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7068 lines
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7068 lines
411 KiB
Plaintext
ESSAYS
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_First Series_
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by Ralph Waldo Emerson
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HISTORY
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-----
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There is no great and no small
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To the Soul that maketh all:
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And where it cometh, all things are;
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And it cometh everywhere.
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I am owner of the sphere,
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Of the seven stars and the solar year,
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Of Caesar's hand, and Plato's brain,
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Of Lord Christ's heart, and Shakspeare's strain.
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ESSAY I _History_
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There is one mind common to all individual men. Every man is
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an inlet to the same and to all of the same. He that is once
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admitted to the right of reason is made a freeman of the whole
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estate. What Plato has thought, he may think; what a saint has felt,
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he may feel; what at any time has be-fallen any man, he can
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understand. Who hath access to this universal mind is a party to all
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that is or can be done, for this is the only and sovereign agent.
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Of the works of this mind history is the record. Its genius is
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illustrated by the entire series of days. Man is explicable by
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nothing less than all his history. Without hurry, without rest, the
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human spirit goes forth from the beginning to embody every faculty,
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every thought, every emotion, which belongs to it in appropriate
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events. But the thought is always prior to the fact; all the facts
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of history preexist in the mind as laws. Each law in turn is made by
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circumstances predominant, and the limits of nature give power to but
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one at a time. A man is the whole encyclopaedia of facts. The
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creation of a thousand forests is in one acorn, and Egypt, Greece,
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Rome, Gaul, Britain, America, lie folded already in the first man.
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Epoch after epoch, camp, kingdom, empire, republic, democracy, are
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merely the application of his manifold spirit to the manifold world.
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This human mind wrote history, and this must read it. The
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Sphinx must solve her own riddle. If the whole of history is in one
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man, it is all to be explained from individual experience. There is
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a relation between the hours of our life and the centuries of time.
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As the air I breathe is drawn from the great repositories of nature,
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as the light on my book is yielded by a star a hundred millions of
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miles distant, as the poise of my body depends on the equilibrium of
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centrifugal and centripetal forces, so the hours should be instructed
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by the ages, and the ages explained by the hours. Of the universal
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mind each individual man is one more incarnation. All its properties
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consist in him. Each new fact in his private experience flashes a
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light on what great bodies of men have done, and the crises of his
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life refer to national crises. Every revolution was first a thought
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in one man's mind, and when the same thought occurs to another man,
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it is the key to that era. Every reform was once a private opinion,
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and when it shall be a private opinion again, it will solve the
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problem of the age. The fact narrated must correspond to something
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in me to be credible or intelligible. We as we read must become
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Greeks, Romans, Turks, priest and king, martyr and executioner, must
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fasten these images to some reality in our secret experience, or we
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shall learn nothing rightly. What befell Asdrubal or Caesar Borgia
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is as much an illustration of the mind's powers and depravations as
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what has befallen us. Each new law and political movement has
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meaning for you. Stand before each of its tablets and say, `Under
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this mask did my Proteus nature hide itself.' This remedies the
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defect of our too great nearness to ourselves. This throws our
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actions into perspective: and as crabs, goats, scorpions, the
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balance, and the waterpot lose their meanness when hung as signs in
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the zodiac, so I can see my own vices without heat in the distant
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persons of Solomon, Alcibiades, and Catiline.
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It is the universal nature which gives worth to particular men
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and things. Human life as containing this is mysterious and
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inviolable, and we hedge it round with penalties and laws. All laws
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derive hence their ultimate reason; all express more or less
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distinctly some command of this supreme, illimitable essence.
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Property also holds of the soul, covers great spiritual facts, and
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instinctively we at first hold to it with swords and laws, and wide
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and complex combinations. The obscure consciousness of this fact is
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the light of all our day, the claim of claims; the plea for
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education, for justice, for charity, the foundation of friendship and
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love, and of the heroism and grandeur which belong to acts of
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self-reliance. It is remarkable that involuntarily we always read as
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superior beings. Universal history, the poets, the romancers, do not
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in their stateliest pictures -- in the sacerdotal, the imperial
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palaces, in the triumphs of will or of genius -- anywhere lose our
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ear, anywhere make us feel that we intrude, that this is for better
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men; but rather is it true, that in their grandest strokes we feel
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most at home. All that Shakspeare says of the king, yonder slip of a
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boy that reads in the corner feels to be true of himself. We
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sympathize in the great moments of history, in the great discoveries,
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the great resistances, the great prosperities of men; -- because
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there law was enacted, the sea was searched, the land was found, or
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the blow was struck _for us_, as we ourselves in that place would
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have done or applauded.
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We have the same interest in condition and character. We honor
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the rich, because they have externally the freedom, power, and grace
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which we feel to be proper to man, proper to us. So all that is said
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of the wise man by Stoic, or oriental or modern essayist, describes
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to each reader his own idea, describes his unattained but attainable
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self. All literature writes the character of the wise man. Books,
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monuments, pictures, conversation, are portraits in which he finds
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the lineaments he is forming. The silent and the eloquent praise him
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and accost him, and he is stimulated wherever he moves as by personal
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allusions. A true aspirant, therefore, never needs look for
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allusions personal and laudatory in discourse. He hears the
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commendation, not of himself, but more sweet, of that character he
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seeks, in every word that is said concerning character, yea, further,
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in every fact and circumstance, -- in the running river and the
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rustling corn. Praise is looked, homage tendered, love flows from
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mute nature, from the mountains and the lights of the firmament.
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These hints, dropped as it were from sleep and night, let us
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use in broad day. The student is to read history actively and not
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passively; to esteem his own life the text, and books the commentary.
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Thus compelled, the Muse of history will utter oracles, as never to
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those who do not respect themselves. I have no expectation that any
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man will read history aright, who thinks that what was done in a
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remote age, by men whose names have resounded far, has any deeper
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sense than what he is doing to-day.
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The world exists for the education of each man. There is no
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age or state of society or mode of action in history, to which there
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is not somewhat corresponding in his life. Every thing tends in a
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wonderful manner to abbreviate itself and yield its own virtue to
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him. He should see that he can live all history in his own person.
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He must sit solidly at home, and not suffer himself to be bullied by
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kings or empires, but know that he is greater than all the geography
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and all the government of the world; he must transfer the point of
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view from which history is commonly read, from Rome and Athens and
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London to himself, and not deny his conviction that he is the court,
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and if England or Egypt have any thing to say to him, he will try the
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case; if not, let them for ever be silent. He must attain and
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maintain that lofty sight where facts yield their secret sense, and
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poetry and annals are alike. The instinct of the mind, the purpose
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of nature, betrays itself in the use we make of the signal narrations
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of history. Time dissipates to shining ether the solid angularity of
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facts. No anchor, no cable, no fences, avail to keep a fact a fact.
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Babylon, Troy, Tyre, Palestine, and even early Rome, are passing
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already into fiction. The Garden of Eden, the sun standing still in
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Gibeon, is poetry thenceforward to all nations. Who cares what the
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fact was, when we have made a constellation of it to hang in heaven
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an immortal sign? London and Paris and New York must go the same
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way. "What is History," said Napoleon, "but a fable agreed upon?"
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This life of ours is stuck round with Egypt, Greece, Gaul, England,
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War, Colonization, Church, Court, and Commerce, as with so many
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flowers and wild ornaments grave and gay. I will not make more
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account of them. I believe in Eternity. I can find Greece, Asia,
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Italy, Spain, and the Islands, -- the genius and creative principle
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of each and of all eras in my own mind.
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We are always coming up with the emphatic facts of history in
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our private experience, and verifying them here. All history becomes
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subjective; in other words, there is properly no history; only
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biography. Every mind must know the whole lesson for itself, -- must
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go over the whole ground. What it does not see, what it does not
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live, it will not know. What the former age has epitomized into a
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formula or rule for manipular convenience, it will lose all the good
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of verifying for itself, by means of the wall of that rule.
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Somewhere, sometime, it will demand and find compensation for that
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loss by doing the work itself. Ferguson discovered many things in
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astronomy which had long been known. The better for him.
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History must be this or it is nothing. Every law which the
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state enacts indicates a fact in human nature; that is all. We must
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in ourselves see the necessary reason of every fact, -- see how it
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could and must be. So stand before every public and private work;
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before an oration of Burke, before a victory of Napoleon, before a
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martyrdom of Sir Thomas More, of Sidney, of Marmaduke Robinson,
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before a French Reign of Terror, and a Salem hanging of witches,
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before a fanatic Revival, and the Animal Magnetism in Paris, or in
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Providence. We assume that we under like influence should be alike
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affected, and should achieve the like; and we aim to master
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intellectually the steps, and reach the same height or the same
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degradation, that our fellow, our proxy, has done.
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All inquiry into antiquity, -- all curiosity respecting the
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Pyramids, the excavated cities, Stonehenge, the Ohio Circles, Mexico,
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Memphis, -- is the desire to do away this wild, savage, and
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preposterous There or Then, and introduce in its place the Here and
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the Now. Belzoni digs and measures in the mummy-pits and pyramids of
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Thebes, until he can see the end of the difference between the
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monstrous work and himself. When he has satisfied himself, in
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general and in detail, that it was made by such a person as he, so
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armed and so motived, and to ends to which he himself should also
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have worked, the problem is solved; his thought lives along the whole
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line of temples and sphinxes and catacombs, passes through them all
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with satisfaction, and they live again to the mind, or are _now_.
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A Gothic cathedral affirms that it was done by us, and not done
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by us. Surely it was by man, but we find it not in our man. But we
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apply ourselves to the history of its production. We put ourselves
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into the place and state of the builder. We remember the
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forest-dwellers, the first temples, the adherence to the first type,
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and the decoration of it as the wealth of the nation increased; the
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value which is given to wood by carving led to the carving over the
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whole mountain of stone of a cathedral. When we have gone through
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this process, and added thereto the Catholic Church, its cross, its
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music, its processions, its Saints' days and image-worship, we have,
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as it were, been the man that made the minster; we have seen how it
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could and must be. We have the sufficient reason.
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The difference between men is in their principle of
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association. Some men classify objects by color and size and other
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accidents of appearance; others by intrinsic likeness, or by the
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relation of cause and effect. The progress of the intellect is to
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the clearer vision of causes, which neglects surface differences. To
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the poet, to the philosopher, to the saint, all things are friendly
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and sacred, all events profitable, all days holy, all men divine.
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For the eye is fastened on the life, and slights the circumstance.
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Every chemical substance, every plant, every animal in its growth,
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teaches the unity of cause, the variety of appearance.
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Upborne and surrounded as we are by this all-creating nature,
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soft and fluid as a cloud or the air, why should we be such hard
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pedants, and magnify a few forms? Why should we make account of
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time, or of magnitude, or of figure? The soul knows them not, and
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genius, obeying its law, knows how to play with them as a young child
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plays with graybeards and in churches. Genius studies the causal
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thought, and, far back in the womb of things, sees the rays parting
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from one orb, that diverge ere they fall by infinite diameters.
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Genius watches the monad through all his masks as he performs the
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metempsychosis of nature. Genius detects through the fly, through
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the caterpillar, through the grub, through the egg, the constant
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individual; through countless individuals, the fixed species; through
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many species, the genus; through all genera, the steadfast type;
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through all the kingdoms of organized life, the eternal unity.
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Nature is a mutable cloud, which is always and never the same. She
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casts the same thought into troops of forms, as a poet makes twenty
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fables with one moral. Through the bruteness and toughness of
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matter, a subtle spirit bends all things to its own will. The
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adamant streams into soft but precise form before it, and, whilst I
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look at it, its outline and texture are changed again. Nothing is so
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fleeting as form; yet never does it quite deny itself. In man we
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still trace the remains or hints of all that we esteem badges of
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servitude in the lower races; yet in him they enhance his nobleness
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and grace; as Io, in Aeschylus, transformed to a cow, offends the
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imagination; but how changed, when as Isis in Egypt she meets
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Osiris-Jove, a beautiful woman, with nothing of the metamorphosis
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left but the lunar horns as the splendid ornament of her brows!
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The identity of history is equally intrinsic, the diversity
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equally obvious. There is at the surface infinite variety of things;
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at the centre there is simplicity of cause. How many are the acts of
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one man in which we recognize the same character! Observe the
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sources of our information in respect to the Greek genius. We have
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the _civil history_ of that people, as Herodotus, Thucydides,
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Xenophon, and Plutarch have given it; a very sufficient account of
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what manner of persons they were, and what they did. We have the
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same national mind expressed for us again in their _literature_, in
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epic and lyric poems, drama, and philosophy; a very complete form.
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Then we have it once more in their _architecture_, a beauty as of
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temperance itself, limited to the straight line and the square, -- a
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builded geometry. Then we have it once again in _sculpture_, the
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"tongue on the balance of expression," a multitude of forms in the
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utmost freedom of action, and never transgressing the ideal serenity;
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like votaries performing some religious dance before the gods, and,
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though in convulsive pain or mortal combat, never daring to break the
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figure and decorum of their dance. Thus, of the genius of one
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remarkable people, we have a fourfold representation: and to the
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senses what more unlike than an ode of Pindar, a marble centaur, the
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peristyle of the Parthenon, and the last actions of Phocion?
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Every one must have observed faces and forms which, without any
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resembling feature, make a like impression on the beholder. A
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particular picture or copy of verses, if it do not awaken the same
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train of images, will yet superinduce the same sentiment as some wild
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mountain walk, although the resemblance is nowise obvious to the
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senses, but is occult and out of the reach of the understanding.
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Nature is an endless combination and repetition of a very few laws.
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She hums the old well-known air through innumerable variations.
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Nature is full of a sublime family likeness throughout her
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works; and delights in startling us with resemblances in the most
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unexpected quarters. I have seen the head of an old sachem of the
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forest, which at once reminded the eye of a bald mountain summit, and
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the furrows of the brow suggested the strata of the rock. There are
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men whose manners have the same essential splendor as the simple and
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awful sculpture on the friezes of the Parthenon, and the remains of
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the earliest Greek art. And there are compositions of the same
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strain to be found in the books of all ages. What is Guido's
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Rospigliosi Aurora but a morning thought, as the horses in it are
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only a morning cloud. If any one will but take pains to observe the
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variety of actions to which he is equally inclined in certain moods
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of mind, and those to which he is averse, he will see how deep is the
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chain of affinity.
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A painter told me that nobody could draw a tree without in some
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sort becoming a tree; or draw a child by studying the outlines of its
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form merely, -- but, by watching for a time his motions and plays,
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the painter enters into his nature, and can then draw him at will in
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every attitude. So Roos "entered into the inmost nature of a sheep."
