||
|
||||
Date: Thu, 17 Dec 1998 14:00:01 -0500 (EST)
|
||||
From: Agnes <@nyu.edu>
|
||||
To: Jarett Kobek <jwk208@is8.nyu.edu>
|
||||
Subject: sign
|
||||
|
||||
i encounter many signs in life- and most confuse me or make me happy-
|
||||
bring me to question what really controls my life-reaccess the magic of
|
||||
life
|
||||
but this is not a sign, jarett, it's life mocking you. don't forget we
|
||||
live in cycles and regrets. and i don't necessarily mean taht
|
||||
maliciously.
|
||||
|
||||
-agnes
|
||||
|
||||
!!========================================================================!!
|
||||
|
||||
This is a copy of the Levi's ad referred to.
|
||||
|
||||
!!========================================================================!!
|
||||
|
||||
begin 644 truth_1.jpg
|
||||
M_]C_X``02D9)1@`!`@``9`!D``#__@`2061O8F4@26UA9V5296%D>?_L`!%$
|
||||
M=6-K>0`!``0````C``#_[@`.061O8F4`9,`````!_]L`A``."@H*"PH."PL.
|
||||
M%`T+#108$@X.$A@;%A87%A8;&A07%Q<7%!H:'R`C(!\:*2DM+2DI/3L[.SU`
|
||||
M0$!`0$!`0$!``0\-#0\1#Q(0$!(4#A$.%!<2%!02%R$7%QD7%R$J'AH:&AH>
|
||||
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|
||||
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|
||||
M``````$"`P`$!1```@$#`@,$!@8$"@@$!04``0(#`!$$(1(Q005182(3<8&1
|
||||
M,A0&H;'!0E(5T7(C,_#A8H*2TD-3)%2RPH.3-$06!Z)C<U7QTY0E1:/#A#65
|
||||
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||||
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||||
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||||
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||||
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|
||||
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|
||||
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|
||||
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||||
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||||
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||||
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||||
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|
||||
MI,UDDFA@CEC4H[P1+#YC$EM\BQ^'=KQ`H(VY>W]%,\OIY@B=W4P21;0\9!"R
|
||||
M*3L\Q+^Z5-MRGMN*6,"&L=;56K3R(6JUF78AM-$?Y8M>CSR[OLH#%-I(SV./
|
||||
MKHXD7OS[!0>8U,BT1).(XY"0)76.XTMN8`G7L%/8_E;I;`$R9`.O&50;CUTB
|
||||
M@6\\`;4-*E_4:W,&%B6L8@+>GL/=26G"&UW!PTD3CY7Z6=/.R"1_YR_IKW_2
|
||||
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|
||||
M6]I,G<;:"9!8'MUY5(_*W35/[W)(O8%9D-^9L+WI_P#`X''RMH)T-^^NC`P3
|
||||
M<^4;$6L&LOMM6E_B9L-$9N/Y8Z<POOR@W&PFC[[<6%6?]*X'][D\;?OX^';[
|
||||
MW"GOP&&3K'XN]NSU5/\`+<'\)X?B'Z*TO\3-AHAZ9%QGCC$.Q&(!``MXM+>'
|
||||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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M?CV5-LK)*_\`#`7%]9+:>BDH^8,8V)SH#W`2\^/W*F/F+"!N<B&XM<[9CP_F
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||||
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|
||||
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|
||||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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|
||||
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||||
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||||
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|
||||
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|
||||
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MTTUHGY?P,W*S(9\''AG/3A'/(D[,B!F4[/<#LSFVX$+I;U4="_#6OI<UK1E"
|
||||
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|
||||
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|
||||
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|
||||
MVNV[&R]RE&OK9T#*?6`:A^76UDS<1!VB1I#_`$4CO7+&)V4LTO-9V<_AC#0"
|
||||
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|
||||
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|
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|
||||
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|
||||
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|
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|
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|
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||||
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|
||||
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||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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||||
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|
||||
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|
||||
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|
||||
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|
||||
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||||
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|
||||
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|
||||
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MO-)LQS8KO=BNFA``\1L?Q$C7NKU>K8&!.``ICTL*<E^)8QLJ$<59K(MCR.IK
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||||
MU>H/)@1LTC!5R0([+M.O#F.WCSH58F;(CNP)VFX-_O>$'Z:]7JF$*,:KN.Q6
|
||||
M6X)#6XK][TCD:@R!6+"XT*V!(4)Q%P:]7JQCOEA=PC-K6NO'B.ZH>7'O!R#=
|
||||
MD#;;D\`"3M*]U>KU$Q7',TL2DCPE0RCF0=1>^MZD;;0&8[M6XV&AYFO5ZL8]
|
||||
MN4R-NX`7-^%QP!-2``-U!)8:VTU[*]7JQB!T',=B_;0^2HLH6X`)/<1<5ZO5
|
||||
M@`DT<ECY;;"??%M#^FD_7([1QN6!8.0;#6S*"/JKU>IJYH%LF)#IZJD9&8W.
|
||||
MI"JH/9M&@KU>JA(ZK:-Q(M>WVB]=!8MI?Q:%.%[5ZO5@HX"6LRW%M.&A![3]
|
||||
1%=V#^[/&W+V5ZO5@=.T__]FW
|
||||
`
|
||||
end
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #428, WRITTEN BY: AIDS - 1/13/99 !!
|
57
textfiles.com/magazines/HOE/hoe-0429.txt
Normal file
57
textfiles.com/magazines/HOE/hoe-0429.txt
Normal file
@@ -0,0 +1,57 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #429 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "An Agnostic Tourettic Obsessive !!
|
||||
##:::: ##::. #####::: ########: Compulsive -- He Also Likes Bunnies" !!
|
||||
..:::::..::::.....::::........:: by -> Soybean 1/13/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
Touch the knob seven times. (touch, touch, touch, touch, touch,
|
||||
touch touch.) Take five steps into the bathroom across the hall, with
|
||||
my toe stopping exactly at the metal rim separating the carpet from the
|
||||
vinyl bathroom floor. (step, step, step, step, step. oops.) I'm not
|
||||
sure there's a God. One inch too far. Return, try again: (step, step,
|
||||
step, step step.) Okay. Turn shower knob to 110 degree angle, let the
|
||||
water run for twenty seconds, remove clothing. (shirt, pants,
|
||||
underwear, right sock, left sock.) Why, God? Rid eyes of sleep-crap,
|
||||
scratch each buttcheek where it meets its corresponding hamstring, scrub
|
||||
shoulders. No bunnies in the shower. I tried that once already.
|
||||
Bunnies don't like rough, hot, pounding sprays, it seems. I like those
|
||||
sprays, but I like my bunnies so much more. I don't scream "BITCH"
|
||||
involuntarily at my bunnies as I do to my mom and Jenna-who-sits-behind-
|
||||
-me-in-Ceramics. My bunnies are soothing and rid me of my physical
|
||||
compulsions. Other people have compulsions, God... Jenny has to go to
|
||||
the mall every Thursday or she really is a bitch on Friday. No one
|
||||
shrieks or contorts their face when Jenny goes shopping, though. That's
|
||||
what people do when I try to lick their nose or their dog's nose seven
|
||||
times, or when I try to count their fingers. There can't be a God who
|
||||
allows such things to go on. Only something so full of pure glory as
|
||||
God could supply me with bunnies to sooth my nervous pain. Maybe I
|
||||
should have listened in bible study more when I was younger, but it was
|
||||
so much more interesting to bite each corner of the cover of my Bible.
|
||||
I thought about being religious until my teacher reprimanded me for
|
||||
trying to count the priest's five five five five five fingers during
|
||||
mass, during Eucharist, during the Distribution of the Holy Crackers.
|
||||
("LET'S GET FUNKY.") (clean.) (dry face, dry shoulders, dry arms, dry
|
||||
legs, dry back, dry chest.) I like Jenna. (brush teeth.) Dress:
|
||||
(underwear, pants, shirt, left sock, right sock.) Time to take the five
|
||||
steps back to my bedroom, cuddle my bunnies and try to take comfort with
|
||||
me. (step, step, step, step, step.) My favorite bunny is named
|
||||
Napoleon, though he is not a French military expert, or even a French
|
||||
bunny, or even a bunny military expect. He is named after the bakery
|
||||
downtown that has pumpernickel bread that is a lovely shape and that is
|
||||
a color that is reminiscent of Napoleon-the-Bunny's ears. No
|
||||
breakfast; breakfast gives me gas. Get in the car, check to see that
|
||||
all windows are tightly closed, start car, back out of driveway, and
|
||||
accelerate to 32 mph until we come to the green house with the trolls in
|
||||
the yard, five houses down. At that point, release gas and coast to a
|
||||
slow and comfortable and natural stop at the neighborhood gate, leading
|
||||
onto Landrie St., which leads almost directly to my school, it being
|
||||
Landrie Senior High School, Landrie being someone who gave someone a
|
||||
large sum of money. Or so goes my explanation.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #429, WRITTEN BY: SOYBEAN - 1/13/99 !!
|
117
textfiles.com/magazines/HOE/hoe-0430.txt
Normal file
117
textfiles.com/magazines/HOE/hoe-0430.txt
Normal file
@@ -0,0 +1,117 @@
|
||||
|
||||
'##::::'##:::'#####:::'########:| THE HELOTS OF ECSTASY PRESS RELEASE #430 !!
|
||||
##:::: ##::'##.. ##:: ##.....::|==========================================!!
|
||||
##:::: ##:'##:::: ##: ##:::::::| "The Glorious Fate of a Boy Who Failed !!
|
||||
#########: ##:::: ##: ######:::| in Life and Then Failed at Suicide, !!
|
||||
##.... ##: ##:::: ##: ##...::::| A Story That Proves Beyond The Shadow of !!
|
||||
##:::: ##:. ##:: ##:: ##:::::::| A Doubt that Idiots Get Much More Out of !!
|
||||
##:::: ##::. #####::: ########:| Life than any Wise Men, as they Travel !!
|
||||
HOE #430 -- by Kreid -- 1/13/99| Through Life Amazed and Bewildered" !!
|
||||
!!========================================================================!!
|
||||
|
||||
I feel the need to explain something about myself, in order to
|
||||
justify my actions or attitude, or something about me which nobody seems
|
||||
to approve of lately. No matter how hard I try to avoid it, there is
|
||||
always this trend in me that I possess a strong and deep-rooted hatred
|
||||
for just about everything in this world. I feel that it is biological,
|
||||
somehow. I am a naturally hate-filled individual. However: I am not a
|
||||
violent person. I don't want to hurt anyone, I just want to stay away
|
||||
from everyone. The only reason people get hurt with me is because they
|
||||
choose to care about me and decide that it's their responsibility to
|
||||
make me feel happy. This is a huge mistake. I've been alive for quite
|
||||
some time, and nobody has ever made me feel any differently about this.
|
||||
Yes, it sucks to be me. It sucks to get involved with me. So stay
|
||||
away, please.
|
||||
|
||||
I think this might be irrelevant to the story I have to tell,
|
||||
but for some reason it came to my mind instantly when I thought of this.
|
||||
The story is not about hating, not at all. It's about finding myself
|
||||
completely in love with the world, momentarily. Yes, this does happen
|
||||
once in a while. I feel a bit poetic for a little while, I feel like
|
||||
life is glorious, just until I realize again that I am a complete piece
|
||||
of shit because I am human. I do feel a little sick right now from
|
||||
writing that. Yes, I am human, I must keep reminding myself, I must
|
||||
come to terms with it, as disgusting as it sounds to me. The truth is
|
||||
always disgusting.
|
||||
|
||||
Now, some people who are like me have to use drugs to
|
||||
momentarily fall in love with the world. I think this is the right way
|
||||
to get along with life if you're like me, but I would hate to delude
|
||||
myself like that. I just do it, most of the time, by coming very, very,
|
||||
close to death, which is what some drugs do to you anyway. So it's a
|
||||
similar experience, just probably more real and more complicated for me,
|
||||
the non-drug user, I think. But that's what happened three nights ago
|
||||
when I found myself in love with the world. Let me explain what
|
||||
happened.
|
||||
|
||||
What was happening when I realized that I was in love with the
|
||||
world is that I was driving in my car, down this long highway, at
|
||||
around 4:00 A.M. I must have been going about thirty miles per hour, and
|
||||
I was probably taking up about three lanes, the way I was driving. I
|
||||
was really fucking tired, to the point where I wasn't even falling
|
||||
asleep at the wheel anymore; I was waking up at the wheel, every couple
|
||||
minutes. Why I wasn't arrested that night, I have no idea. But I made
|
||||
it home, after driving for about two hours in this fashion. I was quite
|
||||
a bit amazed. So what I did I do when I got home? I celebrated, of
|
||||
course. I decided to commit suicide.
|
||||
|
||||
I ran upstairs to the bathroom and poured some pills down my
|
||||
throat. Dramamine. It was fucking disgusting. I ate twenty-two of
|
||||
them, only stopping after that many because I was on the verge of puking
|
||||
my guts out. The ingestion of chemicals like this is too often even
|
||||
more unpleasant than the chemicals' eventual assault on the body. The
|
||||
fucking Dramamine pills dissolve in your mouth too quickly, you can't
|
||||
even down them fast enough with a glass of water. You just get this
|
||||
powdered medicine shit all over your mouth and tongue, and then the
|
||||
little fuckers get caught in your throat and you have to try to bring
|
||||
them up again just so you can swallow them, again. A most unpleasant
|
||||
experience.
|
||||
|
||||
I was quite prepared to die, though. I went right over to my bed
|
||||
and waited for the stomachache to go away, which it did in about five
|
||||
minutes. From then on it was just a waiting game. Wait for the drugs
|
||||
to take effect and off you. I felt like I was going to pass out, which
|
||||
pissed me off since it was a pretty pansy way to die, in your sleep,
|
||||
that is.
|
||||
|
||||
So I got up, which was quite difficult for me, being that the
|
||||
gravity in the room had increased by about six hundredfold. But I
|
||||
managed to put one leg in front of the other and stumble about my room
|
||||
well enough to get to the two-liter bottle of cola I had sitting on my
|
||||
bookshelf. I picked it up, and started pouring it down my throat. It
|
||||
took me about five gulps to down the whole thing, then I threw it on the
|
||||
floor. Then I just let my legs go from underneath me, and I hit the
|
||||
floor too, right next to the big plastic bottle. I wasn't going to pass
|
||||
out, though. I got the feeling that I was really going to have to piss
|
||||
soon, and that was a shitty thought, because I didn't want to flush the
|
||||
drugs out of my system or anything. I just held it in. I rested there
|
||||
on the floor for about half an hour before I felt what I perceived to be
|
||||
death. I was completely paralyzed on my floor, and I got the feeling
|
||||
that reality was just about ceasing to exist for me. Looking around my
|
||||
room, seeing it from the ground up, I developed quite a distrust for
|
||||
what my eyes were putting in front of me. For example, I had this idea
|
||||
that there was a Picasso on my wall, and it took me about 15 minutes of
|
||||
staring at it to realize that the painting didn't even exist. A strange
|
||||
effect, I thought. I've done a lot of illicit substances before and I've
|
||||
never quite left reality to the degree I did that night.
|
||||
|
||||
So I kept waiting to see the grim reaper, or my grandmother, or
|
||||
something telling me I had finally bit the dust. Of course, it never
|
||||
happened, as you know, I'm not quite dead right now, unfortunately. The
|
||||
fucking Dramamine pills did absolutely nothing for ending my life. All
|
||||
I can see that they did is they gave me this intense experience and
|
||||
probably left me with about eight ulcers. Anyway, I know I said drugs
|
||||
just wouldn't do it for me, but that was sort of a half-lie. 18
|
||||
Dramamine pills made me completely in love with the world. Momentarily.
|
||||
It was a horrible fucking experience, my stomach hurts just thinking
|
||||
about it. Every moment of it I just wanted to die or come back to
|
||||
reality, but I was in that haze for what could easily have been an
|
||||
eternity. But, eons later, I have awakened, and I am enlightened.
|
||||
Totally at peace with myself. And it is for this reason that I am
|
||||
writing this note to you. Now I must be dismissed, I have an
|
||||
engagement with the medicine cabinet.
|
||||
|
||||
Goodbye!
