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From dfox@fc.net Sat Jan 21 05:21:03 1995
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Received: from freeside.fc.net (freeside.fc.net [198.6.198.2]) by bigboote.WPI.EDU (8.6.9/8.6) with ESMTP id FAA14695 for <mikecap@wpi.edu>; Sat, 21 Jan 1995 05:21:01 -0500
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Received: (from dfox@localhost) by freeside.fc.net (8.6.8.1/8.6.6) id EAA25573 for mikecap@wpi.edu; Sat, 21 Jan 1995 04:18:04 -0600
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Date: Sat, 21 Jan 1995 04:18:04 -0600
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||||||
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From: Malik Al-Rashim <dfox@fc.net>
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||||||
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Message-Id: <199501211018.EAA25573@freeside.fc.net>
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||||||
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To: mikecap@wpi.edu
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||||||
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Subject: JAUC-File9
|
||||||
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Status: O
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||||||
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||||||
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REVIEW OF SLIPKNOT 1.0
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By Scott Davis, Editor (dfox@fc.net)
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||||||
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||||||
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SLIPKNOT 1.00 By Peter Brooks.
|
||||||
|
Tested version 1.00 on a Dell 466/XPS
|
||||||
|
16 meg of RAM, Windows for Workgroups
|
||||||
|
#9 GXE 64 Pro video card (2 Meg Vram)
|
||||||
|
Boca 28.8 Vfast external modem
|
||||||
|
|
||||||
|
On December 23, 1994, I contacted Felix Kramer (felix@panix.com) to let
|
||||||
|
him know that I would be happy to run his article/promotion for the
|
||||||
|
software called 'SlipKnot'. At that time, he asked me to ftp the
|
||||||
|
software and test it out, and follow up with a review of the software
|
||||||
|
in this issue of the magazine. So, here it is...
|
||||||
|
|
||||||
|
The software was designed by Peter Brooks. SlipKnot is a graphical
|
||||||
|
World-Wide-Web browser for PC users running Windows 3.1+ or a higher level
|
||||||
|
of Windows. It is designed for modem users with ordinary dial-up UNIX
|
||||||
|
shell accounts. It does NOT require SLIP or PPP or TCP/IP services in any
|
||||||
|
form (no TIA or remosock, etc. if you are familiar with these products).
|
||||||
|
|
||||||
|
The system requirements are Windows 3.1, Windows for Workgroups or
|
||||||
|
higher, running in 386 Enhanced Mode (SlipKnot cannot be used on 286
|
||||||
|
processors). Not yet tested with Windows NT. You must have at least
|
||||||
|
4 MB of memory, recommended 8MB. We have noticed memory deficiency
|
||||||
|
errors at 4 MB. Also, at least 2 MB of available hard disk space is
|
||||||
|
required. SlipKnot itself takes approx. 1.5 MB. When working, SlipKnot's
|
||||||
|
job will be to download documents for you from the Internet, and these
|
||||||
|
may require plenty of hard disk space. Mouse or other pointing device
|
||||||
|
required (cannot control SlipKnot via only the keyboard).
|
||||||
|
|
||||||
|
Your UNIX system must have either the program "lynx" (version 2.2 or
|
||||||
|
later) or the program "www" available. If in doubt, log in to your
|
||||||
|
host, and try to execute either of these programs. You will then know
|
||||||
|
immediately whether they are available. To find the version of lynx on
|
||||||
|
your UNIX host, execute the UNIX command: "lynx -version".
|
||||||
|
|
||||||
|
Your UNIX host must have a program to send files to you via either the
|
||||||
|
Xmodem or Ymodem protocol. The actual name of the programs that perform
|
||||||
|
these file transfers changes from system to system, but try the commands
|
||||||
|
"sx" (for XModem) or "sb" (for YModem). If these fail, ask your system
|
||||||
|
administrator or some other knowledgeable person. Likewise, you will
|
||||||
|
need to know the name of the UNIX program that will receive files from
|
||||||
|
your PC using Xmodem or Ymodem. Your UNIX system must be able to display
|
||||||
|
individual file sizes using the "ls -l filename" command. If "ls" has
|
||||||
|
been renamed or works differently from normal, SlipKnot will fail.
|
||||||
|
|
||||||
|
SlipKnot was created because, at that time, there was no other alternative
|
||||||
|
to accessing the World Wide Web graphically if you did not have SLIP or
|
||||||
|
PPP or TCP/IP access. Having analyzed Mosaic and some of its competitors,
|
||||||
|
I concluded that all of these browsers were designed for people with very
|
||||||
|
rapid communications channels into the Internet, not modem users. Even if
|
||||||
|
you have SLIP access, most of these browsers do not allow you to save
|
||||||
|
entire documents (with the included pictures), forcing you to retrieve the
|
||||||
|
documents again whenever you wish to take a full look at them. It takes a
|
||||||
|
while to retrieve any document by modem with any browser, and you shouldn't
|
||||||
|
have to do this more than once.
|
||||||
|
|
||||||
|
Now the good stuff:
|
||||||
|
|
||||||
|
First of all, Slipknot is a fantastic idea. To be able to use the World
|
||||||
|
Wide Web and only requiring the end user to maintain a normal account
|
||||||
|
on his/her provider is great. This allows the user to have Web access
|
||||||
|
without paying those occasionally high rates for a SLIP or PPP connection.
|
||||||
|
|
||||||
|
I ftp'd the Slipknot software and installed it. I was very happy that
|
||||||
|
it installed without any problems.
|
||||||
|
|
||||||
|
Configuring the software was fairly painless. The biggest part was
|
||||||
|
taking the time to edit the login script for my service provider...
|
||||||
|
and that step is not even necessary since Slipknot allows you to
|
||||||
|
conduct manual logins of you so choose.
|
||||||
|
|
||||||
|
I was finally ready to dial out. Everything was working like a champ until
|
||||||
|
about 10 minutes into my session when my entire system locked up. I had
|
||||||
|
to do a complete shutdown and start over. No big deal, I thought.
|
||||||
|
I attempted again, as the 10 minutes that I did use it was a great
|
||||||
|
experience. I had never seen an application that could do WWW over a
|
||||||
|
normal user account. It connected perfectly and was working fine for
|
||||||
|
another few minutes...then it locked up again. I began to worry.
|
||||||
|
I noticed that both times it locked up I was accessing the Federal Bureau
|
||||||
|
Of Investigation home page (FBI). Maybe Slipknot was not compatible with
|
||||||
|
sites who promote the Clipper chip...Hahahaha. Not the case, unfortunately.
|
||||||
|
|
||||||
|
During the course of the day, it locked up at random. I tested my
|
||||||
|
computer hardware to see what the issue might be. There was no hardware
|
||||||
|
problem. My computer has never locked up on my under any circumstances
|
||||||
|
before.
|
||||||
|
|
||||||
|
I am not going to give this software a bad review because it locked up
|
||||||
|
on my system. I polled some users on the Internet regarding their
|
||||||
|
experiences with the software and here's what some of them said;
|
||||||
|
|
||||||
|
SLIPKNOT version 1.0 really works without a SLIP/PPP acct. In my case it
|
||||||
|
installed quite easily, with minimum tweaking (certainly less than to
|
||||||
|
install TIA). It opened the WWW to me. Next versions, should have FORMS
|
||||||
|
support. That is a must and is urgently needed, because many WWW pages
|
||||||
|
contain forms. Other than that, SLIPKNOT is highly recommended for a
|
||||||
|
low-budget approach to WWW. [one@netcom.com]
|
||||||
|
|
||||||
|
=========================================================================
|
||||||
|
|
||||||
|
I find it to be a an incredibly clever idea, and it works quite well
|
||||||
|
with direct dial. Some problems with images and sound via telnet/rlogin,
|
||||||
|
but not a big problem. The idea of being able to web-surf without SLIP
|
||||||
|
is very attractive, especially for the dial-up user as so many of us are.
|
||||||
|
With the "load images" turned off, it is much faster, and you can
|
||||||
|
selectively load them. but since it uses Lynx as its engine, why not use
|
||||||
|
Lynx for imageless surfing.
|
||||||
|
|
||||||
|
Speed: I compared it to my SLIP account with NCSA Mosaic and Netscape.
|
||||||
|
It loads images, etc. a bit slower than Mosaic and a lot slower than
|
||||||
|
Netscape.
|
||||||
|
|
||||||
|
Installation and Set up: simple, esp as compared to the fun you can have
|
||||||
|
installing say Netscape and all the winsockets stuff, and IP/DNS
|
||||||
|
configuring.
|
||||||
|
|
||||||
|
Look and Feel: I'd like a larger document window, but the pulldown menus,
|
||||||
|
etc. will make surfing easier for the newbies.
|
||||||
|
|
||||||
|
Overall - a nice, inexpensive alternative to SLIP/PPP, especially for
|
||||||
|
those fairly new to the net and like that point and click feel.
|
||||||
|
|
||||||
|
NB: another alternative for an "on the cheap" approach to the Web is The
|
||||||
|
Internet Adaptor -- I have it installed in my dial-up unix account, and it
|
||||||
|
is slick: it emulates SLIP, and works very well. I'm getting rid of my
|
||||||
|
SLIP account because I have TIA. If you have ever set up a SLIP, it is
|
||||||
|
pretty easy to install and set-up. If not, you'll spend some time. Cheap
|
||||||
|
too. - Jill Ellsworth <ellswort@tenet.edu>
|
||||||
|
|
||||||
|
=========================================================================
|
||||||
|
|
||||||
|
Very nice and easy to use developmental software. Web works well and the
|
||||||
|
terminal mode is functional and adequate for most users. everything
|
||||||
|
available from your Internet provider can be accessed, just as with a
|
||||||
|
full blown commercial package like ProCom, etc. Some limitations on
|
||||||
|
bells and whistles apply.
|
||||||
|
|
||||||
|
Inability to support ftp and gopher from within the html page is a
|
||||||
|
bother, but as development continues I hope Peter Brooks will be able to
|
||||||
|
add that capability.
|
||||||
|
|
||||||
|
Direct link to obtain upgrades and the automated upgrade installation
|
||||||
|
built into Slipknot is a neat touch.
|
||||||
|
|
||||||
|
I am currently using Version 1.00 and have sent in my registration fee
|
||||||
|
because I want to encourage continued development.
|
||||||
|
|
||||||
|
I really appreciated the opportunity to evaluate the fully functional
|
||||||
|
application. - Steve Seteroff (seteroff@kendaco.telebyte.com)
|
||||||
|
|
||||||
|
=========================================================================
|
||||||
|
|
||||||
|
You're a brave man to ask for opinions on the Internet!
|
||||||
|
|
||||||
|
I got SlipKnot right after it was released. It is a wonder. Last night I
|
||||||
|
got the latest version "g". I am so pleased. Peter Brooks and Felix
|
||||||
|
Kramer (?) have a winner on their hands. I had tried to install netscape,
|
||||||
|
tia, and winsockets about two weeks before I saw the announcement, and
|
||||||
|
failed. The only problems I had in the installation of SlipKnot were ones
|
||||||
|
anticipated in the help screens. (RTFM, dummy!) Peter Brooks was on the
|
||||||
|
newsnet answering questions almost 24 hours a day.
|
||||||
|
|
||||||
|
1. Easy to install.
|
||||||
|
2. Cheap.
|
||||||
|
3. Easy to use.
|
||||||
|
4. Fun!
|
||||||
|
|
||||||
|
And all this praise from a DOS command line freak. I told PBrooks in an
|
||||||
|
email that I hate Windoze and had been threatening my son to take it off
|
||||||
|
my computer (he uses my printer and MSWord). I complained to PBrooks that
|
||||||
|
now Brendan knew I wouldn't follow through on the threat. I have an
|
||||||
|
indispensable program that needs Windoze.
|
||||||
|
|
||||||
|
Now some cautionary notes. ... Sorry I don't have any reservations.
|
||||||
|
BTW, I am not Peter's mother, nor do I have any affiliation with anyone
|
||||||
|
associated with MicroMind (a moronic name...like, encephalitis, dude!).
|
||||||
|
If you have any particular questions, I would be glad to respond. My
|
||||||
|
guess, judging by the activity in WWW newsgroup, is that you'll have more
|
||||||
|
response than you can handle.
|
||||||
|
|
||||||
|
Good luck with the story. Happy holidays. (BTW I tipped off the LATimes
|
||||||
|
computer technology reporter and he just responded that he'd heard about
|
||||||
|
it. Here mosaic applications are bringing the Web to millions and it's
|
||||||
|
news, but a shell account enabler is ignored. Go figure.) Go SLIP not!
|
||||||
|
|
||||||
|
Mike Howard (mikeh@netcom.com)
|
||||||
|
|
||||||
|
=========================================================================
|
||||||
|
|
||||||
|
I think Peter has a good product. It is still in Beta Version. For
|
||||||
|
example I can not Down Load large files (over 19,456 Bytes). I am sure
|
||||||
|
Peter will find a fix but for now SK is for the experienced user.
|
||||||
|
|
||||||
|
John Hammond (jhammond@unicomp.net)
|
||||||
|
|
||||||
|
=========================================================================
|
||||||
|
|
||||||
|
I found it easy to install; unfortunately it crashes every time I try to
|
||||||
|
get something off the web and I must do a hard reboot - thus Dr.Watson
|
||||||
|
can save nothing, nor can slipknot's built-in debugger. I haven't yet
|
||||||
|
contacted the authors.
|
||||||
|
|
||||||
|
Bennett Price (bjprice@itsa.ucsf.edu)
|
||||||
|
|
||||||
|
=========================================================================
|
||||||
|
|
||||||
|
I have used SlipKnot for about six weeks and have come to rely on it for
|
||||||
|
an easy alternative to mistyped Unix commands. Since I work in a high
|
||||||
|
school that does not yet have Internet access, I foresee SlipKnot as a way
|
||||||
|
to hook the uninitiated into the 'Net. Teachers and administrators who are
|
||||||
|
not already convinced about the utility of the Internet would probably be
|
||||||
|
turned off by a Unix command line. Although downloading graphics through
|
||||||
|
SlipKnot is slow even at 14.4, for the inexperienced user, this wait time
|
||||||
|
is surely preferable to using a straight text-based Web browser.
|
||||||
|
|
||||||
|
While I approve of Version 1.0e as far as it goes, I can certainly suggest
|
||||||
|
a number of needed improvements:
|
||||||
|
|
||||||
|
1. gopher support
|
||||||
|
2. telnet support
|
||||||
|
3. forms support
|
||||||
|
4. better resource management (I run SlipKnot on a Pentium with 16 Mb of
|
||||||
|
RAM and yet often run low on GDI resources)
|
||||||
|
5. improved error handling when the 'Net is busy or a page cannot be found
|
||||||
|
6. automatic redial in the terminal mode (Maybe this can be done with a
|
||||||
|
script, but I could not see how.)
|
||||||
|
7. Z-modem or Y-modem batch transfer support in terminal mode.
|
||||||
|
|
||||||
|
Don't get me wrong. I like SlipKnot. Everything can be improved. I am sure
|
||||||
|
at Micromind. they are already at work (at least mentally) on these
|
||||||
|
suggestions.
|
||||||
|
|
||||||
|
Jeff Ratliff (tratliff@whale.st.usm.edu)
|
||||||
|
|
||||||
|
=========================================================================
|
||||||
|
|
||||||
|
I have found Slipknot to be a very worthwhile product. Its ease of
|
||||||
|
set-up is a definite plus. I downloaded Slipknot and had it installed
|
||||||
|
and running in a very short time. The installation instructions
|
||||||
|
addressed the few problems I had getting it running and then I was off --
|
||||||
|
surfing the Web. My main dislikes of the software are the small window
|
||||||
|
size and the ability to open only five documents at the same time. I
|
||||||
|
understand that these two complaints are being addressed by the next
|
||||||
|
version. If you don't have direct access (i.e. you connect through a
|
||||||
|
dial-up shell) and don't have a SLIP or PPP connection, Slipknot is
|
||||||
|
definitely worth it.
|
||||||
|
|
||||||
|
Kenyon Jon Michael (mkenyon@jove.acs.unt.edu)
|
||||||
|
|
||||||
|
=========================================================================
|
||||||
|
|
||||||
|
I've been using Slipknot for a while now, and I'm very glad it's
|
||||||
|
around. I think it's seriously necessary, because there are a huge
|
||||||
|
number of people who get their net.access through shell accounts, and
|
||||||
|
this allows you to get a fuller Web experience than with Lynx.
|
||||||
|
|
||||||
|
However, the program has it's problems, and there is a lot of
|
||||||
|
advancement that can be made in the future revisions. For example, forms
|
||||||
|
are not supported, so your Web use only goes one way; you can't reply
|
||||||
|
to things, write mail, make suggestions, etc., or for that matter, be
|
||||||
|
verified for logins like on HotWired. That's a huge pain.
|
||||||
|
|
||||||
|
Another problem is the inability to use gopher servers, something
|
||||||
|
that's still widely implemented and integrated with the Web. And, of
|
||||||
|
course, Slipknot is also a bit buggy; any errors, and the program quits
|
||||||
|
rather than moving on, it displays certain dialog boxes more than once in
|
||||||
|
a row, etc.
|
||||||
|
|
||||||
|
IOW, it's a good idea and good start for a much-needed program, but it
|
||||||
|
still needs work. However, with some more tweaking and advancement, it
|
||||||
|
will be a very solid program.
|
||||||
|
|
||||||
|
Bill Pena (billpena@genesis.nred.ma.us)
|
||||||
|
|
||||||
|
=========================================================================
|
||||||
|
|
||||||
|
I got (and paid) for Slipknot, and am currently running v1.0 with the
|
||||||
|
"g" patch. My host is a "pay" unix system that I call in to
|
||||||
|
get my mail on my "term" account. I am using the program on a
|
||||||
|
486 cryix 40mhz system.
|
||||||
|
|
||||||
|
The program is not perfect. It still has some bugs to work out, and
|
||||||
|
lots of features to be developed (forms, gopher, etc do not work at
|
||||||
|
this time). But!!! even with though the program is still in its early
|
||||||
|
stages of development, I find it VERY useful, and it DOES allow me
|
||||||
|
to view http documents with the graphics.
|
||||||
|
|
||||||
|
I get good 14400/v42bis connections via the automatic log-in script (that
|
||||||
|
must be user customized) and acceptable download speed of the http. With
|
||||||
|
the program running under Windows 3.1, it does take a moment to analyze
|
||||||
|
the downloaded text to "find" the embedded graphics, then download the
|
||||||
|
graphics, plot the series of files, then display the document.
|
||||||
|
|
||||||
|
With the program currently costing $30, the difference in the cost of my
|
||||||
|
term account and a slip/ppp account is a lot more than the cost of
|
||||||
|
Slipknot.
|
||||||
|
|
||||||
|
I use the internet for e-mail and netnews more than a place to surf just
|
||||||
|
to look at images. As such, my primary access to the net is via term with
|
||||||
|
a text editor for mail/news replies. When I want to check out some
|
||||||
|
http/url, I just hang up and call back via Slipknot. I don't use it all
|
||||||
|
the time, so when I need it, it is there for me.
|
||||||
|
|
||||||
|
Being shareware, it is perfect for the user to "play" with to determine
|
||||||
|
if he/she wants to continue to use it, prior to paying for the program...
|
||||||
|
and even with its limitations, it is still a deal at $30. and with the
|
||||||
|
authors still working on it, it is sure to get better and better.
|
||||||
|
|
||||||
|
Tom Stangler (stangle@infi.net)
|
||||||
|
|
||||||
|
=========================================================================
|
||||||
|
|
||||||
|
It works as advertised. Last I checked, it doesn't do forms or telnet
|
||||||
|
connection links It has trouble handling some inline images.
|
||||||
|
|
||||||
|
Just like TIA, your provider can tell if you are using SlipKnot, and if
|
||||||
|
they wanted to, could ban it's use as going beyond the services provided
|
||||||
|
with your class of account. RCI doesn't have any restrictions on TIA or
|
||||||
|
SlipKnot...
|
||||||
|
|
||||||
|
Kevin Kadow (kadokev@rci.ripco.com)
|
||||||
|
|
||||||
|
=========================================================================
|
||||||
|
|
||||||
|
(Slipknot review continued...)
|
||||||
|
|
||||||
|
As you see, we have a wide range of comments here. I believe that most
|
||||||
|
people realize that it still a very young project and has not yet
|
||||||
|
attained it's full potential. If you will note, there was one other
|
||||||
|
person who replied to my request for comments who is having the same
|
||||||
|
problem I am having with system lock ups. I mailed the author of the
|
||||||
|
program and they are getting right on the issue.
|
||||||
|
|
||||||
|
The bottom line is that Slipknot is a great idea and a nice software
|
||||||
|
package. And with end users submitting comments, complaints, and other
|
||||||
|
information directly to the author or the press, the issues will be
|
||||||
|
worked out. I suggest that you keep an eye on Slipknot. It's really
|
||||||
|
going somewhere!
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
cDc GDU #18
|
||||||
|
|
||||||
|
By Swamp Ratte (sratte@phantom.com)
|
||||||
|
_ _
|
||||||
|
((___))
|
||||||
|
[ x x ] cDc communications
|
||||||
|
\ / Global Domination Update #18
|
||||||
|
(' ') November 1st, 1994
|
||||||
|
(U)
|
||||||
|
Est. 1986
|
||||||
|
|
||||||
|
NEW gnU new GnU nEW gNu neW gnu nEw GNU releases for November, 1994:
|
||||||
|
|
||||||
|
_________________________________/Text
|
||||||
|
Files\_________________________________
|
||||||
|
|
||||||
|
281: "Official cDc Press Release Concerning President Reagan" by Reid
|
||||||
|
Fleming. The Cult influences the international political climate of
|
||||||
|
opinion! We just want what we've got coming to us, mister.
|
||||||
|
|
||||||
|
282: "Argument" by Markian Gooley. Positivity and happy sunshine and
|
||||||
|
neato stuff.
|
||||||
|
|
||||||
|
283: "Possibilities" by Obscure Images. Once again, Oi brings the
|
||||||
|
linguistics for the nine deuce deuce. This one's got crazy subliminal
|
||||||
|
tapes and a hippy chick.
|
||||||
|
|
||||||
|
284: "Sanford's Calico" by James Cazamias. It's just like Disney's
|
||||||
|
_That Darn Cat!_, but different.
|
||||||
|
|
||||||
|
285: "Concise Guide to Forgetting How Much You Suck" by Jason Farnon.
|
||||||
|
Courtesy
|
||||||
|
of the cool _I Bleed For This?_ 'zine, here we go with a cDc edit/
|
||||||
|
distribution. Lots of practical advice to improve your standard of living.
|
||||||
|
|
||||||
|
286: "The Divine Masters" by Shriek Broomstraw. Particle physics and alien
|
||||||
|
overlords and why you should be concerned with all this. You should.
|
||||||
|
Really.
|
||||||
|
|
||||||
|
287: "Shotgun" by Swamp Ratte'. Never mind _Where's Waldo?_, where's the
|
||||||
|
shotgun? Oh my. Fills out this release's angst quota.
|
||||||
|
|
||||||
|
288: "Rejection Letter Blues" by Jeff Swanson. Some people just can't
|
||||||
|
appreciate good literature. Fun-eeEe.
|
||||||
|
|
||||||
|
289: "Can There Be Artificial Intelligence?" by Tequila Willy. Another
|
||||||
|
scholarly scab for you to pick at. That Willsie, what a smart guy.
|
||||||
|
|
||||||
|
290: "Bob Takes a Trip" by Special Agent Finerty. Bob's a mechanical dog
|
||||||
|
and he's NUTS. CRAZY. Watch out. Zany hi-jinx.
|
||||||
|
|
||||||
|
__________________________________/cDc
|
||||||
|
Gnuz\__________________________________
|
||||||
|
_ _
|
||||||
|
|\ /^\ /^\
|
||||||
|
/ / / @ )^ -| @ )^ - _
|
||||||
|
/ / 666 ( \/-^-^^| /--^-^-~
|
||||||
|
\o \ \ o \ / /@ )^ - _
|
||||||
|
| o| _ - _ \ / o /| /--^-^-~
|
||||||
|
/ / / O o ^ - / ( O |/ / /\
|
||||||
|
| o \__ _/ O o O o ( o \ o \ /_/@ |
|
||||||
|
\ o o o / |__ _ \\
|
||||||
|
\ o O \ O ( o - o / . ^ \S
|
||||||
|
- - \ o ) \ ( ) /(_ / /^
|
||||||
|
| / - _ - - \ \ -_ -- -
|
||||||
|
| / \ / \ | \ \.
|
||||||
|
/ | | \ | \
|
||||||
|
/_ \ / | \ / _ \
|
||||||
|
| \ - | \ -
|
||||||
|
|
||||||
|
"This low-go you've received is the image of the be east. Whatever
|
||||||
|
you do, do not hold this image in your write hand or receive its image by
|
||||||
|
foe-ton trance Miss-shun through your I balls into your mined full crane
|
||||||
|
he um or you've received the mark of the bee east. Stung, by buy bull
|
||||||
|
revel lay shun. Keep your clothes on and don't follow the be eastly bare
|
||||||
|
whoreds."
|
||||||
|
-Philip Heggie
|
||||||
|
|
||||||
|
--x X x--
|
||||||
|
|
||||||
|
New things? Yep. There's now a Usenet newsgroup for you to discuss the
|
||||||
|
All-Powerfulness of cDc. It's "alt.fan.cult-dead-cow" and if your
|
||||||
|
newsfeed isn't getting it, mail news@yersite and say, "GET WITH THE
|
||||||
|
PROGRAM, PAL! HUP HUP!"
|
||||||
|
|
||||||
|
Tell me about the time you were in the 7th grade and had to do a #2 really
|
||||||
|
bad and those blind special ed. kids were in the bathroom swinging their
|
||||||
|
canes around and saying bad words. You were SCARED, weren't you. HA!
|
||||||
|
|
||||||
|
The world is filled with WIMPS. You go to a large public restroom, into a
|
||||||
|
stall. All the other people in the stalls, you can see their feet. They
|
||||||
|
make no noise. They sit and wait and clutch their tiny little genitals in
|
||||||
|
FEAR. But I am NOT LIKE THEM. I MAKE MY DISGUSTING NOISES AS I PLEASE.
|
||||||
|
I clean up, I exit my stall, I wash my hands and I LEAVE. I AM DONE.
|
||||||
|
I AM RELIEVED. They remain, cowering, wishing they had the GUTS to CRAP
|
||||||
|
but they do not and their bowels TREMBLE with gasses. They are but
|
||||||
|
INSECTS because they cannot CRAP FREELY. LEARN FROM MY ACTIONS and you
|
||||||
|
too can be POWERFUL.
|
||||||
|
|
||||||
|
Lady Carolin is now running the Official cDc Internet Dumpster: ftp or
|
||||||
|
gopher to cascade.net for all the cDc stuff, all the time. Cascade.net
|
||||||
|
gets 'em first and fast. The secondary site is ftp.eff.org as usual.
|
||||||
|
|
||||||
|
The other day I finally got The Beatles' _Abbey Road_ album and this
|
||||||
|
"I Want You (She's So Heavy)" song is amazing. So I'm thinking, why
|
||||||
|
should I be concerned with this week's indie-certified alterna-wonder-
|
||||||
|
weenie when I DON'T EVEN HAVE A GOOD COPY OF BARRY MANILLOW'S "MANDY"?
|
||||||
|
MY 8-TRACK SUFFERS FROM EXTREME WOW AND FLUTTER.
|
||||||
|
|
||||||
|
HOW CAN I EVEN _THINK_ ABOUT JAWBREAKER WHEN MY JACKSON 5 COLLECTION IS
|
||||||
|
SADLY INCOMPLETE!!??
|
||||||
|
|
||||||
|
If your writings have CLASS and STYLE, we want 'em. Dig the address at the
|
||||||
|
bottom of this file, daddy-o.
|
||||||
|
|
||||||
|
|
||||||
|
"What's good for cDc is good for America." - President Calvin Coolidge
|
||||||
|
|
||||||
|
S. Ratte'
|
||||||
|
cDc/Editor and P|-|Ear13zz |_3@DeRrr
|
||||||
|
"We're into t-files for the groupies and money."
|
||||||
|
Middle finger for all.
|
||||||
|
|
||||||
|
Write to: cDc communications, P.O. Box 53011, Lubbock, TX 79453.
|
||||||
|
Internet: sratte@phantom.com.
|
||||||
|
|
||||||
|
cDc Global Domination Update #18-by Swamp Ratte'-"Hyperbole is our
|
||||||
|
business" Copyright (c) 1994 cDc communications. All Rights Reserved.
|
||||||
|
|
||||||
|
ALL FILES LEECHABLE *NOW* BY WWW/GOPHER/FTP FROM CASCADE.NET: pub/cDc/New
|
||||||
|
_ _
|
||||||
|
((___))
|
||||||
|
[ x x ] cDc communications
|
||||||
|
\ / Global Domination Update #19
|
||||||
|
(' ') December 1st, 1994
|
||||||
|
(U)
|
||||||
|
Est. 1986
|
||||||
|
|
||||||
|
NEW gnU new GnU nEW gNu neW gnu nEw GNU releases for December, 1994:
|
||||||
|
|
||||||
|
_________________________________/Text
|
||||||
|
Files\_________________________________
|
||||||
|
|
||||||
|
291-299: Nine Christmas/Holiday/Cold Arctic Wasteland-related stories.
|
||||||
|
Some are funny, some are disturbing, and some will make you VERY AWARE of
|
||||||
|
every single PORE on your NOSE.
|
||||||
|
|
||||||
|
* cDc - DOWN HOME FOR THE HOLIDAYS (1994). Dolly Parton, Kenny Rogers,
|
||||||
|
Olivia Newton-John, Clint Black. Gather 'round the tree and enjoy a
|
||||||
|
rousing duet of Kenny and Olivia singing "Jingle Bell Rock" while Ms.
|
||||||
|
Parton gets drunk and embarrasses herself. Directed by Martin Scorsese.
|
||||||
|
(Drug Use, Adult Language, Graphic Violence, Strong Sexual Content).
|
||||||
|
|
||||||
|
__________________________________/cDc
|
||||||
|
Gnuz\__________________________________
|
||||||
|
|
||||||
|
"In their workshops, the elves toil under the oppressive eyes of the
|
||||||
|
redshirts. The Eskimos are all but extinct, and the dentists pull tooth
|
||||||
|
after whalebone tooth from the charred skulls of their remnants.
|
||||||
|
|
||||||
|
Oh, the twinkling blue Aryan eyes! There is blood on his cheeks!
|
||||||
|
|
||||||
|
He trains mighty legions in his impregnable northern fortress. The Lapps
|
||||||
|
have come to fear the sound of marching boots and jingling bells.
|
||||||
|
|
||||||
|
With his newest sleigh, he can strike any European city in under twenty
|
||||||
|
minutes.
|
||||||
|
|
||||||
|
Good children get a switch in their stocking. The bad ones disappear.
|
||||||
|
|
||||||
|
LONG LIVE THE FOURTH REICH!"
|
||||||
|
-Andrew Solberg
|
||||||
|
|
||||||
|
- x X x -
|
||||||
|
|
||||||
|
|
||||||
|
Conspicuous consumption of cDc products will fill the empty, gnawing
|
||||||
|
voids you may or may not feel in your life... which become all the more
|
||||||
|
apparent at ridiculous hours of the night as carbonated beverages
|
||||||
|
gradually wear away your stomach lining and ulcers work their own little
|
||||||
|
brand of magic.
|
||||||
|
|
||||||
|
Things to look forward to in 1995:
|
||||||
|
|
||||||
|
cDc #300 - Cow Beat #3: "Teen Idling on the Inphomashun Hi-Mom-I'm-on-TV-
|
||||||
|
way"
|
||||||
|
|
||||||
|
cDc FACK: "Frequently Anointed Cows are K-rad." Or something.
|
||||||
|
|
||||||
|
|
||||||
|
I could give you promises of Twinkies and a cool, like, Yaga t-shirt.
|
||||||
|
Will you be happy then? From here to eternity we will shop. We will shop
|
||||||
|
at The Mall and buy only the finest in fashions and Rage Against the
|
||||||
|
Toaster will provide the aural motivation. "Fuck you, Mom, I won't clean
|
||||||
|
my room like you tell me."
|
||||||
|
|
||||||
|
Go to HoHoCon and it'll be cool. Ramada Inn South. 1212 West Ben White
|
||||||
|
Blvd. Austin, Texas. Friday, December 30th through Sunday the 1st.
|
||||||
|
|
||||||
|
Shop! Shop! Do the booty hop! The leather store has a sale on biker
|
||||||
|
jackets, Harley accessories optional and in-stock. New tats shine with
|
||||||
|
gleaming disinfectant. Bright red-skinned jolly pierceings, and sparkling
|
||||||
|
sterling silver! On the tongue, through the lip. Susy's got a charming
|
||||||
|
new necklace, and Little Johnny has a delightful new nose ring! "Come over
|
||||||
|
here, Johnny, so Aunty Emma can see your newest hole."
|
||||||
|
|
||||||
|
Make new holes and fill 'em up.
|
||||||
|
|
||||||
|
As cDc stalks around, hunting the logical conclusions. Ho.
|
||||||
|
|
||||||
|
|
||||||
|
S. Ratte'
|
||||||
|
cDc/Editor and P|-|Ear13zz |_3@DeRrr
|
||||||
|
"We're into t-files for the groupies and money."
|
||||||
|
Middle finger for all.
|
||||||
|
|
||||||
|
Write to: cDc communications, P.O. Box 53011, Lubbock, TX 79453.
|
||||||
|
Internet: sratte@phantom.com.
|
||||||
|
_____________________________________________________________________________
|
||||||
|
|
||||||
|
cDc Global Domination Update #19-by Swamp Ratte'-"Hyperbole is our
|
||||||
|
business" Copyright (c) 1994 cDc communications. All Rights Reserved.
|
||||||
|
|
||||||
|
ALL FILES LEECHABLE *NOW* BY WWW/GOPHER/FTP FROM CASCADE.NET: pub/cDc/New
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
MY LETTER TO WIRED RE: WWW PAGE
|
||||||
|
|
||||||
|
[Editor's note: I mailed this to Wired...and they said that they would
|
||||||
|
print it in the February 1995 issue. We'll see]
|
||||||
|
|
||||||
|
By Scott Davis (dfox@fc.net)
|
||||||
|
|
||||||
|
Dear Wired,
|
||||||
|
|
||||||
|
I have taken it upon myself to do an informal poll regarding your
|
||||||
|
new WWW page on the Internet. I recall that not so long ago, the
|
||||||
|
Wired WWW page was a great thing. It was easy to use and contained
|
||||||
|
a wealth of information. Now, it appears that one must have some
|
||||||
|
type of psudo-government security clearance to get into this WWW page.
|
||||||
|
It is my guess that the purpose for having to enter one's name,
|
||||||
|
e-mail address, special-secret-multi-digit-code, and other requested
|
||||||
|
information is for the purpose of demographics. No matter the reason
|
||||||
|
behind all of this...IS IT WORTH IT? Please allow me to explain the
|
||||||
|
frustrations of some of the net-community.
|
||||||
|
|
||||||
|
In announcing my informal poll, I stated my opinion on the new WWW
|
||||||
|
page. It was not favorable to Wired. I asked others to mail me their
|
||||||
|
opinions also. I will edit some of these for brevity only. I assure
|
||||||
|
you that I did not receive a single good comment about the new page.
|
||||||
|
|
||||||
|
And from what I understand, it seems like that there was some debate
|
||||||
|
regarding the creation and operation of the HotWired page. One
|
||||||
|
net-denizen replied to me, "Three weeks ago Jane Metcalfe came to
|
||||||
|
UCDavis to talk about Hotwired and to give the first public demo of
|
||||||
|
it. She told us that they had debated for quite some time about how
|
||||||
|
to set it up--wanting a balance between looking 'friendly' and 'not
|
||||||
|
allowing anonymous logins'. Sounds like the balance has tipped a bit
|
||||||
|
further than she wanted, given commentary on the net."
|
||||||
|
|
||||||
|
Another frustrated user says, "I gave up after 2 go arounds with the
|
||||||
|
login problems. To bad as I liked to read the old hotwired. Oh well, at
|
||||||
|
least the magazine is still easy to open!"
|
||||||
|
|
||||||
|
Other comments from disgruntled users include "I am getting nowhere with
|
||||||
|
this new interface. Requiring usernames, passwords, verification codes,
|
||||||
|
etc, ad nauseum has not yet induced me to like this new Web page." and
|
||||||
|
"Everytime I try to send my Hotwired Account Verification, it goes into
|
||||||
|
an endless loop, with the Mosaic icon spinning endlessly. If this is a
|
||||||
|
problem with using the Windows Mosaic 2.0a7 browser, I suggest that Wired
|
||||||
|
get rid of the verification, because I'm not getting rid of Mosaic."
|
||||||
|
|
||||||
|
More graphic comments include "Looks like HotWired has become the living,
|
||||||
|
throbbing, thrashing (whatever other adverbs they like) pulse of a
|
||||||
|
self-important, jargon-speaking, head-up-someplace-where-it-is-very-dark
|
||||||
|
entity." and "...not to mention one that has security measures like NORAD!
|
||||||
|
People go to www.wired.com for one thing: BACK ISSUES OF WIRED. End of
|
||||||
|
story." And the be-all-end-all comment that fits this WWW page perfectly
|
||||||
|
came from an avid reader. He says "I'd have to say this new setup has
|
||||||
|
become TIRED before it was ever WIRED..."
|
||||||
|
|
||||||
|
In running a large operation such as Wired, you are going to get
|
||||||
|
complaints about "something" all the time. And as the best publications
|
||||||
|
of it's kind, I am sure that you address the issues as much as possible
|
||||||
|
...just as you have this one. And many of the complaints you receive
|
||||||
|
probably carry "less priority" than others. However I certainly hope
|
||||||
|
this does not fall into that category of "less priority". I could
|
||||||
|
understand if maybe 50 or 100 people complained. But over the past
|
||||||
|
several months, I have seen numerous people complain about the
|
||||||
|
procedures required to gain access to your WWW page.
|
||||||
|
|
||||||
|
When I first sent my rough draft of this article into Wired, I received
|
||||||
|
a polite response from Andrew Anker of Wired Magazine. He was very
|
||||||
|
informative and perhaps his response seemed 'typical' to me because I
|
||||||
|
failed to provide him with much of the necessary information that I had
|
||||||
|
collected in order to do this article. I certainly do appreciate his
|
||||||
|
response to our concerns. Mr. Anker replied, "...over 20,000 people have
|
||||||
|
logged into the HotWired since we launched last Thursday, so it's very
|
||||||
|
possible that the people you polled didn't read the text of the intro
|
||||||
|
pages into HotWired that explain that certain browsers don't work with
|
||||||
|
HotWired."
|
||||||
|
|
||||||
|
Giving Wired the benefit of the doubt and assuming that some browsers may
|
||||||
|
not work or could be outdated (which I now know to be true), my next step
|
||||||
|
was to get the latest copy of one of the more popular browsers and try
|
||||||
|
again. And once again, I ran into more problems. I was not about to
|
||||||
|
attempt to troubleshoot more problems with this WWW page. I had obtained
|
||||||
|
the proper hardware and software to accomplish the task. It was no longer
|
||||||
|
my problem. It's Wired's problem.
|
||||||
|
|
||||||
|
After this last-ditch attempt to prove ourselves wrong in theory and
|
||||||
|
technique, one of my close friends stated, "Why the hell are they trying
|
||||||
|
to make it so hard to get at? Are they experimenting with someone's
|
||||||
|
cockamamie scheme for the Web equivalent of pay-TV?"
|
||||||
|
|
||||||
|
It appears that many people are getting TIRED of this WWW page.
|
||||||
|
Many end users do not see the purpose of having to enter all this
|
||||||
|
information, and in the end, it causes nothing more than a headache
|
||||||
|
when it does not work. I certainly do not want people to think that
|
||||||
|
I am some 'Privacy Hound' who disagrees with the concept of entering
|
||||||
|
my personal information on some WWW page. My name, number and address
|
||||||
|
are of public record to anyone who wishes to dial 512-555-1212.
|
||||||
|
The fact is that I have spoken to several people who cannot seem
|
||||||
|
to get the interface to work. And I seriously doubt that each of them
|
||||||
|
have an ill-configured Moasic.
|
||||||
|
|
||||||
|
Of all the people and companies on the net with Web pages, I would
|
||||||
|
venture to assume that Wired, of all people would promote accessibility
|
||||||
|
and ease before subjecting it's users to a verification procedure that many
|
||||||
|
feel is lacking, to say the least. I might go so far as to suggest that
|
||||||
|
Wired might want to resort back to the good 'ole days and have a WWW page
|
||||||
|
that is easily accessible and easy to use. Including the page where you
|
||||||
|
are requesting that the user input information can still remain on the
|
||||||
|
WWW site, but make it optional, and don't make it the home page. You
|
||||||
|
can ask people to fill out the requested information. I am sure that
|
||||||
|
many, if not most would comply. And by switching back, you are opening
|
||||||
|
doors for people who may not want to update their software, or just want
|
||||||
|
access for a short time obtain specific information.
|
||||||
|
|
||||||
|
As far as updating browsing software, my theory is "if it's not broken,
|
||||||
|
don't fix it", and just because somebody can't get on Wired's page, does
|
||||||
|
not mean that their software is broken and should be updated.
|
||||||
|
|
||||||
|
I must be honest and admit that I did FINALLY gain access to HotWired.
|
||||||
|
Nut not until I had tried every "compatible" version of Mosaic and
|
||||||
|
finally was forced to upgrade to NetScape for the sole purpose of
|
||||||
|
getting on HotWired. Was all that necessary?
|
||||||
|
|
||||||
|
Please fix this problem by making Wired easier to access. We end users
|
||||||
|
have to jump through enough obstacles as it is, and there is no point
|
||||||
|
in having to do this to get our favorite magazine on our screen.
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
802
textfiles.com/magazines/JAUC/juac10.txt
Normal file
802
textfiles.com/magazines/JAUC/juac10.txt
Normal file
@@ -0,0 +1,802 @@
|
|||||||
|
From dfox@fc.net Sat Jan 21 06:21:58 1995
|
||||||
|
Received: from freeside.fc.net (freeside.fc.net [198.6.198.2]) by bigboote.WPI.EDU (8.6.9/8.6) with ESMTP id GAA16077 for <mikecap@wpi.edu>; Sat, 21 Jan 1995 06:21:53 -0500
|
||||||
|
Received: (from dfox@localhost) by freeside.fc.net (8.6.8.1/8.6.6) id FAA01518 for mikecap@wpi.edu; Sat, 21 Jan 1995 05:18:54 -0600
|
||||||
|
Date: Sat, 21 Jan 1995 05:18:54 -0600
|
||||||
|
From: Malik Al-Rashim <dfox@fc.net>
|
||||||
|
Message-Id: <199501211118.FAA01518@freeside.fc.net>
|
||||||
|
To: mikecap@wpi.edu
|
||||||
|
Subject: JAUC-File10
|
||||||
|
Status: O
|
||||||
|
|
||||||
|
|
||||||
|
CALLER ID FAQ
|
||||||
|
|
||||||
|
By Padgett Peterson (padgett@tccslr.dnet.mmc.com)
|
||||||
|
|
||||||
|
Frequently Asked Questions About Caller-ID v1.1 Mar. 1994
|
||||||
|
|
||||||
|
1) What is Caller-ID ?
|
||||||
|
|
||||||
|
First ask "What is ANI"
|
||||||
|
|
||||||
|
2) OK, What is ANI ?
|
||||||
|
|
||||||
|
ANI or Automatic Number Identification is a mechanism by which the
|
||||||
|
different telephone companies determine what account is to be charged for
|
||||||
|
a call, This information is passed between Telcos and was originally
|
||||||
|
for billing purposes and predated both SS7 (Signaling System 7)
|
||||||
|
and (C)LASS (Local Area Signaling Services was the original AT&T
|
||||||
|
designations, the "C" was added by Bellcore after divesture) services
|
||||||
|
which make CNID or Calling Number IDentification as Caller-ID is more
|
||||||
|
properly known, possible.
|
||||||
|
|
||||||
|
Since the Telcos had ANI, the decision was made to make it available
|
||||||
|
to authorized parties such as 911 service and law enforcement agencies.
|
||||||
|
ANI is also used to let a Telco operator know who is calling.
|
||||||
|
|
||||||
|
More recently, ANI is used to report to 800 and 900 subscribers,
|
||||||
|
who made the calls they have received, in the first case so that
|
||||||
|
the 800 subscriber knows who the charge is for, and so that 900
|
||||||
|
number subscribers know who to charge.
|
||||||
|
|
||||||
|
Thus while ANI is similar to CALLER-ID and may provide the same
|
||||||
|
information, they are actually two different services and ANI information
|
||||||
|
is not necessarily the same as what will appear on a CALLER-ID display.
|
||||||
|
|
||||||
|
3) Now (maybe) what is Caller-ID ?
|
||||||
|
|
||||||
|
Caller-ID is a Telco offering that is a byproduct of (C)LASS services.
|
||||||
|
In this case, only those numbers reported by participating exchanges are
|
||||||
|
returned, exactly which are and which are not is currently (March 1994)
|
||||||
|
at the Telco's discretion.
|
||||||
|
|
||||||
|
The Federal Government has stated that it is their intent that nationwide
|
||||||
|
CNID be available by mid-1995. The full text of this decision may be
|
||||||
|
found FCC Report No. DC-2571 issued on March 8, 1994.
|
||||||
|
|
||||||
|
The biggest effect of the ruling is to mandate transport of CPN (customer
|
||||||
|
provided number) information between interconnecting networks eliminating
|
||||||
|
the effective inter-LATA-only limitation that exists today in most areas.
|
||||||
|
|
||||||
|
Currently there are two types of Caller-ID. The first (often referred
|
||||||
|
to as "basic" service) just returns the calling number or an error
|
||||||
|
message and the date/time of the call.
|
||||||
|
|
||||||
|
The second ("enhanced" Caller-ID) also may return the directory
|
||||||
|
information about the calling number. At a minimum, the name of the
|
||||||
|
subscriber is returned (the subscriber is not the same as the caller,
|
||||||
|
the phone company has no way to determine who is actually on the line).
|
||||||
|
|
||||||
|
4) How is the Caller-ID information provided ?
|
||||||
|
|
||||||
|
As a 1200 baud, 7 data bits, 1 stop bit data stream usually transmitted
|
||||||
|
following the first and before the second ring signal on the line. Note
|
||||||
|
that this is not a standard Bell 212 or CCITT v22 data format so a
|
||||||
|
standard modem will probably not be able to receive it. Further, the
|
||||||
|
serial information exists as such only from the recipient's switch to
|
||||||
|
the callee's location. Between carriers the signal exists as data packets.
|
||||||
|
|
||||||
|
The signal is provided before the circuit is complete: picking up the
|
||||||
|
receiver before the data stream is finished will stop/corrupt the
|
||||||
|
transmission.
|
||||||
|
|
||||||
|
Currently there are two types of information returned: a "short form"
|
||||||
|
which contains the date/time (telco and not local) of the call and the
|
||||||
|
calling number or error message. The "long form" will also contain the
|
||||||
|
name and possibly the address (directory information) of the calling phone.
|
||||||
|
|
||||||
|
The "short form" stream consists of a set of null values, followed
|
||||||
|
by a two byte prefix, followed by the DATE (Month/Day), TIME (24 hour
|
||||||
|
format), and number including area code in ASCII, followed by a 2s
|
||||||
|
compliment checksum. Most modems/caller id devices will format the data
|
||||||
|
but the raw stream looks like this :
|
||||||
|
0412303232383134333434303735353537373737xx
|
||||||
|
or (prefix)02281334407555777(checksum)
|
||||||
|
|
||||||
|
A formatted output would look like this:
|
||||||
|
Date - Feb 28
|
||||||
|
Time - 1:34 pm
|
||||||
|
Number - (407)555-7777
|
||||||
|
|
||||||
|
5) Can a Caller-ID signal be forged/altered ?
|
||||||
|
|
||||||
|
Since the signal is provided by the local Telco switch and the calling
|
||||||
|
party's line is not connected until after the phone is answered, generally
|
||||||
|
the signal cannot be altered from the distant end. Manipulation would
|
||||||
|
have to take place either at the switch or on the called party's line.
|
||||||
|
|
||||||
|
However, the foregoing applies only to a properly designed CNID unit.
|
||||||
|
For instance the Motorola M145447 chip has a "power down" option that
|
||||||
|
wakes the Chip up when the phone rings for just long enough to receive,
|
||||||
|
process, and deliver the CNID signal after which it shuts down until the
|
||||||
|
next call.
|
||||||
|
|
||||||
|
Should this option be disabled, the chip will be in a "listen always"
|
||||||
|
state and it is theoretically possible to "flood" a line making a
|
||||||
|
vulnerable box record successive erroneous numbers.
|
||||||
|
|
||||||
|
I have received a report of a device called "Presto Chango" that
|
||||||
|
can transmit an extra ADSI modem tone after the call has been picked up
|
||||||
|
that will cause a susceptible box to display the later information. It
|
||||||
|
was also reported to me that CNID boxes marketed by US-West as their
|
||||||
|
brand and made by CIDCO have been used to demonstrate the "Presto Chango"
|
||||||
|
box.
|
||||||
|
|
||||||
|
6) What is "ID Blocking" ?
|
||||||
|
|
||||||
|
Most Telco's providing Caller-ID have been required to also provide the
|
||||||
|
ability for a calling party to suppress the Caller-ID signal. Generally
|
||||||
|
this is done by pressing star-six-seven before making the call. In most
|
||||||
|
cases this will block the next call only however some Telcos have decided
|
||||||
|
to implement this in a bewildering array of methods. The best answer is
|
||||||
|
to contact the service provider and get an answer in writing.
|
||||||
|
|
||||||
|
Currently this is supplied as either by-call or by-line blocking. By-Call
|
||||||
|
is preferred since the caller must consciously block the transmission
|
||||||
|
on each call. By-Line blocking as currently implemented has the
|
||||||
|
disadvantage that the caller, without having a second caller-id equipped
|
||||||
|
line to use for checking, has no way of knowing if the last star-six-seven
|
||||||
|
toggled blocking on or off.
|
||||||
|
|
||||||
|
Note that blocking is provided by a "privacy" bit that is transmitted
|
||||||
|
along with the CNID information and so is still available to the Telco
|
||||||
|
switch, just not to the subscriber as a CNID signal. Consequently related
|
||||||
|
services such as call trace, call return, & call block may still work.
|
||||||
|
|
||||||
|
7) What happens if a call is forwarded ?
|
||||||
|
|
||||||
|
Generally, the number reported is that of the last phone to forward the
|
||||||
|
call. Again there are some Telco differences so use the same precaution
|
||||||
|
as in (6). If the forwarding is done by customer owned equipment there
|
||||||
|
is no way of telling but will probably be the last calling number.
|
||||||
|
|
||||||
|
Note that as specified, CNID is *supposed* to return the number of the
|
||||||
|
originating caller but this is at the mercy of all forwarding devices,
|
||||||
|
some of which may not be compliant.
|
||||||
|
|
||||||
|
8) What happens if I have two phone lines and a black box to do
|
||||||
|
the forwarding ?
|
||||||
|
|
||||||
|
If you have two phone lines or use a PBX with outdialing features, the
|
||||||
|
reported number will be that of the last line to dial. Currently there
|
||||||
|
is no way to tell a black box from a human holding two handsets together.
|
||||||
|
|
||||||
|
9) I called somebody from a company phone (555-1234) but their Caller-ID
|
||||||
|
device reported 555-1000.
|
||||||
|
|
||||||
|
Often a company with multiple trunks from the Telco and their own
|
||||||
|
switch will report a generic number for all of the trunks.
|
||||||
|
|
||||||
|
There is a defined protocol for PBXs to pass true CNID information on
|
||||||
|
outgoing lines but it will be a long time before all existing COT
|
||||||
|
(Customer Owned Telephone) equipment is upgraded to meet this standard
|
||||||
|
unless they have a reason to do so.
|
||||||
|
|
||||||
|
10) I run a BBS. How can I use Caller-ID to authenticate/log callers ?
|
||||||
|
|
||||||
|
There are two ways. The first utilizes a separate Caller-ID box
|
||||||
|
with a serial cable or an internal card. This sends the information
|
||||||
|
back to a PC which can then decide whether to answer the phone and what
|
||||||
|
device should respond. Some of these are available which can handle
|
||||||
|
multiple phone lines per card and multiple cards per PC.
|
||||||
|
|
||||||
|
The second (and most common) is for the capability to be built in a modem
|
||||||
|
or FAX/modem. While limited to a single line per modem, the information
|
||||||
|
can be transmitted through the normal COM port to a program that again
|
||||||
|
can decide whether or not to answer the phone and how. There is a
|
||||||
|
FreeWare Caller-ID ASP script for Procomm Plus v2.x available for FTP
|
||||||
|
from the Telecom archive. Most such software packages will also log each
|
||||||
|
call as it is received and the action taken.
|
||||||
|
|
||||||
|
Of course for true wizards, there are chips available (one of the first
|
||||||
|
was the Motorola MC145447) that can recognize the CNID signal and
|
||||||
|
transform it into a proper RS-232 (serial) signal.
|
||||||
|
|
||||||
|
11) How is security enhanced by using Caller-ID over a Call-Back
|
||||||
|
service or one-time-passwords for dial-up access ?
|
||||||
|
|
||||||
|
Caller-ID has one great advantage over any other mechanism for telephone
|
||||||
|
lines. It allows the customer to decide *before* picking up the receiver,
|
||||||
|
whether to answer the call.
|
||||||
|
|
||||||
|
Consider hackers, crackers, and phreaks. Their goal in life is to forcibly
|
||||||
|
penetrate electronic systems without permission (sounds like rape doesn't
|
||||||
|
it ?). They employ demon dialers and "finger hacking" to discover
|
||||||
|
responsive numbers, often checking every number in a 10,000 number
|
||||||
|
exchange.
|
||||||
|
|
||||||
|
If they get a response such as a modem tone, they have a target and
|
||||||
|
will often spend days or weeks trying every possible combination of codes
|
||||||
|
to get in. With Caller-ID answer selection, the miscreant will never
|
||||||
|
get to the modem tone in the first place, yet for an authorized number,
|
||||||
|
the tone will appear on the second ring. Previously the best solution
|
||||||
|
for dial-ups was to set the modem to answer on the sixth ring (ats0=6).
|
||||||
|
Few hackers will wait that long but it can also irritate customers.
|
||||||
|
|
||||||
|
12) What error messages will Caller-ID return ?
|
||||||
|
|
||||||
|
a) "Out of Area" - (Telco) the call came from outside the Telco's
|
||||||
|
service area and the Telco either has no available information or
|
||||||
|
has chosen not to return what information it has.
|
||||||
|
|
||||||
|
b) "Blocked" or "Private" - (Telco) the caller either has permanent
|
||||||
|
call blocking enabled or has dialed star-six-seven for this call. You do
|
||||||
|
not have to answer either.
|
||||||
|
|
||||||
|
c) "Buffer Full" - (device manufacturer) there are many Caller-ID devices
|
||||||
|
on the market and exactly how they have chosen to implement storage is up
|
||||||
|
to the manufacturer. This probably means that the divide has a limited
|
||||||
|
buffer space and the device is either losing the earliest call records or
|
||||||
|
has stopped recording new calls.
|
||||||
|
|
||||||
|
d) "Data Error" or "Data Error #x" - (device manufacturer) signal was
|
||||||
|
received that was substandard in some way or for which the checksum did
|
||||||
|
not match the contents.
|
||||||
|
|
||||||
|
e) "No Data Sent" - (device manufacturer) Signal was received consisting
|
||||||
|
entirely of nulls or with missing information but a proper checksum.
|
||||||
|
|
||||||
|
13) Why are so many people against Caller-ID ?
|
||||||
|
|
||||||
|
FUD - Fear, Uncertainty, & Doubt or 10,000,000 lemmings can't be wrong.
|
||||||
|
There were some justifiable concerns that some people (battered wives,
|
||||||
|
undercover policemen) might be endangered or subject to harassment
|
||||||
|
(doctors, lawyers, celebrities) by Caller-ID. As mentioned above there
|
||||||
|
are several legitimate ways to either block Caller-ID or to have it return
|
||||||
|
a different number. It is up to the caller. The advantage is that with
|
||||||
|
Caller-ID, for the first time, the called party has the same "right of
|
||||||
|
refusal".
|
||||||
|
|
||||||
|
Expect yet another Telco service (at a slight additional charge) to be
|
||||||
|
offered to return an office number for calls made from home. Crisis
|
||||||
|
centers could return the number of the local police station.
|
||||||
|
|
||||||
|
|
||||||
|
Compiled by Padgett Peterson. Constructive comments to:
|
||||||
|
padgett@tccslr.dnet.mmc.com Brickbats >nul.
|
||||||
|
|
||||||
|
Thanks for additional material to:
|
||||||
|
|
||||||
|
David J. Kovan
|
||||||
|
Robert Krten
|
||||||
|
John Levine
|
||||||
|
David G. Lewis
|
||||||
|
Karl Voss
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
THE PENTIUM BUG WAR ENDS AS WE KNOW IT
|
||||||
|
|
||||||
|
By James Baar and Theodore Baar
|
||||||
|
|
||||||
|
The real long-term significance of the Great Intel Pentium Flaw
|
||||||
|
Imbroglio is the imminent demise of the current practice of public
|
||||||
|
relations and corporate and government communications as we know them.
|
||||||
|
|
||||||
|
Ironically caught unaware of the communications world it helped create,
|
||||||
|
Intel suffered a public relations near-disaster. Intel's arch competitor,
|
||||||
|
IBM, wandered bubba-like into a public relations bog the future depths
|
||||||
|
of which are still to be determined.
|
||||||
|
|
||||||
|
Clearly we soon will see on the boneyard of history such communications
|
||||||
|
artifacts as:
|
||||||
|
|
||||||
|
--The lengthy, well-spun news release or official statement
|
||||||
|
explaining what "really" happened or why a product "really" is a
|
||||||
|
breakthrough for all mankind.
|
||||||
|
|
||||||
|
--The news conference where the news is that what the media said
|
||||||
|
yesterday or last week is "really" not the news at all.
|
||||||
|
|
||||||
|
--The necessity to convince rushed and often ill-informed
|
||||||
|
journalists and beautiful and much more ill-informed TV anchors that your
|
||||||
|
truth is "really" true.
|
||||||
|
|
||||||
|
The Internet is doing to public relations what CSPAN, CNN Forums
|
||||||
|
and talk radio are doing to news coverage: When you are there, the
|
||||||
|
messenger is extraneous. And, on the Internet, you are there and you are
|
||||||
|
the messenger as well..
|
||||||
|
|
||||||
|
The Pentium Flaw War was the first major corporate war to be fought
|
||||||
|
primarily in cyberspace. The initial, very scattered shots were fired
|
||||||
|
more than five months ago on the Internet; major engagements got underway
|
||||||
|
in October; and a worldwide battle raged through November and early
|
||||||
|
December.
|
||||||
|
|
||||||
|
Little of this was noted particularly in the general or trade media
|
||||||
|
until near the end. And then it was reported as a highly technical
|
||||||
|
problem of limited general interest. Only when IBM found it convenient
|
||||||
|
to drop the equivalent of a small nuclear weapon did most of the major
|
||||||
|
national media take note that something much more than an academic,
|
||||||
|
technically obscure brawl was underway.
|
||||||
|
|
||||||
|
Only then did the WALL STREET JOURNAL shout from it's front page:
|
||||||
|
|
||||||
|
Chip Shot
|
||||||
|
Computer Giants' War
|
||||||
|
Over Flaw in Pentium
|
||||||
|
Jolts the PC Industry
|
||||||
|
|
||||||
|
And, on the same day, the NEW YORK TIMES shouted from it's front page:
|
||||||
|
|
||||||
|
I.B.M. HALTS SALES
|
||||||
|
OF IT'S COMPUTERS
|
||||||
|
WITH FLAWED CHIP
|
||||||
|
|
||||||
|
Both stories were inspired belatedly by an IBM announcement that it was
|
||||||
|
suspending sales (sort of) of any of it's personal computers that included
|
||||||
|
the Intel Pentium chip because the chip had a flaw.
|
||||||
|
|
||||||
|
Well, ho-hum: Except for the IBM announcement, this was old news along
|
||||||
|
the Information Highway. And the IBM announcement was immediately
|
||||||
|
discounted by many of the veteran cyberspace combatants of the Pentium
|
||||||
|
War as highly suspect: something similar to Parliament coming out against
|
||||||
|
slavery in America after Lexington and Concord.
|
||||||
|
|
||||||
|
Most great military engagements begin quite casually if not accidentally:
|
||||||
|
A sniper picks off a poacher stealing a chicken. A nervous platoon leader
|
||||||
|
calls in a little artillery fire on a bunker. A lost company stumbles
|
||||||
|
on a tank column.
|
||||||
|
|
||||||
|
Back in June, Intel and some of it's customers already knew about the bug
|
||||||
|
that was preventing the new Pentium microprocessors to divide accurately
|
||||||
|
out to more than nine or 10 decimal places in some cases. Intel did not
|
||||||
|
publish the information. If any messages about the bug appeared here and
|
||||||
|
there in various newsgroups on the Internet for the next few months,
|
||||||
|
they initially attracted little attention.