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I knew a draughtsman employed in a public survey, who found that he
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could not sketch the rocks until their geological structure was first
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explained to him. In a certain state of thought is the common origin
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of very diverse works. It is the spirit and not the fact that is
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identical. By a deeper apprehension, and not primarily by a painful
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acquisition of many manual skills, the artist attains the power of
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awakening other souls to a given activity.
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It has been said, that "common souls pay with what they do;
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nobler souls with that which they are." And why? Because a profound
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nature awakens in us by its actions and words, by its very looks and
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manners, the same power and beauty that a gallery of sculpture, or of
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pictures, addresses.
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Civil and natural history, the history of art and of
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literature, must be explained from individual history, or must remain
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words. There is nothing but is related to us, nothing that does not
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interest us, -- kingdom, college, tree, horse, or iron shoe, the
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roots of all things are in man. Santa Croce and the Dome of St.
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Peter's are lame copies after a divine model. Strasburg Cathedral is
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a material counterpart of the soul of Erwin of Steinbach. The true
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poem is the poet's mind; the true ship is the ship-builder. In the
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man, could we lay him open, we should see the reason for the last
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flourish and tendril of his work; as every spine and tint in the
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sea-shell preexist in the secreting organs of the fish. The whole of
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heraldry and of chivalry is in courtesy. A man of fine manners shall
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pronounce your name with all the ornament that titles of nobility
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could ever add.
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The trivial experience of every day is always verifying some
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old prediction to us, and converting into things the words and signs
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which we had heard and seen without heed. A lady, with whom I was
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riding in the forest, said to me, that the woods always seemed to her
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_to wait_, as if the genii who inhabit them suspended their deeds
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until the wayfarer has passed onward: a thought which poetry has
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celebrated in the dance of the fairies, which breaks off on the
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approach of human feet. The man who has seen the rising moon break
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out of the clouds at midnight has been present like an archangel at
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the creation of light and of the world. I remember one summer day,
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in the fields, my companion pointed out to me a broad cloud, which
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might extend a quarter of a mile parallel to the horizon, quite
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accurately in the form of a cherub as painted over churches, -- a
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round block in the centre, which it was easy to animate with eyes and
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mouth, supported on either side by wide-stretched symmetrical wings.
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What appears once in the atmosphere may appear often, and it was
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undoubtedly the archetype of that familiar ornament. I have seen in
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the sky a chain of summer lightning which at once showed to me that
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the Greeks drew from nature when they painted the thunderbolt in the
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hand of Jove. I have seen a snow-drift along the sides of the stone
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wall which obviously gave the idea of the common architectural scroll
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to abut a tower.
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By surrounding ourselves with the original circumstances, we
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invent anew the orders and the ornaments of architecture, as we see
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how each people merely decorated its primitive abodes. The Doric
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temple preserves the semblance of the wooden cabin in which the
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Dorian dwelt. The Chinese pagoda is plainly a Tartar tent. The
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Indian and Egyptian temples still betray the mounds and subterranean
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houses of their forefathers. "The custom of making houses and tombs
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in the living rock," says Heeren, in his Researches on the
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Ethiopians, "determined very naturally the principal character of the
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Nubian Egyptian architecture to the colossal form which it assumed.
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In these caverns, already prepared by nature, the eye was accustomed
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to dwell on huge shapes and masses, so that, when art came to the
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assistance of nature, it could not move on a small scale without
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degrading itself. What would statues of the usual size, or neat
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porches and wings, have been, associated with those gigantic halls
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before which only Colossi could sit as watchmen, or lean on the
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pillars of the interior?"
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The Gothic church plainly originated in a rude adaptation of
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the forest trees with all their boughs to a festal or solemn arcade,
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as the bands about the cleft pillars still indicate the green withes
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that tied them. No one can walk in a road cut through pine woods,
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without being struck with the architectural appearance of the grove,
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especially in winter, when the bareness of all other trees shows the
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low arch of the Saxons. In the woods in a winter afternoon one will
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see as readily the origin of the stained glass window, with which the
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Gothic cathedrals are adorned, in the colors of the western sky seen
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through the bare and crossing branches of the forest. Nor can any
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lover of nature enter the old piles of Oxford and the English
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cathedrals, without feeling that the forest overpowered the mind of
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the builder, and that his chisel, his saw, and plane still reproduced
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its ferns, its spikes of flowers, its locust, elm, oak, pine, fir,
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and spruce.
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The Gothic cathedral is a blossoming in stone subdued by the
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insatiable demand of harmony in man. The mountain of granite blooms
|
|
into an eternal flower, with the lightness and delicate finish, as
|
|
well as the aerial proportions and perspective, of vegetable beauty.
|
|
|
|
In like manner, all public facts are to be individualized, all
|
|
private facts are to be generalized. Then at once History becomes
|
|
fluid and true, and Biography deep and sublime. As the Persian
|
|
imitated in the slender shafts and capitals of his architecture the
|
|
stem and flower of the lotus and palm, so the Persian court in its
|
|
magnificent era never gave over the nomadism of its barbarous tribes,
|
|
but travelled from Ecbatana, where the spring was spent, to Susa in
|
|
summer, and to Babylon for the winter.
|
|
|
|
In the early history of Asia and Africa, Nomadism and
|
|
Agriculture are the two antagonist facts. The geography of Asia and
|
|
of Africa necessitated a nomadic life. But the nomads were the
|
|
terror of all those whom the soil, or the advantages of a market, had
|
|
induced to build towns. Agriculture, therefore, was a religious
|
|
injunction, because of the perils of the state from nomadism. And in
|
|
these late and civil countries of England and America, these
|
|
propensities still fight out the old battle in the nation and in the
|
|
individual. The nomads of Africa were constrained to wander by the
|
|
attacks of the gad-fly, which drives the cattle mad, and so compels
|
|
the tribe to emigrate in the rainy season, and to drive off the
|
|
cattle to the higher sandy regions. The nomads of Asia follow the
|
|
pasturage from month to month. In America and Europe, the nomadism
|
|
is of trade and curiosity; a progress, certainly, from the gad-fly of
|
|
Astaboras to the Anglo and Italo-mania of Boston Bay. Sacred cities,
|
|
to which a periodical religious pilgrimage was enjoined, or stringent
|
|
laws and customs, tending to invigorate the national bond, were the
|
|
check on the old rovers; and the cumulative values of long residence
|
|
are the restraints on the itineracy of the present day. The
|
|
antagonism of the two tendencies is not less active in individuals,
|
|
as the love of adventure or the love of repose happens to
|
|
predominate. A man of rude health and flowing spirits has the
|
|
faculty of rapid domestication, lives in his wagon, and roams through
|
|
all latitudes as easily as a Calmuc. At sea, or in the forest, or in
|
|
the snow, he sleeps as warm, dines with as good appetite, and
|
|
associates as happily, as beside his own chimneys. Or perhaps his
|
|
facility is deeper seated, in the increased range of his faculties of
|
|
observation, which yield him points of interest wherever fresh
|
|
objects meet his eyes. The pastoral nations were needy and hungry to
|
|
desperation; and this intellectual nomadism, in its excess, bankrupts
|
|
the mind, through the dissipation of power on a miscellany of
|
|
objects. The home-keeping wit, on the other hand, is that continence
|
|
or content which finds all the elements of life in its own soil; and
|
|
which has its own perils of monotony and deterioration, if not
|
|
stimulated by foreign infusions.
|
|
|
|
Every thing the individual sees without him corresponds to his
|
|
states of mind, and every thing is in turn intelligible to him, as
|
|
his onward thinking leads him into the truth to which that fact or
|
|
series belongs.
|
|
|
|
The primeval world, -- the Fore-World, as the Germans say, -- I
|
|
can dive to it in myself as well as grope for it with researching
|
|
fingers in catacombs, libraries, and the broken reliefs and torsos of
|
|
ruined villas.
|
|
|
|
What is the foundation of that interest all men feel in Greek
|
|
history, letters, art, and poetry, in all its periods, from the
|
|
Heroic or Homeric age down to the domestic life of the Athenians and
|
|
Spartans, four or five centuries later? What but this, that every
|
|
man passes personally through a Grecian period. The Grecian state is
|
|
the era of the bodily nature, the perfection of the senses, -- of the
|
|
spiritual nature unfolded in strict unity with the body. In it
|
|
existed those human forms which supplied the sculptor with his models
|
|
of Hercules, Ph;oebus, and Jove; not like the forms abounding in the
|
|
streets of modern cities, wherein the face is a confused blur of
|
|
features, but composed of incorrupt, sharply defined, and symmetrical
|
|
features, whose eye-sockets are so formed that it would be impossible
|
|
for such eyes to squint, and take furtive glances on this side and on
|
|
that, but they must turn the whole head. The manners of that period
|
|
are plain and fierce. The reverence exhibited is for personal
|
|
qualities, courage, address, self-command, justice, strength,
|
|
swiftness, a loud voice, a broad chest. Luxury and elegance are not
|
|
known. A sparse population and want make every man his own valet,
|
|
cook, butcher, and soldier, and the habit of supplying his own needs
|
|
educates the body to wonderful performances. Such are the Agamemnon
|
|
and Diomed of Homer, and not far different is the picture Xenophon
|
|
gives of himself and his compatriots in the Retreat of the Ten
|
|
Thousand. "After the army had crossed the river Teleboas in Armenia,
|
|
there fell much snow, and the troops lay miserably on the ground
|
|
covered with it. But Xenophon arose naked, and, taking an axe, began
|
|
to split wood; whereupon others rose and did the like." Throughout
|
|
his army exists a boundless liberty of speech. They quarrel for
|
|
plunder, they wrangle with the generals on each new order, and
|
|
Xenophon is as sharp-tongued as any, and sharper-tongued than most,
|
|
and so gives as good as he gets. Who does not see that this is a
|
|
gang of great boys, with such a code of honor and such lax discipline
|
|
as great boys have?
|
|
|
|
The costly charm of the ancient tragedy, and indeed of all the
|
|
old literature, is, that the persons speak simply, -- speak as
|
|
persons who have great good sense without knowing it, before yet the
|
|
reflective habit has become the predominant habit of the mind. Our
|
|
admiration of the antique is not admiration of the old, but of the
|
|
natural. The Greeks are not reflective, but perfect in their senses
|
|
and in their health, with the finest physical organization in the
|
|
world. Adults acted with the simplicity and grace of children. They
|
|
made vases, tragedies, and statues, such as healthy senses
|
|
should,---- that is, in good taste. Such things have continued to be
|
|
made in all ages, and are now, wherever a healthy physique exists;
|
|
but, as a class, from their superior organization, they have
|
|
surpassed all. They combine the energy of manhood with the engaging
|
|
unconsciousness of childhood. The attraction of these manners is
|
|
that they belong to man, and are known to every man in virtue of his
|
|
being once a child; besides that there are always individuals who
|
|
retain these characteristics. A person of childlike genius and
|
|
inborn energy is still a Greek, and revives our love of the Muse of
|
|
Hellas. I admire the love of nature in the Philoctetes. In reading
|
|
those fine apostrophes to sleep, to the stars, rocks, mountains, and
|
|
waves, I feel time passing away as an ebbing sea. I feel the
|
|
eternity of man, the identity of his thought. The Greek had, it
|
|
seems, the same fellow-beings as I. The sun and moon, water and
|
|
fire, met his heart precisely as they meet mine. Then the vaunted
|
|
distinction between Greek and English, between Classic and Romantic
|
|
schools, seems superficial and pedantic. When a thought of Plato
|
|
becomes a thought to me, -- when a truth that fired the soul of
|
|
Pindar fires mine, time is no more. When I feel that we two meet in
|
|
a perception, that our two souls are tinged with the same hue, and
|
|
do, as it were, run into one, why should I measure degrees of
|
|
latitude, why should I count Egyptian years?
|
|
|
|
The student interprets the age of chivalry by his own age of
|
|
chivalry, and the days of maritime adventure and circumnavigation by
|
|
quite parallel miniature experiences of his own. To the sacred
|
|
history of the world, he has the same key. When the voice of a
|
|
prophet out of the deeps of antiquity merely echoes to him a
|
|
sentiment of his infancy, a prayer of his youth, he then pierces to
|
|
the truth through all the confusion of tradition and the caricature
|
|
of institutions.
|
|
|
|
Rare, extravagant spirits come by us at intervals, who disclose
|
|
to us new facts in nature. I see that men of God have, from time to
|
|
time, walked among men and made their commission felt in the heart
|
|
and soul of the commonest hearer. Hence, evidently, the tripod, the
|
|
priest, the priestess inspired by the divine afflatus.
|
|
|
|
Jesus astonishes and overpowers sensual people. They cannot
|
|
unite him to history, or reconcile him with themselves. As they come
|
|
to revere their intuitions and aspire to live holily, their own piety
|
|
explains every fact, every word.
|
|
|
|
|
|
How easily these old worships of Moses, of Zoroaster, of Menu,
|
|
of Socrates, domesticate themselves in the mind. I cannot find any
|
|
antiquity in them. They are mine as much as theirs.
|
|
|
|
I have seen the first monks and anchorets without crossing seas
|
|
or centuries. More than once some individual has appeared to me with
|
|
such negligence of labor and such commanding contemplation, a haughty
|
|
beneficiary, begging in the name of God, as made good to the
|
|
nineteenth century Simeon the Stylite, the Thebais, and the first
|
|
Capuchins.
|
|
|
|
The priestcraft of the East and West, of the Magian, Brahmin,
|
|
Druid, and Inca, is expounded in the individual's private life. The
|
|
cramping influence of a hard formalist on a young child in repressing
|
|
his spirits and courage, paralyzing the understanding, and that
|
|
without producing indignation, but only fear and obedience, and even
|
|
much sympathy with the tyranny, -- is a familiar fact explained to
|
|
the child when he becomes a man, only by seeing that the oppressor of
|
|
his youth is himself a child tyrannized over by those names and words
|
|
and forms, of whose influence he was merely the organ to the youth.
|
|
The fact teaches him how Belus was worshipped, and how the Pyramids
|
|
were built, better than the discovery by Champollion of the names of
|
|
all the workmen and the cost of every tile. He finds Assyria and the
|
|
Mounds of Cholula at his door, and himself has laid the courses.
|
|
|
|
Again, in that protest which each considerate person makes
|
|
against the superstition of his times, he repeats step for step the
|
|
part of old reformers, and in the search after truth finds like them
|
|
new perils to virtue. He learns again what moral vigor is needed to
|
|
supply the girdle of a superstition. A great licentiousness treads
|
|
on the heels of a reformation. How many times in the history of the
|
|
world has the Luther of the day had to lament the decay of piety in
|
|
his own household! "Doctor," said his wife to Martin Luther, one
|
|
day, "how is it that, whilst subject to papacy, we prayed so often
|
|
and with such fervor, whilst now we pray with the utmost coldness and
|
|
very seldom?"