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #430, WRITTEN BY: KREID - 1/13/99 !!
|
71
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|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #431 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Illicit Substances and a !!
|
||||
##:::: ##::. #####::: ########: Carefree Lifestyle" !!
|
||||
..:::::..::::.....::::........:: by -> Quarex 1/15/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
So there I sat, in the midst of a group of mid to late teenagers,
|
||||
all of them drinking vodka and alternately smoking pot and cigarettes.
|
||||
I, naturally, am abstaining, since my purpose in life is the Guy Who
|
||||
Never Does Anything "Bad." In my perpetual abstinence from all things
|
||||
fun, I have noticed a great deal of things. Most of them are just
|
||||
anti-drinking/smoking/etc. dogma. Yes, this is the kind nobody wants to
|
||||
hear, since its only general purpose is to lead into a war of words which
|
||||
escalates into either disinterest or ad hominem attacks. So,
|
||||
naturally, nobody should be subjected to this. However, somewhere along
|
||||
the line, I started actually putting together a legitimate argument
|
||||
against all this kind of crap.
|
||||
|
||||
When one of my friends first told me that he hated the taste of
|
||||
coffee when he first tried it, and yet forced himself to drink it until
|
||||
he was used to the taste anyway, I could only wonder why. Why the fuck
|
||||
would anyone want to do something that he/she hated, only for the
|
||||
purpose of being able to do it without hating it later?
|
||||
|
||||
Then, it occurred to me that this is a pattern seen in almost every
|
||||
aspect of life, be it working your way through school, working your way
|
||||
into a subculture, or just working. People pretty much never like doing
|
||||
anything, if you take a look at everything. I have learned that things
|
||||
which I took for granted as being pure unadulturated hedonism, like sex,
|
||||
drugs, and drinking, are not necessarily any different than coffee.
|
||||
I talked to that same friend who forced himself to like coffee about beer
|
||||
once, and sure enough, he had loathed beer when he first started drinking
|
||||
it, yet eventually convinced himself to enjoy the taste. Similarly, a
|
||||
girl I knew to be a complete sex fiend also explained that she started
|
||||
out disliking sex, yet kept doing it beacuse she felt like she was
|
||||
supposed to do it. Why? Why bother? Is life not enough fucking
|
||||
bullshit already? Do you really need to add more things you do not
|
||||
really want to be doing to your life?
|
||||
|
||||
Of course, just getting used to something in itself also might not
|
||||
be such a bad thing on its own, maybe you feel that through triumphing
|
||||
over adversity, you make yourself a better person. However, how many
|
||||
people do I know who smoke a pack a day who abhorred smoking when they
|
||||
first tried it? Way more than I wish I knew. Going from a position of
|
||||
loathing to a position of addiction is just fucked up. If you do not dig
|
||||
something when you first try it, why not just try something else? I
|
||||
mean, would I be drinking five glasses of milk a day if I had not fuckin'
|
||||
loved that shit since day 1? Hell no! I want my life to be as care-free
|
||||
as I can make it, and adjusting my tastes to get used to something that
|
||||
sucks sure as hell does not fit into my idea of a care-free life.
|
||||
|
||||
Now, before you go pointing out that you personally have always
|
||||
loved drugs, alcohol, sex, or whatever, I realize that this does not
|
||||
apply to everyone. If you have sex once and decide it is the greatest
|
||||
thing ever, hey, that is an excellent thing for you to be doing. If you
|
||||
have sex and feel like your soul has been broken into a thousand pieces
|
||||
as a result, maybe you should try abstaining for a while, or maybe
|
||||
forever. I could use some company aside from celibate religious
|
||||
figures, after all. The same obviously applies to anything.
|
||||
|
||||
And always remember to metaphorically apply the most absolutely
|
||||
true statement ever uttered by an animated character that Jon Lovitz
|
||||
voiced: "If the movie stinks, just don't go!"
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #431, WRITTEN BY: QUAREX - 1/15/99 !!
|
101
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@@ -0,0 +1,101 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #432 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Run From My Car" !!
|
||||
##:::: ##::. #####::: ########: by -> Paganini !!
|
||||
..:::::..::::.....::::........:: 1/15/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
I have a problem. I hit things with my car. This, of course, is
|
||||
usually not on purpose, but lately I have begun to wonder. It started
|
||||
out small, with a squirrel and then a racoon-type creature, and then
|
||||
slowly I graduated into cats and, God forgive me, dogs. Now, after
|
||||
hitting an actual person, I have decided that maybe it is time I work
|
||||
on this issue. Maybe it is time I sought some sort of help or twelve
|
||||
step program. When I first got my license I went for a drive with my
|
||||
grandmother. It was a nice drive, with my nice grandmother, down a
|
||||
nice country road, when all of a sudden this squirrel comes flying
|
||||
down from this tree. He had this determined, evil look in his eye, and
|
||||
for one second he glared at me, and I froze up. I couldn't stop. My
|
||||
foot was on the gas pedal and I was going. I hit the little bastard
|
||||
and my grandmother has yet to forget about it. Every holiday, every
|
||||
time we see her, she look at me, and with angst all over her face (ha!
|
||||
Grandma you got angst on your face again...) She looks at me and says
|
||||
"what are you gonna hit me too?" She's one of those "Don't Hit The
|
||||
Animals With Your Car" people.
|
||||
|
||||
It began there and then it just moved up. I went fishing and on
|
||||
my way home this little racoon scurried directly into the path of my
|
||||
car, knowing that I would not be able to swerve in time, thus hitting
|
||||
him. Months later I hit a cat on my way to school. I barely count this
|
||||
one though, because it seemed to be limping before I hit it. Thus I was
|
||||
not the initial hit. All of these are disturbing, yes, but not as
|
||||
disturbing as the time I hit that dog.
|
||||
|
||||
Yes, I would say the dog was the hit that affected me the most.
|
||||
This was awful. I had just gotten done running at the local bike path
|
||||
(too many geese there- very scary), when I got into my car to leave.
|
||||
Everything was fine. I was doing the speed limit and I was almost home,
|
||||
when, out of nowhere, this dog comes running across the street, and I
|
||||
crash into him. It wasn't as awful as it sounds. It was one of those
|
||||
small, yippy dogs, but I still felt bad. I got out of my car and looked
|
||||
at the dog. I couldn't figure out what to do with it. I wondered if
|
||||
there were laws concerning this sort of thing. I wondered if I should
|
||||
just drag it around to some place else, or if I should actually get
|
||||
into my car and drive over the damn thing.
|
||||
|
||||
To make matters completely worse, I noticed that the dog was
|
||||
still alive. Now, I have to say that I was kind of unmoved initially,
|
||||
but when the dying dog looked up at me, with those golden eyes of
|
||||
blue... tears came to my eyes. This is where the situation took a
|
||||
turn. I heard a door slam, and a man came out of the house across the
|
||||
street and looked at me and said "What the hell?!?" He was a scary man.
|
||||
He was wearing a once-white but now grey t-shirt with the word "SHIT"
|
||||
written on it. I don't remember what his pants looked like, but I do
|
||||
recall him wearing them. A cigarette was tucked behind his ear, and
|
||||
another dangled from his mouth. He looked pissed.
|
||||
|
||||
He came over to me, my car, and the dead dog, and said "What the
|
||||
fuck did you do to my dog." Now, this was not the time for smart-ass
|
||||
remarks. I see that now, but at the time I must not have been
|
||||
thinking. I looked at the dog and pointed to my car and said "I hit
|
||||
it." This is where the situation got weird. There were more door
|
||||
slams, and more scary people. Children began spealing from this house
|
||||
in mass numbers. Children were running towards me, and running to the
|
||||
dog. There were 3, 25, 80 children all surrounding me and the car, and
|
||||
they started to cry. So here I am, five blocks from my house, standing
|
||||
on an uncomfortably barren street, surrounded by 115 children and their
|
||||
supposed father. Perhaps the weirdest aspect of this whole ordeal, was
|
||||
that all the children were calling the dog different names. One called
|
||||
it Sam, and another called it Crunchy. To make matters interesting, I
|
||||
had to go to the bathroom.
|
||||
|
||||
One would think that I learned my lesson from all this, but no,
|
||||
I don't learn. I never learn. Ten months ago I hit a guy in the
|
||||
parking lot of a (dare I say it) mall. He to was swearing at me, but
|
||||
later we got to know each other, and we dated for nine months, until he
|
||||
got another girl pregnant. Now, I just stalk him, but that's off the
|
||||
subject. My point here is that things are always running in front of
|
||||
my car and I am starting to wonder if there is a reason for all this.
|
||||
Perhaps this is fate. Perhaps I was meant to hit these creatures.
|
||||
Maybe they all had rabies, including the ex. Maybe they were all very
|
||||
old and cancerous, excluding the ex.
|
||||
|
||||
Well, ten months have gone by, and I have not consciously hit
|
||||
anything, except another persons car, which I don't really count. I am
|
||||
looking forward to driving. I have never gotten a ticket and I have
|
||||
never kept firearms in my car. However, would like to offer a few words
|
||||
of advice. Stay away from my car. You should just stay away from my
|
||||
car. You see, it is not my fault if I hit you. If my car is moving,
|
||||
and you happen to swing down from some vine, directly in front of the
|
||||
dented hood of my Honda Civic, I will hit you. Of course, you and I
|
||||
both know that I don't want to hit you, but if I hit you, I might end
|
||||
up dating you, or dragging you off the road and hiding you somewhere.
|
||||
We don't want that. So, people, my name is Sara, and I am a bad
|
||||
driver, so stay away from my car. Thank you and God bless America.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #432, WRITTEN BY: PAGANINI - 1/15/99 !!
|
81
textfiles.com/magazines/HOE/hoe-0433.txt
Normal file
81
textfiles.com/magazines/HOE/hoe-0433.txt
Normal file
@@ -0,0 +1,81 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #433 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Le Rocke Hyperstructure" !!
|
||||
##:::: ##::. #####::: ########: by -> Isaac !!
|
||||
..:::::..::::.....::::........:: 1/15/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
I am in a roofless temple or a large public forum. Suddenly we
|
||||
are being bombed from underneath us, I see the ground in the distance
|
||||
explode and shot up in a narrow stream and everyone starts running, so
|
||||
I start running.
|
||||
|
||||
This public place is paved with hard stone or rock ends sharply
|
||||
at a deep green river about two meters wide. The only way across is a
|
||||
bridge made of peach and brown colored stones. Most people seem afraid
|
||||
to cross it. I cross it without hesitation. The other side is tiny
|
||||
square island which is also paved and contains a taller skinny white
|
||||
brick building. A hand full of people are in here standing on a thin
|
||||
side walk surrounding it. I see a girl I know as 'liz'. I embrace her
|
||||
and start to kiss her. I black out or something and I am transported
|
||||
into the future.
|
||||
|
||||
I wake up and every where I look is just walls and doors, like a
|
||||
great inescapable super-building and it is full of people. Liz is gone
|
||||
and I have a desire to finding her. I ask around as I go from room to
|
||||
room. Then I pay one guy some money to let my through a door. It
|
||||
leads to a large public area that seems much brighter and cleaner.
|
||||
|
||||
I then walk up these steps and I come to this first room and
|
||||
there are these really old women at vanities all covered in make-up.
|
||||
They just stared at me as I walked through the room, and I ask them if
|
||||
knew where Liz is and of course they didn't say anything. So then I go
|
||||
into the next room and it also has some women in it but I forgot what
|
||||
they looked liked. Then I open a door that leads to a hall going to my
|
||||
left. The light is really dim. I see like this glass tank with a
|
||||
womens head in it. It is kind of bloody and has tiny tubes and wires
|
||||
running out of the bottom and then it sees me and just starts screaming.
|
||||
I run out of there. When I get to the room with the old women their
|
||||
looks make it hard to leave the room. Then, I go down the steps I went
|
||||
before. I had these writing pens and throw them at this guard person.
|
||||
Two of them stick in his body and one in his head. When the one hits
|
||||
his head he falls over dead. I keep running down the steps and get to
|
||||
the bottom. Someone else gets me and I fall over. I just lay there
|
||||
motionless and they restrain my legs with this metal thing. Then, some
|
||||
old scientist guy comes out and tells them to let me go, and them tosses
|
||||
me this enormous green pale brain in a plastic bag. I take it rub it
|
||||
all over my face and admire it.
|
||||
|
||||
Then get up and again start asking people if they know where Liz
|
||||
is and one small boy says yes.
|
||||
|
||||
"where is she!?", I say.
|
||||
|
||||
He is silent and everyone looks at him like "what are you doing!".
|
||||
Then I feel sorry for him.
|
||||
|
||||
"Nevermind you dont have to tell me. Thank you for speaking up
|
||||
though."
|
||||
|
||||
He walks off with some people.
|
||||
|
||||
Then, a person steps out and becomes my friend or guide and
|
||||
starts to lead me around. He first takes me to this house where this
|
||||
lesbian couple lives, a white skinny women and the other is a very large
|
||||
black women and they have four children, two are white and skinny girls
|
||||
and the other two are older tall and skinny black girls. The couple's
|
||||
faces are very ugly. The tall skinny one is standing up and the fat
|
||||
black one is sitting down on a rock ledge of a very large window.
|
||||
|
||||
I am then taken to a room with words scribbed all over it and
|
||||
this is the "room of god" and there is one shy silent girl who lives
|
||||
there. She is wearing a very old dirty blue dress. I quietly try to
|
||||
say something and she is says "what?", and then I quietly whisper "C'EST
|
||||
LA VIE?" and she becomes wide eyed and covers her mouth in shock.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #433, WRITTEN BY: ISAAC - 1/15/99 !!
|
188
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@@ -0,0 +1,188 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #434 !!
|
||||
#########: ##:::: ##: ######::: ===========================================
|
||||
##.... ##: ##:::: ##: ##...:::: "A Little Too Much About Me" !!
|
||||
##:::: ##:. ##:: ##:: ##::::::: *or* !!
|
||||
##:::: ##::. #####::: ########: "A Standard Fucked Up Irc.girl" !!
|
||||
..:::::..::::.....::::........:: by -> Meenk 1/15/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
ten minutes to 6am, the day after christmas. i sit on irc, for
|
||||
lack of human interaction elsewhere. as pathetic as it is, the lack is
|
||||
not because of the hour, though i am an insomniac, but because of my
|
||||
disappointment with almost everyone i know. this has also carried onto
|
||||
irc. i am at that point in the irc cycle where i have dismissed most of
|
||||
the people i talk to as insincere and unimportant. as irc people should
|
||||
be, or so i am told. there are a few who really do matter to me though.
|
||||
i guess i am one of the worst irc people. i acknowledge the value of
|
||||
people i have never met. being the antisocial creature i have chosen
|
||||
to be, my standards don't include real world interaction.
|
||||
|
||||
the holiday, and familial interaction that it imposed (though
|
||||
all through fiber optics) has caused me to take a look at myself as i
|
||||
was, and as i am. i am a very sentimental person, and when i have times
|
||||
of reflection i delve deep into my soul. i realize how lonely i am and
|
||||
how much i keep from myself and everyone around me. the purpose of this
|
||||
file is to exorcise my demons, and lay myself bare for all to see. this
|
||||
is your warning, if you don't want to know, stop reading now. for the
|
||||
few that remain, maybe, here I am.