|
||||||
|
|
||||||
|
This was not the kind of consumer problem that causes a lot of excitement
|
||||||
|
at your neighborhood 24-hour store. But this bug was of interest -- and
|
||||||
|
in some cases importance to parts of the world technical community
|
||||||
|
engaged in major mathematical calculations: This is a community that also
|
||||||
|
appreciates that such a flaw is not the first nor will be the last in
|
||||||
|
the increasing complexity of computer components and software; exalts
|
||||||
|
technical openness; recognizes quickly when it is being stonewalled; and
|
||||||
|
has a biting specialized sense of outrage and humor.
|
||||||
|
|
||||||
|
Prof. Thomas Nicely of Lynchburg College reports that when he began
|
||||||
|
running into a potential flaw in the Pentium in June he started a three
|
||||||
|
month effort to determine whether the problem was the Pentium or something
|
||||||
|
else. For example, his own calculations; or possibly known bugs in other
|
||||||
|
hardware such as the Borland C Compiler. And in Copenhagen mathematicians
|
||||||
|
developed a T-shirt satirizing the Intel chip logo "Intel Inside" as "No
|
||||||
|
Intelligence Inside" and published memos saying "We knew about it early
|
||||||
|
in June..."
|
||||||
|
|
||||||
|
Intel managed to downplay and contain word of the bug for the most part
|
||||||
|
through the next three months. Any callers were told at first that a fix
|
||||||
|
was underway and that the bug affected only very special situations.
|
||||||
|
|
||||||
|
Then, on Oct. 30, Dr. Nicely posted a message to "whom it may concern"
|
||||||
|
on the Internet, reporting his findings and his frustrations with getting
|
||||||
|
Intel to pay serious attention to him. In the succeeding weeks, the war
|
||||||
|
between Intel and it's users exploded. Each day there were more reports
|
||||||
|
about the bug and Intel's truculence.
|
||||||
|
|
||||||
|
The number of the strings of messages on the Internet increased and grew
|
||||||
|
longer as users at universities, laboratories and corporations around the
|
||||||
|
world reported the same bug and it's potential variations; discussed
|
||||||
|
their research for possibly more bugs; and reported on their
|
||||||
|
unsatisfactory and frustrating phone calls to Intel.
|
||||||
|
|
||||||
|
And here was where the war was really fought.
|
||||||
|
|
||||||
|
Intel treated each caller as an individual, linear event to be dealt with
|
||||||
|
in isolation; turned around or at least mollified. Intel's position was
|
||||||
|
that this was a routine bug that was being taken care of and was of no
|
||||||
|
major importance to most of it's customers. The Intel position essentially
|
||||||
|
remained that there was no need for a general replacement on demand; that
|
||||||
|
the problem was relatively minor; that if a user was engaged in the kind
|
||||||
|
of heavy mathematics that could be affected by the bug then Intel, if
|
||||||
|
it agreed, would replace a Pentium.
|
||||||
|
|
||||||
|
Meantime, Intel and it's commercial allies continued to promote and sell
|
||||||
|
Pentiums. More than four million Pentiums were reported sold.
|
||||||
|
|
||||||
|
The words "greedy" and "arrogance" became popular on the Internet among
|
||||||
|
customers describing Intel's position. The Internet discussion was highly
|
||||||
|
technical and profane. It also included useful suggestions for
|
||||||
|
broadening the discussion. For example, participants were provided
|
||||||
|
with the Fax number of the New York Times. And more and more of the
|
||||||
|
callers to Intel shared their mostly frustrating experiences on the
|
||||||
|
Internet with a worldwide audience of customers. An angry mob -- slowly
|
||||||
|
recognized as a major threat by Intel -- began to assemble in cyberspace
|
||||||
|
|
||||||
|
Intel CEO Andrew Grove issued a statement on the Internet Nov. 27 seeking
|
||||||
|
to quiet the mob. Instead the roar in cyberspace increased. Intel's
|
||||||
|
Software Lab Technology Lab Director Richard Wirt on Dec. 8 issued a
|
||||||
|
statement on the Internet describing Intel plans to provide a fix for the
|
||||||
|
flaw. The roar continued and spread and Intel's weakening protests were
|
||||||
|
increasingly drowned out as the users reinforced each other with new data
|
||||||
|
and complaints around the clock around the world.
|
||||||
|
|
||||||
|
It was at this point on Dec.12 that IBM -- a reported minor player in the
|
||||||
|
sale of Pentiums, but the developer of a competitive chip, the PowerPC --
|
||||||
|
decided to announce both on the Internet and to the major national media
|
||||||
|
the halting of it's shipments of Pentium-based IBM PCs.
|
||||||
|
|
||||||
|
The war was now spread to the major national media where the problem was
|
||||||
|
easily confused with various consumer product recalls and the Internet
|
||||||
|
where IBM's move was both discounted as self-serving and used
|
||||||
|
simultaneously to pummel Intel further.
|
||||||
|
|
||||||
|
By Dec. 20 Intel had had enough. It agreed to a general recall and
|
||||||
|
apologized for not doing so sooner.
|
||||||
|
|
||||||
|
The public relations lessons are clear.
|
||||||
|
|
||||||
|
People -- particularly customers -- are no longer isolated waiting to
|
||||||
|
learn sooner or later what is happening through the third party media
|
||||||
|
screen and, in turn, relying on the third party media to screen and
|
||||||
|
sooner or later report their reaction. Even when the third party media
|
||||||
|
is accurate this process can take many days.
|
||||||
|
|
||||||
|
Through the Internet, people -- particularly customers -- can tell a
|
||||||
|
corporation or organization exactly what they think and why and share that
|
||||||
|
simultaneously and instantaneously with all concerned around the world.
|
||||||
|
The Internet returns the world to the agora where everyone hears what was
|
||||||
|
said; and everyone hears all comments and reactions; everyone knows who
|
||||||
|
is talking and can make credibility judgments.
|
||||||
|
|
||||||
|
The first Intel error was not to spot the issue stirring on the Internet
|
||||||
|
months ago when the commentary was helpful and understanding. At that
|
||||||
|
time and for several months later, Internet commentators could have been
|
||||||
|
embraced and thanked for their efforts; immediate plans for a work-around
|
||||||
|
fix could have been disclosed; and work on a permanent fix could have
|
||||||
|
been described: all in cyberspace among sophisticated customers who well
|
||||||
|
understand the complex nature of the technology.
|
||||||
|
|
||||||
|
Intel's second error was not to recognize that because of the Internet it
|
||||||
|
no longer could reason at least semi-privately with customers and advance
|
||||||
|
rational technical arguments. In pre-cyberspace days, that could be
|
||||||
|
effective: the customer is grudgingly mollified until the issue is
|
||||||
|
eventually resolved. But in this case, as it's customers shared both
|
||||||
|
their problems and experiences with each other in real time, they fed
|
||||||
|
each others frustrations; were empowered as a group to demand better
|
||||||
|
treatment; and built mutual strength with each day for new battles to
|
||||||
|
come.
|
||||||
|
|
||||||
|
Intel's third error was not to go directly on line with it's customers and
|
||||||
|
deal with the issue interactively. Instead, Intel pursued the classic
|
||||||
|
static public relations mode of issuing statements and news releases.
|
||||||
|
These were turned into blackened ruins by Internet flame messages in a
|
||||||
|
matter of hours.
|
||||||
|
|
||||||
|
Meantime, IBM by it's announcement, uncorked the Law of Unanticipated
|
||||||
|
Consequences. The Internet mob really understood the issue; the general
|
||||||
|
public for the most part did not. IBM, with motives already under
|
||||||
|
suspicion, opened the bottle labeled "Doubt about Technology" to the
|
||||||
|
overall potential future detriment of the Information Technology Industry
|
||||||
|
in general.
|
||||||
|
|
||||||
|
As more people around the world join the millions already using the
|
||||||
|
Internet for communications, corporations and government will be forced
|
||||||
|
if they wish to succeed to function within the new realities of cyberspace:
|
||||||
|
information is shared and sifted by thousands of knowledgeable people;
|
||||||
|
time is collapsed; facts are quickly checked; loss of credibility can be
|
||||||
|
instantaneous; second chances are rare and harder to effect; grandstand
|
||||||
|
plays better be perfect; and the playing off of one audience against
|
||||||
|
another is far more easily detected.
|
||||||
|
|
||||||
|
Above all else, a smattering of obscure messages or even a random one or
|
||||||
|
two can no longer be automatically disregarded as mere technical mumbling.
|
||||||
|
For example, is anyone following up on a recent Internet potential bug
|
||||||
|
message regarding AMD DX-80 chips or another regarding "something about a
|
||||||
|
conditional loop" in the Pentium?
|
||||||
|
|
||||||
|
One final cyberspace reality of note: instant corrosive humor is abundant
|
||||||
|
and effective. (If they really are laughing about you, you can't be taken
|
||||||
|
seriously anymore.) This was ably demonstrated by the Internet author
|
||||||
|
who wrote for the delectation of Intel customers and potential customers
|
||||||
|
everywhere a Star Trek parody. He called it: "BBUUGGS IINN
|
||||||
|
SSPPAACCEE!!".
|
||||||
|
|
||||||
|
(This article is from a forthcoming issue of Knowledge Tools News, an
|
||||||
|
electronic newsletter of Omegacom, Inc. James Baar (jimbar@omegacom.com)
|
||||||
|
is president/managing consultant. Theodore Baar (tedbar@omegacom.com.)
|
||||||
|
is vice president/chief technologist.)
|
||||||
|
|
||||||
|
-----------
|
||||||
|
Copyright (c) 1994 Omegacom, Inc., all rights reserved. This article may
|
||||||
|
be posted to any USENET newsgroup, on-line service, or BBS as long as it
|
||||||
|
is posted in it's entirety and includes this copyright statement. All
|
||||||
|
other rights reserved. This article may not be included in commercial
|
||||||
|
collections or compilations without express permission from Omegacom,
|
||||||
|
Inc. jimbar@omegacom.com. For all other uses you must seek permission
|
||||||
|
of Omegacom, Inc. jimbar@omegacom.com
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
NON-DISCLOSURE AGREEMENT OF DR. NICELY
|
||||||
|
|
||||||
|
The following message was posted to the Internet by Dr. Thomas Nicely,
|
||||||
|
discover of the Pentium Floating Point Unit Flaw. The first part deals
|
||||||
|
with a question regarding Dr. Nicely's signing of a non-disclosure
|
||||||
|
agreement with Intel.
|
||||||
|
|
||||||
|
TO: Whomever It May Concern
|
||||||
|
FROM: Dr. Thomas R. Nicely, Lynchburg College, Lynchburg, Virginia
|
||||||
|
(nicely@acavax.lynchburg.edu)
|
||||||
|
RE: Pentium Bug and Intel NDA
|
||||||
|
DATE: 94.11.25.1400 EST
|
||||||
|
|
||||||
|
This is in reply to Paul Rubin's (phr@netcom.com) inquiry of 23 November.
|
||||||
|
|
||||||
|
* I signed a temporary nondisclosure agreement with Intel on 10 November.
|
||||||
|
|
||||||
|
* There was no coercion or threat of any kind, by either party.
|
||||||
|
|
||||||
|
* The NDA was signed in the course of discussions to determine
|
||||||
|
whether or not an agreement (such as a consultancy) could be reached
|
||||||
|
which would prove beneficial in the long term to myself, to the Intel
|
||||||
|
Corporation, and to my employer, Lynchburg College.
|
||||||
|
|
||||||
|
* From 10 November until 22 November, I deflected all inquiries regarding
|
||||||
|
the Pentium FPU to Intel's representatives. This was a consequence of
|
||||||
|
my own mistaken interpretation of the NDA; I was treating it in the
|
||||||
|
manner of a security clearance; I once held a clearance for secret
|
||||||
|
restricted data in X-division (nuclear weapon design and analysis)
|
||||||
|
at Los Alamos National Laboratory, and that clearance treated most
|
||||||
|
information concerned as "born secret," even if the information was
|
||||||
|
acquired prior to the clearance and/or independently. In the same
|
||||||
|
spirit, I removed from the College's VAX anonymous FTP directory
|
||||||
|
copies of the codes used to analyze the Pentium chip for the bug.
|
||||||
|
|
||||||
|
* After receiving some complaints in this regard, Intel (on its own
|
||||||
|
initiative) informed me on 22 November that I was free to discuss
|
||||||
|
publicly the discovery and nature of the Pentium FPU bug, since this was
|
||||||
|
my own work, accomplished prior to signing the NDA and without
|
||||||
|
assistance from Intel; and that the primary purpose of the NDA was to
|
||||||
|
insure confidentiality of information exchanged in the course of any
|
||||||
|
consulting I might do for Intel in the future.
|
||||||
|
|
||||||
|
* To this date, Intel has been most cooperative in alleviating difficulties
|
||||||
|
caused for my own research (computational number theory; distribution of
|
||||||
|
twin primes and other constellations, and the sums of their reciprocals)
|
||||||
|
by the presence of the bug. They have shipped replacement chips for the
|
||||||
|
CPUs in the machines I am using, and I have verified that the new chips
|
||||||
|
are free of the bug (zero errors in > 1e15 simulated random divisions).
|
||||||
|
|
||||||
|
* I cannot speak for Intel regarding its policies on CPU replacement for
|
||||||
|
Pentium systems having the bug; that is a management decision which
|
||||||
|
obviously must take into account the constraints of supply, inventory,
|
||||||
|
logistics, expense, and public relations. To date, I believe Intel has
|
||||||
|
handled the affair in essentially the manner that could usually be
|
||||||
|
expected of most businesses operating in a highly competitive, low-margin
|
||||||
|
capitalistic economy. Any Pentium owner who feels the need for a
|
||||||
|
replacement CPU should contact Intel Customer Service and Tech
|
||||||
|
Support at 800-628-8686, or Intel representative John Thompson at
|
||||||
|
408-765-1279.
|
||||||
|
|
||||||
|
* I probably have a somewhat different perspective on the bug than most
|
||||||
|
users. It is my opinion that the current generation of microprocessors
|
||||||
|
(and possibly all of them since, say, the 8080) has become so complex
|
||||||
|
that it is no longer possible to completely debug them, or even to
|
||||||
|
determine every bug that exists in one. Thus, the discovery of this
|
||||||
|
particular bug should not be any great surprise. There have been many
|
||||||
|
well-publicized bugs in the past (e.g., the 32-bit multiply bug in the
|
||||||
|
early 80386s, the arctangent bug in the early 80486s, the stack-handling
|
||||||
|
bug in the early 8088s, and the Motorola 68K revision F bug).
|
||||||
|
Furthermore, in view of this, all mission-critical computations should
|
||||||
|
be performed multiple times, in settings as independent as possible---
|
||||||
|
preferably with different CPUs, operating systems, and software
|
||||||
|
algorithms. Where different platforms are not available, the same
|
||||||
|
computation should be performed using algorithms as independent as
|
||||||
|
possible; this was in fact how I pinpointed the Pentium bug---the
|
||||||
|
sums of the reciprocals of the twin primes were being done in both
|
||||||
|
long double floating point (64 significant bits) and in extended
|
||||||
|
precision using arrays of integers (26 decimal digits at that time,
|
||||||
|
53 decimal digits currently). Dual calculations were also being run
|
||||||
|
on 486 and Pentium systems.
|
||||||
|
|
||||||
|
* Note that the bug can be temporarily circumvented by locking out
|
||||||
|
the FPU. For most DOS applications, this can be done by means of the
|
||||||
|
DOS commands SET 87=NO (for executables created by Borland compilers)
|
||||||
|
and SET NO87=NO87 (for executables created by Microsoft compilers).
|
||||||
|
Of course, this is at best a performance-killing band-aid; some
|
||||||
|
applications require an FPU, while Windows and most DOS extenders
|
||||||
|
ignore these environmental variables. In theory, it should be
|
||||||
|
possible to write a fairly short (100 lines?) utility code which
|
||||||
|
enters protected mode (ring 0), sets up a valid global descriptor table
|
||||||
|
(and perhaps a valid interrupt descriptor table), resets the emulation
|
||||||
|
bit in the machine status word of control register 0, and then re-enters
|
||||||
|
real mode. Running such a code at boot time should lock out the FPU
|
||||||
|
even for Windows and DOS extended applications; a similar code could
|
||||||
|
reactivate the FPU at will. Unfortunately, I haven't had the time to
|
||||||
|
write the code yet!
|
||||||
|
|
||||||
|
* To date, my analysis indicates that the bug will appear in about 1 in
|
||||||
|
31 billion random divisions and 1 in 1.26 billion random reciprocals.
|
||||||
|
These figures are similar to the rate of 1 in 9.5 billion attributed to
|
||||||
|
Intel. In my own application (distribution of twin primes and the sum
|
||||||
|
of their reciprocals) no error appeared for values < 824e9. Most users
|
||||||
|
will find these values reassuring; those of us doing computational
|
||||||
|
number theory, chaos theory, or analysis of ill-conditioned matrices
|
||||||
|
may still want a new, bug-free CPU.
|
||||||
|
|
||||||
|
* To date, the worst-case error of which I am aware is an example
|
||||||
|
apparently posted by Tim Coe of Vitesse Semiconductors on 14 November,
|
||||||
|
indicating that the quotient 4195835.0/3145727.0 is returned correctly
|
||||||
|
to only 14 significant bits (5 significant decimal digits). I have not
|
||||||
|
yet had a chance to verify this example.
|
||||||
|
|
||||||
|
* Copies of some of the codes I have used to analyze the bug (updated to
|
||||||
|
reflect later developments) will be restored to the anonymous FTP
|
||||||
|
directory [anonymous.nicely.pentbug] of Lynchburg College's VAX server
|
||||||
|
(machine ID acavax.lynchburg.edu) as soon as I get time to update and
|
||||||
|
post them.
|
||||||
|
|
||||||
|
* Feel free to transmit this communication as you wish.
|
||||||
|
|
||||||
|
Sincerely,
|
||||||
|
|
||||||
|
Dr. Thomas R. Nicely
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
THE COMPUTER NEVERMORE (The Raven)
|
||||||
|
|
||||||
|
By Unknown
|
||||||
|
|
||||||
|
Once upon a midnight dreary, fingers cramped and vision bleary,
|
||||||
|
System manuals piled high and wasted paper on the floor
|
||||||
|
Longing for the warmth of bedsheets,
|
||||||
|
Still I sat there, doing spreadsheets;
|
||||||
|
Having reached the bottom line,
|
||||||
|
I took a floppy from the drawer.
|
||||||
|
Typing with a steady hand, then invoked the SAVE command
|
||||||
|
But I got a reprimand: it read 'Abort, Retry, Ignore.'
|
||||||
|
|
||||||
|
Was this some occult illusion? Some maniacal intrusion?
|
||||||
|
These were choices Solomon himself had never faced before.
|
||||||
|
Carefully, I weighed my options.
|
||||||
|
These three seemed to be the top ones.
|
||||||
|
Clearly I must now adopt one:
|
||||||
|
Choose 'Abort, Retry, Ignore.'
|
||||||
|
|
||||||
|
With my fingers pale and trembling,
|
||||||
|
Slowly toward the keyboard bending,
|
||||||
|
Longing for a happy ending, hoping all would be restored,
|
||||||
|
Praying for some guarantee
|
||||||
|
Finally I pressed a key--
|
||||||
|
But on the screen what did I see?
|
||||||
|
Again: 'Abort, Retry, Ignore.'
|
||||||
|
|
||||||
|
I tried to catch the chips off-guard--
|
||||||
|
I pressed again, but twice as hard.
|
||||||
|
Luck was just not in the cards.
|
||||||
|
I saw what I had seen before.
|
||||||
|
Now I typed in desperation
|
||||||
|
Trying random combinations
|
||||||
|
Still there came the incantation:
|
||||||
|
Choose: 'Abort, Retry, Ignore.'
|
||||||
|
|
||||||
|
There I sat, distraught exhausted, by my own machine accosted
|
||||||
|
Getting up I turned away and paced across the office floor.
|
||||||
|
And then I saw an awful sight:
|
||||||
|
A bold and blinding flash of light--
|
||||||
|
A lightning bolt had cut the night and shook me to my very core.
|
||||||
|
I saw the screen collapse and die
|
||||||
|
'Oh no--my data base,' I cried
|
||||||
|
I thought I heard a voice reply,
|
||||||
|
'You'll see your data Nevermore!'
|
||||||
|
|
||||||
|
To this day I do not know
|
||||||
|
The place to which lost data goes
|
||||||
|
I bet it goes to heaven where the angels have it stored
|
||||||
|
But as for productivity, well
|
||||||
|
I fear that IT goes straight to hell
|
||||||
|
And that Us the tale I have to tell
|
||||||
|
Your choice: 'Abort, Retry, Ignore.'
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
TWAS THE NIGHT BEFORE STAR TREK...
|
||||||
|
|
||||||
|
'Twas the night before Christmas, when all through the ship
|
||||||
|
Not a circuit was buzzing, not one microchip;
|
||||||
|
The phasers were hung in the armory securely,
|
||||||
|
In hope that no alien would get up that early.
|
||||||
|
|
||||||
|
The crewmen were nestled all snug in their bunks
|
||||||
|
(Except for the few who were partying drunks);
|
||||||
|
And Picard in his nightshirt, and Bev in her lace,
|
||||||
|
Had just settled down for a neat face to face...
|
||||||
|
|
||||||
|
When out in the hall there arose such a racket,
|
||||||
|
That we leapt from our beds, pulling on pant and jacket.
|
||||||
|
Away to the lifts we all shot like a gun,
|
||||||
|
Leapt into the cars and yelled loudly "Deck One!"
|
||||||
|
|
||||||
|
The bridge red-alert lights, which flashed through the din,
|
||||||
|
Gave a lustre of Hades to objects within.
|
||||||
|
When, what on the viewscreen, our eyes should behold,
|
||||||
|
But a weird kind of sleigh, and some guy who looked old.
|
||||||
|
|
||||||
|
But the glint in his eyes was so strange and askew,
|
||||||
|
That we knew in a moment it had to be Q.
|
||||||
|
His sleigh grew much larger as closer he came.
|
||||||
|
Then he zapped on the bridge and addressed us by name:
|
||||||
|
|
||||||
|
"It's Riker, It's Data, It's Worf and Jean-Luc!
|
||||||
|
It's Geordi, And Wesley, the genetic fluke!
|
||||||
|
To the top of the bridge, to the top of the hall!
|
||||||
|
Now float away! Float away! Float away all!"
|
||||||
|
|
||||||
|
As leaves in the autumn are whisked off the street,
|
||||||
|
So the floor of the bridge came away from our feet,
|
||||||
|
And up to the ceiling, our bodies they flew,
|
||||||
|
As the captain called out, "What the Hell is this, Q?!"
|
||||||
|
|
||||||
|
The prankster just laughed and expanded his grin,
|
||||||
|
And, snapping his fingers, he vanished again.
|
||||||
|
As we took in our plight, and were looking around,
|
||||||
|
The spell was removed, and we crashed to the ground.
|
||||||
|
|
||||||
|
Then Q, dressed in fur from his head to his toe,
|
||||||
|
Appeared once again, to continue the show.
|
||||||
|
"That's enough!" cried the captain, "You'll stop this at once!"
|
||||||
|
And Riker said, "Worf, take aim at this dunce!"
|
||||||
|
|
||||||
|
"I'm deeply offended, Jean-Luc" replied Q,
|
||||||
|
"I just wanted to celebrate Christmas with you."
|
||||||
|
As we scoffed at his words, he produced a large sack.
|
||||||
|
He dumped out the contents and took a step back.
|
||||||
|
|
||||||
|
"I've brought gifts," he said, "just to show I'm sincere.
|
||||||
|
There's something delightful for everyone here."
|
||||||
|
He sat on the floor, and dug into his pile,
|
||||||
|
And handed out gifts with his most charming smile:
|
||||||
|
|
||||||
|
"For Counselor Troi, there's no need to explain.
|
||||||
|
Here's Tylenol-Beta for all of your pain.
|
||||||
|
For Worf I've some mints, as his breath's not too great,
|
||||||
|
And for Geordi LaForge, an inflatable date."
|
||||||
|
|
||||||
|
For Wesley, some hormones, and Clearasil-plus;
|
||||||
|
For Data, a joke book, For Riker a truss.
|
||||||
|
For Beverly Crusher, there's sleek lingerie,
|
||||||
|
And for Jean-Luc, the thrill of just seeing her that way."
|
||||||
|
|
||||||
|
And he sprang to his feet with that grin on his face
|
||||||
|
And, clapping his hands, disappeared into space.
|
||||||
|
But we heard him exclaim as he dwindled from sight,
|
||||||
|
"Merry Christmas to all, and to all a good flight!"
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
SANTA SOURCE CODE
|
||||||
|
|
||||||
|
By Unknown
|
||||||
|
|
||||||
|
#bash
|
||||||
|
|
||||||
|
better !pout !cry
|
||||||
|
better watchout
|
||||||
|
lpr why
|
||||||
|
santa claus <north pole >town
|
||||||
|
|
||||||
|
cat /etc/passwd >list
|
||||||
|
ncheck list
|
||||||
|
ncheck list
|
||||||
|
cat list | grep naughty >nogiftlist
|
||||||
|
cat list | grep nice >giftlist
|
||||||
|
santa claus <north pole >town
|
||||||
|
|
||||||
|
who | grep sleeping
|
||||||
|
who | grep awake
|
||||||
|
who | egrep 'bag|good'
|
||||||
|
for (goodnes sake) {
|
||||||
|
be good
|
||||||
|
}
|
||||||
|
|
||||||
|
better !pout !cry
|
||||||
|
better watchout
|
||||||
|
lpr why
|
||||||
|
santa claus <north pole >town
|
||||||
|
|
||||||
|
|
||||||
|
[original source unknown]
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
567
textfiles.com/magazines/JAUC/juac11.txt
Normal file
567
textfiles.com/magazines/JAUC/juac11.txt
Normal file
@@ -0,0 +1,567 @@
|
|||||||
|
From dfox@fc.net Sat Jan 21 06:24:37 1995
|
||||||
|
Received: from freeside.fc.net (freeside.fc.net [198.6.198.2]) by bigboote.WPI.EDU (8.6.9/8.6) with ESMTP id GAA16091 for <mikecap@wpi.edu>; Sat, 21 Jan 1995 06:24:34 -0500
|
||||||
|
Received: (from dfox@localhost) by freeside.fc.net (8.6.8.1/8.6.6) id FAA02217 for mikecap@wpi.edu; Sat, 21 Jan 1995 05:21:35 -0600
|
||||||
|
Date: Sat, 21 Jan 1995 05:21:35 -0600
|
||||||
|
From: Malik Al-Rashim <dfox@fc.net>
|
||||||
|
Message-Id: <199501211121.FAA02217@freeside.fc.net>
|
||||||
|
To: mikecap@wpi.edu
|
||||||
|
Subject: JAUC-File11
|
||||||
|
Status: O
|
||||||
|
|
||||||
|
|
||||||
|
MY LIFE AS AN INTERNATIONAL ARMS COURIER
|
||||||
|
|
||||||
|
By Matt Blaze (mab@research.att.com)
|
||||||
|
|
||||||
|
Under an obscure provision of US law, devices and computer programs
|
||||||
|
that use encryption techniques to hide information from prying eyes
|
||||||
|
and ears are considered ``munitions'' and subject to the same rules
|
||||||
|
that govern the international arms trade. In particular, taking such
|
||||||
|
items out of this country requires the approval of the State
|
||||||
|
Department, which decides whether exporting something might endanger
|
||||||
|
national security. In the past, these restrictions were of little
|
||||||
|
concern to the average citizen; encryption found most of its
|
||||||
|
application in military and diplomatic communications equipment.
|
||||||
|
Today, however, growing concern over electronic fraud and privacy
|
||||||
|
means that encryption techniques are starting to find their way into
|
||||||
|
more conventional commercial products like laptop computers and
|
||||||
|
portable phones.
|
||||||
|
|
||||||
|
Mostly to find out what the process was like, I recently applied for a
|
||||||
|
temporary export license for a portable telephone encryption product
|
||||||
|
that I wanted to take with me on a business trip to England and
|
||||||
|
Belgium.
|
||||||
|
|
||||||
|
The item in question is more properly called a ``telephone security
|
||||||
|
device.'' This is a little box that scrambles telephone conversations
|
||||||
|
to protect them against eavesdroppers; this sort of protection is
|
||||||
|
sometimes important when discussing confidential business matters from
|
||||||
|
faraway places. The particular model I bought was already approved
|
||||||
|
for export; it employs a cipher algorithm that the government has
|
||||||
|
already decided is not a threat to national security even should it
|
||||||
|
fall into the hands of some rogue government. This model is aimed
|
||||||
|
primarily, I presume, at international business travelers who want to
|
||||||
|
communicate in a reasonably secure manner with their home offices in
|
||||||
|
the states. In other words, a typical user buys two of them, leaving
|
||||||
|
one at the home office and carrying the other when traveling abroad.
|
||||||
|
The options that came with my device included a James Bond-ish looking
|
||||||
|
acoustic coupler and handset to facilitate its connection to the
|
||||||
|
hardwired phones that are still common in European hotel rooms.
|
||||||
|
|
||||||
|
It turns out that there was recently some discussion in the government
|
||||||
|
about exempting products like my secure phone from the licensing
|
||||||
|
paperwork requirements. Unfortunately, however, this exemption never
|
||||||
|
actually took effect. So even though the device I had was already
|
||||||
|
approved for sale abroad, I still needed to get a temporary export
|
||||||
|
license before I could take it with me. But I was assured that ``this
|
||||||
|
is an easy, routine process''. Well, sure enough, about two weeks
|
||||||
|
before I was to leave I got back my official US State Department
|
||||||
|
``license for the temporary export of unclassified defense articles''.
|
||||||
|
So far, so good.
|
||||||
|
|
||||||
|
From what I was able to figure out by reading the license (and having
|
||||||
|
a few conversations with an export lawyer), I'm required to leave from
|
||||||
|
an international airport with a Customs agent present (no problem
|
||||||
|
there, although Customs is geared to arriving, rather than departing,
|
||||||
|
travelers). At the airport, I'm supposed to fill out a form called a
|
||||||
|
``shipper's export declaration'' (SED) on which I have to declare that
|
||||||
|
``these commodities are authorized by the US government for export
|
||||||
|
only to Belgium and the United Kingdom. They may not be resold,
|
||||||
|
transshipped, or otherwise disposed of in any country, either in their
|
||||||
|
original form or incorporated into other end-items without the prior
|
||||||
|
written approval of the US Department of State''. Then I'm to present
|
||||||
|
the SED and export license to a Customs official at the airport before
|
||||||
|
I leave. The Customs officer is supposed to take my SED and endorse
|
||||||
|
my license to show what I'm actually taking out of the country.
|
||||||
|
|
||||||
|
On the way back in, I'm supposed to ``declare'' my item at Customs
|
||||||
|
(even though it was manufactured in the US) and show them my license,
|
||||||
|
and they're supposed to endorse the license again as proof that I
|
||||||
|
have, in fact, returned the ``defense article'' to the safety of the
|
||||||
|
United States.
|
||||||
|
|
||||||
|
The first hitch I ran into was that no one could actually tell me
|
||||||
|
where I could get an SED form. But when I called Customs they assured
|
||||||
|
me that this was no big deal. ``Just come by when you get to the
|
||||||
|
airport and we stamp the license. I guess you can just fill out the
|
||||||
|
SED there,'' they said.
|
||||||
|
|
||||||
|
I made sure to get to the airport early anyway.
|
||||||
|
|
||||||
|
Although there was moderately heavy traffic near the airport, I made
|
||||||
|
it to JFK two and a half hours before my 10pm flight. I was flying
|
||||||
|
United, which has their own terminal at JFK, so Customs has an office
|
||||||
|
right there in the same building from which I was to depart (JFK is
|
||||||
|
awful to get around, so I was glad for this). I checked in for my
|
||||||
|
flight (and got upgraded to first class, which bolstered my
|
||||||
|
expectation that everything was going to be really easy from here on).
|
||||||
|
Then, luggage, license and phone in hand, I made my way downstairs to
|
||||||
|
Customs, expecting to fill out the SED form and ``just have my license
|
||||||
|
stamped'' as they had assured me earlier on the telephone. I
|
||||||
|
explained my situation to the security guard who controls entry to the
|
||||||
|
Customs area, and he led me to ``the back office'' without much
|
||||||
|
argument or delay. The head uniformed Customs guy in the back office
|
||||||
|
(which I think is same office where they take the people suspected of
|
||||||
|
being ``drug mules'' with cocaine-filled condoms in their stomaches)
|
||||||
|
looked approachable enough. He had a sort of kindly, grandfatherly
|
||||||
|
manner, and he was playing a video game on a laptop computer. I got
|
||||||
|
the impression that most of the people he encounters are suspected
|
||||||
|
drug smugglers, and he seemed pleased enough to be dealing with
|
||||||
|
something a little different from the norm. When I explained what I
|
||||||
|
was doing he looked at me as if I had just announced that I was a
|
||||||
|
citizen of Mars who hadn't even bothered to obtain a visa.
|
||||||
|
|
||||||
|
He explained, carefully, that a) I really do need the SED form; b) not
|
||||||
|
only that, I should have already filled it out, in duplicate; c) he
|
||||||
|
doesn't have blank SED forms; d) he, like everyone else in the entire
|
||||||
|
US government that I had spoken to, has no idea where one gets them
|
||||||
|
from, but people must get them from somewhere; and e) it doesn't
|
||||||
|
really matter, because I'm in the wrong place anyway.
|
||||||
|
|
||||||
|
I asked him where the right place is. ``The cargo building, of
|
||||||
|
course,'' he told me, patiently. I remembered the cargo building
|
||||||
|
because I passed it in the taxi just as the traffic jam began, about
|
||||||
|
half an hour before I got to the United terminal. The airport shuttle
|
||||||
|
bus doesn't stop there. I'd have to call a taxi. ``But I think
|
||||||
|
they're closed now, and even if they were open you'd never make it
|
||||||
|
before your flight'' he helpfully added, saving me the trip. He also
|
||||||
|
complemented me for going to the trouble to get the license.
|
||||||
|
|
||||||
|
I must have looked hurt and confused. Eventually he called in some
|
||||||
|
fellow in a suit who I presume to have been his boss.
|
||||||
|
|
||||||
|
``Are you the guy who wants to export the fancy gun?'' the fellow in
|
||||||
|
the suit asked me.
|
||||||
|
|
||||||
|
``It's not a gun, it's a telephone,'' I responded, with a straight
|
||||||
|
face.
|
||||||
|
|
||||||
|
``Why do you have a license to export a telephone?'' Good question, I
|
||||||
|
thought. I explained about the export law and showed him the thing.
|
||||||
|
He agreed that it looked pretty harmless.
|
||||||
|
|
||||||
|
The fellow in the suit reiterated points a through e almost verbatim
|
||||||
|
(do they rehearse for these things?) and explained that this isn't
|
||||||
|
really their department, since my license was issued by the State
|
||||||
|
Department, not Customs, and my situation doesn't come up very often
|
||||||
|
because exports usually go via the cargo building. He'd love to help
|
||||||
|
me, but the computer in which these things get entered is over in
|
||||||
|
Cargo. ``That's how the records get made. But you do have a valid
|
||||||
|
license, which is nice.'' He also suggested that I would have had an
|
||||||
|
easier time had I shipped the device instead of carrying it with me.
|
||||||
|
|
||||||
|
I asked what I should do, given that my plane was scheduled to leave
|
||||||
|
in less than an hour. Neither was sure, but the fellow in the suit
|
||||||
|
seemed willing leave it to the discretion of the uniformed guy. ``How
|
||||||
|
does this thing work, anyway?'' he asked. I explained as best as I
|
||||||
|
could, trying to make it sound as harmless as it is. ``You mean like
|
||||||
|
that Clipper chip?'' he asked.
|
||||||
|
|
||||||
|
At this point, given that he has a computer and knows something about
|
||||||
|
the Clipper chip, I figured that maybe there was some hope of making
|
||||||
|
my flight. Or maybe I was about to spend the night in jail. In my
|
||||||
|
mind, I put it at about a 90:10 hope:jail ratio.
|
||||||
|
|
||||||
|
Then he asked, ``Do you know about this stuff?''
|
||||||
|
|
||||||
|
So we chatted about computers and cryptography for a while. Finally,
|
||||||
|
the two of them decided that it wouldn't really hurt for them to just
|
||||||
|
sign the form as long as I promised to call my lawyer and get the SED
|
||||||
|
situation straightened out ASAP. They assured me that I won't be
|
||||||
|
arrested or have any other trouble upon my return.
|
||||||
|
|
||||||
|
I made my flight, validated license in hand.
|
||||||
|
|
||||||
|
An aside: Throughout my trip, I discovered an interesting thing about
|
||||||
|
the phone and the various options I was carrying with it. Under X-ray
|
||||||
|
examination, it looks just like some kind of bomb. (I suspect it was
|
||||||
|
the coiled handset cords). Every time I went through a security
|
||||||
|
checkpoint, I had to dig the thing out of my luggage and show it to
|
||||||
|
the guard. I almost missed the new ``Eurostar'' chunnel train (3hrs
|
||||||
|
15mins nonstop from London to Brussels, airport-style check-in and
|
||||||
|
security) as the guards were trying to figure out whether my telephone
|
||||||
|
was likely to explode.
|
||||||
|
|
||||||
|
Coming back to the US was less eventful, though it did take me an
|
||||||
|
extra hour or so to get through Customs. Expecting a bit of a hassle
|
||||||
|
I didn't check any luggage and made sure to be the first person from
|
||||||
|
my flight to reach the Customs line. The inspector was ready to
|
||||||
|
wordlessly accept my declaration form and send me on my way when I
|
||||||
|
opened my mouth and explained that I needed to get an export license
|
||||||
|
stamped. That was obviously a new one for him. He finally decided
|
||||||
|
that this had to be handled by something called the ``Ships Office''.
|
||||||
|
I was sent to an unoccupied back room (a different back room from
|
||||||
|
before) and told to wait. I thought about the recent Customs
|
||||||
|
experiences of Phil Zimmermann. (Zimmermann, the author of a popular
|
||||||
|
computer encryption program, was recently detained, questioned and
|
||||||
|
searched by Customs officials investigating whether he violated the
|
||||||
|
same regulations I was trying so hard to follow.) After about half an
|
||||||
|
hour, an officer came in and asked me what I needed. I explained
|
||||||
|
about my export license that had to be endorsed. She just shrugged
|
||||||
|
and told me that she had to ``process the flight'' first. As best as
|
||||||
|
I could tell, her job was to clear the airplane itself through
|
||||||
|
Customs, that being, technically speaking, a very expensive import.
|
||||||
|
It would take a little while. She was pleasant enough, though, and at
|
||||||
|
least didn't look at me as if she intended to send me to jail or have
|
||||||
|
me strip searched.
|
||||||
|
|
||||||
|
Finally, she finished with the plane and asked me for my form. She
|
||||||
|
studied it carefully, obviously never having seen one before, and
|
||||||
|
eventually asked me what, exactly, she was supposed to do. I
|
||||||
|
explained that I had never actually gone through this process before
|
||||||
|
but I understood that she's supposed to record the fact that I was
|
||||||
|
re-importing the device and stamp my license somewhere. She told me
|
||||||
|
that she didn't know of any place for her to record this. After some
|
||||||
|
discussion, we agreed that the best thing to do was to make a Xerox
|
||||||
|
copy of my license and arrange for it to go wherever it had to go
|
||||||
|
later. She stamped the back of the license and sent me on my way. It
|
||||||
|
was a little over an hour after I first reached the Customs desk.
|
||||||
|
|
||||||
|
My conclusion from all this is that it just isn't possible for an
|
||||||
|
individual traveler to follow all the rules. Even having gone through
|
||||||
|
the process now, I still have no idea how to obtain, let alone file,
|
||||||
|
the proper forms, even for a device that's already been determined to
|
||||||
|
be exportable. The export of export-controlled items is ordinarily
|
||||||
|
handled by cargo shipment, not by hand carrying by travelers, and the
|
||||||
|
system is simply not geared to deal with exceptions. Technically
|
||||||
|
speaking, everyone with a laptop disk encryption program who travels
|
||||||
|
abroad is in violation of the law, but since no one actually knows or
|
||||||
|
checks, no mechanism exists to deal with those who want to follow the
|
||||||
|
rules. While (fortunately) everyone I dealt with was sympathetic, no
|
||||||
|
one in the government who I spoke with was able to actually help me
|
||||||
|
follow the rules. I was permitted to leave and come back only because
|
||||||
|
everyone involved eventually recognized that my telephone was pretty
|
||||||
|
harmless, that my intentions were good, and that the best thing to do
|
||||||
|
was be flexible. If anyone had taken a hard line and tried to enforce
|
||||||
|
the letter of the law, I simply wouldn't have been able to take the
|
||||||
|
thing with me, even with my license. Had I just put my telephone in
|
||||||
|
my suitcase without telling anyone instead of calling attention to
|
||||||
|
myself by trying to follow the rules, chances are no one would have
|
||||||
|
noticed or cared.
|
||||||
|
|
||||||
|
Unfortunately, however, these absurd rules carry the full force of
|
||||||
|
law, and one ignores them only at the risk of being prosecuted for
|
||||||
|
international arms trafficking. While it may seem far-fetched to
|
||||||
|
imagine US citizens prosecuted as arms smugglers simply for carrying
|
||||||
|
ordinary business products in their luggage, the law as written allows
|
||||||
|
the government to do just that. At the same time, anyone who is aware
|
||||||
|
of and who tries to follow the regulations is made to jump through
|
||||||
|
pointless hoops that are so obscure that even the people charged with
|
||||||
|
enforcing them don't know quite what to make of them.
|
||||||
|
|
||||||
|
Copyright 1995 by Matt Blaze. All rights reserved.
|
||||||
|
|
||||||
|
Electronic redistribution permitted provided this article is reproduced
|
||||||
|
in its entirety.
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
OPEN LETTER TO WIRED MAGAZINE
|
||||||
|
|
||||||
|
By Chris Goggans (phrack@well.sf.ca.us)
|
||||||
|
|
||||||
|
To Whom It May Concern:
|
||||||
|
|
||||||
|
I am writing this under the assumption that the editorial staff at
|
||||||
|
Wired will "forget" to print it in the upcoming issue, so I am
|
||||||
|
also posting it on every relevant newsgroup and online discussion forum
|
||||||
|
that I can think of.
|
||||||
|
|
||||||
|
When I first read your piece "Gang War In Cyberspace" I nearly choked on
|
||||||
|
my own stomach bile. The whole tone of this piece was so far removed
|
||||||
|
from reality that I found myself questioning what color the sky must be
|
||||||
|
in Wired's universe. Not that I've come to expect any better from Wired.
|
||||||
|
Your magazine, which could have had the potential to actually do
|
||||||
|
something, has become a parody...a politically correct art-school project
|
||||||
|
that consistently falls short of telling the whole story or making a solid
|
||||||
|
point. (Just another example of Kapor-Kash that ends up letting everyone
|
||||||
|
down.)
|
||||||
|
|
||||||
|
I did however expect more from Josh Quittner.
|
||||||
|
|
||||||
|
I find it interesting that so much emphasis can be placed on an issue of
|
||||||
|
supposed racial slurs as the focus of an imaginary "gang war," especially
|
||||||
|
so many years after the fact.
|
||||||
|
|
||||||
|
It's also interesting to me that people keep overlooking the fact that
|
||||||
|
one of the first few members of our own little Legion of Doom was black
|
||||||
|
(Paul Muad'dib.) Maybe if he had not died a few years back that wouldn't
|
||||||
|
be so quickly forgotten. (Not that it makes a BIT of difference what color
|
||||||
|
a hacker is as long as he or she has a brain and a modem, or these days
|
||||||
|
at least a modem.)
|
||||||
|
|
||||||
|
I also find it interesting that a magazine can so easily implicate someone
|
||||||
|
as the originator of the so-called "fighting words" that allegedly sparked
|
||||||
|
this online-battle, without even giving a second thought as to the damage
|
||||||
|
that this may do to the person so named. One would think that a magazine
|
||||||
|
would have more journalistic integrity than that (but then again, this IS
|
||||||
|
Wired, and political correctness sells magazines and satisfies
|
||||||
|
advertisers.) Thankfully, I'll only have to endure one month of the
|
||||||
|
"Gee Chris, did you know you were a racist redneck?" phone calls.
|
||||||
|
|
||||||
|
It's further odd that someone characterized as so sensitive to insults
|
||||||
|
allegedly uttered on a party-line could have kept the company he did.
|
||||||
|
Strangely enough, Quittner left out all mention of the MOD member who
|
||||||
|
called himself "SuperNigger." Surely, John Lee must have taken umbrage to
|
||||||
|
an upper-middle class man of Hebrew descent so shamefully mocking him and
|
||||||
|
his entire race, wouldn't he? Certainly he wouldn't associate in any way
|
||||||
|
with someone like that...especially be in the same group with, hang out
|
||||||
|
with, and work on hacking projects with, would he?
|
||||||
|
|
||||||
|
Please, of course he would, and he did. (And perhaps he still does...)
|
||||||
|
|
||||||
|
The whole "racial issue" was a NON-ISSUE. However, such things make
|
||||||
|
exciting copy and garner many column inches so keep being rehashed. In
|
||||||
|
fact, several years back when the issue first came up, the statement was
|
||||||
|
cited as being either "Hang up, you nigger," or "Hey, SuperNigger," but
|
||||||
|
no one was sure which was actually said. Funny how the wording changes
|
||||||
|
to fit the slant of the "journalist" over time, isn't it?
|
||||||
|
|
||||||
|
I wish I could say for certain which was actually spoken, but alas, I was
|
||||||
|
not privy to such things. Despite the hobby I supposedly so enjoyed
|
||||||
|
according to Quittner, "doing conference bridges," I abhorred the things.
|
||||||
|
We used to refer to them as "Multi-Loser Youps" (multi-user loops) and
|
||||||
|
called their denizens "Bridge Bunnies." The bridge referred to in the
|
||||||
|
story was popularized by the callers of the 5A BBS in Houston, Texas.
|
||||||
|
(A bulletin board, that I never even got the chance to call, as I had
|
||||||
|
recently been raided by the Secret Service and had no computer.) Many
|
||||||
|
people from Texas did call the BBS, however, and subsequently used the
|
||||||
|
bridge, but so did people from Florida, Arizona, Michigan, New York and
|
||||||
|
Louisiana. And as numbers do in the underground, word of a new place to
|
||||||
|
hang out caused it to propagate rapidly.
|
||||||
|
|
||||||
|
To make any implications that such things were strictly a New York versus
|
||||||
|
Texas issue is ludicrous, and again simply goes to show that a "journalist"
|
||||||
|
was looking for more points to add to his (or her) particular angle.
|
||||||
|
|
||||||
|
This is not to say that I did not have problems with any of the people
|
||||||
|
who were in MOD. At the time I still harbored strong feelings towards
|
||||||
|
Phiber Optik for the NYNEX-Infopath swindle, but that was about it.
|
||||||
|
And that was YEARS ago. (Even I don't harbor a grudge that long.)
|
||||||
|
Even the dozen or so annoying phone calls I received in late 1990 and
|
||||||
|
early 1991 did little to evoke "a declaration of war." Like many people,
|
||||||
|
I know how to forward my calls, or unplug the phone. Amazing how
|
||||||
|
technology works, isn't it?
|
||||||
|
|
||||||
|
Those prank calls also had about as much to do with the formation of
|
||||||
|
Comsec as bubble-gum had to do with the discovery of nuclear fission.
|
||||||
|
(I'm sure if you really put some brain power to it, and consulted Robert
|
||||||
|
Anton Wilson, you could find some relationships.) At the risk of sounding
|
||||||
|
glib, we could have cared less about hackers at Comsec. If there were no
|
||||||
|
hackers, or computer criminals, there would be no need for computer
|
||||||
|
security consultants. Besides, hackers account for so little in the real
|
||||||
|
picture of computer crime, that their existence is more annoyance than
|
||||||
|
something to actually fear.
|
||||||
|
|
||||||
|
However, when those same hackers crossed the line and began tapping our
|
||||||
|
phone lines, we were more than glad to go after them. This is one of my
|
||||||
|
only rules of action: do whatever you want to anyone else, but mess with
|
||||||
|
me and my livelihood and I will devote every ounce of my being to paying
|
||||||
|
you back. That is exactly what we did.
|
||||||
|
|
||||||
|
This is not to say that we were the only people from the computer
|
||||||
|
underground who went to various law enforcement agencies with information
|
||||||
|
about MOD and their antics. In fact, the number of hackers who did was
|
||||||
|
staggering, especially when you consider the usual anarchy of the
|
||||||
|
underground. None of these other people ever get mentioned and those of
|
||||||
|
us at Comsec always take the lead role as the "narks," but we were far
|
||||||
|
from alone. MOD managed to alienate the vast majority of the computer
|
||||||
|
underground, and people reacted.
|
||||||
|
|
||||||
|
All in all, both in this piece, and in the book itself, "MOD, The Gang That
|
||||||
|
Ruled Cyberspace," Quittner has managed to paint a far too apologetic piece
|
||||||
|
about a group of people who cared so very little about the networks they
|
||||||
|
played in and the people who live there. In the last 15 years that I've
|
||||||
|
been skulking around online, people in the community have always tended
|
||||||
|
to treat each other and the computers systems they voyeured with a great
|
||||||
|
deal of care and respect. MOD was one of the first true examples of a
|
||||||
|
groupthink exercise in hacker sociopathy. Selling long distance codes,
|
||||||
|
selling credit card numbers, destroying systems and harassing innocent
|
||||||
|
people is not acceptable behavior among ANY group, even the computer
|
||||||
|
underground.
|
||||||
|
|
||||||
|
There have always been ego flares and group rivalries in the underground,
|
||||||
|
and there always will be. The Legion of Doom itself was FOUNDED because of
|
||||||
|
a spat between its founder (Lex Luthor) and members of a group called The
|
||||||
|
Knights of Shadow. These rivalries keep things interesting, and keep the
|
||||||
|
community moving forward, always seeking the newest bit of information in
|
||||||
|
a series of healthy one-upsmanship. MOD was different. They took things
|
||||||
|
too far against everyone, not just against two people in Texas.
|
||||||
|
|
||||||
|
I certainly don't condemn everyone in the group. I don't even know
|
||||||
|
a number of them (electronically or otherwise.) I honestly believe
|
||||||
|
that Mark Abene (Phiber) and Paul Stira (Scorpion) got royally screwed
|
||||||
|
while the group's two biggest criminals, Julio Fernandez (Outlaw) and
|
||||||
|
Allen Wilson (Wing), rolled over on everyone else and walked away free
|
||||||
|
and clear. This is repulsive when you find out that Wing in particular
|
||||||
|
has gone on to be implicated in more damage to the Internet (as Posse and
|
||||||
|
ILF) than anyone in the history of the computing. This I find truly
|
||||||
|
disgusting, and hope that the Secret Service are proud of themselves.
|
||||||
|
|
||||||
|
Imagine if I wrote a piece about the terrible treatment of a poor prisoner
|
||||||
|
in Wisconsin who was bludgeoned to death by other inmates while guards
|
||||||
|
looked away. Imagine if I tried to explain the fact that poor Jeff Dahmer
|
||||||
|
was provoked to murder and cannibalism by the mocking of adolescent boys
|
||||||
|
who teased and called him a faggot. How would you feel if I tried to
|
||||||
|
convince you that we should look upon him with pity and think of him as a
|
||||||
|
misunderstood political prisoner? You would probably feel about how I do
|
||||||
|
about Quittner's story.
|
||||||
|
|
||||||
|
'Hacker' can just as easily be applied to "journalists" too, and with this
|
||||||
|
piece Quittner has joined the Hack Journalist Hall of Fame, taking his
|
||||||
|
place right next to Richard Sandza.
|
||||||
|
|
||||||
|
Quittner did get a few things right. I do have a big cat named Spud, I do
|
||||||
|
work at a computer company and I do sell fantastic t-shirts. Buy some.
|
||||||
|
|
||||||
|
With Love,
|
||||||
|
|
||||||
|
Chris Goggans
|
||||||
|
aka Erik Bloodaxe
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
WHEN BIGOTRY OUTPACES TECHNOLOGY
|
||||||
|
|
||||||
|
By Douglas Welch dewelch@pop.com
|
||||||
|
|
||||||
|
Previously published in the Los Angeles Times, Monday, December 19, 1994.
|
||||||
|
Page B15
|
||||||
|
|
||||||
|
Note: Electronic re-posting is ALLOWED but NO PAPER REPRINTS or inclusion
|
||||||
|
in online digests without written permission from the author. All postings
|
||||||
|
must retain this notice.
|
||||||
|
|
||||||
|
Copyright (c) 1994 Douglas E. Welch
|
||||||
|
dewelch@pop.com
|
||||||
|
76625,3301
|
||||||
|
|
||||||
|
* Communications: We need to attack the message, not the modem, to ensure
|
||||||
|
on-line services are free from censorship.
|
||||||
|
|
||||||
|
As each new technology marches onto the scene, there are some who instantly
|
||||||
|
blame all the ills of society on it. Groups calling for the censorship of
|
||||||
|
computer networks are forgetting that it is not the technology that is
|
||||||
|
causing the problem, but the people using the technology. Instead of
|
||||||
|
targeting the authors of hate speech on the computer networks, they are
|
||||||
|
targeting the networks themselves. This only reinforces the immediate need
|
||||||
|
for on-line computer services to be protected by the federal government
|
||||||
|
as "common carriers," like telephone utilities.
|
||||||
|
|
||||||
|
Hatemongers and bigots have always been a part of human society. Through
|
||||||
|
ignorance and bullying, they gather their flock, but it is through open
|
||||||
|
debate, education and reasoned discourse that they are best confronted.
|
||||||
|
Instead, professed anti-hate groups are attacking the providers of on-line
|
||||||
|
services in an effort to force them to remove offensive messages or prevent
|
||||||
|
their posting. Rather than using the technology to fight back and denounce
|
||||||
|
hate speech, they are seeking to remove the freedom of speech altogether.
|
||||||
|
Were the situation reversed, I am sure you would hear them decrying the
|
||||||
|
evils of censorship as loudly as they call for it now.
|
||||||
|
|
||||||
|
Telephone companies cannot be sued when offensive or illegal calls are
|
||||||
|
placed through their systems. On-line services deserve the same kind of
|
||||||
|
"common carrier" status. There is no reason on-line services should have to
|
||||||
|
be both provider and policeman. This places them in danger of being a
|
||||||
|
censor.
|
||||||
|
|
||||||
|
On-line users have several simpler options. They can merely ignore the
|
||||||
|
message with the press of a key or set their "kill file" to ignore
|
||||||
|
messages of certain content or from a certain user. Ultimately, on-line
|
||||||
|
services provide users the chance to engage these hatemongers in a forum
|
||||||
|
free of physical threat with hopes of liberating their narrow focus. The
|
||||||
|
immediacy of posting a response can only be found in the on-line world.
|
||||||
|
|
||||||
|
On-line services are no passing fad. they are rapidly gaining popularity
|
||||||
|
on par with telephone and fax service. We need to stop treating on-line
|
||||||
|
services like something new and ensure that they are free from censorship
|
||||||
|
pressures.
|
||||||
|
|
||||||
|
Censorship has always been defined as a "slipperly slope" that can easily
|
||||||
|
lead to a repression of ideas and a lower quality of life. Whether we
|
||||||
|
communicate via paper, phone lines or on-line computer services, our
|
||||||
|
freedom of speech should be protected. Hate groups should be targeted for
|
||||||
|
their messages, not how they send them.
|
||||||
|
|
||||||
|
Douglas E. Welch is a computer consultant. He can be reached at
|
||||||
|
dewelch@pop.com.
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
LETTER FROM STEVE CASE; RE: CHILD PORN ON AOL
|
||||||
|
|
||||||
|
By Steve Case
|
||||||
|
|
||||||
|
Ever since we first launched America Online we've remained committed to
|
||||||
|
fostering an electronic community that provides a fun, enjoyable and
|
||||||
|
enriching experience for all members. We've asked our members to honor
|
||||||
|
the privilege of interactivity, and we've strictly enforced our Terms of
|
||||||
|
Service to help foster the kind of community of which we can all be proud.
|
||||||
|
Recently, however, some material has been brought to our attention by some
|
||||||
|
of our members which involves illegal activity -- the trading of images in
|
||||||
|
electronic mail which appear to be child pornography. Upon receiving the
|
||||||
|
material, and verifying that it was a violation of our Terms of Service,
|
||||||
|
and in all likelihood illegal, we immediately contacted the FBI and
|
||||||
|
terminated the accounts of the senders.
|
||||||
|
|
||||||
|
While we recognize that any community around the United States with more
|
||||||
|
than 1.5 million citizens will have its share of illegal activity, we were
|
||||||
|
nonetheless disheartened to find that some members are abusing the
|
||||||
|
communications features of AOL in this way. We simply will not tolerate
|
||||||
|
such illegal activity on America Online. To anyone who may be using
|
||||||
|
America Online for illegal purposes, be advised that we will terminate the
|
||||||
|
accounts of those participating and we will notify the proper authorities
|
||||||
|
of any illegal activity that is brought to our attention.
|
||||||
|
|
||||||
|
Our policy is that all private communications -- including e-mail, instant
|
||||||
|
messages, and private chat rooms -- are strictly private. We do not, will
|
||||||
|
not, and legally cannot monitor any private communications. But if we
|
||||||
|
are alerted to a potential offense and we are sent evidence, as we were
|
||||||
|
recently, we will vigorously pursue the matter. In this case, electronic
|
||||||
|
mail was forwarded to our attention by our members, and as recipients of
|
||||||
|
the mail we were able to turn the material over to the authorities.
|
||||||
|
|
||||||
|
We have over 250 people who help us provide assistance in the public areas
|
||||||
|
of the service and give guidance to members who are new or who have
|
||||||
|
questions. Of late, we've had a growing problem with member-created rooms
|
||||||
|
whose title and discussion violate our Terms of Service. Member-created
|
||||||
|
rooms have always been a unique and much-valued aspect of America Online.
|
||||||
|
Often, these rooms provide the seeds for new special interest forums that
|
||||||
|
later emerge. But as more members abuse the privilege and establish rooms
|
||||||
|
that suggest illegal activity, or detract from the enjoyment of others
|
||||||
|
with offensive titles, we are faced with looking at a higher level of
|
||||||
|
safeguards as it relates to member-created rooms. We simply cannot keep
|
||||||
|
up with the sheer volume of rooms created, and as a result, from time to
|
||||||
|
time rooms that violate TOS remain open for some period of time. We're
|
||||||
|
looking at several alternatives to improve the situation. We don't want
|
||||||
|
to see our members denied the privilege of this fun and creative
|
||||||
|
interactive environment due to the abuses of a few, but at the same time
|
||||||
|
we do feel some action is warranted to safeguard this popular
|
||||||
|
"neighborhood" in our community.
|
||||||
|
|
||||||
|
Unfortunately, this is not the first time we have encountered this
|
||||||
|
problem, nor is it unique to AOL. In 1991, we were faced with a similar
|
||||||
|
situation. At that time, we went to our members -- as we're doing now --
|
||||||
|
advised them of the situation and asked for their help. And recently,
|
||||||
|
recognizing the potential for abuses in this emerging medium, online
|
||||||
|
service providers banded together to sponsor a "child safety" brochure
|
||||||
|
that gives parents tips and guidelines to foster a productive and safe
|
||||||
|
environment for children online. A copy of this brochure can be found in
|
||||||
|
the Parents Information Center, keyword: Parents. We encourage parents
|
||||||
|
to take the time to review it. In addition we strongly encourage parents
|
||||||
|
to monitor their children's use of this medium, much as they would any
|
||||||
|
other medium such as television, magazines, etc. We've also implemented
|
||||||
|
"parental controls" which allow parents to restrict their children's
|
||||||
|
online access.
|
||||||
|
|
||||||
|
Each one of us needs to respect and honor the privileges of this
|
||||||
|
electronic community. If you haven't reviewed our Terms of Service, take
|
||||||
|
a few minutes now and do so. If you observe what you believe may be
|
||||||
|
illegal activity on AOL, bring it to our attention. The problem is not
|
||||||
|
widespread -- we believe only a mere fraction of this community is
|
||||||
|
involved. Let's work together to insure that America Online remains the
|
||||||
|
kind of community that you want your friends and family to enjoy.
|
||||||
|
|
||||||
|
Thanks for your continued support.
|
||||||
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|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
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|
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|
From dfox@fc.net Sat Jan 21 07:14:46 1995
|
||||||
|
Received: from freeside.fc.net (freeside.fc.net [198.6.198.2]) by bigboote.WPI.EDU (8.6.9/8.6) with ESMTP id HAA18195 for <mikecap@wpi.edu>; Sat, 21 Jan 1995 07:14:45 -0500
|
||||||
|
Received: (from dfox@localhost) by freeside.fc.net (8.6.8.1/8.6.6) id GAA10048 for mikecap@wpi.edu; Sat, 21 Jan 1995 06:11:48 -0600
|
||||||
|
Date: Sat, 21 Jan 1995 06:11:48 -0600
|
||||||
|
From: Malik Al-Rashim <dfox@fc.net>
|
||||||
|
Message-Id: <199501211211.GAA10048@freeside.fc.net>
|
||||||
|
To: mikecap@wpi.edu
|
||||||
|
Subject: JAUC-File12
|
||||||
|
Status: O
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
LEE HARVEY OSWALD DIED FOR YOUR SINS
|
||||||
|
|
||||||
|
By Gordon Fagan, Conspiracy Editor (flyer@io.com)
|
||||||
|
|
||||||
|
|
||||||
|
With all the hubbub over the OJ Simpson trial currently getting
|
||||||
|
under way, I thought it would be a good idea to get people to rethink
|
||||||
|
their conception of what justice is about in another matter. Where there
|
||||||
|
was no trial, not even real charges - just accusations, a bullet and 30+
|
||||||
|
years of government approved postmortem derision as an insane killer.
|
||||||
|
We've all seen the movie JFK which is probably more than most of you want
|
||||||
|
to hear on the subject in the first place, so I'll just leave each of you
|
||||||
|
- in particular, those who have no interest in the JFK assassination
|
||||||
|
conspiracy but can't get enough of that OJ, with the following...