|
|
|
|
The advancing man discovers how deep a property he has in
|
|
literature, -- in all fable as well as in all history. He finds that
|
|
the poet was no odd fellow who described strange and impossible
|
|
situations, but that universal man wrote by his pen a confession true
|
|
for one and true for all. His own secret biography he finds in lines
|
|
wonderfully intelligible to him, dotted down before he was born. One
|
|
after another he comes up in his private adventures with every fable
|
|
of Aesop, of Homer, of Hafiz, of Ariosto, of Chaucer, of Scott, and
|
|
verifies them with his own head and hands.
|
|
|
|
The beautiful fables of the Greeks, being proper creations of
|
|
the imagination and not of the fancy, are universal verities. What a
|
|
range of meanings and what perpetual pertinence has the story of
|
|
Prometheus! Beside its primary value as the first chapter of the
|
|
history of Europe, (the mythology thinly veiling authentic facts, the
|
|
invention of the mechanic arts, and the migration of colonies,) it
|
|
gives the history of religion with some closeness to the faith of
|
|
later ages. Prometheus is the Jesus of the old mythology. He is the
|
|
friend of man; stands between the unjust "justice" of the Eternal
|
|
Father and the race of mortals, and readily suffers all things on
|
|
their account. But where it departs from the Calvinistic
|
|
Christianity, and exhibits him as the defier of Jove, it represents a
|
|
state of mind which readily appears wherever the doctrine of Theism
|
|
is taught in a crude, objective form, and which seems the
|
|
self-defence of man against this untruth, namely, a discontent with
|
|
the believed fact that a God exists, and a feeling that the
|
|
obligation of reverence is onerous. It would steal, if it could, the
|
|
fire of the Creator, and live apart from him, and independent of him.
|
|
The Prometheus Vinctus is the romance of skepticism. Not less true
|
|
to all time are the details of that stately apologue. Apollo kept
|
|
the flocks of Admetus, said the poets. When the gods come among men,
|
|
they are not known. Jesus was not; Socrates and Shakspeare were not.
|
|
Antaeus was suffocated by the gripe of Hercules, but every time he
|
|
touched his mother earth, his strength was renewed. Man is the
|
|
broken giant, and, in all his weakness, both his body and his mind
|
|
are invigorated by habits of conversation with nature. The power of
|
|
music, the power of poetry to unfix, and, as it were, clap wings to
|
|
solid nature, interprets the riddle of Orpheus. The philosophical
|
|
perception of identity through endless mutations of form makes him
|
|
know the Proteus. What else am I who laughed or wept yesterday, who
|
|
slept last night like a corpse, and this morning stood and ran? And
|
|
what see I on any side but the transmigrations of Proteus? I can
|
|
symbolize my thought by using the name of any creature, of any fact,
|
|
because every creature is man agent or patient. Tantalus is but a
|
|
name for you and me. Tantalus means the impossibility of drinking
|
|
the waters of thought which are always gleaming and waving within
|
|
sight of the soul. The transmigration of souls is no fable. I would
|
|
it were; but men and women are only half human. Every animal of the
|
|
barn-yard, the field, and the forest, of the earth and of the waters
|
|
that are under the earth, has contrived to get a footing and to leave
|
|
the print of its features and form in some one or other of these
|
|
upright, heaven-facing speakers. Ah! brother, stop the ebb of thy
|
|
soul, -- ebbing downward into the forms into whose habits thou hast
|
|
now for many years slid. As near and proper to us is also that old
|
|
fable of the Sphinx, who was said to sit in the road-side and put
|
|
riddles to every passenger. If the man could not answer, she
|
|
swallowed him alive. If he could solve the riddle, the Sphinx was
|
|
slain. What is our life but an endless flight of winged facts or
|
|
events! In splendid variety these changes come, all putting
|
|
questions to the human spirit. Those men who cannot answer by a
|
|
superior wisdom these facts or questions of time, serve them. Facts
|
|
encumber them, tyrannize over them, and make the men of routine the
|
|
men of _sense_, in whom a literal obedience to facts has extinguished
|
|
every spark of that light by which man is truly man. But if the man
|
|
is true to his better instincts or sentiments, and refuses the
|
|
dominion of facts, as one that comes of a higher race, remains fast
|
|
by the soul and sees the principle, then the facts fall aptly and
|
|
supple into their places; they know their master, and the meanest of
|
|
them glorifies him.
|
|
|
|
See in Goethe's Helena the same desire that every word should
|
|
be a thing. These figures, he would say, these Chirons, Griffins,
|
|
Phorkyas, Helen, and Leda, are somewhat, and do exert a specific
|
|
influence on the mind. So far then are they eternal entities, as
|
|
real to-day as in the first Olympiad. Much revolving them, he writes
|
|
out freely his humor, and gives them body tohis own imagination. And
|
|
although that poem be as vague and fantastic as a dream, yet is it
|
|
much more attractive than the more regular dramatic pieces of the
|
|
same author, for the reason that it operates a wonderful relief to
|
|
the mind from the routine of customary images, -- awakens the
|
|
reader's invention and fancy by the wild freedom of the design, and
|
|
by the unceasing succession of brisk shocks of surprise.
|
|
|
|
The universal nature, too strong for the petty nature of the
|
|
bard, sits on his neck and writes through his hand; so that when he
|
|
seems to vent a mere caprice and wild romance, the issue is an exact
|
|
allegory. Hence Plato said that "poets utter great and wise things
|
|
which they do not themselves understand." All the fictions of the
|
|
Middle Age explain themselves as a masked or frolic expression of
|
|
that which in grave earnest the mind of that period toiled to
|
|
achieve. Magic, and all that is ascribed to it, is a deep
|
|
presentiment of the powers of science. The shoes of swiftness, the
|
|
sword of sharpness, the power of subduing the elements, of using the
|
|
secret virtues of minerals, of understanding the voices of birds, are
|
|
the obscure efforts of the mind in a right direction. The
|
|
preternatural prowess of the hero, the gift of perpetual youth, and
|
|
the like, are alike the endeavour of the human spirit "to bend the
|
|
shows of things to the desires of the mind."
|
|
|
|
In Perceforest and Amadis de Gaul, a garland and a rose bloom
|
|
on the head of her who is faithful, and fade on the brow of the
|
|
inconstant. In the story of the Boy and the Mantle, even a mature
|
|
reader may be surprised with a glow of virtuous pleasure at the
|
|
triumph of the gentle Genelas; and, indeed, all the postulates of
|
|
elfin annals, -- that the fairies do not like to be named; that their
|
|
gifts are capricious and not to be trusted; that who seeks a treasure
|
|
must not speak; and the like, -- I find true in Concord, however they
|
|
might be in Cornwall or Bretagne.
|
|
|
|
Is it otherwise in the newest romance? I read the Bride of
|
|
Lammermoor. Sir William Ashton is a mask for a vulgar temptation,
|
|
Ravenswood Castle a fine name for proud poverty, and the foreign
|
|
mission of state only a Bunyan disguise for honest industry. We may
|
|
all shoot a wild bull that would toss the good and beautiful, by
|
|
fighting down the unjust and sensual. Lucy Ashton is another name
|
|
for fidelity, which is always beautiful and always liable to calamity
|
|
in this world.
|
|
-----------
|
|
|
|
But along with the civil and metaphysical history of man,
|
|
another history goes daily forward, -- that of the external world, --
|
|
in which he is not less strictly implicated. He is the compend of
|
|
time; he is also the correlative of nature. His power consists in
|
|
the multitude of his affinities, in the fact that his life is
|
|
intertwined with the whole chain of organic and inorganic being. In
|
|
old Rome the public roads beginning at the Forum proceeded north,
|
|
south, east, west, to the centre of every province of the empire,
|
|
making each market-town of Persia, Spain, and Britain pervious to the
|
|
soldiers of the capital: so out of the human heart go, as it were,
|
|
highways to the heart of every object in nature, to reduce it under
|
|
the dominion of man. A man is a bundle of relations, a knot of
|
|
roots, whose flower and fruitage is the world. His faculties refer
|
|
to natures out of him, and predict the world he is to inhabit, as the
|
|
fins of the fish foreshow that water exists, or the wings of an eagle
|
|
in the egg presuppose air. He cannot live without a world. Put
|
|
Napoleon in an island prison, let his faculties find no men to act
|
|
on, no Alps to climb, no stake to play for, and he would beat the air
|
|
and appear stupid. Transport him to large countries, dense
|
|
population, complex interests, and antagonist power, and you shall
|
|
see that the man Napoleon, bounded, that is, by such a profile and
|
|
outline, is not the virtual Napoleon. This is but Talbot's shadow;
|
|
|
|
"His substance is not here:
|
|
For what you see is but the smallest part
|
|
And least proportion of humanity;
|
|
But were the whole frame here,
|
|
It is of such a spacious, lofty pitch,
|
|
Your roof were not sufficient to contain it."
|
|
_Henry VI._
|
|
|
|
Columbus needs a planet to shape his course upon. Newton and
|
|
Laplace need myriads of ages and thick-strewn celestial areas. One
|
|
may say a gravitating solar system is already prophesied in the
|
|
nature of Newton's mind. Not less does the brain of Davy or of
|
|
Gay-Lussac, from childhood exploring the affinities and repulsions of
|
|
particles, anticipate the laws of organization. Does not the eye of
|
|
the human embryo predict the light? the ear of Handel predict the
|
|
witchcraft of harmonic sound? Do not the constructive fingers of
|
|
Watt, Fulton, Whittemore, Arkwright, predict the fusible, hard, and
|
|
temperable texture of metals, the properties of stone, water, and
|
|
wood? Do not the lovely attributes of the maiden child predict the
|
|
refinements and decorations of civil society? Here also we are
|
|
reminded of the action of man on man. A mind might ponder its
|
|
thought for ages, and not gain so much self-knowledge as the passion
|
|
of love shall teach it in a day. Who knows himself before he has
|
|
been thrilled with indignation at an outrage, or has heard an
|
|
eloquent tongue, or has shared the throb of thousands in a national
|
|
exultation or alarm? No man can antedate his experience, or guess
|
|
what faculty or feeling a new object shall unlock, any more than he
|
|
can draw to-day the face of a person whom he shall see to-morrow for
|
|
the first time.
|
|
|
|
I will not now go behind the general statement to explore the
|
|
reason of this correspondency. Let it suffice that in the light of
|
|
these two facts, namely, that the mind is One, and that nature is its
|
|
correlative, history is to be read and written.
|
|
|
|
Thus in all ways does the soul concentrate and reproduce its
|
|
treasures for each pupil. He, too, shall pass through the whole
|
|
cycle of experience. He shall collect into a focus the rays of
|
|
nature. History no longer shall be a dull book. It shall walk
|
|
incarnate in every just and wise man. You shall not tell me by
|
|
languages and titles a catalogue of the volumes you have read. You
|
|
shall make me feel what periods you have lived. A man shall be the
|
|
Temple of Fame. He shall walk, as the poets have described that
|
|
goddess, in a robe painted all over with wonderful events and
|
|
experiences; -- his own form and features by their exalted
|
|
intelligence shall be that variegated vest. I shall find in him the
|
|
Foreworld; in his childhood the Age of Gold; the Apples of Knowledge;
|
|
the Argonautic Expedition; the calling of Abraham; the building of
|
|
the Temple; the Advent of Christ; Dark Ages; the Revival of Letters;
|
|
the Reformation; the discovery of new lands; the opening of new
|
|
sciences, and new regions in man. He shall be the priest of Pan, and
|
|
bring with him into humble cottages the blessing of the morning stars
|
|
and all the recorded benefits of heaven and earth.
|
|
|
|
Is there somewhat overweening in this claim? Then I reject all
|
|
I have written, for what is the use of pretending to know what we
|
|
know not? But it is the fault of our rhetoric that we cannot
|
|
strongly state one fact without seeming to belie some other. I hold
|
|
our actual knowledge very cheap. Hear the rats in the wall, see the
|
|
lizard on the fence, the fungus under foot, the lichen on the log.
|
|
What do I know sympathetically, morally, of either of these worlds of
|
|
life? As old as the Caucasian man, -- perhaps older, -- these
|
|
creatures have kept their counsel beside him, and there is no record
|
|
of any word or sign that has passed from one to the other. What
|
|
connection do the books show between the fifty or sixty chemical
|
|
elements, and the historical eras? Nay, what does history yet record
|
|
of the metaphysical annals of man? What light does it shed on those
|
|
mysteries which we hide under the names Death and Immortality? Yet
|
|
every history should be written in a wisdom which divined the range
|
|
of our affinities and looked at facts as symbols. I am ashamed to
|
|
see what a shallow village tale our so-called History is. How many
|
|
times we must say Rome, and Paris, and Constantinople! What does
|
|
Rome know of rat and lizard? What are Olympiads and Consulates to
|
|
these neighbouring systems of being? Nay, what food or experience or
|
|
succour have they for the Esquimaux seal-hunter, for the Kanaka in
|
|
his canoe, for the fisherman, the stevedore, the porter?
|
|
|
|
Broader and deeper we must write our annals, -- from an ethical
|
|
reformation, from an influx of the ever new, ever sanative
|
|
conscience, -- if we would trulier express our central and
|
|
wide-related nature, instead of this old chronology of selfishness
|
|
and pride to which we have too long lent our eyes. Already that day
|
|
exists for us, shines in on us at unawares, but the path of science
|
|
and of letters is not the way into nature. The idiot, the Indian,
|
|
the child, and unschooled farmer's boy, stand nearer to the light by
|
|
which nature is to be read, than the dissector or the antiquary.
|
|
|
|
|
|
|
|
SELF-RELIANCE
|
|
|
|
"Ne te quaesiveris extra."
|
|
|
|
|
|
"Man is his own star; and the soul that can
|
|
Render an honest and a perfect man,
|
|
Commands all light, all influence, all fate;
|
|
Nothing to him falls early or too late.
|
|
Our acts our angels are, or good or ill,
|
|
Our fatal shadows that walk by us still."
|
|
_Epilogue to Beaumont and Fletcher's_
|
|
_Honest Man's Fortune_
|
|
|
|
|
|
Cast the bantling on the rocks,
|
|
Suckle him with the she-wolf's teat;
|
|
Wintered with the hawk and fox,
|
|
Power and speed be hands and feet.
|
|
|
|
|
|
|
|
ESSAY II _Self-Reliance_
|
|
|
|
I read the other day some verses written by an eminent painter
|
|
which were original and not conventional. The soul always hears an
|
|
admonition in such lines, let the subject be what it may. The
|
|
sentiment they instil is of more value than any thought they may
|
|
contain. To believe your own thought, to believe that what is true
|
|
for you in your private heart is true for all men, -- that is genius.