|
||||
|
||||
so tonight was one of those rare nights when I found myself
|
||||
reaching out to strangers. I had a long conversation with my best friend
|
||||
whom I have just left, in an unfamiliar city, a victim of his willpower,
|
||||
or lack thereof. i told him, for the thousandth time, how much i care,
|
||||
and to take care of himself, since I could not. i have an extreme
|
||||
maternal instinct. i need to care for those i care about, and it has
|
||||
just gotten worse over the years. i brought up to him, the loss of my
|
||||
friend nova, the one person i would have died for. a similar thing
|
||||
happened. i left town, chasing after dreams, she went on with life.
|
||||
ended up dying of a heroin overdose. i can't go through it again, so i
|
||||
pleaded with him to take care. if only i could be there. if only i could
|
||||
have been there. i made vague future plans with him, maybe on the
|
||||
superstition that i won't lose him if we have such an appointment.
|
||||
|
||||
he proceeded to go to bed and i realized that he and i were not
|
||||
the only people in the channel. there was one more, who out of
|
||||
courtesy, indifference, or embarassment, stayed silent as i allowed
|
||||
myself to succumb to fear. i made a truce with fear long ago, and
|
||||
rarely did it ever take hold of me, anymore. though the third party
|
||||
remained silent i remembered how important vulnerability can be.
|
||||
honesty, innocence. not expected from anyone over eight years old, yet
|
||||
so important. this person had seen a side of me few ever do. i began to
|
||||
look for someone to whom i could talk to, without feeling threatened,
|
||||
in my sensitive state. but why hide it? because i am an irc.girl and
|
||||
irc.girls are supposed to be tough? because this mass of strangers will
|
||||
grab onto what they can and tear you apart? i get picked on every
|
||||
single day, without refrain, for being a slut, for being dependant, for
|
||||
being weak.
|
||||
|
||||
what is left for me to hide? i am already regarded amongst those
|
||||
who see me that way as the lowest of the low. besides, no one can hurt
|
||||
me as much as I can, and do, hurt myself. i will not deny being less
|
||||
than sane, i will not deny that i have been around, and i will not deny
|
||||
that i cry. even now, my face is stained with tears. tears of regret.
|
||||
tears for those i have let down, tears for those whom i have had to
|
||||
abandon, tears for those whom i will hurt in the future.
|
||||
|
||||
i was once told that i am transparent to everyone but myself.
|
||||
maybe this is true. maybe you all are already aware of my struggles with
|
||||
my emotions and i deluded myself into thinking i kept them private. i
|
||||
feel i have come a long way though, and there is no one who has been in
|
||||
my life long enough to see the progress, except me. i recall a time when
|
||||
all emotions i had, happiness, sadness, anger, excitement, were intense.
|
||||
so intense i could not handle them.
|
||||
|
||||
the positive emotions were easy to use constructively. i was an
|
||||
overachiever, tried my hardest at everything. brought home straight As
|
||||
for years, tested at 99-100 percentile academically, won presidential
|
||||
awards numerous times. i was in the most advanced classes the district
|
||||
would allow me to take, going to my special classes, on the short bus,
|
||||
where we would take things apart, invent things, be observed while
|
||||
doing puzzles. i was also cutting myself, punching holes in doors (the
|
||||
foam core ones.. i was 8..), and having blackouts. my mother tried to
|
||||
have me committed when i was 10, they wouldn't take me. i went to live
|
||||
with my father instead.
|
||||
|
||||
my stepmother was elated that she had a little girl to do stuff
|
||||
with. i was a girlscout, did crafts with her for the christmas sale at
|
||||
school, even went out to dinner with her the day I got my first period.
|
||||
my dad was doing well, had a successful career, and regularly took me
|
||||
to all the cool places in the bay area. my little sister was like my
|
||||
little doll. i continued to excel in school, winning spelling bees,
|
||||
math and history competitions, as well as filling up the little bar
|
||||
graphs on the state comprehensive tests. up to par. i hadn't had any
|
||||
sort of episode the entire time. then, my stepmother decided to
|
||||
separate from my dad. i was about to go into 7th grade.
|
||||
|
||||
she moved to oregon, i opted to remain with my father. i rarely
|
||||
saw my dad after she left. he worked, i went out (11:00 curfew), he was
|
||||
asleep when I came home, gone when I woke up. we both liked this just
|
||||
fine, for a while. i had drawn the attention of a guy at school, one of
|
||||
the harder gangsters. i heard rumours about him 'claiming' me. one
|
||||
night he got me. after that, at school, people looked at me
|
||||
differently. i would walk to class while people talked, sometimes
|
||||
behind their hands, sometimes for all to hear, about the girl that gave
|
||||
it up to adrian. i went home and dragged an X-acto<tm> knife across my
|
||||
wrist. stupid move. not only did i do it the wrong direction, but i
|
||||
couldn't cut deep enough to do more than make a big ugly scab. i was 12.
|
||||
|
||||
i gave up on the knife and gathered every pill in the house. i
|
||||
swallowed them with a Quik Stop cup full of water, then laid down to
|
||||
await my fate. after a while i felt like i had been chewing on foil,
|
||||
and my stomach was cramping. i puked up white grit then passed out.
|
||||
the next day i awoke to the phone. school wanted to know why i wasnt
|
||||
there. i said i was sick. i sounded plenty sick. the edges of my vision
|
||||
was decorated with what seemed to be black lace, and i felt like my
|
||||
ears were full of water. i freaked out and called a suicide line to
|
||||
see if i had eaten enough pills to die. i hadn't. i panicked and tried
|
||||
to strangle myself with a phone line. it hurt, and i passed out, though
|
||||
not from lack of oxygen. i stayed home for a week, and my hearing was
|
||||
still fuzzy for a while after i went back to school. only one person
|
||||
noticed the scab. she didn't say anything.
|
||||
|
||||
within two months my dad realized something was not right with
|
||||
me, and while listening in on my phonecalls learned that i had slept
|
||||
with a guy in my neighbourhood. he put me in the car and 9 hours later
|
||||
i was under lockdown (by my parents) at my stepmother's. i tried to
|
||||
tell them what happened and was called various names, same names i
|
||||
hear from people i don't know today. i discovered drugs. heroin. the
|
||||
soothing smoke. i ratted out my dad for fucking some chick, out of
|
||||
spite. the entire household became chaos. my stepmother moved us into
|
||||
a house her boyfriend (nice politics, eh?) had bought her. she ditched
|
||||
him, brought my dad into the house, fucked the ex on the side, and
|
||||
tormented me for the trouble. my dad was threatening suicide. one
|
||||
morning, before school, i got all of my sister's sleeping pills,
|
||||
swallowed them dry, and slept.
|
||||
|
||||
i woke up because i hit the floor. i had very little muscle
|
||||
control and managed to get out to the hallway and fall down the stairs.
|
||||
my stepmother was home and yelled at me, asking why i was home. i
|
||||
couldn't speak. i studdered, forgot what i was saying as i tried to say
|
||||
it, and convulsed. she freaked out and demanded that i tell her what
|
||||
was wrong. i produced dozens of empty pill blisters and she helped me
|
||||
to the car. i faded in and out on the way to the hospital. liquid
|
||||
charcoal, tubes, and six hundred dollars later, i was ready to go home.
|
||||
the hospital was used to it and didn't have time for psych evaluations.
|
||||
my older sister worked the pity party for as long as she could, but
|
||||
when people saw i didn't care, they didn't either. other shit happened,
|
||||
and i left home. i was 14.
|
||||
|
||||
i moved in with a boy, young and stupid like me, with a house of
|
||||
his own. we played Donna Reed for a while, but he soon felt the wrath
|
||||
of my temper, and my fists. thank god he never hit me. i stayed with
|
||||
him for a couple years, hating and adoring him all at the same time.
|
||||
we got in a car accident and i had to go home to my dad and stepmother.
|
||||
nothing changed, except i was on crutches. i left again 3 months later.
|
||||
on the street for a month and a half, then back to the ex for another
|
||||
year. i left him for someone else. now, he and i would have had 2
|
||||
children.
|
||||
|
||||
my new love and i went to see my mother for the first time in six
|
||||
or seven years. he was a recovering heroin addict. he never touched it
|
||||
while we were together, but when he left my mothers to go to his family
|
||||
he started again. i couldn't deal with the fighting and i stopped
|
||||
speaking to him. he was the last person i hit. i couldn't handle the
|
||||
violence anymore. i became incredibly subservient and tried my hand at
|
||||
other failed relationships (big surprise), and failed attempts to find
|
||||
something to hold on to.
|
||||
|
||||
now, i remain in what i like to call 'constructive apathy'. i may
|
||||
seem like an uncaring, unfeeling bitch, but at least I am not hitting
|
||||
anyone. i am still trying to put my life together and make friends that
|
||||
I can count on to be there, not judge, be honest, and hopefully, not
|
||||
die on me. i once again have the will to live, and the desire to do
|
||||
more than merely exist.
|
||||
|
||||
"i sentence you to be exposed before your peers..."
|
||||
|
||||
I am human, I make (a lot of) mistakes, and sometimes I get
|
||||
overwhelmed. I didn't write this to be picked apart, though I expect it.
|
||||
I didn't write it for pity, I wrote it to possibly be understood. or not.
|
||||
none of you matter to me unless I want you to, anyway. I wrote this on
|
||||
my terms, because I wanted to. if you have a problem with it, tell
|
||||
someone who cares.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #434, WRITTEN BY: MEENK - 1/15/99 !!
|
57
textfiles.com/magazines/HOE/hoe-0435.txt
Normal file
57
textfiles.com/magazines/HOE/hoe-0435.txt
Normal file
@@ -0,0 +1,57 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #435 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "The Insistence of Meaning" !!
|
||||
##:::: ##::. #####::: ########: by -> Neko !!
|
||||
..:::::..::::.....::::........:: 1/15/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
...And it hit too close to home. I refused to ignore it anymore
|
||||
even though it was obviously expected of me.
|
||||
|
||||
"No."
|
||||
|
||||
...And I can't anymore. Can't be right, can't be wrong, can't do
|
||||
good, can't do bad. Can't think. Can't feel. Can't know.
|
||||
|
||||
"No."
|
||||
|
||||
...And I don't anymore. I don't feel. Completely numb. My
|
||||
stomach churns rapidly at the thought. But nothing comes of it. I
|
||||
wonder if anything ever did.
|
||||
|
||||
"No."
|
||||
|
||||
...And I still wonder. There is a future. It's not vmeste,
|
||||
obviously, but if not s nei, s kem?
|
||||
|
||||
"No."
|
||||
|
||||
...And I guess time will go on. And I will lick my wounds and
|
||||
return to the battleground that is life. But I don't want to. Not this
|
||||
early.
|
||||
|
||||
"No."
|
||||
|
||||
...And I am supposed to be friends. But it's quite a change. I
|
||||
was a friend to begin with. But it progressed. Now I suppose it has
|
||||
regressed, although I don't quite feel it. Deal with it.
|
||||
|
||||
"No."
|
||||
|
||||
...And I wonder how. How. HOW?
|
||||
|
||||
"No."
|
||||
|
||||
...And maybe there is a yes out there for me. Just maybe.
|
||||
|
||||
"No."
|
||||
|
||||
...And sometimes the things you have don't make you happy. But
|
||||
do the things you don't have make you happier?
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #435, WRITTEN BY: NEKO - 1/15/99 !!
|
62
textfiles.com/magazines/HOE/hoe-0436.txt
Normal file
62
textfiles.com/magazines/HOE/hoe-0436.txt
Normal file
@@ -0,0 +1,62 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #436 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Only in Quebec" !!
|
||||
##:::: ##::. #####::: ########: by -> Anjee !!
|
||||
..:::::..::::.....::::........:: 1/15/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
You all probably know how retarded French Canadians are, and the
|
||||
purpose of this t-file is to prove you all right. Not only do they
|
||||
have the IQ of your average house fly [(c)Satan], but myself and a few
|
||||
other humans have witnessed their idiocy. Here's what we found:
|
||||
|
||||
Jesus on pipes:
|
||||
===============
|
||||
|
||||
While wandering in malls located in the outskirts of Montreal
|
||||
around Christmas time, Jesus was spotted sitting on a chair
|
||||
playing the pipes while a 800 pound white dog rested peacefully
|
||||
a few inches from the claimed Jesus' feet.
|
||||
|
||||
|
||||
Sunflower people:
|
||||
=================
|
||||
|
||||
Walking at the Old Port in Montreal on hot days can normally
|
||||
lead to craving cold substances, such as ice cream. As myself
|
||||
and 4 other people were headed towards an ice cream store, we
|
||||
were suprised to see approximately 5 to 6 fully grown men and
|
||||
women dressed up as sunflowers. This caused a friend to order
|
||||
cheesecake on his ice cream cone. Exposure to such craziness
|
||||
is fatal!
|
||||
|
||||
AnonGirl:
|
||||
=========
|
||||
|
||||
On weekends, if you find yourself to be near any bar, you may
|
||||
have the opportunity to view this exibit for yourself. Anon,
|
||||
dizzy and discoordinated from the excessive consumption of
|
||||
alcoholic beverages, has often been seen attempting to direct
|
||||
herself to her home, to get on IRC to expose her drunken self,
|
||||
then promptly heading to bed. But she's not french, she's just
|
||||
nutty.
|
||||
|
||||
French Rappers:
|
||||
===============
|
||||
|
||||
Displeased with their rejection from the rest of the country,
|
||||
and the USA, these wannabe's try to blend in with the rest of
|
||||
the world by using music. However, these rappers are not black,
|
||||
are French, and can't rap. They're really stupid too.
|
||||
|
||||
That's pretty much all I can remember, I think the stupidity
|
||||
runs in the water. So if you are planning to make a trip to Quebec,
|
||||
please arm yourself and be ready for anything. And I mean anything.
|
||||
Unfortunately, I must live with this every day. Pity me.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #436, WRITTEN BY: ANJEE - 1/15/99 !!
|
75
textfiles.com/magazines/HOE/hoe-0437.txt
Normal file
75
textfiles.com/magazines/HOE/hoe-0437.txt
Normal file
@@ -0,0 +1,75 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #437 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Boogiemen Are Scary" !!
|
||||
##:::: ##::. #####::: ########: by -> Aster !!
|
||||
..:::::..::::.....::::........:: 1/15/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
this is about boogiemen. they live in voids and wind and dark.
|
||||
there are many different kinds that do many different scary things.
|
||||
|
||||
there is the standard, run-of-the-mill kind that comes on dark
|
||||
and windy nights to little kids windows. these ones have no name but
|
||||
they are the most commonly known.
|
||||
|
||||
the soul-eating kind
|
||||
====================
|
||||
|
||||
these are the most most dangerous, but don't worry, they are very
|
||||
rare. since the great oblig defeated most of them in a battle many
|
||||
thousands of years ago since then they only come out on the very very
|
||||
very worst nights and only prey on the certain people that they chose
|
||||
their henchmen and spys are the invisible harmless kinds.
|
||||
|
||||
the furry kind
|
||||
==============
|
||||
|
||||
the furry kind is espeacialy evil because it has all the cute
|
||||
little furry animals as it's friends and helpers. so beware of bunnys,
|
||||
kittens, puppies... big feirce bears are much better to become friends
|
||||
with of dinaosoursa or something of that not-furry-cuddly sort.
|
||||
|
||||
the kart-wheel kind
|
||||
===================
|
||||
|
||||
you can eat these ones. they are yummie. they taste good in
|
||||
crab cakes or grillled chesse sandwhiches, but becareful that you only
|
||||
use a special trap when you kill them because otherwise they will swallow
|
||||
you whole and yucky poo.
|
||||
|
||||
the blue kind (with orange eyes)
|
||||
=================================
|
||||
|
||||
they're bad cause blue is yucky. they are pretty harmless...