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
It has been said that the American people are the only jury that
|
||||||
|
Lee Harvey Oswald will ever have. It is our responsibility, then, to
|
||||||
|
examine with utmost care and objectivity the evidence for and against him,
|
||||||
|
and to reach an independent verdict - Sylvia Meagher
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
Jim Garrison's closing statement to the jury
|
||||||
|
|
||||||
|
State of Louisiana vs. Clay Shaw, 1969
|
||||||
|
|
||||||
|
May it please the court. Gentlemen of the jury:
|
||||||
|
|
||||||
|
I know you're very tired. You've been very patient. This final
|
||||||
|
day has been a long one, so I'll speak only a few minutes.
|
||||||
|
|
||||||
|
In his argument, Mr. Dymond posed one final issue which raises the
|
||||||
|
question of what we do when the need for justice is confronted by power.
|
||||||
|
|
||||||
|
So, let me talk to you about a question of whether or not there
|
||||||
|
was government fraud in this case. A question Mr. Dymond seems to want us
|
||||||
|
to answer.
|
||||||
|
|
||||||
|
A government is a great deal like a human being. It's not
|
||||||
|
necessarily all good, and it's not necessarily all bad. We live in a good
|
||||||
|
country. I love it and you do, too. Nevertheless, the fact remains that
|
||||||
|
we have a government which is not perfect.
|
||||||
|
|
||||||
|
There have been since November the 22nd of 1963, and that was not
|
||||||
|
the last, indications that there is an excessive power in some parts of
|
||||||
|
our government. It is plain that the people have not received all of the
|
||||||
|
truth about some of the things which have happened, about some of the
|
||||||
|
assassinations which have occurred, and more particularly about the
|
||||||
|
assassination of John Kennedy.
|
||||||
|
|
||||||
|
Going back to when we were children, I think most of us, probably
|
||||||
|
all of us in this courtroom, once thought that justice came into being of
|
||||||
|
its own accord, that that virtue was its own regard, that good would
|
||||||
|
triumph over evil. In short, that justice occurred automatically. Later,
|
||||||
|
when we found that this wasn't quite so, most of us still felt hopeful
|
||||||
|
that at least occurred frequently of its own accord.
|
||||||
|
|
||||||
|
Today, I think that almost all of us would have to agree that
|
||||||
|
there is really no machinery, not on this earth at least, which causes
|
||||||
|
justice to occur automatically. Men still have to make it occur.
|
||||||
|
Individual human beings have to make it occur. Otherwise, it doesn't come
|
||||||
|
into existence. This is not always easy. As a matter of fact, it's
|
||||||
|
always hard, because justice presents a threat to power. In order to make
|
||||||
|
justice come into being, you often have to fight power.
|
||||||
|
|
||||||
|
Mr. Dymond raised the question; "Why don't we say it's all a fraud
|
||||||
|
and charge the government with fraud, if that is the case?"
|
||||||
|
|
||||||
|
Let me be explicit, then, and make myself very clar on this point.
|
||||||
|
The goverment's handling of the investigation of John Kennedy's murder was
|
||||||
|
a fraud. It was the greatest fraud in the history of our country. It
|
||||||
|
probably was the greatest fraud ever perpetrated in the history of
|
||||||
|
humankind.
|
||||||
|
|
||||||
|
That doesn't mean that we have to accept the continued existence
|
||||||
|
of the kind of government which allows this to happen. We can do
|
||||||
|
something about it. We're not forced either to leave this country or
|
||||||
|
accept the authoritarianism that has developed. The authoritarianism that
|
||||||
|
tells us that in the year 2039 we can see the evidence about what happened
|
||||||
|
to John Kennedy.
|
||||||
|
|
||||||
|
Government does not consist only of secret police and domestic
|
||||||
|
espionage operations and generals and admirals. Government consists of
|
||||||
|
people. It also consists of juries. And in the cases of murder, whether
|
||||||
|
the poorest individual or the most distinguished citizen in the land,
|
||||||
|
should be looked at openly in a court of law, where juries can pass on
|
||||||
|
them and not be hidden, not be buried like the body of the victim beneath
|
||||||
|
concrete for countless years.
|
||||||
|
|
||||||
|
You men in recent weeks have heard witnesses that no one else in
|
||||||
|
the world has heard. You've seen the Zapruder film. You've seen what
|
||||||
|
happened to your President. I suggest to you that you know right now
|
||||||
|
that, in that area at least, a fraud has been perpetrated.
|
||||||
|
|
||||||
|
That does not mean that our government is entirely bad - and I
|
||||||
|
want to emphasize that. It does mean, however that in recent years,
|
||||||
|
through the development of excessive power because of the Cold War, forces
|
||||||
|
have developed in our government over which there is no control and these
|
||||||
|
forces have an authoritarian approach to justice; meaning, they will let
|
||||||
|
you know what justice is.
|
||||||
|
|
||||||
|
Well, my reply to them is that we already know what justice is.
|
||||||
|
It is the decision of the people passing on the evidence. It is the jury
|
||||||
|
system. In the issue which is posed by the government's conduct in
|
||||||
|
concealing the evidence in this case, in the issue of humanity as opposed
|
||||||
|
to power, I have chosen humanity, and I will do it again without
|
||||||
|
hesitation. I hope every one of you will do the same. I do this because
|
||||||
|
I love my country and because I want to communicate to the government that
|
||||||
|
we will not accept unexplained assassinations with the casual information
|
||||||
|
that if we live seventy-five years longer, we might be given more
|
||||||
|
evidence.
|
||||||
|
|
||||||
|
In this particular case, massive power was brought to bear to
|
||||||
|
prevent justice from ever coming into the courtroom. The power to make
|
||||||
|
authoritarian pronouncements, the power to manipulate the news media by
|
||||||
|
the release of false information, the power to interfere with an honest
|
||||||
|
inquiry and the power to provide an endless variety of experts to testify
|
||||||
|
in behalf of that power, repeatedly was demonstrated in this case.
|
||||||
|
|
||||||
|
The American people have yet to see the Zapruder film. Why? The
|
||||||
|
American people have yet to see and hear from real witnesses to the
|
||||||
|
assassination. Why? Because, today in America too much emphasis is given
|
||||||
|
to secrecy, with regard to the assassination of our President, and not
|
||||||
|
enough emphasis is given to the question of justice and to the question of
|
||||||
|
humanity.
|
||||||
|
|
||||||
|
These dignified deceptions will not suffice. We have had enough
|
||||||
|
of power without truth. We don't have to accept power without truth or
|
||||||
|
else leave the country. I don't accept power without truth or else leave
|
||||||
|
the country. I don't accept either of these two alternatives. I don't
|
||||||
|
intend to leave the country and I don't intend to accept power without
|
||||||
|
truth.
|
||||||
|
|
||||||
|
I intend to fight for the truth. I suggest that not only is this
|
||||||
|
not un-American, but it is the most American thing we can do, because if
|
||||||
|
truth does not endure, then our country will not endure.
|
||||||
|
|
||||||
|
In our country the worst of all crimes occurs when the government
|
||||||
|
murders truth. If it can murder truth, it can murder freedom. If it can
|
||||||
|
murder freedom it can murder your own sons, if they should dare to fight
|
||||||
|
for freedom, and then it can announce that they were killed in an
|
||||||
|
industrial accident, or shot by the "enemy" or God knows what.
|
||||||
|
|
||||||
|
In this case, finally, it has been possible to bring the truth
|
||||||
|
about the assassination into a court of law, not before a commission
|
||||||
|
composed of important and politically astute men, but before a jury of
|
||||||
|
citizens.
|
||||||
|
|
||||||
|
Now, I suggest to you that yours is a hard duty, because in a
|
||||||
|
sense what you're passing on is the equivalent to a murder case. The
|
||||||
|
difficult thing about passing on a murder case is that the victim is out
|
||||||
|
of your sight and buried a long distance away, and all you can see is the
|
||||||
|
defendant. It's very difficult to identify with someone you can't see,
|
||||||
|
and sometimes it's hard not to identify to some extent with the defendant
|
||||||
|
and his problems.
|
||||||
|
|
||||||
|
In that regard, every prosecutor who is at all humane is concious
|
||||||
|
of feeling sorry for the defendant in every case he prosecutes. But he is
|
||||||
|
not free to forget the victim who lies buried out of sight. I suggest to
|
||||||
|
you that, if you do your duty, you also are not free to forget the victim
|
||||||
|
who is buried out of sight.
|
||||||
|
|
||||||
|
Tennyson once said that "authority forgets a dying king." This
|
||||||
|
was never more true than in the murder of John Kennedy. The strange and
|
||||||
|
deceptive conduct of the government after his murder began while his body
|
||||||
|
was still warm, and has continued for five years. You have even seen in
|
||||||
|
this courtroom indications of interest of part of the government power
|
||||||
|
structure in keeping truth down, in keeping the grave closed.
|
||||||
|
|
||||||
|
We presented a number of eyewitnesses as well as an expert witness
|
||||||
|
as well as the Zapruder film, to show that the fatal wound of the
|
||||||
|
President came from the front. A plane landed from Washington and out
|
||||||
|
stepped Dr. Finck for the defense, to counter the clear and apparent
|
||||||
|
evidence of a shot from the front. I don't have to go into Dr. Finck's
|
||||||
|
testimony in detail for you to show that it simply does not correspond to
|
||||||
|
the facts. He admitted that he did not complete the autopsy because a
|
||||||
|
general told him to not complete the autopsy.
|
||||||
|
|
||||||
|
In this conflict between power and justice, to put it that way,
|
||||||
|
just where do you think Dr. Finck stands? A general who is not a
|
||||||
|
pathologist, told him not to complete the autopsy, so he didn't complete
|
||||||
|
it. This is not the way I want my country to be. When our president is
|
||||||
|
killed he deserves the kind of autopsy that the ordinary citizens get
|
||||||
|
every day in the state of Louisana. And the people deserve the facts
|
||||||
|
about it. We can't have the government power suddenly interjecting itself
|
||||||
|
and preventing the truth from coming to the people.
|
||||||
|
|
||||||
|
Yet, in this case, before the sun rose the next morning, power had
|
||||||
|
moved into the situation and the truth was being concealed. And now, five
|
||||||
|
years later in this courtroom the power of the government in concealing
|
||||||
|
the truth is continuing in the same way.
|
||||||
|
|
||||||
|
We presented eyewitnesses who told you of the shots coming from
|
||||||
|
the grassy knoll. A plane landed from Washington, and out came ballistics
|
||||||
|
expert Frazier for the defense. Mr. Frazier explanation of the sound of
|
||||||
|
the shots coming frm the front, which was heard by eyewitness after
|
||||||
|
eyewitness, was that Lee Oswald created a sonic boom in his firing. Not
|
||||||
|
only did Oswald break all of the world's records for marksmanship, but he
|
||||||
|
broke the sound barrier as well.
|
||||||
|
|
||||||
|
I suggest to you, that if any of you have shot on a firing range,
|
||||||
|
and most of you probably in the service, you were shooting rifles in which
|
||||||
|
the bullet travelled faster than the speed of sound. I ask you to recall
|
||||||
|
if you ever heard a sonic boom. If you remember when you were on the
|
||||||
|
firing line, and they would say, "ready on the left - ready on the right -
|
||||||
|
ready on the firing line - commence firing," you heard the shots coming
|
||||||
|
from the firing line, to the left of you and to the right of you. If you
|
||||||
|
had heard as a result of Mr. Frazier's fictional sonic boom, firing coming
|
||||||
|
at you from the pits, you would have had a reaction which you would still
|
||||||
|
remember.
|
||||||
|
|
||||||
|
Mr. Frazier's sonic boom simply doesn't exist. It's a part of the
|
||||||
|
fraud, a part of the continuing government fraud.
|
||||||
|
|
||||||
|
The best way to make this country the kind of country it's
|
||||||
|
supposed to be is to communicate to the government that no matter how
|
||||||
|
powerful it may be, we do not accept these frauds. We do not accept these
|
||||||
|
false announcements. We do not accept the concealment of evidence with
|
||||||
|
regard to the murder of President Kennedy.
|
||||||
|
|
||||||
|
Who is the most believable? A Richard Randolph Carr, seated here
|
||||||
|
in a wheelchair and telling you what he saw and what he heard and how he
|
||||||
|
was told to shut his mouth, or Mr. Frazier and his sonic booms?
|
||||||
|
|
||||||
|
Do we really have to actually reject Mr. Newman and Mrs. Newman
|
||||||
|
and Mr. Carr and Roger Craig and the testimony of all those honest
|
||||||
|
witnesses, reject all this and accept the fraudulent Warren Commission, or
|
||||||
|
else leave the country?
|
||||||
|
|
||||||
|
I suggest to you that there are other alternatives. Once of them
|
||||||
|
has been put in practice in the last month in the State of Louisiana, and
|
||||||
|
that is to bring out the truth in a proceeding where attorneys can
|
||||||
|
cross-examine, where the defendant can be confronted by testimony against
|
||||||
|
him, where the rules of evidence are applied and where a jury of citizens
|
||||||
|
can pass on it, and where there is no government secrecy. Above all,
|
||||||
|
where you do not have evidence concealed for seventy-five years in the
|
||||||
|
name of "national security."
|
||||||
|
|
||||||
|
All we have in this case are the facts. Facts which show that the
|
||||||
|
defendant participated in the conspiracy to kill the President and that
|
||||||
|
the President was subsequently killed in an ambush.
|
||||||
|
|
||||||
|
The reply of the defense has been the same as the early reply of
|
||||||
|
the government in the Warren Commission. It has been authority,
|
||||||
|
authority, authority. The President's seal outside of each volume of the
|
||||||
|
Warren Commission Report, made necessary because there is nothing inside
|
||||||
|
these volumes. Men of high position and prestige sitting on a board, and
|
||||||
|
announcing the results to you, but not telling you what the evidence is,
|
||||||
|
because the evidence has to be hidden for seventy-five years.
|
||||||
|
|
||||||
|
You heard in this courtroom in recent weeks, eyewitness after
|
||||||
|
eyewitness after eyewitness and, above all, you saw one eyewitness which
|
||||||
|
was indifferent to power, the Zapruder film. The lens of the camera is
|
||||||
|
totally indifferent to power and it tells what happened as it saw it
|
||||||
|
happen, and that is one of the reasons 200 million Americans have not seen
|
||||||
|
the Zapruder film. They should have seen it many times. They should know
|
||||||
|
exactly what happened. They all should know what you know now.
|
||||||
|
|
||||||
|
Why hasn't all of this come into being if there hasn't been
|
||||||
|
government fraud? Of course there has been fraud by the government.
|
||||||
|
|
||||||
|
But I'm telling you now that I think we can do something about it.
|
||||||
|
I think that there are still enough Americans left in this country to make
|
||||||
|
it continue to be America. I think that we can still fight
|
||||||
|
authoritarianism, the government's insistence on secrecy, government force
|
||||||
|
used in counterattacks against an honest inquiry, and when we do that,
|
||||||
|
we're not being un-American, we're being American. It isn't easy. You're
|
||||||
|
sticking your neck out in a rather permanent way, but it has to be done
|
||||||
|
because truth does not come into being automatically. Justice does not
|
||||||
|
happen automatically. Individual men, like the members of my staff here,
|
||||||
|
have to work and fight to make it happen, and individual men like you have
|
||||||
|
to make justice come into being because otherwise it doesn't happen.
|
||||||
|
|
||||||
|
What I'm trying to tell you is that there are forces in America
|
||||||
|
today, unfortunately, which are not in favor of the truth coming out about
|
||||||
|
John Kennedy's assassination. As long as our government continues to be
|
||||||
|
like this, as long as such forces can get away with such actions, then
|
||||||
|
this is no longer the country in which we were born.
|
||||||
|
|
||||||
|
The murder of John Kennedy was probably the most terrible moment
|
||||||
|
in the history of our country. Yet, circumstances have placed you in the
|
||||||
|
position where not only have you seen the hidden evidence but you are
|
||||||
|
actually going to have the opportunity to bring justice into the picture
|
||||||
|
for the first time.
|
||||||
|
|
||||||
|
Now, you are here sitting in judgement on Clay Shaw. Yet you, as
|
||||||
|
men, represent more than jurors in an ordinary case because the victims in
|
||||||
|
this case. You represent, in a sense, the hope of humanity against
|
||||||
|
government power. You represent humanity, which yet may triumph over
|
||||||
|
excessive government power. If you will cause it to be so, in the course
|
||||||
|
of doing your duty in this case.
|
||||||
|
|
||||||
|
I suggest that you ask not what your country can do for you but
|
||||||
|
what you can do for your country.
|
||||||
|
|
||||||
|
What can you do for your country? You can cause justice to happen
|
||||||
|
for the first time in this matter. You can help make our country better
|
||||||
|
by showing that this is still a government of the people. And if you do
|
||||||
|
that, as long as you live, nothing will ever be more important.
|
||||||
|
|
||||||
|
---------------------------
|
||||||
|
|
||||||
|
Since you read all the way through, you might be interested in
|
||||||
|
more information. You can check out alt.conspiracy.jfk at your favourite
|
||||||
|
USENET site and see the still active coverup covering up. Now including a
|
||||||
|
phoney "Oswald did it alone" FAQ posting from a .mil address. The
|
||||||
|
internet equivalent to Gerald Posner's "Case Closed." Though less well
|
||||||
|
written, it includes about the same amount of real research. There are
|
||||||
|
some good people on the newsgroup as well and they have a large and
|
||||||
|
growing body of info on display regularly. Another excellent source is
|
||||||
|
the web site for Fair Play magazine: http://www.kaiwan.com/~ljg/fp.html
|
||||||
|
|
||||||
|
-31 and counting-
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
158
textfiles.com/magazines/JAUC/juacind.txt
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158
textfiles.com/magazines/JAUC/juacind.txt
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@@ -0,0 +1,158 @@
|
|||||||
|
From dfox@fc.net Wed Jan 18 09:39:47 1995
|
||||||
|
Received: from freeside.fc.net (freeside.fc.net [198.6.198.2]) by bigboote.WPI.EDU (8.6.9/8.6) with ESMTP id JAA11992 for <mikecap@wpi.edu>; Wed, 18 Jan 1995 09:39:46 -0500
|
||||||
|
Received: (from dfox@localhost) by freeside.fc.net (8.6.8.1/8.6.6) id IAA20555 for mikecap@wpi.edu; Wed, 18 Jan 1995 08:36:40 -0600
|
||||||
|
Date: Wed, 18 Jan 1995 08:36:40 -0600
|
||||||
|
From: JAUC <dfox@fc.net>
|
||||||
|
Message-Id: <199501181436.IAA20555@freeside.fc.net>
|
||||||
|
To: mikecap@wpi.edu
|
||||||
|
Subject: JAUC-INDEX
|
||||||
|
Status: OR
|
||||||
|
|
||||||
|
THERE ARE 13 FILES (INCLUDING THIS TITLE) IN THIS ISSUE... PLEASE ALLOW
|
||||||
|
3 DAYS BEFORE COMPLAINING ABOUT NOT RECEIVING THEM. THANK YOU.
|
||||||
|
|
||||||
|
=======================================================================
|
||||||
|
|
||||||
|
THE JOURNAL OF AMERICAN UNDERGROUND COMPUTING / Published Quarterly
|
||||||
|
======================================================================
|
||||||
|
ISSN 1074-3111 Volume One, Issue Seven January 17, 1994
|
||||||
|
======================================================================
|
||||||
|
|
||||||
|
Editor-in-Chief: Scott Davis (dfox@fc.net)
|
||||||
|
Co-Editor/Technology: Max Mednick (kahuna@fc.net)
|
||||||
|
Conspiracy Editor: Gordon Fagan (flyer@io.com)
|
||||||
|
Information Systems: Carl Guderian (bjacques@usis.com)
|
||||||
|
Legal Editor Steve Ryan (blivion@sccsi.com)
|
||||||
|
Computer Security: George Phillips (ice9@paranoia.com)
|
||||||
|
Graphics/WWW Design Mario Martinez (digital@comland.com)
|
||||||
|
|
||||||
|
** ftp site: etext.archive.umich.edu /pub/Zines/JAUC
|
||||||
|
** ftp site: ftp.fc.net /pub/tjoauc
|
||||||
|
|
||||||
|
U.S. Mail:
|
||||||
|
The Journal Of American Underground Computing
|
||||||
|
or Fennec Information Systems
|
||||||
|
10111 N. Lamar - Suite 25
|
||||||
|
Austin, Texas 78753-3601
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
IMPORTANT ADDRESSES -
|
||||||
|
============================================================================
|
||||||
|
To Subscribe to "TJOAUC", send mail to: sub@fennec.com
|
||||||
|
All questions/comments about this publication to: comments@fennec.com
|
||||||
|
Send all articles/info that you want published to: submit@fennec.com
|
||||||
|
Commercial Registration for Profitable Media: form1@fennec.com
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
"The underground press serves as the only effective counter to a growing
|
||||||
|
power, and more sophisticated techniques used by establishment mass media
|
||||||
|
to falsify, misrepresent, misquote, rule out of consideration as a priori
|
||||||
|
ridiculous, or simply ignore and blot out of existence: data, books,
|
||||||
|
discoveries that they consider prejudicial to establishment interest..."
|
||||||
|
|
||||||
|
(William S. Burroughs and Daniel Odier, "The Job", Viking, New York, 1989)
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
Contents Copyright (C) 1995 The Journal Of American Underground Computing
|
||||||
|
and/or the author of the articles presented herein. All rights reserved.
|
||||||
|
Nothing may be reproduced in whole or in part without written permission
|
||||||
|
of the Editor-In-Chief and/or the author of the article. This publication
|
||||||
|
is made available periodically to the amateur computer hobbyist free of
|
||||||
|
charge. Any commercial usage (electronic or otherwise) is strictly
|
||||||
|
prohibited without prior consent of the Editor, and is in violation of
|
||||||
|
applicable US Copyright laws. To subscribe, send email to sub@fennec.com
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
DISCLAIMER AND NOTICE TO DISTRIBUTORS -
|
||||||
|
|
||||||
|
NOTE: This electronic publication is to be distributed free of charge
|
||||||
|
without modifications to anyone who wishes to have a copy. Under NO
|
||||||
|
circumstances is any issue of this publication, in part or in whole,
|
||||||
|
to be sold for money or services, nor is it to be packaged with other
|
||||||
|
computer software, including, but not limited to CD Rom disks, without
|
||||||
|
the express written or verbal consent of the author and/or editor.
|
||||||
|
To obtain permission to distribute this publication under any of the
|
||||||
|
certain circumstances stated above, please contact the editor at one of
|
||||||
|
the addresses above. If you have intentions of publishing this journal
|
||||||
|
in any of the ways described above, or you are in doubt about whether or
|
||||||
|
not your intentions conflict with the restrictions, please contact the
|
||||||
|
editor. FOR A COPY OF THE REGISTRATION FORM, MAIL - form1@fennec.com
|
||||||
|
This publication is provided without charge to anyone who wants it.
|
||||||
|
This includes, but is not limited to lawyers, government officials,
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|
cops, feds, hackers, social deviants, and computer hobbyists. If anyone
|
||||||
|
asks for a copy, please provide them with one, or mail the subscription
|
||||||
|
list so that you may be added.
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
TABLE OF CONTENTS
|
||||||
|
|
||||||
|
[File #1:]
|
||||||
|
Is There A Santa Claus Unknown
|
||||||
|
What Do People Think Unknown
|
||||||
|
.SIG Heil K. K. Campbell
|
||||||
|
WWW - The Junkyard Of The Internet Ram Samudrala
|
||||||
|
Austin (Tx) Zeen Scene Josh Ronsen
|
||||||
|
Object Technology In Cyberspace Chris Hand
|
||||||
|
|
||||||
|
[File #2]
|
||||||
|
Deadkat Deadkat
|
||||||
|
EFF Personnel Announcement Stanton McCandlish
|
||||||
|
Reader Feedback Our Reader(s)
|
||||||
|
Call Security / Voice Crypto FAQ Neil Johnson
|
||||||
|
There's A Body On The Internet Uncle Bob's NN #103
|
||||||
|
|
||||||
|
[File #3]
|
||||||
|
Windows And TCP/IP For Internet Access Harry Kriz
|
||||||
|
|
||||||
|
[File #4]
|
||||||
|
Windows And TCP/IP For Internet Access (Cont...) Harry Kriz
|
||||||
|
|
||||||
|
[File #5]
|
||||||
|
Say What? Libel And Defamation On The Internet Eric Eden
|
||||||
|
Jacking In From The "Back From The Dead" Port Brock Meeks
|
||||||
|
Announcing Slipknot Felix Kramer
|
||||||
|
|
||||||
|
[File #6]
|
||||||
|
Telecommunications Security Howard Fuhs
|
||||||
|
|
||||||
|
[File #7]
|
||||||
|
Old Freedoms And New Technologies Jay Weston
|
||||||
|
Information Superhighway: Reality Reid Goldsborough
|
||||||
|
Internet Tools Summary John December
|
||||||
|
LOD T-Shirts Chris Goggans
|
||||||
|
|
||||||
|
[File #8]
|
||||||
|
Interview With Erik Bloodaxe (Chris Goggans) Netta Gilboa
|
||||||
|
|
||||||
|
[File #9]
|
||||||
|
Review Of Slipknot 1.0 Scott Davis
|
||||||
|
cDc GDU #18 Swamp Ratte
|
||||||
|
My Letter To Wired Magazine Scott Davis
|
||||||
|
|
||||||
|
[File #10]
|
||||||
|
Caller ID FAQ Padgett Peterson
|
||||||
|
The Pentium Bug War Ends As We Know It James/Ted Barr
|
||||||
|
Pentium Non-Disclosure Agreement Of Dr. Nicely Thomas Nicely
|
||||||
|
The Computer Nevermore [A Late Christmas Tale] Unknown
|
||||||
|
Twas The Night Before Star Trek [Another One] Unknown
|
||||||
|
Santa Claus Source Code [The Last Late X-Mas Tale] Unkown
|
||||||
|
|
||||||
|
[File #11]
|
||||||
|
My Life As An International Arms Courier Matt Blaze
|
||||||
|
An Open Letter To Wired Magazine Chris Goggans
|
||||||
|
When Bigotry Outpaces Technology Douglas Welch
|
||||||
|
Letter From Steve Case: Child Porn On AOL Steve Case
|
||||||
|
|
||||||
|
[File #12]
|
||||||
|
Lee Harvey Oswald Died For Your Sins Gordon Fagan
|
||||||
|
|
||||||
|
|
||||||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
10
textfiles.com/magazines/JAUC/readme.phk
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10
textfiles.com/magazines/JAUC/readme.phk
Normal file
@@ -0,0 +1,10 @@
|
|||||||
|
|
||||||
|
Thanks for downloading The Journal Of American Underground Computing.
|
||||||
|
We are sure that you will enjoy this issue. Below are some addresses
|
||||||
|
that may be helpful if you wish to send feedback.
|
||||||
|
|
||||||
|
To Subscribe to "TJOAUC", send mail to: sub@fennec.com
|
||||||
|
All questions/comments about this publication to: comments@fennec.com
|
||||||
|
Send all articles/info that you want published to: submit@fennec.com
|
||||||
|
Mail to all of the editors of the magazine: editors@fennec.com
|
||||||
|
|
20
textfiles.com/magazines/JOAUC.1
Normal file
20
textfiles.com/magazines/JOAUC.1
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@@ -0,0 +1,20 @@
|
|||||||
|
<HTML>
|
||||||
|
<TITLE>T E X T F I L E S</TITLE>
|
||||||
|
<BODY BGCOLOR="#000000" TEXT="#00FF00" LINK="#00FF00" ALINK="#00AA00" VLINK="#00AA00">
|
||||||
|
<H1>
|
||||||
|
The Journal of American Undergound Computing (1994)
|
||||||
|
</H1>
|
||||||
|
<P>
|
||||||
|
<TABLE WIDTH=100%>
|
||||||
|
<TD BGCOLOR=#00FF00><FONT COLOR=#000000><B>Filename</B></FONT>
|
||||||
|
<TD BGCOLOR=#00DD00><FONT COLOR=#000000><B>Size</B></FONT>
|
||||||
|
<TD BGCOLOR=#00AA00><FONT COLOR=#000000><B>Description of the Textfile</B></TR>
|
||||||
|
<tab indent=60 id=T><br>
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JOAUC/jauc01.txt">jauc01.txt</A> <tab to=T><TD> 41501<BR><TD> The Journal of American Undergound Computing by Scott Davis #1 (March 19, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JOAUC/jauc02.txt">jauc02.txt</A> <tab to=T><TD> 151511<BR><TD> The Journal of American Undergound Computing by Scott Davis #2 (April 4, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JOAUC/jauc03.txt">jauc03.txt</A> <tab to=T><TD> 162068<BR><TD> The Journal of American Undergound Computing by Scott Davis #3 (April 30, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JOAUC/jauc04.txt">jauc04.txt</A> <tab to=T><TD> 161755<BR><TD> The Journal of American Undergound Computing by Scott Davis #4 (June 7, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JOAUC/jauc05.txt">jauc05.txt</A> <tab to=T><TD> 129878<BR><TD> The Journal of American Undergound Computing by Scott Davis #5 (August 1, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JOAUC/jauc06.txt">jauc06.txt</A> <tab to=T><TD> 292484<BR><TD> The Journal of American Undergound Computing by Scott Davis #6 (October 1, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JOAUC/jauc07.txt">jauc07.txt</A> <tab to=T><TD> 423078<BR><TD> The Journal of American Undergound Computing by Scott Davis #7 (January 7, 1994)
|
||||||
|
</TABLE><P><TABLE WIDTH=100%><TR><TD ALIGN=RIGHT><SMALL>There are 7 files for a total of 1,362,275 bytes.</SMALL></TABLE>
|
20
textfiles.com/magazines/JOAUC/.windex.html
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|
|||||||
|
<HTML>
|
||||||
|
<TITLE>T E X T F I L E S</TITLE>
|
||||||
|
<BODY BGCOLOR="#FFFFFF" TEXT="#000000" LINK="#000000" ALINK="#004400" VLINK="#004400">
|
||||||
|
<H1>
|
||||||
|
The Journal of American Undergound Computing (1994)
|
||||||
|
</H1>
|
||||||
|
<P>
|
||||||
|
<TABLE WIDTH=100%>
|
||||||
|
<TD BGCOLOR=#000000><FONT COLOR=#FFFFFF><B>Filename</B></FONT>
|
||||||
|
<TD BGCOLOR=#002200><FONT COLOR=#FFFFFF><B>Size</B></FONT>
|
||||||
|
<TD BGCOLOR=#004400><FONT COLOR=#FFFFFF><B>Description of the Textfile</B></TR>
|
||||||
|
<tab indent=60 id=T><br>
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jauc01.txt">jauc01.txt</A> <tab to=T><TD> 41501<BR><TD> The Journal of American Undergound Computing by Scott Davis #1 (March 19, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jauc02.txt">jauc02.txt</A> <tab to=T><TD> 151511<BR><TD> The Journal of American Undergound Computing by Scott Davis #2 (April 4, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jauc03.txt">jauc03.txt</A> <tab to=T><TD> 162068<BR><TD> The Journal of American Undergound Computing by Scott Davis #3 (April 30, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jauc04.txt">jauc04.txt</A> <tab to=T><TD> 161755<BR><TD> The Journal of American Undergound Computing by Scott Davis #4 (June 7, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jauc05.txt">jauc05.txt</A> <tab to=T><TD> 129878<BR><TD> The Journal of American Undergound Computing by Scott Davis #5 (August 1, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jauc06.txt">jauc06.txt</A> <tab to=T><TD> 292484<BR><TD> The Journal of American Undergound Computing by Scott Davis #6 (October 1, 1994)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jauc07.txt">jauc07.txt</A> <tab to=T><TD> 423078<BR><TD> The Journal of American Undergound Computing by Scott Davis #7 (January 7, 1994)
|
||||||
|
</TABLE><P><TABLE WIDTH=100%><TR><TD ALIGN=RIGHT><SMALL>There are 7 files for a total of 1,362,275 bytes.</SMALL></TABLE>
|
1582
textfiles.com/magazines/JOAUC/jauc01.txt
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1582
textfiles.com/magazines/JOAUC/jauc01.txt
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File diff suppressed because it is too large
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5940
textfiles.com/magazines/JOAUC/jauc02.txt
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5940
textfiles.com/magazines/JOAUC/jauc02.txt
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6216
textfiles.com/magazines/JOAUC/jauc03.txt
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6216
textfiles.com/magazines/JOAUC/jauc03.txt
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6262
textfiles.com/magazines/JOAUC/jauc04.txt
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6262
textfiles.com/magazines/JOAUC/jauc04.txt
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4644
textfiles.com/magazines/JOAUC/jauc05.txt
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4644
textfiles.com/magazines/JOAUC/jauc05.txt
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11844
textfiles.com/magazines/JOAUC/jauc06.txt
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11844
textfiles.com/magazines/JOAUC/jauc06.txt
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File diff suppressed because it is too large
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16646
textfiles.com/magazines/JOAUC/jauc07.txt
Normal file
16646
textfiles.com/magazines/JOAUC/jauc07.txt
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File diff suppressed because it is too large
Load Diff
31
textfiles.com/magazines/JONAS.1
Normal file
31
textfiles.com/magazines/JONAS.1
Normal file
@@ -0,0 +1,31 @@
|
|||||||
|
<HTML>
|
||||||
|
<TITLE>T E X T F I L E S</TITLE>
|
||||||
|
<BODY BGCOLOR="#000000" TEXT="#00FF00" LINK="#00FF00" ALINK="#00AA00" VLINK="#00AA00">
|
||||||
|
<H1>
|
||||||
|
|
||||||
|
</H1>
|
||||||
|
<P>
|
||||||
|
<TABLE WIDTH=100%>
|
||||||
|
<TD BGCOLOR=#00FF00><FONT COLOR=#000000><B>Filename</B></FONT>
|
||||||
|
<TD BGCOLOR=#00DD00><FONT COLOR=#000000><B>Size</B></FONT>
|
||||||
|
<TD BGCOLOR=#00AA00><FONT COLOR=#000000><B>Description of the Textfile</B></TR>
|
||||||
|
<tab indent=60 id=T><br>
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_11.txt">jonas_11.txt</A> <tab to=T><TD> 37304<BR><TD> Jonas Issue #11
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_12.txt">jonas_12.txt</A> <tab to=T><TD> 27206<BR><TD> Jonas Issue #12 (October 8, 1995)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_13.sur">jonas_13.sur</A> <tab to=T><TD> 5021<BR><TD> Jonas Issue #13 Information
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_13.txt">jonas_13.txt</A> <tab to=T><TD> 39532<BR><TD> Jonas Issue #13 (November 13, 1995)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_14.txt">jonas_14.txt</A> <tab to=T><TD> 58343<BR><TD> Jonas Issue #14 (December, 1995)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_15.txt">jonas_15.txt</A> <tab to=T><TD> 32255<BR><TD> Jonas Issue #15 (February 17, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_16.txt">jonas_16.txt</A> <tab to=T><TD> 27539<BR><TD> Jonas Issue #16 (April 2, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_17.txt">jonas_17.txt</A> <tab to=T><TD> 36642<BR><TD> Jonas Issue #17 (April 2, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_18.txt">jonas_18.txt</A> <tab to=T><TD> 35483<BR><TD> Jonas Issue #18 (May 27, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_19.txt">jonas_19.txt</A> <tab to=T><TD> 48357<BR><TD> Jonas Issue #19 (1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_20.txt">jonas_20.txt</A> <tab to=T><TD> 56584<BR><TD> Jonas Issue #20 (July 28, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_21.txt">jonas_21.txt</A> <tab to=T><TD> 55369<BR><TD> Jonas Issue #21 (August 28, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_22.txt">jonas_22.txt</A> <tab to=T><TD> 29610<BR><TD> Jonas Issue #22 (November 25, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_23.txt">jonas_23.txt</A> <tab to=T><TD> 46010<BR><TD> Jonas Issue #23 (March 13, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="JONAS/jonas_24.txt">jonas_24.txt</A> <tab to=T><TD> 38524<BR><TD> Jonas Issue #24 (April 30, 1997)
|
||||||
|
</TABLE><P><TABLE WIDTH=100%><TR><TD ALIGN=RIGHT><SMALL>There are 15 files for a total of 573,779 bytes.</SMALL></TABLE><P>
|
||||||
|
|
||||||
|
</BODY>
|
||||||
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<TD BGCOLOR=#000000><FONT COLOR=#FFFFFF><B>Filename</B></FONT>
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<TD BGCOLOR=#002200><FONT COLOR=#FFFFFF><B>Size</B></FONT>
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<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_11.txt">jonas_11.txt</A> <tab to=T><TD> 37304<BR><TD> Jonas Issue #11
|
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<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_12.txt">jonas_12.txt</A> <tab to=T><TD> 27206<BR><TD> Jonas Issue #12 (October 8, 1995)
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<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_13.sur">jonas_13.sur</A> <tab to=T><TD> 5021<BR><TD> Jonas Issue #13 Information
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_13.txt">jonas_13.txt</A> <tab to=T><TD> 39532<BR><TD> Jonas Issue #13 (November 13, 1995)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_14.txt">jonas_14.txt</A> <tab to=T><TD> 58343<BR><TD> Jonas Issue #14 (December, 1995)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_15.txt">jonas_15.txt</A> <tab to=T><TD> 32255<BR><TD> Jonas Issue #15 (February 17, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_16.txt">jonas_16.txt</A> <tab to=T><TD> 27539<BR><TD> Jonas Issue #16 (April 2, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_17.txt">jonas_17.txt</A> <tab to=T><TD> 36642<BR><TD> Jonas Issue #17 (April 2, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_18.txt">jonas_18.txt</A> <tab to=T><TD> 35483<BR><TD> Jonas Issue #18 (May 27, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_19.txt">jonas_19.txt</A> <tab to=T><TD> 48357<BR><TD> Jonas Issue #19 (1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_20.txt">jonas_20.txt</A> <tab to=T><TD> 56584<BR><TD> Jonas Issue #20 (July 28, 1996)
|
||||||
|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_21.txt">jonas_21.txt</A> <tab to=T><TD> 55369<BR><TD> Jonas Issue #21 (August 28, 1996)
|
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|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_22.txt">jonas_22.txt</A> <tab to=T><TD> 29610<BR><TD> Jonas Issue #22 (November 25, 1996)
|
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|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_23.txt">jonas_23.txt</A> <tab to=T><TD> 46010<BR><TD> Jonas Issue #23 (March 13, 1996)
|
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|
<TR VALIGN=TOP><TD ALIGN=TOP><A HREF="jonas_24.txt">jonas_24.txt</A> <tab to=T><TD> 38524<BR><TD> Jonas Issue #24 (April 30, 1997)
|
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|
</TABLE><P><TABLE WIDTH=100%><TR><TD ALIGN=RIGHT><SMALL>There are 15 files for a total of 573,779 bytes.</SMALL></TABLE><P>
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720
textfiles.com/magazines/JONAS/jonas_11.txt
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//01Welcome to Jonas, Biznatch. (Edicius)
|
||||||
|
|
||||||
|
$&a. .a&$$$&a. .a&$$$&a. .a&$$$&a. .a&$$$&a.
|
||||||
|
$$$$ $$$$ $$$$ $$$$ $$$$ $$$$^$$$$ $$$$^$$$$
|
||||||
|
$$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$
|
||||||
|
aaa. $$$$ $$$$ $$$$ $$$$ $$$$ .a&$$$$$$ $$$$$&aa.
|
||||||
|
$$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$^$$$$ aaaa $$$$
|
||||||
|
$$$$.$$$$ $$$$.$$$$ $$$$ $$$$ $$$$.$$$$ $$$$ $$$$
|
||||||
|
`$$$$$$$' `$$$$$$$' `$$$ $$$' `$$$$$$$' `$$$$$$$'
|
||||||
|
jonas?! $&' lf
|
||||||
|
$'
|
||||||
|
|
||||||
|
Here it is, Jonas 11. WOO - FUCKING - HOO. Its out, its out, its
|
||||||
|
out!@^*!$%^
|
||||||
|
|
||||||
|
Nothing much is news-worthy with Jonas. Oh yeah, Jonas is taking an
|
||||||
|
indefinate leave of absence for alittle while.
|
||||||
|
|
||||||
|
You heard it, bitch. On your back, no excuses.
|
||||||
|
|
||||||
|
Um. Yeah. Basically, what I'm saying, is that Jonas won't be out
|
||||||
|
for awhile. SO DON'T BUG ME FOR IT (cough time killer cough. :>)
|
||||||
|
|
||||||
|
Um. Here's the reason.
|
||||||
|
|
||||||
|
I'm becoming a real 'zine. Yup. I'm becoming a paper 'zine,
|
||||||
|
jeah!@#
|
||||||
|
|
||||||
|
Hopefully. I need the money, so I can get a Post Office Box (I
|
||||||
|
don't want you sickos having my home address (181 Ridgemount Drive, Salt
|
||||||
|
Lake City, UT). I also need a legitamate internet account, too. :>
|
||||||
|
|
||||||
|
Anyway, as far as the paper Jonas goes, I'll be releasing a
|
||||||
|
information file before the end of September regarding the future.
|
||||||
|
|
||||||
|
As far as real news for this month:
|
||||||
|
|
||||||
|
o. Belial <Blade/Cripple> did us two Articles, and an ascii.
|
||||||
|
|
||||||
|
o. Also, Lucifer <Blade> did us a few radIk0w asciis.
|
||||||
|
|
||||||
|
o. I had a few sites, but like, um, I forget them.
|
||||||
|
|
||||||
|
o. EDICIUS IS YOUR LOVE GOD. OH YES. OH YES. OH YES.
|
||||||
|
|
||||||
|
Read the 'zine, enlighten yourself, and drink Pepsi (c).
|
||||||
|
|
||||||
|
edicius.
|
||||||
|
jonas vmb @ 800/314/8885::585.
|
||||||
|
|
||||||
|
//02Edicius' Editorial (Edicius)
|
||||||
|
From masturbate.at.the.jonas.org<y>!edicius Mon Sep 4 13:04:49 1995
|
||||||
|
Return-Path: <edicius@masturbate.at.the.jonas.org>
|
||||||
|
Recieved: by masturbate.at.the.jonas.org (5.61 / 25)
|
||||||
|
id AA01437; Mon, 4 Sep 95 13:02:12 -0500
|
||||||
|
Date: Mon, 4 Sep 95 13:02:12 -0500
|
||||||
|
From: edicius@masturbate.at.the.jonas.org <RIDE ME ALL NITE LONG EDI>
|
||||||
|
Message-Id: <9509040808.AA01437@masturbate.at.the.jonas.org>
|
||||||
|
Aparently-To: sandyb@aol.com
|
||||||
|
Cc: mogel@hoe.org, willyc@whitehouse.gov, jgoleb@injersey.com
|
||||||
|
Status: 0
|
||||||
|
|
||||||
|
One day, April 1st, 1995, to be exact, I was bored. (Well, not just
|
||||||
|
on this day, but follow me here.) I looked around at all the different
|
||||||
|
'zines around. Back then, I was involved with the ansi art scene alittle
|
||||||
|
more then I am now. I looked at Infinity, I looked at Bitchslap, I
|
||||||
|
looked at Undergrown. I also looked at Hoe, cDc, and all the other poppa
|
||||||
|
'zines out there.
|
||||||
|
I said to myself, "Tom, you too can achieve fame, fortune, and asian
|
||||||
|
girls in bikinis if you make your own electronic magizine."
|
||||||
|
So, I sat down, wrote an article or two, drew up some asciis, and
|
||||||
|
boom, "Bee-Gee" Issue One was almost done.
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
WAIT A FUCKING SECOND EDI. BEE GEE?
|
||||||
|
|
||||||
|
Yes, "Bee-Gee". I _almost_ named my magizine Bee-Gee, after the
|
||||||
|
infamous 70's group. I got bored, and didn't feel like working on it
|
||||||
|
anymore. So I scraped the whole thing. Sorta.
|
||||||
|
The next day, a typical Saturday night for me, I sat down, and
|
||||||
|
around eight o'clock, I started work on Jonas. I used some of the stuff
|
||||||
|
I had from the night before, drew new asciis, and finished the coding.
|
||||||
|
I released an issue that night, about 5 hours after I originially
|
||||||
|
started working on it. (Deeply Disturbed (I think it was DeepStah) put
|
||||||
|
out some magizine that he said was done in 5 hours. HAH. JONAS COPY
|
||||||
|
CAT.)
|
||||||
|
The reviews of the 'zine were very mixed. So, I put out an issue
|
||||||
|
the next day (Sunday), about 12 hours after I released issue one, and
|
||||||
|
then, I released issues 3 and 4 the next weekend.
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
"Is your main objective to be a simple magizine, or are you just an
|
||||||
|
inexperienced coder looking for fun?" -- Asphixia.
|
||||||
|
|
||||||
|
It was a mixture of both. I was just an angstful person looking for
|
||||||
|
a way to vent my frustrations at the art scene, or something. I love
|
||||||
|
writing, so I felt like putting together my own magizine.
|
||||||
|
I also know very little about coding. :>
|
||||||
|
No matter what I did, I also had Jonas under my belt. Jonas is me.
|
||||||
|
Without me, Jonas is no more. (Sounds like Eerie and Undergrown. :>)
|
||||||
|
What I've done with Jonas, is exactly what I've wanted to do with it.
|
||||||
|
I've never had any senior staff, no co editors, _nothing_. I have very
|
||||||
|
rarely been influenced by other people, as far as Jonas is concerned.
|
||||||
|
Jonas is me. Jonas is about 5 months, 11 issues, and countless
|
||||||
|
hours of hard work. I've put alot into Jonas, and only want the best for
|
||||||
|
it. Making it into a paper 'zine is what I want to do. Its how I can
|
||||||
|
reach alot more people, then I can now.
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
Over the course of Jonas' history, it's main theme has changed
|
||||||
|
_greatly_. I started out as a small Ansi mag, without ansi, only ascii.
|
||||||
|
(Pretty neat concept, eh?) I had the interviews with the big people in
|
||||||
|
the ansi scene. Rad Man, Wizard of Id, and others.
|
||||||
|
As time progressed, I changed. Its range of coverage was very wide.
|
||||||
|
Music, Computers, Politics, amoung many other topics. I still had the
|
||||||
|
ansi in it, to a small extent. One of my favorite things I've done for
|
||||||
|
Jonas is the Eerie interview in issue 10.
|
||||||
|
Its theme has changed, but the heart and spirit of Jonas never
|
||||||
|
swayed one bit. Jonas would always release, no matter how lame people
|
||||||
|
thought it would be.
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
"Serious content in a magizine quoted as 'a joke' but its creator.
|
||||||
|
The road to today's cult phenomenom leads to Jonas." -- Diehard
|
||||||
|
|
||||||
|
True, very true. Jonas has a pretty strange following. I mean, its
|
||||||
|
nothing like Deadheads, but I have had alot of people tell me how much
|
||||||
|
they look forward to Jonas, which pleases me. Jonas was started out as a
|
||||||
|
joke, I was very shocked when people told me they liked it.
|
||||||
|
Jonas may, or may not, stop electronic releases, but it will live
|
||||||
|
on. The spirit of Jonas will remain in the minds of many, forever.
|
||||||
|
Maybe.
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
"Jonas, its more then a 'zine, its a lifestyle." -- Edicius.
|
||||||
|
|
||||||
|
I've said those words before in the past, without really thinking
|
||||||
|
never have they meant more then me, then they do now.
|
||||||
|
|
||||||
|
--
|
||||||
|
|
||||||
|
tom m. sullivan - edicius@masturbate.at.the.jonas.org<y>
|
||||||
|
office: (800)314/8885::585 / home: see office / fax: see office
|
||||||
|
"Jonas, Its more then a 'zine, its a lifestyle." -- Edicius.
|
||||||
|
"pHEAR mE." -- Mogel
|
||||||
|
"Nine, or ten, thousand times a day." -- Pip the Angry Conservative.
|
||||||
|
|
||||||
|
--
|
||||||
|
|
||||||
|
//03A Day in the Life of Edicius (Edicius)
|
||||||
|
|
||||||
|
Here's a day in the life of me, Edicius/Tom Sullivan, for September
|
||||||
|
2nd, 1995.
|
||||||
|
|
||||||
|
I woke up around noon, after going to bed around 2:30am. Brushed
|
||||||
|
myself off, got something to drink, and went to the bathroom. I think I
|
||||||
|
read the paper, not really sure. I came into my room, played alittle
|
||||||
|
Sega (Hardball '95, *GREAT* game), and watched TNBC. (Saved by the bell
|
||||||
|
ROCKS.)
|
||||||
|
|
||||||
|
I talked alittle bit on the phone, and started cleaning my room
|
||||||
|
around 1 or so. Nothing too special there. Around 2:30 or so, I left,
|
||||||
|
hopped on my bike, and rode to my friends house. Hung out at his house,
|
||||||
|
watched alittle bit of "Interview with a Vampire", and then took a 3 mile
|
||||||
|
ride on my bike to taco bell.
|
||||||
|
|
||||||
|
After a hearty meal (2 double decker tacos, a steak soft taco, 10
|
||||||
|
packets of hot sauce, and about 4 refills of Dr. Pepper), I go to the
|
||||||
|
Wawa (7-11 type store), got a cherry Icee (c) and a pack of Starburst.
|
||||||
|
Played around with the payphone (I called my answering machine to check
|
||||||
|
my messages, and tried out a loop number I found, then, the phone was
|
||||||
|
fucky with me, and tricked me into thinking I could get free calls (I
|
||||||
|
dial a number for the hell of it, without a coin, and the fone rang, but
|
||||||
|
after 4 rings, an operator came on asking for change, bitch.)) Being
|
||||||
|
pissed off at the phone, I covered it with Cherry Icee (c). h0h0.
|
||||||
|
|
||||||
|
I rode down the highway to a record store, saw a few cd's I wanted
|
||||||
|
(newest Teenage Fanclub $4.99 (it was used, and didn't have the front
|
||||||
|
cover on it), but I bought a Pavement sticker, and got 2 free music
|
||||||
|
newspapers.
|
||||||
|
|
||||||
|
Rode back to my friend's house, hung out, he showed me how to play
|
||||||
|
the sport "hurling". (Its an major Irish sport, he just came back from
|
||||||
|
Ireland, and the sport totally rocks. Its like a mixture of field hockey
|
||||||
|
and rugby.) Played with some hot wheels (I NEEDED MATCHES TO MAKE A
|
||||||
|
TOTALLY REALISTIC ACCIDENT SCENE, but _no_, my friend wouldn't let me use
|
||||||
|
them.)
|
||||||
|
|
||||||
|
I went to a local shopping center with my friend around 5 or so, got
|
||||||
|
a big can of Arizona Ice Tea, a can of Dr. Pepper, and a Choco-taco, went
|
||||||
|
to a playground nearby, and just sat, ate, and went down the slides
|
||||||
|
backwords and did flips and cool stuff like that.
|
||||||
|
|
||||||
|
I came home around 7 or so, did nothing besides watch tv. I
|
||||||
|
masturbated around 8 or so (a mixture of Alt.sex.stories, and a really
|
||||||
|
nice looking Meterologist on The Weather Channel (Yes, it was a chick.
|
||||||
|
Sharon Reseultan.)) Finished cleaning my room and watched the news at
|
||||||
|
Ten. There was a punk rock riot in New York City today, too.
|
||||||
|
|
||||||
|
The only thing that I regret about the day, is "hacking" my friends
|
||||||
|
answering machine.
|
||||||
|
|
||||||
|
Around 11 or so, I was deafly bored. She has been in Hong Kong
|
||||||
|
since last Saturday, and doesn't come back for a few more days. I called
|
||||||
|
up, starting pressing keys, and after about 15-20 calls, I got the code.
|
||||||
|
|
||||||
|
*PROBLEM*
|
||||||
|
|
||||||
|
I got through, and hear, "You have 29 new messages."
|
||||||
|
|
||||||
|
Uh-oh.
|
||||||
|
|
||||||
|
*ANOTHER PROBLEM*
|
||||||
|
|
||||||
|
20 of the messages are, "DOO DOO DEE DAA DOO". (Me hitting the
|
||||||
|
telephone keypads.)
|
||||||
|
|
||||||
|
AND I CAN'T DELETE THE 20 MESSAGES. I EITHER RESET THE WHOLE
|
||||||
|
FUCKING TAPE, OR LET THEM BE.
|
||||||
|
|
||||||
|
Now I don't know what to do. Let them stay, and just totally lie to
|
||||||
|
her come Tuesday. She may already know that I like to fool around with
|
||||||
|
phones, I might have mentioned it to her before. I do remember that i
|
||||||
|
tried doing that to her phone before in the past. Also, another time,
|
||||||
|
she was pissed off at her sister, and her sister just got a new phone and
|
||||||
|
answering machine, and I _might_ (I stress "might", I really can't
|
||||||
|
remember) have said to her something like, "get me her new phone number,
|
||||||
|
and I can crack her answering machine."
|
||||||
|
|
||||||
|
I used *67 before each call, even though I know she doesn't have
|
||||||
|
caller ID. I just hope she can't find out it was me.
|
||||||
|
|
||||||
|
LAMER I AM, FOR I AM THE LAMER.
|
||||||
|
|
||||||
|
I don't know, I don't know, I just don't fucking know what to do.
|
||||||
|
ARG. This is pissing me off.
|
||||||
|
|
||||||
|
AND TO TOP IT OFF, I HAVE A FUCKING MISQUITO BITE ON THE BACK OF MY
|
||||||
|
LEG.
|
||||||
|
|
||||||
|
Ah. Fuck it all, I'll get through it.
|
||||||
|
|
||||||
|
Thats my angstful life that I lead.
|
||||||
|
|
||||||
|
//04Hiroshima: 50 Years After (Terminal V.)
|
||||||
|
|
||||||
|
It's August, and as everyone should know, the month of the
|
||||||
|
bombing of Hiroshima. It was the month that Eisenhower made the
|
||||||
|
fateful descision to bomb not one, but two major civilian
|
||||||
|
centers in Japan. The names Hiroshima and Nagasaki are often
|
||||||
|
used to describe descenes of mass death and destruction. The
|
||||||
|
bombings of these two cities were the startling conclusion to
|
||||||
|
the war in the Pacific with Japan. Now, almost 50 years after
|
||||||
|
the bombing of Japan, many people look back on the incident and
|
||||||
|
wonder if maybe we didn't go to far in bombing the homes of
|
||||||
|
innocent civilians and that maybe the price of our win was much
|
||||||
|
higher than we ever should have allowed it to go. It seems now
|
||||||
|
that the popular sentiment is to bash the US's decision to bomb
|
||||||
|
Japan.
|
||||||
|
Often I bash the US for various decisions and policies, however
|
||||||
|
it must be known that I totally agree with Eisenhowers descision
|
||||||
|
to bomb Japan. However horrible it be that over 300,000
|
||||||
|
innocents died in the two blasts, I think that it would have
|
||||||
|
been more horrible had many millions died. Millions of soldiers
|
||||||
|
continuing to fight the war, the blood of many more people would
|
||||||
|
have been shed had we not forced Japan to stop and surrender. It
|
||||||
|
is often said that the needs of the many outweight the needs of
|
||||||
|
the few, and many people agree that this statement is both
|
||||||
|
callous and coldly logical, however it is most appropriate in
|
||||||
|
this case. It was worth the lives of 300,000 men, women and
|
||||||
|
children in order to save the lives of millions of soldiers.
|
||||||
|
It is often at this juncture that people get up on their
|
||||||
|
soapboxes quivering with moral outrage, that innocents never
|
||||||
|
asked to be involved in a war and that soldiers are paid to die
|
||||||
|
for their countries, shouting that the deaths of innocent
|
||||||
|
children are inexcusable. True as these words may be, it should
|
||||||
|
be said that the deaths of soldiers are no less tragic or
|
||||||
|
terrible than the deaths of pregnant women and small children.
|
||||||
|
These men who were brothers, fathers, husbands, and uncles went
|
||||||
|
off and died by the millions in foreign lands. It was the deaths
|
||||||
|
of innocents which helped to bring about needless death on a
|
||||||
|
larger scale. Just because they are soldiers doesn't mean their
|
||||||
|
lives are any less valuable than a woman or childs.
|
||||||
|
|
||||||
|
Note: All facts and figures used in the artical were obtained
|
||||||
|
from the August 7th, 1995 issue of Time magazine.
|
||||||
|
|
||||||
|
|
||||||
|
//05Vampire Part I (Terminal Velocity)
|
||||||
|
|
||||||
|
Morius looked out upon the fogged over San Franciso bay. Longing
|
||||||
|
filled his eyes and the ever present cloud of depression hung low about
|
||||||
|
him, thicker than the mist which enshrouded the bay. He had been a vampire,
|
||||||
|
or as they call themselves, the Kindred for far too long he felt. He felt
|
||||||
|
weary of the constant hunger which gnawed away at his soul and slowly
|
||||||
|
turned him in to something much more evil than any human could ever imagine,
|
||||||
|
slowly turning him in to the evil, amoral creature know to every one of the
|
||||||
|
Kindred and the Beast. It was because of his weariness that he felt it was
|
||||||
|
time for him to seek the respite from the horrors of his curse of living
|
||||||
|
death, a respite known as Golconda. Unfortunatly for Morius, he lacked the
|
||||||
|
will and the motivation required to reach that blessed state. He had however,
|
||||||
|
heard that if one sought out Caine, father of all vampires, and asked him,
|
||||||
|
tha Caine would reveal the secret to Golconda and allow the seeker to be
|
||||||
|
spared the journey of self discover which often marks the first part of the
|
||||||
|
ordeal required to reach Golconda. Morius shook himself out of his thoughtful
|
||||||
|
revere and calmly awaited the arrival of his first candidate for being one of
|
||||||
|
his seekers.
|
||||||
|
Finally as the moon began it's descent which would herald the comming
|
||||||
|
of dawn, Morius' patience was rewarded by the sound of the soft footsteps of
|
||||||
|
his first candidate. Stepping into view, intent upon the young man he had been
|
||||||
|
tracking for several blocks, the hunter stopped to sniff the air so that he
|
||||||
|
might orient once again on the location of his victem. Finally after a few
|
||||||
|
moments of sniffing the air he caught the scent of his victem and started to
|
||||||
|
go off when the sudden appearence of a tall dark man stopped him. Before
|
||||||
|
speaking Morius looked over this man. A tall man, with a lean muscular build,
|
||||||
|
walked with the gait of a cat stalking it's prey and could almost be taken
|
||||||
|
for human until you saw his face. Like some many who are members of the
|
||||||
|
vampire clan Nosferatu, the man was hideously ugly and even expecting it
|
||||||
|
Morius was still aghast at this man's looks.
|
||||||
|
" Finally you have arrived," Morius said. " I was hoping you would
|
||||||
|
have arrived sooner than this, but beggers or course, may not be choosers."
|
||||||
|
" Who are you to be awaiting my arrival?", the man asked.
|
||||||
|
" I sir am Morius and you, if I am not mistaken, are non other than
|
||||||
|
the Nosferatu named Jasper," Morius replied.
|
||||||
|
" And to what do I owe the honour of your interest?" the man replied.
|
||||||
|
" I am seeking a strong man, capable in both mind and body to seek out
|
||||||
|
something very dear to me. I would ask that you would search for our fabled
|
||||||
|
father known as Caine. Do not worry, I plan on rewarding you for work by
|
||||||
|
offering you all my worldly goods, which if the reputation of the knowledge of
|
||||||
|
the Nosferatu is overstated, you must assuredly know the amount, " Morius said
|
||||||
|
" Indeed your wealth is known to me, and a considerable amoun it is.
|
||||||
|
However the task you request of me boarders on impossible as know one, human,
|
||||||
|
Kindred or otherwise, save Caine, knows his location. I fear that you would be
|
||||||
|
wasting my time and your money on this fools errand as surely you know that my
|
||||||
|
sense of honour would not allow me to stop looking for him until I have
|
||||||
|
completed the terms of our contract, and I hate to breake it to you, but I
|
||||||
|
have better ways to spend the rest of eternity," Jasper replied.
|
||||||
|
Looking down at the ground, seemingly contemplating the cracks in the
|
||||||
|
pavement Morius let loose a deep sigh and looked to the sky as if asking some
|
||||||
|
divine power to give him the strength to continue the conversation. After a
|
||||||
|
few moments spent collecting his thoughts and his patience, he turned around
|
||||||
|
and gazed at Jasper. Finally he spoke.
|
||||||
|
" I am privy to information that there is a journal which contains
|
||||||
|
the last know whereabouts of Caine and which will allow for you to check
|
||||||
|
the most recent location in it, following a trail of sorts," Morius answered.
|
||||||
|
After a moment he said, " With this information the quest would become
|
||||||
|
feasble and you and the others would be able to find him for me. In exchange
|
||||||
|
I will give you a share of my worldly goods."
|
||||||
|
" Others," Jasper replied in a questioning tone. " What others would
|
||||||
|
these be? I thought you meant me and me alone."
|
||||||
|
" I highly doubt you would be able to accomplish such a formidable
|
||||||
|
task on your own. What I am asking you to do would require a large array of
|
||||||
|
varying talents. There are two others. A man from the Gangrel beast clan
|
||||||
|
know as Argos, and the other is a rather petite woman who is from the
|
||||||
|
Tremere wizard clan and she is called Simone. It is with those two you shall
|
||||||
|
be traveling and with those two you shall be sharing the money, " Morius
|
||||||
|
explained.