|
|
Speak your latent conviction, and it shall be the universal sense;
|
|
for the inmost in due time becomes the outmost,---- and our first
|
|
thought is rendered back to us by the trumpets of the Last Judgment.
|
|
Familiar as the voice of the mind is to each, the highest merit we
|
|
ascribe to Moses, Plato, and Milton is, that they set at naught books
|
|
and traditions, and spoke not what men but what they thought. A man
|
|
should learn to detect and watch that gleam of light which flashes
|
|
across his mind from within, more than the lustre of the firmament of
|
|
bards and sages. Yet he dismisses without notice his thought,
|
|
because it is his. In every work of genius we recognize our own
|
|
rejected thoughts: they come back to us with a certain alienated
|
|
majesty. Great works of art have no more affecting lesson for us
|
|
than this. They teach us to abide by our spontaneous impression with
|
|
good-humored inflexibility then most when the whole cry of voices is
|
|
on the other side. Else, to-morrow a stranger will say with masterly
|
|
good sense precisely what we have thought and felt all the time, and
|
|
we shall be forced to take with shame our own opinion from another.
|
|
|
|
There is a time in every man's education when he arrives at the
|
|
conviction that envy is ignorance; that imitation is suicide; that he
|
|
must take himself for better, for worse, as his portion; that though
|
|
the wide universe is full of good, no kernel of nourishing corn can
|
|
come to him but through his toil bestowed on that plot of ground
|
|
which is given to him to till. The power which resides in him is new
|
|
in nature, and none but he knows what that is which he can do, nor
|
|
does he know until he has tried. Not for nothing one face, one
|
|
character, one fact, makes much impression on him, and another none.
|
|
This sculpture in the memory is not without preestablished harmony.
|
|
The eye was placed where one ray should fall, that it might testify
|
|
of that particular ray. We but half express ourselves, and are
|
|
ashamed of that divine idea which each of us represents. It may be
|
|
safely trusted as proportionate and of good issues, so it be
|
|
faithfully imparted, but God will not have his work made manifest by
|
|
cowards. A man is relieved and gay when he has put his heart into
|
|
his work and done his best; but what he has said or done otherwise,
|
|
shall give him no peace. It is a deliverance which does not deliver.
|
|
In the attempt his genius deserts him; no muse befriends; no
|
|
invention, no hope.
|
|
|
|
Trust thyself: every heart vibrates to that iron string.
|
|
Accept the place the divine providence has found for you, the society
|
|
of your contemporaries, the connection of events. Great men have
|
|
always done so, and confided themselves childlike to the genius of
|
|
their age, betraying their perception that the absolutely trustworthy
|
|
was seated at their heart, working through their hands, predominating
|
|
in all their being. And we are now men, and must accept in the
|
|
highest mind the same transcendent destiny; and not minors and
|
|
invalids in a protected corner, not cowards fleeing before a
|
|
revolution, but guides, redeemers, and benefactors, obeying the
|
|
Almighty effort, and advancing on Chaos and the Dark.
|
|
|
|
What pretty oracles nature yields us on this text, in the face
|
|
and behaviour of children, babes, and even brutes! That divided and
|
|
rebel mind, that distrust of a sentiment because our arithmetic has
|
|
computed the strength and means opposed to our purpose, these have
|
|
not. Their mind being whole, their eye is as yet unconquered, and
|
|
when we look in their faces, we are disconcerted. Infancy conforms
|
|
to nobody: all conform to it, so that one babe commonly makes four or
|
|
five out of the adults who prattle and play to it. So God has armed
|
|
youth and puberty and manhood no less with its own piquancy and
|
|
charm, and made it enviable and gracious and its claims not to be put
|
|
by, if it will stand by itself. Do not think the youth has no force,
|
|
because he cannot speak to you and me. Hark! in the next room his
|
|
voice is sufficiently clear and emphatic. It seems he knows how to
|
|
speak to his contemporaries. Bashful or bold, then, he will know how
|
|
to make us seniors very unnecessary.
|
|
|
|
The nonchalance of boys who are sure of a dinner, and would
|
|
disdain as much as a lord to do or say aught to conciliate one, is
|
|
the healthy attitude of human nature. A boy is in the parlour what
|
|
the pit is in the playhouse; independent, irresponsible, looking out
|
|
from his corner on such people and facts as pass by, he tries and
|
|
sentences them on their merits, in the swift, summary way of boys, as
|
|
good, bad, interesting, silly, eloquent, troublesome. He cumbers
|
|
himself never about consequences, about interests: he gives an
|
|
independent, genuine verdict. You must court him: he does not court
|
|
you. But the man is, as it were, clapped into jail by his
|
|
consciousness. As soon as he has once acted or spoken with eclat, he
|
|
is a committed person, watched by the sympathy or the hatred of
|
|
hundreds, whose affections must now enter into his account. There is
|
|
no Lethe for this. Ah, that he could pass again into his neutrality!
|
|
Who can thus avoid all pledges, and having observed, observe again
|
|
from the same unaffected, unbiased, unbribable, unaffrighted
|
|
innocence, must always be formidable. He would utter opinions on all
|
|
passing affairs, which being seen to be not private, but necessary,
|
|
would sink like darts into the ear of men, and put them in fear.
|
|
|
|
These are the voices which we hear in solitude, but they grow
|
|
faint and inaudible as we enter into the world. Society everywhere
|
|
is in conspiracy against the manhood of every one of its members.
|
|
Society is a joint-stock company, in which the members agree, for the
|
|
better securing of his bread to each shareholder, to surrender the
|
|
liberty and culture of the eater. The virtue in most request is
|
|
conformity. Self-reliance is its aversion. It loves not realities
|
|
and creators, but names and customs.
|
|
|
|
Whoso would be a man must be a nonconformist. He who would
|
|
gather immortal palms must not be hindered by the name of goodness,
|
|
but must explore if it be goodness. Nothing is at last sacred but
|
|
the integrity of your own mind. Absolve you to yourself, and you
|
|
shall have the suffrage of the world. I remember an answer which
|
|
when quite young I was prompted to make to a valued adviser, who was
|
|
wont to importune me with the dear old doctrines of the church. On
|
|
my saying, What have I to do with the sacredness of traditions, if I
|
|
live wholly from within? my friend suggested, -- "But these impulses
|
|
may be from below, not from above." I replied, "They do not seem to
|
|
me to be such; but if I am the Devil's child, I will live then from
|
|
the Devil." No law can be sacred to me but that of my nature. Good
|
|
and bad are but names very readily transferable to that or this; the
|
|
only right is what is after my constitution, the only wrong what is
|
|
against it. A man is to carry himself in the presence of all
|
|
opposition, as if every thing were titular and ephemeral but he. I
|
|
am ashamed to think how easily we capitulate to badges and names, to
|
|
large societies and dead institutions. Every decent and well-spoken
|
|
individual affects and sways me more than is right. I ought to go
|
|
upright and vital, and speak the rude truth in all ways. If malice
|
|
and vanity wear the coat of philanthropy, shall that pass? If an
|
|
angry bigot assumes this bountiful cause of Abolition, and comes to
|
|
me with his last news from Barbadoes, why should I not say to him,
|
|
`Go love thy infant; love thy wood-chopper: be good-natured and
|
|
modest: have that grace; and never varnish your hard, uncharitable
|
|
ambition with this incredible tenderness for black folk a thousand
|
|
miles off. Thy love afar is spite at home.' Rough and graceless
|
|
would be such greeting, but truth is handsomer than the affectation
|
|
of love. Your goodness must have some edge to it, -- else it is
|
|
none. The doctrine of hatred must be preached as the counteraction
|
|
of the doctrine of love when that pules and whines. I shun father
|
|
and mother and wife and brother, when my genius calls me. I would
|
|
write on the lintels of the door-post, _Whim_. I hope it is somewhat
|
|
better than whim at last, but we cannot spend the day in explanation.
|
|
Expect me not to show cause why I seek or why I exclude company.
|
|
Then, again, do not tell me, as a good man did to-day, of my
|
|
obligation to put all poor men in good situations. Are they _my_
|
|
poor? I tell thee, thou foolish philanthropist, that I grudge the
|
|
dollar, the dime, the cent, I give to such men as do not belong to me
|
|
and to whom I do not belong. There is a class of persons to whom by
|
|
all spiritual affinity I am bought and sold; for them I will go to
|
|
prison, if need be; but your miscellaneous popular charities; the
|
|
education at college of fools; the building of meeting-houses to the
|
|
vain end to which many now stand; alms to sots; and the thousandfold
|
|
Relief Societies; -- though I confess with shame I sometimes succumb
|
|
and give the dollar, it is a wicked dollar which by and by I shall
|
|
have the manhood to withhold.
|
|
|
|
Virtues are, in the popular estimate, rather the exception than
|
|
the rule. There is the man _and_ his virtues. Men do what is called
|
|
a good action, as some piece of courage or charity, much as they
|
|
would pay a fine in expiation of daily non-appearance on parade.
|
|
Their works are done as an apology or extenuation of their living in
|
|
the world, -- as invalids and the insane pay a high board. Their
|
|
virtues are penances. I do not wish to expiate, but to live. My
|
|
life is for itself and not for a spectacle. I much prefer that it
|
|
should be of a lower strain, so it be genuine and equal, than that it
|
|
should be glittering and unsteady. I wish it to be sound and sweet,
|
|
and not to need diet and bleeding. I ask primary evidence that you
|
|
are a man, and refuse this appeal from the man to his actions. I
|
|
know that for myself it makes no difference whether I do or forbear
|
|
those actions which are reckoned excellent. I cannot consent to pay
|
|
for a privilege where I have intrinsic right. Few and mean as my
|
|
gifts may be, I actually am, and do not need for my own assurance or
|
|
the assurance of my fellows any secondary testimony.
|
|
|
|
What I must do is all that concerns me, not what the people
|
|
think. This rule, equally arduous in actual and in intellectual
|
|
life, may serve for the whole distinction between greatness and
|
|
meanness. It is the harder, because you will always find those who
|
|
think they know what is your duty better than you know it. It is
|
|
easy in the world to live after the world's opinion; it is easy in
|
|
solitude to live after our own; but the great man is he who in the
|
|
midst of the crowd keeps with perfect sweetness the independence of
|
|
solitude.
|
|
|
|
The objection to conforming to usages that have become dead to
|
|
you is, that it scatters your force. It loses your time and blurs
|
|
the impression of your character. If you maintain a dead church,
|
|
contribute to a dead Bible-society, vote with a great party either
|
|
for the government or against it, spread your table like base
|
|
housekeepers, -- under all these screens I have difficulty to detect
|
|
the precise man you are. And, of course, so much force is withdrawn
|
|
from your proper life. But do your work, and I shall know you. Do
|
|
your work, and you shall reinforce yourself. A man must consider
|
|
what a blindman's-buff is this game of conformity. If I know your
|
|
sect, I anticipate your argument. I hear a preacher announce for his
|
|
text and topic the expediency of one of the institutions of his
|
|
church. Do I not know beforehand that not possibly can he say a new
|
|
and spontaneous word? Do I not know that, with all this ostentation
|
|
of examining the grounds of the institution, he will do no such
|
|
thing? Do I not know that he is pledged to himself not to look but
|
|
at one side, -- the permitted side, not as a man, but as a parish
|
|
minister? He is a retained attorney, and these airs of the bench are
|
|
the emptiest affectation. Well, most men have bound their eyes with
|
|
one or another handkerchief, and attached themselves to some one of
|
|
these communities of opinion. This conformity makes them not false
|
|
in a few particulars, authors of a few lies, but false in all
|
|
particulars. Their every truth is not quite true. Their two is not
|
|
the real two, their four not the real four; so that every word they
|
|
say chagrins us, and we know not where to begin to set them right.
|
|
Meantime nature is not slow to equip us in the prison-uniform of the
|
|
party to which we adhere. We come to wear one cut of face and
|
|
figure, and acquire by degrees the gentlest asinine expression.
|
|
There is a mortifying experience in particular, which does not fail
|
|
to wreak itself also in the general history; I mean "the foolish face
|
|
of praise," the forced smile which we put on in company where we do
|
|
not feel at ease in answer to conversation which does not interest
|
|
us. The muscles, not spontaneously moved, but moved by a low
|
|
usurping wilfulness, grow tight about the outline of the face with
|
|
the most disagreeable sensation.
|
|
|
|
For nonconformity the world whips you with its displeasure.
|
|
And therefore a man must know how to estimate a sour face. The
|
|
by-standers look askance on him in the public street or in the
|
|
friend's parlour. If this aversation had its origin in contempt and
|
|
resistance like his own, he might well go home with a sad
|
|
countenance; but the sour faces of the multitude, like their sweet
|
|
faces, have no deep cause, but are put on and off as the wind blows
|
|
and a newspaper directs. Yet is the discontent of the multitude more
|
|
formidable than that of the senate and the college. It is easy
|
|
enough for a firm man who knows the world to brook the rage of the
|
|
cultivated classes. Their rage is decorous and prudent, for they are
|
|
timid as being very vulnerable themselves. But when to their
|
|
feminine rage the indignation of the people is added, when the
|
|
ignorant and the poor are aroused, when the unintelligent brute force
|
|
that lies at the bottom of society is made to growl and mow, it needs
|
|
the habit of magnanimity and religion to treat it godlike as a trifle
|
|
of no concernment.
|
|
|
|
The other terror that scares us from self-trust is our
|
|
consistency; a reverence for our past act or word, because the eyes
|
|
of others have no other data for computing our orbit than our past
|
|
acts, and we are loath to disappoint them.
|
|
|
|
But why should you keep your head over your shoulder? Why drag
|
|
about this corpse of your memory, lest you contradict somewhat you
|
|
have stated in this or that public place? Suppose you should
|
|
contradict yourself; what then? It seems to be a rule of wisdom
|
|
never to rely on your memory alone, scarcely even in acts of pure
|
|
memory, but to bring the past for judgment into the thousand-eyed
|
|
present, and live ever in a new day. In your metaphysics you have
|
|
denied personality to the Deity: yet when the devout motions of the
|
|
soul come, yield to them heart and life, though they should clothe
|
|
God with shape and color. Leave your theory, as Joseph his coat in
|
|
the hand of the harlot, and flee.
|
|
|
|
A foolish consistency is the hobgoblin of little minds, adored
|
|
by little statesmen and philosophers and divines. With consistency a
|
|
great soul has simply nothing to do. He may as well concern himself
|
|
with his shadow on the wall. Speak what you think now in hard words,
|
|
and to-morrow speak what to-morrow thinks in hard words again, though
|
|
it contradict every thing you said to-day. -- `Ah, so you shall be
|
|
sure to be misunderstood.' -- Is it so bad, then, to be
|
|
misunderstood? Pythagoras was misunderstood, and Socrates, and
|
|
Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every
|
|
pure and wise spirit that ever took flesh. To be great is to be
|
|
misunderstood.