|
||||
they cannot see you unless you are wearing orange.
|
||||
|
||||
the invisible harmless kind (the only harmless ones)
|
||||
====================================================
|
||||
|
||||
they are spys for the yucky bad kind that eat your soul. beware
|
||||
they cannot hurt you but can tell the bad ones where you are.
|
||||
|
||||
the ping-pong-ball kind
|
||||
=======================
|
||||
|
||||
these ones are very veyr veyr rare you can only find them in
|
||||
three places: thailand, LITTLE TINY BOXES VERY VEYR TINY AND the
|
||||
packages for certain ed gorey books but they can poke your eyes and ears
|
||||
and mouths and kill you.
|
||||
|
||||
the hijkljfiuwefns kind
|
||||
========================
|
||||
|
||||
not much is known about these.
|
||||
|
||||
they came from the moon but like to live here better. it is
|
||||
paradise for them here. they like to eat apple pie and apple juice and
|
||||
apple crisp and anythign apples. they also like beet juice. they like
|
||||
to poisen orange juice that people drink.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #437, WRITTEN BY: ASTER - 1/15/99 !!
|
108
textfiles.com/magazines/HOE/hoe-0438.txt
Normal file
108
textfiles.com/magazines/HOE/hoe-0438.txt
Normal file
@@ -0,0 +1,108 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #438 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Alcohol Discoveries On Electrifying" !!
|
||||
##:::: ##::. #####::: ########: by -> M4D 3LF !!
|
||||
..:::::..::::.....::::........:: 1/15/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
I went drinking with my mom and my mom's boyfriend on Christmas
|
||||
Eve. Don't ask my why, I knew they were going to do their best to get
|
||||
me drunk. I started off with a Mountain Dew, I was trying to play it
|
||||
cool, but I had good reason to get fucked up so I moved on to Zima (no
|
||||
Hooch, damn).
|
||||
|
||||
After I had three Zimas they brought out the 100 proof fire water,
|
||||
I was feeling pretty tipsy (yeah, I'm way a lightweight) but I still had
|
||||
the brains to say "No way". After a bloody mary and two beers? Well,
|
||||
let's just say that I lost my instinct of self-preservation. I downed
|
||||
a double shot of the fiery concoction and slammed the glass on the bar.
|
||||
My throat burned and coughed out a slurred, "Did they go they go over to
|
||||
the gas station to fill my glass?" Ha ha. Two more beers, one more
|
||||
double shot, I was dancing with death. Mom was driving back to her
|
||||
boyfriend's house; her boyfriend hanging out the passenger door, me
|
||||
hanging out the sliding door, puking our guts, and anything else we
|
||||
had, out.
|
||||
|
||||
I woke up on the bathroom floor, dazed, with the most awful taste
|
||||
in my mouth. To paraphrase Stephen King's "The Stand", I felt as if a
|
||||
baby dragon had been using my mouth as a training potty. Christmas was
|
||||
uneventful, but I was glad not to have a hangover, only an uneasy nausea
|
||||
anytime anyone mentioned shots or fire water.
|
||||
|
||||
Later on that week, I was reading Anjee's t-file, "Electrifying
|
||||
Discoveries On Alcohol", (HOE #389) it reminded me of my recent
|
||||
experience with alcohol and my experiences with electricity. Being a
|
||||
lover of all things electronic, I've been electrocuted a good many times.
|
||||
None sticks out in my mind as the time I was replacing the turntable on
|
||||
my Admiral console stereo. It wasn't a problem to remove the back panel
|
||||
and I was soon rewarded with the beautiful sight of cris-crossing red,
|
||||
blue, and orange. I quickly located the screws holding the turntable's
|
||||
suspension to the main unit and removed them, Charity, my wife, watching
|
||||
disapprovingly. I then turned the turntable over and examined the
|
||||
underside in better light, tracing the audio wires from the amplifier.
|
||||
Tugging lightly where they met the unit, I found they were connected with
|
||||
standard RCA type plugs, but the power wires were soldered to the unit
|
||||
and had to be cut. Leaning over the top of the console, I was hanging,
|
||||
upside down, stripping the wires with my teeth (boy I need a wire
|
||||
stripper) when my forehead came in contact with the other wire,
|
||||
completing the circuit.
|
||||
|
||||
/|
|
||||
/ |
|
||||
/ |
|
||||
/ |
|
||||
/ |
|
||||
/ |
|
||||
/ /
|
||||
/ /
|
||||
/ /
|
||||
/ /___________
|
||||
/ /
|
||||
ZZZZZZZZZZ AAAA PPPPPPPPPP
|
||||
ZZZZZZZZZZ AAAAAA PPPPPPPPPPP
|
||||
ZZZ AAA AAA PPP PPP
|
||||
ZZZ AAA AAA PPP PPP
|
||||
ZZZ AAA AAA PPPPPPPPPPP
|
||||
ZZZ AAAAAAAAAA PPPPPPPPPP
|
||||
ZZZ AAAAAAAAAA PPP
|
||||
ZZZ AAA AAA PPP
|
||||
ZZZZZZZZZ AAA AAA PPP
|
||||
ZZZZZZZZZ AAA AAA PPP
|
||||
/__________ /
|
||||
/ /
|
||||
/ /
|
||||
/ /
|
||||
/ /
|
||||
| /
|
||||
| /
|
||||
| /
|
||||
| /
|
||||
|/
|
||||
|
||||
|
||||
I fell to the floor in a crumpled mass, paralyzed, my wife
|
||||
standing over me saying "Steven, Steven!", shaking me. When I regained
|
||||
control of my motor skills the only thing I could do was laugh at
|
||||
myself, of course Charity thought I was joking and proceeded to yell at
|
||||
me for scaring her. I got up slowly, shook my head to clear the cobwebs,
|
||||
and fell back down. I tried to console Charity, but my tongue wasn't
|
||||
working with my mouth, the dynamic duo just couldn't get it right this
|
||||
time. She was now convinced that I had fried my brain, but I rose to my
|
||||
feet again, unplugged the stereo, and finished what I was doing.
|
||||
|
||||
So, what are my thoughts on shots of 50% alcohol vs. sticking
|
||||
your tongue in a electrical socket? I'd choose to stick my tongue in a
|
||||
socket again. Although the effects of electrical shock are pretty
|
||||
short-term, you don't get the hangover and nausea you get with alcohol.
|
||||
Plus electrocution is relatively easy to obtain; a shot of 100 proof
|
||||
alcohol could run you in excess of $3, more if you're under age, while
|
||||
there's sure to be an open electrical socket where ever you are. The
|
||||
best reason of all, however, is the fact that you can scare the living
|
||||
bejesus out of your friends, relatives, or significant other.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #438, WRITTEN BY: M4D 3LF - 1/15/99 !!
|
62
textfiles.com/magazines/HOE/hoe-0439.txt
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62
textfiles.com/magazines/HOE/hoe-0439.txt
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@@ -0,0 +1,62 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #439 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Confetti On Your Head" !!
|
||||
##:::: ##::. #####::: ########: by -> Mogel !!
|
||||
..:::::..::::.....::::........:: 1/15/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
Greeting people with the traditional "what's up?" or how "how are
|
||||
you?" has become increasingly more of a default, it seems. This might
|
||||
sound stupid, but why bother asking if you don't care? I realize this
|
||||
could be one of those polite phrases that doesn't *have* to require an
|
||||
answer... but for some reason asking a non-rhetorical question and not
|
||||
expecting an answer seems silly. The worst part, though, are the
|
||||
answers that people do give. It's almost always the same.
|
||||
|
||||
"What's up?"
|
||||
"Not much."
|
||||
|
||||
"What's new?"
|
||||
"Not much."
|
||||
|
||||
"How're you?"
|
||||
"Fine." (or, alternatively "Good" or "Okay".)
|
||||
|
||||
The other day, when walking with my sister, she spotted one of
|
||||
her friends. They both said "What's up?" at the same exact time, and
|
||||
neither of them even answered the question. Am I the only person on
|
||||
the face of the planet that finds this odd?
|
||||
|
||||
It's even gotten to the point where if people actually answer
|
||||
the question with anything other than the above phrases, they are
|
||||
considered weird. For a while I would tell people honestly how I was
|
||||
doing or what was going on if they asked. You'd be surprised how many
|
||||
people were shocked that I actually answered.
|
||||
|
||||
This wouldn't bother me if I didn't have to deal with with every
|
||||
other person I run into on a daily basis. Once, as an experiment, I
|
||||
tried this on my friend:
|
||||
|
||||
Mogel: "What's up?"
|
||||
Friend: "Not much."
|
||||
Mogel: "No, really. What's up?"
|
||||
Friend: "Not much!"
|
||||
Mogel: "C'mon, there has to be something!"
|
||||
Friend: "NO, NOTHING IS UP."
|
||||
|
||||
Rather than the oh-my-god-that's-witty literal humor response of
|
||||
"the sky!" (or "the ceiling!"), I decided that a more effective way to
|
||||
deal with the problem is that when people ask "What's up?" I will
|
||||
respond by screaming "PARTY!", and throwing a handful of confetti over
|
||||
their head.
|
||||
|
||||
They will be surprised and excited by the fact that something
|
||||
truly is going on... a party! That's right, throw a little spice into
|
||||
a common, empty question. It's a party!
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #439, WRITTEN BY: MOGEL - 1/15/99 !!
|
82
textfiles.com/magazines/HOE/hoe-0440.txt
Normal file
82
textfiles.com/magazines/HOE/hoe-0440.txt
Normal file
@@ -0,0 +1,82 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #440 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Ignorant Guardian" !!
|
||||
##:::: ##::. #####::: ########: by -> Trilobyte !!
|
||||
..:::::..::::.....::::........:: 1/15/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
i have completely unknowingly managed to alienate everyone.
|
||||
me, being the pathetic thing that i am, and me, being a granite figure
|
||||
guarding the entrance to the place of all that is good. before, there
|
||||
was some chance of someone entering and finding what is good.
|
||||
unfortunately, now, that is not the case. i don't know why, but
|
||||
everyone's too scared to come anywhere near me, so i stand near the
|
||||
gate, lonely.
|
||||
|
||||
while standing there, i look at the ground or at the gate. i
|
||||
used to survey the good things inside. that was back when people still
|
||||
weren't too afraid to enter. but now that nobody ever seems to pass by
|
||||
me, or come near me, i find it too depressing to look in there because i
|
||||
know that nobody will ever see what's inside.
|
||||
|
||||
i don't know if anybody is still in there. it seems like it's
|
||||
been so long since anybody has gone in... maybe everyone who went in
|
||||
became so old that they died. i can't get that old, i'm made out of
|
||||
stone. kinda depressing, if you think about it. but don't think about
|
||||
it too long, because you might realize that i'm really not all that bad
|
||||
of a guy and you've been avoiding me for this long for no reason.
|
||||
|
||||
you see, that is everyone's problem. they can't think about
|
||||
things for long enough anymore. they think about something and then it
|
||||
disappears from their head before they can figure it out.
|
||||
|
||||
that's just one of the problems with people today.
|
||||
|
||||
people just don't know anything. they may think of me and fill
|
||||
up with hatred. but they don't know why! they don't bother to wonder
|
||||
why they hate me. i am just made of stone. but people hate me all the
|
||||
same. that's completely irrational. that's pure ignorance right there.
|
||||
|
||||
well, what the hell. i'm going to go inside the place.
|
||||
|
||||
ok, there's nobody around. there are trees, video games, books,
|
||||
old cars. oh wait... there's a lady. i'll walk over to her.
|
||||
|
||||
she's running away from me through the tall grass.
|
||||
|
||||
i'm yelling at her to come back. no, she's still running away.
|
||||
|
||||
oh, haha, she tripped on a stereo. ok, now i've caught up with
|
||||
her. i ask her how she's doing. she just looks at me. what? my arm
|
||||
just moved. my arm fell down quickly. fell down right quick. oh,
|
||||
there's a sword in my hand. my sword cut through her body. whoops.
|
||||
ehem. i will return to my post by the gate.
|
||||
|
||||
wow. that was not so good. there are some nearby people
|
||||
looking at me. when they my gaze meets theirs, they turn and run away
|
||||
from me. why? why do these people constantly fear me? what have i
|
||||
done? i don't understand. there are still some people looking at me.
|
||||
my left arm lifts up and its gun aims at them and shoots, knocks down a
|
||||
couple of them with a few shots.
|
||||
|
||||
maybe i should return to guarding the gate to the place with lots
|
||||
of good stuff. i just remembered how much i like it in there. there
|
||||
are good books, and old cars and things. everything that's good in this
|
||||
world. why don't more people come to visit? why are people so scared
|
||||
of me?
|
||||
|
||||
i look at my feet. it's beginning to rain. i like the rain. it
|
||||
helps plants to grow. the cement sidewalk i'm standing on becomes a
|
||||
dark gray color. nobody's anywhere. people are so ignorant. they
|
||||
don't understand. they just don't know what they're doing. they're
|
||||
missing out on someplace great, just because they're scared of me for
|
||||
some stupid reason.
|
||||
|
||||
is it because i'm made of stone?
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #440, WRITTEN BY TRILOBYTE - 1/15/99 !!
|
45
textfiles.com/magazines/HOE/hoe-0441.txt
Normal file
45
textfiles.com/magazines/HOE/hoe-0441.txt
Normal file
@@ -0,0 +1,45 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #441 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "K-R4D vs. Emoticons :)" !!
|
||||
##:::: ##::. #####::: ########: by -> Phairgirl & M4D 3LF !!
|
||||
..:::::..::::.....::::........:: 1/18/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
|<-R4D: 1 b d4 3l1te h4x0r cr4x0r ph3x0r s3x0r3st mutha phuka
|
||||
d0nt m4k3 m3 hax0r y0 punk a55 5ki11it
|
||||
|
||||
Emoticons: :(
|
||||
|
||||
|<-R4D: y0 m4n d0nt fux0r wit m3 1 g0t d4 m4d skillz
|
||||
1 b g3ttn r00t on y0 a55 d3n it b rm/ rf
|
||||
ph34r m3 1 sex0rd y0 mama wit my TRS-80
|
||||
|
||||
Emoticons: >:(
|
||||
|
||||
|<-R4D: fj00 1 t0l y0 n0t 2 fux0r wit m3 1 b pullin my elite expli0t5
|
||||
i b DoSn y0 punk a55
|
||||
i bl0w y0 bitch a55d win95 sh1t to d4 fl00
|
||||
|
||||
Emoticons:
|
||||
** <
|
||||
\\ OO w
|
||||
\\ *OXXO* w
|
||||
\\ OO w
|
||||
\\ O W=====\
|
||||
>> --oO X |
|
||||
// O M=====/
|
||||
// OO m
|
||||
// *OXXO* m
|
||||
// OO m
|
||||
** <
|
||||
|
||||
|<-R4D: m0mm33!
|
||||
|
||||
Emoticons: :)
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! #441, BY PHAIRGIRL & M4D 3LF - 1/18/99 !!
|
136
textfiles.com/magazines/HOE/hoe-0442.txt
Normal file
136
textfiles.com/magazines/HOE/hoe-0442.txt
Normal file
@@ -0,0 +1,136 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #442 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "News Flash: Women Are Not Helpless" !!
|
||||
##:::: ##::. #####::: ########: by -> Nitro-187 !!
|
||||
..:::::..::::.....::::........:: 1/18/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
A few weeks ago I was having a conversation with a friend of mine
|
||||
whose opinions I usually hold with a lot of regard. I was completely
|
||||
aghast when he started talking about how strip clubs were degrading to
|
||||
women and ought to be shut down. Then I started thinking about how just
|
||||
about everyone I know who has a somewhat liberal frame of thinking
|
||||
agrees with just that. There are even bands in the hardcore community
|
||||
that seem to convey the message that women in pornography and such
|
||||
things are complete victims being abused by a patriarchal society. I
|
||||
think that this idea is extremely flawed and dangerous. It just
|
||||
reinforces the idea that women are helpless.