|
||||||
|
" I see, " Jasper said, " but when do we get this information?"
|
||||||
|
" You shall receive the information for your objective when I have
|
||||||
|
brought all of you together in one place," replied Morius in quiet tones.
|
||||||
|
" And when is that? "
|
||||||
|
" Tomorrow night, " replied Morius and with that he walked off in
|
||||||
|
to the shadows of the alley disappearing from view.
|
||||||
|
Jasper looked at the sky and cursed when he saw it was slowly getting
|
||||||
|
lighter with the impending dawn. Angry that he would be going to bed hungry,
|
||||||
|
he ran down the street towards his haven so that he might be protected by the
|
||||||
|
suns killing light and live to see the night once more.
|
||||||
|
|
||||||
|
To be continued....
|
||||||
|
|
||||||
|
//06How to Piss Off Someone (Belial)
|
||||||
|
|
||||||
|
The first thing that you can do to totally piss someone off is to
|
||||||
|
take a can of spray paint, (red is a nice color), and spray racial
|
||||||
|
slurs all over their house... Now this is a great way to insult and to
|
||||||
|
piss a lot of people off at the same time... and your true enjoyment
|
||||||
|
comes when the home owners get jumped by the linch mob that saw all your
|
||||||
|
slurs spraypainted in red all over the house...
|
||||||
|
|
||||||
|
The next way to piss someone off real bad is to slaughter their
|
||||||
|
animals in strange, abnormal ways... But, in order to do this you have
|
||||||
|
to make sure that the people you plan on angering have animals to
|
||||||
|
slaughter... Now, what you can do is, if the animal is small, feed it to
|
||||||
|
the blender and the put it in a plastic bag and set it on the persons
|
||||||
|
porch with a simple note saying, "Fluffy", or whatever the animals name is.
|
||||||
|
If the animal is big (horse) then get an good, sharp axe and do what the
|
||||||
|
blender would do to the smaller animal... then get a garbage bag and stuff
|
||||||
|
the animal inside of it, and once again leave a small note saying, "Big
|
||||||
|
Fluffy", or whatever the large animals name was... This will have the effect
|
||||||
|
of really pissing the person off so make sure you are out of the area when
|
||||||
|
the people find the bag or bags if they have more than 1 animal...
|
||||||
|
|
||||||
|
3. Kinda old fashioned, but you can set a burning cross on the persons
|
||||||
|
front yard... Then, for effect, dress up in a white sheet, make sure the
|
||||||
|
sheet is white because a pink and flowery sheet won't work right at all,
|
||||||
|
then prop a pillow case on your head, dance around singing songs full of
|
||||||
|
racial insults... Now, if the person, or people you are trying to piss off
|
||||||
|
are black then wear a bullet-proof vest under the sheet, because you are
|
||||||
|
going to get shot... If the people/person you plan on pissing off are from
|
||||||
|
"the country" then wear two bullet-proof vests, because you are going to
|
||||||
|
get shot with a bigger gun, probably a shot gun... Now this really pisses
|
||||||
|
a lot of people so count on getting shot a bunch of times.. In fact, what
|
||||||
|
you can do is have one of your friends, one that you don't really like all
|
||||||
|
that much, dress up for you, that way you don't have to get shot and you
|
||||||
|
can piss the people off, as well as your friend...
|
||||||
|
|
||||||
|
4. For the next way to piss someone off you are going to need a few
|
||||||
|
supplies... here is a short list:
|
||||||
|
|
||||||
|
a. few boards (about 4 or 5)
|
||||||
|
b. a bunch of two-by-fours (40 or so)
|
||||||
|
c. a few boxes of nails (10 penny would do it)
|
||||||
|
d. a hammer
|
||||||
|
e. a car with a loud stereo
|
||||||
|
f. a small log (about 2-3 inches think. 3 feet tall)
|
||||||
|
g. a old t-shirt
|
||||||
|
h. some gas
|
||||||
|
i. a lighter
|
||||||
|
|
||||||
|
ok, now, real late at night go to persons house, park your car
|
||||||
|
across the street and blast some music, not rap, most suburban family's
|
||||||
|
don't like it and they may call the cops on you and that would piss you
|
||||||
|
off, not the desired effect... Some Chicago would be great... maybe some
|
||||||
|
Journey, even a little White Snake would do the job... Ok, the music is
|
||||||
|
going to distract the people from what you are going to do... First take
|
||||||
|
the boards, the nails, and the hammer... Nail a board up over the front
|
||||||
|
and back door, and over any big windows... Next, use the two-by-fours and
|
||||||
|
nail them up over all the remaining windows except one... Make sure the
|
||||||
|
house is totally secure from anyone getting in or out, except from the
|
||||||
|
one window you left open... (make sure the music is still on) Alright,
|
||||||
|
your almost done... take your old t-shirt and wrap it around the log you
|
||||||
|
got... then drench the t-shirt in the gas and set it on fire... Now take
|
||||||
|
your torch and throw it into the window you left alone... now really fast
|
||||||
|
board up the window... run to your car, turn the music down and yell real
|
||||||
|
loud, "Do you smell something burning dear?" then skid out and drive away.
|
||||||
|
This is really really really really going to piss these people off, why
|
||||||
|
cuz they are stuck inside of a burning house, with NO escape, so try to
|
||||||
|
be out of the state, or even better the country within the hour...
|
||||||
|
|
||||||
|
That ends part one of this small but enlightening series of "Ways to Piss
|
||||||
|
People Off Really Really Bad!" Written and produced solely for your enjoyment
|
||||||
|
by the hand of belial...for more crazy ways to piss people off call:
|
||||||
|
Avalon at 9o8.739.4274...
|
||||||
|
|
||||||
|
//07To Live is to Die (Belial)
|
||||||
|
|
||||||
|
What is this life? What is the answer? Can you answer, you, do
|
||||||
|
you have the power to answer this? Take care and word this properly, for
|
||||||
|
in my opinion there is no answer to this question. Why ask then, why not?
|
||||||
|
|
||||||
|
Life. It is beautiful, in its savage glory. But, when does it go to
|
||||||
|
far? What gives another man, man being mankind, the power to tell another man
|
||||||
|
what to do, or how to act. What makes one man more powerful than another?
|
||||||
|
|
||||||
|
These are all questions I ask the world and myself. Do I know the
|
||||||
|
answer? In my heart, I know what's right to me. I am a man and I am an
|
||||||
|
individual, my ways are not your ways and my answers are not the same as
|
||||||
|
yours, but does that make my answers any less valid?
|
||||||
|
|
||||||
|
This life, in my opinion, is great, great because of what it is.
|
||||||
|
Man isn't evil or good, man is both. Man is the perfect union of total evil
|
||||||
|
and total good. That is how we survive and prosper. In my opinion there is
|
||||||
|
no good at all, because somewhere it has been effected by evil. Evil is not
|
||||||
|
bad, evil is natural, just as natural as good.
|
||||||
|
|
||||||
|
With life there always follows death. Leading me to ask, what is
|
||||||
|
death? And, where does the soul, if there is a soul, go when the body dies?
|
||||||
|
This question is just as complex as life itself, and probably, as in life,
|
||||||
|
there is no answer to death. And, with the little knowledge I have, I know
|
||||||
|
that life, great as it is, and death, great as it is, has no real meaning
|
||||||
|
for me at all. I am born, I live, and I die, all with no meaning. Maybe the
|
||||||
|
meaning will be shown to me when I die, maybe not, but I am secure knowing
|
||||||
|
that life is no more than death, and with death a life without meaning,
|
||||||
|
ends...
|
||||||
|
|
||||||
|
(------)
|
||||||
|
|
||||||
|
These are just a few thoughts I have had... No, I am not suicidal or anything
|
||||||
|
like that... =) Anyway, if you would like to get in contact with me just
|
||||||
|
call my board, Avalon at .908.739.4274. Thanx, laterz...
|
||||||
|
|
||||||
|
//08Jump on the Bandwagon (Edicius)
|
||||||
|
|
||||||
|
I just sat down, and re-read alot of old issues of Pez. Pez is
|
||||||
|
definally one of the best 'zines ever created. Pez was just the epitome
|
||||||
|
of a text file 'zine. Editorials and Commentary's on a range of
|
||||||
|
subjects, great short stories, and little rants and ramblings on
|
||||||
|
everything. Anyway, thats not the point. I just re-read Murmur's
|
||||||
|
article on Liberalism in Pez # 24. I'm not going to re-write it, read it
|
||||||
|
yourself. But the one part that struck me the most, summerized of
|
||||||
|
course, is when he said that "no one has any balls, no one will go out
|
||||||
|
and buy an album without hearing anything from it beforehand. alot of
|
||||||
|
people follow a blind trend." thats basically what he said in one part.
|
||||||
|
(sorry to murmur if i totally missed the point. :>)
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
i find this to be _very_ true. in my area, very few people know the
|
||||||
|
hell half of the bands i listen to are. i've had my friends look at my
|
||||||
|
cd's and basically go "duuh."
|
||||||
|
the other day, i went to a record store near my house, one of the
|
||||||
|
few places i can get smaller records (dead milkmen, they might be giants,
|
||||||
|
etc), basically, anything i can't get at the wiz. (the big record store
|
||||||
|
around here.) i only had about 3 bucks on me, and i saw a pavement
|
||||||
|
sticker i wanted to get. these two chicks walk in, and buy the new
|
||||||
|
michael jackson single, "you are not alone", and some jodeci single.
|
||||||
|
they looked at the sticker, gave me a strange look, and had no idea who
|
||||||
|
the hell pavement was.
|
||||||
|
in my yearbook last year, they had a survey. one of the questions
|
||||||
|
was "what is your favorite album". the top four picks were: pearl jam;
|
||||||
|
vitalogy, green day; dookie, nirvana; unplugged, pearl jam; ten. with an
|
||||||
|
"honarable mention" going to nirvana; nevermind.
|
||||||
|
ACK. pearl jam, green day, and nirvana? what the hell is this
|
||||||
|
crud? where's frank black? where's pavement? where's they might be
|
||||||
|
giants? WHERE'S WEEZER GOD DAMNIT?
|
||||||
|
those bands aren't on there, for one simple reason: no one has heard
|
||||||
|
of them.
|
||||||
|
alot of people in my school jumped on a bandwagon, at one point or
|
||||||
|
another. i admitantly have done that in the past, too. but i've seen
|
||||||
|
the light. um. yeah.
|
||||||
|
the worst part about bandwagons, is that they happen _very_ late.
|
||||||
|
matthew sweet didn't get overly popular until after his 5th album. blues
|
||||||
|
traveler had 4 albums before they made it big. everyone calls hootie and
|
||||||
|
the blowfish the "hottest new band", when they've been around for 10
|
||||||
|
years. everyone thinks that "cracked rear view" is their only album,
|
||||||
|
when they've had 2 indie releases.
|
||||||
|
don't get me wrong. i love hootie and the blowfish. i heard them
|
||||||
|
on local radio stations about a year before they made mtv. last summer,
|
||||||
|
about 2 months before "hold my hand" became popular, i heard their album,
|
||||||
|
and loved it. if i had a cd player at that point, i would have gotten
|
||||||
|
the cd then. but i still got the cd before most of the people i know got
|
||||||
|
it.
|
||||||
|
(in febuary, when the new hootie album comes out, i'm the first to
|
||||||
|
buy it. :>)
|
||||||
|
i went out, bought my frank black albums, without ever hearing any
|
||||||
|
song. i bought pavement's wowie zowie, i didn't even know who pavement
|
||||||
|
was. the point is, i don't follow trends, the people are my school do,
|
||||||
|
thus, i am cooler.
|
||||||
|
well, take away the cooler part. i just have better taste in music.
|
||||||
|
|
||||||
|
//09Edi's List o' Cd's (Edicius)
|
||||||
|
. .. a public service message from:
|
||||||
|
|
||||||
|
$$$$$&<26> ,&$$$&,
|
||||||
|
$$$$ ,&$$$&, $$$$$&. ,&$$$&, $$$^`$$ .
|
||||||
|
$$$ $$$^$$$ $$$^$$$ $$$^$$$ $$$ `
|
||||||
|
.o&$$$^ $$$ $$$ $$$ $$$ $$$ $$$ $$$ `$$$$$,
|
||||||
|
$$$$$$, $$$ $$$ $$$ $$$ $$$ $$$ $$$ ,`$$$ $$, :
|
||||||
|
`$$$$$$$, $$$ $$$ $$$ $$$ $$$ $$$j$$$ ,$$ $$$ $^$$, &
|
||||||
|
____________ `$$$$$$$j$$$, $$$j$$$ $$$ $$$ $$$$$$$ $$$ $$$ . `$$,j$ _bl.blade!__
|
||||||
|
`$$$'^`$$$$$,`$$$$$' $$$ $$$ $$$^$$$ $$$j$$$ `$$$'
|
||||||
|
$' `$$$$$&. `$$ $$' `$$$$$' `$'
|
||||||
|
: `$ $' `$$$' :
|
||||||
|
. : : `$'
|
||||||
|
. :
|
||||||
|
. .
|
||||||
|
. .
|
||||||
|
|
||||||
|
Hi. I figured I should enlighten everyone out there reading this
|
||||||
|
'zine. So, in my ongoing quest to help everyone, here is my list of cd's
|
||||||
|
you should go out and buy, and cd's you should go out and scrap, burn the
|
||||||
|
tape if you have them, too. (Yes, I know this is a semi ripoff of Black
|
||||||
|
Francis' list Pez # 22, sorry bF. :>)
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
Get these cd's, right now.
|
||||||
|
|
||||||
|
Weezer; Weezer
|
||||||
|
Civ; Set Your Goals
|
||||||
|
Every Pixies Album ever made.
|
||||||
|
Frank Black; His self-tittled debut, Teenager of the Year is pretty
|
||||||
|
good too.
|
||||||
|
Every They Might Be Giants Album ever made.
|
||||||
|
Hootie and the Blowfish; Cracked Rear View (You can join the small
|
||||||
|
group of six million people to buy this record!)
|
||||||
|
Smashing Pumpkins; Siamese Dream
|
||||||
|
Violent Femmes; Violent Femmes & Add It Up
|
||||||
|
Swinging Utters; The Streets of San Fransico
|
||||||
|
The Soundtrack to the movie of Judgement Night
|
||||||
|
Better Then Ezra; Delux
|
||||||
|
Pavement; Wowie Zowie & Slanted and Enchanted
|
||||||
|
Cracker; Their self titled debut & Kerosene Hat
|
||||||
|
Chucklehead; Big Wet Kiss
|
||||||
|
Any U2 Album ever made.
|
||||||
|
Cranberries; No Need to Argue
|
||||||
|
Mighty Mighty Bosstones; Don't Know How to Party
|
||||||
|
|
||||||
|
(There's more you should buy, but, well, this is a good start.)
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
Burn and avoid these cd's.
|
||||||
|
|
||||||
|
Any Green Day or Offspring Cd.
|
||||||
|
That "Best of the 90's" Cd advertised on TV. (Including great 90's
|
||||||
|
hits like "Ice Ice Baby", "I'm Too Sexy", and "Unbelieveable".)
|
||||||
|
Hammer; The first one, with "Can't Touch This" on it, and Too Legit
|
||||||
|
To Quit. There's a few songs on The Funky Headhunter that I kinda like.
|
||||||
|
:>)
|
||||||
|
Every Hole Cd ever made.
|
||||||
|
All of the Nirvana Cd's, except for Nevermind. This includes
|
||||||
|
Incesticide, In Utero, and the Unplugged Cd.
|
||||||
|
Any Cd by Heavy D and the Boyz.
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
There, you are now enlighted. Your soul has been sanctified.
|
||||||
|
|
||||||
|
//10My Favorite Messages (Edicius)
|
||||||
|
here's two messages that i captured a _long_ time ago, that i thought
|
||||||
|
were both pretty cool. :>
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
dATE: 10:40 pm Sat Jul 15, 1995 nUMBER : 69 oF 81
|
||||||
|
fROM: Rattle bASE : [Phear] H/P Mags
|
||||||
|
tO : Hooch rEFER #: 43
|
||||||
|
sUBJ: Re: Hootie rEPLIES: nONE
|
||||||
|
sTAT: sENT oRIGIN : lOCAL
|
||||||
|
|
||||||
|
E> GOOD FOR LAUGHS?! ARE YOU JOKING?! ITS GREAT TO JERK OFF TO!@
|
||||||
|
H>
|
||||||
|
H> why do i have the feeling you're not the kind of person i'd want to meet? <g
|
||||||
|
what? edi?!?@
|
||||||
|
|
||||||
|
hes just your average little chubby red-head who jerks off too much..
|
||||||
|
|
||||||
|
--- Renegade v10-05 Exp
|
||||||
|
* Origin: .oO) tLoRaH (Oo. [6o9]698-i358 - 2 Nodes - 5 Gigs (173:609/1)
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
dATE: 10:48 pm Sat Jul 15, 1995 nUMBER : 74 oF 83
|
||||||
|
fROM: Rattle bASE : [Phear] H/P Mags
|
||||||
|
tO : Edicius rEFER #: 62
|
||||||
|
sUBJ: Re: Hootie rEPLIES: nONE
|
||||||
|
sTAT: sENT oRIGIN : lOCAL
|
||||||
|
|
||||||
|
W> hey you guys are good for jerking off..whoops i mean for laughs.
|
||||||
|
E>
|
||||||
|
E> hey baby. you know, if you come to dummercon, i'm sure you and me can g
|
||||||
|
E> a secluded place somewhere for a few minutes.
|
||||||
|
Yea.. you could go somewhere alone and you could make a move on her and she
|
||||||
|
could laugh at you..
|
||||||
|
|
||||||
|
btw-- that was really pathetic tom..
|
||||||
|
|
||||||
|
--- Renegade v10-05 Exp
|
||||||
|
* Origin: .oO) tLoRaH (Oo. [6o9]698-i358 - 2 Nodes - 5 Gigs (173:609/1)
|
||||||
|
|
||||||
|
//11Review: The Warped Tour (Edicius)
|
||||||
|
|
||||||
|
The Warped Tour/Stone Pony, Asbury Park, NJ/August 18th, 1995.
|
||||||
|
|
||||||
|
[----]
|
||||||
|
|
||||||
|
"Extreme music meets extreme sports."
|
||||||
|
|
||||||
|
That was the theme of the concert, spawned from the promoters of the
|
||||||
|
Lollapaloza-type touring show. They summed up the concert to a key.
|
||||||
|
|
||||||
|
13 Bands, professional skaters and bikers, and great times, all for
|
||||||
|
15 bucks. Can you ask for a better deal? Well, I can, I won the tickets
|
||||||
|
from a local radio station. :>
|
||||||
|
|
||||||
|
Armed with my guest pass, my good friend Steve, and 2 packs of
|
||||||
|
Starburst, I make my way inside about 2 o'clock, about 2 hours after the
|
||||||
|
thing started. Luckily, I didn't miss much. Just Wizo (a second-stage
|
||||||
|
band from Germany), and I forget who played the main stage at the point,
|
||||||
|
I believe it was Fluf and Orange 9mm.
|
||||||
|
|
||||||
|
A punk band from California, called Swinging Utters, took the stage.
|
||||||
|
They were pretty good, very interesting, to say the least. They played
|
||||||
|
many songs off of their last album, "Streets of San Fransico" <see review
|
||||||
|
on the same cd.> "Teenage Genocide", "Tied down, spit on", and
|
||||||
|
"Storybook Disease", were three of their songs that got the most reaction
|
||||||
|
from the crowd, and well deserved, too.
|
||||||
|
|
||||||
|
I hung around, watched the skaters and bikers doing some _very_
|
||||||
|
impressive things, and finnally, 3:30 came. Civ would be coming on the
|
||||||
|
second stage in 20 minutes, so I got a good standing spot, about 10 feet
|
||||||
|
from the stage, and soon after, the place was packed.
|
||||||
|
|
||||||
|
I came to the concert only really wanting to see Civ, so I was
|
||||||
|
estatic. They did a pretty quick, but intense, set, including their
|
||||||
|
songs "Boring Summer", "Set Your Goals", "Can't Wait One Minute More",
|
||||||
|
and a few others. Civ was definally the most anticipated band for the
|
||||||
|
second stage, and they showed everyone why.
|
||||||
|
|
||||||
|
During "Can't Wait One Minute More", the lead singer, Civ, said,
|
||||||
|
"I'm old, and I'm fucking tired. If you want to sing, just hop over the
|
||||||
|
guys in blue in front of the stage (guards), do a belly roll onto the
|
||||||
|
stage, and grab the microphone." One person actually did go up there and
|
||||||
|
sang with the band.
|
||||||
|
|
||||||
|
Civ left the stage, alittle earlier then most people would have
|
||||||
|
liked, but many people were pleased regardless.
|
||||||
|
|
||||||
|
The next band to take the second stage, was "Tilt". A hardcore band
|
||||||
|
from California, I believe. Personally, I didn't like them very much,
|
||||||
|
but that is largely due to the fact that their audio was terrible, and
|
||||||
|
the microphone went out at least 5 times during their 40 minute set.
|
||||||
|
|
||||||
|
"Sick of it all" was the last band that I stayed to see. They are a
|
||||||
|
very good hardcore band, and were highly anticipated, due to the fact
|
||||||
|
that they are originally from the area. They did alot of really good
|
||||||
|
songs, but during their last song (for the life of me, I forget the
|
||||||
|
name), someone only a few feet from me got trampled on. Scary stuff.
|
||||||
|
|
||||||
|
Unfortunally I didn't see any of the tour headliners, L7, Quicksand,
|
||||||
|
and others. The concert was still very good, regardless. From what I
|
||||||
|
was told, the second stage bands, especially Civ and Sick of It All, put
|
||||||
|
on a better show then most of the main stage bands.
|
||||||
|
|
557
textfiles.com/magazines/JONAS/jonas_12.txt
Normal file
557
textfiles.com/magazines/JONAS/jonas_12.txt
Normal file
@@ -0,0 +1,557 @@
|
|||||||
|
|
||||||
|
|
||||||
|
____
|
||||||
|
| |________________________ __
|
||||||
|
| | | | | | | |
|
||||||
|
___| | | | | | | | | | | |
|
||||||
|
| | | | | | |__| | | | | |
|
||||||
|
| | | | | | | | |__| | |
|
||||||
|
=| | | | | | | | |___ | | |=
|
||||||
|
===| | | | | | | | | | | | |===
|
||||||
|
==| | | | | | | | | | | | |==
|
||||||
|
====| | | | | | | | | | | |__|====
|
||||||
|
===| | | | | | | | | | | __ ===
|
||||||
|
=====|_____|_____|__| |_____|_____| |__|=====
|
||||||
|
==================================|__|=========================(gh/cia)=====
|
||||||
|
|
||||||
|
jonas - issue twelve - october eighth, 1995
|
||||||
|
jonas is produced roughly monthly by edicius. copyrighted by edicius,
|
||||||
|
it may be freely redistributed as long as this copyright noticed is
|
||||||
|
included within the file. oh; make sure you don't charge people for this,
|
||||||
|
either, dummy.
|
||||||
|
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
well if you're friends with pee % then you're friends with me
|
||||||
|
if you're down with pee % then you're down with me
|
||||||
|
% the rentals (weezer side-project) % 'friends with pee'
|
||||||
|
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
-+ edicius' editorial +-
|
||||||
|
-+ written by the funk-e master<bater>, edicius +-
|
||||||
|
|
||||||
|
it's been awhile, howdy.
|
||||||
|
|
||||||
|
welcome to jonas, issue 12. its been a long time since i've released
|
||||||
|
an issue of jonas. reason for this being that i had this crazy notion that i
|
||||||
|
might be able to convert jonas, the electronic issue, to a paper 'zine. hah.
|
||||||
|
well, not quite. i'm gonna put that side project on hold for alittle bit. i'm
|
||||||
|
doing good in school for once, i don't have too much money, and i actually
|
||||||
|
have a life now. so, if/when jonas goes paper, it won't be until early '96 at
|
||||||
|
the earliest.
|
||||||
|
|
||||||
|
but edi! we want to see jonas in a different print matter!@
|
||||||
|
|
||||||
|
"fuggoff."
|
||||||
|
|
||||||
|
i also decided to change the format a bit. the whole coding bit was
|
||||||
|
getting a bit out of hand. it was too much trouble to gather all of the work,
|
||||||
|
and then code it all. bah. its easier to copy it all into one 'uge text
|
||||||
|
file. :) in case you're wondering, the fact that the 'zine looks a tad bit
|
||||||
|
like the way pEz monthly used to look, and sorta how dto looks now. well, it
|
||||||
|
was and wasn't on purpose. i looked at a variety of 'zines out there, pulled
|
||||||
|
the best characteristics out of them, and combined them into this. don't yell
|
||||||
|
at me or anything because you think i ripped your 'zine, b0tch.
|
||||||
|
|
||||||
|
what else is on the agenda? well. oh, the world head quarters.
|
||||||
|
that pesky little thing. aneurysm, our former whq, went down. so, i
|
||||||
|
scowered the area far and wide (well, not really, i only call 3 boards), and
|
||||||
|
decided to give belial's board, avalon, the world head quarters position.
|
||||||
|
|
||||||
|
wait a sec; belial? avalon? warez i hear that before?
|
||||||
|
|
||||||
|
you probably heard of it if you ever read klunk. its belial's zine.
|
||||||
|
pretty good one at that.
|
||||||
|
|
||||||
|
give avalon a call, the number is at the end of the editorial. there
|
||||||
|
is a jonas sub-menu located just off of the matrix. better yet, you can
|
||||||
|
always make an account on there. (good board. a helluva lot of text files
|
||||||
|
(i should know, i uploaded them all :).. ), 300-2400 baud _only_, with 5
|
||||||
|
disk drives on-line, running waffle.)
|
||||||
|
|
||||||
|
so, now that's cleared up. i don't believe there is anything else
|
||||||
|
noteworthy, as far as jonas goes. i believe this new 'era' of jonas should
|
||||||
|
be pretty good, in my opinion. the looks of this issue, so be it small, it
|
||||||
|
should be good. (hey, i actually wrote alot of stuff this issue. isn't
|
||||||
|
that a shocker? :> )
|
||||||
|
|
||||||
|
in case you are wondering, jonas 13 should be out about the 13th of
|
||||||
|
november. don't bug me for it until then. (13 on the 13th? eerie. thats
|
||||||
|
a julbilee.)
|
||||||
|
|
||||||
|
time to go. see you later, 'net dweebs.
|
||||||
|
|
||||||
|
elyte edi.
|
||||||
|
|
||||||
|
[------]
|
||||||
|
|
||||||
|
jonas can be reached via the following methods:
|
||||||
|
|
||||||
|
electronic mail - belial@raven.cybercomm.net
|
||||||
|
bulletin board system - whq; avalon, (908) 739/4274
|
||||||
|
-+ create a new account or use the guest account;
|
||||||
|
-+ name: jonas / pw: guest (log on via the matrix jonas option)
|
||||||
|
voice mail system - (800) 314/8885, box - 585
|
||||||
|
web page - coming soon, probably.
|
||||||
|
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
-+ "we the jury, find the defendant orethal james simpson.." +-
|
||||||
|
-+ written by edicius +-
|
||||||
|
|
||||||
|
know what? i don't know about you, but i'm pretty much sick of the
|
||||||
|
whole oj trial. thank god its over.
|
||||||
|
|
||||||
|
the trial can be called a slap on the judicial system of america. it
|
||||||
|
can be used to show how bad our country is right now; but it doesn't matter.
|
||||||
|
our judicial system has been made fun of numerous times in the past, and
|
||||||
|
this won't be the last case of it. we've weathered it this far, we'll
|
||||||
|
weather it again.
|
||||||
|
|
||||||
|
anyhoot, back to my original point;
|
||||||
|
|
||||||
|
you get a high profile case -- william kennedy smith, mike tyson, the
|
||||||
|
menedez brothers, hell, even the lindbergh case back in the 30's -- and the
|
||||||
|
media has a field day. why? because the person that has been put up on a
|
||||||
|
pedistal, with people just waiting for them to fall down. the minute they
|
||||||
|
fall down, the police, prosecution, and news media are all there.
|
||||||
|
|
||||||
|
we create the idols. we create their enviroment. then, we wonder why
|
||||||
|
they fall. we wonder why they did what they did; be it rape, murder, or
|
||||||
|
anything else. after the celebrity gets convicted, or aquitted, only then do
|
||||||
|
people say how bad our country is, how bad the judicial system is, and that
|
||||||
|
we need to reform. the key thing is; our country has been in a pile of shit
|
||||||
|
for a long time now, but no one realizes that fact. the media doesn't cover
|
||||||
|
very many trials like they did with the oj simpson trial.
|
||||||
|
|
||||||
|
"quick! where are those damn menedez kids?" -- cnn
|
||||||
|
====================================================
|
||||||
|
|
||||||
|
speaking of the news media. i feel bad for the television stations,
|
||||||
|
in a way. cnn totally rearranged their daily scheduale to air the trial in
|
||||||
|
its entirety. granted, cnn gained alot of ratings because of the trial, but
|
||||||
|
now what? most tv-news stations have 'expert legal analysists', specifically
|
||||||
|
for the trial. i turn on espn, of all stations, and see that they even have
|
||||||
|
a legal expert. (granted; i know oj is a big sports star, and that espn
|
||||||
|
should have covered it like they did, but a espn trial analyst? not
|
||||||
|
something i'd be proud of on my resume.)
|
||||||
|
|
||||||
|
we live in a society where all we like to see is other people's
|
||||||
|
misery. if i was judge lance ito, i would have never even let the cameras in
|
||||||
|
the courtroom in the first place. thats what killed the whole trial. for
|
||||||
|
christ's sake, that was a trial that could decide the future for oj simpson.
|
||||||
|
had he been found guilty, he would be in prison. we, as a country, went too
|
||||||
|
far in the whole thing.
|
||||||
|
|
||||||
|
t-shirts, bumperstickers, songs, courtroom tv analysts -- everything
|
||||||
|
was imaginable with this trial. it just went too damn far. we never should
|
||||||
|
have let the cameras in, in the first place.
|
||||||
|
|
||||||
|
just to show you how big this trial actually was, here's an example.
|
||||||
|
in my school, we have a cable system, in which we have a small news show in
|
||||||
|
the morning with the daily announcments, instead of reading them over the pa
|
||||||
|
system. (before that comes on; we also air "channel one", a news program
|
||||||
|
specifically for schools. some of you reading this may be familar with it.)
|
||||||
|
|
||||||
|
anyway;
|
||||||
|
|
||||||
|
at one o'clock, when the verdict was to be read, the school thought
|
||||||
|
it would appease the students, and play a radio broadcast of the trial via
|
||||||
|
the television system. the period which i would be in at one o'clock,
|
||||||
|
happened to be history. i had a big test that period, which i was quite
|
||||||
|
anxious to get at.
|
||||||
|
|
||||||
|
at the beginning of class, my teacher says that he won't be turning
|
||||||
|
on the tv because of the test. kids respond with the usual jeers to him,
|
||||||
|
saying stuff like, "but c'mon! we have to watch it! this is history in the
|
||||||
|
making, man!" i was fine with it, i personally didn't really care to listen
|
||||||
|
to the verdict. i would be content with finding out the verdict fifteen
|
||||||
|
minutes later, after i take my test.
|
||||||
|
|
||||||
|
but no, the kids keep yelling, "we want to see the verdict!" i was
|
||||||
|
real pissed off, their yelling and childish bickering, was taking away the
|
||||||
|
precious time that i needed to take my test. to top it all off, one kid in
|
||||||
|
my class says, "we need to watch the trial. i have $250 riding on the
|
||||||
|
descion!"
|
||||||
|
|
||||||
|
wait a sec; so lemme get this straight. you're betting, whether or
|
||||||
|
not a normal, innocent human being, is guilty of murdering two people?
|
||||||
|
you're betting on wheter he will be going to jail for the rest of his life,
|
||||||
|
or not? that's insane. i'm sure you also hang around the county courthouse
|
||||||
|
betting on the drunk driver sentences, too. asshole.
|
||||||
|
|
||||||
|
thats one thing that pissed me off the most.
|
||||||
|
|
||||||
|
anyway, bickering ends, i take my test, the teacher caves in and puts
|
||||||
|
the tv on for a few minutes, and lets us hear the verdict. i almost don't
|
||||||
|
finish because of all their bickering after the verdict is announced.
|
||||||
|
fucking assholes don't let me concentrate.
|
||||||
|
|
||||||
|
the oj trial was a mockery, yes; the oj trial taught us a lesson, yes
|
||||||
|
and no. it did show us how bad our judicial system can be, it also showed us
|
||||||
|
how bad the media can be, but did we learn from that? nope. next big name
|
||||||
|
trial, let's see if we don't do to them, what we did with oj.
|
||||||
|
|
||||||
|
[------]
|
||||||
|
|
||||||
|
oh; in case you wonder, did oj _really_ do it? nope. i don't think
|
||||||
|
so. fred goldman did it, i'm sure.
|
||||||
|
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
-+ nato and the serbs +-
|
||||||
|
-+ written by superdave +-
|
||||||
|
|
||||||
|
this one is a wee bit out of date. i originally got it sometime in
|
||||||
|
early september, but its written really well, i just can't let it go to
|
||||||
|
waste. thanks to superdave for an excellent article.
|
||||||
|
|
||||||
|
[------]
|
||||||
|
|
||||||
|
if you haven't been living in a cave, or the ansi scene for the past
|
||||||
|
year or so, you'd know about the contraversy over in europe. if you have
|
||||||
|
been living in a show, here's a little summary of the current events. just
|
||||||
|
behind the boot of italy there is a country called bosnia. it's capital,
|
||||||
|
sarajevo, was attacked and conqured by rebel serb forces -- about a year
|
||||||
|
or two ago. as usual the united nations stepped in to help the people of
|
||||||
|
bosnia (this is, of course, after the killings and the famine had come to
|
||||||
|
the eyes of the world). as pictures of injured and decapatated people came
|
||||||
|
into the news and everyday paper, people were outraged. of course the french
|
||||||
|
had to strike off thier jobs, and the united states had to insist of
|
||||||
|
helping.
|
||||||
|
|
||||||
|
until about three weeks ago, the entire un involvement in bosnia was
|
||||||
|
a peaceful effort to supply bosnian citizens with food, water, aid and
|
||||||
|
shelter. there had been a few isolated incidents where rebel serbs had
|
||||||
|
attacked, and blocked access to un trucks and personal. since the early
|
||||||
|
pictures and stories that we have recieved from bosnia, there have been
|
||||||
|
countless shellings of the capitol, sarajevo. the most recient
|
||||||
|
attact/shelling was an open air market in down town sarajevo. this barbaric
|
||||||
|
and random act of violence forced the united nations to launch what the
|
||||||
|
world has pleaded for since the begining. nato air strikes. the command was
|
||||||
|
sent down to protect the people of bosnia, protect the un safe zones, and to
|
||||||
|
send a message that the rest of the world is not a paper tiger (in other
|
||||||
|
words, empty threats -- like the united states prior to wwii). the strikes
|
||||||
|
were also to a certian form of "punnishment" as a united nations rep told
|
||||||
|
reporters, for the shelling of sarajevo.
|
||||||
|
|
||||||
|
royal air force harrier fighters left their base in gioia del colle,
|
||||||
|
italy, and abord the uss roseavelt around the 1st. thier mission was to
|
||||||
|
take out key serb military buildings, and supply houses (much like the
|
||||||
|
bombings of baghdad). many targets such as ammunition supply houses,
|
||||||
|
surface to air missle sites, and "heavy artillery" were destroyed in the
|
||||||
|
first string of attacks. the attacks were declaired as a victory, but for
|
||||||
|
who? the citizens of bosnia? the united nations? the world's concie(sp)?
|
||||||
|
|
||||||
|
unfortanuately, like life, something went wrong. a french fighter
|
||||||
|
was shot down by a shoulder launched, heat seaking missile. i read an
|
||||||
|
article saying that a farmer with an old natzi pistol witnessed the plane
|
||||||
|
crash, and captured the french pilot. as his story goes, 5 minutes later an
|
||||||
|
armored jeep belonging to the serb army came down in search of the downed
|
||||||
|
pilots. the farmer handed them over, and hasn't heard anything since. the
|
||||||
|
rebel serbs have not disclosed their knowledge about the two missing pilots,
|
||||||
|
but the have encriminating remarks, sticking the united nation's with a
|
||||||
|
tough decision (and of course, the french outraged :).
|
||||||
|
|
||||||
|
the un set a deadline for the troops and heavy equipment covering the
|
||||||
|
perimiter of sarajevo's "safe zone" to move. on the 5th of september, that
|
||||||
|
deadline had expired, and the air strikes were renewed. the losses to the
|
||||||
|
rebel serbs was aparently too great, so they moved some of their 300
|
||||||
|
artillery pieces, tanks and other heavy weapons more than 12<31> miles outside
|
||||||
|
of sarajevo. what they moved was far short of all their heavy artillery.
|
||||||
|
this was considered noncompliance, so their punnishment was more airstrikes.
|
||||||
|
in reply to this, a bosnian serb general military commander said, "no one,
|
||||||
|
not even myself has the right to order the withdrawal. this is... not in the
|
||||||
|
jurisdiction of generals." needless to say, they're pissed.
|
||||||
|
|
||||||
|
this is where we are. this situation resembles much of the battle<s>
|
||||||
|
over palstien, where the serbs are the arabs returning to their holy land.
|
||||||
|
is history doomed to repeat it's self here? will the united nations decide
|
||||||
|
it's their buissness to deploy ground troops, and wipe out the rebel serbs?
|
||||||
|
what does the ec doing to help? what will become of this lavish area just
|
||||||
|
inside of europe?
|
||||||
|
|
||||||
|
that's enough intelectual stimulation for today. :)
|
||||||
|
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
-+ hey adults!@ +-
|
||||||
|
-+ from edi's log file +-
|
||||||
|
|
||||||
|
jesus, i'm just going log file happy today:
|
||||||
|
|
||||||
|
<20><><EFBFBD><EFBFBD><EFBFBD>Ŀ <20><><EFBFBD><EFBFBD><EFBFBD>Ŀ <20> <20> <20> <20><><EFBFBD><EFBFBD><EFBFBD>Ŀ <20><><EFBFBD><EFBFBD><EFBFBD>Ŀ
|
||||||
|
<20> <20> <20> <20> <20> <20> <20> <20> <20>
|
||||||
|
<20><><EFBFBD><EFBFBD><EFBFBD>Ĵ <20> <20> <20> <20> <20> <20> <20><><EFBFBD><EFBFBD><EFBFBD>Ŀ
|
||||||
|
<20> <20> <20> <20> <20> <20> <20> <20> <20>
|
||||||
|
<20> <20> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
||||||
|
|
||||||
|
|
||||||
|
STOP BY AND SAY HELLO TO LINDA OUR NEW CO-SYSOP
|
||||||
|
|
||||||
|
|
||||||
|
SHE IS HOSTING OUR TALK DIRTY TO ME CONFERENCE #69
|
||||||
|
|
||||||
|
|
||||||
|
PLEASE MAKE HER FEEL AT HOME. SHE IS FAIRLY NEW TO THE AREA,
|
||||||
|
|
||||||
|
AS WELL AS BBSING. I THINK YOU WILL FIND HER STORIES HOT!!!!
|
||||||
|
|
||||||
|
<20><>Ŀ <20><>Ŀ <20><><EFBFBD> <20><>Ŀ <20> <20> <20>
|
||||||
|
<20><> <20> <20> <20> <20> <20> <20><>Ĵ <20>
|
||||||
|
<20><><EFBFBD><EFBFBD> <20> <20> <20><><EFBFBD> <20><><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD> o
|
||||||
|
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
-+ warez the paper jonas edi? +-
|
||||||
|
-+ answered by edicius +-
|
||||||
|
|
||||||
|
well. i'm putting off releasing jonas as a paper 'zine for alittle
|
||||||
|
bit, probably untill early '96. 'why?' you ask, read on silly wanker honky
|
||||||
|
boy.
|
||||||
|
|
||||||
|
the reason is simple. for once, in a few years, i am getting good
|
||||||
|
grades in school. i'm actually working hard, joining clubs and stuff, and
|
||||||
|
studying. i've got more 95's and 100's in the first 3 weeks of school, then
|
||||||
|
i got all of last year. with all of the clubs i'm doing, too, my weekday
|
||||||
|
scheduale is pretty packed. any 3 days a week i'm staying after school for
|
||||||
|
various stuff. i'm actually partcipating in school activities.
|
||||||
|
|
||||||
|
another reason, you want? well, i also have a lack of funds. in
|
||||||
|
december i turn 16. then, i will get a job, earn some money, and have
|
||||||
|
enough financial backing to get the neccasary stuff for the 'zine, and i
|
||||||
|
will also be settled into enough of a routine at school, that i can work on
|
||||||
|
jonas more.
|
||||||
|
|
||||||
|
see, silly? answer your question?
|
||||||
|
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
-+ celebrity stalking for fame and fortune +-
|
||||||
|
-+ written by edicius +-
|
||||||
|
|
||||||
|
so, you wanna be a stalker? you can stalk anyone, but you won't get
|
||||||
|
the real fame until you stalk the celebrities. no one cares if you stalk
|
||||||
|
your 16 year old ex-girlfriend. nope-nope. you need to stalker someone
|
||||||
|
famous. celebrity stalkers get all the chicks. here's a simple step by step
|
||||||
|
guide to celebrity stalking:
|
||||||
|
|
||||||
|
o. step one: find you victim. don't pick someone at random, you need a
|
||||||
|
reason to pick this person. pick someone in power, someone that can
|
||||||
|
easily influence other people, if need be. musicians and people in
|
||||||
|
government are both real good places to start.
|
||||||
|
|
||||||
|
you can either pick someone you really like or someone you really hate.
|
||||||
|
it doesn't matter, stalkers pick both. just remember; pick someone big,
|
||||||
|
someone powerful.
|
||||||
|
|
||||||
|
o. send them mail. lots of it. in the electronic age, this is easier then
|
||||||
|
ever, with more people having email addresses. send them lots of it.
|
||||||
|
get a script, and send them hundreds of pieces of mail an hour. if you
|
||||||
|
can, time it so they won't find out about it for a few days, that way
|
||||||
|
they have alot of mail to delete. if they're on compuserve, they have to
|
||||||
|
pay for all the mail they recieve after a set amount. haha. paying for
|
||||||
|
their own harassment.
|
||||||
|
|
||||||
|
if you're going to send regular mail, write lots of it. make photocopies
|
||||||
|
of really gross and disgusting pictures. send them so much mail. you
|
||||||
|
will have to pay for postage, but so what? its in the name of being a
|
||||||
|
stalker, its all worth it.
|
||||||
|
|
||||||
|
now: here's some addresses to help you out:
|
||||||
|
|
||||||
|
courtney love trent reznor
|
||||||
|
171 lake washington blvd east 10050 cielo drive
|
||||||
|
seattle, wa 98112 los angeles, ca
|
||||||
|
|
||||||
|
70277.2502@compuserve.com rush limbaugh
|
||||||
|
71511.460@compuserve.com ross perot
|
||||||
|
73136.3232@compuserve.com roger ebert (the fat one)
|
||||||
|
76326.126@compuserve.com pat buchanan
|
||||||
|
mmbstn@aol.com mighty mighty bosstones
|
||||||
|
Bosstone10@aol.com dickey barret (mmb)
|
||||||
|
gregg@badreligion.com bad religion (not sure about this one)
|
||||||
|
Weezer999@aol.com weezer!@(
|
||||||
|
LesClPool@aol.com Les Claypool (Primus)
|
||||||
|
Lerlelonde@aol.com Ler, the bastard (Primus)
|
||||||
|
billg@microsoft.com billy g money gates
|
||||||
|
|
||||||
|
(i got these from a variety of sources. thanks to them all :>)
|
||||||
|
|
||||||
|
o. now, find out where they live. in some cases, this is easier then
|
||||||
|
others. if you live in new york city, you're in the vincinity of
|
||||||
|
mega-stars. just go and walk around, you're bound to see some, then
|
||||||
|
follow them home. easy, eh? (i know where madonna lives, ner ner.)
|
||||||
|
|
||||||
|
if you live in kentucky, well, you're out of luck. no one really stalks
|
||||||
|
country music stars. :> but don't give up! think airline tickets,
|
||||||
|
train tickets, station wagon road trip!
|
||||||
|
|
||||||
|
now, you go to their house, and repetedly, three to eight times a week,
|
||||||
|
break into their house. if they're not there, steal their stuff. you
|
||||||
|
can make quite a hefty profit hauking their stuff on the corner to
|
||||||
|
whinos. steal undergarments, there alot of perverse people out there that
|
||||||
|
are always looking for them, thus, a bigger profit. make a mess, piss on
|
||||||
|
the way, make sure they know you were there, and make sure they know that
|
||||||
|
its the same person breaking in to their house time after time.
|
||||||
|
|
||||||
|
if they are home, well, go to the next step.
|
||||||
|
|
||||||
|
o. kill them. yes, thats right, kill them. but not before torturing and
|
||||||
|
raping them beforehand. make them do weird things; for the musician,
|
||||||
|
have them release a cd in your honor. have all the procedes from the cd
|
||||||
|
go to you, and you only. no money-grubing managers here, eh-yup.
|
||||||
|
|
||||||
|
make sure you kidnap them first tho, and make sure you leave alot of
|
||||||
|
ransom notes, each pointing in a different direction, as far as clues go.
|
||||||
|
make demands for awkward things. in the first note, you demand that all
|
||||||
|
south amazonian river monkies be freed from oppression. second note,
|
||||||
|
demand a monkey fur hat. let you mind flow on this one.
|
||||||
|
|
||||||
|
make sure the method in which you kill them in really bizarre. shot
|
||||||
|
them. not with a gun, fire shoulder-propelled rockets at them. make a
|
||||||
|
big X in their stomach, and aim for that. odds are, no matter where you
|
||||||
|
hit them, there won't be much left over.
|
||||||
|
|
||||||
|
after you kill them, dice them up in 'bite-sized' bits, and hauk them to
|
||||||
|
whinos on the corner. if bras and underware fetch a good bit of lettuce,
|
||||||
|
then imagine what the _actual celebrity_ will get. good, eh?
|
||||||
|
|
||||||
|
[------]
|
||||||
|
|
||||||
|
if you followed these steps, you're guarenteed fame from the media
|
||||||
|
(like they would let something like this slip by), fortune after you write
|
||||||
|
your book and after you sell the movie rights, and a very promising life
|
||||||
|
behind bars.
|
||||||
|
|
||||||
|
===========================================================================
|
||||||
|
|
||||||
|
-+ aRE eWE a pUNX? +-
|
||||||
|
-+ from the capture files of edicius +-
|
||||||
|
|
||||||
|
green day has a new album, insomnia, coming out. eeck. more stuff
|
||||||
|
for those big time radio stations to play. (that song, _geek stink breath_,
|
||||||
|
or whatever, sounds alot like everything on dookie -- sucky.)
|
||||||
|
|
||||||
|
speaking of green day, i found this one on a local mbbs board.
|
||||||
|
|
||||||
|
Ok, here's the info for Green Day...
|
||||||
|
|
||||||
|
Real Name: Tre Cool Sex: M Age: 18
|
||||||
|
Aliases: Billie Joe, Mike
|
||||||
|
City/State: nj
|
||||||
|
Voice Phone#: unlisted
|
||||||
|
Physical Description: earings, chains, green hair(dyed), your average punk
|
||||||
|
Comp. Phone#: unlisted Online Service: none
|
||||||
|
Favorite Movie: american graffiti Favorite TV Show: mtv
|
||||||
|
Favorite Music: punk rock Instrument Played: drums, guitar
|
||||||
|
Favorite Foods: green eggs
|
||||||
|
Favorite Sport: moshing
|
||||||
|
Other Hobbies/Interests: playing the drums, fiddlin on the ol guitar
|
||||||
|
General Info: kicking ass on the drums like tre
|
||||||
|
green day rules
|
||||||
|
Summary: im a punk, are you
|
||||||
|
|
||||||
|
ahahahaahah. my insides are hurting.
|
||||||
|
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
-+ edi's tdd calls +-
|
||||||
|
|
||||||
|
there's a service, its supposed to be used by the deaf. its the tdd
|
||||||
|
relay service. the normal user of it calls it via a special fone with a
|
||||||
|
keypad, and a screen, and thats how they place the call. funny thing is,
|
||||||
|
with a modem initialized down to 1200, you, yes YOU, can call this service
|
||||||
|
and make many calls with it.
|
||||||
|
|
||||||
|
by law; whatever you say, the operator must say to the party at the
|
||||||
|
other end; no matter how vulgur or repulsive it is. i've done some pretty
|
||||||
|
interesting stuff with it. whatever the operator says back to you, is what
|
||||||
|
the other party says to you, and boy, they can be fun. oh, a bunch of
|
||||||
|
times, you won't get charged for the phone calls. you call an 800#, and all
|
||||||
|
of the states have a different #. when i've called places long distance, via
|
||||||
|
new jersey's (my states) #, i get billed; when i've dialed numbers in
|
||||||
|
michagan or oregon, i don't get billed. shrug.
|
||||||
|
|
||||||
|
anyway, here's a little transcript from a few pranks that i was
|
||||||
|
doing, all in one call to the operator, and she didn't mind. just a few
|
||||||
|
sidenotes:
|
||||||
|
|
||||||
|
ga: go ahead, you use that after you finish what you're saying.
|
||||||
|
sksk: good bye.
|
||||||
|
q: question mark; most tdd fones don't have a ? key.
|
||||||
|
|
||||||
|
(also, i got the idea of using the tdd fones, and this prank call,
|
||||||
|
from the 'zine, phone losers of america. thanks rbcp. :> )
|
||||||
|
|
||||||
|
|
||||||
|
oper: ca 1043 (f), another call q
|
||||||
|
|
||||||
|
edi: ga surely, pls call 291 7474. thanks. ga.
|
||||||
|
|
||||||
|
oper: sure thank you... dialing... RINGING 1... (answered) Mcdonalds (f) .
|
||||||
|
|
||||||
|
edi: ga hello. i'd like to order some mcfood for mcdelivery. ga.
|
||||||
|
|
||||||
|
oper: yes ..ga..
|
||||||
|
|
||||||
|
edi: you still mcdeliver right qq ga.
|
||||||
|
|
||||||
|
(click)(silence) (hungup) (hung up)
|
||||||
|
|
||||||
|
oper: ca 1043 (f), another call q ga
|
||||||
|
|
||||||
|
edi: just hold on moment. i'm sorry about that ma'am, i just want to say,
|
||||||
|
you're the most chipper operator i've had so far. ga.
|
||||||
|
|
||||||
|
oper: thank you is there another call for you q ga
|
||||||
|
|
||||||
|
edi: ok, pls dial 671 0925. ga.
|
||||||
|
|
||||||
|
oper: thank you... dialing... RINGING 1... (answered)Middletown
|
||||||
|
Mcdonalds..(m) ga
|
||||||
|
|
||||||
|
edi: hello sir. i'd like to mcorder some mcfood for mcdelivery. i have your
|
||||||
|
mcad right here and it says perfectly in black and mcwhite that you deliver.
|
||||||
|
ga.
|
||||||
|
|
||||||
|
oper: ..we are closed.. thats it! we are not open right now and we don't
|
||||||
|
deliver okay! thank you sksk (hung up) ca 1043 (f), another call q ga
|
||||||
|
|
||||||
|
edi: geez, these mcdonalds people really dont like us very well. sigh, it was
|
||||||
|
gonna be funny too. :P thanks ma'am, thats all. ga.
|
||||||
|
|
||||||
|
oper: sure you are welcome goodnight sksk thank you for using rc, bye sksk
|
||||||
|
|
||||||
|
see? see how fun that was? i got those mcdonalds people piss off at
|
||||||
|
me. h0h0. what? you don't like it? ok, i admit, that was semi-lame. but
|
||||||
|
hey, i got a chuckle out of doing it. :) not to mention, that operator was
|
||||||
|
pretty cool.
|
||||||
|
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
|
||||||
|
-+ ta ta, farewell my sweetheart +-
|
||||||
|
|
||||||
|
thats it, its over, get out of here, get out, get out, get out.
|
||||||
|
|
||||||
|
next issue will be better, i promise. i'm not saying that this issue
|
||||||
|
wasn't good, but it will be better, trust me. give me your feedback on it
|
||||||
|
and stuff, and i'll talk to you later, fucknut.
|
||||||
|
|
||||||
|
remember, new smashing pumpkins album will be out october 24th.
|
||||||
|
yee-haw.
|
||||||
|
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
jonas e'zine issue twelve
|
||||||
|
all mail regarding jonas shall be sent to belial@raven.cybercomm.net
|
||||||
|
thanks to all my friends who've helped me out, i love you all.
|
||||||
|
get the latest jonas and text files at avalon, (908) 739/4274.
|
||||||
|
|
||||||
|
"jonas -- its more then a 'zine, its a lifestyle."
|
||||||
|
|
||||||
|
============================================================================
|
||||||
|
|
||||||
|
|
148
textfiles.com/magazines/JONAS/jonas_13.sur
Normal file
148
textfiles.com/magazines/JONAS/jonas_13.sur
Normal file
@@ -0,0 +1,148 @@
|
|||||||
|
|
||||||
|
<20><><EFBFBD>
|
||||||
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>߲߲<DFB2><DFB2><EFBFBD> ߲<><DFB2>߲߲<DFB2><DFB2><EFBFBD> <20><>߲߲<DFB2><DFB2> <20>߲<EFBFBD>߲߲<DFB2>߲
|
||||||
|
ܲ<>ܲ<EFBFBD> <20> <20><><EFBFBD><EFBFBD> <20> <20> <20><> <20> <20> <20> <20><> <20><>ܲ <20> ߲ <20> <20> <20><><EFBFBD><EFBFBD>
|
||||||
|
<20><><EFBFBD> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20><><EFBFBD><EFBFBD>ܲ <20> <20><><EFBFBD><EFBFBD>߲<EFBFBD>߲
|
||||||
|
<20><> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20><>߲ <20> <20>
|
||||||
|
<20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20> <20>
|
||||||
|
<20> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><> <20> <20> ܲ<> <20> <20> <20> <20><> <20> <20> <20> <20> <20> <20> <20> <20>
|
||||||
|
<20><><EFBFBD> <20><> <20> <20> <20><><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
||||||
|
|
||||||
|
+--- -- - ---+ jonas' first annual best of the year awards!@ +--- - -- ---+
|
||||||
|
|
||||||
|
here is a survey for everyone to fill out. it's our first annual best
|
||||||
|
of the year awards, for the year, duh, 1995. it mainly concerns itself with
|
||||||
|
music, but it does go into some other categories. you get the jist of it.
|
||||||
|
|
||||||
|
after you're through filling it out, rename it <your handle/first
|
||||||
|
name>.sur, and send it to me via a way listed in jonas_13.nfo.
|
||||||
|
|
||||||
|
thanks alot!@
|
||||||
|
|
||||||
|
+---- --- -- - ---------------------------------------------- - -- --- ----+
|
||||||
|
|
||||||
|
(fill in information in space provided)
|
||||||
|
|
||||||
|
handle: [..................................................................]
|
||||||
|
real name: [...............................................................]
|
||||||
|
age: [...]
|
||||||
|
email address (if any): [..................................................]
|
||||||
|
how did you like jonas issue 13? [.........................................]
|
||||||
|
what is the code for 30 men in contra? [...................................]
|
||||||
|
do you want some potassium? [..............................................]
|
||||||
|
|
||||||
|
(mark an X in the brackets for selection. one selection per topic, unless
|
||||||
|
otherwise noted.)
|
||||||
|
|
||||||
|
topic one: best band/album of 1995.. .
|
||||||
|
|
||||||
|
[ ] silverchair, frogstomp
|
||||||
|
[ ] rem, monster
|
||||||
|
[ ] sonic youth, washing machine
|
||||||
|
[ ] pavement, wowee zowie
|
||||||
|
[ ] green day, insomniac
|
||||||
|
[ ] red hot chili pepers, one hot minute
|
||||||
|
[ ] primus, tales from the punchbowl
|
||||||
|
[ ] alanis morrissette, jagged little pill
|
||||||
|
[ ] other: [...............................................................]
|
||||||
|
|
||||||
|
topic two: best new band/musician of 1995.. .
|
||||||
|
|
||||||
|
(these may not neccassarly be new bands. my 'new' means bands that made it
|
||||||
|
big, or semi-big. you get my jist. some of these bands may have released
|
||||||
|
smaller indie/ep's in the past.)
|
||||||
|
|
||||||
|
[ ] alanis morrissette, jagged little pill
|
||||||
|
[ ] silverchair, frogstomp
|
||||||
|
[ ] civ, set your goals
|
||||||
|
[ ] presidents of the united states of america, self titled
|
||||||
|
[ ] hum, you'd prefer an astronaut
|
||||||
|
[ ] other: [...............................................................]
|
||||||
|
|
||||||
|
best single of 1995.. .
|
||||||
|
|
||||||
|
[ ] alanis morrissette, you oughta know
|
||||||
|
[ ] presidents of the united states of america, lump
|
||||||
|
[ ] pavement, father to a sister of thought
|
||||||
|
[ ] silverchair, tommorow
|
||||||
|
[ ] primus, wynonna's big brown beaver
|
||||||
|
[ ] civ, can't wait one minute more
|
||||||
|
[ ] hootie and the blowfish, only wanna be with you
|
||||||
|
[ ] other: [...............................................................]
|
||||||
|
|
||||||
|
best indie release of 1995.. .
|
||||||
|
|
||||||
|
[ ] pavement, wowee zowie
|
||||||
|
[ ] 1000 mona lisas, the ep
|
||||||
|
[ ] civ, set your goals
|
||||||
|
[ ] presidents of the united states of america, self titled
|
||||||
|
[ ] dance hall crashers, lockjaw
|
||||||
|
[ ] other: [...............................................................]
|
||||||
|
|
||||||
|
best punk/hardcore album of 1995.. .
|
||||||
|
|
||||||
|
[ ] civ, set your goals
|
||||||
|
[ ] rancid, out come the wolves
|
||||||
|
[ ] green day, insomniac
|
||||||
|
[ ] 1000 mona lisas, the ep
|
||||||
|
[ ] other: [...............................................................]
|
||||||
|
|
||||||
|
best tour of 1995.. .
|
||||||
|
|
||||||
|
[ ] the warped tour
|
||||||
|
[ ] lollapalloza
|
||||||
|
[ ] live
|
||||||
|
[ ] hootie and the blowfish
|
||||||
|
[ ] rem
|
||||||
|
[ ] van hallen
|
||||||
|
|
||||||
|
best movie of 1995.. .
|
||||||
|
|
||||||
|
[ ] pulp fiction
|
||||||
|
[ ] mallrats
|
||||||
|
[ ] apollo 13
|
||||||
|
[ ] hackers
|
||||||
|
[ ] seven
|
||||||
|
[ ] the net
|
||||||
|
[ ] other: [...............................................................]
|
||||||
|
|
||||||
|
best radio station of 1995.. .
|
||||||
|
|
||||||
|
(please give call letters, frequency, city that it is broadcasting from.
|
||||||
|
(eg; whtg/106.3/eatontown, nj))
|
||||||
|
|
||||||
|
[..........................................................................]
|
||||||
|
|
||||||
|
who will be president in 1996?
|
||||||
|
|
||||||
|
[ ] bill clinton
|
||||||
|
[ ] bob dole
|
||||||
|
[ ] other: (serious answers, only. :>) [..................................]
|
||||||
|
|
||||||
|
computer based zine of 1995.. (don't answer if you don't read many computer
|
||||||
|
'zines.. :))
|
||||||
|
|
||||||
|
[ ] doomed to obscurity
|
||||||
|
[ ] pEz monthly
|
||||||
|
[ ] hogs of entropy
|
||||||
|
[ ] jonas
|
||||||
|
[ ] fucked up college kids
|
||||||
|
[ ] klunk
|
||||||
|
[ ] gasp!@/1
|
||||||
|
[ ] other: [...............................................................]
|
||||||
|
|
||||||
|
paper magizine of 1995.. .
|
||||||
|
|
||||||
|
[ ] 2600: the hacker's quarterly
|
||||||
|
[ ] hitch
|
||||||
|
[ ] all that
|
||||||
|
[ ] the 'net
|
||||||
|
[ ] rolling stone
|
||||||
|
[ ] wired
|
||||||
|
[ ] spin
|
||||||
|
[ ] other: [...............................................................]
|
||||||
|
|
||||||
|
+---- --- -- - ---------------------------------------------- - -- --- ----+
|
||||||
|
|
||||||
|
|
||||||
|
|
858
textfiles.com/magazines/JONAS/jonas_13.txt
Normal file
858
textfiles.com/magazines/JONAS/jonas_13.txt
Normal file
@@ -0,0 +1,858 @@
|
|||||||
|
|
||||||
|
_____ __________ __________
|
||||||
|
__________/ /_________/ /_________/ /___
|
||||||
|
_____ / / / / / / /_________
|
||||||
|
/ / / / / / /____/ /____ /
|
||||||
|
/ / / / / / / / / /
|
||||||
|
/ / / / / / / / / / /
|
||||||
|
/_________/ / /____/ / / /_________/
|
||||||
|
/_________/ gh /____/_________/
|
||||||
|
|
||||||
|
j o n a s : r e i n c a r n a t i o n
|
||||||
|
|
||||||
|
+---- --- -- - ---------------------------------------------- - -- --- ----+
|
||||||
|
|
||||||
|
jonas - issue dirteen - november 13, 1995
|
||||||
|
jonas is produced roughly monthly by edicius. jonas and the materials
|
||||||
|
contained therein, are all copyrighted by edicius, too. jonas may
|
||||||
|
be distributed freely as long as this copyright notice remains
|
||||||
|
in place, so don't move it, bucko!