|
|
|
|
I suppose no man can violate his nature. All the sallies of
|
|
his will are rounded in by the law of his being, as the inequalities
|
|
of Andes and Himmaleh are insignificant in the curve of the sphere.
|
|
Nor does it matter how you gauge and try him. A character is like an
|
|
acrostic or Alexandrian stanza; -- read it forward, backward, or
|
|
across, it still spells the same thing. In this pleasing, contrite
|
|
wood-life which God allows me, let me record day by day my honest
|
|
thought without prospect or retrospect, and, I cannot doubt, it will
|
|
be found symmetrical, though I mean it not, and see it not. My book
|
|
should smell of pines and resound with the hum of insects. The
|
|
swallow over my window should interweave that thread or straw he
|
|
carries in his bill into my web also. We pass for what we are.
|
|
Character teaches above our wills. Men imagine that they communicate
|
|
their virtue or vice only by overt actions, and do not see that
|
|
virtue or vice emit a breath every moment.
|
|
|
|
There will be an agreement in whatever variety of actions, so
|
|
they be each honest and natural in their hour. For of one will, the
|
|
actions will be harmonious, however unlike they seem. These
|
|
varieties are lost sight of at a little distance, at a little height
|
|
of thought. One tendency unites them all. The voyage of the best
|
|
ship is a zigzag line of a hundred tacks. See the line from a
|
|
sufficient distance, and it straightens itself to the average
|
|
tendency. Your genuine action will explain itself, and will explain
|
|
your other genuine actions. Your conformity explains nothing. Act
|
|
singly, and what you have already done singly will justify you now.
|
|
Greatness appeals to the future. If I can be firm enough to-day to
|
|
do right, and scorn eyes, I must have done so much right before as to
|
|
defend me now. Be it how it will, do right now. Always scorn
|
|
appearances, and you always may. The force of character is
|
|
cumulative. All the foregone days of virtue work their health into
|
|
this. What makes the majesty of the heroes of the senate and the
|
|
field, which so fills the imagination? The consciousness of a train
|
|
of great days and victories behind. They shed an united light on the
|
|
advancing actor. He is attended as by a visible escort of angels.
|
|
That is it which throws thunder into Chatham's voice, and dignity
|
|
into Washington's port, and America into Adams's eye. Honor is
|
|
venerable to us because it is no ephemeris. It is always ancient
|
|
virtue. We worship it to-day because it is not of to-day. We love
|
|
it and pay it homage, because it is not a trap for our love and
|
|
homage, but is self-dependent, self-derived, and therefore of an old
|
|
immaculate pedigree, even if shown in a young person.
|
|
|
|
|
|
I hope in these days we have heard the last of conformity and
|
|
consistency. Let the words be gazetted and ridiculous henceforward.
|
|
Instead of the gong for dinner, let us hear a whistle from the
|
|
Spartan fife. Let us never bow and apologize more. A great man is
|
|
coming to eat at my house. I do not wish to please him; I wish that
|
|
he should wish to please me. I will stand here for humanity, and
|
|
though I would make it kind, I would make it true. Let us affront
|
|
and reprimand the smooth mediocrity and squalid contentment of the
|
|
times, and hurl in the face of custom, and trade, and office, the
|
|
fact which is the upshot of all history, that there is a great
|
|
responsible Thinker and Actor working wherever a man works; that a
|
|
true man belongs to no other time or place, but is the centre of
|
|
things. Where he is, there is nature. He measures you, and all men,
|
|
and all events. Ordinarily, every body in society reminds us of
|
|
somewhat else, or of some other person. Character, reality, reminds
|
|
you of nothing else; it takes place of the whole creation. The man
|
|
must be so much, that he must make all circumstances indifferent.
|
|
Every true man is a cause, a country, and an age; requires infinite
|
|
spaces and numbers and time fully to accomplish his design; -- and
|
|
posterity seem to follow his steps as a train of clients. A man
|
|
Caesar is born, and for ages after we have a Roman Empire. Christ is
|
|
born, and millions of minds so grow and cleave to his genius, that he
|
|
is confounded with virtue and the possible of man. An institution is
|
|
the lengthened shadow of one man; as, Monachism, of the Hermit
|
|
Antony; the Reformation, of Luther; Quakerism, of Fox; Methodism, of
|
|
Wesley; Abolition, of Clarkson. Scipio, Milton called "the height of
|
|
Rome"; and all history resolves itself very easily into the biography
|
|
of a few stout and earnest persons.
|
|
|
|
Let a man then know his worth, and keep things under his feet.
|
|
Let him not peep or steal, or skulk up and down with the air of a
|
|
charity-boy, a bastard, or an interloper, in the world which exists
|
|
for him. But the man in the street, finding no worth in himself
|
|
which corresponds to the force which built a tower or sculptured a
|
|
marble god, feels poor when he looks on these. To him a palace, a
|
|
statue, or a costly book have an alien and forbidding air, much like
|
|
a gay equipage, and seem to say like that, `Who are you, Sir?' Yet
|
|
they all are his, suitors for his notice, petitioners to his
|
|
faculties that they will come out and take possession. The picture
|
|
waits for my verdict: it is not to command me, but I am to settle its
|
|
claims to praise. That popular fable of the sot who was picked up
|
|
dead drunk in the street, carried to the duke's house, washed and
|
|
dressed and laid in the duke's bed, and, on his waking, treated with
|
|
all obsequious ceremony like the duke, and assured that he had been
|
|
insane, owes its popularity to the fact, that it symbolizes so well
|
|
the state of man, who is in the world a sort of sot, but now and then
|
|
wakes up, exercises his reason, and finds himself a true prince.
|
|
|
|
Our reading is mendicant and sycophantic. In history, our
|
|
imagination plays us false. Kingdom and lordship, power and estate,
|
|
are a gaudier vocabulary than private John and Edward in a small
|
|
house and common day's work; but the things of life are the same to
|
|
both; the sum total of both is the same. Why all this deference to
|
|
Alfred, and Scanderbeg, and Gustavus? Suppose they were virtuous;
|
|
did they wear out virtue? As great a stake depends on your private
|
|
act to-day, as followed their public and renowned steps. When
|
|
private men shall act with original views, the lustre will be
|
|
transferred from the actions of kings to those of gentlemen.
|
|
|
|
The world has been instructed by its kings, who have so
|
|
magnetized the eyes of nations. It has been taught by this colossal
|
|
symbol the mutual reverence that is due from man to man. The joyful
|
|
loyalty with which men have everywhere suffered the king, the noble,
|
|
or the great proprietor to walk among them by a law of his own, make
|
|
his own scale of men and things, and reverse theirs, pay for benefits
|
|
not with money but with honor, and represent the law in his person,
|
|
was the hieroglyphic by which they obscurely signified their
|
|
consciousness of their own right and comeliness, the right of every
|
|
man.
|
|
|
|
The magnetism which all original action exerts is explained
|
|
when we inquire the reason of self-trust. Who is the Trustee? What
|
|
is the aboriginal Self, on which a universal reliance may be
|
|
grounded? What is the nature and power of that science-baffling
|
|
star, without parallax, without calculable elements, which shoots a
|
|
ray of beauty even into trivial and impure actions, if the least mark
|
|
of independence appear? The inquiry leads us to that source, at once
|
|
the essence of genius, of virtue, and of life, which we call
|
|
Spontaneity or Instinct. We denote this primary wisdom as Intuition,
|
|
whilst all later teachings are tuitions. In that deep force, the
|
|
last fact behind which analysis cannot go, all things find their
|
|
common origin. For, the sense of being which in calm hours rises, we
|
|
know not how, in the soul, is not diverse from things, from space,
|
|
from light, from time, from man, but one with them, and proceeds
|
|
obviously from the same source whence their life and being also
|
|
proceed. We first share the life by which things exist, and
|
|
afterwards see them as appearances in nature, and forget that we have
|
|
shared their cause. Here is the fountain of action and of thought.
|
|
Here are the lungs of that inspiration which giveth man wisdom, and
|
|
which cannot be denied without impiety and atheism. We lie in the
|
|
lap of immense intelligence, which makes us receivers of its truth
|
|
and organs of its activity. When we discern justice, when we discern
|
|
truth, we do nothing of ourselves, but allow a passage to its beams.
|
|
If we ask whence this comes, if we seek to pry into the soul that
|
|
causes, all philosophy is at fault. Its presence or its absence is
|
|
all we can affirm. Every man discriminates between the voluntary
|
|
acts of his mind, and his involuntary perceptions, and knows that to
|
|
his involuntary perceptions a perfect faith is due. He may err in
|
|
the expression of them, but he knows that these things are so, like
|
|
day and night, not to be disputed. My wilful actions and
|
|
acquisitions are but roving; -- the idlest reverie, the faintest
|
|
native emotion, command my curiosity and respect. Thoughtless people
|
|
contradict as readily the statement of perceptions as of opinions, or
|
|
rather much more readily; for, they do not distinguish between
|
|
perception and notion. They fancy that I choose to see this or that
|
|
thing. But perception is not whimsical, but fatal. If I see a
|
|
trait, my children will see it after me, and in course of time, all
|
|
mankind, -- although it may chance that no one has seen it before me.
|
|
For my perception of it is as much a fact as the sun.
|
|
|
|
The relations of the soul to the divine spirit are so pure,
|
|
that it is profane to seek to interpose helps. It must be that when
|
|
God speaketh he should communicate, not one thing, but all things;
|
|
should fill the world with his voice; should scatter forth light,
|
|
nature, time, souls, from the centre of the present thought; and new
|
|
date and new create the whole. Whenever a mind is simple, and
|
|
receives a divine wisdom, old things pass away, -- means, teachers,
|
|
texts, temples fall; it lives now, and absorbs past and future into
|
|
the present hour. All things are made sacred by relation to it, --
|
|
one as much as another. All things are dissolved to their centre by
|
|
their cause, and, in the universal miracle, petty and particular
|
|
miracles disappear. If, therefore, a man claims to know and speak of
|
|
God, and carries you backward to the phraseology of some old
|
|
mouldered nation in another country, in another world, believe him
|
|
not. Is the acorn better than the oak which is its fulness and
|
|
completion? Is the parent better than the child into whom he has
|
|
cast his ripened being? Whence, then, this worship of the past? The
|
|
centuries are conspirators against the sanity and authority of the
|
|
soul. Time and space are but physiological colors which the eye
|
|
makes, but the soul is light; where it is, is day; where it was, is
|
|
night; and history is an impertinence and an injury, if it be any
|
|
thing more than a cheerful apologue or parable of my being and
|
|
becoming.
|
|
|
|
Man is timid and apologetic; he is no longer upright; he dares
|
|
not say `I think,' `I am,' but quotes some saint or sage. He is
|
|
ashamed before the blade of grass or the blowing rose. These roses
|
|
under my window make no reference to former roses or to better ones;
|
|
they are for what they are; they exist with God to-day. There is no
|
|
time to them. There is simply the rose; it is perfect in every
|
|
moment of its existence. Before a leaf-bud has burst, its whole life
|
|
acts; in the full-blown flower there is no more; in the leafless root
|
|
there is no less. Its nature is satisfied, and it satisfies nature,
|
|
in all moments alike. But man postpones or remembers; he does not
|
|
live in the present, but with reverted eye laments the past, or,
|
|
heedless of the riches that surround him, stands on tiptoe to foresee
|
|
the future. He cannot be happy and strong until he too lives with
|
|
nature in the present, above time.
|
|
|
|
This should be plain enough. Yet see what strong intellects
|
|
dare not yet hear God himself, unless he speak the phraseology of I
|
|
know not what David, or Jeremiah, or Paul. We shall not always set
|
|
so great a price on a few texts, on a few lives. We are like
|
|
children who repeat by rote the sentences of grandames and tutors,
|
|
and, as they grow older, of the men of talents and character they
|
|
chance to see, -- painfully recollecting the exact words they spoke;
|
|
afterwards, when they come into the point of view which those had who
|
|
uttered these sayings, they understand them, and are willing to let
|
|
the words go; for, at any time, they can use words as good when
|
|
occasion comes. If we live truly, we shall see truly. It is as easy
|
|
for the strong man to be strong, as it is for the weak to be weak.
|
|
When we have new perception, we shall gladly disburden the memory of
|
|
its hoarded treasures as old rubbish. When a man lives with God, his
|
|
voice shall be as sweet as the murmur of the brook and the rustle of
|
|
the corn.
|
|
|
|
And now at last the highest truth on this subject remains
|
|
unsaid; probably cannot be said; for all that we say is the far-off
|
|
remembering of the intuition. That thought, by what I can now
|
|
nearest approach to say it, is this. When good is near you, when you
|
|
have life in yourself, it is not by any known or accustomed way; you
|
|
shall not discern the foot-prints of any other; you shall not see the
|
|
face of man; you shall not hear any name;---- the way, the thought,
|
|
the good, shall be wholly strange and new. It shall exclude example
|
|
and experience. You take the way from man, not to man. All persons
|
|
that ever existed are its forgotten ministers. Fear and hope are
|
|
alike beneath it. There is somewhat low even in hope. In the hour
|
|
of vision, there is nothing that can be called gratitude, nor
|
|
properly joy. The soul raised over passion beholds identity and
|
|
eternal causation, perceives the self-existence of Truth and Right,
|
|
and calms itself with knowing that all things go well. Vast spaces
|
|
of nature, the Atlantic Ocean, the South Sea, -- long intervals of
|
|
time, years, centuries, -- are of no account. This which I think and
|
|
feel underlay every former state of life and circumstances, as it
|
|
does underlie my present, and what is called life, and what is called
|
|
death.
|
|
|
|
Life only avails, not the having lived. Power ceases in the
|
|
instant of repose; it resides in the moment of transition from a past
|
|
to a new state, in the shooting of the gulf, in the darting to an
|
|
aim. This one fact the world hates, that the soul _becomes_; for
|
|
that for ever degrades the past, turns all riches to poverty, all
|
|
reputation to a shame, confounds the saint with the rogue, shoves
|
|
Jesus and Judas equally aside. Why, then, do we prate of
|
|
self-reliance? Inasmuch as the soul is present, there will be power
|
|
not confident but agent. To talk of reliance is a poor external way
|
|
of speaking. Speak rather of that which relies, because it works and
|
|
is. Who has more obedience than I masters me, though he should not
|
|
raise his finger. Round him I must revolve by the gravitation of
|
|
spirits. We fancy it rhetoric, when we speak of eminent virtue. We
|
|
do not yet see that virtue is Height, and that a man or a company of
|
|
men, plastic and permeable to principles, by the law of nature must
|
|
overpower and ride all cities, nations, kings, rich men, poets, who
|
|
are not.