|
||||
|
||||
By buying into that line of thinking, you are completely ignoring
|
||||
a woman's right to express and make a living in any way she sees fit.
|
||||
You wouldn't want a blind person to drive frieght trucks, but you would
|
||||
want someone who had a clear head and was free from any kind of
|
||||
emotional problems to operate on you. Women who are physically
|
||||
attractive or considered to be appealing in a sexual way who want to
|
||||
strip or prostitute themselves are no different. Job skills. The
|
||||
arguement is that men who see women stripping and patron prostitutes
|
||||
are only viewing them in a sexual manner is completely pointless. I
|
||||
seriously doubt that people who say that are interested in the
|
||||
personality or the life history of the person who is waiting your table
|
||||
or pumping your gas. They are there to serve you and nothing else.
|
||||
|
||||
The anachronistic notion that a woman has to maintain her
|
||||
virginity and remain "clean" dates back to a time when women were
|
||||
considered as nothing but property. No matter what, their ideas and
|
||||
intellect were completely ignored and they had no material possesions to
|
||||
give to a man. She only had her virginity. While there still is a lot
|
||||
of sexism and inequality going on, women are treated better here and now
|
||||
than they have been in any Judaic or Islamic society. So the idea that
|
||||
a women has only her sex to give is obsolete.
|
||||
|
||||
The idea that sexuality is inherently wrong is the single largest
|
||||
opressor of women. The first recorded civilization, the Sumerians, not
|
||||
only gave women complete sexual freedom as did men, but worshipped them
|
||||
as goddesses. Women were the givers of life. They were allowed to
|
||||
transact in the market place and own property just as men did. In fact
|
||||
it was because of this that civilizations first alphabet and scriptures
|
||||
were devised by a group of women who were more or less the government of
|
||||
the province called the Naditu. Sex was not understood to impregnate
|
||||
women, it was not considered to defile either the male or female. It
|
||||
was just another recreational activity. It was not until the isrealite
|
||||
cult of judaism gained power and destroyed the greatest city in the
|
||||
world at the time, Babylon, that their ideals of shame were inflicted on
|
||||
the masses. The male dominated tribe's main scriptures dealing with
|
||||
creation ended with a woman tempting a man into comitting sin and
|
||||
displeasing the male god. Her punishment was the pain of child birth.
|
||||
|
||||
Doh.
|
||||
|
||||
Throughout their scriptures women are a great temptation and
|
||||
should be avoided. Since women tend to be less physically strong than
|
||||
men they were quickly subdued and made into property that meant little
|
||||
more to men than cows or chickens. Since the sexual urge is the
|
||||
strongest natural biological reflex, they knew that if sexuality could
|
||||
be controlled than you can control every facet of someone's life. So
|
||||
extensive sexual laws were put into place. Their blood was upon them,
|
||||
you know the speil.
|
||||
|
||||
Today if you will look at modern nations. The contrast that
|
||||
existed between Sumerian-Babylonian (their cultures were very similar,
|
||||
they both worshipped the same goddess, "Ishtar") and the Isreali
|
||||
cultures is still in place. Denmark, where anyone regardless of age
|
||||
can purchase a Hustler Magazine and get into a strip club has strict
|
||||
laws to prevent discrimination of women. The rates of domestic
|
||||
violence, rape and other such crimes is among the lowest in the
|
||||
industrialized world. Fundamentalist cultures such as that of Libya and
|
||||
Lebanon have no pornography at all. They also are the most opressive
|
||||
nations in the world to women, I'm sure you know that in these countries
|
||||
women are not allowed to own anything, to drive a car or even in most
|
||||
cases to show their faces to a man the is not their husband. A similar
|
||||
situation exists in Singapore, where the neo-fascist People's Action
|
||||
Party (who reminds me a great deal of the _Orwellian_ Party) places all
|
||||
kinds of restrictions on literature and media to produce a "clean"
|
||||
image. Penthouse is banned and so is Red Book. Nudity on any image
|
||||
that is not that of a classical form of art such as Michaelangelo's
|
||||
_David_ is generally banned. Singapore has a huge problem with rape
|
||||
and other crimes against women.
|
||||
|
||||
Any research you do on the correlation between pornography and
|
||||
violence will always point you in one direction: PORN DOES NOT ENCOURAGE
|
||||
VIOLENCE. If anything it quells the desire to commit various sexual
|
||||
acts that are not acceptable by most people such as pedophilia,
|
||||
beastiality and rape. Kiddie porn is readily available in Denmark,
|
||||
child molestation is pretty non-existant. In the United States, where
|
||||
it is extremely illegal, we'll hopefully you get my point by now.
|
||||
|
||||
I'm sure you've heard televangelists speak of how the AIDS virus
|
||||
is the wrath of God. If you were to analyze the situation you'd find
|
||||
out this:
|
||||
|
||||
_CHRISTIANITY_ IS THE MAIN CAUSE OF AIDS.
|
||||
|
||||
Neo-Puratanism, Victorianism and these type of attitudes that
|
||||
were held by most of the officials in the U.S. Governement at the
|
||||
time... and _they_ are responsible for the widespread of the virus. At
|
||||
the time, heterosexuals tended not to get the new "Gay Cancer". It was
|
||||
pretty much segregated into certain populations such as Hatian
|
||||
prostitutes and patrons of gay brothels in larger U.S. cities such as
|
||||
New York and San Francisco. If these populations were quarantined and
|
||||
research was done on them to find out the origins of the disease, then
|
||||
it would not be killing millions every year. It shouldn't have been
|
||||
difficult, look at how much they knew about Patient Zero and everyone
|
||||
that he had sexual relations with. Of course, that didn't happen
|
||||
because politicians were more interested in maintaining the favor of the
|
||||
puritans who vote for them, and doing anything at all to associate
|
||||
themselves with sexual deviants like prostitutes and homosexuals would
|
||||
damage their career. In the later part of the 1980's, when more
|
||||
research was conducted and it was determined that blah blah blah --
|
||||
_that_ should have been the end to illegal prostitution. Government
|
||||
does regulate damn near every industry. Regulating prostitution to
|
||||
where they had to use condoms similar to the way that doctors have to
|
||||
wear gloves would cut down on new AIDS cases significantly. Of course
|
||||
that's contrary to the nature of the people of this country and
|
||||
probably will never happen. It's just an idea.
|
||||
|
||||
i'm sure you've noticed a recurring theme here: PURITANICAL IDEAS
|
||||
ARE THE BASIS FOR SEXISM, THEY ARE OBSOLETE. ANYONE WHO EMBRACES THEM
|
||||
IS UNABLE TO BREAK THE CONDITIONING THEY HAVE RECIEVED FROM SOCIEY. IF
|
||||
PURITANISM WAS OBSOLETE LIKE IT SHOULD BE, THEN ELLEN DEGENERES WOULD NO
|
||||
LONGER HAVE A CAREER. NOW _THAT_ WOULD TRULY BE A BETTER TOMORROW.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #442, WRITTEN BY NITRO-187 - 1/18/99 !!
|
44
textfiles.com/magazines/HOE/hoe-0443.txt
Normal file
44
textfiles.com/magazines/HOE/hoe-0443.txt
Normal file
@@ -0,0 +1,44 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #443 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Purple" !!
|
||||
##:::: ##::. #####::: ########: by -> Tasha !!
|
||||
..:::::..::::.....::::........:: 1/18/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
Purple is my favorite color. Actually, lavendar is, but that's
|
||||
part of the "purple family", so it all works out nicely. Either way, I
|
||||
want everything to be purple. I have a really pretty purple pen that I
|
||||
save just for drawing on the letters I write to people, because, even
|
||||
though I'm not very good at it, I like to draw, but that's besides the
|
||||
point. And what's the point? I have no fucking clue, but I think it
|
||||
has something to do with the color purple, which is, as you already
|
||||
know, my favorite color. Purple reminds me of..I think it reminds me
|
||||
of preschool, but I didn't like preschool, so then how would purple be
|
||||
my favorite color? Maybe it reminds me of some imaginary idea of
|
||||
preschool which is all finger painting and eating paste, or something.
|
||||
Finger painting using mainly the color purple, I might add.
|
||||
|
||||
But that's not the important part, the important part is that
|
||||
I'm slightly color blind, and what is purple to me is blue to everyone
|
||||
else. I think that constitutes as color blind. Either way, I'm going
|
||||
to live my whole life thinking blue is purple, and thinking purple is my
|
||||
favorite color. Then, I'll tell everyone that purple is my favorite
|
||||
color, and maybe they will judge me on my favorite color, and judge me
|
||||
wrong, because I think blue is purple. And my grandma was supposed to
|
||||
tell me that purple is really blue, but she forgot, and she won't
|
||||
remember until she is on her death bed, and by then it will be too late.
|
||||
She'll croak and little, with all these veins and needles running into
|
||||
her body, and say something like "purple is really blue, tasha." And to
|
||||
her it will be the most innocent comment ever, sort of like a duty, you
|
||||
know? But then she won't realizing that she's ruining my whole world!
|
||||
Because my room is purple, and my room is my whole life, as you may very
|
||||
well know. And then I won't have a life anymore, or, rather, I will have
|
||||
a life but it won't be the right life because I've been living under this
|
||||
misconception of the color purple.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #443, WRITTEN BY TASHA - 1/18/99 !!
|
68
textfiles.com/magazines/HOE/hoe-0444.txt
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68
textfiles.com/magazines/HOE/hoe-0444.txt
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@@ -0,0 +1,68 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #444 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Understood" !!
|
||||
##:::: ##::. #####::: ########: by -> Mutter !!
|
||||
..:::::..::::.....::::........:: 1/18/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
To be misunderstood you must first understand yourself. Let's
|
||||
face it, I have no idea why I do the things I do. Therefore, since I can
|
||||
only be either understood or misunderstood (and since I'm not
|
||||
misunderstood) I must be understood. Understand?
|
||||
|
||||
To appreciate writing you must first familiarize yourself with
|
||||
the concept of bulldada -- the principle that tells us that something
|
||||
can be so bad that it's good. Right now this must be fucking incredible.
|
||||
|
||||
A game. A game within a game. Silver Monopoly pieces on
|
||||
Broadway Ave. playing a hardy game of chess on a board relatively
|
||||
miniaturized. And the pawns on that board gather round the center to
|
||||
play a game of cards. Oh, look. A straight flush. The puppet master
|
||||
himself has strings which are inconspicuously attached to his limbs. He
|
||||
concentrates on only his part, his role to play. He is unaware of the
|
||||
things he is unaware of.
|
||||
|
||||
"Thank you for this prestigious award. I'd like to thank the
|
||||
losers -- I couldn't have done it without you."
|
||||
|
||||
oh shit I'm bleeding; did someone shoot me; eh, doesn't matter;
|
||||
congratulations; you got me right in the heart;
|
||||
|
||||
"I never enjoyed walking because I always had somewhere to walk to."
|
||||
will someone please kill my tv; the numbers keep scrolling; my neighbor
|
||||
bought one today; there's nothing wrong with it; when he gets mad he
|
||||
turns purple; so are his veins; purple; I'm lactose intolerant; but you
|
||||
already knew that;; FOR LIFE!; stone faced men with glasses and bad
|
||||
bow ties; a flag can't wave on the moon; FUCK THAT -- we'll use sticks
|
||||
to hold it up; American ingenuity at work;
|
||||
|
||||
I'm an excellent judge of character... that's why I hate most
|
||||
people.
|
||||
|
||||
i used to play a mute but now i can scream;
|
||||
|
||||
"I'm what?!" said the outraged man to his former employer.
|
||||
"You're fired."
|
||||
He stood there for several seconds quivering with rage.
|
||||
"Ha!" he finally blurted out. "This place won't run a single day
|
||||
without me!" -- and he was right.
|
||||
The next day the police said they suspected arson.
|
||||
walking an ugly mutt with a missing leg; sad faced bitch; jack and jill
|
||||
climbed capitol hill to get corrupted by liberty; jack fell down; he
|
||||
sued jill; she tripped him;
|
||||
|
||||
Truth? There is no truth in the traditional way of defining it.
|
||||
And, if this is to be believed, than this itself is untrue.
|
||||
|
||||
an old bum with a broken crackpipe and a lost dog; ain't lost
|
||||
no more; the old sentinel fell asleep at the wheel; hit a tree; or maybe
|
||||
it was the tree who feel asleep; dreamt it was a car; a classic story
|
||||
we've never seen but have heard before; forever; no more; free fall to
|
||||
white walls and bad food; delayed reaction; click bang
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #444, WRITTEN BY MUTTER - 1/18/99 !!
|
75
textfiles.com/magazines/HOE/hoe-0445.txt
Normal file
75
textfiles.com/magazines/HOE/hoe-0445.txt
Normal file
@@ -0,0 +1,75 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #445 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Legalize Suicide or Change!" !!
|
||||
##:::: ##::. #####::: ########: by -> AltRocks !!
|
||||
..:::::..::::.....::::........:: 1/18/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
I think our country is very burried in contradictions. In this
|
||||
one I'll focus on one specific contradiction. The Constitution and Bill
|
||||
of Rights prevent anyone from having cruel or unusual treatment imposed
|
||||
on them by the government. They also allow the death penalty, thus
|
||||
saying saying that death is not cruel or unusual. Yet, for some odd
|
||||
reason, they outlaw suicide. This seems to be in conflict to me.
|
||||
Seriously... think about it. I can think of many people who's lives are
|
||||
cruel and unusual, not even considering those in 3rd world countries, the
|
||||
homeless, or the severly ill. I think if genetics, social structure, or
|
||||
even god, if you believe in one, has deemed that almost the entire
|
||||
population of adolescent America be suicidal, who are we to argue?
|
||||
|
||||
We've seen this many times in history. Antigone, the ancient
|
||||
greek tradgedy deals with the subject of Man's Law Vs. Gods' Law (The
|
||||
Greeks' Gods), or fate if you will. It never ends well for the human
|
||||
population. At least not those affected by the laws in question. I
|
||||
pose this question to you: On a planet with over 6 billion people,
|
||||
that's 6,000,000,000, and a country where supposed free will, democracy,
|
||||
and personal rights prevail, do they outlaw such a humanitarian action?
|
||||
Anyone that went through public school in the past few years knows what
|
||||
it's like in there. That's bad enough. But if you actually show a
|
||||
glimmer of talent, natural ability, or real intelligence and find the
|
||||
work they give you menial, demoralizing, and aboce all spiteful to you
|
||||
in general, and hence refuse to do it, they deem you a slacker and a
|
||||
waste of space. Now hold up. This is a peaceful means to and end. If
|
||||
one such as myself or anyone else that notices this would ever get fed
|
||||
up with it, and an actual revolt took place, you'd have some of the
|
||||
brightest, most intuitive teenagers, in their prime, against the rest
|
||||
of America's school system.
|
||||
|
||||
I'm sure anyone of prominance that suffered the same thing and
|
||||
is now a grown adult would stand with us on that one. It would be the
|
||||
dumb people Vs. the 'gifted' people. And I'm sorry if I sound a little
|
||||
egotistical, but with no class lines, government lines, or rules, you
|
||||
will lose. Period. But I stray from my topic. If you can get some
|
||||
sense of what I'm talking about, and realize that that's not what I
|
||||
want, then you have two choices.
|
||||
|
||||
1: Legalize suicide. Sure many people consider it immoral, but
|
||||
obviously not the people that would use this law. Otherwise
|
||||
they wouldn't use it. Plus it would be a grand release for
|
||||
thsoe of us forced to go through such systems as the one
|
||||
above, belittled, held back, and even disciplined for their
|
||||
talents. It's much more humanitarian. To quote Kurt Vonnegut,
|
||||
"None of us ever asked to be born anyway."