|
||||||
|
|
||||||
|
if you have no idea, change your religion.
|
||||||
|
if you have a religion, change your idea.
|
||||||
|
one thousand mona lisas % "green light"
|
||||||
|
|
||||||
|
+---- --- -- - -----------+ edicius' editorial +------------- - -- --- ----+
|
||||||
|
|
||||||
|
in memory: yitzhak rabin, shannon hoon.
|
||||||
|
|
||||||
|
hey-ho. i'm so big, i'm so cool, i'm just so fuckin' elite. "hey
|
||||||
|
man, you got the garbage file?!1 thats ELiTE!@1" anyhoo; i have a question
|
||||||
|
for you.
|
||||||
|
|
||||||
|
since when did halloween become the most exploited holiday in the
|
||||||
|
history of mankind? all of a sudden, it seems that all of the rules of
|
||||||
|
halloween have been thrown out. the ethics of this hallowed day that i grew
|
||||||
|
up with as a kid, have been thrown out the window.
|
||||||
|
|
||||||
|
let's go back to a different time. (cue wavy lines on your monitor
|
||||||
|
right now.) a few years ago, i was younger, you were younger. i lived in a
|
||||||
|
different town, not far away from where i live now. i was walking around
|
||||||
|
town, trudging a wet pillowcase filled with candy. my "jason" hockey mask
|
||||||
|
flung over my head. i was tired, wet, yet happy.
|
||||||
|
|
||||||
|
they were simpler times. kids dressed up in creative constumes (hey,
|
||||||
|
don't knock "jason", its creative, read on..), getting candy, seldom seeing
|
||||||
|
a decorated house. it was all good, it was simple back then.
|
||||||
|
|
||||||
|
suddenly, things changed. it didn't happen over a few years, you
|
||||||
|
didn't see it here, and then there, and then everywhere. it just happened.
|
||||||
|
maybe its because i'm older, and i notice more things now, but other people
|
||||||
|
have noticed it, too. it's not just me.
|
||||||
|
|
||||||
|
suddenly, people are decorating their houses. sure, people did that
|
||||||
|
in the past for halloween, maybe a pumpkin and some corn stalks, but now,
|
||||||
|
people put ten tombstones, these big ass sheets that they call 'ghosts',
|
||||||
|
and a whole lot of other stuff. stores are making big bussiness off of it,
|
||||||
|
too. no more of this thanksgiving then christmas crud. now its halloween,
|
||||||
|
thanksgiving, and then christmas. they'll just extend it more, soon labor
|
||||||
|
day will be mass marketed and exploited, too.
|
||||||
|
|
||||||
|
also, another thing that peeves me about the whole halloween dealy
|
||||||
|
deal, is that since when do kids get by without dressing up? i admit, it
|
||||||
|
gets annoying giving out candy and all, but then i think back a few years,
|
||||||
|
and remember how much fun it was to get the candy, thank the person, and
|
||||||
|
scamper off to the next house.
|
||||||
|
|
||||||
|
something different is happening now. i notice that _alot_ of kids
|
||||||
|
that i go to school with, like high school sophomores, juniors, and seniors,
|
||||||
|
are going out trick or treating. i had one kid come to my house, regular
|
||||||
|
clothes, paper bag, must have been 16 or 17. my mom gave him candy, and
|
||||||
|
asked him what he was, he said "i'm an undercover fbi agent." dickhead.
|
||||||
|
|
||||||
|
why don't kids dress up anymore? i see kids that are like 8 going out
|
||||||
|
in regular clothes, without dressing up. i've lost all faith in major
|
||||||
|
holidays now; they've exploited christmas, easter, and thankgiving. saint
|
||||||
|
nick, the easter bunny, and the turkey, yest we add the great pumpkin to
|
||||||
|
this list? i think not.
|
||||||
|
|
||||||
|
STOP EXPLOITING ALL THE HOLIDAYS. LEAVE SOME FUN IN THEM FOR KIDS
|
||||||
|
STILL. DOWN WITH THE ARISTOCRATS WHO DAMAGE OUR HOLIDAYS. BAD BAD.
|
||||||
|
|
||||||
|
wee-haw. that was fun. now, if you excuse me, i'll be gettin' my
|
||||||
|
prozac pills. now, for some news.
|
||||||
|
|
||||||
|
this issue of jonas will be alittle longer then most previous issues.
|
||||||
|
i've done some capturing of messages that i've found, and typed up some
|
||||||
|
interesting newspaper articles. overall, its just longer.
|
||||||
|
|
||||||
|
also; this issue will be the best issue jonas has ever put out.
|
||||||
|
"really?!@1", you ask yourself. really. i've done much more work then i
|
||||||
|
have the previous issues, i've been on a creative streak. i've had some
|
||||||
|
pretty good ideas for this issue too. i think this issue will redefine the
|
||||||
|
word "'zine".
|
||||||
|
|
||||||
|
maybe it _won't_ redefine the word "'zine". oh-kay. maybe it won't
|
||||||
|
redefine anything, but i'm still pleased with how this issue is coming out
|
||||||
|
_so-far_. (yes, as always, i'm writing this way ahead of time.)
|
||||||
|
|
||||||
|
thats weird. that last comment i put in here. most prior issues of
|
||||||
|
jonas, i got my articles that were submitted to me, wrote some stuff on my
|
||||||
|
own, and then put it all together. beginning to end time was maybe a week,
|
||||||
|
tops. but this issue, its different. i actually started writing this way
|
||||||
|
ahead of time. right after issue 12 came out, i started work on this.
|
||||||
|
|
||||||
|
i think i like this method, too. i put down all of the different
|
||||||
|
story ideas in my head, and worked on them seperately. i'm really happy
|
||||||
|
with how my editorial came out, too. all and all, i'm really pleased with
|
||||||
|
this issue. except for one thing;
|
||||||
|
|
||||||
|
as of _this_ writing of my editorial (note the 'this', i sometimes can
|
||||||
|
write parts or the whole editorial a bunch of times.) its about 2 weeks
|
||||||
|
before my target release date, and i have _no_ submissions. terminal
|
||||||
|
velocity said he would do some stuff, but thats it. i have _nothing_.
|
||||||
|
everything in here is written by me. ack!@ i should just go elite, and go
|
||||||
|
solo. yeah, thats an idea.
|
||||||
|
|
||||||
|
(* late editorial note, terminal velocity _didn't_ contribute
|
||||||
|
anything, asshole *)
|
||||||
|
|
||||||
|
i can change the name of the 'zine to "edicius". i'd be a solo 'zine.
|
||||||
|
i'd scoff at the non-believers, and just say that i'm leeter then them.
|
||||||
|
yeah, that'd be rad. i think i will do that.
|
||||||
|
|
||||||
|
"ralph, get the guns. we have a lamer on the loose."
|
||||||
|
|
||||||
|
ok, i get the point. i think i'll be leaving now.
|
||||||
|
|
||||||
|
but before i go, i want to remind you of something that we're doing.
|
||||||
|
the next issue of jonas shall be out on december 14, yeah, exactly at that
|
||||||
|
time. there will be a really special issue of jonas that will be put
|
||||||
|
together, especially for a special person's birthday (hint, hint, nudge
|
||||||
|
nudge..) so, be waiting, it shall be a really good issue. submit for it,
|
||||||
|
too! you'll be pleased.
|
||||||
|
|
||||||
|
also, take a few minutes, and fill out the survey. just use a regular
|
||||||
|
text editor, and fill it out. its not that hard. i'd like to get a real
|
||||||
|
good sampling of people for this survey, i want a really good survey result
|
||||||
|
article to write. so fill them out, fuckas!
|
||||||
|
|
||||||
|
one last thing, i swear. if you're hep to the net and looking for the
|
||||||
|
ultimate in 'zine madness, point your web browsers to 'zineworld, the
|
||||||
|
ultimate experience - http://www.pla-net.net/~jwapienn/zineworld/ - got
|
||||||
|
that? you better. thanks to mercuri, this page lists an amazing and
|
||||||
|
growing number of links and web papges for many underground computer 'zines.
|
||||||
|
WE LOVE MERCURI!
|
||||||
|
|
||||||
|
ok, thanks enough for now.
|
||||||
|
buhbye.
|
||||||
|
|
||||||
|
xoxo
|
||||||
|
elite edi.
|
||||||
|
|
||||||
|
+---- --- -- - ---------------------------------------------- - -- --- ----+
|
||||||
|
|
||||||
|
oh yeah, if you want to reach us here at jonas-land. here:
|
||||||
|
|
||||||
|
world head quarter type board -- avalon, (908) 739 4274. check out
|
||||||
|
elyte jonas matrix option.
|
||||||
|
|
||||||
|
email -- edi@raven.cybercomm.net
|
||||||
|
|
||||||
|
web page -- http://www.vitinc.com/~rmini/jonas.html
|
||||||
|
(thanks to fat slayer. send inquiries to rmini@vitinc.com)
|
||||||
|
|
||||||
|
you can also retreve the latest issues of jonas via ftp --
|
||||||
|
ftp.etext.org /pub/Zines/Jonas
|
||||||
|
|
||||||
|
more information about jonas can be found by fingering edicius.. (o0o,
|
||||||
|
you nasty boy).. -- finger edi@raven.cybercomm.net
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
AT&T AND MICROSOFT HEAR ME WALKING DOWN THE STREET WITH MY LINEMAN'S
|
||||||
|
HANDSET AND BETA VERSIONS OF WIN97, AND SAY TO THEMSELVES "DAMN HE'S FUCKIN'
|
||||||
|
ELiTE!@1"
|
||||||
|
|
||||||
|
|
||||||
|
+---- --- -- - ------+ open letter to michael stipe +-------- - -- --- ----+
|
||||||
|
|
||||||
|
dear mister stipe and rem:
|
||||||
|
|
||||||
|
i am petitioning you and your band to change your lyrics. in one your
|
||||||
|
songs, "end of the world (and i feel fine)", you have a line that reads as
|
||||||
|
follows:
|
||||||
|
|
||||||
|
"the other night i tripped a nice continental drift divide, mount saint
|
||||||
|
edelite, leonard bernstine"
|
||||||
|
|
||||||
|
i am asking that you change the lyric to read:
|
||||||
|
|
||||||
|
"the other night i tripped a nice continental drift divide, mount saint
|
||||||
|
EDICIUS, leonard bernstine"
|
||||||
|
|
||||||
|
edelite? who's heard of 'mount saint edelite'? who's heard of 'mount
|
||||||
|
said edicius', for that matter. no one, really. but edicius, its the same
|
||||||
|
amount of letters and sounds like 'edelite'. the word edicius is ten times
|
||||||
|
cooler then the word edelite, too. you won't have to change _that_ much,
|
||||||
|
just one word. consider it.
|
||||||
|
|
||||||
|
thank you for your time. i'm sure that you and rem will follow
|
||||||
|
through with this lyric change, for the better of mankind.
|
||||||
|
|
||||||
|
edicius.
|
||||||
|
|
||||||
|
+---- --- -- - ---+ i sold my soul to satan + by edicius +--- - -- --- ----+
|
||||||
|
|
||||||
|
"i've got a one-way ticket to hell on an amtrack train; and the sons
|
||||||
|
of gestapo won't be stopping me!@" -- edicius
|
||||||
|
|
||||||
|
+---- --- -- - ---------------------------------------------- - -- --- ----+
|
||||||
|
|
||||||
|
"tom. wake up tom. come towards the light," the deep voice
|
||||||
|
beckons me in the nighttime.
|
||||||
|
|
||||||
|
startled, i jump out of bed. the big lcd clock stares me in the face,
|
||||||
|
"two in the morning? who the hell is this?" i turn around, and see a mist
|
||||||
|
in the room. a ghoulish figure is standing near my closest.
|
||||||
|
|
||||||
|
"hey, who the hell are you?", i ask.
|
||||||
|
|
||||||
|
"me? well, i'm satan. i have a proposition for you," he replies, "i
|
||||||
|
would like you to join me."
|
||||||
|
|
||||||
|
"join you? how?"
|
||||||
|
|
||||||
|
"sell your soul to me, i will grant you immortality in hell."
|
||||||
|
|
||||||
|
"really? that sounds good, how much?"
|
||||||
|
|
||||||
|
"WHAT? he's actually going for it? no one actually goes for it," he
|
||||||
|
mumbles to himself, "uwhm. lemme think, how much would it cost you to sell
|
||||||
|
your soul to me?"
|
||||||
|
|
||||||
|
"hm. lemme write down a figure, we'll play it from there." i grab a
|
||||||
|
piece of paper from the desk, and scribble down some numbers. i hand it to
|
||||||
|
the man, and by the smile on satan's face, i can tell its no dice.
|
||||||
|
|
||||||
|
"six million dollars? this is properous. what do you think we do in
|
||||||
|
hell? we don't have that much money. geezus, who do you think i am?"
|
||||||
|
|
||||||
|
"well, you're satan. ok, so no deal there, eh? lesse, here's another
|
||||||
|
figure. tell me how this looks." with that, i scribble another number down
|
||||||
|
on the paper, tear it off, and give it to him.
|
||||||
|
|
||||||
|
"eighty-two cents? you're gonna sell your soul to me for eighty-two
|
||||||
|
cents?"
|
||||||
|
|
||||||
|
"eh-yup. hey, everlasting immortality is something that only comes
|
||||||
|
along once in a lifetime, i'm not gonna be that stingy in trying to get it.
|
||||||
|
|
||||||
|
"eighty-two fuckin' cents. wow. tom, you have a deal. welcome to
|
||||||
|
hell."
|
||||||
|
|
||||||
|
"cool. okey, so, when do i get there?"
|
||||||
|
|
||||||
|
"well, lemme look here," he grabs a notebook from his jacket,
|
||||||
|
"salvidor, sinclare, stevens, ah, here it is, sullivan, tom sullivna. ok,
|
||||||
|
you should be arriving into the firey pits of hell in twelve years. from
|
||||||
|
lung cancer, you'll be smoking too much. haha. i just made a hell joke!
|
||||||
|
haha. get it? smoke, fire, hell! haha."
|
||||||
|
|
||||||
|
"wow," i say to him, "not only are you the demon of demons, but you
|
||||||
|
have a sense of humor too. pretty nifty, if you ask me."
|
||||||
|
|
||||||
|
"well, you know, i try to be modest, but when you're the supreme ruler
|
||||||
|
of evil, you have to have some funny side in you."
|
||||||
|
|
||||||
|
"hah. i hear you buddy, i hear you. ok, so tell me, when's the
|
||||||
|
presidental elections down there?"
|
||||||
|
|
||||||
|
"what? presidental elections? what the hell is this rubbish? i'm
|
||||||
|
the dictator, there is no president down in hell. i'm the leader."
|
||||||
|
|
||||||
|
"eech. that must suck. hey, here's an idea. when i get down there,
|
||||||
|
give me four years to run it, i promise you a bigger population, and more
|
||||||
|
money coming into the budget. hell will be the hep place to be."
|
||||||
|
|
||||||
|
"really? a four year vacation? i never really thought about.. wait a
|
||||||
|
second, what the hell are you saying to me, the ruler of evil? i'm the
|
||||||
|
leader down there, you cannot take that away from me."
|
||||||
|
|
||||||
|
"thats the problem, you're uptight. you have this whole
|
||||||
|
god-complex.."
|
||||||
|
|
||||||
|
"god complex? sorry to interupt, but there is no god in hell."
|
||||||
|
|
||||||
|
"uhm, sure, whatever. anyway; you have this whole ego thing. you're
|
||||||
|
uptight. you need some time off. no offense or anything, but people don't
|
||||||
|
think too highly of you."
|
||||||
|
|
||||||
|
"really? i never knew that," satan says. his face grows deeper, and
|
||||||
|
looks to be saddened by this news. "i've always tried to keep my image
|
||||||
|
pretty good. i don't really know how this whole horns and red skin thing
|
||||||
|
came about, i'm not really that horrid looking, am i?"
|
||||||
|
|
||||||
|
"no you're not, satan. we could have this whole big never-world going
|
||||||
|
down in hell, trust me. you and me, we'll do good."
|
||||||
|
|
||||||
|
"really? hey, that could be good. wait a fucking second, you're sly
|
||||||
|
there tom. but i'm not buying into this. i'll come back at a later time."
|
||||||
|
|
||||||
|
"but satan, wait!" but it was too late, he had already left. back to
|
||||||
|
sleep i went, still amazed about the transaction that took place.
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
the next few days were spent thining up ideas for the "new hell", that
|
||||||
|
i would create. since satan is the root of all evil, i really knew i had to
|
||||||
|
do a good job, or something horrid would be in store for me. i really
|
||||||
|
didn't want to find out exactly what would happen.
|
||||||
|
|
||||||
|
i had ideas, visions of the new hell. something beautiful, something
|
||||||
|
that has been never seen before. swimming pools, casinos, hotels, family
|
||||||
|
entertainment. it all would be there. hell would surely become the hip
|
||||||
|
place to be.
|
||||||
|
|
||||||
|
it happened again. right in the middle of my wet dream, satan
|
||||||
|
appeared to me. his vast, expressionless face staring at me in the middle
|
||||||
|
of the night.
|
||||||
|
|
||||||
|
"tom, what do you wish of me? i can sense your mood, i know you need
|
||||||
|
to speak to me."
|
||||||
|
|
||||||
|
"ok. i have these ideas, take a look at them. remember, its
|
||||||
|
still a rough draft, but take the things into consideration," i said, as i
|
||||||
|
took out a large portfolio of various plans, blueprints, and charts. "look
|
||||||
|
at them, tell me what needs to be changed, and i'll work on it."
|
||||||
|
|
||||||
|
"what?? what is this crud? blueprints, charts.. hey, is there really
|
||||||
|
going to be a eight-teen hole golf course next to the tropworld casino?
|
||||||
|
hey, that could be pretty nice. i've been looking for a place to work on my
|
||||||
|
backswing."
|
||||||
|
|
||||||
|
"but thats not all. i was planning on changing a few more things.
|
||||||
|
first off, we need to have a stable currency. we're not looking to compete
|
||||||
|
with the us dollar, or the japanese yen, just something that we can use. we
|
||||||
|
will be having a large population now, ya'know what i mean?"
|
||||||
|
|
||||||
|
"true, very true."
|
||||||
|
|
||||||
|
"but wait, thats not all. we'll have a full run of commenrative
|
||||||
|
stamps -- all the people in hell, joseph stallin, adolf hitler, jimmy buffet
|
||||||
|
-- a better postal system too, a recent survey showed that alot of the
|
||||||
|
population of hell was dissatisfied with the way the postal service was.."
|
||||||
|
|
||||||
|
"dissatisfied my ass. give me names, i'll make their eternal
|
||||||
|
damnation even worse."
|
||||||
|
|
||||||
|
"no! thats another thing we need to change; your attitude. many
|
||||||
|
people, well, you know. they're kinda scared of you."
|
||||||
|
|
||||||
|
"they're supposed to fear me (not that pesky mogel guy.) i am the
|
||||||
|
death bearer, i'm not a real people person. i am eviler then evil. i'm not
|
||||||
|
supposed to be nice."
|
||||||
|
|
||||||
|
"well, it looks like your attitude will be hard to change. i'll work
|
||||||
|
on that more later. i called all-state today, inquiring about an insurance
|
||||||
|
policy.."
|
||||||
|
|
||||||
|
"insurance? why do we need insurance?"
|
||||||
|
|
||||||
|
"with people coming, we need some type of tourist spot insurance
|
||||||
|
coverage, so when people get hurt, we don't get sued."
|
||||||
|
|
||||||
|
"fuck them. cast them into the firery pits if they get hurt."
|
||||||
|
|
||||||
|
"thats the thing that is hampering the whole insurance dealy-deal; the
|
||||||
|
fire. you know, hell is just one _huge_ firepit. did you ever notice it?
|
||||||
|
all-state said they can't insure a bad fire risk as ourselves. so, i told
|
||||||
|
them i'd start a few voulenter fire departments, have fire safety classes at
|
||||||
|
the ymca, and mcgruff and smokey the bear put on a really bitchin'
|
||||||
|
performance for the kids."
|
||||||
|
|
||||||
|
"fire department? ymca? smokey the bear? enough of this bullshit,
|
||||||
|
tom. i do not want to hear this crud any much longer. you are banished
|
||||||
|
from hell!@ do not come down here! get out of my sight!@"
|
||||||
|
|
||||||
|
"but satan.. what about me being president?"
|
||||||
|
|
||||||
|
"get out of my sight you creaton!"
|
||||||
|
|
||||||
|
"can i have my soul back?"
|
||||||
|
|
||||||
|
"oh. that thing. yes, you can have it back.. here.. and my money?"
|
||||||
|
|
||||||
|
"oh. that. i kinda spent it on gum. want a stick of big red?"
|
||||||
|
|
||||||
|
"no! just take your soul, thats all i want. i don't need money. i
|
||||||
|
am the leader of hell!@ i make my own money."
|
||||||
|
|
||||||
|
"well. ok, in that case, i don't want to go to hell, you asshole."
|
||||||
|
|
||||||
|
"me? asshole? why you annoying little twirt," he says with a voice
|
||||||
|
full of anger. he runs, and lunged toward me. i duck, he hits the wall.
|
||||||
|
"pit pat spat. why you fucking asshole.." boom. he hits me square in the
|
||||||
|
jaw. so, i kick him.
|
||||||
|
|
||||||
|
"don't fuck with me nigguh! i'll beat you; and i don't care if you
|
||||||
|
are the prince of darkness." i hit him again. he hits me. this escapade
|
||||||
|
continues for 5 minutes. we cease hitting each other while we catch our
|
||||||
|
breathe.
|
||||||
|
|
||||||
|
i stand up in the middle of the room. "is that all you can do?!
|
||||||
|
the big and almighty satan can't even kick a fifteen year-old's ass? what
|
||||||
|
are you? like, a ga-zillion years old? HIT ME RIGHT HERE," i pound on my
|
||||||
|
chest, "right here you fuckin' asshole. NOW!"
|
||||||
|
|
||||||
|
fists a-flyin', satan runs towards me screaming, "aaaahhh!@ you
|
||||||
|
little prick!"
|
||||||
|
|
||||||
|
just before he is about to catch me, i knee him in the groin. he
|
||||||
|
falls to the ground in agony. "oouh. muh. muh.. ouuch. oww. muh nuts.
|
||||||
|
oww. yoou.. f-fuck.. in.. oww. oouuch. oww, my crotch. my crotch. my
|
||||||
|
crotch is on fire."
|
||||||
|
|
||||||
|
"yeah, thats what i thought. hooo-pbbt," i spit on him. "some people
|
||||||
|
are just so fuckin' egotistical. you won't let someone else take over for
|
||||||
|
awhile, and look what you're doing now. on the ground, rolling around, in
|
||||||
|
wretched agony. you wuss."
|
||||||
|
|
||||||
|
"vengence will be mine. oh yes, it will be mine." puff. smoke, he
|
||||||
|
disappears. a dark drool spot is easily noticed against the grainy blue of
|
||||||
|
the carpet where he fell.
|
||||||
|
|
||||||
|
"a drool spot. just one big fucking drool spot is left."
|
||||||
|
|
||||||
|
+---- ----- - -------+ music, smhusic + by edicius +-------- - -- --- ----+
|
||||||
|
|
||||||
|
is it just me, or is there a major conspiracy to ruin all of the good
|
||||||
|
music in the world?
|
||||||
|
|
||||||
|
i think there is, if not, somethings tragically screwed up. now, one
|
||||||
|
of my favorite bands, currently, is civ. i got their 'debut' (if you want
|
||||||
|
to call it that) cd just after it came out, and a day after i saw them in
|
||||||
|
concert. i've loved it ever since, i think its a really rad cd.
|
||||||
|
|
||||||
|
i happen to have a 'zine cover with a picture of civ (the leader
|
||||||
|
singer of civ - coincidence?) on it. i was bored the other day, so i
|
||||||
|
started drawing it in my sketchbook. soon enough, i had a pretty good
|
||||||
|
picture out of it.
|
||||||
|
|
||||||
|
the next day, i was sitting in my art class. i was bored with the
|
||||||
|
project i was working on, so i whipped out the ole' sketchbook to finish the
|
||||||
|
picture. some kids asked me who it was, so i told them, "its the lead
|
||||||
|
singer of the band called 'civ'. ever hear of it?" out of the three or
|
||||||
|
four kids that i asked if they heard of civ, only one person said "yeah, i
|
||||||
|
think so, i think i've heard of them."
|
||||||
|
|
||||||
|
god damnit. no one listens to anything if its not played on a big
|
||||||
|
time radio station, or mtv. civ has been being played on mtv, rarely
|
||||||
|
outside of 120 minutes, thank god, but today, i'm clicking around the
|
||||||
|
channels, and i hear a familar tune on the grind. yup. it was "can't wait
|
||||||
|
one minute more" by civ. these preppy wanna-be skinhead dancers are slam
|
||||||
|
dancing, almost definally choreographed, too. you could see that they
|
||||||
|
planned how they would dance to this particular song.
|
||||||
|
|
||||||
|
afterwords, the music dies out, and idalis comes on; "hey, now wasn't
|
||||||
|
that groovey? thats right. that was civ with 'can't wait'. now, after the
|
||||||
|
commercials, we'll have a live performance from shaggy!@"
|
||||||
|
|
||||||
|
c'mon, shaggy and civ in the same sentence? sigh. it just saddens
|
||||||
|
me. why the hell can't mtv leave the good stuff on "120 minutes"? why must
|
||||||
|
they do this? they do this with every good band, and then they promote the
|
||||||
|
bad bands, like greenday and offspring. fuckin' assholes.
|
||||||
|
|
||||||
|
to create a format that appeals to all, they must play what 'everyone'
|
||||||
|
is listening to. or so they think. not everyone is listening to offspring
|
||||||
|
and green day. thats why radio stations like whtg 106.3 (eatontown, nj), do
|
||||||
|
good; they play what other stations _aren't_ playing. sure, they do play
|
||||||
|
some green day and offspring, but not to the extext that many other stations
|
||||||
|
play it.
|
||||||
|
|
||||||
|
you have a major cable channel, and a million radio stations; all with
|
||||||
|
the same format -- boring and "alternative". you get a few stations that
|
||||||
|
play what the "minority" wants to hear -- mainly indie rock and punk,
|
||||||
|
generally "unheard" music anywhere else. both stations do well, in their
|
||||||
|
own aspects; they just get a different listening audience.
|
||||||
|
|
||||||
|
+---- --- -- - -+ million man march? % by david letterman +-- - -- --- ----+
|
||||||
|
|
||||||
|
[.. from the david letterman show ..]
|
||||||
|
|
||||||
|
> from the home office in grand rapids, michigan ...
|
||||||
|
|
||||||
|
top ten signs you're not at the real million man march
|
||||||
|
|
||||||
|
10. everybody's singing john denver songs
|
||||||
|
|
||||||
|
9. keynote speaker: mark fuhrman
|
||||||
|
|
||||||
|
8. entire march consists of you and that urkel guy
|
||||||
|
|
||||||
|
7. you're surrounded by people dressed as their favorite "star trek"
|
||||||
|
characters
|
||||||
|
|
||||||
|
6. everywhere you look -- osmonds
|
||||||
|
|
||||||
|
5. you seem bumper stickers that say, "don't blame me, i voted for
|
||||||
|
pat buchanan"
|
||||||
|
|
||||||
|
4. it's held at the dmv and the "march" is moving very slowly
|
||||||
|
|
||||||
|
3 lots of handmade signs that say, "yanni!"
|
||||||
|
|
||||||
|
2. the marge schott t-shirt booth
|
||||||
|
|
||||||
|
1. grand marshall: kathie lee gifford
|
||||||
|
|
||||||
|
+---- --- -- - --+ computers go hollywood -+- by edicius +-- - -- --- ----+
|
||||||
|
|
||||||
|
in our history, many movie makers have tried to make a movie revolving
|
||||||
|
around computer crimes, some have been successful; others have not. the
|
||||||
|
classics, such as wargames and sneakers, will live forever in the hearts of
|
||||||
|
computer enthusists around the globe. other movies, such as johnny
|
||||||
|
mnemonic, can be written off and forgotten.
|
||||||
|
|
||||||
|
in jonas' ever expanding cultural emphasis, we would like to give you
|
||||||
|
now a review of the best, and worst, computer-related movies ever made.
|
||||||
|
there have been alot of computer-related movies made, specifically, the ones
|
||||||
|
we'll concern ourselves with are those that deal with some form of computer
|
||||||
|
hacking and/or phone phreaking.
|
||||||
|
|
||||||
|
now, without further ado, edicius reviews computer movies.
|
||||||
|
|
||||||
|
+---- --- -- - ---------------------------------------------- - -- --- ----+
|
||||||
|
|
||||||
|
"three days of the condor" (1976?) - robert redford plays an fbi agent on
|
||||||
|
the run from his own superiors after his whole office is gun downed and
|
||||||
|
killed while he is at lunch. story-line is pretty good. redford plays a
|
||||||
|
really good part in the movie. surpurb co-stars, also.
|
||||||
|
|
||||||
|
as far as the computer-relatedness. they have _really_ big computers in the
|
||||||
|
office. redford 'boxes' his way into a hotel phone line, and uses a tape
|
||||||
|
recorder and dtmf decoder to figure out numbers a person is dialing. he
|
||||||
|
also picks a credit slip out of the garbage to figure out what a person's
|
||||||
|
name is, before he carjacks and kidnaps them. you cannot forget, either,
|
||||||
|
that at one point, kevin mitnick used the handle "condor" before he went
|
||||||
|
into hiding in the mid 80's.
|
||||||
|
|
||||||
|
really great movie all around. if you can find it at your local
|
||||||
|
blockbuster, i would definally suggest renting this movie.
|
||||||
|
|
||||||
|
rating: (out of four stars) ***1/2.
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
"wargames" (1982) - matthew broderick, alley shedy, and a "whopper" of a
|
||||||
|
computer. (te-he. i made a funny.) this is the clasic computer hacker
|
||||||
|
movie. kid breaks into school computer, changes grades, wardials, finds
|
||||||
|
governmental computer, and plays a game of "thermonuclear global war." now
|
||||||
|
is that just rad, or is it rad?
|
||||||
|
|
||||||
|
personally, my favorite part of the movie, is when alley shedy's caracter
|
||||||
|
says to broderick's caracter, after he has been on the run from the
|
||||||
|
government, "is this about what you did to my grades?" har har.
|
||||||
|
|
||||||
|
you have hacking and phreaking in this movie. movies just don't get cooler
|
||||||
|
then this without having an nc-17 rating.
|
||||||
|
|
||||||
|
rating: (out of four stars) ****
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
"sneakers" (1989/1990. one of them) - not a particulary bad movie.
|
||||||
|
hacking, phreaking, carding, trashing, and a blind guy that can type really
|
||||||
|
fast!@ hell, these guys are _paid_ to hack your computer, if you want them
|
||||||
|
too. they're the best, dE\x/D. they're eXpERtZ.
|
||||||
|
|
||||||
|
as i alluded to above, the only part in the movie that i was particularly
|
||||||
|
pissed off about, is the fact that the blind dude can type. ok. i can see
|
||||||
|
him typing -- they can have brail keyboards -- but how does he know what is
|
||||||
|
being done by the computer? it just didn't fit.
|
||||||
|
|
||||||
|
if you want a real good flick night, rent this and "wargames" the same
|
||||||
|
night. watch the clerk look at you funny.
|
||||||
|
|
||||||
|
rating: (out of four stars) ***
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
"johnny nmemonic" (1995) - i really don't know where to begin with this
|
||||||
|
movie. i saw it with fellow cybergeeks, rattle and tut, and well, i think
|
||||||
|
rattle sums it up best by saying, "it was the best comedy i've seen in
|
||||||
|
awhile, but it was meant to be a drama."
|
||||||
|
|
||||||
|
let's just say, keanu reeves shouldn't have been casted for this part. if
|
||||||
|
it was another actor, the movie would have been better. keanu reeves just
|
||||||
|
cannot act for his life.
|
||||||
|
|
||||||
|
henry rollins got killed in the movie, that was a cool part. :)
|
||||||
|
|
||||||
|
rating: (out of four stars) *
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
"the net" (1995) - you have to divide this one up into two different
|
||||||
|
sections; as far as pure entertainment goes, this movie was pretty damn
|
||||||
|
good. _any_ movie with sandra bullock in a bikini is good in my book. as
|
||||||
|
far as computers go, it was a bad movie. i did like some of the things that
|
||||||
|
they did with the computers, tho.
|
||||||
|
|
||||||
|
bullock is a pretty good actress. the movie, overall, was pretty decent.
|
||||||
|
storyline wise, it could have used some work, but still was good. accuracy
|
||||||
|
wise, it needed alot of work with the computers.
|
||||||
|
|
||||||
|
if you can catch this still in the theraters (find a cheap second-run movie
|
||||||
|
near you), definally go there and watch it. you shalln't be disappointed.
|
||||||
|
|
||||||
|
rating: (out of four stars) ***
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
"hackers" (1995) - "boot up or shut up." as far as the accuracy goes, this
|
||||||
|
is one of the most accurate, if not the most accurate, 'hacker' movie in a
|
||||||
|
long time. it was still pretty far-fetched in some aspects, others it was
|
||||||
|
pretty good. some of the computers they had, of course, were too advanced,
|
||||||
|
even for our own age.
|
||||||
|
|
||||||
|
i've hung out with computer geeks in person, i don't think i've ever said
|
||||||
|
the word "ELITE" as much as they did in this movie. there is also a scene
|
||||||
|
in which some 'haqurs' are looking at a new computer, and they say, "whoa,
|
||||||
|
elite. she has a brand new laptop... 16 megabytes of ram.. a 28 point 8 bps
|
||||||
|
modem too!"
|
||||||
|
|
||||||
|
they did make up for it by having an actual red box (that still does work in
|
||||||
|
some areas), and by reading "the hackers manifesto" by 'the mentor'. i was
|
||||||
|
surprised to see them go that far.
|
||||||
|
|
||||||
|
with everything in, i think this movie will go down as being highly regarded
|
||||||
|
in the computer movie field as being one of the better movies of our time.
|
||||||
|
|
||||||
|
rating: (out of four stars) ***1/2.
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
other stuff:
|
||||||
|
|
||||||
|
"disclosure" (1995) - ok, so this really isn't a true computer movie. the
|
||||||
|
job that michael douglas and demi moore work at, makes cd-roms and other
|
||||||
|
computer equipment. plus, the terminals that they use on all the computers
|
||||||
|
for email and stuff is really rad. i'd love to have that type of software
|
||||||
|
on my computer.
|
||||||
|
|
||||||
|
oh, seeing demi moore half-naked isn't bad, either.
|
||||||
|
|
||||||
|
rating: (out of four stars) ***1/2.
|
||||||
|
|
||||||
|
"masters of deception: the gang that ruled cyberspace" (1995) - it's a book.
|
||||||
|
not a fully accurate book, but it is an interesting read. i shelled out 20
|
||||||
|
bucks for it, i'm not sure if it was really worth it, but it is worth the
|
||||||
|
read if you can get it.
|
||||||
|
|
||||||
|
rating: (out of four stars) **
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
i noticed something, something eerie. in "the net", they all drink a
|
||||||
|
martini-type drink called a "gibson". in "hackers", the name of the big
|
||||||
|
mainframe operating system, is "gibson". coincidence? maybe.
|
||||||
|
|
||||||
|
+---- --- -- - -------+ 3Di'Z CaPTuRe F1LE izZ eLiTE +------- - -- --- ----+
|
||||||
|
|
||||||
|
from: "matthew b. wood" <devtrix@netcom.com>
|
||||||
|
posted to: alt.fan.cult-dead-cow
|
||||||
|
subject: re: his eyes were bleeding
|
||||||
|
|
||||||
|
carrie@cascade.cascade.net (carrie) writes:
|
||||||
|
|
||||||
|
...
|
||||||
|
|
||||||
|
>then one day we're driving through the onion fields of walla walla,
|
||||||
|
>washington, on this road that stretches farther than intestines, past the
|
||||||
|
>paper mill, and we come across this accident in the road, except it's not
|
||||||
|
>roadkill it's like humans, and this guy is there, laying on the road, and
|
||||||
|
>his eyes are bleeding (just like his face and arms) and we look at each
|
||||||
|
>other, and we grin, and scoop him up into the car, and drive off, kind of
|
||||||
|
>like thelma and louise except we can't take credit (yet) for any of the
|
||||||
|
>pain.
|
||||||
|
|
||||||
|
wow. and i thought i was having fun when i got %15 off at foot locker
|
||||||
|
with one of those coke caps.
|
||||||
|
|
||||||
|
--
|
||||||
|
matthew b. wood mbwood@netcom.com
|
||||||
|
they can't play baseball, they don't wear sweaters
|
||||||
|
they're not good dancers, they don't play drums
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
from: rotiserrie <rotiserrie@aol.com>
|
||||||
|
posted to: alt.sex.stories
|
||||||
|
subject: adult hot chats
|
||||||
|
|
||||||
|
help needed:
|
||||||
|
|
||||||
|
i am in the process of collecting materials relating to "hot chats" on
|
||||||
|
bbs's. this material is very important to a final research project i am
|
||||||
|
undertaking. i would appreciate hearing from any of you who have engaged
|
||||||
|
in adult "hot chats" on bbs's or on the internet. i especially am
|
||||||
|
interested in receiving through email transcripts of recorded hot chats
|
||||||
|
you may have had. complete confidentially of the source is guaranteed.
|
||||||
|
|
||||||
|
jason
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
from: sekiried
|
||||||
|
subject: downtown julie brown
|
||||||
|
posted to 'people who shouldn't be famous' folder on america on-line.
|
||||||
|
|
||||||
|
i swear to god, if i ever see this woman walking down broadway, i will
|
||||||
|
kindly ask her to go back to her native england. let's see if they will
|
||||||
|
take her back, cuz here in america--we are suitably annoyed with her
|
||||||
|
transparent clinging to the show biz/post-mtv world with a sad vehemence.
|
||||||
|
get a real job julie!
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
from: the-concourse-on-highthu
|
||||||
|
posted to: alt.fan.cult-dead-cow
|
||||||
|
subject: wed. oct. 11th is national coming out day come out! do it! life is
|
||||||
|
easier...
|
||||||
|
|
||||||
|
have courage! life is so much easier when you're out of the closet. i'm
|
||||||
|
coming out because i went to the l.a. gay & lesbian parade this past summer
|
||||||
|
and of the more than 700,000 people there i personally counted fewer than 80
|
||||||
|
in drag or leather or other outrageous get ups.
|
||||||
|
|
||||||
|
when i turned on the news that night it was like my personal count had made
|
||||||
|
the news. every single one of those 80 or so people. the broadcast made it
|
||||||
|
seem like a couple thousand people had shown up, and showing only those in
|
||||||
|
drag or leather made it seem like that's all that showed up, like that's all
|
||||||
|
there is to gays and lesbians. the other 700,000 to 800,000 of us who are
|
||||||
|
boring and average didn't make it onto the tv.
|
||||||
|
|
||||||
|
when you come out you give non-gay people and accurate picture and concept of
|
||||||
|
who and what gays and lesbians really are. since it's perfectly legal in 44
|
||||||
|
states to fire us from our jobs or evict us from our homes just for saying
|
||||||
|
we're gay or lesbian, coming out is a very difficult thing to do. i know
|
||||||
|
that, and i have experienced all the fear and anxiety you have. please,
|
||||||
|
please, please come out!!! life really is so much better now.
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
from: tomviolent
|
||||||
|
subject: yanni
|
||||||
|
posted to the 'cybersex' folder on america on-line
|
||||||
|
|
||||||
|
..yanni is the best cyber-lover i've ever had....
|
||||||
|
|
||||||
|
+---- --- -- - ---------------+ news items +----------------- - -- --- ----+
|
||||||
|
|
||||||
|
here are a few news articles that i've found in the newspapers that i
|
||||||
|
thought were pretty interesting.
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
concert-goer sues love
|
||||||
|
|
||||||
|
courtney love is being sued by a a man who says she beat him up during
|
||||||
|
a hole concert in palo alto, calif., last year. jonathan james hogan said
|
||||||
|
the widow of urt cobain lured him onstage, hinting of a dance, and instead
|
||||||
|
kicked him in the groin. love told police that he reached under he dress
|
||||||
|
and grabbed her crotch while she crowdsurfed above her fans. hogan, who
|
||||||
|
insists that he was out of grope range, says he suffered emotional stress at
|
||||||
|
being publicly humilated.
|
||||||
|
|
||||||
|
+-- - --+
|
||||||
|
|
||||||
|
aclu joins high school discord over 'oi' vs. 'oy'
|
||||||
|
|
||||||
|
newark -- three hasbrouck heights high school students who were
|
||||||
|
suspended from school for using a word some people interpreted as
|
||||||
|
anti-semitic were reinstated yesterday pending an appeal before the school
|
||||||
|
board, said david rocah, staff attorney for the american civil liberties
|
||||||
|
union of new jersey.
|
||||||
|
|
||||||
|
rocah said the suspensions where ilegal and that he was surprised the
|
||||||
|
school board was continuing to pursue them.
|
||||||
|
|
||||||
|
"there's no doubt in our minds that a violation of the students'
|
||||||
|
rights, under the federal and state constitution and state law, has
|
||||||
|
occured," rocah said.
|
||||||
|
|
||||||
|
the school should drop the suspensions, apologize tothe students and
|
||||||
|
clear their records, roccah said. if neccessary, the school should provide
|
||||||
|
the students with tutors to help them catch up in courses they missed since
|
||||||
|
they were suspended last week.
|
||||||
|
|
||||||
|
the three 16-year-old bous -- len longo, j.m. burr, and albert min --
|
||||||
|
were suspended from school for a week after performing as the band utter
|
||||||
|
confusion at a high school talent show last thursday night.
|
||||||
|
|
||||||
|
because the music they play is sometimes call "oi", the three band
|
||||||
|
members started yelling "oi!" to warm up the crowd.
|
||||||
|
|
||||||
|
some people in the audience complained that "oi" was a play on the
|
||||||
|
yiddish expression of grief, "oy vey," and was anti-semetic.
|
||||||
|
|
||||||
|
"oi" is a gritty subcurrent of punk rock born in british garages in
|
||||||
|
the late 1970's. a right-wing sub-cult of "oi" includes german skinhead
|
||||||
|
bands whose members sing about bashing black people, jews, turks and
|
||||||
|
leftists.
|
||||||
|
|
||||||
|
rocah said the suspensions where unjustified, especially since the
|
||||||
|
concert was not a school-sponsored event but was part of an after-school,
|
||||||
|
student-sponsored talent show.
|
||||||
|
|
||||||
|
"these kids should not have been suspended," said rocah, who is
|
||||||
|
representing one of the teen-agers, whom he declined to identify. "students
|
||||||
|
do not lose their free speech rights when they walk through the schoolhouse
|
||||||
|
door."
|
||||||
|
|
||||||
|
although the students insisted their song was not intended to be
|
||||||
|
anti-semetic, rocah said that was not the issue.
|
||||||
|
|
||||||
|
"speech by racists is just as protected as speech by nonracists," he
|
||||||
|
said.
|
||||||
|
|
||||||
|
if school officials did not respond to the teen-agers' concers, the
|
||||||
|
students and their families could take them to court, rocah said. there was
|
||||||
|
no indication that would be necessary.
|
||||||
|
|
||||||
|
"the issues here are clear. it's not a difficult case, and it can and
|
||||||
|
should be resolved amicably," rocah said.
|
||||||
|
|
||||||
|
schools superintendent howard herbert did not immediately return a
|
||||||
|
telephone message from the associated press yesterday.
|
||||||
|
|
||||||
|
the rabbi of the borough's only synagogue said the school overreacted
|
||||||
|
and that is actions could encourage an anti-semetic backlash.
|
||||||
|
|
||||||
|
"it is a tempest in a teapot. i think the punishment is definitely
|
||||||
|
inappropriate," rabbi fredric dworkin of temple beth elohim told the record
|
||||||
|
of hackensack. "people make too much of an ordinary item. the word has no
|
||||||
|
significanes," he said.
|
||||||
|
|
||||||
|
dworkin, who said he had received no complaints from temple members,
|
||||||
|
said a false alamr over racism could spark the real thing.
|
||||||
|
|
||||||
|
[oh the same topic; on "the week in rock" on mtv, for the week of
|
||||||
|
october 21-27, they had a story about the above situation, and actually had
|
||||||
|
the band on at the end of the show. 'utter confusion' played the <their?>
|
||||||
|
song "oi is not a crime", now being boosted to stardom by their peers for
|
||||||
|
appearing on mtv. :) they weren't all that bad, for a group of 16 year
|
||||||
|
olds.]
|
||||||
|
|
||||||
|
+---- --- -- - ---------------------------------------------- - -- --- ----+
|
||||||
|
|
||||||
|
jonas e'zine issue 13
|
||||||
|
send all inquiries regarding jonas to edi@raven.cybercomm.net
|
||||||
|
jonas and klunk may be found at avalon, (908) 739/4274
|
||||||
|
special thanks to belial and terminal velocity for their unending support
|
||||||
|
|
||||||
|
"jonas -- it's more then a 'zine, its a lifestyle.."
|
||||||
|
|
||||||
|
+---- --- -- - ---------------------------------------------- - -- --- ----+
|
||||||
|
|
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|
|||||||
|
_____
|
||||||
|
[J]----------+\tMM/+-----------------------------------------------------[J]
|
||||||
|
| ) \/ ( |
|
||||||
|
/ """""""""$$$$ .s&$$$"$$$$$$$$$$$"$$$$&s. """"""""$&s. .s&$$$$$$&s. \
|
||||||
|
( | $$$$$$$$ $$$$ $$$$$$ $$$$$$ $$$$ $$$$$$$ .s&$$$$$"$$$$$$$$$$s"$$$$$ | )
|
||||||
|
`|. $$$$$$$$ $$$$ $$$$$$ $$$$$$ $$$$ $$$$$$$ $$$$$$$$ $$$$ ."$$$$sssss. .|'
|
||||||
|
| )$$$$$$$$ $$$$ $$$$$$ $$$$$$ $$$$ $$$$$$$ $$$$$$$$ $$$$ $s "$$$$$$$$s( |
|
||||||
|
/ $$$$$$$$ $$$$ $$$$$$ $$$$$$ $$$$ $$$$$$$ $$$$$$$$ $$$$ $$$s$$$$$$$$$ \
|
||||||
|
( | `Y$$$$$$s$$$$$$$$$$$s$$$$Y' $$$$ $C$C$C$$$$$$$$$$s$$$$ `Y$$$$$$$$$Y' | )
|
||||||
|
`|. C|C|C|C .|'
|
||||||
|
: . |:|:|:| . :
|
||||||
|
. . : : : : . .
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
Jonas E'Zine -- Volume 1, Number 15 -- Released February 17, 1996
|
||||||
|
Jonas is produced semi-regularly by Edicius (Tom Sullivan). Jonas
|
||||||
|
and the material therein are property of Edicius and Jonas Print Matter
|
||||||
|
Incorporated. Jonas may be freely distributed as long as this notice
|
||||||
|
remains in place, and there is no fee charged for its retrevial.
|
||||||
|
|
||||||
|
I should be allowed to glue my poster,
|
||||||
|
I should be allowed to think..
|
||||||
|
And I should be allowed to blurt the merest idea,
|
||||||
|
if by random whim, one occurs to me.
|
||||||
|
They Might Be Giants -- "I Should Be Allowed To Think"
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
Jonas E'Zine Volume 1, Number 15 February 17, 1996
|
||||||
|
|
||||||
|
Contents:
|
||||||
|
|
||||||
|
(1) - Edicius' Editorial
|
||||||
|
(2) - Chronology of the Communications Decency Act, compiled by Edicius
|
||||||
|
(3) - Violation of our Guarenteed Rights, by Edicius
|
||||||
|
(4) - "Oh, Sorry", by Edicius
|
||||||
|
(5) - <Insert Generic Valentine's Day Rant Here>, by Edicius
|
||||||
|
(6) - Particle Man vs. Universe Man: The Great Debate, by Edicius
|
||||||
|
(7) - Reviews!
|
||||||
|
(8) - The End
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(1) - Edicius' Editorial
|
||||||
|
|
||||||
|
February 8, 1995
|
||||||
|
|
||||||
|
Did you ever have that one special teacher in school? The one person that
|
||||||
|
showed a true interest in how you did? The one who's class you did the
|
||||||
|
best in, or at least worked the hardest in, mainly because s/he knew you
|
||||||
|
could?
|
||||||
|
|
||||||
|
I had that teacher, but I lost him last night. Alot of people lost him
|
||||||
|
last night.
|
||||||
|
|
||||||
|
Last year, I had him for Algebra 1 Honors, and he wanted me to work really
|
||||||
|
hard, and he worked really hard with me so I got it. Unfortunally, I
|
||||||
|
didn't make the right grade, so this year I was placed in Geometry B. But
|
||||||
|
this year, I also changed. Every class, I would sit right in front of his
|
||||||
|
desk. I would pay extra attention during his class. Most importantly, I
|
||||||
|
had a A average in that class this year.
|
||||||
|
|
||||||
|
When I would see him in the hallway, I would make an extra effort to say
|
||||||
|
hi to him, and maybe talk to him. I would go to class a few minutes
|
||||||
|
early, because I knew he would be there to talk to, and have a nice
|
||||||
|
conversation with.
|
||||||
|
|
||||||
|
My sister's boyfriend had him a few years ago in school. His family and
|
||||||
|
his teacher's family have always been very good friends. Subsequently, I
|
||||||
|
paid alittle more attention to him, and was alittle bit nicer to him, then
|
||||||
|
my other teachers. I had a better student-teacher relationship with him
|
||||||
|
then any other teacher I've ever had.
|
||||||
|
|
||||||
|
One day, years and years ago, he made a choice. He made a decision that
|
||||||
|
he would be a teacher. He didn't do it for the money, he was working at a
|
||||||
|
private school and had five children, he just did it because he was
|
||||||
|
devoted to it. He taught at school during the day, and then he would
|
||||||
|
tutor other kids at night. It wasn't just a job, it was his life.
|
||||||
|
|
||||||
|
He did this until his last day. Last night, one of the spanish teachers
|
||||||
|
from my school dropped her duaghter off at his house. He was tutoring her
|
||||||
|
in Algebra/2. Alittle after five, he suffered a massive heartattack, and
|
||||||
|
died before he got to the hospital.
|
||||||
|
|
||||||
|
I heard about this a few hours later, and was very distraught. School
|
||||||
|
today was very somber, very solemn. The guidance conselors were there if
|
||||||
|
we needed to talk, and the teachers were very supportive. Everyone you
|
||||||
|
would talk to would have something to say about him, be it an funny story
|
||||||
|
about him, or a familar saying, everyone was touched by him in some form
|
||||||
|
or another.
|
||||||
|
|
||||||
|
I do not grieve for him. He lived his life here, and accomplished many
|
||||||
|
things. He would be happy knowing how many people he touched in his time
|
||||||
|
on this earth. He is in a better place right now, he's at peace with
|
||||||
|
himself now. I grieve for his family. They do not have a father, or a
|
||||||
|
husband there anymore, but they have the support of many. I wish them the
|
||||||
|
best of luck in the time ahead.
|
||||||
|
|
||||||
|
Goodnite Mr. Rapolla. You taught me alot. About algebra, about geometry,
|
||||||
|
and about myself. You were a great teacher, and a great friend. Even
|
||||||
|
though our lives only intersected for such a short time, your memory will
|
||||||
|
live in my heart forever. Thank you Mr. Rapolla, with my entire heart.
|
||||||
|
|
||||||
|
------
|
||||||
|
|
||||||
|
This issue is going to be weird. I've been in a very lethargic/depressed
|
||||||
|
mood the last week or two, and it may or may not show in my writing. It
|
||||||
|
does, however, show up in my attitude. I'm annoyed at different things,
|
||||||
|
things that didn't piss me off in the past. But, I'll save that for my
|
||||||
|
Valentine's Day rant.
|
||||||
|
|
||||||
|
Oh, about this issue. It may just be my perspective about things right
|
||||||
|
now, but I can't decide if this is a good issue, or a bad issue. I
|
||||||
|
normally get a feel for the issue before I release it, but right now, I
|
||||||
|
just have no idea. Ugh. We'll see in a few days, won't we?
|
||||||
|
|
||||||
|
I made a few minute/major changes (it's all in your perspective of them).
|
||||||
|
First, for those of your that dialed into a bbs and downloaded the latest
|
||||||
|
issues, I don't have official bbs distribution sites anymore. I still
|
||||||
|
support the local bbses, but the Internet is giant, and I'd rather email
|
||||||
|
the new issues of Jonas to a gazillion people, then call long distance and
|
||||||
|
upload it somewhere.
|
||||||
|
|
||||||
|
Anyway, there are no "official" distribution sites, but any bbs that
|
||||||
|
carries it can call itself a Jonas e'Zine Distribution Site. Happy now?
|
||||||
|
Good. The only "official" site, is the World Head Quarters. You can
|
||||||
|
always get the latest issue of Jonas from Avalon, reached at (908)
|
||||||
|
739-4274.
|
||||||
|
|
||||||
|
Also, way way back, back a few months ago. When I released Jonas Numero
|
||||||
|
Uno, I set one term. That term was, "this 'zine is all me! me me me me!
|
||||||
|
ha ha!" That translated to, "you can't write for it."
|
||||||
|
|
||||||
|
I figure, I've been doing Jonas for 10 months now. The last few months,
|
||||||
|
I've recieved nearly nill as far as submissions go. Belial, aka Marc
|
||||||
|
Newman, is one of the only ones who actually has been writing anything for
|
||||||
|
me. So, this 'Zine is basically going to be "me, and my close knit group
|
||||||
|
of friends." If I like you, and you have something intellegent to write,
|
||||||
|
maybe I'll publish it.
|
||||||
|
|
||||||
|
Hey, I've done the last 3 or 4 issues with little outside help, and I've
|
||||||
|
done fine with it. So, why not continue it. :)
|
||||||
|
|
||||||
|
Lastly, I've jumped the ship, and become "Internet-trendy." Yes, I've
|
||||||
|
joined the millions of people who "web-surf", and put up my own.
|
||||||
|
Actually, I put up three of my own. Just a simple index page ("The
|
||||||
|
Unofficial Homepage of Tom Sullivan"), the official Jonas page, and an
|
||||||
|
unofficial homepage for WHTG-FM, located here in senic New Jersey. Check
|
||||||
|
the index page at: http://www.cybercomm.net/~edi/homepage.html, and you
|
||||||
|
can reach all the pages.
|
||||||
|
|
||||||
|
Have a good day.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
Jonas contact information located at the end of this file.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(2) - Chronology of the Communications Decency Act - Edicius
|
||||||
|
|
||||||
|
Here's a timeline of events for those of you who aren't fully familar with
|
||||||
|
the history of this very objectional bill.
|
||||||
|
|
||||||
|
Taken from the "Campaign to Stop the Unconstitutional Communcations
|
||||||
|
Decency Act", put out by the Voters Telecommunications Watch (vtw@vtw.org)
|
||||||
|
|
||||||
|
Feb. 1, 1995 - S314 introducted by Senator Exon (D-NE) and Gorton (R-WA).
|
||||||
|
|
||||||
|
Feb. 1, 1995 - S314 referred to the Senate Commerce committe.
|
||||||
|
|
||||||
|
Feb. 21, 1995 - HR1004 introduced by Rep. Johnson (D-SD).
|
||||||
|
|
||||||
|
Feb. 21, 1995 - HR1004 referred to the House Commerce and Judiciary
|
||||||
|
committees.
|
||||||
|
|
||||||
|
Mar. 23, 1995 - S314 amended and attached to the telecommunications reform
|
||||||
|
bill by Senator Gorton (R-WA). Language provides some provider
|
||||||
|
protection, but continues to infringe upon email privacy and free speech.
|
||||||
|
|
||||||
|
Apr. 7, 1995 - Senator Leahy (D-VT) introduces S714, an alternative to
|
||||||
|
the Exon/Gorton bill, which commissions the Department of Justice to study
|
||||||
|
the problem to see if additional legislation (such as the CDA) is
|
||||||
|
neccassary.
|
||||||
|
|
||||||
|
May 24, 1995 - The House Telecomm Reform bill (HR1555) leaves committe in
|
||||||
|
the House with the Leahy alternative attached to it, thanks to Rep. Ron
|
||||||
|
Klink of (D-PA). The Communications Decency Act is not attached to it.
|
||||||
|
|
||||||
|
Jun. 14, 1995 - The Senate passes the CDA as attached to the Telecomm
|
||||||
|
reform bill (S652) by a vote of 84-16. The Leahy bill (S714) is not
|
||||||
|
passed, but is supported by 16 Senators who understand the Internet.
|
||||||
|
|
||||||
|
Jun. 21, 1995 - Several prominent House members publicly announce their
|
||||||
|
opposition to the CDA, including Rep. Newt Gingrich (R-GA), Rep. Chris Cox
|
||||||
|
(R-CA), and Rep. Ron Wyden (D-OR).
|
||||||
|
|
||||||
|
Jun. 30, 1995 - Cox and Wyden introduce the "Internet Freedom and Family
|
||||||
|
Empowerment Act" (HR1978) as an alternative to the CDA.
|
||||||
|
|
||||||
|
Aug. 4, 1995 - House votes 421 - 4 to attach HR1978 to Telecommunications
|
||||||
|
Reform bill (HR1555)
|
||||||
|
|
||||||
|
Aug. 4, 1995 - House votes to attach Managers Amendment (which contains
|
||||||
|
new crimincal penalties for speech online) to Telecommunications Reform
|
||||||
|
bill (HR1555).
|
||||||
|
|
||||||
|
Aug. 4, 1995 - House passes HR1555 which goes into conference with S652.
|
||||||
|
|
||||||
|
Sep. 26, 1995 - Sen. Russ Feingold urges committee members to drop
|
||||||
|
Managers Amendment and the CDA from the Telecommunications Deregulation
|
||||||
|
bill.
|
||||||
|
|
||||||
|
Dec. 7, 1995 - The House half of the Telecomm conference committee votes
|
||||||
|
the "indecency" standard for online speech into the Telecomm Deregulation
|
||||||
|
Bill.
|
||||||
|
|
||||||
|
Jan. 31, 1996 - The House and Senate prepare to signoff on the conference
|
||||||
|
report for the Telecomm bill and rush a vote to the floor.
|
||||||
|
|
||||||
|
Feb. 1, 1996 - Telecommunications Deregulation bill overwhelmingly passes
|
||||||
|
the House 414 - 16, and passes the Senate 91 - 5.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(3) Violation of our guarenteed rights. - Edicius
|
||||||
|
|
||||||
|
[See endnotes for additional information.]
|
||||||
|
|
||||||
|
"Whoever -- in interstate or foreign communications, by means of a
|
||||||
|
telecommunications device knowingly .. makes, creates, or solicits, and
|
||||||
|
initiates the transmission of, any comment, request, suggestion,
|
||||||
|
proposal, image, or other communication which is obscene, lewd,
|
||||||
|
lascivious, filthy, or indecent, with intent to annoy, abuse, threaten,
|
||||||
|
or harass an other person .. shall be fined .. or imprisoned not more
|
||||||
|
than two years, or both .. " -- Section 502 (1) (a)
|
||||||
|
|
||||||
|
If a group of breast cancer patients were not allowed to discuss their
|
||||||
|
cases with each other, would we not be mad?
|
||||||
|
|
||||||
|
If we were not allowed to view such works as Michelangelo's Sistine Chapel
|
||||||
|
paintings, would we not be outraged?
|
||||||
|
|
||||||
|
With the passage of the telecommunications "reform" legislation
|
||||||
|
overwhelmingly passed by Congress and signed last week by President
|
||||||
|
Clinton, these things, and more, are now described as "indecent" material
|
||||||
|
for online viewing.
|
||||||
|
|
||||||
|
Our elected officials have gone out of their way to pass the most sweeping
|
||||||
|
U.S. telecommunications bill in over 60 years, and have violated our
|
||||||
|
Constitutional rights in the new medium of computer networking. This bill
|
||||||
|
contains a very vague and broad definition of what speech is unacceptable
|
||||||
|
online, criminal prosecution, and large monetary fines, which will set off
|
||||||
|
a tidal wave of censorship to avoid real and perceived liability.
|
||||||
|
|
||||||
|
Internet providers will be forced to snoop and censor what their users do
|
||||||
|
while online, so they themselves will not face criminal prosecution.
|
||||||
|
Major corporations that have been started in the fields of Internet
|
||||||
|
service and online publishing, which have invested large amounts of money
|
||||||
|
into our economy, now face an Economic uncertainty. This will lead to the
|
||||||
|
closure of many of these buisinesses.
|
||||||
|
|
||||||
|
The telecommunications bill encourages states to define their own
|
||||||
|
indecency laws. This legislation will lead to a legal tangle in the
|
||||||
|
courts, with contradictory local regulations enforced from afar against
|
||||||
|
providers and users in other areas. What's legal in New Jersey, may not
|
||||||
|
be legal in New York.
|
||||||
|
|
||||||
|
In the future, other media will be affected by this as well. With the
|
||||||
|
expanse of newspaper, television, and radio, into the online communication
|
||||||
|
field, it will become expensive to create a censored version for the
|
||||||
|
online part, and a regular version. Hence, this will lead to a
|
||||||
|
combonation of the two, and a single, censored, version on all fields.
|
||||||
|
|
||||||
|
Because of the broad definition of "indecent", the King James Bible could
|
||||||
|
be censored for the repeated use of the word "piss" (Kings II), a word
|
||||||
|
already defined by the Supreme Court as indecent. A "Schindler's List"
|
||||||
|
web site would earn an Internet service provider prison time. Anything
|
||||||
|
featuring nudity, in any context, including breast cancer information or
|
||||||
|
photos of Michelangeolo's Sistine Chapel paintings, could result in the
|
||||||
|
poster of the information facing large fines. We face a very bleak
|
||||||
|
future, when indecency applies to items of artistic talent, social value,
|
||||||
|
or medical necessity.
|
||||||
|
|
||||||
|
Part of this bill also targets prank telephone calls. Section 502 (1) (d)
|
||||||
|
states,
|
||||||
|
|
||||||
|
"Whoever -- makes repeated telephone calls or repeatedly initiates
|
||||||
|
communication with a telecommunications device, during which
|
||||||
|
conversation or communication ensues, soley to harass any person at the
|
||||||
|
called number or who recieves the communication; shall be fined under
|
||||||
|
title 18 .. or imprisoned not more than two years, or both."
|
||||||
|
|
||||||
|
Is the Internet not covered by our First Amendment right? Do Internet
|
||||||
|
users not have the same rights as a person walking into a bookstore? Does
|
||||||
|
the government have the right to pass laws without having one public
|
||||||
|
hearing to hear what we, as American Citizens, have to say?
|
||||||
|
|
||||||
|
Many civil liberties groups have already said no to this bill, and are
|
||||||
|
preparing a massive legal challenge to this bill. It is neccasary to
|
||||||
|
protect what we, as American Citizens, are guarenteed in the First
|
||||||
|
Amendment: The Freedom of Speech, Press, Association, Religion, and
|
||||||
|
Petition.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
Luckily, over the last few days, there has been a turn in the case. For
|
||||||
|
the best of Internet users. U.S. District Judge Ronald L. Buckwalter
|
||||||
|
ruled in Philadelphia on Thursday, February 15, that until further notice,
|
||||||
|
the government cannot enforce the "indecency" clause in the
|
||||||
|
Telecommunications Reform Bill.
|
||||||
|
|
||||||
|
He says the government must come up with a definition of indecency. His
|
||||||
|
research indicates that the Supreme Court never defined the word, which
|
||||||
|
leaves many people wondering what is forbidden, and what is allowed.
|
||||||
|
|
||||||
|
He also is hearing the cases of the ACLU, and 19 other groups who filed
|
||||||
|
suit against this bill the days after President Clinton signed it into
|
||||||
|
law.
|
||||||
|
|
||||||
|
In my local area, a case has been brought to light over the last few days.
|
||||||
|
A woman living in the town of Long Branch, NJ, started recieving letters
|
||||||
|
from men wanting to have sex with her.
|
||||||
|
|
||||||
|
Stephany Willman, 41, believes that her ex-boyfriend, who now lives in
|
||||||
|
Florida, scanned and posted nude pictures of her to "several erotic
|
||||||
|
newsgroups." The pictures also included her address, and asked that
|
||||||
|
lonely men write her.
|
||||||
|
|
||||||
|
A South-Florida Internet provider, Icanet, has suspended the account of
|
||||||
|
the poster of the pictures. It is not known whether or not her
|
||||||
|
ex-boyfriend is using the account, but it is suspected. Icanet presidet,
|
||||||
|
Bob Hurwitz said, "I caught him doing it again, and we put a cancel on his
|
||||||
|
postings immediately."
|
||||||
|
|
||||||
|
A man claiming to be Willman's ex-boyfriend called a local newspaper, the
|
||||||
|
Asbury Park Press (who have been covering this story) and said, "I want to
|
||||||
|
contact Bob Hurwitz and do anything I can to get Stephany's pictures off
|
||||||
|
the Internet. I'm not a computer whiz and I'm not the horrible person
|
||||||
|
everybody thinks I am."
|
||||||
|
|
||||||
|
Of the 3 pictures posted, only one was nude. The other two were pictures
|
||||||
|
of Stephany in a bikini.
|
||||||
|
|
||||||
|
Police say that a harrassment case against Willman's ex-boyfriend remains
|
||||||
|
open, but they will not pursue the case. It would be impossible to get
|
||||||
|
the main from Florida to New Jersey for a disorderly charge. If enough
|
||||||
|
evidence is found to prove that he really posted the pictures, then
|
||||||
|
Florida Police would have to handle the case.
|
||||||
|
|
||||||
|
I swear, this whole "computer" thing gets stranger by the day.
|
||||||
|
|
||||||
|
Notes:
|
||||||
|
|
||||||
|
(1) Portions of this article were printed in the _Asbury Park Press_ on
|
||||||
|
February 13, 1996.
|
||||||
|
|
||||||
|
(2) Some portions of this article were taken from "EFF Statement on 1996
|
||||||
|
Telecommunications Regulation Bill", released February 1, 1996.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(4) "Oh, sorry." - Edicius
|
||||||
|
|
||||||
|
"Here's your fucking coffee, asshole," said the greasy haired fifteen
|
||||||
|
year-old to the customer.
|
||||||
|
|
||||||
|
"What was that you said, boy?"
|
||||||
|
|
||||||
|
"I said, 'HERE IS YOUR FUCKING COFFEE, ASSHOLE.'"
|
||||||
|
|
||||||
|
"Why'd you say that?"
|
||||||
|
|
||||||
|
"Because people like you come in here all day, look down on me like you're
|
||||||
|
better or something, order a eggs and coffee, and leave a nickel tip.
|
||||||
|
Then you go home, for a rousing day of looking through the classifieds for
|
||||||
|
a new job, and new parts to your '78 Ford sitting on the cynderblocks on
|
||||||
|
your front lawn."
|
||||||
|
|
||||||
|
"Oh, ok. Got anymore half and half?"
|
||||||
|
|
||||||
|
Startled, the boy said, "Uhm.. Yeah, in the back. I'll get you some.
|
||||||
|
"Wait, you're not mad for what I said to you?"
|
||||||
|
|
||||||
|
"Nope. Not at all. I'm used to it."
|
||||||
|
|
||||||
|
"Used to it?"
|
||||||
|
|
||||||
|
"Yeah. I'm James Exon, a senator from Nebraska. You wouldn't believe how
|
||||||
|
many people yell at me all day, all for this stupid Telecommunications
|
||||||
|
Bill. If I hurt you by my part in it, I'm sorry. I just had to get back
|
||||||
|
at those assholes on Compuserve. If they won't let me post naked pictures
|
||||||
|
of myself, no one can."
|
||||||
|
|
||||||
|
"Uh. Ok. I'm gonna go cleanup in the kitchen now, nice meeting you."