|
|
|
|
This is the ultimate fact which we so quickly reach on this, as
|
|
on every topic, the resolution of all into the ever-blessed ONE.
|
|
Self-existence is the attribute of the Supreme Cause, and it
|
|
constitutes the measure of good by the degree in which it enters into
|
|
all lower forms. All things real are so by so much virtue as they
|
|
contain. Commerce, husbandry, hunting, whaling, war, eloquence,
|
|
personal weight, are somewhat, and engage my respect as examples of
|
|
its presence and impure action. I see the same law working in nature
|
|
for conservation and growth. Power is in nature the essential
|
|
measure of right. Nature suffers nothing to remain in her kingdoms
|
|
which cannot help itself. The genesis and maturation of a planet,
|
|
its poise and orbit, the bended tree recovering itself from the
|
|
strong wind, the vital resources of every animal and vegetable, are
|
|
demonstrations of the self-sufficing, and therefore self-relying
|
|
soul.
|
|
|
|
Thus all concentrates: let us not rove; let us sit at home with
|
|
the cause. Let us stun and astonish the intruding rabble of men and
|
|
books and institutions, by a simple declaration of the divine fact.
|
|
Bid the invaders take the shoes from off their feet, for God is here
|
|
within. Let our simplicity judge them, and our docility to our own
|
|
law demonstrate the poverty of nature and fortune beside our native
|
|
riches.
|
|
|
|
But now we are a mob. Man does not stand in awe of man, nor is
|
|
his genius admonished to stay at home, to put itself in communication
|
|
with the internal ocean, but it goes abroad to beg a cup of water of
|
|
the urns of other men. We must go alone. I like the silent church
|
|
before the service begins, better than any preaching. How far off,
|
|
how cool, how chaste the persons look, begirt each one with a
|
|
precinct or sanctuary! So let us always sit. Why should we assume
|
|
the faults of our friend, or wife, or father, or child, because they
|
|
sit around our hearth, or are said to have the same blood? All men
|
|
have my blood, and I have all men's. Not for that will I adopt their
|
|
petulance or folly, even to the extent of being ashamed of it. But
|
|
your isolation must not be mechanical, but spiritual, that is, must
|
|
be elevation. At times the whole world seems to be in conspiracy to
|
|
importune you with emphatic trifles. Friend, client, child,
|
|
sickness, fear, want, charity, all knock at once at thy closet door,
|
|
and say, -- `Come out unto us.' But keep thy state; come not into
|
|
their confusion. The power men possess to annoy me, I give them by a
|
|
weak curiosity. No man can come near me but through my act. "What
|
|
we love that we have, but by desire we bereave ourselves of the
|
|
love."
|
|
|
|
If we cannot at once rise to the sanctities of obedience and
|
|
faith, let us at least resist our temptations; let us enter into the
|
|
state of war, and wake Thor and Woden, courage and constancy, in our
|
|
Saxon breasts. This is to be done in our smooth times by speaking
|
|
the truth. Check this lying hospitality and lying affection. Live
|
|
no longer to the expectation of these deceived and deceiving people
|
|
with whom we converse. Say to them, O father, O mother, O wife, O
|
|
brother, O friend, I have lived with you after appearances hitherto.
|
|
Henceforward I am the truth's. Be it known unto you that
|
|
henceforward I obey no law less than the eternal law. I will have no
|
|
covenants but proximities. I shall endeavour to nourish my parents,
|
|
to support my family, to be the chaste husband of one wife, -- but
|
|
these relations I must fill after a new and unprecedented way. I
|
|
appeal from your customs. I must be myself. I cannot break myself
|
|
any longer for you, or you. If you can love me for what I am, we
|
|
shall be the happier. If you cannot, I will still seek to deserve
|
|
that you should. I will not hide my tastes or aversions. I will so
|
|
trust that what is deep is holy, that I will do strongly before the
|
|
sun and moon whatever inly rejoices me, and the heart appoints. If
|
|
you are noble, I will love you; if you are not, I will not hurt you
|
|
and myself by hypocritical attentions. If you are true, but not in
|
|
the same truth with me, cleave to your companions; I will seek my
|
|
own. I do this not selfishly, but humbly and truly. It is alike
|
|
your interest, and mine, and all men's, however long we have dwelt in
|
|
lies, to live in truth. Does this sound harsh to-day? You will soon
|
|
love what is dictated by your nature as well as mine, and, if we
|
|
follow the truth, it will bring us out safe at last. -- But so you
|
|
may give these friends pain. Yes, but I cannot sell my liberty and
|
|
my power, to save their sensibility. Besides, all persons have their
|
|
moments of reason, when they look out into the region of absolute
|
|
truth; then will they justify me, and do the same thing.
|
|
|
|
The populace think that your rejection of popular standards is
|
|
a rejection of all standard, and mere antinomianism; and the bold
|
|
sensualist will use the name of philosophy to gild his crimes. But
|
|
the law of consciousness abides. There are two confessionals, in one
|
|
or the other of which we must be shriven. You may fulfil your round
|
|
of duties by clearing yourself in the _direct_, or in the _reflex_
|
|
way. Consider whether you have satisfied your relations to father,
|
|
mother, cousin, neighbour, town, cat, and dog; whether any of these
|
|
can upbraid you. But I may also neglect this reflex standard, and
|
|
absolve me to myself. I have my own stern claims and perfect circle.
|
|
It denies the name of duty to many offices that are called duties.
|
|
But if I can discharge its debts, it enables me to dispense with the
|
|
popular code. If any one imagines that this law is lax, let him keep
|
|
its commandment one day.
|
|
|
|
And truly it demands something godlike in him who has cast off
|
|
the common motives of humanity, and has ventured to trust himself for
|
|
a taskmaster. High be his heart, faithful his will, clear his sight,
|
|
that he may in good earnest be doctrine, society, law, to himself,
|
|
that a simple purpose may be to him as strong as iron necessity is to
|
|
others!
|
|
|
|
If any man consider the present aspects of what is called by
|
|
distinction _society_, he will see the need of these ethics. The
|
|
sinew and heart of man seem to be drawn out, and we are become
|
|
timorous, desponding whimperers. We are afraid of truth, afraid of
|
|
fortune, afraid of death, and afraid of each other. Our age yields
|
|
no great and perfect persons. We want men and women who shall
|
|
renovate life and our social state, but we see that most natures are
|
|
insolvent, cannot satisfy their own wants, have an ambition out of
|
|
all proportion to their practical force, and do lean and beg day and
|
|
night continually. Our housekeeping is mendicant, our arts, our
|
|
occupations, our marriages, our religion, we have not chosen, but
|
|
society has chosen for us. We are parlour soldiers. We shun the
|
|
rugged battle of fate, where strength is born.
|
|
|
|
If our young men miscarry in their first enterprises, they lose
|
|
all heart. If the young merchant fails, men say he is _ruined_. If
|
|
the finest genius studies at one of our colleges, and is not
|
|
installed in an office within one year afterwards in the cities or
|
|
suburbs of Boston or New York, it seems to his friends and to himself
|
|
that he is right in being disheartened, and in complaining the rest
|
|
of his life. A sturdy lad from New Hampshire or Vermont, who in turn
|
|
tries all the professions, who _teams it_, _farms it_, _peddles_,
|
|
keeps a school, preaches, edits a newspaper, goes to Congress, buys a
|
|
township, and so forth, in successive years, and always, like a cat,
|
|
falls on his feet, is worth a hundred of these city dolls. He walks
|
|
abreast with his days, and feels no shame in not `studying a
|
|
profession,' for he does not postpone his life, but lives already.
|
|
He has not one chance, but a hundred chances. Let a Stoic open the
|
|
resources of man, and tell men they are not leaning willows, but can
|
|
and must detach themselves; that with the exercise of self-trust, new
|
|
powers shall appear; that a man is the word made flesh, born to shed
|
|
healing to the nations, that he should be ashamed of our compassion,
|
|
and that the moment he acts from himself, tossing the laws, the
|
|
books, idolatries, and customs out of the window, we pity him no
|
|
more, but thank and revere him, -- and that teacher shall restore the
|
|
life of man to splendor, and make his name dear to all history.
|
|
|
|
It is easy to see that a greater self-reliance must work a
|
|
revolution in all the offices and relations of men; in their
|
|
religion; in their education; in their pursuits; their modes of
|
|
living; their association; in their property; in their speculative
|
|
views.
|
|
|
|
1. In what prayers do men allow themselves! That which they
|
|
call a holy office is not so much as brave and manly. Prayer looks
|
|
abroad and asks for some foreign addition to come through some
|
|
foreign virtue, and loses itself in endless mazes of natural and
|
|
supernatural, and mediatorial and miraculous. Prayer that craves a
|
|
particular commodity, -- any thing less than all good, -- is vicious.
|
|
Prayer is the contemplation of the facts of life from the highest
|
|
point of view. It is the soliloquy of a beholding and jubilant soul.
|
|
It is the spirit of God pronouncing his works good. But prayer as a
|
|
means to effect a private end is meanness and theft. It supposes
|
|
dualism and not unity in nature and consciousness. As soon as the
|
|
man is at one with God, he will not beg. He will then see prayer in
|
|
all action. The prayer of the farmer kneeling in his field to weed
|
|
it, the prayer of the rower kneeling with the stroke of his oar, are
|
|
true prayers heard throughout nature, though for cheap ends.
|
|
Caratach, in Fletcher's Bonduca, when admonished to inquire the mind
|
|
of the god Audate, replies, --
|
|
|
|
"His hidden meaning lies in our endeavours;
|
|
Our valors are our best gods."
|
|
|
|
Another sort of false prayers are our regrets. Discontent is
|
|
the want of self-reliance: it is infirmity of will. Regret
|
|
calamities, if you can thereby help the sufferer; if not, attend your
|
|
own work, and already the evil begins to be repaired. Our sympathy
|
|
is just as base. We come to them who weep foolishly, and sit down
|
|
and cry for company, instead of imparting to them truth and health in
|
|
rough electric shocks, putting them once more in communication with
|
|
their own reason. The secret of fortune is joy in our hands.
|
|
Welcome evermore to gods and men is the self-helping man. For him
|
|
all doors are flung wide: him all tongues greet, all honors crown,
|
|
all eyes follow with desire. Our love goes out to him and embraces
|
|
him, because he did not need it. We solicitously and apologetically
|
|
caress and celebrate him, because he held on his way and scorned our
|
|
disapprobation. The gods love him because men hated him. "To the
|
|
persevering mortal," said Zoroaster, "the blessed Immortals are
|
|
swift."
|
|
|
|
As men's prayers are a disease of the will, so are their creeds
|
|
a disease of the intellect. They say with those foolish Israelites,
|
|
`Let not God speak to us, lest we die. Speak thou, speak any man
|
|
with us, and we will obey.' Everywhere I am hindered of meeting God
|
|
in my brother, because he has shut his own temple doors, and recites
|
|
fables merely of his brother's, or his brother's brother's God.
|
|
Every new mind is a new classification. If it prove a mind of
|
|
uncommon activity and power, a Locke, a Lavoisier, a Hutton, a
|
|
Bentham, a Fourier, it imposes its classification on other men, and
|
|
lo! a new system. In proportion to the depth of the thought, and so
|
|
to the number of the objects it touches and brings within reach of
|
|
the pupil, is his complacency. But chiefly is this apparent in
|
|
creeds and churches, which are also classifications of some powerful
|
|
mind acting on the elemental thought of duty, and man's relation to
|
|
the Highest. Such is Calvinism, Quakerism, Swedenborgism. The pupil
|
|
takes the same delight in subordinating every thing to the new
|
|
terminology, as a girl who has just learned botany in seeing a new
|
|
earth and new seasons thereby. It will happen for a time, that the
|
|
pupil will find his intellectual power has grown by the study of his
|
|
master's mind. But in all unbalanced minds, the classification is
|
|
idolized, passes for the end, and not for a speedily exhaustible
|
|
means, so that the walls of the system blend to their eye in the
|
|
remote horizon with the walls of the universe; the luminaries of
|
|
heaven seem to them hung on the arch their master built. They cannot
|
|
imagine how you aliens have any right to see, -- how you can see; `It
|
|
must be somehow that you stole the light from us.' They do not yet
|
|
perceive, that light, unsystematic, indomitable, will break into any
|
|
cabin, even into theirs. Let them chirp awhile and call it their
|
|
own. If they are honest and do well, presently their neat new
|
|
pinfold will be too strait and low, will crack, will lean, will rot
|
|
and vanish, and the immortal light, all young and joyful,
|
|
million-orbed, million-colored, will beam over the universe as on the
|
|
first morning.
|
|
|
|
2. It is for want of self-culture that the superstition of
|
|
Travelling, whose idols are Italy, England, Egypt, retains its
|
|
fascination for all educated Americans. They who made England,
|
|
Italy, or Greece venerable in the imagination did so by sticking fast
|
|
where they were, like an axis of the earth. In manly hours, we feel
|
|
that duty is our place. The soul is no traveller; the wise man stays
|
|
at home, and when his necessities, his duties, on any occasion call
|
|
him from his house, or into foreign lands, he is at home still, and
|
|
shall make men sensible by the expression of his countenance, that he
|
|
goes the missionary of wisdom and virtue, and visits cities and men
|
|
like a sovereign, and not like an interloper or a valet.
|
|
|
|
I have no churlish objection to the circumnavigation of the
|
|
globe, for the purposes of art, of study, and benevolence, so that
|
|
the man is first domesticated, or does not go abroad with the hope of
|
|
finding somewhat greater than he knows. He who travels to be amused,
|
|
or to get somewhat which he does not carry, travels away from
|
|
himself, and grows old even in youth among old things. In Thebes, in
|
|
Palmyra, his will and mind have become old and dilapidated as they.
|
|
He carries ruins to ruins.
|
|
|
|
Travelling is a fool's paradise. Our first journeys discover
|
|
to us the indifference of places. At home I dream that at Naples, at
|
|
Rome, I can be intoxicated with beauty, and lose my sadness. I pack
|
|
my trunk, embrace my friends, embark on the sea, and at last wake up
|
|
in Naples, and there beside me is the stern fact, the sad self,
|
|
unrelenting, identical, that I fled from. I seek the Vatican, and
|
|
the palaces. I affect to be intoxicated with sights and suggestions,
|
|
but I am not intoxicated. My giant goes with me wherever I go.