|
||||
|
||||
2: Change the school system/social structure around. Yeah, it's
|
||||
a bit harder, but if the welfare of the general public is at
|
||||
stake, I think we can all do a little adjusting, and maybe
|
||||
even in the process, start turning out some highly intelligent
|
||||
people, like we used to.
|
||||
|
||||
If you don't like what I have to say, then you just don't get it.
|
||||
If you sympathize with what I'm saying, or just want to comment either
|
||||
way, e-mail me at altrocks@op.net. I'm not writing this out fo spite,
|
||||
or hate, or anythign else. I just think it's about time someone said
|
||||
what needs to be said, and maybe even get some attention drawn to the
|
||||
subject.
|
||||
|
||||
And whether you agree with me or not, please, pass this along to
|
||||
as many people as you can. Thank you.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #445, WRITTEN BY ALTROCKS - 1/18/99 !!
|
46
textfiles.com/magazines/HOE/hoe-0446.txt
Normal file
46
textfiles.com/magazines/HOE/hoe-0446.txt
Normal file
@@ -0,0 +1,46 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: THE HELOTS OF ECSTASY PRESS RELEASE #446 !!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: "My Fucking Ex-Roommate" !!
|
||||
#########: ##:::: ##: ######::: *or* !!
|
||||
##.... ##: ##:::: ##: ##...:::: "Part Two of I Need a New Roommate: !!
|
||||
##:::: ##:. ##:: ##:: ##::::::: I'm Getting a New Roommate" !!
|
||||
##:::: ##::. #####::: ########: !!
|
||||
..:::::..::::.....::::........:: by -> Cyn 1/18/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
So, I get a call today from someone who's considering moving
|
||||
into my room. And I'm like, "Uh, I already have a roommate." And
|
||||
they're like "Really? Because Res Life gave me your number." So I say
|
||||
"Oh? Could you call me back when you talk to Res Life and tell me
|
||||
what's going on?" So about five minutes later, I get a call from Res
|
||||
Life. Turns out my now ex roommate is moving into South after she gets
|
||||
back from Winter Break. Of course, she didn't feel obligated to tell me
|
||||
this. I had no fucking clue. It's not as though her moving out is
|
||||
going to fucking affect my life at all.
|
||||
|
||||
It's ironic, because the one thing Liz had going for was that she
|
||||
was at least polite. I mean, sure, she smoked out in here constantly,
|
||||
her deadhead friends were in here all hours of the day and night, she
|
||||
liked shitty music, but at least she had common curtesy going for her.
|
||||
But no, apparently she's not even polite enough to mention the fact that
|
||||
she's moving out. It would be far too much trouble to be like, "Hey,
|
||||
Cyn, I'm moving me and all my hippy shit out of your room so you can be
|
||||
happy now."
|
||||
|
||||
The fact that she's moving out is actually a blessing, and should
|
||||
make me ecstatically happy, but at this point I'm too fucking angry at
|
||||
her to even be able to access those feelings. If it was possible for me
|
||||
to trek to New Hampshire or where ever the fuck she's busy studying
|
||||
"herbal medicine" and beat the shit out of her, I would. Unfortunately,
|
||||
that would just result in one very angry, lost girl wandering around New
|
||||
Hampshire or possibly Massachusetts, since I have no fucking idea where
|
||||
she is.
|
||||
|
||||
!!========================================================================!!
|
||||
|
||||
Okay, it's two days later, I no longer care, I just want this
|
||||
hippy shit the fuck out of my room.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #446, WRITTEN BY CYN - 1/18/99 !!
|
131
textfiles.com/magazines/HOE/hoe-0447.txt
Normal file
131
textfiles.com/magazines/HOE/hoe-0447.txt
Normal file
@@ -0,0 +1,131 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #447 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "A Log of Boredom" !!
|
||||
##:::: ##::. #####::: ########: by -> Avenger !!
|
||||
..:::::..::::.....::::........:: 1/18/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
you are sitting in a room. there is a desk in the room, and a
|
||||
door to the left. The paint is chipping, from where you nibbled it.
|
||||
to the south is a door. you remember how pathetic your life is.
|
||||
|
||||
> south
|
||||
|
||||
you walk to the door. my. a door.
|
||||
|
||||
> sigh
|
||||
|
||||
you sigh. no one cares.
|
||||
|
||||
> look
|
||||
|
||||
you see a door. the door is a strange beige color.
|
||||
|
||||
> open door
|
||||
|
||||
you open the door. you see a hall to the south, a stairwell to
|
||||
the west.
|
||||
|
||||
> west
|
||||
|
||||
you are in a stairwell. the stairwell smells of human waste and
|
||||
new cars. human waste and new cars block the stairs up. the stairs
|
||||
down lead, well, down.
|
||||
|
||||
> down
|
||||
|
||||
you trip down the stairs, eventually falling near the corpse of a
|
||||
businessman. his cold hand still clutches a briefcase, and a picture of
|
||||
his family is sitting there. A wife, 3 kids. You cry for his pathetic
|
||||
ass.
|
||||
|
||||
> get briefcase
|
||||
|
||||
you grab the briefcase. curious as you are, you open it. inside
|
||||
you find some technical papers, a remote control for something, and a
|
||||
laptop.
|
||||
|
||||
> use laptop
|
||||
|
||||
The laptop bootts up, and you decide to play StarCraft. oh boy.
|
||||
|
||||
> zerg
|
||||
|
||||
you go zerg. dragoons flood into your peon line. you lose.
|
||||
|
||||
> smash laptop
|
||||
|
||||
you smash the laptop, sending silicon flying in all directions.
|
||||
|
||||
> look
|
||||
|
||||
you see a corpse, rotting; shards of silicon; a picture of some
|
||||
lame people; and a door to the east.
|
||||
|
||||
> get shards of silicon
|
||||
|
||||
you pick up the shards of silicon.
|
||||
|
||||
> inventory
|
||||
|
||||
shards of silicon
|
||||
technical papers
|
||||
remote control
|
||||
|
||||
> east
|
||||
|
||||
you amble outside. people walk the street. it is snowing
|
||||
outside, and your bare feet are cold. to the west, a door. to the east,
|
||||
a street. to the south, a strange political convention. to the north,
|
||||
a group of hippies.
|
||||
|
||||
> piss
|
||||
|
||||
you piss onto the snow, attempting to write your name. you fail.
|
||||
|
||||
> north
|
||||
|
||||
the hippies mutter something about TV. you ignore them.
|
||||
|
||||
> read technical papers
|
||||
|
||||
you read the technical papers out loud. one hippie says "down
|
||||
with the system! yeah!" you ignore him.
|
||||
|
||||
> south;south
|
||||
|
||||
you are at a political convention. a man begs for your vote.
|
||||
|
||||
> piss
|
||||
|
||||
you piss onto the man. he is unhappy.
|
||||
|
||||
> piss
|
||||
|
||||
you cannot piss.
|
||||
|
||||
> help
|
||||
|
||||
you have no piss left.
|
||||
|
||||
> look
|
||||
|
||||
you are at a political convention. politicians mill around. one
|
||||
smells of piss. to the south, a busy street. to the north, a section
|
||||
of sidewalk. to the east, a wall. to the west, another wall.
|
||||
|
||||
> south
|
||||
|
||||
you amble into the street. an oldsmobile flattens you. you die
|
||||
in the street. game over.
|
||||
|
||||
play again?
|
||||
|
||||
> nope
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #447, WRITTEN BY AVENGER - 1/18/99 !!
|
60
textfiles.com/magazines/HOE/hoe-0448.txt
Normal file
60
textfiles.com/magazines/HOE/hoe-0448.txt
Normal file
@@ -0,0 +1,60 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #448 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "What I Did During My Winter Break" !!
|
||||
##:::: ##::. #####::: ########: by -> Girl From Mars !!
|
||||
..:::::..::::.....::::........:: 1/18/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
Winter break is generally a much-anticipated time in the life of
|
||||
a college student. Finals are over, and it's time to vegetate! Winter
|
||||
break is a time to see all your old friends from high school as well,
|
||||
and talk about old times. It's a time to do all the stuff you couldn't
|
||||
get done during school, and maybe even get a job to make some money for
|
||||
when you go back. Well, my winter break was like nothing i've ever
|
||||
experienced. Of course, I did my share of vegetation (rarely) and
|
||||
catching up with old friends (before they went on lovely trips to warm
|
||||
places without me,) but I did one thing for the majority of my winter
|
||||
break. You want to know what I did? Huh? You wanna know? All right,
|
||||
here's what I did... FUCKIN' DISHES!!!
|
||||
|
||||
In my temporary home (long story,) there is a dishwasher, but we
|
||||
use it to STORE our dishes, not wash them. Every morning, I awoke to
|
||||
a sinkful of dishes, used for that morning's breakfast and thoughtfully
|
||||
left for my washing pleasure. Most of the time, my parents and brother
|
||||
had inexplicably gotten who-knows-what stuck to the dishes and of COURSE
|
||||
they don't believe in soaking. How in the hell do you get whatever
|
||||
you're making on the outside of the pot? I spent 20 minutes today
|
||||
scraping hot cereal off the outside of a pot, and it motivated me to
|
||||
write this. As I scraped and scraped, I started to have flashbacks to
|
||||
a past life, past life as a serving wench in a medieval English
|
||||
ale-house. I know my past life as a skivvy has supplied me with mad
|
||||
diswashin' skillz, but why do I have to do it all the time? I know I'm
|
||||
just being a whiny bitch, but it's ridiculous!
|
||||
|
||||
Do you know what washing dishes all day does to your hands? I
|
||||
was a little disgruntled when one of my fingers got so dry it fell off,
|
||||
but I kept on truckin' because I knew if I stopped the dishes would
|
||||
just pile up like mad and I'd get in trouble. When the second finger
|
||||
fell off, I complained, but my parents told me that losing fingers
|
||||
doing dishes builds character. Always searching to build character, I
|
||||
spent some more days a-washing.
|
||||
|
||||
After a while, I realized that there was a simple solution to my
|
||||
digit-loss problem. I set to washing my dishes that day, and I got
|
||||
really into it, pulling my sleeves up all the way and getting soaked up
|
||||
to my shoulders. My arms got so dry from the soap and hot water that
|
||||
they suffered the same fate as my fingers. Armless, I awaited the
|
||||
evening. When night came, I popped my microwaveable pillow in the
|
||||
microwave for longer than the recommended time. As I slept that night,
|
||||
my microwaveable pillow resting on my chest, all its stored radiation
|
||||
worked its magic. The next morning, when I woke up, I had two arms
|
||||
again! Fuckin' brilliant!
|
||||
|
||||
Well, that's what I did on my winter break. Jealous?
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! #448, WRITTEN BY GIRL FROM MARS, 1/18/99 !!
|
86
textfiles.com/magazines/HOE/hoe-0449.txt
Normal file
86
textfiles.com/magazines/HOE/hoe-0449.txt
Normal file
@@ -0,0 +1,86 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #449 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "My Brother's Friends" !!
|
||||
##:::: ##::. #####::: ########: by -> AnonGirl !!
|
||||
..:::::..::::.....::::........:: 1/18/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
Having a twin brother can sometimes mean sharing friends in the
|
||||
same age group. It's happened a lot in my case, which isn't so bad
|
||||
because they just see me as Audrey, and not as my brother's lame
|
||||
older/younger sister. However, in the past two years, my brother has
|
||||
brought home a very interesting array of people he calls his friends.
|
||||
I felt the need to write about them, so shut up and read.
|
||||
|
||||
The names in this article have been changed to cover my ass.
|
||||
|
||||
First, there's Martin. He started hanging around my house over
|
||||
two years now and has basically become another member of my family
|
||||
since he's here more than he is home. In fact, I think he lives here.
|
||||
He hasn't left my house in a good month or two, and was even here on
|
||||
Christmas. My mom and grandmother bought him gifts, and he got us some
|
||||
gifts. Although I don't know where he got the money considering he's
|
||||
been here, unemployed, this whole time. He's a pretty cool guy. He
|
||||
brought his computer here so now I have a kick-ass computer and a
|
||||
decent 15" monitor instead of my piece of shit 486/33. So he's a good
|
||||
guy. However, he's asked me out five times in the past two years and
|
||||
it's getting REALLY GOD DAMN ANNOYING. I really hope he doesn't read
|
||||
this.
|
||||
|
||||
Then there's Shane. Shane is a good-looking mack-daddy who also
|
||||
started hanging with my bro two years ago. He has a girlfriend, but that
|
||||
doesn't stop him from messing around with other girls behind her back,
|
||||
including his friends' sisters. Hrm. He's a smooth-talkin',
|
||||
jive-walkin' mack-daddy. He smokes me for free something, so it's cool.
|
||||
|
||||
Not that you can buy my love with drugs.
|
||||
|
||||
Booze, maybe.
|
||||
|
||||
Harry is the poor kid of the group. My mom takes sympathy on him
|
||||
and buys food that he likes. I think I'd be embarassed if someone's
|
||||
mother did that with me. I wouldn't want to be pointed out from my
|
||||
friends as the pity case who has a terrible life. I dunno, that's just
|
||||
me.
|
||||
|
||||
Paul is stranger than the others. He's younger than everyone,
|
||||
doesn't go to school but manages to score weed by the pound. Whenever
|
||||
he's here and walking by me or something where I'm in the vicinity, he
|
||||
stares at me. I don't know why, and he doesn't stare for long. Little
|
||||
meaningful glances here and there. I don't know why he stares, maybe
|
||||
it's because he doesn't know me as well. Maybe he can hear me wonder
|
||||
about how he gets $9600 for pot and isn't even in school. He doesn't
|
||||
work, or deal anything, I know that much. I know it's none of my
|
||||
business, but if someone who is more of a bum than ME scores pounds of
|
||||
weed... I'd like to know the secret, too!
|
||||
|
||||
Sam is the destined criminal of the group. Already being fined
|
||||
with grand theft auto, though dismissed, his fate definetely holds some
|
||||
jailtime for him. Sam once tried to prove his alcoholic testosterone to
|
||||
me by chugging a mickey of Jack Daniels, but it didn't work and he spat
|
||||
up all over my basement instead.
|
||||
|
||||
I first met Keith in my driveway at 3am one Saturday night in
|
||||
the summer. I was stumbling out of a cab, drunk, and he was smoking a
|
||||
joint with my brother. He's got really nice hair and eyelashes (it
|
||||
really REALLY pisses me off when a guy has nice hair and/or eyelashes.
|
||||
Why the FUCK should they get that without styling it or V05ing it or
|
||||
wearing mascara?!) I've only met Keith twice, so I can't really say
|
||||
much about how he is just yet.
|
||||
|
||||
Last but not least, there's Richard. Richard is the freak
|
||||
12-year-old mentality guy who gets kicks out of farting directly on
|
||||
someone's nose and jacking off at any given moment, in public or
|
||||
private. Luckily I've never been around for one of his episodes, I
|
||||
don't think I could deal with that. Fortunately my brother and his
|
||||
other friends think he's rather strange, so he's not around that much
|
||||
anymore.
|
||||
|
||||
I don't know how some guys live with themselves.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #449, WRITTEN BY ANONGIRL - 1/18/99 !!
|
221
textfiles.com/magazines/HOE/hoe-0450.txt
Normal file
221
textfiles.com/magazines/HOE/hoe-0450.txt
Normal file
@@ -0,0 +1,221 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #450 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Obituary for IM2K" !!
|
||||
##:::: ##::. #####::: ########: by -> AIDS !!