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(5) <Insert Generic Valentine's Day Rant Here> - Edicius
|
||||||
|
|
||||||
|
In the past, I never really got down about Valentine's Day. The last few
|
||||||
|
days, however, I have gotten down about it, and alot of things. Being
|
||||||
|
that it's Valentine's Day and all, I figure I'll rant about love this
|
||||||
|
issue. It's always a fun topic to talk about, right?
|
||||||
|
|
||||||
|
I never had a girlfriend, I've never been out on a date. I have liked
|
||||||
|
people, but I really like a girl right now. But its confusing. I've been
|
||||||
|
told by some that she isn't right for me, that she wouldn't even go out
|
||||||
|
with me. But I think she is right for me, I think she's pretty, I think
|
||||||
|
she has a good personality, but I do see the flaws in her. Maybe I'm
|
||||||
|
blind to certain things, maybe its just something deep-rooted in my mind
|
||||||
|
where I think I need to like someone to be normal, maybe I'd be considered
|
||||||
|
gay if I didn't like a girl at 16 ...
|
||||||
|
|
||||||
|
Then again, I never really threw out the idea of being gay.
|
||||||
|
|
||||||
|
I find that many guys, especially around my age, are very homophobic. So,
|
||||||
|
I play with this trait in them. I make passes at them, jokingly of
|
||||||
|
course, and make jokes about bestiality and incest. But there is a point
|
||||||
|
where I crossed the joking phase. I said to a friend recently, "I'm gay,"
|
||||||
|
and then continued the conversation without a grin or anything. It seems
|
||||||
|
so casual to say it. Why not just bypass the whole girl phase, and just
|
||||||
|
go gay. Better yet, I'll just remain single for my life.
|
||||||
|
|
||||||
|
Back to the girl I like.
|
||||||
|
|
||||||
|
I've been told I should ask her out, but I never get the nerve to. Maybe
|
||||||
|
if I really, truely, liked her, then maybe I would ask her out. But I
|
||||||
|
have doubts at time. I never had a girlfriend yet, but right now I'm
|
||||||
|
looking for the perfect girl to go out with. So, sometimes I think that
|
||||||
|
maybe the whole reason I like her is because I don't like anyone else, and
|
||||||
|
she's the only one who I have a remote liking to, and it just becomes that
|
||||||
|
much bigger because of it. (Did you follow me there?)
|
||||||
|
|
||||||
|
.. and that all goes back to the deep-rooted feelings about being gay and
|
||||||
|
things like that.
|
||||||
|
|
||||||
|
I want to find a girl that I can have a deep love with. Not someone who's
|
||||||
|
love is superficial, but someone who is intellectual & funny, not to
|
||||||
|
mention pretty. It's the typical thing a guy looks for. I'm not looking
|
||||||
|
for sex. I wouldn't mind it, but that's still way back in my mind.
|
||||||
|
|
||||||
|
I never experienced "love" first hand, so I may go on like a flaming
|
||||||
|
hyprocitical idiot. I see people and how they profess their "love" and
|
||||||
|
how great it is, but then a time comes and they break up, and then see how
|
||||||
|
silly & fake their "love" was.
|
||||||
|
|
||||||
|
Sometimes I feel alienated and different because I never felt love. I
|
||||||
|
never felt the emotions that come with it, be it happiness or sadness.
|
||||||
|
I'm most happy that I've never experienced the sadness that goes along
|
||||||
|
with love, but I don't think I've ever truely been happy.
|
||||||
|
|
||||||
|
I've been happy, but there just seems to be an intoxicating happiness that
|
||||||
|
accompanies love. It's just a different type of happiness, that you can't
|
||||||
|
reach without love ..
|
||||||
|
|
||||||
|
.. or so it seems.
|
||||||
|
|
||||||
|
As I said, I've never really felt love.
|
||||||
|
|
||||||
|
I made a vow to myself, to ask the girl that I really like right now out
|
||||||
|
by the end of the school year. "Babysteps", just like Bill Murrary said
|
||||||
|
in _What About Bob?_. So, within the next few months, I will, or will
|
||||||
|
not, have a girlfriend. Whether or not I have one, I at least asked her
|
||||||
|
out.
|
||||||
|
|
||||||
|
Wish me luck. :)
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(6) Particle man vs. Universe man: The Great Debate - Edicius
|
||||||
|
|
||||||
|
Recently, on the They Might Be Giants mailing list, a very important
|
||||||
|
question was raise: who would win in a fight between Particle Man and
|
||||||
|
Universe Man. (Two characters in the TMBG song, "Particle Man.")
|
||||||
|
|
||||||
|
Now, you must consider all sides of this great debate. Let's analyze the
|
||||||
|
lyrics, and find the deeper meaning:
|
||||||
|
|
||||||
|
Universe man, Universe man / Size of the entire universe man / usually
|
||||||
|
kind to smaller man / Universe man
|
||||||
|
|
||||||
|
Now, according to this, Universe man is the size of the entire universe
|
||||||
|
and he is kind to smaller men. Knowing that, Particle Man must be smaller
|
||||||
|
then him and Universe man must be nice to him. Does that mean that
|
||||||
|
Universe man is instantly nice to him, and Particle man wins by default?
|
||||||
|
|
||||||
|
.. or do they fight? In this case, let's look into the fight a bit.
|
||||||
|
|
||||||
|
Universe man is big, he's the entire universe. The universe is infinate.
|
||||||
|
Does that mean that Universe man's size is neverending? Then where is he?
|
||||||
|
Is he above us? or below us? Are we him? Are we _on_ him?
|
||||||
|
|
||||||
|
Particle man is small, but he might have the speed, but we're not sure.
|
||||||
|
Back to the lyrics,
|
||||||
|
|
||||||
|
Particle man, particle man / Doing the things a particle can / What's
|
||||||
|
he like? / It's not important
|
||||||
|
|
||||||
|
They never tell us what he can do, but he should be fast. He's small and
|
||||||
|
compact, like a particle. So, let's say he's fast.
|
||||||
|
|
||||||
|
Now, we have the universe, versus a miniscule particle. Albeit, a fast
|
||||||
|
particle. I'd put my money on Universe man here. I mean, he is really
|
||||||
|
big, a gajillion times the size of Particle man. His reach must be
|
||||||
|
amazing. He could stand really far back, and never get touched by
|
||||||
|
Particle man. Alittle lobsided. The Vegas bookmakers would put this in
|
||||||
|
favor of Universe man.
|
||||||
|
|
||||||
|
But, there is one chance for Particle man. What if he catches Universe
|
||||||
|
man while he's in happy land. Back to the lyrics,
|
||||||
|
|
||||||
|
Universe man / He's got a watch with a minute hand, / millennium hand
|
||||||
|
and an eon hand / when they meet it's a happy land.
|
||||||
|
|
||||||
|
We don't know how often he's in happy land, because we don't know how
|
||||||
|
often the minute, millennium, and eon hands all coincide. There still is
|
||||||
|
that chance that Particle man could come up with an upset. Buster Douglas
|
||||||
|
did it!
|
||||||
|
|
||||||
|
But wait, what if we turn this into a tag team match? Triangle man and
|
||||||
|
Person man could team up with Particle man.
|
||||||
|
|
||||||
|
Maybe, maybe not.
|
||||||
|
|
||||||
|
Triangle man / Triangle man / Triangle man hates particle man / They
|
||||||
|
have a fight / Triangle wins / Triangle man
|
||||||
|
|
||||||
|
Triangle is stronger then Particle man, so that's an advantage for the
|
||||||
|
Particle man/Triangle man combonation, but there's one key element that
|
||||||
|
we're missing here: cooporation! "Triangle man hates particle man." They
|
||||||
|
can't get along. Too much friction!
|
||||||
|
|
||||||
|
What about Person man?
|
||||||
|
|
||||||
|
Triangle man / Triangle man / Triangle man hates person man / They have
|
||||||
|
a fight / triangle wins / triangle man
|
||||||
|
|
||||||
|
After this fight, that puts Person man on or about the same level as
|
||||||
|
Particle man. They both lost in a fight to Triangle man, and they both
|
||||||
|
must be bitter about it. They could team up!
|
||||||
|
|
||||||
|
No they couldn't. Person man is a very bitter man.
|
||||||
|
|
||||||
|
Person man, person man / hit on the head with a frying pan / lives his
|
||||||
|
life in a garbage can / Person man / is he depressed or is he a mess? /
|
||||||
|
does he feel totally worthless / who came up with Person man? /
|
||||||
|
degraded man, person man
|
||||||
|
|
||||||
|
Person man is too bitter at life to team up with anyone. Look, first,
|
||||||
|
he's hit in the head with a fuckin' frying pan. I don't know about you,
|
||||||
|
but I'd be a tad pissed about that. Then, he lives in a garbage can! I
|
||||||
|
mean, we're not talking about Oscar the Grouch here, he's really living in
|
||||||
|
a garbage can here.
|
||||||
|
|
||||||
|
Conclusion -
|
||||||
|
|
||||||
|
Particle man could fight Universe man, but he'd get his ass kicked. With
|
||||||
|
no help of joining forces, there's really no hope for Particle man. Pity
|
||||||
|
him.
|
||||||
|
|
||||||
|
Triangle man fighting Universe man? Well, I'd still put my money on
|
||||||
|
Universe man here. He's just huge.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(7) Reviews!
|
||||||
|
|
||||||
|
eZINE: E-Weezer - Volume 2, Edition 5
|
||||||
|
|
||||||
|
Now this is the ultimate in 'Zines for the Weezer fanatic, like myself.
|
||||||
|
Every issue, a new one comes out almost every week, is packed with the
|
||||||
|
newest in information about Weezer, and related bands. Including, The
|
||||||
|
Rentals, That Dog, Space Twins, Spain, and 9 Iron.
|
||||||
|
|
||||||
|
This issue, released February 15th, has a review of That Dog's concert at
|
||||||
|
Whiskey A Go-Go in Hollywood. It also introduces and gives information
|
||||||
|
about Space Twins (Brian Bell from Weezer's side project), Spain (Petra
|
||||||
|
and Rachel Haden from That Dog's brother's band :)), and 9 Iron (The side
|
||||||
|
project of Tony Maxwell from That Dog). There is also a good article
|
||||||
|
about bootlegging of concerts.
|
||||||
|
|
||||||
|
They even mention Jonas in this issue, too. :)
|
||||||
|
|
||||||
|
I highly suggest that you check this 'Zine out, it really has alot of
|
||||||
|
information. Tour dates, rumors, concert updates, everything you possibly
|
||||||
|
need to know about Weezer and related bands.
|
||||||
|
|
||||||
|
To subscribe, send email to SPBumholio@aol.com, or check out the web site
|
||||||
|
at http://members.aol.com/WeezerDGB/eweezer.htm
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
eZINE: I Want To Be a Rock and Roll Star - Issue 19
|
||||||
|
|
||||||
|
This e'Zine is the side project of Jen Jurgens (aka BlackPope7), the
|
||||||
|
editor of Moderate Rock E'Zine (see review in Jonas 14). This 'Zine comes
|
||||||
|
out between issues of ModRock, and is very good.
|
||||||
|
|
||||||
|
This issue contains a very interesting comparision of television to music.
|
||||||
|
Her article, "Why Rock Music Is Like Television" compares the Fox Network,
|
||||||
|
to bands like Bush, Offspring, and "The Presidents of the United States of
|
||||||
|
Bands With Too Many Words in Them For Anyone to Say Their Name Without
|
||||||
|
Being Forced to Take 3 or 4 Breaths." CBS = Classic Rock? The list goes
|
||||||
|
on and on. Amazing, eerie coincidences between music and televsion!
|
||||||
|
|
||||||
|
Remember Alf? I'm sure you do. Did you ever stop and think exactly what
|
||||||
|
Alf meant to us? What he taught us? If you didn't, you'll learn now.
|
||||||
|
Alf taught us alot, and Jen tells us exactly what it is he taught.
|
||||||
|
|
||||||
|
This 'Zine, coupled with Moderate Rock E'Zine, is one of my favorite
|
||||||
|
'Zines that I read regularly. Jen puts alot of work in this, and has a
|
||||||
|
very unique style of writing. This 'Zine is a must read.
|
||||||
|
|
||||||
|
To subscribe, send email to Modrock@intele.net.
|
||||||
|
|
||||||
|
-------------------------------------------------------------------------
|
||||||
|
(7) The End
|
||||||
|
|
||||||
|
I hope you enjoyed this issue. Please send all comments, be it good or
|
||||||
|
bad, to edi@cybercomm.net. Pass the word of Jonas around, I'll love you
|
||||||
|
for it.
|
||||||
|
|
||||||
|
Oh, also, the next issue of Jonas will be coming out on April 1. Yes, I'm
|
||||||
|
totally skipping March. In 42 days, there will be a new issue. The
|
||||||
|
reason for this is simple: April 1 is the one year anniversary for Jonas.
|
||||||
|
Yes, that's right. For one whole year, I've been geeking out on this damn
|
||||||
|
computer, improving my writing, and bringing Jonas to you.
|
||||||
|
|
||||||
|
I could rush, make a quick issue, and then do the big one year
|
||||||
|
anniversary issue. Then the big one year anniversary issue would become a
|
||||||
|
"not-so big one year anniversary issue."
|
||||||
|
|
||||||
|
God, who would have thought? A year ago, I put out 4 issues in 8 days.
|
||||||
|
Now, I can't do 2 issues in 42 days. :)
|
||||||
|
|
||||||
|
I will be emailling and contacting alot of different people for special
|
||||||
|
things I'm doing for the next issue. I will (hopefully) have a really big
|
||||||
|
surprise in the next issue. Just wait, you'll be happy.
|
||||||
|
|
||||||
|
I'll stop the tangent here. I'll see you in 42 days. I'll be a stronger
|
||||||
|
and wiser man. I'm going to see Spacehog in a week! I hope you enjoyed
|
||||||
|
this issue. Have a great day. See you April 1st.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
Jonas E'Zine Issue 15
|
||||||
|
Send all inquiries to edi@cybercomm.net
|
||||||
|
Visit the Jonas Website at http://www.cybercomm.net/~edi/jonas.html
|
||||||
|
Finger Edicius at edi@raven.cybercomm.net
|
||||||
|
Jonas, Slinky, and alot of radness - Avalon (908) 739/4274
|
||||||
|
Thanks to Belial and everyone who has supported Jonas over time.
|
||||||
|
|
||||||
|
"Jonas. It's more then a 'Zine, it's a lifestyle."
|
||||||
|
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
556
textfiles.com/magazines/JONAS/jonas_16.txt
Normal file
556
textfiles.com/magazines/JONAS/jonas_16.txt
Normal file
@@ -0,0 +1,556 @@
|
|||||||
|
|
||||||
|
____
|
||||||
|
| |________________________ __
|
||||||
|
| | | | | | | |
|
||||||
|
___| | | | | | | | | | | |
|
||||||
|
| | | | | | |__| | | | | |
|
||||||
|
| | | | | | | | |__| | |
|
||||||
|
| | | | | | | | |___ | | |
|
||||||
|
| | | | | | | | | | | | |
|
||||||
|
| | | | | | | | | | | | |
|
||||||
|
| | | | | | | | | | | |__|
|
||||||
|
| | | | | | | | | | | __
|
||||||
|
|_____|_____|__| |_____|_____| |__|
|
||||||
|
----------------------------------|__|-------------------------(gh/cia)---
|
||||||
|
|
||||||
|
Jonas E'Zine -- Volume 2, Number 1 -- Released April 2, 1996
|
||||||
|
Jonas is produced semi-regularly by Edicius (Tom Sullivan). Jonas
|
||||||
|
and the material therein are property of Edicius and Jonas Print Matter
|
||||||
|
Incorporated. Jonas may be freely distributed as long as this notice
|
||||||
|
remains in place, and there is no fee charged for its retrevial.
|
||||||
|
|
||||||
|
Deep in my heart, I do believe / We're not gonna make it
|
||||||
|
No, no, we're not gonna to make it / Cuz' we don't have the talent
|
||||||
|
And we don't have the time / And we don't have the patience
|
||||||
|
And we don't know how to rhyme
|
||||||
|
Presidents of the USA - "We're Not Going To Make It"
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
Jonas E'Zine Volume 2, Issue 1 April 2, 1996
|
||||||
|
|
||||||
|
Contents:
|
||||||
|
|
||||||
|
(1) - Edicius' Editorial
|
||||||
|
(2) - "Contentment" - by Cerkit
|
||||||
|
(3) - What Do You Think of Jonas?
|
||||||
|
(4) - Don Imus and the Political Barrier - by Edicius
|
||||||
|
(5) - "Salt Shaker Psycosis" - by Cerkit
|
||||||
|
(6) - "Barney and Friends" - by Edicius
|
||||||
|
(7) - Reviews: Edicius' Opinions on EVERYTHING!
|
||||||
|
(8) - Closing Notes
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(1) Edicius' Editorial
|
||||||
|
|
||||||
|
If you were to pick one particular year out of anyone's life, and examine
|
||||||
|
it, you would notice many changes in that person. These changes in their
|
||||||
|
personality effect everything and everyone around them. Everyone changes,
|
||||||
|
but many won't realize it.
|
||||||
|
|
||||||
|
Over the last year, I have changed alot. I have had many new experiences,
|
||||||
|
as everyone has had, and I've learned alot about life and myself. I've
|
||||||
|
learned things I can do, things I can't do. Many won't realize that they
|
||||||
|
have changed, or refuse to admit it. I am one of the fortunate, or
|
||||||
|
unfortunate, however you see it, to have my last year pretty thoroughly
|
||||||
|
documentated.
|
||||||
|
|
||||||
|
In a way, I have kept a diary of the last 366 days. The diary's name is
|
||||||
|
Jonas. As I look through the beginning stages of the 'zine, where I was
|
||||||
|
still new to the 'zine thing, and writing in general, I see a very scared
|
||||||
|
person. I admit it, during the first phase I was scared, as anyone would
|
||||||
|
be. I didn't know how I would do, where this would take me, or what
|
||||||
|
people would think of me.
|
||||||
|
|
||||||
|
Then, I see a place where I liked what I was doing, and felt comfortable
|
||||||
|
with it, and my writing changes. Originally, the sole intent of this
|
||||||
|
'zine was to be "the lamest thing ever created in 5 hours." (5 hours, for
|
||||||
|
your information, is the time it took me to think up the concept of Jonas,
|
||||||
|
write all the articles, and release issue one.) I wasn't happy with how
|
||||||
|
that was going, however. I was getting rave reviews, I had a large
|
||||||
|
audience, but it was for being dumb. I was writing in a stupid and sloppy
|
||||||
|
manner, and it sold.
|
||||||
|
|
||||||
|
I knew, however, in all of the realative success that I was achieving with
|
||||||
|
that style, that I could accomplish much more. I made a few subtle
|
||||||
|
changes here and there, being more selective about the articles I took,
|
||||||
|
changing the format, and other small things. Then one day, after issue
|
||||||
|
11, I totally changed the format, from programmed to ascii text. I also
|
||||||
|
changed the theme of it, from wacky and insane, to a more serious style.
|
||||||
|
|
||||||
|
I changed alot in that time. I grew surer in myself. I started to
|
||||||
|
straighten out the things in my life that were going a wry. I saw the
|
||||||
|
rough outline of my future, and I knew what I wanted to do. What I have
|
||||||
|
done with Jonas is what I've wanted to do for along time.
|
||||||
|
|
||||||
|
I've been thinking alot lately. I spend hours upon hours on the computer.
|
||||||
|
Hours and days pass by without my noticing at times. If it weren't for
|
||||||
|
my health, I might never sleep. I feel "dorky" because a good majority of
|
||||||
|
my friends that I hang out with are people I've met over the computer. I
|
||||||
|
feel like I'm doing this for nothing.
|
||||||
|
|
||||||
|
Then, I think again. I realize that right now in my life, everything is
|
||||||
|
stable. I wish that things were going alittle better, but I can't
|
||||||
|
complain about one thing. School is going fine, I've brought my grades up
|
||||||
|
to a point where they are comendable. I have a group of my close friends
|
||||||
|
that I talk to almost every day, and hang out with quite often. My family
|
||||||
|
is great. I have my health. What do I have to complain about? The
|
||||||
|
computer thing? Meeting people over the computer is just like meeting
|
||||||
|
them over any other medium.
|
||||||
|
|
||||||
|
You do what you feel most comfortable doing. If you are most comfortable
|
||||||
|
with a keyboard under your hands, so be it. If you are comfortable
|
||||||
|
walking around Midtown Manhattan with a tarzan outfit on, so be it.
|
||||||
|
|
||||||
|
My point for the whole long winded editorial will be summed up here:
|
||||||
|
|
||||||
|
The last year, I have gone through many changes, as everyone has. Jonas
|
||||||
|
has been there with me, and has changed alongside of me. I am very happy
|
||||||
|
with how everything is going right now.
|
||||||
|
|
||||||
|
That editorial made very little sense? Well, what else have you come to
|
||||||
|
expect of Jonas? :)
|
||||||
|
|
||||||
|
I would like to take a second out and thank the following people. Over
|
||||||
|
the last 366 days, many people have done many things for Jonas. They may
|
||||||
|
have written an article, or drawn a piece of artwork for it, but above
|
||||||
|
all, all of these people were there for Jonas and supported. They may
|
||||||
|
have supported it from Jonas' meager beginnings, or have only read one or
|
||||||
|
two issues, but show a current support of the 'zine.. To these people, I
|
||||||
|
extend my greatest thanks:
|
||||||
|
|
||||||
|
Ace Lightning, Akira, Asphixia, Basehead, Belial, Black Francis,
|
||||||
|
Briangeek, Cerebral Neurosis, Cerkit, Christopher Robin, Cidica, Crank,
|
||||||
|
Creed, Crimson Tide, Daniel from e-weezer, Dark Phiber, Defective Mind,
|
||||||
|
Diehard, Eerie, Epidemic, Errant Angel, Fake Scorpion, Flood, Frost Byte,
|
||||||
|
Grey Hawk, Grimjack, Hooch, Ilsundal, Inner Chaos, James Hetfield, Jen
|
||||||
|
from Mod Rock, Jestapher, Kurdt, Lord Valgamon, Lucifer, The Masked
|
||||||
|
Marauder, Meep, Mercuri, Metal Chick, Mindcrime, Misfit, Mistawho, Mister
|
||||||
|
E., Mogel, Mojo, Morpheus, Murmur, Napalm, Nebula, Pale, Pip the Angry
|
||||||
|
Youth, Radigan, RaD MaN, Rattle, Chris Rake, sCandal, Shadow Tao, Shakti,
|
||||||
|
Spiff, Subconscious, SuperDave, Terminal Velocity, The Blunted One, The
|
||||||
|
Master, Time Killer, Traq, Trip, ts, Tut, Twisted Terrorist, Jon Vena,
|
||||||
|
vYrus, Whoops, Wizard of Id.. .
|
||||||
|
|
||||||
|
.. and thanks to the following 'zines who show that people use the
|
||||||
|
computer to write about more then just erotic dreams.. These are a few of
|
||||||
|
the current 'zines that I read regularly and enjoy, to varing extents:
|
||||||
|
|
||||||
|
Chemical Chocolate, Cooler Then You, Cult of the Dead Cow, Doomed To
|
||||||
|
Obscurity, Dreaming in Digital, e-weezer, Flashbyte, Fucked Up College
|
||||||
|
Kids, I Want To Be a Rock and Roll Star, Grill, Klunk, The Last Word,
|
||||||
|
Moderate Rock e'Zine, Phone Losers of America, Pork, Radioactive Aardvark
|
||||||
|
Dung, Relish, Slinky, Teenage Young Minds Expand, Underground eXperts
|
||||||
|
United, y0lk.. .
|
||||||
|
|
||||||
|
Thank you for taking the time out to read Jonas. If this is the first
|
||||||
|
time you've read Jonas, or the 16th, we thank you just the same.
|
||||||
|
|
||||||
|
"Jonas is more then a 'zine, its a lifestyle."
|
||||||
|
|
||||||
|
-----
|
||||||
|
|
||||||
|
Update on past stories:
|
||||||
|
|
||||||
|
In Jonas 15, in the article entitled "Against the Communications Decency
|
||||||
|
Act", I reporetd on a local story involving a woman who had her picture
|
||||||
|
posted to several alt.binaries newsgroups. The picture also had her
|
||||||
|
address, and asked men to write her. The latest news available on this
|
||||||
|
story is that her ex-boyfriend is still being investigated in connection
|
||||||
|
with this act. The interesting sidenote, however, is that her
|
||||||
|
ex-boyfriend that is being investigated turns out to be Bruce
|
||||||
|
Springsteen's brother-in-law.
|
||||||
|
|
||||||
|
Mr. Springsteen declined to comment to Jonas about this case.
|
||||||
|
|
||||||
|
About my Valentine's Day rant that appeared in the last issue of Jonas:
|
||||||
|
several readers offered their suggestions as to what I should do, mainly
|
||||||
|
they told me I should ask the girl I wanted out. I did, she said yes, and
|
||||||
|
two days before our date, she changed her mind.
|
||||||
|
|
||||||
|
Love sucks.
|
||||||
|
|
||||||
|
Oh, and I have a special news annoucement. LISTEN UP CHAPS;
|
||||||
|
|
||||||
|
This is the last issue of Jonas. I'm not killing Jonas, but I am
|
||||||
|
continuing it under a different name, after some major changes. Namely,
|
||||||
|
we're merging with Slinky e'Zine. Sometime during May, the new e'Zine,
|
||||||
|
currently titled "Legacy", will be released. We will provide you with all
|
||||||
|
of the things you loved about Jonas and Slinky wrapped up into one big
|
||||||
|
issue, taken to the next level. We are the future of e'Zines.
|
||||||
|
|
||||||
|
Dang, I never got to print up the Jonas t-shirts.
|
||||||
|
|
||||||
|
If you wish to learn more about this, email me.. (MY EMAIL ADDRESS IS AT
|
||||||
|
THE BOTTOM OF THIS FILE, OK?)
|
||||||
|
|
||||||
|
Have a good day,
|
||||||
|
Edicius.
|
||||||
|
|
||||||
|
"We have found a common cause, and it's your money."
|
||||||
|
-- Johnny Rotten, of the Sex Pistols on why they decided
|
||||||
|
to reunite for a 20th-anniversary tour.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(2) "Contentment" - Cerkit
|
||||||
|
|
||||||
|
contentment, qualifies,
|
||||||
|
in my life as a surprise.
|
||||||
|
|
||||||
|
happiness, reigns
|
||||||
|
in my life as the thing that bring me pains.
|
||||||
|
|
||||||
|
smiles, become
|
||||||
|
in my life, the things i consider dumb.
|
||||||
|
|
||||||
|
frowns, become
|
||||||
|
in my life, what make me numb.
|
||||||
|
|
||||||
|
depression, reigns
|
||||||
|
in my life, without retrains.
|
||||||
|
|
||||||
|
discontent, qualifies,
|
||||||
|
in my life, made of lies.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(3) What do you think of Jonas?
|
||||||
|
|
||||||
|
I spent a few days, and emailed a cross-section of the Jonas subscription
|
||||||
|
list. I emailed people that I know have been reading it since day one,
|
||||||
|
and I emailed people who have been reading it for the last day. I wanted
|
||||||
|
a good representation of my readers. Here are the replies that I got to
|
||||||
|
the question I posed: What do you think of Jonas?
|
||||||
|
|
||||||
|
These are all of the replies that I got. I did not leave any one out
|
||||||
|
because I didn't like it. I wanted the truth, no (apperent) fluff.
|
||||||
|
Editing was only done for spelling and clarity sakes.
|
||||||
|
|
||||||
|
-----
|
||||||
|
|
||||||
|
jonas e'zine has gone through so many changes since it's original
|
||||||
|
inception, it blows my mind. originally started as a lame e'zine for the
|
||||||
|
PURPOSE of being a lame e'zine, it was immediatly brought to me by my
|
||||||
|
friend spiff, & i noticed it's difference from all other products in the
|
||||||
|
stupid-ass "ansi 'zine" genre. over time, edicius has shown to be a
|
||||||
|
better writer more with every issue of jonas, & i mean that sincerly.
|
||||||
|
today's version of what was jonas has a wonderful & a very professional
|
||||||
|
look as compared to most text-based e'zines. the writing is serious, has
|
||||||
|
a lot to think about, & basically has a lot of meat to it. totally a flip
|
||||||
|
of what it used to be. i think today's jonas lacks a bit of the wit that
|
||||||
|
i miss from the old jonas, however, what it has gained towers above what
|
||||||
|
it's lost. perhaps this is a reflection of the changes that have happened
|
||||||
|
in edicius himself, & it's just related to the 'zine. that's where i'd
|
||||||
|
put my money.
|
||||||
|
|
||||||
|
-- Mogel [Doomed To Obscurity Editor]
|
||||||
|
|
||||||
|
-----
|
||||||
|
|
||||||
|
i think jonas is particularly different in its style & approach. not
|
||||||
|
better, just different. it's rather in my view a 'zine filled with your
|
||||||
|
own belief's, and is rather opinionated. however, since i do have
|
||||||
|
curiosities about how people view certain things in the world, i find
|
||||||
|
jonas to be a good read. though, its definetly not a 'zine i read for
|
||||||
|
entertainment. i read jonas to get the facts, and views of one tom
|
||||||
|
sullivan. period.
|
||||||
|
|
||||||
|
-- Cerkit [Slinky Editor]
|
||||||
|
|
||||||
|
------
|
||||||
|
|
||||||
|
i've been reading jonas ever since issue one (as far as actual time, i
|
||||||
|
started reading jonas when you were on #5). anyway, jonas is like a
|
||||||
|
home-grown zine. when i read dto, it lacks the basic element of, "hey, im
|
||||||
|
here, i have nothing to do, blah."
|
||||||
|
|
||||||
|
this isn't necessarily bad, mind you, but sometimes i miss it. jonas has
|
||||||
|
that element, which makes it "direct" and "human" or whatever. plus you
|
||||||
|
admitted to masturbating, which makes jonas an institution in itself.
|
||||||
|
|
||||||
|
you've got GUTS man.
|
||||||
|
|
||||||
|
-- Fake Scorpion [Doomed To Obscurity Writer]
|
||||||
|
|
||||||
|
------
|
||||||
|
|
||||||
|
Jonas, very simply put, **is** the meat.
|
||||||
|
|
||||||
|
-- Jon Vena [WHTG-FM Promotions Director]
|
||||||
|
|
||||||
|
------
|
||||||
|
|
||||||
|
I have read jonas since the begining .. I have seen it go coded, to text
|
||||||
|
format. I liked it when it was wacky as hell (ie: issues like 1-10) maybe
|
||||||
|
even more .. but the new format Jonas has taken on (ie: serious, less
|
||||||
|
wackyness) is better for the zine.. more people will read and respect it..
|
||||||
|
(many people already do ) I like a 'zine thats wacky, but doesn't exceed
|
||||||
|
the wackyness point of extreme..
|
||||||
|
|
||||||
|
-- Lucifer [Ganja Writer]
|
||||||
|
|
||||||
|
-------------------------------------------------------------------------
|
||||||
|
(4) Don Imus and the Political Barrier - Edicius
|
||||||
|
|
||||||
|
At the annual White House Radio and TV Correspondent's Dinner, they invite
|
||||||
|
a speaker to poke fun at the current political stories. Nothing has ever
|
||||||
|
happened much like it did at this year's dinner, with guest speaker,
|
||||||
|
syndicated Shock Jock, Don Imus. Imus is also known as being a very good
|
||||||
|
political interviewer, with guests such as Bob Dole, Bill Bradley, and Dan
|
||||||
|
Rather appearing on his show.
|
||||||
|
|
||||||
|
The correspondent's association, who invite the speaker to the dinner,
|
||||||
|
expects the speaker to poke mild fun at the president and policital
|
||||||
|
parties. Generally, they want him to lighten the mood. Imus, however,
|
||||||
|
took this as the opportunity past the line of decency. He was quoted as
|
||||||
|
saying, "When the First Lady laughed at my opening, I thought I was home
|
||||||
|
free."
|
||||||
|
|
||||||
|
Telling jokes concerning Clinton's alleged extramarital affairs, Senator
|
||||||
|
Bob Kerrey's artifical leg, and Newt Gingrich's gay half-sister, brought
|
||||||
|
more stone faces then applause as the night wore on.
|
||||||
|
|
||||||
|
When you are invited to speak for an event of this caliber, you generally
|
||||||
|
restrain yourself out of respect. You can say that Imus showed that he
|
||||||
|
was not afraid of anything by saying this in front of the President and
|
||||||
|
First Lady. However, when they are the hosts of the event, you show them
|
||||||
|
some courtesy and respect.
|
||||||
|
|
||||||
|
Imus' did not feel he did anything wrong by saying, "Did they expect me to
|
||||||
|
say one thing on the radio and then go to Washington and be a weasel?"
|
||||||
|
This is true, to an extent. You can say that the correspondent's pool
|
||||||
|
should have expected this from him, but they also could have expected him
|
||||||
|
to be somewhat more respectable. The shock jock genre is nothing new, but
|
||||||
|
no person has discussed the First Lady's menstraul cycle at a formal
|
||||||
|
Washington dinner.
|
||||||
|
|
||||||
|
Bob Dole, one who has been so open about his disregard for Hollywood's
|
||||||
|
culture problems, is a regular on Imus' show. This is a show in which the
|
||||||
|
material presented is normally the same type of material that he is
|
||||||
|
against.
|
||||||
|
|
||||||
|
Hypocritical?
|
||||||
|
|
||||||
|
Maybe. Imus is considered a popularity booster in Washington. Many
|
||||||
|
believe that an appearence on his show will raise your standing, make you
|
||||||
|
known, and possibly get you elected. This would explain why some aren't
|
||||||
|
angry at Imus for his remarks.
|
||||||
|
|
||||||
|
.. either that, or they are just afraid of him. Imus is a very
|
||||||
|
intimidating man. He has been known to go off on people who disagree with
|
||||||
|
his views. When a Washington Post critic wrote a negative review of his
|
||||||
|
show, he was called a "homo" and a "Jew" for weeks on air.
|
||||||
|
|
||||||
|
The bottom line in this -- no matter what happens, Imus has his style.
|
||||||
|
Whether or not people should have expected this beforehand can be debated.
|
||||||
|
We do know one thing, this is the way Imus is, and this is the way he will
|
||||||
|
continue to be. No amount of talk or negative press will change him. It
|
||||||
|
hasn't done it yet, and won't do it in the future.
|
||||||
|
|
||||||
|
-------------------------------------------------------------------------
|
||||||
|
(5) "Salt Shaker Psychosis" - Cerkit
|
||||||
|
|
||||||
|
The constant drama played on. A darkness all around. Loud bangings. A
|
||||||
|
varitable utopia of opposing angry chants. A gaped grace & grassland
|
||||||
|
causing flaring. Deathly ill among the peasants, a sort of chill arose
|
||||||
|
them. A chill called pain. It shivered up and down their spines, and
|
||||||
|
destoryed every part of their souls. A nearly dominant figure stood tall,
|
||||||
|
within this and by those means kept monarchy over the shadowy inner
|
||||||
|
workings. Contemplating a template of output within what was considered
|
||||||
|
compliance to the very questioning of his existence. An "oh-so-good"
|
||||||
|
pleasure filled evening, filling what would be his next nights dream.
|
||||||
|
|
||||||
|
A lacey spirit undressing for his soul to implicate in his path of
|
||||||
|
conquests. A rather serious joke. Coincidently overriding his mind's
|
||||||
|
protection, and removing all that was his memories of frowns and
|
||||||
|
depression so much so he was happy forever. This spirit filled his own. a
|
||||||
|
worthless and useless existence no less from what was once, a life, a point
|
||||||
|
& happiness. A pounding so thunderous the heavens sprawled apart like
|
||||||
|
unvirgin legs, to cast a shadow over the sleepings & restings of closed
|
||||||
|
eyes.
|
||||||
|
|
||||||
|
The man awoke and turned the faucet off & went back to bed.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(6) Mischief on the Barney Set - by; Edicius
|
||||||
|
|
||||||
|
Barney & Kids (in unison): .. you love me, and we're a happy fam-i-ly.
|
||||||
|
Barney (thinking out loud): My my, Wendy, you look
|
||||||
|
umh-scrumindly-dumscious in your denim skirt
|
||||||
|
today!
|
||||||
|
Wendy: Uh, aren't we supposed to play make believe
|
||||||
|
police officer now?
|
||||||
|
Barney: I think we'll play make believe doctor now!
|
||||||
|
Director (offstage): Oh shit, he's going for the kid again.
|
||||||
|
|
||||||
|
Barney lunges toward Wendy, missing only slightly.
|
||||||
|
|
||||||
|
Barney: Why are you running away from me Wendy? Are
|
||||||
|
you intimidated by my jurrasic size?
|
||||||
|
Wendy (screaming): Help! Help! Mommie! Daddie!
|
||||||
|
Other Kid #1: Wendy, towards the treehouse! Go to
|
||||||
|
neverland, he'll never get you in there!
|
||||||
|
Stagehand (offstage): Mr. Director, I have the tranquilizer gun.
|
||||||
|
Just tell me when to shoot.
|
||||||
|
Director (moving onstage): Shoot when you have a clear shot. Don't
|
||||||
|
worry about the kids, we're not paying them
|
||||||
|
much. Just shoot the jurrassic asshole in
|
||||||
|
the groin.
|
||||||
|
Wendy: Get off me! He's slobbering! Help!
|
||||||
|
|
||||||
|
Barney takes off his mask, revealing a grotesque and hairy man of about
|
||||||
|
thirty-five.
|
||||||
|
|
||||||
|
Director: Get off of her Barney! We'll send you back
|
||||||
|
to prison. You remember the shower incedent,
|
||||||
|
don't you? Do you want that to happen again?
|
||||||
|
Barney: Just one kiss, that's all. Owch!
|
||||||
|
|
||||||
|
He is hit by the director, who lands a clean blow to the muppet-filled
|
||||||
|
temple. The stage hand readies himself with the gun just offstage.
|
||||||
|
|
||||||
|
Director: Shoot, you fuckin' intern! Shoot!
|
||||||
|
|
||||||
|
The stage hand shoots, and a dart whizzes through the air.
|
||||||
|
|
||||||
|
Wendy: Ouuh.. Barney.. Ouuh..
|
||||||
|
Barney: OUCH. MOTHERFUCKER. THAT FUC- (Ploop)
|
||||||
|
|
||||||
|
Barney drops to the floor, passed out.
|
||||||
|
|
||||||
|
Director: Thank god this wasn't a live broadcast!
|
||||||
|
Producer: Actually, the people from the National
|
||||||
|
Endowment of the Arts are here. I think we
|
||||||
|
just lost our funding.
|
||||||
|
Director: Doh! What else can go wrong?
|
||||||
|
Stage hand: I think Wendy is tramautized; or she just
|
||||||
|
experienced her first orgasm.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(7) Reviews: Edicius' Opinions on everything!
|
||||||
|
|
||||||
|
CONCERT:
|
||||||
|
|
||||||
|
Spacehog / God Lives Underwater / Mr. Mirainga
|
||||||
|
February 25, 1996 - Birch Hill Nite Club, Old Bridge, NJ
|
||||||
|
|
||||||
|
I haven't been to that many concerts in my life, but I have been to some
|
||||||
|
pretty good ones. However, the show that I saw here was undoubtly one of
|
||||||
|
the best that I have ever been to. For seven bucks, Spacehog, imported
|
||||||
|
from England via the East Village of NYC, God Lives Underwater, and Mr.
|
||||||
|
Mirainga with a near sellout crowd.
|
||||||
|
|
||||||
|
Mr. Mirainga, more or less, sucked. I didn't like what I heard of them
|
||||||
|
before hand. The lead singer has a really annoying voice, but aside from
|
||||||
|
that, he seemed very irritating on stage. Music wise, the band was pretty
|
||||||
|
good. Good basslines and drum beats. For some of their songs they used a
|
||||||
|
weird contraption that consisted of two bongo drums, a cymbal, tamborine,
|
||||||
|
and a cowbell. That made for a very interesting sound when added to the
|
||||||
|
normal guitar/bass/drums you hear.
|
||||||
|
|
||||||
|
Lyric wise, they were tried too hard to be wacky. If they didn't try so
|
||||||
|
hard to be funny, and concentrated alittle more on the lyrics, maybe they
|
||||||
|
would have been alittle better.. As the bassist said, "This next song is
|
||||||
|
pretty heavy.. It's about my grandma.. If you ever saw her, you'd know how
|
||||||
|
heavy it is."
|
||||||
|
|
||||||
|
God Lives Underwater just plain out rocked. This Philadelphian band with
|
||||||
|
their whole techno-ey/punk style, they played a very entertaining show.
|
||||||
|
With great songs like "No More Love" and "Drag Me Down", they are a band
|
||||||
|
with a style all of their own.
|
||||||
|
|
||||||
|
The "headliner" of the show, Spacehog, "imported from England via the East
|
||||||
|
Village" played a show just short of amazing. Playing their hits "In the
|
||||||
|
Meantime" and "Spacehog", they were a crowd favorite. Attracting a
|
||||||
|
diverse crowd which ranged from the early teens to fourties, they had
|
||||||
|
everyone moving the entire time through.
|
||||||
|
|
||||||
|
Spacehog constantly kept the crowd excited with little "conversations"
|
||||||
|
with the crowd. Spacehog pleased them by playing an extended version of
|
||||||
|
"In The Meantime" while members of Mr. Mirainga and God Lives Underwater
|
||||||
|
looked on from the side. They also have a great stage presence. Coming
|
||||||
|
out to begin their set with feather trimmed coats, and coming out for
|
||||||
|
their encore without the jackets, but with beers in their hands. They
|
||||||
|
showed that they were there for the crowd, and the crowd wasn't there for
|
||||||
|
them.
|
||||||
|
|
||||||
|
CD:
|
||||||
|
|
||||||
|
Presidents of the United States of America - "Peaches" single
|
||||||
|
Columbia/Pop Llama Records
|
||||||
|
5 tracks / 12:37
|
||||||
|
Overall: * * * * (out of 5)
|
||||||
|
|
||||||
|
This single features "Peaches", the radio friendly, bass driven song. But
|
||||||
|
Chris Ballew's vocals and "two-string basitar", Dave Dederer's
|
||||||
|
"three-string guitbass", and Jason Finn's "no string" drums, all come
|
||||||
|
together to form four other great songs. Three of which were previously
|
||||||
|
b-sides to other singles and 7"'s. "Confusion" appeared on the Home
|
||||||
|
Alive: the Art of Self Defense CD.
|
||||||
|
|
||||||
|
Track by track review:
|
||||||
|
Song: Peaches - A song that has a perfect blend of fast and slow parts
|
||||||
|
with strong a strong rythym lead by great drumwork by Jason Finn.
|
||||||
|
|
||||||
|
Song: Candy Cigarette - The bassline at the beginning of this song set the
|
||||||
|
mood for this song, right in the middle of slow and fast. It's one of
|
||||||
|
those songs that you can listen to, without getting a headache or getting
|
||||||
|
bored.
|
||||||
|
|
||||||
|
Song: Carolyn's Bootie - A fast "poppy" tune with very humuorus lyrics.
|
||||||
|
One of my personal favorites by the Presidents.
|
||||||
|
|
||||||
|
Song: Confusion - This is one of the few songs in which they actually use
|
||||||
|
a guitar. The screeching guitar makes this the fastest, and possibly
|
||||||
|
best, song on the CD.
|
||||||
|
|
||||||
|
Song: Wake Up - A slower song in which Chris and Dave's vocals are more
|
||||||
|
noticable then the instruments most of the times.
|
||||||
|
|
||||||
|
TELEVISION:
|
||||||
|
|
||||||
|
Squirt TV
|
||||||
|
MTV, Friday @ Midnight, Sunday @ 11:30pm
|
||||||
|
|
||||||
|
This is a talk show hosted by Jake and filmed in his room. Originally run
|
||||||
|
as a public access show on New York City's Cablevision, this was picked up
|
||||||
|
by MTV and has been airing for 5 weeks now.
|
||||||
|
|
||||||
|
Recent guests on the show have included Clerks/Mallrats Director Kevin
|
||||||
|
Smith, Jenny McCarthy, Adam Sandler, and Liz Phair, to name a few. Great
|
||||||
|
interviews combined with great music, wrapped up in a half hour.
|
||||||
|
|
||||||
|
Did I mention that Jake is 16 or 17 years old, too? How's that for every
|
||||||
|
teenagers' dream: having your own show on MTV while hanging out with
|
||||||
|
famous celebrities.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(8) Closing Notes - Edicius
|
||||||
|
|
||||||
|
I thank you profusely for reading this issue. I'm happy that I got it out
|
||||||
|
on time..
|
||||||
|
|
||||||
|
If you are upset by my decision regarding the merger of Jonas and Slinky
|
||||||
|
e'Zines, just wait. I believe that you will really like what you get with
|
||||||
|
Legacy. May is just around the corner, so, you won't have to wait that
|
||||||
|
long.
|
||||||
|
|
||||||
|
I've been very bored with the computer thing lately. Email me. Let's
|
||||||
|
talk, send me your websites (I love them!). We can be cyber-pen pals.
|
||||||
|
|
||||||
|
Email me, please! edi@cybercomm.net
|
||||||
|
|
||||||
|
Well, good day. Jonas' LEGACY shall return in May.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
Jonas e'Zine Issue Sixteen
|
||||||
|
Send all inquiries to edi@cybercomm.net
|
||||||
|
Visit the new and expanded Jonas website at:
|
||||||
|
http://www.cybercomm.net/~edi/jonas.html
|
||||||
|
Visit Belial @ Avalon, (908) 739/4274
|
||||||
|
|
||||||
|
Thanks to everyone who has supported Jonas over the last year.
|
||||||
|
|
||||||
|
"Jonas, it's more then a 'zine, its a lifestyle"
|
||||||
|
|
||||||
|
---------------------------------- eof -----------------------------------
|
||||||
|
|
691
textfiles.com/magazines/JONAS/jonas_17.txt
Normal file
691
textfiles.com/magazines/JONAS/jonas_17.txt
Normal file
@@ -0,0 +1,691 @@
|
|||||||
|
|
||||||
|
____
|
||||||
|
| |________________________ __
|
||||||
|
| | | | | | | |
|
||||||
|
___| | | | | | | | | | | |
|
||||||
|
| | | | | | |__| | | | | |
|
||||||
|
| | | | | | | | |__| | |
|
||||||
|
| | | | | | | | |___ | | |
|
||||||
|
| | | | | | | | | | | | |
|
||||||
|
| | | | | | | | | | | | |
|
||||||
|
| | | | | | | | | | | |__|
|
||||||
|
| | | | | | | | | | | __
|
||||||
|
|_____|_____|__| |_____|_____| |__|
|
||||||
|
----------------------------------|__|-------------------------(gh/cia)---
|
||||||
|
|
||||||
|
Jonas E'Zine -- Volume 2, Number 1 -- Released April 2, 1996
|
||||||
|
Jonas is produced semi-regularly by Edicius (Tom Sullivan). Jonas
|
||||||
|
and the material therein are property of Edicius and Jonas Print Matter
|
||||||
|
Incorporated. Jonas may be freely distributed as long as this notice
|
||||||
|
remains in place, and there is no fee charged for its retrieval.
|
||||||
|
|
||||||
|
You can all just kiss off into the air
|
||||||
|
Behind my back I can see them stare
|
||||||
|
They'll hurt me bad but I won't mind
|
||||||
|
They'll hurt me bad they do it all the time
|
||||||
|
Violent Femmes / "Kiss Off"
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
Jonas E'Zine Volume 2, Issue 2 May 3, 1996
|
||||||
|
|
||||||
|
Contents:
|
||||||
|
|
||||||
|
(1) - Edicius' Editorial
|
||||||
|
(2) - Tragic Death Calls For New Regulations (Essay) / by Edicius
|
||||||
|
(3) - Supernatural Powers (Story) / By Edicius
|
||||||
|
(4) - Reviews: Edicius' Opinions on EVERYTHING!
|
||||||
|
(5) - News Snippets
|
||||||
|
|
||||||
|
In memory - Mystery Science Theater 3000
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(1) - Edicius' Editorial
|
||||||
|
|
||||||
|
You thought Jonas was gone, didn't you? Ha ha! I tricked you! It was an
|
||||||
|
April Fools Day joke all along! Didn't you know? Silly.
|
||||||
|
|
||||||
|
No, not really.
|
||||||
|
|
||||||
|
If you are just tuning in, last issue I announced that Jonas and Slinky
|
||||||
|
e'zines were merging together to form Legacy e'zine. Well, due to our
|
||||||
|
unfortunate timing, things came up between the four editors, and together
|
||||||
|
we didn't really have the time/energy/means to start a new e'zine. So,
|
||||||
|
we've gone back to our respective 'zines (with Mindcrime, who was the only
|
||||||
|
one who didn't have a 'zine of his own beforehand, and had the time to
|
||||||
|
start a new one, starting a new 'zine.)
|
||||||
|
|
||||||
|
Phew. So here it is, your beloved Jonas.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
As far as the newsworthy material of this month, there is hardly any, as
|
||||||
|
normal.
|
||||||
|
|
||||||
|
We didn't merge.
|
||||||
|
|
||||||
|
The web site (http://www.cybercomm.net/~edi/jonas.html) has been updated
|
||||||
|
and changed somewhat. I added graphics! You can read the new issues
|
||||||
|
online! Get new news about Jonas.. _AND_ you can get up to the minute
|
||||||
|
news and weather!
|
||||||
|
|
||||||
|
(You think I'm kidding about the news and weather?)
|
||||||
|
|
||||||
|
I am starting a new guest column in Jonas. Since some of Jonas can be
|
||||||
|
considered personal (as in a personal/diary 'zine), I want to hear from
|
||||||
|
you. Each issue I will have (or at least hope to have) a different writer
|
||||||
|
write about their life. Currently titled "How I Got This Way", each
|
||||||
|
person will pull things from their own life that they think shaped the way
|
||||||
|
they are today.
|
||||||
|
|
||||||
|
I've been doing this with almost every issue. I am constantly relating
|
||||||
|
things from my life that made me how I am. Maybe it was the relentless
|
||||||
|
teasing that I endured through 7th and 8th grade, or the time I made an
|
||||||
|
ass out of myself in front of the whole school; everything you do, no
|
||||||
|
matter how trivial it can seem to be, shapes our life or shows a different
|
||||||
|
side of you.
|
||||||
|
|
||||||
|
So, pick up that keyboard. Write about your life. Tell the world (well,
|
||||||
|
not the _entire_ world) about your life. Tell us about the exciting
|
||||||
|
things that happen in your daily life. Tell us about the time someone
|
||||||
|
pulled your shorts down in gym class, and you weren't wearing underwear!
|
||||||
|
Don't be afraid, I haven't.
|
||||||
|
|
||||||
|
If you are really interested in doing this, email me. I will publish it
|
||||||
|
anonymously, if you would like. If I really see something really
|
||||||
|
fascinating about you, or I get a tremendous response to your column, I
|
||||||
|
may give you a column in every issue! Just think about that!
|
||||||
|
|
||||||
|
To prove exactly how _easy_ it is to write something like this, I will act
|
||||||
|
as your caring guide into this amazing jungle. I figure, no one will
|
||||||
|
write for this column is I don't have the guts to do it first.. So, here
|
||||||
|
it is. I am bearing my soul for one and all...