|
|
|
|
3. But the rage of travelling is a symptom of a deeper
|
|
unsoundness affecting the whole intellectual action. The intellect
|
|
is vagabond, and our system of education fosters restlessness. Our
|
|
minds travel when our bodies are forced to stay at home. We imitate;
|
|
and what is imitation but the travelling of the mind? Our houses are
|
|
built with foreign taste; our shelves are garnished with foreign
|
|
ornaments; our opinions, our tastes, our faculties, lean, and follow
|
|
the Past and the Distant. The soul created the arts wherever they
|
|
have flourished. It was in his own mind that the artist sought his
|
|
model. It was an application of his own thought to the thing to be
|
|
done and the conditions to be observed. And why need we copy the
|
|
Doric or the Gothic model? Beauty, convenience, grandeur of thought,
|
|
and quaint expression are as near to us as to any, and if the
|
|
American artist will study with hope and love the precise thing to be
|
|
done by him, considering the climate, the soil, the length of the
|
|
day, the wants of the people, the habit and form of the government,
|
|
he will create a house in which all these will find themselves
|
|
fitted, and taste and sentiment will be satisfied also.
|
|
|
|
Insist on yourself; never imitate. Your own gift you can
|
|
present every moment with the cumulative force of a whole life's
|
|
cultivation; but of the adopted talent of another, you have only an
|
|
extemporaneous, half possession. That which each can do best, none
|
|
but his Maker can teach him. No man yet knows what it is, nor can,
|
|
till that person has exhibited it. Where is the master who could
|
|
have taught Shakspeare? Where is the master who could have
|
|
instructed Franklin, or Washington, or Bacon, or Newton? Every great
|
|
man is a unique. The Scipionism of Scipio is precisely that part he
|
|
could not borrow. Shakspeare will never be made by the study of
|
|
Shakspeare. Do that which is assigned you, and you cannot hope too
|
|
much or dare too much. There is at this moment for you an utterance
|
|
brave and grand as that of the colossal chisel of Phidias, or trowel
|
|
of the Egyptians, or the pen of Moses, or Dante, but different from
|
|
all these. Not possibly will the soul all rich, all eloquent, with
|
|
thousand-cloven tongue, deign to repeat itself; but if you can hear
|
|
what these patriarchs say, surely you can reply to them in the same
|
|
pitch of voice; for the ear and the tongue are two organs of one
|
|
nature. Abide in the simple and noble regions of thy life, obey thy
|
|
heart, and thou shalt reproduce the Foreworld again.
|
|
|
|
4. As our Religion, our Education, our Art look abroad, so does
|
|
our spirit of society. All men plume themselves on the improvement
|
|
of society, and no man improves.
|
|
|
|
Society never advances. It recedes as fast on one side as it
|
|
gains on the other. It undergoes continual changes; it is barbarous,
|
|
it is civilized, it is christianized, it is rich, it is scientific;
|
|
but this change is not amelioration. For every thing that is given,
|
|
something is taken. Society acquires new arts, and loses old
|
|
instincts. What a contrast between the well-clad, reading, writing,
|
|
thinking American, with a watch, a pencil, and a bill of exchange in
|
|
his pocket, and the naked New Zealander, whose property is a club, a
|
|
spear, a mat, and an undivided twentieth of a shed to sleep under!
|
|
But compare the health of the two men, and you shall see that the
|
|
white man has lost his aboriginal strength. If the traveller tell us
|
|
truly, strike the savage with a broad axe, and in a day or two the
|
|
flesh shall unite and heal as if you struck the blow into soft pitch,
|
|
and the same blow shall send the white to his grave.
|
|
|
|
The civilized man has built a coach, but has lost the use of
|
|
his feet. He is supported on crutches, but lacks so much support of
|
|
muscle. He has a fine Geneva watch, but he fails of the skill to
|
|
tell the hour by the sun. A Greenwich nautical almanac he has, and
|
|
so being sure of the information when he wants it, the man in the
|
|
street does not know a star in the sky. The solstice he does not
|
|
observe; the equinox he knows as little; and the whole bright
|
|
calendar of the year is without a dial in his mind. His note-books
|
|
impair his memory; his libraries overload his wit; the
|
|
insurance-office increases the number of accidents; and it may be a
|
|
question whether machinery does not encumber; whether we have not
|
|
lost by refinement some energy, by a Christianity entrenched in
|
|
establishments and forms, some vigor of wild virtue. For every Stoic
|
|
was a Stoic; but in Christendom where is the Christian?
|
|
|
|
There is no more deviation in the moral standard than in the
|
|
standard of height or bulk. No greater men are now than ever were.
|
|
A singular equality may be observed between the great men of the
|
|
first and of the last ages; nor can all the science, art, religion,
|
|
and philosophy of the nineteenth century avail to educate greater men
|
|
than Plutarch's heroes, three or four and twenty centuries ago. Not
|
|
in time is the race progressive. Phocion, Socrates, Anaxagoras,
|
|
Diogenes, are great men, but they leave no class. He who is really
|
|
of their class will not be called by their name, but will be his own
|
|
man, and, in his turn, the founder of a sect. The arts and
|
|
inventions of each period are only its costume, and do not invigorate
|
|
men. The harm of the improved machinery may compensate its good.
|
|
Hudson and Behring accomplished so much in their fishing-boats, as to
|
|
astonish Parry and Franklin, whose equipment exhausted the resources
|
|
of science and art. Galileo, with an opera-glass, discovered a more
|
|
splendid series of celestial phenomena than any one since. Columbus
|
|
found the New World in an undecked boat. It is curious to see the
|
|
periodical disuse and perishing of means and machinery, which were
|
|
introduced with loud laudation a few years or centuries before. The
|
|
great genius returns to essential man. We reckoned the improvements
|
|
of the art of war among the triumphs of science, and yet Napoleon
|
|
conquered Europe by the bivouac, which consisted of falling back on
|
|
naked valor, and disencumbering it of all aids. The Emperor held it
|
|
impossible to make a perfect army, says Las Casas, "without
|
|
abolishing our arms, magazines, commissaries, and carriages, until,
|
|
in imitation of the Roman custom, the soldier should receive his
|
|
supply of corn, grind it in his hand-mill, and bake his bread
|
|
himself."
|
|
|
|
Society is a wave. The wave moves onward, but the water of
|
|
which it is composed does not. The same particle does not rise from
|
|
the valley to the ridge. Its unity is only phenomenal. The persons
|
|
who make up a nation to-day, next year die, and their experience with
|
|
them.
|
|
|
|
And so the reliance on Property, including the reliance on
|
|
governments which protect it, is the want of self-reliance. Men have
|
|
looked away from themselves and at things so long, that they have
|
|
come to esteem the religious, learned, and civil institutions as
|
|
guards of property, and they deprecate assaults on these, because
|
|
they feel them to be assaults on property. They measure their esteem
|
|
of each other by what each has, and not by what each is. But a
|
|
cultivated man becomes ashamed of his property, out of new respect
|
|
for his nature. Especially he hates what he has, if he see that it
|
|
is accidental, -- came to him by inheritance, or gift, or crime; then
|
|
he feels that it is not having; it does not belong to him, has no
|
|
root in him, and merely lies there, because no revolution or no
|
|
robber takes it away. But that which a man is does always by
|
|
necessity acquire, and what the man acquires is living property,
|
|
which does not wait the beck of rulers, or mobs, or revolutions, or
|
|
fire, or storm, or bankruptcies, but perpetually renews itself
|
|
wherever the man breathes. "Thy lot or portion of life," said the
|
|
Caliph Ali, "is seeking after thee; therefore be at rest from seeking
|
|
after it." Our dependence on these foreign goods leads us to our
|
|
slavish respect for numbers. The political parties meet in numerous
|
|
conventions; the greater the concourse, and with each new uproar of
|
|
announcement, The delegation from Essex! The Democrats from New
|
|
Hampshire! The Whigs of Maine! the young patriot feels himself
|
|
stronger than before by a new thousand of eyes and arms. In like
|
|
manner the reformers summon conventions, and vote and resolve in
|
|
multitude. Not so, O friends! will the God deign to enter and
|
|
inhabit you, but by a method precisely the reverse. It is only as a
|
|
man puts off all foreign support, and stands alone, that I see him to
|
|
be strong and to prevail. He is weaker by every recruit to his
|
|
banner. Is not a man better than a town? Ask nothing of men, and in
|
|
the endless mutation, thou only firm column must presently appear the
|
|
upholder of all that surrounds thee. He who knows that power is
|
|
inborn, that he is weak because he has looked for good out of him and
|
|
elsewhere, and so perceiving, throws himself unhesitatingly on his
|
|
thought, instantly rights himself, stands in the erect position,
|
|
commands his limbs, works miracles; just as a man who stands on his
|
|
feet is stronger than a man who stands on his head.
|
|
|
|
So use all that is called Fortune. Most men gamble with her,
|
|
and gain all, and lose all, as her wheel rolls. But do thou leave as
|
|
unlawful these winnings, and deal with Cause and Effect, the
|
|
chancellors of God. In the Will work and acquire, and thou hast
|
|
chained the wheel of Chance, and shalt sit hereafter out of fear from
|
|
her rotations. A political victory, a rise of rents, the recovery of
|
|
your sick, or the return of your absent friend, or some other
|
|
favorable event, raises your spirits, and you think good days are
|
|
preparing for you. Do not believe it. Nothing can bring you peace
|
|
but yourself. Nothing can bring you peace but the triumph of
|
|
principles.
|
|
|
|
|
|
|
|
COMPENSATION
|
|
|
|
|
|
The wings of Time are black and white,
|
|
Pied with morning and with night.
|
|
Mountain tall and ocean deep
|
|
Trembling balance duly keep.
|
|
In changing moon, in tidal wave,
|
|
Glows the feud of Want and Have.
|
|
Gauge of more and less through space
|
|
Electric star and pencil plays.
|
|
The lonely Earth amid the balls
|
|
That hurry through the eternal halls,
|
|
A makeweight flying to the void,
|
|
Supplemental asteroid,
|
|
Or compensatory spark,
|
|
Shoots across the neutral Dark.
|
|
|
|
|
|
Man's the elm, and Wealth the vine;
|
|
Stanch and strong the tendrils twine:
|
|
Though the frail ringlets thee deceive,
|
|
None from its stock that vine can reave.
|
|
Fear not, then, thou child infirm,
|
|
There's no god dare wrong a worm.
|
|
Laurel crowns cleave to deserts,
|
|
And power to him who power exerts;
|
|
Hast not thy share? On winged feet,
|
|
Lo! it rushes thee to meet;
|
|
And all that Nature made thy own,
|
|
Floating in air or pent in stone,
|
|
Will rive the hills and swim the sea,
|
|
And, like thy shadow, follow thee.
|
|
|
|
|
|
|
|
ESSAY III _Compensation_
|
|
|
|
Ever since I was a boy, I have wished to write a discourse on
|
|
Compensation: for it seemed to me when very young, that on this
|
|
subject life was ahead of theology, and the people knew more than the
|
|
preachers taught. The documents, too, from which the doctrine is to
|
|
be drawn, charmed my fancy by their endless variety, and lay always
|
|
before me, even in sleep; for they are the tools in our hands, the
|
|
bread in our basket, the transactions of the street, the farm, and
|
|
the dwelling-house, greetings, relations, debts and credits, the
|
|
influence of character, the nature and endowment of all men. It
|
|
seemed to me, also, that in it might be shown men a ray of divinity,
|
|
the present action of the soul of this world, clean from all vestige
|
|
of tradition, and so the heart of man might be bathed by an
|
|
inundation of eternal love, conversing with that which he knows was
|
|
always and always must be, because it really is now. It appeared,
|
|
moreover, that if this doctrine could be stated in terms with any
|
|
resemblance to those bright intuitions in which this truth is
|
|
sometimes revealed to us, it would be a star in many dark hours and
|
|
crooked passages in our journey that would not suffer us to lose our
|
|
way.
|
|
|
|
I was lately confirmed in these desires by hearing a sermon at
|
|
church. The preacher, a man esteemed for his orthodoxy, unfolded in
|
|
the ordinary manner the doctrine of the Last Judgment. He assumed,
|
|
that judgment is not executed in this world; that the wicked are
|
|
successful; that the good are miserable; and then urged from reason
|
|
and from Scripture a compensation to be made to both parties in the
|
|
next life. No offence appeared to be taken by the congregation at
|
|
this doctrine. As far as I could observe, when the meeting broke up,
|
|
they separated without remark on the sermon.
|
|
|
|
Yet what was the import of this teaching? What did the
|
|
preacher mean by saying that the good are miserable in the present
|
|
life? Was it that houses and lands, offices, wine, horses, dress,
|
|
luxury, are had by unprincipled men, whilst the saints are poor and
|
|
despised; and that a compensation is to be made to these last
|
|
hereafter, by giving them the like gratifications another day, --
|
|
bank-stock and doubloons, venison and champagne? This must be the
|
|
compensation intended; for what else? Is it that they are to have
|
|
leave to pray and praise? to love and serve men? Why, that they can
|
|
do now. The legitimate inference the disciple would draw was, -- `We
|
|
are to have _such_ a good time as the sinners have now'; -- or, to
|
|
push it to its extreme import, -- `You sin now; we shall sin by and
|
|
by; we would sin now, if we could; not being successful, we expect
|
|
our revenge to-morrow.'
|
|
|
|
The fallacy lay in the immense concession, that the bad are
|
|
successful; that justice is not done now. The blindness of the
|
|
preacher consisted in deferring to the base estimate of the market of
|
|
what constitutes a manly success, instead of confronting and
|
|
convicting the world from the truth; announcing the presence of the
|
|
soul; the omnipotence of the will: and so establishing the standard
|
|
of good and ill, of success and falsehood.
|
|
|
|
I find a similar base tone in the popular religious works of
|
|
the day, and the same doctrines assumed by the literary men when
|
|
occasionally they treat the related topics. I think that our popular
|
|
theology has gained in decorum, and not in principle, over the
|
|
superstitions it has displaced. But men are better than this
|
|
theology. Their daily life gives it the lie. Every ingenuous and
|
|
aspiring soul leaves the doctrine behind him in his own experience;
|
|
and all men feel sometimes the falsehood which they cannot
|
|
demonstrate. For men are wiser than they know. That which they hear
|
|
in schools and pulpits without after-thought, if said in
|
|
conversation, would probably be questioned in silence. If a man
|
|
dogmatize in a mixed company on Providence and the divine laws, he is
|
|
answered by a silence which conveys well enough to an observer the
|
|
dissatisfaction of the hearer, but his incapacity to make his own
|
|
statement.
|
|
|
|
I shall attempt in this and the following chapter to record
|
|
some facts that indicate the path of the law of Compensation; happy
|
|
beyond my expectation, if I shall truly draw the smallest arc of this
|
|
circle.