|
||||
..:::::..::::.....::::........:: 1/18/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
"i ache. ultimately, in the end you realize that all this going
|
||||
to happen anyway, so you just lose hope. the internet hype will
|
||||
explode a jillion times more than it is today, even more people
|
||||
will hop on "the net." we'll see a whole slew of of
|
||||
commercialisation, legal battles, and media stores. we can only
|
||||
pray that ultimatly (sic), after all this change has taken place
|
||||
that will happen over the next ten years and onward, that the
|
||||
internet will still be relatively "free." i imagine that i'll
|
||||
still be along for the ride, as depressing as it is."
|
||||
|
||||
- IM2K, dto #002
|
||||
|
||||
Ah, long may you live to regret that last statement, IM2K,
|
||||
because we can all picture you gunned down in the hot San Diego night, or
|
||||
stabbed into bloody ruins in some abandoned Tijuana alleyway. The method
|
||||
is, as all specifics, an unimportant thing. To me at least. All that
|
||||
matters is that you're dead. You never lived on to see everything you
|
||||
predicted in that piece of prophecy come true. You knew the truth,
|
||||
though, and your survivors have to live with Prodigy and AOL having full
|
||||
internet access, and the blight of an ever inflating USENET, where the
|
||||
static to noise ratio is out of control.
|
||||
|
||||
Ah yes, IM2K, though I didn't know you, I mourn you, because from
|
||||
reading your excellent old school HOE FILE about chat boards, (#74 for
|
||||
your archivists out there) I understand you. When you write, "I think
|
||||
it's slowly dawning on me that I'm actually NOT funny and I only amuse
|
||||
myself," you write for me, and you write for all the other pathetic
|
||||
gimps out there who spend pointless amounts of time saying stupid
|
||||
non-sequitors and random strings of nonsense. We get the joke, even if
|
||||
no one else does.
|
||||
|
||||
Other people in HOE have died, Ashtray Heart, for example, but
|
||||
their losses aren't felt like yours. They weren't there during the
|
||||
Golden Age of HOE, #51-90, and they weren't part of the genuine magic.
|
||||
|
||||
I hear something outside right now, so I'll have to go
|
||||
investigate it, but when I come back, I'll continue writing this
|
||||
obituary and memorial to you, IM2K.
|
||||
|
||||
[Enter Ghost]
|
||||
|
||||
Hor. Look, My Lord, it comes!
|
||||
|
||||
AIDS. Oh priets and nuns who enjoy the charity of Heaven, defend us!
|
||||
Are you carrying good stuff from God or evil stuff from Hell?
|
||||
Be thy intents good or charitable?
|
||||
Your shape is mighty strange.
|
||||
I'll talk to you, man, and I'll call you IM2K
|
||||
King, HOE writer, American legend. O, answer me!
|
||||
Don't let me bust a nut in this ignornance, but tell
|
||||
why your interred bones, hearsed in death
|
||||
Came out of the grave like zombies in Micahel Jakson's "THriller"
|
||||
Why the sepulchre has let you free without any narration from
|
||||
Vince Price. Whay may this mean, that you, nebulous HOE jackass
|
||||
again in cum stained tshirts and filthy jeans
|
||||
Returns the moon's shine, making the night real ugly like,
|
||||
and us mortal folk, Shake in our britches,
|
||||
With thoughts that normal people shouldn't be having?
|
||||
Say, why is this? Wherefore? What should we do?
|
||||
|
||||
[Ghost beckons AIDS]
|
||||
|
||||
Hor. It beckons you to go away with it,
|
||||
As if it some impartment did desire
|
||||
to you alone.
|
||||
|
||||
Mar. Look with what courteous action
|
||||
It waves you to a more removed ground
|
||||
But do not go with it!
|
||||
|
||||
Hor. No, by no means!
|
||||
|
||||
AIDS. He's gotta talk. Then'll I go with him.
|
||||
|
||||
Hor. Do not, my lord!
|
||||
|
||||
AIDS. Why should I be scared?
|
||||
My life isn't worth jack,
|
||||
and for my soul, it ain't go power over that,
|
||||
since it's just as immortal as it itself?
|
||||
It waves me forth again. I'll follow it.
|
||||
|
||||
Hor. Don't go! Please! We need you here in HOE!
|
||||
|
||||
AIDS. It waves me still.
|
||||
Go on. I'll follow you.
|
||||
|
||||
Mar. You shall not god, my lord.
|
||||
|
||||
AIDS. Get your god damned dirty paws off me, ape.
|
||||
|
||||
Hor. Be Rul'd. You shall not go.
|
||||
|
||||
AIDS. I've got to do it. It is not coincidence that on this
|
||||
night that I was writing IM2K's obit. his vizage
|
||||
should appeare to me in such ghastly forms.
|
||||
Unhand me, gentlemen.
|
||||
By heaven, I'll make a ghost of him that lets me!
|
||||
I say away! -- Go on. I'll follow thee.
|
||||
|
||||
[Exeunt Ghost and AIDS]
|
||||
|
||||
Hor. He waxes desperate with imagintion.
|
||||
|
||||
Mar. LEt's follow. 'Tis not fir thus to obey him.
|
||||
|
||||
Hor. Have after. To what issue will this come?
|
||||
|
||||
Mar. Something is rotten in the scene.
|
||||
|
||||
Hor. Heaven will direct it.
|
||||
|
||||
Mar. Nay, let's follow him. [EXEUNT]
|
||||
|
||||
[Scene V. Warwick. AIDS's back yard. Another part of it.]
|
||||
|
||||
[Enter Ghost and AIDS]
|
||||
|
||||
AIDS. Where the hell are you taking me? This is only a suburban lot,
|
||||
you dig? Speak! I'm not going anywhere else!
|
||||
|
||||
Ghost. Mark me.
|
||||
|
||||
AIDS. I will.
|
||||
|
||||
Ghost. My hour is almost come.
|
||||
When I to sulph'rous and tormenting flames
|
||||
must render myself up.
|
||||
|
||||
AIDS. Shit! Your poor fucking guy!
|
||||
|
||||
Ghost. Pity me not, but lend thy serious hearing
|
||||
to what I shall unfold.
|
||||
|
||||
AIDS. I'm gonna listen no matter waht you say, chief.
|
||||
|
||||
Ghost. So art thou to astonishment, when thou shalt hear.
|
||||
|
||||
AIDS. What?
|
||||
|
||||
Ghost. I am IM2K's spirt.
|
||||
|
||||
AIDS. I was just writing a HOE file about you...
|
||||
|
||||
Ghost. I know. I am doom'd for a certain term to walk the night until
|
||||
you wrote such a file. By writing it, you have released me,
|
||||
and I must tell you the truth.
|
||||
|
||||
AIDS. Could anyone have written the file or just me?
|
||||
|
||||
Ghost. Ah, you wisely introspect. You suspect it now, don't you?
|
||||
|
||||
AIDS. I suspect nothing.
|
||||
|
||||
Ghost. BUt you just saw ANGELHEART, starring one-time Cosby Kid Lisa
|
||||
Bonet and Robert DeNiro and Mickey Rourke. Surely the plot was
|
||||
not wasted on you?
|
||||
|
||||
AIDS. I thought it was a trifle underdone. The end came upon me too fast
|
||||
for a real enjoyment.
|
||||
|
||||
Ghost. I AM IM2K! WHEN I SUGGEST YOU EXAMINE SOEMTHING YOU SHALL DO IT!
|
||||
|
||||
AIDS. I don't get it.
|
||||
|
||||
Ghost. While you have been spending all your time trying to get soybean
|
||||
to drop her drawers so that you may plunge your invading fingers
|
||||
into her sticky cunt, I have been rotting in eternal damnation
|
||||
waiting for you to write this file!
|
||||
|
||||
AIDS. Uh... sorry
|
||||
|
||||
Ghost. I am here to tell you, before I go into the ether for good, that
|
||||
you, AIDS, are my reincarnation. The reason you feel such a deep
|
||||
resonance with HOE #74 is because you wrote it, before you
|
||||
embraced the painful, bright lights. The Thodol Bardo taught you
|
||||
well when you were me, and you became you.
|
||||
|
||||
AIDS. Why must I know this now?
|
||||
|
||||
Ghost. Because it is all preordained! We are like pieces of the
|
||||
chessboard. Not even good ones, like the queen or the rooks, but
|
||||
rather bishops or knights, whose movement is encumbered and
|
||||
limited.
|
||||
|
||||
AIDS. You still haven't answered my question. You know, for a dead guy,
|
||||
you're awful prolix.
|
||||
|
||||
Ghost. I can't answered your question. You just need to know. Soon it
|
||||
be discovered.
|
||||
|
||||
AIDS. OK. Cool, can I go back to writing our obituary now?
|
||||
|
||||
Ghost. Aye.
|
||||
|
||||
AIDS. There's the rub!
|
||||
|
||||
!!========================================================================!!
|
||||
|
||||
Well, I'm back. Let me say, I was a good guy back then, I was a
|
||||
funny guy back then. My files were tight and smart and oh so disparaging
|
||||
towards teh idiots who were invading my precious homeland, once known as
|
||||
Elsinore, but now called the Internet.
|
||||
|
||||
We were all lucky to know me.
|
||||
|
||||
THE END.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #450, WRITTEN BY AIDS - 1/18/99 !!
|
244
textfiles.com/magazines/HOE/hoe-0451.txt
Normal file
244
textfiles.com/magazines/HOE/hoe-0451.txt
Normal file
@@ -0,0 +1,244 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #451 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Karaoke" !!
|
||||
##:::: ##::. #####::: ########: by -> Phairgirl !!
|
||||
..:::::..::::.....::::........:: 1/21/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
Q: What has the potential to make a drunk look even stupider
|
||||
than the time they did cartwheels naked in the bar parking
|
||||
lot for $20?
|
||||
|
||||
A: Karaoke.
|
||||
|
||||
It was the night of the Dubuque Wendy's employee Christmas party.
|
||||
We were all a little skeptical, considering our manager Kim had chosen a
|
||||
karaoke party this year, as opposed to our ritual bowling parties that
|
||||
had grown boring yet familiar. Still, after hearing that there was a bar
|
||||
in the Knights of Columbus hall we had rented for the occasion, spirits
|
||||
seemed to brighten just a little. If nothing else, the kids could goof
|
||||
off and the adults could get a decent buzz going and enjoy themselves.
|
||||
Someone was bringing Trivial Pursuit in case the management (and anyone
|
||||
else) got bored.
|
||||
|
||||
I, on the other hand, was becoming oddly excited, anticipating
|
||||
the occasion. Upon hearing of the liquor availability, I made it my
|
||||
personal mission to make sure every last one of my co-workers could
|
||||
attend and watch me make a complete ass out of myself. Hell, I told
|
||||
them, if nothing else, come to watch me be stupid. That'll be
|
||||
entertaining enough to make up for the fact that you're underage and
|
||||
can't get plowed off your ass as surely as I would be. And for some,
|
||||
this was enough to do the trick.
|
||||
|
||||
I decided to drag my brother along, as he was most likely going to
|
||||
be a future co-worker of mine, since the pay was good and the work was
|
||||
simple. We loaded up in a tiny LeBaron, driven by my manager Nancy's
|
||||
husband, who was to get us all home safely in our drunken states. Six of
|
||||
us, all crammed in as uncomfortable as could be, to hang out with the
|
||||
same irritating faces from work to listen to them sing karaoke. I
|
||||
promised Trudy, the slow girl who just turned 21, that I would buy her
|
||||
her very first alcoholic drink: a wine cooler. She was scared. And in
|
||||
some social circles, I could be considered scared, too.
|
||||
|
||||
Upon our first arrival, a few people were there, milling around
|
||||
the food table. I avoided my ex. I chatted up with some ex-co-workers
|
||||
of mine who were long since working at our newest franchise store that
|
||||
opened almost two years ago. I casually deduced from conversation that
|
||||
the bar was dirt-ass cheap. And so, after a little food and speak, I
|
||||
worked my way over to the bartender. The rest of the night could only be
|
||||
classified in how many beers I had consumed.
|
||||
|
||||
Beer #1:
|
||||
|
||||
I was mildly hyperactive to begin with that night, and Jenny, a
|
||||
friend and co-worker, shared my anticipation. We had talked a few days
|
||||
earlier at work about singing some songs together, and so she came over
|
||||
to me with a songbook from the karaoke people. Some people from the
|
||||
other store had already taken over the machine; sounds of white-boy _Baby
|
||||
Got Back_ and off-key _Bohemian Rhapsody_ rung throughout the hall. My
|
||||
beer was almost finished when we decided on _The Right Stuff_ by New Kids
|
||||
On The Block. It was a too-perfect way to begin the night.
|
||||
|
||||
We were the fourth people to step up to the mics. With not even a
|
||||
light buzz yet, I could feel my stage fright creeping up. However, I
|
||||
remembered that I worked with these people on a daily basis; I couldn't
|
||||
possibly make a bigger ass out of myself in front of them than I did
|
||||
every other day of the week. The music started and laughs and groans
|
||||
came from the crowd. Jenny and I semi-quietly jammed our way through,
|
||||
dancing a little and genuinely looking like we were having fun, as
|
||||
opposed to the extreme fright I was feeling. But we did it. And on the
|
||||
way back to the bar, I got a few compliments. I knew then that I had to
|
||||
start chugging.
|
||||
|
||||
Beer #2:
|
||||
|
||||
We got ahold of the book again, and my brother and I tried to
|
||||
find something funkadelic. They didn't have "Brickhouse". Nothing from
|
||||
Parliament. We flirted with the idea of doing "Mmm Mmm Mmm Mmm", but I
|
||||
decided I would sound utterly retarded. Travis wanted to do Cameo's
|
||||
"Word Up", but nobody would've had a clue but us. In the meantime,
|
||||
another friend and co-worker, Matt, proposed I do a rap with him. We
|
||||
picked a good one, alright, and he took the little piece of paper up to
|
||||
the karaoke people. Jenny stopped over to say she wanted to sing a song
|
||||
for Patti, another co-worker, and I filled out a slip of paper for that
|
||||
one, also. Travis and I continued looking, and I finished my beer.
|
||||
|
||||
Beer #3:
|
||||
|
||||
Kim ran into me in the bathroom. She already had a really, really
|
||||
good buzz going and was very distraught over turning 30 later this
|
||||
month. I felt really bad for her. Hell, I don't ever want to turn 30.
|
||||
I could never get away with the shit I was doing tonight when I turn 30.
|
||||
I told her it would be alright, and made the rounds, talking to a few
|
||||
other people.
|
||||
|
||||
After a few minutes, Kim pulled me over and said, "Are you gonna
|
||||
come up and sing with us?" All the managers (except our general
|
||||
managers) were heading up to the podium, and I inquired as to what was
|
||||
the occasion. "We're singing 'Take This Job And Shove It' to Jim and
|
||||
Steve," she replied. Oh, I was game. I quick bought myself a wine
|
||||
cooler and crowded around, singing that timeless anthem to our bosses.
|
||||
|
||||
That wine cooler went really fast after that. I gave Trudy a
|
||||
taste to see if she thought she could handle it. She was so embarassed.
|
||||
I was amused.
|
||||
|
||||
Beer #5 (Counting that wine cooler):
|
||||
|
||||
Trudy and my friend Sarah sang "Wing Beneath My Wings," and
|
||||
everyone slow danced. The other store had pretty much been karaoke hogs
|
||||
up to this point, and Travis and I finally picked a song and decided to
|
||||
get it in before they completely took over. I promised Trudy that wine
|
||||
cooler after she got done singing; however, Matt and I got called up for
|
||||
our little rap right after their song.