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
It may seem silly, but everything that I am today -- my personality and
|
||||||
|
such -- can have it's origin traced back to one day. One day changed my
|
||||||
|
life forever, and made me who I am today. This day was in seventh grade.
|
||||||
|
Let me tell you about myself first.
|
||||||
|
|
||||||
|
I was born December 12, 1979. In grand ole' New York City. I moved to
|
||||||
|
the New Jersey shore around my first birthday. La de da, I lived in a
|
||||||
|
somewhat white trash neighborhood for my first 13 years.
|
||||||
|
|
||||||
|
The area was good. I always had somewhere to ride my bike to. I always
|
||||||
|
favored going on long bike rides, somewhere near the beach. I had this
|
||||||
|
routine down, basically. I would ride about 2 1/2 miles to this baseball
|
||||||
|
field near a marina. I don't know what it was about it, but there was
|
||||||
|
this one peach tree. Right off of the road, next to the outfield. Maybe
|
||||||
|
it was the way the wind blew in from the water, the view, or whatever.
|
||||||
|
But that place was my utopia, my refuge. I loved that place. Sometimes I
|
||||||
|
wish I could go back there.
|
||||||
|
|
||||||
|
Growing up, I was always one of the smarter kids. Never _the_ smartest,
|
||||||
|
but I always did good enough. A's and B's.. However, I was always the
|
||||||
|
oddball. I had relativity few friends. My habits were always different
|
||||||
|
from the other kids. I just didn't have the same interests. I didn't
|
||||||
|
like playing sports, so I would always read. I look through some of the
|
||||||
|
books that I used to read when I was in third grade, and I'm amazed. I
|
||||||
|
also really liked maps. I could tell you every state and it's capital
|
||||||
|
when I was in third grade. I read, read, and read more.
|
||||||
|
|
||||||
|
I wasn't really fat. Just a little chunky. I rode on my bike, on average,
|
||||||
|
about 2 miles a day, sometimes as much as 6. For a 10 year old, that's
|
||||||
|
pretty good. So, because of the bike riding, I had fairly strong legs.
|
||||||
|
Nothing incredible, but enough where I looked semi decent down there. The
|
||||||
|
rest of my body is hell. Pure flab. I dress around my body, so I don't
|
||||||
|
really show. I never go without wearing a shirt. Even if it's 100
|
||||||
|
degrees, and I'm out at a pool or the beach swimming, I wear a t shirt.
|
||||||
|
Granted, I do have very fair Irish skin, so I have an excuse.
|
||||||
|
|
||||||
|
Anyway, since I was moderately overweight, I dreaded recess. We would
|
||||||
|
play the same game every day- kickball. What a stupid sport that was.
|
||||||
|
Maybe if I was good, I would not have minded. But I sucked. I never
|
||||||
|
could hit the ball past the "infield." If I did, I couldn't run very
|
||||||
|
fast. Damn those fuckers that made it so competitive. I would have to go
|
||||||
|
through such torment after recess because I sucked at it so much.
|
||||||
|
|
||||||
|
For about half of the fifth grade, three other kids and myself would sit
|
||||||
|
in the corner of the playyard and play with matchbox cars. Just making
|
||||||
|
roads in the dirt, driving the cars around, and then getting teased
|
||||||
|
because we weren't playing kickball.
|
||||||
|
|
||||||
|
I could deal with the whole school thing until about seventh grade.
|
||||||
|
Granted, I had my fair share of times when I was spit on, thrown at with
|
||||||
|
rocks, and beat up. I just don't really see the need to go into them that
|
||||||
|
much right now. Maybe at a later date. To sum up my grades school life
|
||||||
|
up to and including sixth grade- I was an outcast, nerd, dork. Not really
|
||||||
|
liked.
|
||||||
|
|
||||||
|
Boy, if I thought I wasn't liked in those years, wait until I moved!
|
||||||
|
|
||||||
|
When I was twelve, my parents decided that it was time for us to move. We
|
||||||
|
had been renting this small house, with rent going up and three kids
|
||||||
|
getting older, we didn't need it anymore. So, we decided to move to a
|
||||||
|
"better" neighborhood, which included changing schools.
|
||||||
|
|
||||||
|
Luckily, the school in which I was going to, I had one of my friends in.
|
||||||
|
Well, one of the two people I could consider a friend at that point. He
|
||||||
|
had been a grade ahead of me in my old school, and failed one year, so he
|
||||||
|
was forced to repeat the year. At that school, however, if you failed
|
||||||
|
after fifth grade, you had to leave the school. So, in the long run, it
|
||||||
|
helped me there. He helped me make friends and stuff, but I killed that
|
||||||
|
after two weeks.
|
||||||
|
|
||||||
|
Let me tell you about this school, first. I went from a fairly
|
||||||
|
conservative school, to a majorly different school. My old school had
|
||||||
|
about 40 kids in my grade, this one had 90. The kids themselves were
|
||||||
|
different, too. Kids were already having sex, smoking pot, and drinking;
|
||||||
|
in the seventh grade. Needless to say, this was all new to me.
|
||||||
|
|
||||||
|
I wasn't warmly accepted, either. My natural shyness, combined with the
|
||||||
|
new environment and the less then warm attitudes of the kids made me really
|
||||||
|
nervous. Man, I really hated it. I wanted to go back to my old school,
|
||||||
|
really bad.
|
||||||
|
|
||||||
|
Then it happened. The day that changed my life forever. You wouldn't
|
||||||
|
believe how one incident can change your life. This incident did.
|
||||||
|
|
||||||
|
One day, only about two weeks into my new school, I wasn't feeling so
|
||||||
|
good. Kind of sick, and very nervous. I don't know what really happened,
|
||||||
|
I just shit myself. I was feeling a little queasy, but thought it was
|
||||||
|
something in passing. I thought that I could hold it. But it happened
|
||||||
|
anyway, right in the middle of history class.
|
||||||
|
|
||||||
|
It was not just a small thing, this was a big thing. It stunk up the
|
||||||
|
whole wing of the school. For the new kid to do that, it was a sin. At
|
||||||
|
first, no one really knew what it was. Then, when we switched classes,
|
||||||
|
and they saw the chair that I was in, well, then they knew what happened.
|
||||||
|
The ride home from school was hell. At that time I was taking a mini-bus
|
||||||
|
to school (I hadn't moved into my new home yet), and all four kids on the
|
||||||
|
bus sat in the front, while I was in the back.
|
||||||
|
|
||||||
|
Stage one -- Denial. I had a lot of people, obviously, come up to me and
|
||||||
|
ask me if I did. I of course denied it, and not being the creative genius
|
||||||
|
I am today, I said it was some smell coming from the radiators. Obviously,
|
||||||
|
no one bought it. All alone, by myself. Setting the precedent which
|
||||||
|
would remain to this day.
|
||||||
|
|
||||||
|
LIFE WAS FUCKING HELL. You don't know how many nights I cried myself
|
||||||
|
sleep. I had no friends. My best friend (the one I knew prior to
|
||||||
|
switching schools) hardly talked to me for awhile. I had insults thrown
|
||||||
|
at me from every direction. But I took it. I really had nothing to say
|
||||||
|
to them. I did it, I admitted it (to myself.) I just sunk lower and lower
|
||||||
|
into my desk, and didn't talk to anyone.
|
||||||
|
|
||||||
|
For the rest of the seventh grade year, I was insulted pretty bad. But
|
||||||
|
after awhile, they did calm down. Eight grade, I was insulted _really_
|
||||||
|
bad. My new nickname: "Sergeant Piles." It was really abbreviated, the
|
||||||
|
genius who thought it up named me "Sergeant Piles of Shit." The wounds
|
||||||
|
just dug deeper. I still don't look at my yearbook from that school. I
|
||||||
|
cry when I read what the kids wrote it in. For all I care, they can all
|
||||||
|
rot in a big vat in hell. Fucking assholes.
|
||||||
|
|
||||||
|
I looked forward to high school. I figured it would be a clean canvas. I
|
||||||
|
was wrong. The 30 kids from my school that went to my high school soon
|
||||||
|
told the other 90 kids about my deep dark past. The torments went on
|
||||||
|
every single day. Everything from the kids saying "Man, I gotta take a
|
||||||
|
shit" as they walked past me, to people just blatantly walking up to me
|
||||||
|
and saying "YOU CRAPPED YOUR PANTS."
|
||||||
|
|
||||||
|
Everything really hurt. I always thought that I was the one with the
|
||||||
|
problem. I felt like the grotesque outcast. I didn't think I really
|
||||||
|
belonged anymore. On several occasions I came very close to that suicide
|
||||||
|
point, but I never got the nerve to actually go through with it.
|
||||||
|
|
||||||
|
Then, over a period of time, it hit me. I'm not really the one with the
|
||||||
|
problem; they are. Why the hell should I feel embarrassed? It was
|
||||||
|
something that has happened three years ago. Should I feel ashamed
|
||||||
|
because they're bringing up old garbage? No. It got boring after awhile,
|
||||||
|
actually. Always the same insults. Never anything new. So tedious.
|
||||||
|
|
||||||
|
But when I reflect on the whole incident, I actually am thankful that it
|
||||||
|
happened. That one day, back in September of 1994, changed my life
|
||||||
|
forever. It made me the person whom I am today.
|
||||||
|
|
||||||
|
I am a substantially stronger person. Look, if you had those kinds of
|
||||||
|
insults being thrown at you every five minutes, wouldn't you grow a little
|
||||||
|
stronger in yourself after awhile? Yes, it sounds very contradictory, but
|
||||||
|
somehow, it all unravels itself, and I'm the benefice in the end. Sure,
|
||||||
|
I would have wasted everything if I had killed myself a long time ago, but
|
||||||
|
I didn't. I'm here now, and that's what matters.
|
||||||
|
|
||||||
|
I was able to see the flaws in other people. I'm not the only person with
|
||||||
|
a gross past. I saw the traits in other people. I'm very perceptive of a
|
||||||
|
person's personality. That helps me a lot today.
|
||||||
|
|
||||||
|
Hell, if you really want to read into it. If I hadn't become so lonely,
|
||||||
|
when I got that modem in eight grade, I may not have geeked out on the
|
||||||
|
computer as much, and may not be sitting here right now writing this.
|
||||||
|
How's that for fate?
|
||||||
|
|
||||||
|
One thing that always struck me, was something that one of my "friends"
|
||||||
|
said to me near the end of eighth grade.. We were talking, and he told
|
||||||
|
me, "Tom, just think. Right now, everyone knows you. Would you rather be
|
||||||
|
known, or a lonely nerd?" Well. He was right. Everyone did know me,
|
||||||
|
maybe not what I would want them to know me for, but they knew me
|
||||||
|
nonetheless.
|
||||||
|
|
||||||
|
The really weird thing about the situation, is the fact that I have really
|
||||||
|
only talked about it to kids that I went to school with at the time.
|
||||||
|
Friends of mine from outside the school, I don't know if they know or not.
|
||||||
|
For some strange reason, however, I'm telling hundreds of strangers right
|
||||||
|
now. A year ago, I would never have even thought about this; right now,
|
||||||
|
I'm bearing my soul to all.
|
||||||
|
|
||||||
|
It's odd how you can gain hope from what seems like the most humiliating
|
||||||
|
incidents. I'm glad I can.
|
||||||
|
|
||||||
|
See how it all goes back to that one day? I might write a subsequent
|
||||||
|
article to this, and go into detail about other aspects of my life. For
|
||||||
|
now, I'll leave it at this, hopefully I'll have other people writing this
|
||||||
|
'new' column. If you really want to hear more, you can always email me.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
See? If I had the guts to write that, with possible whiplash from
|
||||||
|
immature readers who may bring it back up in my face, I'm sure you can
|
||||||
|
write something like that too. C'mon, I know you can.
|
||||||
|
|
||||||
|
As always.. Read, enjoy, send your comments to me.
|
||||||
|
|
||||||
|
Have a nice day.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(2) - Tragic Death Calls For New Regulations - by Edicius
|
||||||
|
|
||||||
|
"We need to begin by acknowledging our own contribution ... We feed one
|
||||||
|
another: those of you looking for publicity and those of us looking for
|
||||||
|
stories." "whether we in the media ... by our ravenous attention
|
||||||
|
contribute to this phenomenon ... We did."
|
||||||
|
|
||||||
|
-- Ted Koppel on the questions posed by the death of Jessica Dubroff.
|
||||||
|
|
||||||
|
-----
|
||||||
|
|
||||||
|
The death of Jessica Dubroff shows us, as Americans, just how competitive
|
||||||
|
we can be. This case brings to light new age parental teachers, a lax
|
||||||
|
government organization, and an overzealous American bond.
|
||||||
|
|
||||||
|
If a seven year-old was out driving a Ford down the New Jersey Turnpike,
|
||||||
|
people would be afraid that she would cause an accident; when she's flying
|
||||||
|
across the country, she becomes a national hero. Why would the Federal
|
||||||
|
Aviation Administration allow this to go on, then?
|
||||||
|
|
||||||
|
Granted, flying a plane is actually much safer then driving a car. You
|
||||||
|
have more informational gauges, easier controls, and less objects to
|
||||||
|
contend with. In theory, a seven year old should be able to fly a plane,
|
||||||
|
but do they have the mental capabilities to actually do so?
|
||||||
|
|
||||||
|
When Jessica Dubroff left Half Moon Bay, California, on April 10, she set
|
||||||
|
out, along with her father, Lloyd, and her instruction, Joe Reid, to
|
||||||
|
become the youngest pilot to fly cross country. The Guiness Book of World
|
||||||
|
Records discontinued this category in 1989 to prevent a tragedy like this,
|
||||||
|
and "Flying" magazine refuses to acknowledge attempts like this because
|
||||||
|
they did not want to promote a stunt like this. J. Mac McClellan, editor
|
||||||
|
in chief of the magazine said, "It has no validity from an aviation
|
||||||
|
sense: the pilot in reality is the certified pilot." A certified pilot
|
||||||
|
has to be 16, and this Jessica was not.
|
||||||
|
|
||||||
|
One can debate the clause(s) that let Jessica fly. The FAA won't review
|
||||||
|
their stand on flying age for about six months. At that time, the
|
||||||
|
results from the crash investigation will be in, and we will be able to
|
||||||
|
see who was really at the controls.
|
||||||
|
|
||||||
|
The flight left from California and stopped at Cheyenne, Wyoming, before
|
||||||
|
continuing with the trip to Falmouth, Massachusetts, with one more stop to
|
||||||
|
refuel in Fort Wayne, Indiana. The landing in Cheyenne was tough. There
|
||||||
|
were strong crosswinds that made the plane wobble on it's approach. The
|
||||||
|
takeoff the next day was even tougher.
|
||||||
|
|
||||||
|
With an approaching thunderstorm, the winds were whipping around at the
|
||||||
|
speed of 25 to 30 mph, which would make a veteran pilot cease flight.
|
||||||
|
In a push to keep on schedule, Jessica's father opted to continue on.
|
||||||
|
|
||||||
|
In an interview before the takeoff, Jessica appeared as chipper as she was
|
||||||
|
supposed to seem. "I had two hours of sleep last night." As they were
|
||||||
|
taxing to the runway, Jessica spoke to her mother on a cellular phone and
|
||||||
|
said, "Mom, do you hear the rain?"
|
||||||
|
|
||||||
|
The plane took off, and was noticeably overweight. The thin mountain air
|
||||||
|
(Cheyenne is 6,156 ft. above sea level) is a factor that adds extra time
|
||||||
|
to the take off. Many pilots who are used to flying at low-levels don't
|
||||||
|
compensate for this fact, and wind up in the golf course at the end of the
|
||||||
|
runway. As the plane went through it's sluggish and shaky takeoff, the
|
||||||
|
people on board must have instantly realized a problem. Reid's arms were
|
||||||
|
more fractured then anyone's, which leads investigators to believe he had
|
||||||
|
control of the plane.
|
||||||
|
|
||||||
|
Jessica's parents typified the New Age idealism that makes people look
|
||||||
|
crazy and strung-out. She was born in a birthing tub without a doctor or
|
||||||
|
midwife present. Her parents kept her out of any formalized school,
|
||||||
|
because they saw the institution of school as being too restraining.
|
||||||
|
Instead of toys, they were giving tools to build their own furniture.
|
||||||
|
Jessica and her mother lived in a house without television.
|
||||||
|
|
||||||
|
Her parents believed that the child's bliss should guide them. They
|
||||||
|
allowed Jessica to do whatever she wanted. According to them, after
|
||||||
|
taking a flight on her sixth birthday, flying was what Jessica truly
|
||||||
|
wanted to do. The idea of the cross-country trek was her father's,
|
||||||
|
presented to her as "her choice."
|
||||||
|
|
||||||
|
Her father became the public relations director for the voyage. Printing
|
||||||
|
up specialty hats to remember the event, and making sure that the proper
|
||||||
|
media (tv, print, and radio) would be covering it. From the minute she
|
||||||
|
took off, the news covered every moment of it. They knew that if she made
|
||||||
|
it, it would become the typical uplifting American spirit story that would
|
||||||
|
make everyone feel better. If she crashed, just another accident to
|
||||||
|
lead off the newscast with.
|
||||||
|
|
||||||
|
The parents, the FAA, and the media: All part of a large chain that fed
|
||||||
|
off of each other. The parents "fostered" their childrens' development,
|
||||||
|
without holding back anything. The FAA allowed this to go on, without
|
||||||
|
taking the proper precautions. The media covered the story, added the
|
||||||
|
fuel that her parents needed to push Jessica even further.
|
||||||
|
|
||||||
|
If the media wasn't involved in this, it may never have happened. Why
|
||||||
|
else would her parents push her to do this? (Oh wait, I forgot. This is
|
||||||
|
something that she _wanted_ to do!) What would they get out of it all? A
|
||||||
|
few boasts here and there? Surely not enough to provoke a sane person to
|
||||||
|
do this. (Whoops. Talking about the Dubroffs, and I used the word
|
||||||
|
"sane"? Surely I jest.) It is just another in the line of parental
|
||||||
|
pressure that pushes children to the point of burnout.
|
||||||
|
|
||||||
|
When her mother, Lisa Blair Hathaway, visited the crash site in Cheyanne,
|
||||||
|
Wyoming, she placed flowers on the spot. A young boy came up to her, and
|
||||||
|
attempted to give her a teddy bear. Her response was that her children do
|
||||||
|
not play with toys.
|
||||||
|
|
||||||
|
This crash leads to many unanswered questions. This tragedy did not have
|
||||||
|
to happen, but it did. The only thing we can do is to prevent it from
|
||||||
|
happening again. That can only come through stronger regulations from the
|
||||||
|
FAA.
|
||||||
|
|
||||||
|
The FAA can change the rules, but we can't change parental zealousness.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
(3) - Supernatural Powers - By Edicius
|
||||||
|
|
||||||
|
"If you could be any X-Man", Mike began to say to his friend John across
|
||||||
|
the lunch table, "who would you be? Would you rather be Banshee or
|
||||||
|
Wolverine?"
|
||||||
|
|
||||||
|
"Well", John began to reply, "that's a hard question. Banshee can fly at
|
||||||
|
the speed of sound, and Wolverine has those big claws. Plus, he can
|
||||||
|
reheal really quick. I would take Wolverine. You would get tired of
|
||||||
|
flying after awhile."
|
||||||
|
|
||||||
|
"True, but if you could have a super-power, wouldn't it be flying?"
|
||||||
|
|
||||||
|
"Not at all. If you're a superhero, you HAVE to fly. If you don't, well,
|
||||||
|
then you're not a superhero. I mean, did you ever see a superhero who
|
||||||
|
didn't fly? Superman, Spiderman, Wonderwoman; they could all fly through
|
||||||
|
the air, somehow."
|
||||||
|
|
||||||
|
"Well, what about Hulk?"
|
||||||
|
|
||||||
|
"Man, if you were that strong, would you want to fly?"
|
||||||
|
|
||||||
|
"I guess not.. Well, what would your power be?"
|
||||||
|
|
||||||
|
"I would take the ability to stop time. You know how great that would be?
|
||||||
|
I mean, you would be the smartest, wittiest, and awesomest person in the
|
||||||
|
world. A teacher calls on you in school, you can pause time, and do
|
||||||
|
research on the question. If someone insults you, stop time and think of
|
||||||
|
something really witty to say. If you don't like someone, embarrass them
|
||||||
|
by taking off their clothes! It would be so fun! So dominating! You
|
||||||
|
could walk across the ocean and go anywhere!"
|
||||||
|
|
||||||
|
"Well, not really. I mean, the water wouldn't be still, because the water
|
||||||
|
molecules have to move still. If the air molecules are moving, so are the
|
||||||
|
water ones. If the air molecules weren't able to be moved, then you
|
||||||
|
couldn't move in the frozen time. It just wouldn't work. In that case,
|
||||||
|
you would need to be able to fly.. You would need that to get over the
|
||||||
|
oceans and stuff."
|
||||||
|
|
||||||
|
"True, very true. But imagine the possibilities. All the free sex you
|
||||||
|
want!" He points his friend toward Janice, who was bending over to pick
|
||||||
|
up a sodacan that she dropped. "Take Janice for a second. Pretty,
|
||||||
|
well-endowed, and perky. You want to have sex with a girl like that. But
|
||||||
|
you could _never_ have sex with a girl like that. As she is in a position
|
||||||
|
like she is now, pause time, lift up the skirt, and have fun."
|
||||||
|
|
||||||
|
"Wow. Good idea. You wouldn't have to worry about viruses, because
|
||||||
|
they're a living organism, and henceforth would be inactive at the time
|
||||||
|
you had sex. If you got her pregnant, no one would know who it was that
|
||||||
|
impregnated her! Two months down the road she starts getting sick in the
|
||||||
|
morning! Oh the joy.. Hey, you could also go into a bank, stop time, and
|
||||||
|
take all the money, too!"
|
||||||
|
|
||||||
|
"But, my friend, you wouldn't need to. Why would you need money when you
|
||||||
|
can go into a store, stop time, and take everything you want without being
|
||||||
|
seen?"
|
||||||
|
|
||||||
|
"Well, yeah. But you need some money to make some of the 'purchases' look
|
||||||
|
legitimate."
|
||||||
|
|
||||||
|
"I guess."
|
||||||
|
|
||||||
|
"Wait.. We agreed that the air and water molecules would be moving,
|
||||||
|
right?"
|
||||||
|
|
||||||
|
"Yeah."
|
||||||
|
|
||||||
|
"Well, if they're moving, then what is suspending the planes in the air?
|
||||||
|
The fish in the water? Whats to keep everything up? You could kill
|
||||||
|
thousands at a time by crashing every plane at the same time. You could
|
||||||
|
plan it, really- 'You leave for Florida Friday at four? Uh.. Have a nice
|
||||||
|
and safe trip'", Mike said with a sinister laugh. "Really, where would
|
||||||
|
gravity be? You would just float into the air. It would defeat the whole
|
||||||
|
purpose of stopping time. When you would reactivate time, you would just
|
||||||
|
fall back to Earth when gravity kicks back in.. or, you would burn
|
||||||
|
instantly if you floated all the way to space."
|
||||||
|
|
||||||
|
"Good point. Man, stopping time sucks. I'd take flying now. Actually,
|
||||||
|
I'd take invisibility with the power to walk through walls, but that's
|
||||||
|
being a little picky."
|
||||||
|
|
||||||
|
"Picky? You want to know picky? I'd take the invisibility with wall
|
||||||
|
walking option, but I would also have the power to slip out of my body,
|
||||||
|
and allow my body to keep functioning normally. Then I could slip into
|
||||||
|
someone elses'' body, and control them."
|
||||||
|
|
||||||
|
"Just take mind-control in that regard."
|
||||||
|
|
||||||
|
"I guess.. Hey, who would you rather be, Spiderman or Wonderwoman?"
|
||||||
|
|
||||||
|
"I'd be Wonderwoman. I would fuck saving the world and play with myself
|
||||||
|
all day."
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(4) - Reviews: Edicius' Opinions on EVERYTHING!
|
||||||
|
|
||||||
|
Concert: Brutal Juice/Civ/Toadies - Stone Pony, Asbury Park, NJ - April 27
|
||||||
|
|
||||||
|
When I first heard that Civ was playing in my area, over a month ago, I
|
||||||
|
knew that I was going to that show. Over the course of a month, I had
|
||||||
|
about 18 different rides fall through on me. It wasn't until about 2:00
|
||||||
|
AM, the day of the show, that I had a definite ride.
|
||||||
|
|
||||||
|
I went to the show with fellow 'zinesters Mindcrime, Belial, and Lucifer.
|
||||||
|
We went there planning on buying tickets at the door. Unfortunately, a lot
|
||||||
|
of other people did too, and it was sold out when we got their.
|
||||||
|
|
||||||
|
Mindcrime and Belial didn't really feel like scalping tickets, but Lucifer
|
||||||
|
and myself did. Unfortunately, no one had extra tickets. One of my
|
||||||
|
friend's friend would have an extra ticket, but she didn't show up for
|
||||||
|
awhile. The bouncer at the door told me that in twenty minutes, he would
|
||||||
|
sell Lucifer and myself tickets for $20. The tickets went for $12.50, $15
|
||||||
|
with Ticketmaster charges, but we were willing to pay it. However, we
|
||||||
|
didn't have to wait, some guy had two extra tickets for $15 each.
|
||||||
|
|
||||||
|
We get in, and after finding our way to a reasonably good spot, we waited.
|
||||||
|
Waited, and waited, and waited. After about 30 minutes (over an hour
|
||||||
|
since the doors first opened), the first band comes on. The band was
|
||||||
|
Brutal Juice, whom I never heard of before, and didn't know what they
|
||||||
|
would be like.
|
||||||
|
|
||||||
|
They were actually really good. They turned out to be a pretty decent
|
||||||
|
punk band. Touring in support of their Interscope Records release,
|
||||||
|
entitled _Mutilation Makes Identification Difficult_, they played their
|
||||||
|
current single "Ugly on the Inside." After a few more dates with the
|
||||||
|
Toadies, they tour with Gwar in May.
|
||||||
|
|
||||||
|
The crowd got into this one. A pretty intense mosh pit, with dozens of
|
||||||
|
crowd surfers. The lead singer of Brutal Juice came out during their last
|
||||||
|
song and hung from the water pipe that ran just over the crowd. Needless
|
||||||
|
to say the bouncers were pissed. There was one fight which was cause by a
|
||||||
|
dickhead. The guy had the nerve to kick and hit someone after they fell
|
||||||
|
in the middle of the pit. It was quickly ended.
|
||||||
|
|
||||||
|
I promised Lucifer that I'd interject in my review that as he was getting
|
||||||
|
water between the Brutal Juice and Civ sets, a really hot girl was hitting
|
||||||
|
on him.
|
||||||
|
|
||||||
|
Next came the crowd favorite, Civ.
|
||||||
|
|
||||||
|
Near the end of the Brutal Juice set, I made sure that I made my way up to
|
||||||
|
front for the Civ set. If my past experiences with the band told me
|
||||||
|
anything, they told me that the place would erupt the second Sammy started
|
||||||
|
to pound on those drums. The place did when the first few notes of
|
||||||
|
"United Kids" were heard.
|
||||||
|
|
||||||
|
Playing songs from their Lava Records release, _Set Your Goals_, Civ
|
||||||
|
filled the air for about an hour with many socially uplifting messages.
|
||||||
|
Both during and between songs. Before their song, "Don't Got to Prove
|
||||||
|
It", Civ (the lead singer of the same-named band) said, "This song goes
|
||||||
|
out to everyone .. if you want to be a punk, a skinhead, a metalhead ..
|
||||||
|
whatever you want to be .. if you want to be a freak .. if anyone says
|
||||||
|
anything, fuck them."
|
||||||
|
|
||||||
|
Playing all of the songs on their CD, including "Can't Wait One Minute
|
||||||
|
More", "Choices Made", "State of Grace", and the title track, "Set Your
|
||||||
|
Goals", they also played a new song called "Social Climber." This song
|
||||||
|
was about the "very beautiful, very fabulous .. and the very annoying.
|
||||||
|
The kind I [Civ] fucking hate."
|
||||||
|
|
||||||
|
As always, the pit was incredible. During "So Far.. So Good.. So What",
|
||||||
|
the place erupted into a monster circle pit and hundreds doing the pogo.
|
||||||
|
Civ was constantly near the crowd. He didn't let the gate in front of the
|
||||||
|
stage stop him, either. He used the water pipes and lighting hanging over
|
||||||
|
the front of the stage to his advantage and constantly hung over the
|
||||||
|
crowd. When one crowd surfer almost hit him as he was singing, Civ
|
||||||
|
quickly said, "Hey, nice to see you up here."
|
||||||
|
|
||||||
|
The headliner of the night came on next. The Toadies are currently
|
||||||
|
touring in support of their current CD, _Rubberneck_. They were really
|
||||||
|
good, attracting a very diverse crowd age-wise. They played for nearly an
|
||||||
|
hour and a half.
|
||||||
|
|
||||||
|
I'm going to totally skip over the rest of the Toadies set. Mainly
|
||||||
|
because at the beginning of the set, I got knocked over in the pit, and a
|
||||||
|
400 pound guy fell on me. Luckily I was picked up before (too many)
|
||||||
|
people stepped on me. After that, I just slam danced and pogoed my way
|
||||||
|
across the floor, into the back of the club, and took a seat for awhile.
|
||||||
|
|
||||||
|
I did go back in, but I never did get into the Toadies' set too much.
|
||||||
|
They played really good, however. I guess if I had known more about them
|
||||||
|
before the show, I would have had fun.
|
||||||
|
|
||||||
|
Now, as I'm sitting here the next day, I see that I have something that
|
||||||
|
really looks like a bite mark on my wrist. I have no idea how that got
|
||||||
|
there. Eerie.
|
||||||
|
|
||||||
|
eZINE: Doomed to Obscurity - Issue Nine
|
||||||
|
|
||||||
|
For almost nine months now, Doomed to Obscurity has been releasing very
|
||||||
|
large issues. Many different writers with many different articles. The
|
||||||
|
last few issues prior to issue nine have been alittle less then what you
|
||||||
|
would expect from them, quality wise. This issue they changed that.
|
||||||
|
|
||||||
|
I really enjoyed this issue. They changed the layout, with one of the
|
||||||
|
editors, Eerie, working on it this time. That was a nice sight. Also,
|
||||||
|
they had some really great articles. My personal favorites were Styx's
|
||||||
|
"Sliced and Diced Hookers in a Ziplock Bag", Mogel's "My Belly", Morpheus'
|
||||||
|
"Video Games Stole My Childhood", and as always, all of Eerie's work.
|
||||||
|
|
||||||
|
The rest of the issue was good. The only things I didn't like were James
|
||||||
|
Hetfield's opening article called "Girls Can't Write", and Creed's "A
|
||||||
|
Multi-Cultural Spectrum of Anger." Dead Cheese's 'ascii toon' wasn't so
|
||||||
|
good, either.
|
||||||
|
|
||||||
|
You contact DTO at their web site, http://www.thirdwave.net/~dto, or by
|
||||||
|
emailing them at doomed@voicenet.com.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(5) - News Snippets - Compiled by Edicius
|
||||||
|
|
||||||
|
From the Middletown [NJ] Independent, 5/1/96:
|
||||||
|
|
||||||
|
_Boy Injured in Explosion_
|
||||||
|
(By Eileen Koutnik, Staff Writer)
|
||||||
|
|
||||||
|
ABERDEEN-- An 11-year old boy was seriously injured last week while trying
|
||||||
|
to make an explosive using gunpowder, wire, a battery pack, and an
|
||||||
|
electrical switch, police said.
|
||||||
|
|
||||||
|
The boy and at least two other boys -- one aged 12 and the other 14 -- were
|
||||||
|
at the victim's Cedar Place home in Cliffwood Beach section when the
|
||||||
|
accident occured at about 3:30 pm April 22.
|
||||||
|
|
||||||
|
They removed the gunpowder from shotgun shells, and tried to assemble an
|
||||||
|
explosive, police said.
|
||||||
|
|
||||||
|
The 11-year old suffered burns to his chest and the right side of his face.
|
||||||
|
He was airlifted to St. Barnabas Medical Center, Livingston Township and
|
||||||
|
released from the hospital April 25, a hospital spokeswoman said.
|
||||||
|
|
||||||
|
Lt. John Powers said police recovered the shotgun shells on the property,
|
||||||
|
but are still looking into where they came from.
|
||||||
|
|
||||||
|
Police said the victim was closest to the explosive when it exploded in the
|
||||||
|
living room of his house. The other boys were not injured.
|
||||||
|
|
||||||
|
One of the boys said they were inspired by the movie, "The Specialist,"
|
||||||
|
according to Powers. Powers did not know if they boys were being
|
||||||
|
supervised by an adult.
|
||||||
|
|
||||||
|
Charges are pending and will be filed in family court against the boys
|
||||||
|
involved, Powers said.
|
||||||
|
|
||||||
|
Aberdeen Police Detective Michael Vacaro and Detective Robert Mazur from
|
||||||
|
the New Jersey State Police are investigating.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
From the Middletown [NJ] Independent, 5/1/96, Letters to the Editor,
|
||||||
|
|
||||||
|
_Local Boys Did the Right Thing_
|
||||||
|
|
||||||
|
On April 13, I was notified by several young boys that they had located a
|
||||||
|
bag of drugs. The three young boys, Michael Guadian, Stephen Woodford and
|
||||||
|
Joeseph Walling waited at the scene and kept the item in sight until our
|
||||||
|
arrival. Althought the bag turned out the more tobacco than narcotic,
|
||||||
|
there was trace elements of marijuana in it.
|
||||||
|
|
||||||
|
According to Detective Stephen Wheeler, the course of action taken by the
|
||||||
|
youths was textbook according to what is taught in the DARE program. At
|
||||||
|
the minimum, the youngsters reconized the item for what it was --
|
||||||
|
potentially dangerous -- and they made a very good decision.
|
||||||
|
|
||||||
|
The detectives in this bureau would like to commend Michael Gaudian,
|
||||||
|
Stephen Woodford and Joseph Walling for th epositive actions they took on
|
||||||
|
April 13. Congratulations guys, you did a good job!
|
||||||
|
|
||||||
|
Kevin J. Cassidy
|
||||||
|
Detective
|
||||||
|
Keyport Detective Bureau
|
||||||
|
Bayshore Narcotics Task Force
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
Jonas e'Zine Issue Seventeen
|
||||||
|
Send all inquiries to edi@cybercomm.net
|
||||||
|
Visit the new and expanded Jonas website at:
|
||||||
|
http://www.cybercomm.net/~edi/jonas.html
|
||||||
|
Visit Belial @ Avalon, (908) 739/4274
|
||||||
|
|
||||||
|
"Jonas, it is more then a 'zine, its a lifestyle"
|
||||||
|
|
||||||
|
---------------------------------- eof -----------------------------------
|
||||||
|
|
710
textfiles.com/magazines/JONAS/jonas_18.txt
Normal file
710
textfiles.com/magazines/JONAS/jonas_18.txt
Normal file
@@ -0,0 +1,710 @@
|
|||||||
|
|
||||||
|
____
|
||||||
|
| |________________________ __
|
||||||
|
| | | | | | | |
|
||||||
|
___| | | | | | | | | | | |
|
||||||
|
| | | | | | |__| | | | | |
|
||||||
|
| | | | | | | | |__| | |
|
||||||
|
| | | | | | | | |___ | | |
|
||||||
|
| | | | | | | | | | | | |
|
||||||
|
| | | | | | | | | | | | |
|
||||||
|
| | | | | | | | | | | |__|
|
||||||
|
| | | | | | | | | | | __
|
||||||
|
|_____|_____|__| |_____|_____| |__|
|
||||||
|
----------------------------------|__|-------------------------(gh/cia)---
|
||||||
|
|
||||||
|
Jonas e'Zine -- Volume 2, Number 3 -- Released May 27, 1996
|
||||||
|
Jonas is produced semi-regularly by Edicius (Tom Sullivan). Jonas
|
||||||
|
and the material therein are property of Edicius and Jonas Print Matter
|
||||||
|
Incorporated. Jonas may be freely distributed as long as this notice
|
||||||
|
remains in place, and there is no fee charged for its retrieval.
|
||||||
|
|
||||||
|
.. and in the end
|
||||||
|
we shall achieve in time
|
||||||
|
the thing which is divine.
|
||||||
|
Spacehog / "In The Meantime"
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
Jonas E'Zine Volume 2, Issue 2 May 27, 1996
|
||||||
|
|
||||||
|
Contents:
|
||||||
|
|
||||||
|
(1) - Edicius' Editorial
|
||||||
|
(2) - How I Got This Way / by Mercuri
|
||||||
|
(3) - Internet Censorship Revisited / by Edicius
|
||||||
|
(4) - Snowglobes / by Funkdafied
|
||||||
|
(5) - Wacky Mall Excursions: Take One / by Edicius
|
||||||
|
(6) - Reviews: Edicius' Opinions on EVERYTHING!
|
||||||
|
(7) - News From The World
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(1) - Edicius' Editorial
|
||||||
|
|
||||||
|
[May 20, 1996]
|
||||||
|
|
||||||
|
Another Monday, more things on my mind. This may turn out to be little
|
||||||
|
more "ranty" then my normal writings, but eh. So be it.
|
||||||
|
|
||||||
|
There's less then 3 weeks left in the school year. Instead of jumping for
|
||||||
|
joy, I'm seeing the down side of it. Do you realize that a week from now,
|
||||||
|
the present seniors will be starting their exams. Soon after that, they
|
||||||
|
graduate. I won't see 90 percent of them again.
|
||||||
|
|
||||||
|
That's good. Out of that 90 percent of the ones I'll never see again,
|
||||||
|
99.9 percent I don't want to. However, there is one that I will utterly
|
||||||
|
miss. I've just fallen all over her in the last few months. Let me tell
|
||||||
|
you, it sucks.
|
||||||
|
|
||||||
|
She's popular, but not overly popular. She isn't drop-dead gorgeous, but
|
||||||
|
instead she can be simply described as cute. There is nothing else that
|
||||||
|
fits her better. She isn't ugly, but she isn't one that would strike you
|
||||||
|
as overly beautiful. Her personality is great. She amazes me. I just
|
||||||
|
don't know why.
|
||||||
|
|
||||||
|
I don't know how it really started, either. When my semester Art 2 class
|
||||||
|
started in January, she was in it. She wasn't in my Art 1 class early, so
|
||||||
|
I didn't know who she was. Two days into the class I looked in last
|
||||||
|
year's yearbook and found out exactly who she was. Since then, I've never
|
||||||
|
forgotten her name.
|
||||||
|
|
||||||
|
She will actually stop by my table and converse with me (well, me and the
|
||||||
|
others sitting at the table). I don't know if she's doing it just to make
|
||||||
|
casual conversation and be nice, or whatever. But I do know I melt when I
|
||||||
|
am near her.
|
||||||
|
|
||||||
|
She has a boyfriend. That hampers the whole situation. I saw his picture
|
||||||
|
one day, and he isn't that bad looking of a guy, and from what I hear,
|
||||||
|
he's not a bad person overall. So, basically, I don't have a chance with
|
||||||
|
her.
|
||||||
|
|
||||||
|
Couple in the fact that after a week I will never see her again, it makes
|
||||||
|
for one depressed Tom. In a week or so the seniors graduate and leave the
|
||||||
|
halls of my school forever. In August she will start getting ready for
|
||||||
|
college in Pennsylvania. I just can't win.
|
||||||
|
|
||||||
|
In two days, I have a rough draft for my history term paper due. I
|
||||||
|
haven't even started it. Well, I have the research and everything, I just
|
||||||
|
need to write it all out. Let me tell you how fun these next two days
|
||||||
|
will be.
|
||||||
|
|
||||||
|
On the upside. I get home from school today, and check my mail that I got
|
||||||
|
today. Not only did I get the new issue of Us News & World Report, with
|
||||||
|
the cover story of "Wired Whiz Kids" (good reading, btw. it's the 5/27/96
|
||||||
|
issue), but I have a big brown envelope sitting for me. Quickly I
|
||||||
|
recognize the return address as the Weezer Fan Club. Rock! Inside it
|
||||||
|
contained the spring '96 issue of Weezine (see review later in this
|
||||||
|
issue), but it also had an autographed picture of the band, along with
|
||||||
|
some other stuff.
|
||||||
|
|
||||||
|
In case you still didn't know, I took the name "Jonas" from the Weezer
|
||||||
|
song, "My Name Is Jonas." So yes, I love the band.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
As far as news this issue ..
|
||||||
|
|
||||||
|
The first installment in the new Jonas column, called "How I Got This
|
||||||
|
Way", was written by Mercuri. The goal of this column is to provide a
|
||||||
|
outlet for various people to talk about their lives. More specifically,
|
||||||
|
it is meant to show that the way we are today, personality wise, can
|
||||||
|
normally be traced to one single event in our lives. I believe Mercuri
|
||||||
|
captured this perfectly. You may know Mercuri as the editor of
|
||||||
|
Radioactive Aardvark Dung magazine. A million thanks go out to him.
|
||||||
|
|
||||||
|
As always, the website is changing. This time, I changed the layout and
|
||||||
|
graphics and stuff, so it actually looks good! The address is at the
|
||||||
|
bottom of the file. (Hey, if you're reading this from the website, you
|
||||||
|
don't really need to know it, do you?)
|
||||||
|
|
||||||
|
That is about it. Have a great day.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(2) - How I Got This Way - by Mercuri
|
||||||
|
|
||||||
|
I was at a friend's birthday party back in eighth grade, now, we had
|
||||||
|
planned the whole time we were going to raise Hell that night. Whether it
|
||||||
|
was by terrorizing him in his sleep, or T-Ping. We played football in his
|
||||||
|
backyard, then we realized what we thought was mud was actually goose
|
||||||
|
crap, so we stopped. I poured a laxative in his drink, all in the name of
|
||||||
|
good- natured fun, it was his birthday =).
|
||||||
|
|
||||||
|
Anyway, the night dragged on. We started playing "Risk," the board game
|
||||||
|
at about 2:00am, me and two other anonymous friends went out to T-P and
|
||||||
|
egg houses/cars, whatever crossed our path. We found the first house,
|
||||||
|
nestled tightly away in the woods, hit it with about two rolls of toilet
|
||||||
|
paper, shaving creamed their windows. it was a masterpiece of vandalism,
|
||||||
|
it brought tears to my eyes. =) Moving along, we went to the next house,
|
||||||
|
while the third musketeer got weak in the knees and decided to go back to
|
||||||
|
the house and play Risk with the rest of the people still their.
|
||||||
|
|
||||||
|
This is where the destruction began, and basically my whole life is a
|
||||||
|
result of the consequences of the following actions. I myself, uprooted a
|
||||||
|
stop sign, and speed limit sign, stole a license plate and slashed two
|
||||||
|
tires. We together uprooted about eight to ten mail boxes. The adrenaline
|
||||||
|
was flowing that night.
|
||||||
|
|
||||||
|
We went back to the house, where we played Risk until I fell asleep. I
|
||||||
|
woke up around 4:00am only to find myself covered in shaving cream.
|
||||||
|
"Those crazy kids!"
|
||||||
|
|
||||||
|
I woke up the next morning with people shaking me. "The police are all
|
||||||
|
over the place!" "You should see what we did in the daylight! The tires
|
||||||
|
you slashed were on a Cadillac!" Not seeing any bright side to this whole
|
||||||
|
thing, I walked outside, threw my pocket knife into a pond, shoved the
|
||||||
|
license plate into the ground with my foot.
|
||||||
|
|
||||||
|
"How could I have POSSIBLY thought I was going to get away with this?"
|
||||||
|
|
||||||
|
"What the HELL was I going to do?"
|
||||||
|
|
||||||
|
Like the police wouldn't suspect a sleep over as the cause of all this. I
|
||||||
|
have no idea what went through my head that night, but I do know that was
|
||||||
|
the end of all of my vandalization for a while. As well as my life.
|
||||||
|
|
||||||
|
We had convinced the birthday boy's parents that we didn't do it, but boy,
|
||||||
|
did I ever feel low after I heard that the house that we T-P'd majorly was
|
||||||
|
a mixed marriage. "Great, now I'll be coined as a racist."
|
||||||
|
|
||||||
|
So we had escaped, and we went home. I took a shower, praying to God on
|
||||||
|
my knee's, that He make the punishment nothing. And I went to bed, still
|
||||||
|
praying. I woke up at about 4:00pm, took another shower, and went down-
|
||||||
|
stairs. The rest of the day was normal until the phone rang. It was the
|
||||||
|
kid who went home before we did all the "bad" stuff. He told me that the
|
||||||
|
mother had just called His house, and that we were definitely, no doubt
|
||||||
|
about it, implicated into the whole thing. The call waiting beep sounded
|
||||||
|
while I was talking to him. Said "Hello," and the voice I heard was the
|
||||||
|
birthday boy's mother, wanting to talk to my mother. "Uhm, Mom! Phone!"
|
||||||
|
I yelled. She talked to my mom, and I listened in. We had more or less
|
||||||
|
been ratted out by the Birthday Boy's little sister who had seen us sneak
|
||||||
|
out.
|
||||||
|
|
||||||
|
Wow, I had never seen my parents so absolutely pissed off and sad at the
|
||||||
|
same time. At the time, what they tried to get across from me didn't
|
||||||
|
really sink in. But it all hit me eventually. Had this entire escapade
|
||||||
|
not have happened, I would have definitely gotten into drugs heavier than I
|
||||||
|
had, I would have never began to weight lift, I would have never had any
|
||||||
|
dreams about going to VMI or West Point, like my role models did. I would
|
||||||
|
have never have had the grades I have now. This event, what seemed to be
|
||||||
|
the worst thing that had ever happened to me at the time, turned out to be
|
||||||
|
the greatest turning point of my life. I wouldn't trade what happened for
|
||||||
|
the World. Everything just seems to fall in place now.
|
||||||
|
|
||||||
|
But something like this, you would think would make me be an angel. It
|
||||||
|
sounds like now that I have completely avoided trouble and all risk, not
|
||||||
|
true. You have to gain the ability to recognize what is worth the risk,
|
||||||
|
and what is not. You have to balance yourself in the medium's of right
|
||||||
|
and wrong. And remember, we are all made perfect through failure.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(3) - Internet Censorship Revisited - by Edicius
|
||||||
|
|
||||||
|
[See endnotes for more information]
|
||||||
|
|
||||||
|
How would you feel if censorship extended as far as your private phone
|
||||||
|
calls? You would feel offended, wouldn't you? Well, what if instead of
|
||||||
|
your private phone calls, your private email could earn you jail time?
|
||||||
|
|
||||||
|
As long as the Internet is around, the topic of Internet Censorship won't
|
||||||
|
die. Recently we have seen several examples of this. From Germany's list
|
||||||
|
of explicit, and thereby illegal, newsgroups, to the United State's
|
||||||
|
Communications Decency Act, the Internet has suffered a few blows.
|
||||||
|
However, the biggest restriction may be in Australia.
|
||||||
|
|
||||||
|
According to a press release put out by New South Wales (Australia)
|
||||||
|
State Attorney-General Jeff Shaw QC MLC, the NSW State Government has
|
||||||
|
proposed some very serious legislation. The bill has many parts "to
|
||||||
|
protect children and others from intentionally or accidentally accessing
|
||||||
|
abhorrent and objectionable material." (1)
|
||||||
|
|
||||||
|
This bill goes farther then a bill proposed by Western Australia. The
|
||||||
|
similar bill had an irregularity which allowed the legal transmission of
|
||||||
|
computer games that contained any material containing violent and sexual
|
||||||
|
acts.
|
||||||
|
|
||||||
|
The bill proposed by NSW goes much further then newsgroups and web sites-
|
||||||
|
some of the key components of the Communications Decency Act. In a
|
||||||
|
nutshell, this bill targets:
|
||||||
|
|
||||||
|
- material that would be refused classifications;
|
||||||
|
- material that would be unsuitable for minors of any age, such as
|
||||||
|
a film classified X or R;
|
||||||
|
- a publication that would be classified Category 1 or 2 (including
|
||||||
|
explicit sexual or sexually related material) and;
|
||||||
|
- material unsuitable for minors under 15 (2)
|
||||||
|
|
||||||
|
Material considered unsuitable for children, even if it is not directed
|
||||||
|
towards children, would be banned from everything- including private email.
|
||||||
|
Material available in libraries would be illegal if published
|
||||||
|
electronically. Also, conversations that are legal on the street or on
|
||||||
|
the telephone, would be illegal in chat rooms or email. (3)
|
||||||
|
|
||||||
|
This bill targets Internet Service Providers with jail time and stiff
|
||||||
|
fines if any of their users violate this bill. ISPs would be legally
|
||||||
|
liable for everything, which would force many, if not nearly all, to close
|
||||||
|
down due to the fact that they can't monitor everything their users do.
|
||||||
|
Exceptions to this are two ISPs in New South Wales, Telstra and Optus, who
|
||||||
|
have "common-carrier" status and are protected under Federal Law.
|
||||||
|
|
||||||
|
According to a press release by the Electronic Frontiers Australia (Inc.),
|
||||||
|
from Sunday May 19 1996, "existing laws against exploitative pornography,
|
||||||
|
defamation, and harassment have proved sufficient in dealing with abuses
|
||||||
|
of Internet services." The EFA also goes on to say, "the Office of Film
|
||||||
|
and Literature Classification itself has searched the Internet and
|
||||||
|
reported that 'restricted and refused classification material was
|
||||||
|
difficult to find.'"
|
||||||
|
|
||||||
|
A May 27 rally at Sydney Hyde Park in Sydney, Australia, is planned. This
|
||||||
|
is to be followed be a march to the parliament House. This is meant to
|
||||||
|
give Internet users a chance to show their anger in person. Police and
|
||||||
|
City approval has been given to this event, and it is expected to be very
|
||||||
|
mild. Although at the current time no information regarding the outcome
|
||||||
|
of the event is available, Jonas will keep you informed in a later issue.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
Of course, all of this action in the land down under is due to our
|
||||||
|
wondering Senators and Congressmen. Thanks to their brilliant rendition of
|
||||||
|
"Let's Regulate the Internet", now other countries feel they should do the
|
||||||
|
same.
|
||||||
|
|
||||||
|
Thanks guys, the world means it.
|
||||||
|
|
||||||
|
---------
|
||||||
|
|
||||||
|
[Endnotes]
|
||||||
|
|
||||||
|
(1) - taken from the press release from New South Wales Attorney
|
||||||
|
General Jeff Shaw, titled "NSW Clamps Down on Pornography on
|
||||||
|
the Internet."
|
||||||
|
|
||||||
|
(2) - press release, Jeff Shaw. See above.
|
||||||
|
|
||||||
|
(3) - taken from Electronic Frontiers Australia Press Release
|
||||||
|
(5/19/96), "Internet Uproar Over NSW Government's Censorship
|
||||||
|
Plans."
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(4) - Snowglobes - by Funkdafied
|
||||||
|
|
||||||
|
I sit here and look at this beautiful snowglobe my friend Scott and his
|
||||||
|
mother gave me for Christmas, and I start to cry, because I realize, that
|
||||||
|
is the only thing left I have to remember them by.
|
||||||
|
|
||||||
|
Last week, my friend's house caught on fire.. My friend Jon went to the
|
||||||
|
store around 12:30 to get cigarettes (so he told the cops) and came back
|
||||||
|
and the house was a big flame, with his brother Scott and his mother still
|
||||||
|
inside. By the time the cops and fireman got there, the mother had passed
|
||||||
|
away and so had Scott.. Fortunately, they brought Scott back to life and
|
||||||
|
flew him to Livingston (NJ) burn center, because he was burned 85% percent
|
||||||
|
of his body. The mothers funeral and wake was this week and it was very
|
||||||
|
sad, everybody was crying, and I honestly thought I walked into the wrong
|
||||||
|
room because unfortunately it was an open casket and it didn't look like
|
||||||
|
her at all. As the week went on Scott got worse, he lost 40% of his
|
||||||
|
blood, his lungs stopped working and only 1/4 of his lungs worked, both of
|
||||||
|
his kidneys gave out and he died yesterday morning for 25 minutes, they
|
||||||
|
brought him back, but by then he was brain dead. There wasn't really much
|
||||||
|
of a chance of him suriving life too long, and he passed away last night
|
||||||
|
in his sleep..
|
||||||
|
|
||||||
|
No one knows if Jon did set the fire, or if he didn't.. they have him
|
||||||
|
under investagation, but nothing will come out of it, the only people who
|
||||||
|
know what really happen, is Scott and his mother..
|
||||||
|
|
||||||
|
It's especially sad because a week before this happen, his mother was in a
|
||||||
|
car accident and her car was totalled, and 3 days before the fire it was
|
||||||
|
Scott's birthday.
|
||||||
|
|
||||||
|
Can you just imagine how *you* would feel if your mother and brother were
|
||||||
|
killed in a fire that *you* may or may not have started? Can you just
|
||||||
|
imagine how *you* would feel if you grew up with someone since
|
||||||
|
kindergarten and was best friends since then and he called your mother mom
|
||||||
|
and you called his mother mom, and both your friend and his mom died?
|
||||||
|
That's what my ex boyfriend is going through.
|
||||||
|
|
||||||
|
Scott was only 14 years old, that is when life basically begins; when you
|
||||||
|
start knowing who your friends are, and what kind of music you actually
|
||||||
|
like, not the kind your parents listen to and you thought was "cool", what
|
||||||
|
clothes you actually wanted to wear, when you start going out with people.
|
||||||
|
Scott died never graduating the eighth grade, never knowing what high
|
||||||
|
school was like, he never had a girlfriend, him and his mother planned a
|
||||||
|
trip to the Bahamas they are never going to get to go on, he was looking
|
||||||
|
forward to a summer he is never going to have. Things like that make you
|
||||||
|
wonder..
|
||||||
|
|
||||||
|
Maybe after reading this you should give your mom, or dad or brother or
|
||||||
|
sister, a big hug and let them know you appreciate them, and look at what
|
||||||
|
you are doing in your life and how some of you do drugs and not realize
|
||||||
|
this could kill you and do a lot of other stupid stuff. Just think, some
|
||||||
|
investigators are saying this was arson and that Jon left a cigarette in
|
||||||
|
his room somewhere, whether he dropped it on his bed, or in the garbage, a
|
||||||
|
simple careless thing like that could have caused his whole family their
|
||||||
|
life. So maybe for those people who like to play with fire (you probably
|
||||||
|
are thinking, only 12 year olds do that, I know seniors in high school
|
||||||
|
that like to make bon fires in their backyard), or leave cigarettes around
|
||||||
|
the room, forget to ash it, dump the ashtray in the garbage or throw a
|
||||||
|
match when it still could be lit. You think, "that could never happen to
|
||||||
|
me", one week we are all over Scott and Jon's house watching a movie and
|
||||||
|
the next week, his house isn't even livable. It could happen to anyone.
|
||||||
|
Now I have to go to a funeral for a boys life who didn't even really begin
|
||||||
|
but it's already ended..
|
||||||
|
|
||||||
|
And even though most of you don't believe in God, I do. In my snowglobe
|
||||||
|
Scott and his mom gave me, It's a woman angel looking over a cherub in
|
||||||
|
Heaven, and I'd like to think of that as Scott and his mom, happy in
|
||||||
|
Heaven..
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(5) - Wacky Mall Excursions: Take One - by Edicius
|
||||||
|
|
||||||
|
I was in the mall today, and I went to this fast-food place (Nathan's).
|
||||||
|
In my hand I had a CD I had just bought, Dead Milkmen, "Chaos Rules (Live
|
||||||
|
at the Trocadero.)" As I'm up getting my cheese fries and hot dog, the
|
||||||
|
manager-type said, "Oh, what CD did you get?" I said, "the Dead Milkmen."
|
||||||
|
|
||||||
|
He just looked at me blankly.
|
||||||
|
|
||||||
|
Now, I wasn't expecting a big fan from this guy, and I could deal with him
|
||||||
|
not even knowing who they were, but I just found it really funny when he
|
||||||
|
looked at me and said, "Who? Are they big? Like, have they made MTV
|
||||||
|
yet?"
|
||||||
|
|
||||||
|
My sister, who was standing next to me, laughed in the guys face. At
|
||||||
|
least I waited until my back was turned to laugh.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
Now, I don't want to pass judgement on the guy or anything. Nor am I
|
||||||
|
trying to pull anything from this story in this article. I'm leaving you
|
||||||
|
to draw your own conclusion. I just felt like relaying something eventful
|
||||||
|
from my day to you.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(6) - Reviews: Edicius' Opinions on EVERYTHING!
|
||||||
|
|
||||||
|
CDs/LPs
|
||||||
|
|
||||||
|
Goldfinger/self titled/Mojo Records
|
||||||
|
|
||||||
|
"You're probably thinking that we're some type of trendy punk rock band,
|
||||||
|
jumping on the bandwagon.."
|
||||||
|
|
||||||
|
With the recent new wave of So Cal punk ska bands, you may get tired of
|
||||||
|
them. Well, myself, I like the punk with the ska influenced. This album
|
||||||
|
is no exception.
|
||||||
|
|
||||||
|
The two tracks that you could tell would be the first two singles are
|
||||||
|
"Here In Your Bedroom" (which has been getting increasing airplay and a
|
||||||
|
video on MTV) and "Minds Eye." A lot of you are probably familiar with
|
||||||
|
"Here..", but "Minds Eye" happens to be a really good song. It has been
|
||||||
|
getting some airplay, but expect to hear it A lot more in due time. Then
|
||||||
|
again, most of the songs on here are catchy enough to remain in your head
|
||||||
|
easily enough.
|
||||||
|
|
||||||
|
Most of the 16 tracks (14 listed, 2 "hidden") range from pretty good to
|
||||||
|
really good. There isn't much on here that I would really cut out.
|
||||||
|
However, there isn't much on here that I would say is excellent.
|
||||||
|
|
||||||
|
Some of the highlights of this album, besides the aforementioned "radio
|
||||||
|
hits", include "Mable", "Answers", and "Stay." On the same note, they
|
||||||
|
could have cut out "The City With Two Faces" and "My Girlfriend's Shower
|
||||||
|
Sucks."
|
||||||
|
|
||||||
|
-----
|
||||||
|
|
||||||
|
Love and Rockets/Sweet F.A./American Recordings
|
||||||
|
|
||||||
|
Man oh man, this CD is definitely a great one. If you can get your hands
|
||||||
|
on a copy, definitely get it. A great mix of guitar, piano, organs, bass,
|
||||||
|
and "sound effects" produce an amazing album. Between the acoustic
|
||||||
|
and electric guitars, you also get a somewhat "techno-y" guitar sound. I
|
||||||
|
guess the best description for this is a part-acoustic, part-techno album.
|
||||||
|
|
||||||
|
"Sweet Lover Hangover" is their first single. This is a really great
|
||||||
|
song. I really don't know how to describe it, but I'll try my best.
|
||||||
|
(Don't laugh) Take smooth acoustic guitar (a la softer Oasis?) and mix
|
||||||
|
with easy electric guitar solos, add organs and some wave sounds.
|
||||||
|
|
||||||
|
For the most part, this is a very mellow sounding record. It would
|
||||||
|
definitely get my vote for one of the albums of the year.
|
||||||
|
|
||||||
|
It is really hard to pull out the highlights of this album. Mainly
|
||||||
|
because every one is _GREAT_. This is well worth whatever you pay for it.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
'Zines
|
||||||
|
|
||||||
|
Weezine - Issue 6/Spring 1996
|
||||||
|
(14 pages/half sized)
|
||||||
|
Weezer Fanclub
|
||||||
|
9311 SE Foster Rd. #666
|
||||||
|
Portland, OR 97266
|
||||||
|
|
||||||
|
This has to be one of the best 'zines I've ever read. It has great
|
||||||
|
information on Weezer and a fantastic layout. You really can't ask for
|
||||||
|
much more then this in a 'zine.
|
||||||
|
|
||||||
|
The main editors of this 'zine are Mykel and Carli. They both run the
|
||||||
|
Weezer Fan Club, which is how this 'zine is obtained. To the best of my
|
||||||
|
knowledge, I don't believe you can get this without joining the fanclub.
|
||||||
|
Then again, if you want to read this 'zine for it's content (like you
|
||||||
|
should), wouldn't you be interested in the fan club as well?
|
||||||
|
|
||||||
|
ANYWAY.
|
||||||
|
|
||||||
|
This issue features an update from Rivers Cuomo (lead singer of Weezer),
|
||||||
|
in which they print a photocopy of a handwritten letter of his. He tells
|
||||||
|
us how Harvard life is, how his leg is feeling these days (he had an
|
||||||
|
operation last winter), and the status of the new album. Very interesting
|
||||||
|
reading.
|
||||||
|
|
||||||
|
The bulk of the issue (6 out of the 14 pages) is a column written by Karl
|
||||||
|
Koch, who is Weezer's chief helpers (roadie duties, I presume?) He does
|
||||||
|
A lot of work for Weezer and The Rentals. In this column he answers a lot
|
||||||
|
of fan's questions about the band, reviews four Weezer bootlegs, and goes
|
||||||
|
through a very thorough instrument history. If you ever had the inkling
|
||||||
|
to find out exactly what type of bass Matt Sharp uses, or the type of
|
||||||
|
drums Pat Wilson uses, you will find that all in here. Very amazing.
|
||||||
|
|
||||||
|
The design itself is pretty professional. They did a very good job with
|
||||||
|
the layout. The fonts are all perfect, nothing is hard to read. Nor are
|
||||||
|
there any blurry photocopies.
|
||||||
|
|
||||||
|
Membership to the Weezer fanclub is $10. Send a SASE to the address
|
||||||
|
listed above.
|
||||||
|
|
||||||
|
-----
|
||||||
|
|
||||||
|
Big*Geek (Issue 2) / Inverted Magazine (Issue 3)
|
||||||
|
(22 Pages/Full Sized)
|
||||||
|
|
||||||
|
Big*Geek
|
||||||
|
PO Box 319
|
||||||
|
Glenview, IL 60025
|
||||||
|
|
||||||
|
Inverted Magazine
|
||||||
|
75 Grand St. #2e
|
||||||
|
New York, NY 10013
|
||||||
|
|
||||||
|
This is a split issue by two very good 'zines. Let's look at Big*Geek's
|
||||||
|
half first.
|
||||||
|
|
||||||
|
This 'zine is run by Brian Geek (briang@ais.net). It is still somewhat
|
||||||
|
new, but shows A lot of potential. Let's hope it continues on it's present
|
||||||
|
track, and it will prove to be a very good read. As it has proven
|
||||||
|
already.
|
||||||
|
|
||||||
|
This issue is really good. A thought-provoking article on short
|
||||||
|
attention spans, titled "what was i going to title this?" and a two page
|
||||||
|
diary-type article, both show us the inner workings and thoughts of Brian.
|
||||||
|
He also gives us a really good essay in "Red Kite". There is also an
|
||||||
|
interview with The Pist, and a messload of 'zine and record reviews.
|
||||||
|
|
||||||
|
This was my first time reading Inverted, and I must say that I'm
|
||||||
|
impressed. Somewhat more "angsty" then most of my readings, Michelle
|
||||||
|
Chen's (editor/voxpop@pipeline.com) writing's are very good.
|
||||||
|
|
||||||
|
She has an article, titled "A Confession", in which she admits to being a
|
||||||
|
dork (is that really hard to do? :)). A really interesting short
|
||||||
|
'personal reflection' called "Shows" and "An Anecdote" are also very great
|
||||||
|
writings. The thing I didn't really like, mainly because I didn't get it,
|
||||||
|
was a short comic called "Pin Money" by Mimi Ilano.
|
||||||
|
|
||||||
|
There are also some other short essays and stories in this issue. Most of
|
||||||
|
them are very good.
|
||||||
|
|
||||||
|
Overall, both of these magazines are great. Good layout, great content.
|
||||||
|
Contact these editors and get their 'zines.
|
||||||
|
|
||||||
|
----------
|
||||||
|
Relish e'Zine - Issue 3
|
||||||
|
email: jlantz@netcom.com
|
||||||
|
|
||||||
|
This has to be my favorite e'zine right now. It's such a lovely blend of
|
||||||
|
personal reflections with short stories and other essays. Man, The Masked
|
||||||
|
Marauder (editor) rocks.
|
||||||
|
|
||||||
|
This issue has a really good rant-spew called "alterna-teen", a funny story
|
||||||
|
called "Lassie", and A lot of other really good things. Murmur has a great
|
||||||
|
piece called "Licking Stamps." TMM has other great stuff, Shadow Tao has
|
||||||
|
an article.. Man, this issue just _RULES_. It is so great. So great.
|
||||||
|
|
||||||
|
----------
|
||||||
|
Slinky e'Zine - Issue 4
|
||||||
|
email: b3lial@cybercomm.net
|
||||||
|
|
||||||
|
This is definitely my second favorite e'zine in the world (see relish
|
||||||
|
review, above :)). This is also really great. This issue is the best
|
||||||
|
Slinky issue to date.
|
||||||
|
|
||||||
|
With a really funny opening editorial ("Meet Russian Women!"), to great
|
||||||
|
stories by Belial, "Did You Love Her?", and Cerkit, "What Time Is It?", to
|
||||||
|
a great essay by Jestapher, "Intellect vs. Introspect." Cerkit also had
|
||||||
|
very good poetry this issue, especially "Shadows Conversing."
|
||||||
|
|
||||||
|
This is a great 'zine. That's all that can be said. Keep looking towards
|
||||||
|
this 'zine in the future. If all holds well for the Slinky people, we
|
||||||
|
could be looking at a fierce 'zine.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(7) - News Snippets - Compiled by Edicius
|
||||||
|
|
||||||
|
_Teens charged in credit card online scam_
|
||||||
|
Asbury Park Press, 5/4/96
|
||||||
|
|
||||||
|
By Bernhard Warned, Staff Writer
|
||||||
|
|
||||||
|
To an unsuspecting computer user on line, the message seemed legitimate
|
||||||
|
enough: "You're out of time. Please enter your name, credit card account
|
||||||
|
number and computer password to continue to operate on-line."
|
||||||
|
|
||||||
|
Behind the message, however, were two South Brunswick Township [NJ]
|
||||||
|
teen-agers who retrieved the credit card account information and used it to
|
||||||
|
mail-order a cache of computer and music equipment, police said.
|
||||||
|
|
||||||
|
In the end, the boys obtained $14,235 worth of merchandise -- including a
|
||||||
|
high-tech notebook computer, a CD-ROM drive, modem and drum cymbals --
|
||||||
|
thanks to their home computer, police said yesterday.
|
||||||
|
|
||||||
|
The two -- 16-year olds from the Dayton and Kendall Park sections --
|
||||||
|
ultimately defrauded 15 subscribers of America Online, a computer service
|
||||||
|
with subscribers across the United States, police said.
|
||||||
|
|
||||||
|
The boys have been released to the custody of their parents with a date
|
||||||
|
pending in Family Court in New Brunswick.
|
||||||
|
|
||||||
|
Beginning perhaps in early March, the suspects had the merchandise
|
||||||
|
delivered to five township homes that were either unoccupied or in the
|
||||||
|
process of being sold.
|
||||||
|
|
||||||
|
In an effort to cover their tracks, precise instructions were attached to
|
||||||
|
the front doors ordering the deliverymen to drop off the items in the
|
||||||
|
rear of the homes, presumably out of view of any suspicious neighbors.
|
||||||
|
|
||||||
|
Their alleged scheme began to unravel on April 8, however, when township
|
||||||
|
detectives received a phone call from Wisconsin police. Wisconsin
|
||||||
|
authorities told police that an order for music equipment was to be sent
|
||||||
|
to a residence in the Kendall Park section of the township. What made it
|
||||||
|
suspicious was that the item was ordered with a credit card belonging to
|
||||||
|
a Flushing, N.Y., resident.
|
||||||
|
|
||||||
|
In the following weeks, detectives learned of similar billing
|
||||||
|
arrangements identifying other township homes, police said.
|
||||||
|
|
||||||
|
Finally, investigators spoke with a woman from the Franklin Park section
|
||||||
|
of South Brunswick who gave them a description of two young men who had
|
||||||
|
knocked on her door looking for a package. She told that boys that she
|
||||||
|
had it returned.
|
||||||
|
|
||||||
|
With the use of United Parcel Service records, more credit card victims
|
||||||
|
surfaced, creating a paper trail that eventually led to the boys' homes.
|
||||||
|
|
||||||
|
A search of the boys' homes revealed additionally merchandise and a
|
||||||
|
damming bit of evidence: the computer used to perpetrate the crimes -- and
|
||||||
|
a computer file in it detailing whom they had defrauded, police said.
|
||||||
|
|
||||||
|
At the home of one of the culprits, police found a new $4,000 laptop
|
||||||
|
computer. The boy explained its existence by drafting a letter to his
|
||||||
|
father, which stated the boy won the computer for his scholarly
|
||||||
|
achievements, said Detective Ed George.
|
||||||
|
|
||||||
|
In the end, the boys had been tied to seven different crimes, police said.
|
||||||
|
For their alleged roles, they were charged with a 39 counts of theft and
|
||||||
|
fraud, police said.
|
||||||
|
|
||||||
|
Pirate software, the type the boys used to allegedly snatch up credit card
|
||||||
|
details, is readily available from hackers or via the Internet, police
|
||||||
|
say.
|
||||||
|
|
||||||
|
In this case, the boys used a program called "AOHell," which permitted
|
||||||
|
them to fish for credit card account information of online users.
|
||||||
|
|
||||||
|
"A lot of kids have it," Detective James Kennard said of the program.
|
||||||
|
"Not all of them use it, however."
|
||||||
|
|
||||||
|
Kennard said the program could be used to irk online users by infiltrating
|
||||||
|
on-line chat sessions or even bumping them off the computer network all
|
||||||
|
together.
|
||||||
|
|
||||||
|
Investigators suspect that as many as 12 students may have conspired to
|
||||||
|
commit the crimes.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
From Time magazine, 5/13/96:
|
||||||
|
|
||||||
|
Just Too Much
|
||||||
|
|
||||||
|
Is Newt Gingrich a punk-rock fan, particularly of "Theme Song", a tune by
|
||||||
|
the band Too Much Joy? As the story goes, Gingrich heard the single played
|
||||||
|
among G.O.P. staff members, then last month allegedly sent fan letters to
|
||||||
|
the irreverent musicians (once tried and acquitted of obscenity charges),
|
||||||
|
raving that they "had captured the entire essence of our 1994 campaign in a
|
||||||
|
single line: 'To create, you must destroy.'" The band's promoters used the
|
||||||
|
letters to help publicize its new album. Last week Gingrich's's office
|
||||||
|
claimed the letters were a hoax, despite being on the Speaker's stationery,
|
||||||
|
complete with signature, gold seal and watermark. Band member Jay
|
||||||
|
Blumenfield believes the letters are authentic. Still, he says, "it's
|
||||||
|
becoming more and more sinister."
|
||||||
|
|
||||||
|
-----------
|
||||||
|
|
||||||
|
Posted to several newsgroups, including alt.zines and
|
||||||
|
alt.music.modern-rock, by Radical Records (radical@chesea.ios.com).
|
||||||
|
|
||||||
|
_INDIE LABEL Inter-"NETS" SOUGHT-AFTER AUSTRALIAN BAND_
|
||||||
|
|
||||||
|
New York City-based Radical Records broke new ground this week, quite
|
||||||
|
possibly becoming the first label to sign a band without ever meeting or
|
||||||
|
speaking to them.
|
||||||
|
|
||||||
|
The deal was set up by Eric Rosen, Director of A&R at Radical, who
|
||||||
|
discovered Bucket while scanning an Australian web page devoted to unsigned
|
||||||
|
bands.
|
||||||
|
|
||||||
|
Eighty-six e-mails and 7 months later, Bucket signed a four year, four
|
||||||
|
record deal with Radical Records, a growing indie label, whose use of
|
||||||
|
modern day technology just sent a clear message to Bucket's many other
|
||||||
|
worldwide suitors: Hop aboard the information highway now, or lose the
|
||||||
|
race.
|
||||||
|
|
||||||
|
The four piece has already had top picks from past recordings at worldwide
|
||||||
|
radio stations. They've also been nominated for several music awards back
|
||||||
|
home in Western Australia.
|
||||||
|
|
||||||
|
"I never thought the internet would help us," Bucket's manager Kevin
|
||||||
|
Russeth wrote in one of his e-mails, "We thought it was something that was
|
||||||
|
going to steal our freedom, not help us get it!"
|
||||||
|
|
||||||
|
There's definitely something special about these guys. Three of the four
|
||||||
|
bandmembers write the songs, resulting in a variety of sounds ranging from
|
||||||
|
melodic string arrangements to faster, dirtier rhythms. Their left handed
|
||||||
|
bass and guitar players not only play their guitars upside-down, they also
|
||||||
|
use a wealth of bizarre tuning configurations toproduce their own unique
|
||||||
|
sound.
|
||||||
|
|
||||||
|
Their first American full-length, a mixture of previous Aussie releases
|
||||||
|
"Flounder" and "Muddle" will be released this fall on Radical, backed up by
|
||||||
|
a nationwide college tour.
|
||||||
|
|
||||||
|
Also coming up on Radical this summer is a new release by New Jeresey
|
||||||
|
punksters BLANKS 77 and "Oi! Skampilation, Vol.2". Phew, it's a wonder all
|
||||||
|
those Radical guys and gals don't kick the "bucket"! No way, they're too
|
||||||
|
damn good!
|
||||||
|
|
||||||
|
Call 212-475-3672 for more info..
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
Jonas e'Zine -- Issue 18
|
||||||
|
This is line 700
|
||||||
|
Send all inquiries to edi@cybercomm.net
|
||||||
|
.. or visit the website at:
|
||||||
|
http://www.cybercomm.net/~edi/jonas.html
|
||||||
|
.. or visit the ftp site at:
|
||||||
|
ftp.etext.org /pub/Zines/Jonas
|
||||||
|
|
||||||
|
"Jonas. It's more then a 'zine, it is a lifestyle."
|
||||||
|
|
||||||
|
-- eof ------------------------------------------------------------ eof --
|
||||||
|
|
937
textfiles.com/magazines/JONAS/jonas_19.txt
Normal file
937
textfiles.com/magazines/JONAS/jonas_19.txt
Normal file
@@ -0,0 +1,937 @@
|
|||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
mmmmmmmmmm$$$$ .s&$P""""7$&s. $$$$"""""7$&s. s$$$P"""""$&s. .s&$P""""7$&s.
|
||||||
|
gggg $$$$ $$$$ $$$$ $$$$ $$$$ ggggp****q$$$$ `7$$bmmmmmgggg
|
||||||
|
$$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ gggg $$$$
|
||||||
|
tMM$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$
|
||||||
|
$$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$
|
||||||
|
$$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$
|
||||||
|
`7$$bmmmmd$$P' `7$$bmmmmd$$P' $$$$ $$$$ `7$$bmmmmd$$$$ `7$$bmmmmd$$P'
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
Jonas E'Zine, Volume 2, Issue 4 (C) 1996 by Jonas Productions,
|
||||||
|
all rights reserved. Copyrights to stories, articles, and illustrations
|
||||||
|
are the property of their creators, unless otherwise noted. The
|
||||||
|
contents of this publication may not be reproduced in whole or in
|
||||||
|
part without consent of the copyright owner. Jonas may be freely
|
||||||
|
distributed as long as this notice remains in place, and
|
||||||
|
no fee is charged for it's retrieval.
|
||||||
|
|
||||||
|
I'm in love with Josephine Baker,
|
||||||
|
there's a problem, she's 20 years dead.
|
||||||
|
It's so tragic that I, in the prime of my life,
|
||||||
|
cannot find someone living to love.
|
||||||
|
Fossil / "Josephine Baker"
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
Jonas E'Zine Volume 2, Issue 4 June 26, 1996
|
||||||
|
|
||||||
|
Contents:
|
||||||
|
|
||||||
|
(1) - Edicius' Editorial
|
||||||
|
(2) - How I Got This Way [essay] / by The Masked Marauder
|
||||||
|
(3) - "Ivan" [story] / by Belial
|
||||||
|
(4) - Hillary Clinton: Why Bother? [essay] / by Edicius
|
||||||
|
(5) - Life's Greatest Gift [essay] / by Edicius
|
||||||
|
(6) - Talking About Our Generation [essay] / by Auren Hoffman
|
||||||
|
(7) - "Mornings Suck" [story] / by Eightball
|
||||||
|
(8) - My Future [essay] / [name withheld]
|
||||||
|
(9) - Reviews
|
||||||
|
(10) - News Snippets / compiled by Edicius
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(1) - Edicius' Editorial
|
||||||
|
|
||||||
|
I do not like to state my opinion on the dealings of any other magazine,
|
||||||
|
just because I feel it is rude. However, Time Magazine isn't my direct
|
||||||
|
"competition", so why the hell not.
|
||||||
|
|
||||||
|
In the June 17, 1996 issue, they start a new annual issue, "America's 25
|
||||||
|
Most Influential People." Included in this elite list are Al Gore, Sandra
|
||||||
|
Day O'Connor, Jerry Seinfield, Louis Farrakhan and -- Courtney Love?
|
||||||
|
|
||||||
|
It seems that Time, when picking their 25 people, wanted people from a
|
||||||
|
variety of professions. They covered politics, business, arts, and other
|
||||||
|
aspects of entertainment. Maybe they were right when they picked Courtney
|
||||||
|
Love, the so-called "Punk Provocateur." For "Hole's success helped clear
|
||||||
|
the way for a wave of rageful women rockers, from Alanis Morissette to
|
||||||
|
Tracy Bonham to Garbage's Shirley Manson," according to Time.
|
||||||
|
|
||||||
|
That's influential? Because she strapped on a guitar, yells for 45
|
||||||
|
minutes about problems caused by her drug problems and late-husband?
|
||||||
|
Because of that, other women have followed and she becomes an icon of
|
||||||
|
capitalistic money makers?
|
||||||
|
|
||||||
|
If that's influential, then I'm Oscar the Grouch.
|
||||||
|
|
||||||
|
Wait, maybe it is influential. I mean, Alanis Morissette became more
|
||||||
|
angsty in her third album, "Jagged Little Pill", after being a dance
|
||||||
|
singer in her first two albums. Is this caused by Hole and Love? Maybe.
|
||||||
|
|
||||||
|
Maybe it could be the fact that her first two albums were pretty dismal in
|
||||||
|
the record sales? I'd be pretty angsty after that. If I were a girl, I'd
|
||||||
|
become a riot grrrl. Angsty young female with a guitar, watch out!
|
||||||
|
|
||||||
|
Anywho, back to my point. It is a sad day when a chain smoking, heroin
|
||||||
|
addict is influential. (Heroin? I guess there's an abundance of
|
||||||
|
'influential' people in Philadelphia then.) Love, 31, is currently riding
|
||||||
|
the spotlight which was passed onto her after her husband, Kurt Cobain,
|
||||||
|
died. Unfortunately, as long as there are people who still 'like' her
|
||||||
|
music, we will still have to hear her useless drivel.
|
||||||
|
|
||||||
|
May God have mercy on us now!
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
Hey-ho, whaddya know? Slinky e'Zine went through a "falling out" period
|
||||||
|
this past month. Now, with no more Slinky e'Zine, the editors of the late
|
||||||
|
'zine have gone on to seperate projects. Cerkit has gone on to start a
|
||||||
|
new e'zine, by the name of "Plastic." The other editor, Belial, is
|
||||||
|
currently working with me on Jonas e'Zine. (We can all see who the wiser
|
||||||
|
of the two editors was. <g>)
|
||||||
|
|
||||||
|
Now, let's hear a few words from Belial himself.
|
||||||
|
|
||||||
|
-----
|
||||||
|
|
||||||
|
As Edicius said, I am Belial. From the time that I first began to get
|
||||||
|
involved with the computer, which was around September of '95, Jonas and I
|
||||||
|
have had a very close relationship. The first two articles that I ever
|
||||||
|
wrote were given to Jonas -- and they even got in! Since that time, I've
|
||||||
|
gone on to write two of my own 'zines, Klunk and Slinky, and I've written
|
||||||
|
for 'zines such as Doomed to Obscurity, Yolk, and Deviate. However, all
|
||||||
|
through this time, Jonas was never far from my heart. It was the first
|
||||||
|
'zine that I ever read and it remains to this day, my favorite. I have
|
||||||
|
always wanted to write for Jonas, and I'm more than happy to finally have
|
||||||
|
the opportunity to do so now on a regular basis.
|
||||||
|
|
||||||
|
-----
|
||||||
|
|
||||||
|
Thanks Belial!
|
||||||
|
|
||||||
|
But wait, there's more! Some kind words of regard from the other Slinky
|
||||||
|
editor, Cerkit!
|
||||||
|
|
||||||
|
-----
|
||||||
|
|
||||||
|
Join me, I mean I'm a good guy. Read on, don't discriminate. Oh well, for
|
||||||
|
those of you that stayed, good luck, try to keep up. now, I've seen things
|
||||||
|
start forever. hell I've seen alot of them end. and in that time what I've
|
||||||
|
found important are new beginings. Jonas seems its at a new begining with
|
||||||
|
Belial involved now.
|
||||||
|
|
||||||
|
Seemingly though it's going to take some work, of course. Unless I'm
|
||||||
|
mistaken it took Belial and I plenty of work to do our 'zine. Continuing,
|
||||||
|
I'd like to personally say I believe in Belial's abilities. Keeping with
|
||||||
|
the topic it's beginings like this that make things good. So, Belial and
|
||||||
|
Edi, Marc and Tom, good luck, from the bottom of my heart.
|
||||||
|
|
||||||
|
-----
|
||||||
|
|
||||||
|
That's it. In the end, as always, is the Jonas contact information.
|
||||||
|
Email us anything you want. Questions, comments, or useless spam. We
|
||||||
|
like 'dem sex ad spams!
|
||||||
|
|
||||||
|
Also, if you run a band, and are interested in having your recent cd or
|
||||||
|
demo or whatnot reviewed, email me. I'll be doing more full length
|
||||||
|
articles and interviews on and with bands in the future. I love indie
|
||||||
|
record labels! You guys are the best!
|
||||||
|
|
||||||
|
Enjoy yourselves.
|
||||||
|
|
||||||
|
-- Edicius (Tom Sullivan), with help from Belial (Marc Newman).
|
||||||
|
|
||||||
|
-------------------------------------------------------------------------
|
||||||
|
(2) - "How I Got This Way" - by The Masked Marauder
|
||||||
|
|
||||||
|
I'm not altogether sure what "this way" is, or who I am, yet, but I think
|
||||||
|
that over the past few years, I have gone through some weird stuff that
|
||||||
|
made me this way. It's kind of a long explanation so bear with me.
|
||||||
|
|
||||||
|
I began high school in Cincinnati, Ohio. The place I was brought up, and
|
||||||
|
the place I called home. From the first day, I loved it. There was more
|
||||||
|
responsibility, more freedom, and more fun; and I was experiencing it all.
|
||||||
|
I finally got 100 percent in with the popular crowd, I didn't do any-
|
||||||
|
thing bad, something I changed later, and I was making great grades.
|
||||||
|
before the first quarter was half-way through, I had lots of friends, and
|
||||||
|
a cheerleader girlfriend.
|
||||||
|
|
||||||
|
Then my parents decided to prove how nice they were and in two weeks moved
|
||||||
|
me to Birmingham, Alabama, where I started school at a small and
|
||||||
|
conservative catholic school. I hated it. I hated my uniforms, the
|
||||||
|
people, the teachers, the school, the town, everything. It couldn't get
|
||||||
|
any worse. I drudged my way through my freshman year and spent most of my
|
||||||
|
summer in isolation, my only entertainment was mowing my yard.
|
||||||
|
|
||||||
|
By some act of god, whom I had given up on at this point, my father got
|
||||||
|
another job, this one in Dallas, Texas. So we immediately shipped off,
|
||||||
|
because school started August eleventh. I started school at Shepton High
|
||||||
|
School, which fed Plano Senior High School. I was extremely nervous and
|
||||||
|
defensive about the whole thing, and while sitting in the counselor's
|
||||||
|
office awaiting my "buddy" that would guide me through the school, I kept
|
||||||
|
reciting the litany from _Dune_. "I must not fear. Fear is the
|
||||||
|
mindkiller. Fear is the little-death that brings total obliteration. I
|
||||||
|
will permit it to pass over me and through me and when it has past I will
|
||||||
|
look back on it. Only I will remain."
|
||||||
|
|
||||||
|
The first few weeks were pretty much a blur, the people were extremely
|
||||||
|
nice, but I wasn't accustomed to it. As I began to get used to it, I
|
||||||
|
decided to play a sport, lacrosse. I had planned to play lacrosse in Ohio
|
||||||
|
but financial stuff got in the way. So I bought a stick four months
|
||||||
|
before the season started and began to get familiar with it. The first
|
||||||
|
day of practice changed my life.
|
||||||
|
|
||||||
|
I met Jim Hamilton.
|
||||||
|
|
||||||
|
Jim was a "party guy" who played politics and was one of the most popular
|
||||||
|
people in school. Popularity meant something back then, now it is just a
|
||||||
|
bunch of bullshit. Anyways, Jim Hamilton was nice to me. Casual
|
||||||
|
conversation was pretty much the extent of our interaction, until one
|
||||||
|
practice when he sprained his ankle and had no ride home. Attempting to
|
||||||
|
establish the groundwork for a friendship, I volunteered, and he accepted.
|
||||||
|
|
||||||
|
During the ride home we casually talked about just regular stuff, but I
|
||||||
|
guess it was a little more than that, because after that, we were more
|
||||||
|
than just teammates. At school we said hello to each other in the halls
|
||||||
|
and kept talking. Soon he invited me to go out with him and his friends
|
||||||
|
and it took off from there.
|
||||||
|
|
||||||
|
------
|
||||||
|
|
||||||
|
Now, looking back at three years of friendship, it has been a long and
|
||||||
|
strange trip. Jim and I went through everything together. Love, sex,
|
||||||
|
drugs, high school, and this year as co-captains of the lacrosse team. We
|
||||||
|
meant everything to each other and we were always together. I went to my
|
||||||
|
counselor the second day of school and had two classes changed, lunch and
|
||||||
|
weightlifting, so that we could be together.
|
||||||
|
|
||||||
|
We never had a fight, or even a disagreement. We had many discussions
|
||||||
|
about matters that extended beyond the things we had in common. We became
|
||||||
|
brothers, and we couldn't be separated by anything.
|
||||||
|
|
||||||
|
Except for destiny.
|
||||||
|
|
||||||
|
In two weeks, Jim ships off for the Merchant Marine Academy, a school
|
||||||
|
where he will learn to navigate and drive navy ships. He will spend seven
|
||||||
|
months out of the year at sea, and he will be there without me.
|
||||||
|
|
||||||
|
I can't help feeling sad that this era of our lives is over. Nothing
|
||||||
|
punctuated that more than after the graduation ceremony, when we tossed
|
||||||
|
our hats in the air and the graduating class of 1,259 began celebrating.
|
||||||
|
The video cameras even caught Jim and I's moment when we walked up to each
|
||||||
|
other at the front of Moody Coliseum at Southern Methodist University and
|
||||||
|
hugged.
|
||||||
|
|
||||||
|
That one moment was the culmination of it all. But in a way it was
|
||||||
|
special, because it wasn't our relationship that was over, it was our high
|
||||||
|
school years. That moment will live on in infamy in both my mind and on
|
||||||
|
the "Plano Senior High School class of '96 graduation" video, as the last
|
||||||
|
image on the screen with a big "goodbye" written across it.
|
||||||
|
|
||||||
|
But it isn't over. We said that "friends like this don't lose touch" a
|
||||||
|
thousand times over the course of our friendship, and it still holds true
|
||||||
|
today. We have made arrangements to stay in touch at all times, he has
|
||||||
|
his laptop that he will keep with him at sea and his internet account, and
|
||||||
|
of course I have my computer and account. Email will be our mode of
|
||||||
|
communication for the next few years and after that, who knows.
|
||||||
|
|
||||||
|
But for now, I wish him goodbye. He is the best friend I have in this
|
||||||
|
world and has had more to do with my growth and development than any other
|
||||||
|
human being on this planet, and I thank him for that. We had a good run.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(3) - "Ivan" - by Belial
|
||||||
|
|
||||||
|
Ivan sat in his room, lost and out of touch with the rest of the kids his
|
||||||
|
age. He didn't care, though. He didn't need any friends, he didn't care
|
||||||
|
about going out, he didn't care about anything. He had the Internet and
|
||||||
|
that was all he needed.
|
||||||
|
|
||||||
|
What was there that the Internet couldn't provide for him?
|
||||||
|
|
||||||
|
He had found plenty of friends on the Internet. He had even found a girl
|
||||||
|
who had a lot in common with him.
|
||||||
|
|
||||||
|
Why should he be Ivan, the social reject, when he could be Destroyer and
|
||||||
|
have lots and lots of friends, girls, and, more importantly, any game that
|
||||||
|
he ever wanted. He was popular on the Internet. Girls wouldn't even go
|
||||||
|
near him at school, but on the Internet, he met new girls everyday. For
|
||||||
|
the first time in his life he was popular, for the first time in his life,
|
||||||
|
he was happy.
|
||||||
|
|
||||||
|
So why couldn't his parents understand this?
|
||||||
|
|
||||||
|
Constantly, they would mock him. They would yell at him, they would even,
|
||||||
|
at times, threaten him. "You don't get out enough!", "When was the last
|
||||||
|
time you've seen the light of day?", "Hermit!", "Why don't you come out of
|
||||||
|
your cave and be like the rest of the kids your age?", "Don't you have any
|
||||||
|
friends?", "Get a job and quit wasting your time on the damn computer!",
|
||||||
|
"You're going to regret sitting in front of the computer all day when you
|
||||||
|
get older!" It never ended, they always had something to say, but he
|
||||||
|
silently endured it, because he knew that he had a better life waiting for
|
||||||
|
him on the computer, where people liked him and where he was happy.
|
||||||
|
|
||||||
|
They could never understand what it was he was doing on the computer. All
|
||||||
|
they thought he was doing was playing games that were wasting his mind or
|
||||||
|
looking at pornography. No matter what it was, though, it wasn't
|
||||||
|
important. What was important, though, was that he get a job and go out
|
||||||
|
and meet some real friends. That's all that ever mattered to them. It
|
||||||
|
wasn't Ivan that mattered, it was Ivan getting a job that mattered to them
|
||||||
|
the most.
|
||||||
|
|
||||||
|
"You need to get a job so you can have a taste of what the real world is
|
||||||
|
like and so you can learn to be more responsible."
|
||||||
|
|
||||||
|
The real world? What was he living in?
|
||||||
|
|
||||||
|
Why couldn't they just leave him alone and let him live his own life as he
|
||||||
|
wanted to?
|
||||||
|
|
||||||
|
No, that would be too much, Ivan thought as he sat looking into the
|
||||||
|
computer screen, mulling over the same familiar thoughts. They couldn't
|
||||||
|
let him live his own life, they had to live it for him.
|
||||||
|
|
||||||
|
All of the sudden, Ivan heard a knocking at his door, instantly snapping
|
||||||
|
him back to reality.
|
||||||
|
|
||||||
|
"Yes?" he said, getting out of his chair and walking to the door.
|
||||||
|
|
||||||
|
"Why is this door locked?" his father asked from the other side, jerking
|
||||||
|
the handle.
|
||||||
|
|
||||||
|
"I don't know." Ivan answered, opening the door, letting his father walk
|
||||||
|
into the room.
|
||||||
|
|
||||||
|
"Jesus Christ," his father began, "it's like a Goddamn cave in here! Open
|
||||||
|
those blinds and let some light in here. Christ, what are you? Some kind
|
||||||
|
of hermit? What the Hell are you doing on that computer anyway?"
|
||||||
|
|
||||||
|
"I was just talking to one of my friends." Ivan answered, walking over to
|
||||||
|
the computer, turning off the screen.
|
||||||
|
|
||||||
|
"Friends?" his father laughed. "You don't have any friends. Look at you,
|
||||||
|
you never even leave this room."
|
||||||
|
|
||||||
|
"I met them over the computer." Ivan said.
|
||||||
|
|
||||||
|
Instantly, his father broke out in a fit of laughing. "Over the Internet?
|
||||||
|
You?" he laughed, "They must all be dorks like you!"
|
||||||
|
|
||||||
|
Saying nothing, Ivan just looked down at the floor. It was always the
|
||||||
|
same. The man would never get off his back. It always, always, had to be
|
||||||
|
something.
|
||||||
|
|
||||||
|
Seeing his son say nothing, Ivan's father sobered up. "Here's the deal,"
|
||||||
|
he said in all seriousness. "I'm giving you two weeks to get out of your
|
||||||
|
room and get a job. If you don't have a job in that time, then the
|
||||||
|
computer is gone."
|
||||||
|
|
||||||
|
"Dad!" Ivan screamed.
|
||||||
|
|
||||||
|
"If you don't have a job, then the computer is gone." Ivan's father said
|
||||||
|
one last time as he walked out of the room, shutting the door behind him.
|
||||||
|
|
||||||
|
In a fit of anger, Ivan grabbed an empty glass and threw it against the
|
||||||
|
door as if he were throwing it at his father himself. "Damn you," he said
|
||||||
|
over and over again.
|
||||||
|
|
||||||
|
It wasn't the fact that he had to get a job that bothered him, it was the
|
||||||
|
fact that having a job would take away from his time on the Internet. Of
|
||||||
|
course having money would be great, but what was he going to do with it?
|
||||||
|
Aside from a few CD's, there wasn't anything that he wanted or needed. It
|
||||||
|
would just be pointless, Ivan reasoned.
|
||||||
|
|
||||||
|
It took Ivan about a week to find a job. Of couse he didn't like it, but
|
||||||
|
it was either this and nothing, and nothing was unacceptable. He would
|
||||||
|
not lose his computer. Ivan got a job in a small clothes store at one of
|
||||||
|
the malls down the street. From the first day, Ivan hated the job. It
|
||||||
|
didn't pay well (not well enough for his tastes, anyway), and he certainly
|
||||||
|
didn't get along with the people he worked with. They didn't like him
|
||||||
|
because he was quiet and didn't talk to them or laugh at their stupid
|
||||||
|
jokes, and he didn't like them because they were nothing like him and they
|
||||||
|
made no attempt to even try to get along with him. Not only that, but
|
||||||
|
his job, from the first instant, got in the way of his use of the computer
|
||||||
|
and the Internet. He had to go into work right after school and he didn't
|
||||||
|
get out until late at night. He had no time to himself, and when he did
|
||||||
|
actually have some time, he spent it sleeping, getting ready to go to work
|
||||||
|
once again.
|
||||||
|
|
||||||
|
"I'm pround of you, boy." his father had said after he got the job.
|
||||||
|
|
||||||
|
As the weeks dragged by, Ivan drifted further and further away from the
|
||||||
|
computer, the Internet, and his friends on it.
|
||||||
|
|
||||||
|
Then something strange happened.
|
||||||
|
|
||||||
|
One day at work, his manager walked up to him and asked to speak with him
|
||||||
|
in the back room. Nodding, Ivan followed his boss to the back room and
|
||||||
|
took a seat where the manager pointed. He didn't think much of it, he
|
||||||
|
thought that he was even hopeful that he was going to get a raise. He was
|
||||||
|
doing his job good and he always did what he was told.
|
||||||
|
|
||||||
|
"Ivan, do you know why I've brought you back here?" his manager asked,
|
||||||
|
looking hard at Ivan who said he didn't know.
|
||||||
|
|
||||||
|
"Well, I was approached by some of the other employees who claim that you
|
||||||
|
have been taking merchandise," he began, "I know you're a quiet worker and
|
||||||
|
that you keep mostly to yourself, so there is nothing that would lead me
|
||||||
|
to beli-- "
|
||||||
|
|
||||||
|
Furious, Ivan cut in, "You're accusing me of theft!"
|
||||||
|
|
||||||
|
"I'm not accusing you of anything, I was just relating facts."
|
||||||
|
|
||||||
|
"I didn't steal anything!" Ivan protested.
|
||||||
|
|
||||||
|
"I would like to take your word for it, Ivan, but more than one person, on
|
||||||
|
various occasions, have said that they have seen you taking merchandise
|
||||||
|
from the store. Now, as you know, this isn't a big store, and even losing
|
||||||
|
the smallest amount of merchandise affects us."
|
||||||
|
|
||||||
|
"So what are you saying?" Ivan asked, confused.
|
||||||
|
|
||||||
|
"I'm going to let you go, Ivan. Although you have always done what you
|
||||||
|
were told and you have done a good job and have always been on-time while
|
||||||
|
you have been with us, I can't afford to lose-- "
|
||||||
|
|
||||||
|
"You're firing me!"
|
||||||
|
|
||||||
|
"I'm afraid so, Ivan. I'm sorry, but I just can't afford to take any
|
||||||
|
risks."
|
||||||
|
|
||||||
|
Depressed, Ivan took off his apron and handed it to the manager. Then he
|
||||||
|
left the store and started walking home. When he got home, he expected to
|
||||||
|
get yelled at by his father, but was suprised, and angry, when his father
|
||||||
|
only said, "Well, you better get up early and start looking for a new job
|
||||||
|
tommorrow."
|
||||||
|
|
||||||
|
After that, Ivan went upstairs and booted up his computer. The sweet
|
||||||
|
sound of the fan and the testing of the harddrive soothing his mind. It's
|
||||||
|
been a long time, and Destroyer was ready to reconquer the Internet.
|
||||||
|
|
||||||
|
Only this was a new, changed Internet. Ivan looked for all of his old
|
||||||
|
friends, but they were nowhere to be found. Nobody knew him, he was just
|
||||||
|
another forgotten identity.
|
||||||
|
|
||||||
|
Alone, Ivan shut off the computer.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(4) - Hillary Clinton: Why Bother? - by Edicius
|
||||||
|
|
||||||
|
According to a new book about the 1996 presidential campaign, called "The
|
||||||
|
Choice," Hillary Rodham Clinton consulted with a spiritual advisor who led
|
||||||
|
her through conversations with Eleanor Roosevelt. The book, written by
|
||||||
|
Bob Woodward, an assistant managing editor at the Washington Post, says
|
||||||
|
that Mrs. Clinton had several consultations with author Jean Houston and
|
||||||
|
an associate, Mary Catherine Bateson, in which she was able to talk to
|
||||||
|
Eleanor Roosevelt.
|
||||||
|
|
||||||
|
These allegations are nothing new. Mrs. Clinton herself has admitted that
|
||||||
|
she had "meetings" with Eleanor Roosevelt while she was writing her book,
|
||||||
|
"It Takes a Village." In her syndicated column on June 4, she wrote, "I
|
||||||
|
occasionally have imaginary conversations with Mrs. Roosevelt to try to
|
||||||
|
figure out what she would do in my shoes. She usually responds by telling
|
||||||
|
me to buck up or at least to grow skin as thick as a rhinoceros."
|
||||||
|
|
||||||
|
Senator Al D'amato, a stern opponant of the Clintons stemming from the
|
||||||
|
Whitewater investigation, was asked by a group of reporters what he
|
||||||
|
thought of this allegation. His reply, more or less, was "so what?" The
|
||||||
|
reporters went on to ask him if he would use any of this against her in
|
||||||
|
the Whitewater trial. He answered with a no.
|
||||||
|
|
||||||
|
President Clinton and his wife have not commented on the new book.
|
||||||
|
|
||||||
|
My question, why do we care?
|
||||||
|
|
||||||
|
Hillary Clinton is a woman just like anyone else. Countless people talk
|
||||||
|
to a psychic, get their hand read, or go to tarot readings. Anything
|
||||||
|
related to the psychic field, as in those events already mentioned, can't
|
||||||
|
be relied on. So people look down on that. Since people look down on it,
|
||||||
|
they want Mrs. Clinton branded for her meetings.
|
||||||
|
|
||||||
|
So answer this. How many of you make a decision based on intuition or
|
||||||
|
superstition. These are two things that aren't related to the psychic
|
||||||
|
field, and they can't be relied on. But how come we don't write them off
|
||||||
|
as a joke, or frivilous? That's because we all base some amount of our
|
||||||
|
decisions on them.
|
||||||
|
|
||||||
|
Many may want to make Mrs. Clinton look like a horrible woman because of
|
||||||
|
this event, but they won't be able to. Luckily, this event will most
|
||||||
|
likely blow over soon enough. In my opinion, I really don't care what
|
||||||
|
they do. If they keep leading the country as good as they have been, they
|
||||||
|
can do whatever they want.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(5) - Life's Greatest Gift - by Edicius
|
||||||
|
|
||||||
|
Madness is one of life's greatest gifts.
|
||||||
|
|
||||||
|
I mean it, really. Did you ever stop and think? If you walk down the
|
||||||
|
street of any American town, and look out through the morning mist
|
||||||
|
glancing at the serene traquility, not everyone shares the same view.
|
||||||
|
Somewhere in that town, there is someone who may look out across the same
|
||||||
|
serene tranquility and see the last morning of their life.
|
||||||
|
|
||||||
|
As we walk about in our daily lives, we will often take for granted the
|
||||||
|
peace that we feel. We take for granted the liberty and peace that we
|
||||||
|
have in our lives. We may know who we are, wherever we go, but do we know
|
||||||
|
who that person standing next to you is?
|
||||||
|
|
||||||
|
The person next to us may be our friend, or it could be a vile enemy. The
|
||||||
|
thing, however, is that we may never know. We'll pass thousands upon
|
||||||
|
thousands of people in our lives. A very large majority of that, we will
|
||||||
|
never know for more then a few seconds. If circumstances allow, we may
|
||||||
|
say a few words to that person. Under more rare circumstances, we may
|
||||||
|
actually get to know who that person is. At this point, we will learn to
|
||||||
|
love or hate that person. Under different circumstances, we wouldn't have
|
||||||
|
known that person.
|
||||||
|
|
||||||
|
Take a look into your memory. Out of the very few people that you knew
|
||||||
|
for a few mere moments, who are the ones that stick out in your mind? Is
|
||||||
|
it the one who was really courteus to you? Or is it the one who was mean?
|
||||||
|
More often than not, the persons that you will remember are normally the
|
||||||
|
ones who were somewhat less than nice to you. We, as a society, have
|
||||||
|
either become so adjusted to the assholes, grinches, and snobs, that we
|
||||||
|
place them on a "value" scale. Or, in actuality, we only meet so many
|
||||||
|
"mean" people, that we forget about the larger majority of nice people we
|
||||||
|
know.
|
||||||
|
|
||||||
|
So, to my original point. If you want to be known, you have to be mean.
|
||||||
|
Wait, let me rephrase that. If you want to be _remembered_, you have to
|
||||||
|
be mean. As I already stated, people don't remember the person who held
|
||||||
|
the door open for them as they were walking into the store, they remember
|
||||||
|
the one who shut it in their face. That's because the person who shut it
|
||||||
|
in their face made them pissed off. Still, they're remembered longer then
|
||||||
|
the person who held it open.
|
||||||
|
|
||||||
|
Girls don't want to date the nice boys. Most girls are stupid, and want
|
||||||
|
to be treated like shit. So, they'll find attractive those guys who are
|
||||||
|
shit. Sometimes the nice boys are too much for a girl to handle,
|
||||||
|
especially a girl who doesn't want a commitment. When the time comes for
|
||||||
|
the breakup, it's easier to break up with a boy who treated them like
|
||||||
|
shit. If that boy treated them like a goddess, then they will feel bad
|
||||||
|
about breaking off the relationship. Instead of having the guilt, they'll
|
||||||
|
take the easy way out, and go for the piece of shit.
|
||||||
|
|
||||||
|
They say we all will get what we deserve in the end. Maybe they're right,
|
||||||
|
maybe the good and the bad will get what they deserve; or they could be
|
||||||
|
wrong. Being the optimistic one that I am, I believe I will get what I
|
||||||
|
deserve in the end.. but the end is just too far away.
|
||||||
|
|
||||||
|
.. or is it?
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(6) - Talking About Our Generation - by Auren Hoffman
|
||||||
|
|
||||||
|
For those of us who grew up on MTV, video games, and microwave dinners,
|
||||||
|
"Generation X" is far from a complimentary term. The phrase "Baby Boomer"
|
||||||
|
has a nice ring to it, but "Generation X" suggests that my generation,
|
||||||
|
those people born in the United States between 1963 and 1983, are lost or
|
||||||
|
undefined. According to many pundits and modern philosophers, although we
|
||||||
|
might be the generation that can surf the Internet or program a VCR, we
|
||||||
|
lack the depth or direction to add value to society. Their "theory"
|
||||||
|
suggests we are lazy, apathetic, and care little about the world and even
|
||||||
|
more notable, we are lost.
|
||||||
|
|
||||||
|
Needless to say, I have hope and pride in the generation that watches the
|
||||||
|
"Simpsons" but lives the life of "Friends." I heard another "theory" that
|
||||||
|
Gen X'ers are no different from boomers 20-30 years ago. Some people say
|
||||||
|
that all 22 year olds are "lost."
|
||||||
|
|
||||||
|
Generation X is different from the boomers of yesteryear -- but not
|
||||||
|
because we are slackers, screw-ups, or schemers. The boomers tended to
|
||||||
|
be, in the 1960's and early 70's, ideologues that crusaded for their
|
||||||
|
causes and made love, not war. Then the boomers sold out their ideology
|
||||||
|
for BMW's, stock portfolios, and cable TV. The liberal boomers soon
|
||||||
|
became Reagan Democrats or fiscal Republicans.
|
||||||
|
|
||||||
|
But Generation X is different. Though many of us have our government
|
||||||
|
causes, our campaigns, or strong ideology, the Gen X'er is (and will
|
||||||
|
always be) more libertarian than the Baby Boomer. We tend to distrust
|
||||||
|
government control of anything we don't want the government meddling in
|
||||||
|
our bedroom, our computer, or our income. Though socially liberal, like
|
||||||
|
the young people throughout history, young X'ers are far more fiscally
|
||||||
|
conservative than past generations.
|
||||||
|
|
||||||
|
Though many Boomers may have lost faith in the federal government, X'ers
|
||||||
|
never had faith. We know that we are paying social security to support
|
||||||
|
our parents, Medicaid to support our grandparents, and taxes to support
|
||||||
|
wasteful projects like ethanol energy and corporate tax loopholes. We
|
||||||
|
never expect to benefit from large government programs.
|
||||||
|
|
||||||
|
Many people think of the political spectrum as one-dimensional either
|
||||||
|
liberal or conservative. In a one-dimensional analysis, X'ers and Boomers
|
||||||
|
have roughly the same distribution of liberals and conservatives. However,
|
||||||
|
a real political spectrum is two dimensional (see graphic [sorry to the
|
||||||
|
ascii text readers, graphic is on the web page!]). On the graphic, each
|
||||||
|
person's political ideology is represented by a set of (x, y) coordinates.
|
||||||
|
The x-axis represents the traditional determination of liberal or
|
||||||
|
conservative while the y-axis represents a person's tendencies toward
|
||||||
|
libertarian or authoritarian policies. Here is where an X'er differs from
|
||||||
|
a Boomer. While Boomers tend to have an even distribution over the
|
||||||
|
y-axis, X'ers are skewed more toward the Libertarian end. Current
|
||||||
|
university students are more likely to agree with Milton Friedman than
|
||||||
|
with Franklin Roosevelt.
|
||||||
|
|
||||||
|
Since Generation X is not yet a voting powerhouse, neither major political
|
||||||
|
party has worked to address our concerns. Both Republicans and Democrats,
|
||||||
|
with the exception of the Jack Kemp wing of the GOP, tend to support more
|
||||||
|
authoritarian government policies. Issues like immigration control and
|
||||||
|
the minimum wage have little appeal to knowledgeable Gen X'ers even though
|
||||||
|
they are the cornerstone of any Boomer campaign. But as Generation X
|
||||||
|
makes up a larger part of the electorate, Republican and Democrat
|
||||||
|
lawmakers will have to move "to the top" and address concerns like social
|
||||||
|
security, affirmative action, and remake other authoritarian government
|
||||||
|
programs.
|
||||||
|
|
||||||
|
The generation of high-top Velcro sneakers, button-fly jeans, and
|
||||||
|
Y-necklaces is also the generation of smaller government, accountable
|
||||||
|
legislators, and rapid response. Though the left and the right of the
|
||||||
|
political spectrum is clearly defined, both parties must begin to push to
|
||||||
|
the top to survive.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
About the Author
|
||||||
|
|
||||||
|
Auren Hoffman is an editor for the Internet Herald and a senior majoring
|
||||||
|
in Industrial Engineering and Operations Research at UC Berkeley.
|
||||||
|
|
||||||
|
Auren is also a partner in Kyber Systems and built Guestimate, the highly
|
||||||
|
touted guestbook package.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(7) - "Mornings Suck" - by Eightball
|
||||||
|
|
||||||
|
He reluctantly opened his eyes to a loud, irritating sound. His fist
|
||||||
|
slammed down on plastic, and the unwanted noise abated. He looked at the
|
||||||
|
object of his vexation and groaned, "oh shit, it's 8am. I'm late for
|
||||||
|
school." He dressed quickly, and flew down the stairs and out the door in
|
||||||
|
record time.
|
||||||
|
|
||||||
|
Unlocking and opening the door to his car in one fluent motion, he jumped
|
||||||
|
in the driver's seat. After starting the car, he spent a few moments
|
||||||
|
selecting a tape. with the entrance of _Pigs on the Wing_, he sped up to
|
||||||
|
the traffic light at the top of the hill. Inevitably, it was red. He
|
||||||
|
hated this light. It always took so long to change when he was pressed
|
||||||
|
for time. He lit up a cigarette to keep occupied. He really hated
|
||||||
|
mornings.
|
||||||
|
|
||||||
|
After a seeming eternity, the light turned green. He made a left, and
|
||||||
|
picked up speed on the main road. Gazing in the rearview mirror, he saw
|
||||||
|
flashing blue and red lights. He slammed on the breaks and pulled over.
|
||||||
|
The police car followed suit. "Damn. I'm late for school and now I'm
|
||||||
|
gonna get a fucking ticket!" The officer who stepped out of his squad car
|
||||||
|
was the last cop he wanted to see. It was the same one who stopped him a
|
||||||
|
month ago.
|
||||||
|
|
||||||
|
"Alright, out of the car!" the policeman bellowed. He wasn't exactly in a
|
||||||
|
position to argue, so he did as he was asked. The officer recognized him,
|
||||||
|
and after he was given a sound talking-to, the cop smacked him around a
|
||||||
|
little to "teach him a lesson."
|
||||||
|
|
||||||
|
Back in the car, a $120 ticket in hand, he was feeling sore. Painfully
|
||||||
|
sore. "Okay," he thought to himself, "its only 8 more miles to school. I
|
||||||
|
want to get there intact." However, no sooner than he had completed that
|
||||||
|
very thought, he got sideswiped by a Septa bus. "At least I still have
|
||||||
|
the right side," he said to himself, while attempting to concentrate on
|
||||||
|
driving without a door.
|
||||||
|
|
||||||
|
He decided to stop at a convenience store, since his cigarettes had been
|
||||||
|
carried off by the wind. He bought some Cheetos and a Snapple, but was
|
||||||
|
carded for the cigarettes. He shot the clerk a nasty glance and left
|
||||||
|
without further comment.
|
||||||
|
|
||||||
|
Arriving at school at approximately 8:45am, he suffered a nasty shock --
|
||||||
|
the doors were locked! "Why the hell did they lock the doors?" he asked
|
||||||
|
no one in particular. Then he remembered. School was out for the summer.
|
||||||
|
"Well, now I know I had a good time last night," he mused as he hopped
|
||||||
|
back into his car and sped away. He laughed uproariously and lit up a
|
||||||
|
huge joint.
|
||||||
|
|
||||||
|
"Mornings suck."
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(8) My Future - [name withheld]
|
||||||
|
|
||||||
|
I was asked by the author of this essay to publish it anonymously.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
It happened a little more than a year ago. My parents had gone away for a
|
||||||
|
three day weekend, leaving me in care of my brother. The first night was
|
||||||
|
a Thursday night, and I ended up passing out at 9:30 before I had had too
|
||||||
|
much to drink -- I just felt really tired. The next night "the fun began"
|
||||||
|
for me. I could have friends over, and we could basically get as much
|
||||||
|
beer as we wanted, and go out as late as we wanted, a rarity for
|
||||||
|
ninth-graders.
|
||||||
|
|
||||||
|
My brother got my friends and I a case of Bud, I believe. We started
|
||||||
|
drinking at about 7pm, and I think we brought the rest of the case over to
|
||||||
|
another friend's house, who was having a party. I ended up walking home
|
||||||
|
at about 10pm with another friend of mine, who went home a little while
|
||||||
|
after.
|
||||||
|
|
||||||
|
About that time there were about 20 of my brother's friends over, and I
|
||||||
|
went out on my front porch with my brother to have a beer. We were both
|
||||||
|
moderately drunk -- for me, to the point where I've completely opened up
|
||||||
|
and lost all my insecurities, and my brother to the point where he'll talk
|
||||||
|
relatively freely, yet still able to "keep his guard" and watch what he's
|
||||||
|
saying.
|
||||||
|
|
||||||
|
We began to talk about school, talk about how he was when he was in high
|
||||||
|
school. We talked about alcohol, about marijuana, etc.. I told him that
|
||||||
|
I pretty much hated my high school, and 99% of the kids in my grade,
|
||||||
|
because they were so obsessed with drinking, and how cool it was, and how
|
||||||
|
cool they were in general (not to mention how un-cool everybody besides
|
||||||
|
themselves are, and wondering if those un-cool people know how un-cool
|
||||||
|
they are). These kids were my friends, and I was tired of it. Going out
|
||||||
|
on Friday and Saturday nights, getting fucked up, talking to lame girls.
|
||||||
|
I was growing tired of it, and I hadn't even been doing it very long.
|
||||||
|
|
||||||
|
He began to tell me his High-School experience was very similar. He had a
|
||||||
|
solid group of friends, but they were by no means the "coolest" kids. I
|
||||||
|
was a little higher on the popularity scale then he had ever been, but
|
||||||
|
that was irrelevant. We talked on, for about a half hour. He told me to
|
||||||
|
fuck high-school, wait for college, when you will be redeemed. If you
|
||||||
|
work hard enough to get into a decent college in high school, you will
|
||||||
|
WIN, which is what his main message is. These kids in high school, a lot
|
||||||
|
of them are smart, but even if they're not, they're going out and getting
|
||||||
|
fucked up, getting high in school, etc.. And what will they have to show
|
||||||
|
for themselves in five years? The people that fuck the social scene in
|
||||||
|
high-school end up winning in the long run. You're not missing very much
|
||||||
|
(although it seems important at the time), and you've got the rest of your
|
||||||
|
life to look forward to. He was having a great time in college, academic
|
||||||
|
wise (where he was maintaining about an A- average, much better than he
|
||||||
|
did in High School), and he was smoking a lot of pot, drinking a lot of
|
||||||
|
beer, getting a lot of pussy, and doing it with COOL people. This sounded
|
||||||
|
too good to be true.
|
||||||
|
|
||||||
|
Hell, he was even getting good grades.
|
||||||
|
|
||||||
|
Next, to make matters even more "complicated," his friend that goes to
|
||||||
|
Princeton came outside and talked to me also. He had the same message that
|
||||||
|
my brother had, but his was just as effective. He had worked hard in high
|
||||||
|
school and was going to Princeton; and now he was "rocking." The decision
|
||||||
|
seemed simple. Fuck the pathetic high school social scene, and set my
|
||||||
|
sights on the future. My life changed forever.
|
||||||
|
|
||||||
|
My grades in the fourth marking period of ninth-grade went up
|
||||||
|
dramatically, and since then I have been pulling about a 3.50 GPA; not as
|
||||||
|
good as I could do, but certainly much better than my 2.80 GPA of last
|
||||||
|
year (would've been worse if I hadn't done well fourth marking period).
|
||||||
|
And besides the occasional party I'll go to, or friend's house I'll go to
|
||||||
|
drink, I have basically "fucked" the high school social scene.
|
||||||
|
|
||||||
|
It is for the best. I don't know if every town is like mine, but mine is
|
||||||
|
dominated by rich, daddy's girls, the *DEFINITION* of the term JAP (Jewish
|
||||||
|
American Princess). They are all worried about who's talking shit about
|
||||||
|
who, who just hooked up with who, and who they could hook up with to gain
|
||||||
|
the most points on the popularity scale. The guys are cooler; but they're
|
||||||
|
also very cliquish and "you're not cool enough to come and hang out with
|
||||||
|
us" kind of people. Fuck them.
|
||||||
|
|
||||||
|
If you're reading this, I don't know what kind of a message you will take
|
||||||
|
from it. All I know is, if this event had not happened, I don't know
|
||||||
|
where I'd be right now. I *DO* know I would not be as happy as I will be
|
||||||
|
a few years down the line. That's all.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(9) - Reviews
|
||||||
|
|
||||||
|
CD/LP
|
||||||
|
|
||||||
|
Neglected Sheep/Geno Died/Livestock Music
|
||||||
|
|
||||||
|
Imagine the Crash Test Dummies' lead singer in a blues-rock band. Well,
|
||||||
|
that's what you have with Neglected Sheep. Hailing from Charlotte, North
|
||||||
|
Carolina, this band gives us a very impressive debut CD on Livestock
|
||||||
|
Music. Self-produced, this 10 track, 47 minute CD never once losses it's
|
||||||
|
energy.
|
||||||
|
|
||||||
|
Combining a mixture of Alternative Rock and Pop with a blues edge, this
|
||||||
|
band is destined for national spotlight. They don't bring a new musical
|
||||||
|
genre with them, but they bring the intensity and purposeful lyrics that
|
||||||
|
many up and coming bands lack.
|
||||||
|
|
||||||
|
Their latest single, "Annie Brewster", is the crowning point on this
|
||||||
|
album. With a steady bluesy beat, and great lead vocals, this song is
|
||||||
|
definitely one of the best on this CD. Adding an organ to the guitar,
|
||||||
|
bass, and drums, gives it a very interesting sound.
|
||||||
|
|
||||||
|
"Why", a seven-plus minute trip through a range of emotions, is another
|
||||||
|
high spot from this album. Even though it is the longest song, it keeps
|
||||||
|
the listener moving. Starting out with a slow, melodic rythym, then
|
||||||
|
moving into a more upbeat tempo with, in my opinion, early-Cracker guitar
|
||||||
|
riffs here and there.
|
||||||
|
|
||||||
|
Overall, this CD is a very impressive debut. With an upcoming tour, they
|
||||||
|
are destined for national recognition.
|
||||||
|
|
||||||
|
Grade: A+
|
||||||
|
Contact: Abott Promotions at (804)272-7522.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
e'Zine
|
||||||
|
|
||||||
|
Rice - Issue 2
|
||||||
|
The RICE Militia is a top secret organization, so there is no email
|
||||||
|
address even though it is an e'zine.
|
||||||
|
|
||||||
|
Send a SASE for more information to:
|
||||||
|
6666 Pickwick Dr.
|
||||||
|
Bensalem, PA 19020
|
||||||
|
|
||||||
|
Rice & the Rice Militia, the newest creation from Black Francis and Dead
|
||||||
|
Cheese, ex-Doomed to Obscurity members. Releasing their first issue in
|
||||||
|
early June, and their second issue on June 26, they are really releasing
|
||||||
|
fast. Both issues are about the same in quality.
|
||||||
|
|
||||||
|
This issue, as per the theme of the 'zine, was humor filled. Black
|
||||||
|
Francis had a good detective story called, "Frank Esposito, World's Worst
|
||||||
|
Detective, Does it Again!" Dead Cheese had a great poem called "Little
|
||||||
|
Johnny," and Styx had a very interesting graphic of his sister. It's too
|
||||||
|
much for words, really.
|
||||||
|
|
||||||
|
Although this 'zine may have small issues, they are of high quality.
|
||||||
|
Let's hope Black Francis & Dead Cheese stick with this one.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
(10) - News Snippets
|
||||||
|
|
||||||
|
I'm not sure exactly what newspaper this appeared in, nor when. I'd
|
||||||
|
presume it is from a Floridian paper. I received this from someone on
|
||||||
|
IRC.
|
||||||
|
|
||||||
|
_Teen Charged With Hacking FAU Computer_
|
||||||
|
|
||||||
|
By CHUCK McGINNES
|
||||||
|
|
||||||
|
BOCA RATON- A recently graduated high school senior has been charged with
|
||||||
|
breaking into the computer system at Florida Atlantic State University's
|
||||||
|
College of Science and Engineering, destroying a professor's electronic
|
||||||
|
mail and transferring files to the internet.
|
||||||
|
|
||||||
|
Thomas Robert Stromberg, 18, who just graduted from Olympic Heights High
|
||||||
|
School, was arrested Thursday at his home west of Boca Raton. He was
|
||||||
|
charged with two felonies- offenses against intellectual property and
|
||||||
|
offenses against computer users.
|
||||||
|
|
||||||
|
Investigators from the Florida Department of Law Enforcement and FAU
|
||||||
|
seized a computer and related equipment and material from Stromberg's home
|
||||||
|
at 9596 Lancaster Place.
|
||||||
|
|
||||||
|
FDLE agents also seized computers from other homes in the Boca Raton area.
|
||||||
|
Additional arrests are expected, FAU Detective Carl "Chuck" Aurin said.
|
||||||
|
|
||||||
|
The investigation began in February after Elise Angiollilo, FAU's director
|
||||||
|
of tele-communications, discovered someone had gained access to the
|
||||||
|
computers in the science and engineering department.
|
||||||
|
|
||||||
|
The hackers apparently used the account of a former FAU student to get
|
||||||
|
into the unversity's computer system. Once they had access, they twice
|
||||||
|
tried to crash the computer system and wiped out the electronic mail
|
||||||
|
system of Mahesh Neelakanta, the department's computer system coordinator.
|
||||||
|
|
||||||
|
Information and copyrighted software from the computer files were
|
||||||
|
transferred to the Internet, where the data could be copied by anyone
|
||||||
|
using the Internet. FAU officials would not say what was in the files.
|
||||||
|
|
||||||
|
"The university has very significant information in the computer. The
|
||||||
|
equipment is used by the state for a specific purpose: education and
|
||||||
|
research," said Tom Horton, a computer science and engineering professor.
|
||||||
|
|
||||||
|
Neelakanta found and FAU computer account that was being used to request
|
||||||
|
information from an outside computer system. The outside system asked for
|
||||||
|
personal information and the individual using the account entered
|
||||||
|
Stromberg's name, according to an arrest report.
|
||||||
|
|
||||||
|
Stromberg told the police he used a program to crack password files that
|
||||||
|
allowed him into several user accounts where he stored pirated software.
|
||||||
|
|
||||||
|
This is not the first time hackers have broken into the computer system of
|
||||||
|
a government agency in Palm Beach County,
|
||||||
|
|
||||||
|
In 1992, a 15-year-old Jupiter boy allegedely tinkered his way into a
|
||||||
|
South Florida Water Management District computer system. Sheryl Woodm a
|
||||||
|
district attorney, said she could not recall if criminal charges were
|
||||||
|
filed against the boy, but she remembered seeing a letter of apology from
|
||||||
|
the youth.
|
||||||
|
|
||||||
|
Investigators said most hackers break into computer systems for the
|
||||||
|
bragging rights. They usually write bulletin boards and share the
|
||||||
|
information they obtain with other hackers.
|
||||||
|
|
||||||
|
Stromberg, who was a member of his school's computer club, went by the
|
||||||
|
name Dr. Jekyll. He is being held at the county jail on $1,000 bail.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
From US News & World Report, 6/24/96:
|
||||||
|
|
||||||
|
Eye on the '90s, page 20
|
||||||
|
_Cyber Island_
|
||||||
|
|
||||||
|
This fall, Doug Patterson plans to launch the Rastafarian Internet Boot
|
||||||
|
Camp, a series of weeklong retreats in secluded Port Antonio, Jamaica.
|
||||||
|
"People don't want to sit on the beach and get drunk for a week," says
|
||||||
|
Patterson, a Net trainer for 10 years. "They want to be productive on
|
||||||
|
their vacations." For $3,500 per week, you can download some sun as you
|
||||||
|
bask in classes on Web programming or Java scripting. One pitfall:
|
||||||
|
getting sand out of the keyboards.
|
||||||
|
|
||||||
|
----------
|
||||||
|
|
||||||
|
From the Asbury Park Press, 6/24/96
|
||||||
|
|
||||||
|
Beer-craving cat burglar gets stuck in vent
|
||||||
|
|
||||||
|
The Associated Press
|
||||||
|
|
||||||
|
SAN ANTONIO -- Felix Rivera's late-night craving for a cold brew bought
|
||||||
|
him a ticket to the cooler.
|
||||||
|
|
||||||
|
Rivera, 33, greased his body with used cooking oil, then tried to slide
|
||||||
|
through a 2-foot-wide rooftop air vent into Pik Nik, a convenience store
|
||||||
|
where he's a regular customer, police said.
|
||||||
|
|
||||||
|
He tripped the burglar alarm early Friday when his upper body became
|
||||||
|
wedged in the vent with his legs dangling inside.
|
||||||
|
|
||||||
|
It took eight firefighters an hour to free Rivera.
|
||||||
|
|
||||||
|
"He walked up to me and said, 'Sorry, man. All I wanted was a beer.',"
|
||||||
|
store manager Joe Castellano said. "Because of the alarm, he was pretty
|
||||||
|
deaf after he left."
|
||||||
|
|
||||||
|
Rivera was charged with burglary and held on $10,000 bond.
|
||||||
|
|
||||||
|
Damage to the store was estimated at $1,000.
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
Jonas would like to thank:
|
||||||
|
|
||||||
|
Abott Productions, Livestock Records, Jon Vena and WHTG-FM, Auren Hoffman,
|
||||||
|
Eightball, The Masked Marauder, Seta, Kojak, Mindcrime, Cerkit, Mogel,
|
||||||
|
Black Francis, Crank, Oodles, Eerie, and a bunch of other people ..
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
Jonas e'Zine -- issue 19
|
||||||
|
Jonas e'Zine is produced somewhat monthly under Jonas Productions.
|
||||||
|
Tom Sullivan, Editor-in-Chief and Publisher
|
||||||
|
Marc Newman, Associate Editor
|
||||||
|
our website: http://www.cybercomm.net/~edi/jonas.html
|
||||||
|
our ftpsite: ftp://ftp.etext.org/pub/Zines/Jonas/
|
||||||
|
our email addresses: edi@cybercomm.net (Tom Sullivan/Edicius) &
|
||||||
|
b3lial@cybercomm.net (Marc Newman/Belial)
|
||||||
|
we'll have a po box soon, we swear!
|
||||||
|
|
||||||
|
"Jonas.. it is more then a 'zine, it is a lifestyle."
|
||||||
|
|
||||||
|
--------------------------------------------------------------------------
|
||||||
|
|
||||||
|
|
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