|
||||
|
||||
I really, really should've thought about some of the songs I was
|
||||
singing before I chose them. But by now, I had a really nice buzz going
|
||||
on so it didn't matter. Matt and I had chosen Tone Loc's ever-so-tasteful
|
||||
"Wild Thing," and I was having a little too much fun rapping about girls
|
||||
on my jock and having to adjust my fly. Jenny and Nikki put on a pseudo
|
||||
strip-show for us. Matt seemed to be enjoying myself. At that point,
|
||||
the alcohol was carrying me anyway. It was a blast.
|
||||
|
||||
|
||||
Beer #6:
|
||||
|
||||
I got Trudy that wine cooler after all. She was freaking; she
|
||||
carried it around with her for hours, not drinking much more than a
|
||||
little sip.
|
||||
|
||||
Waiting for Jenny's and my song to come up, another co-worker of
|
||||
ours, Tom, told me I should sing Alannah Myles' "Black Velvet". I had
|
||||
lost my voice just days before and the entire night I was only working
|
||||
on half my throat, and I said there was no way I could reach the high
|
||||
notes. But he badgered me, reminding me there weren't any high notes in
|
||||
that song, and that my voice was husky enough that it would sound killer.
|
||||
I was also told that by the end of the day on drive-thru, I sounded like
|
||||
a chick on a phone sex line. I got the number for Black Velvet and stuck
|
||||
it in my pocket, doubtful I would have that much courage anyway.
|
||||
|
||||
I nursed that beer for a while; I got the sudden and obscure urge
|
||||
to dance. I don't dance. Ever. But, some wonderful, magical disco tune
|
||||
came on and I just had to move my ass. That right there was a sure
|
||||
testament to the fact that I had been drinking pretty decently.
|
||||
|
||||
Beer #7:
|
||||
|
||||
I was still dancing every so often. Jenny and I got up to sing
|
||||
our song to Patti, "Down On The Corner" by Creedence Clearwater Revival.
|
||||
I didn't know a single word to that song before we sang it, only the
|
||||
melody. Hell, can ANYONE understand CCR? It was quite a revelation, I
|
||||
must say. We eventually got Patti up to jam with us, which was
|
||||
originally considered an impossibility. We had the whole place going; I
|
||||
think Jenny and I were pretty much the only people in the whole place
|
||||
who could actually carry a tune. By this time, however, I was getting
|
||||
really rowdy, and when were were done, I was screaming "WHOOOOO!!" and
|
||||
jumping up and down. To put it mildly, I was enjoying myself.
|
||||
|
||||
Someone sang "I Think I Love You". Someone else sang "Dancing
|
||||
Queen". Yet another person did "Mickey". It didn't matter how horrible
|
||||
people were at that point; it was all so much fun and so hilarious. I
|
||||
was dancing like a complete moron. Matt, my brother and I put in another
|
||||
song request, this one for all of us including Jenny, Nikki, and Sarah.
|
||||
I was heading to the bathroom more and more often. I was becoming
|
||||
downright silly drunk. It was more fun than I needed to have, really.
|
||||
|
||||
Travis and my song finally came up, and the crowd just wasn't as
|
||||
hyper as it had once been. The familiar music of "Don't Worry, Be Happy"
|
||||
began to blare behind us; there wasn't enough crowd reaction for us to
|
||||
be fully satisfied. I picked up the mic and yelled, "ARE YOU READY TO BE
|
||||
HAPPY!?!" A few laughs echoed from the people. I yelled again, "I DON'T
|
||||
THINK YOU'RE HAPPY ENOUGH!!" Someone called, "I'M HAPPY!!!" My brother
|
||||
topped it all of, booming into the mic with the voice of a large scary
|
||||
german man, "_HAPPY!!!!_" We finally had their attention, and we rambled
|
||||
off the song to happy faces.
|
||||
|
||||
Beer #8 (although I admit at this point I was losing count):
|
||||
|
||||
I finally decided I was drunk enough to put in that request for
|
||||
Black Velvet; however, there was only an hour or so left of karaoke fun
|
||||
and they had tons of requests before they would get to mine. That didn't
|
||||
bother me; I didn't want to do it anyway.
|
||||
|
||||
Elaine's husband got up and sang "Lady" to her. It was positively
|
||||
charming; we were all really impressed. Some other girl got up and sang
|
||||
on her own, too, although she was too quiet and nobody had any clue what
|
||||
the hell she was singing. I was kind of wishing at that point that I
|
||||
could've done my own song before them. I wanted to be the center of
|
||||
attention. Of course, I was pretty much drunk enough at that point that
|
||||
I didn't care how retarded I would've sounded.
|
||||
|
||||
Some of the under-21 employees had me buying them beer. Hell, I
|
||||
didn't care. Some of the other employees, who had swore they would never,
|
||||
ever get up and sing, were putting in requests, although it was too late.
|
||||
I would've lived and died to see Chad, Tom, and Dave sing "Welcome To
|
||||
The Jungle" like they said they were going to. Alas, it was not to be.
|
||||
|
||||
Our names were called to get up and do our big group song, and so
|
||||
the six of us clamored up to the microphones, gathering around the
|
||||
screen, ready to jam. One guy and two girls to each mic, the sudden
|
||||
jolt of "Love Shack" thundered into my ears. And amazingly enough,
|
||||
everyone in the place was really excited about the song we chose.
|
||||
Travis and Matt executed near-perfect Fred Schneiderness, and between
|
||||
the four of us girls who could actually sing, we had at least half of
|
||||
the entire hall on the dance floor.
|
||||
|
||||
"Your WHAT?" "TIIIIIIIIIIIIIIN ROOF! RUSTED!!!"
|
||||
|
||||
I almost completely lost my voice screaming that line. But
|
||||
everyone looked like they were having so much fun, and I was having so
|
||||
much fun, and I knew right then and there that the six of us had
|
||||
carried off the best performance of the night. I wanted to cartwheel
|
||||
everywhere.
|
||||
|
||||
Beer #9:
|
||||
|
||||
Karaoke winded down shortly after that; we had run out of time for
|
||||
my song, my brother didn't get to sing "Sweet Dreams (Are Made Of This)"
|
||||
with Sarah, and many more performances were missed. Trudy had drank
|
||||
approximately 1/5 of that wine cooler I had bought her hours before. I
|
||||
got some glasses of ice from the bar and carried around a good two-thirds
|
||||
of her wine cooler in one hand, my final beer in the other. I couldn't
|
||||
speak right anymore. I was downright silly drunk. Jenny was inviting
|
||||
people over to her apartment after everyone left, and Nancy and I took
|
||||
her up on it. I stumbled around, hugging too many people and being way
|
||||
too loud. And still, most of the people there didn't realize I was even
|
||||
buzzing. This was all normal to them.
|
||||
|
||||
I declared to Kim before we left that karaoke was now mandatory at
|
||||
every crew party henceforth, as was a bar. I chased my beer down with
|
||||
the wine cooler and got ready to leave. I gazed longingly at the karaoke
|
||||
machine, so alone at the front of the hall. For one night, I finally had
|
||||
sang in front of people, I danced with them, I had a genuinely good time,
|
||||
and nobody thought I looked like a complete ass. I don't think I
|
||||
could've asked for more than that.
|
||||
|
||||
The six of us smashed back into the little LeBaron, headed to our
|
||||
next destination, somehow a little less uncomfortable this time.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! #451, WRITTEN BY: PHAIRGIRL - 1/21/99 !!
|
54
textfiles.com/magazines/HOE/hoe-0452.txt
Normal file
54
textfiles.com/magazines/HOE/hoe-0452.txt
Normal file
@@ -0,0 +1,54 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #452 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "I Am Trying to be Clever" !!
|
||||
##:::: ##::. #####::: ########: by -> Neko !!
|
||||
..:::::..::::.....::::........:: 1/21/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
I don't need devushki anyhow.
|
||||
|
||||
No sir, not me.
|
||||
|
||||
But still as I kurit a bit more, I think about that devushka.
|
||||
|
||||
She was the one, I thought for such a long time. She got me
|
||||
started on the kuriting. As I smoke my pack a day-or-so habit, every
|
||||
time I light up, how can I help but think of her.
|
||||
|
||||
Maybe I kurit as an analogy. Every time I kurit it burns a
|
||||
little bit more of that devushka out of golova. One day I'll be able to
|
||||
quit and the devushka will have ushla ot my golova.
|
||||
|
||||
Or not.
|
||||
|
||||
I remember all the times we were vmeste and how they were very
|
||||
horosho. Very very horosho.
|
||||
|
||||
But I also remember all the times when things were ploho. Very
|
||||
very ploho.
|
||||
|
||||
But I don't need devushki. MNE NE NUZHNI DEVUSHKI!
|
||||
|
||||
But I do.
|
||||
|
||||
I hochu this devushku. I hochu that devushku. I hochu every
|
||||
devushku.
|
||||
|
||||
Almost.
|
||||
|
||||
There are so many krasivyi devushki. But most of them are glupi.
|
||||
But I find some that are not. They're smishni, they make me laugh. The
|
||||
sound from my golos: "HA-HA-HA!"
|
||||
|
||||
But they don't want me. They don't hochet Neko.
|
||||
|
||||
Byednyi me.
|
||||
|
||||
I'm trying too hard to be clever, prostite mne!
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #452, WRITTEN BY: NEKO - 1/21/99 !!
|
62
textfiles.com/magazines/HOE/hoe-0453.txt
Normal file
62
textfiles.com/magazines/HOE/hoe-0453.txt
Normal file
@@ -0,0 +1,62 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #453 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "I'll Flip You For It" !!
|
||||
##:::: ##::. #####::: ########: by -> Z !!
|
||||
..:::::..::::.....::::........:: 1/21/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
One thing about the human condition that I have always been
|
||||
particularly struck by, is its enormous potential for being much like a
|
||||
coin -- easily reconginizable by each side for what they are worth, but
|
||||
two-sided none-the-less.
|
||||
|
||||
Salesmen. (also known as sales people for those of us in
|
||||
Generation X, the haven of political correctness... doesn't this second
|
||||
name just make salesmen even more like a coin then the rest of us?)
|
||||
|
||||
Anyway, salesmen.
|
||||
|
||||
Ever work with any? I work with computer salesmen.
|
||||
|
||||
Salesmen are the epotiomy of the human condition. In their real,
|
||||
everyday, personal lives, most salesmen are extraordinarily giving of
|
||||
themselves and of their earnings. They are there for their loved ones
|
||||
in all possible ways -- to give a hug, or to pay the rent. But then,
|
||||
come 9 am, they transform into something different. A vicious animal
|
||||
which stalks "customers", examining their every move; gobbling their
|
||||
every word; scrutinizing their every gesture in order to determine how
|
||||
to play on mankind's desire to trust; how to walk hand in hand with the
|
||||
"customers" ego -- making them feel knowledgable about keyboards, and in
|
||||
need of a Intel Pentium II 450 XEON, a purchase which would allow them
|
||||
to take their already existing knowledge, and AMAZING ability to learn,
|
||||
and become a GENIUS.
|
||||
|
||||
Despite these two separate identities housed in one carnal body,
|
||||
each personality reveals the same thing about the "person" they comprise.
|
||||
|
||||
What does it mean to give of oneself to another? If you "get what
|
||||
you give", according the the golden rule we all have had drilled into our
|
||||
fragile heads, doesn't it mean that a "selfless" giving of oneself is
|
||||
accompanied by a subconscious desire to receive the same in return? In
|
||||
essence, we do things for other's, and secretly put a check next to that
|
||||
person's name in the little scorebook in our heads while whispering to
|
||||
ourself "(insert name of victim here) Owes me now :)"
|
||||
|
||||
As for the identity that exposes itself between the hours of 9 am
|
||||
to 5 pm, with its deep comprehension of a person's weak points -- this
|
||||
personality cares not for the individual on which they focus their
|
||||
attention. No, this identity cares only of the money to be made by
|
||||
another's ignorance (which, essentially, is what all jobs, including
|
||||
specialized labor, rely on). Money which can be spent on another, and
|
||||
returned in a form of a favor that "money can't buy".
|
||||
|
||||
One thing about the human condition that I am particularly struck
|
||||
by, is its enormous potential for being much like a coin -- easily
|
||||
recognizable by each of its sides for being worth JACK SHIT.
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #453, WRITTEN BY: Z - 1/21/99 !!
|
51
textfiles.com/magazines/HOE/hoe-0454.txt
Normal file
51
textfiles.com/magazines/HOE/hoe-0454.txt
Normal file
@@ -0,0 +1,51 @@
|
||||
|
||||
'##::::'##:::'#####:::'########: VIVA LA REVOLUCION! CERDO DEL CAPITALISTA!!
|
||||
##:::: ##::'##.. ##:: ##.....:: ===========================================
|
||||
##:::: ##:'##:::: ##: ##::::::: THE HELOTS OF ECSTASY PRESS RELEASE #454 !!
|
||||
#########: ##:::: ##: ######::: ZIEGO VUANTAR SHALL BE MUCH VICTORIOUS! !!
|
||||
##.... ##: ##:::: ##: ##...:::: ===========================================
|
||||
##:::: ##:. ##:: ##:: ##::::::: "Computers 'n Stuff" !!
|
||||
##:::: ##::. #####::: ########: by -> M4D 3LF !!
|
||||
..:::::..::::.....::::........:: 1/21/99 !!
|
||||
!!========================================================================!!
|
||||
|
||||
I like antique crap... but updated antique crap. I once saw a
|
||||
193X Ford coupe. It was all decked out with electronic dash, tons of
|
||||
power goodies. I'd take it, put a killer stereo in it, and drive that
|
||||
fucker every day. I had plans for that console stereo I had, too. I
|
||||
wanted to seal the speakers, add a cd player and dual cassette wells.
|
||||
I like the way console stereos look. So that brings me my computers.
|
||||
|
||||
I got my first computer as a hand-me-down from my dad in the fall
|
||||
of '96. It's a 1987 Macintosh Classic II with 4 megs of ram, monochrome
|
||||
CRT, and a 40 meg hard drive that my sister bought new for over $2000.
|
||||
I used this computer as my main computer until I bought my lap top this
|
||||
fall. I even used it online with a 2400 baud modem that I got last
|
||||
spring. It's powered by Motorola's 68040 chip which is not too bad
|
||||
considering it's the last SISC (non-PowerMac) chip put in Macs or their
|
||||
clones. I even had an ImageWriter II printer for it that I found at
|
||||
Goodwill for $2.50!! Up until the RISC native programs became the Mac
|
||||
standard, the only software limitation I had was the lack of color
|
||||
options...two color mode was all I had when 16 color greyscale would have
|
||||
ran most anything I wanted.
|
||||
|
||||
Goodwill is a great store for me. Not only did I find my console
|
||||
stereo and my printer for $2.50, but lots of other useless crap. Another
|
||||
favorite of mine is St. Vincent DePaul, aka Vinnie's. Vinnie's has two
|
||||
Dubuqueland locations, downtown on Main Street and, what I call "Vinnie's
|
||||
West", near our "suburb" Asbury. It was this second location that I
|
||||
found my Apple //e. It came with Apple DOS floppies, a whole meg of ram,
|
||||
and the infamous Apple SuperSerial card. For an extra $5 I even got a
|
||||
color monitor! I'm unable to find any software to get my Apple online,
|
||||
so I looked around for Apple //gs, but they're still popular, thus
|
||||
overly-expensive.
|
||||
|
||||
My newest toy is a TRS-80 color. I need to find some other
|
||||
hardware and software for it, otherwise it's little more than an
|
||||
over-sized keyboard.
|
||||
|
||||
Well, I guess I've bored you all enough for one t-file, so I
|
||||
guess I'll be going. But, remember kids, ya gotta catch 'em all!!
|
||||
|
||||
!!========================================================================!!
|
||||
!! (c) !LA HOE REVOLUCION PRESS! HOE #454, WRITTEN BY: M4D 3LF - 1/21/99 !!
|
Reference in New Issue
Block a user