|
|
|
|
POLARITY, or action and reaction, we meet in every part of
|
|
nature; in darkness and light; in heat and cold; in the ebb and flow
|
|
of waters; in male and female; in the inspiration and expiration of
|
|
plants and animals; in the equation of quantity and quality in the
|
|
fluids of the animal body; in the systole and diastole of the heart;
|
|
in the undulations of fluids, and of sound; in the centrifugal and
|
|
centripetal gravity; in electricity, galvanism, and chemical
|
|
affinity. Superinduce magnetism at one end of a needle; the opposite
|
|
magnetism takes place at the other end. If the south attracts, the
|
|
north repels. To empty here, you must condense there. An inevitable
|
|
dualism bisects nature, so that each thing is a half, and suggests
|
|
another thing to make it whole; as, spirit, matter; man, woman; odd,
|
|
even; subjective, objective; in, out; upper, under; motion, rest;
|
|
yea, nay.
|
|
|
|
Whilst the world is thus dual, so is every one of its parts.
|
|
The entire system of things gets represented in every particle.
|
|
There is somewhat that resembles the ebb and flow of the sea, day and
|
|
night, man and woman, in a single needle of the pine, in a kernel of
|
|
corn, in each individual of every animal tribe. The reaction, so
|
|
grand in the elements, is repeated within these small boundaries.
|
|
For example, in the animal kingdom the physiologist has observed that
|
|
no creatures are favorites, but a certain compensation balances every
|
|
gift and every defect. A surplusage given to one part is paid out of
|
|
a reduction from another part of the same creature. If the head and
|
|
neck are enlarged, the trunk and extremities are cut short.
|
|
|
|
The theory of the mechanic forces is another example. What we
|
|
gain in power is lost in time; and the converse. The periodic or
|
|
compensating errors of the planets is another instance. The
|
|
influences of climate and soil in political history are another. The
|
|
cold climate invigorates. The barren soil does not breed fevers,
|
|
crocodiles, tigers, or scorpions.
|
|
|
|
The same dualism underlies the nature and condition of man.
|
|
Every excess causes a defect; every defect an excess. Every sweet
|
|
hath its sour; every evil its good. Every faculty which is a
|
|
receiver of pleasure has an equal penalty put on its abuse. It is to
|
|
answer for its moderation with its life. For every grain of wit
|
|
there is a grain of folly. For every thing you have missed, you have
|
|
gained something else; and for every thing you gain, you lose
|
|
something. If riches increase, they are increased that use them. If
|
|
the gatherer gathers too much, nature takes out of the man what she
|
|
puts into his chest; swells the estate, but kills the owner. Nature
|
|
hates monopolies and exceptions. The waves of the sea do not more
|
|
speedily seek a level from their loftiest tossing, than the varieties
|
|
of condition tend to equalize themselves. There is always some
|
|
levelling circumstance that puts down the overbearing, the strong,
|
|
the rich, the fortunate, substantially on the same ground with all
|
|
others. Is a man too strong and fierce for society, and by temper
|
|
and position a bad citizen, -- a morose ruffian, with a dash of the
|
|
pirate in him;---- nature sends him a troop of pretty sons and
|
|
daughters, who are getting along in the dame's classes at the village
|
|
school, and love and fear for them smooths his grim scowl to
|
|
courtesy. Thus she contrives to intenerate the granite and felspar,
|
|
takes the boar out and puts the lamb in, and keeps her balance true.
|
|
|
|
The farmer imagines power and place are fine things. But the
|
|
President has paid dear for his White House. It has commonly cost
|
|
him all his peace, and the best of his manly attributes. To preserve
|
|
for a short time so conspicuous an appearance before the world, he is
|
|
content to eat dust before the real masters who stand erect behind
|
|
the throne. Or, do men desire the more substantial and permanent
|
|
grandeur of genius? Neither has this an immunity. He who by force
|
|
of will or of thought is great, and overlooks thousands, has the
|
|
charges of that eminence. With every influx of light comes new
|
|
danger. Has he light? he must bear witness to the light, and always
|
|
outrun that sympathy which gives him such keen satisfaction, by his
|
|
fidelity to new revelations of the incessant soul. He must hate
|
|
father and mother, wife and child. Has he all that the world loves
|
|
and admires and covets? -- he must cast behind him their admiration,
|
|
and afflict them by faithfulness to his truth, and become a byword
|
|
and a hissing.
|
|
|
|
This law writes the laws of cities and nations. It is in vain
|
|
to build or plot or combine against it. Things refuse to be
|
|
mismanaged long. _Res nolunt diu male administrari_. Though no
|
|
checks to a new evil appear, the checks exist, and will appear. If
|
|
the government is cruel, the governor's life is not safe. If you tax
|
|
too high, the revenue will yield nothing. If you make the criminal
|
|
code sanguinary, juries will not convict. If the law is too mild,
|
|
private vengeance comes in. If the government is a terrific
|
|
democracy, the pressure is resisted by an overcharge of energy in the
|
|
citizen, and life glows with a fiercer flame. The true life and
|
|
satisfactions of man seem to elude the utmost rigors or felicities of
|
|
condition, and to establish themselves with great indifferency under
|
|
all varieties of circumstances. Under all governments the influence
|
|
of character remains the same, -- in Turkey and in New England about
|
|
alike. Under the primeval despots of Egypt, history honestly
|
|
confesses that man must have been as free as culture could make him.
|
|
|
|
These appearances indicate the fact that the universe is
|
|
represented in every one of its particles. Every thing in nature
|
|
contains all the powers of nature. Every thing is made of one hidden
|
|
stuff; as the naturalist sees one type under every metamorphosis, and
|
|
regards a horse as a running man, a fish as a swimming man, a bird as
|
|
a flying man, a tree as a rooted man. Each new form repeats not only
|
|
the main character of the type, but part for part all the details,
|
|
all the aims, furtherances, hindrances, energies, and whole system of
|
|
every other. Every occupation, trade, art, transaction, is a compend
|
|
of the world, and a correlative of every other. Each one is an
|
|
entire emblem of human life; of its good and ill, its trials, its
|
|
enemies, its course and its end. And each one must somehow
|
|
accommodate the whole man, and recite all his destiny.
|
|
|
|
The world globes itself in a drop of dew. The microscope
|
|
cannot find the animalcule which is less perfect for being little.
|
|
Eyes, ears, taste, smell, motion, resistance, appetite, and organs of
|
|
reproduction that take hold on eternity, -- all find room to consist
|
|
in the small creature. So do we put our life into every act. The
|
|
true doctrine of omnipresence is, that God reappears with all his
|
|
parts in every moss and cobweb. The value of the universe contrives
|
|
to throw itself into every point. If the good is there, so is the
|
|
evil; if the affinity, so the repulsion; if the force, so the
|
|
limitation.
|
|
|
|
Thus is the universe alive. All things are moral. That soul,
|
|
which within us is a sentiment, outside of us is a law. We feel its
|
|
inspiration; out there in history we can see its fatal strength. "It
|
|
is in the world, and the world was made by it." Justice is not
|
|
postponed. A perfect equity adjusts its balance in all parts of
|
|
life. {Oi chusoi Dios aei enpiptousi}, -- The dice of God are always
|
|
loaded. The world looks like a multiplication-table, or a
|
|
mathematical equation, which, turn it how you will, balances itself.
|
|
Take what figure you will, its exact value, nor more nor less, still
|
|
returns to you. Every secret is told, every crime is punished, every
|
|
virtue rewarded, every wrong redressed, in silence and certainty.
|
|
What we call retribution is the universal necessity by which the
|
|
whole appears wherever a part appears. If you see smoke, there must
|
|
be fire. If you see a hand or a limb, you know that the trunk to
|
|
which it belongs is there behind.
|
|
|
|
Every act rewards itself, or, in other words, integrates
|
|
itself, in a twofold manner; first, in the thing, or in real nature;
|
|
and secondly, in the circumstance, or in apparent nature. Men call
|
|
the circumstance the retribution. The causal retribution is in the
|
|
thing, and is seen by the soul. The retribution in the circumstance
|
|
is seen by the understanding; it is inseparable from the thing, but
|
|
is often spread over a long time, and so does not become distinct
|
|
until after many years. The specific stripes may follow late after
|
|
the offence, but they follow because they accompany it. Crime and
|
|
punishment grow out of one stem. Punishment is a fruit that
|
|
unsuspected ripens within the flower of the pleasure which concealed
|
|
it. Cause and effect, means and ends, seed and fruit, cannot be
|
|
severed; for the effect already blooms in the cause, the end
|
|
preexists in the means, the fruit in the seed.
|
|
|
|
Whilst thus the world will be whole, and refuses to be
|
|
disparted, we seek to act partially, to sunder, to appropriate; for
|
|
example, -- to gratify the senses, we sever the pleasure of the
|
|
senses from the needs of the character. The ingenuity of man has
|
|
always been dedicated to the solution of one problem, -- how to
|
|
detach the sensual sweet, the sensual strong, the sensual bright,
|
|
&c., from the moral sweet, the moral deep, the moral fair; that is,
|
|
again, to contrive to cut clean off this upper surface so thin as to
|
|
leave it bottomless; to get a _one end_, without an _other end_. The
|
|
soul says, Eat; the body would feast. The soul says, The man and
|
|
woman shall be one flesh and one soul; the body would join the flesh
|
|
only. The soul says, Have dominion over all things to the ends of
|
|
virtue; the body would have the power over things to its own ends.
|
|
|
|
The soul strives amain to live and work through all things. It
|
|
would be the only fact. All things shall be added unto it power,
|
|
pleasure, knowledge, beauty. The particular man aims to be somebody;
|
|
to set up for himself; to truck and higgle for a private good; and,
|
|
in particulars, to ride, that he may ride; to dress, that he may be
|
|
dressed; to eat, that he may eat; and to govern, that he may be seen.
|
|
Men seek to be great; they would have offices, wealth, power, and
|
|
fame. They think that to be great is to possess one side of nature,
|
|
-- the sweet, without the other side, -- the bitter.
|
|
|
|
This dividing and detaching is steadily counteracted. Up to
|
|
this day, it must be owned, no projector has had the smallest
|
|
success. The parted water reunites behind our hand. Pleasure is
|
|
taken out of pleasant things, profit out of profitable things, power
|
|
out of strong things, as soon as we seek to separate them from the
|
|
whole. We can no more halve things and get the sensual good, by
|
|
itself, than we can get an inside that shall have no outside, or a
|
|
light without a shadow. "Drive out nature with a fork, she comes
|
|
running back."
|
|
|
|
Life invests itself with inevitable conditions, which the
|
|
unwise seek to dodge, which one and another brags that he does not
|
|
know; that they do not touch him; -- but the brag is on his lips, the
|
|
conditions are in his soul. If he escapes them in one part, they
|
|
attack him in another more vital part. If he has escaped them in
|
|
form, and in the appearance, it is because he has resisted his life,
|
|
and fled from himself, and the retribution is so much death. So
|
|
signal is the failure of all attempts to make this separation of the
|
|
good from the tax, that the experiment would not be tried, -- since
|
|
to try it is to be mad, -- but for the circumstance, that when the
|
|
disease began in the will, of rebellion and separation, the intellect
|
|
is at once infected, so that the man ceases to see God whole in each
|
|
object, but is able to see the sensual allurement of an object, and
|
|
not see the sensual hurt; he sees the mermaid's head, but not the
|
|
dragon's tail; and thinks he can cut off that which he would have,
|
|
from that which he would not have. "How secret art thou who dwellest
|
|
in the highest heavens in silence, O thou only great God, sprinkling
|
|
with an unwearied Providence certain penal blindnesses upon such as
|
|
have unbridled desires!"
|
|
|
|
The human soul is true to these facts in the painting of fable,
|
|
of history, of law, of proverbs, of conversation. It finds a tongue
|
|
in literature unawares. Thus the Greeks called Jupiter, Supreme
|
|
Mind; but having traditionally ascribed to him many base actions,
|
|
they involuntarily made amends to reason, by tying up the hands of so
|
|
bad a god. He is made as helpless as a king of England. Prometheus
|
|
knows one secret which Jove must bargain for; Minerva, another. He
|
|
cannot get his own thunders; Minerva keeps the key of them.
|
|
|
|
"Of all the gods, I only know the keys
|
|
That ope the solid doors within whose vaults
|
|
His thunders sleep."
|
|
|
|
A plain confession of the in-working of the All, and of its
|
|
moral aim. The Indian mythology ends in the same ethics; and it
|
|
would seem impossible for any fable to be invented and get any
|
|
currency which was not moral. Aurora forgot to ask youth for her
|
|
lover, and though Tithonus is immortal, he is old. Achilles is not
|
|
quite invulnerable; the sacred waters did not wash the heel by which
|
|
Thetis held him. Siegfried, in the Nibelungen, is not quite
|
|
immortal, for a leaf fell on his back whilst he was bathing in the
|
|
dragon's blood, and that spot which it covered is mortal. And so it
|
|
must be. There is a crack in every thing God has made. It would
|
|
seem, there is always this vindictive circumstance stealing in at
|
|
unawares, even into the wild poesy in which the human fancy attempted
|
|
to make bold holiday, and to shake itself free of the old laws, --
|
|
this back-stroke, this kick of the gun, certifying that the law is
|
|
fatal; that in nature nothing can be given, all things are sold.
|
|
|
|
This is that ancient doctrine of Nemesis, who keeps watch in
|
|
the universe, and lets no offence go unchastised. The Furies, they
|
|
said, are attendants on justice, and if the sun in heaven should
|
|
transgress his path, they would punish him. The poets related that
|
|
stone walls, and iron swords, and leathern thongs had an occult
|
|
sympathy with the wrongs of their owners; that the belt which Ajax
|
|
gave Hector dragged the Trojan hero over the field at the wheels of
|
|
the car of Achilles, and the sword which Hector gave Ajax was that on
|
|
whose point Ajax fell. They recorded, that when the Thasians erected
|
|
a statue to Theagenes, a victor in the games, one of his rivals went
|
|
to it by night, and endeavoured to throw it down by repeated blows,
|
|
until at last he moved it from its pedestal, and was crushed to death
|
|
beneath its fall.
|
|
|
|
This voice of fable has in it somewhat divine. It came from
|
|
thought above the will of the writer. That is the best part of each
|
|
writer, which has nothing private in it; that which he does not know;
|
|
that which flowed out of his constitution, and not from his too
|
|
active invention; that which in the study of a single artist you
|
|
might not easily find, but in the study of many, you would abstract
|
|
as the spirit of them all. Phidias it is not, but the work of man in
|
|
that early Hellenic world, that I would know. The name and
|
|
circumstance of Phidias, however convenient for history, embarrass
|
|
when we come to the highest criticism. We are to see that which man
|
|
was tending to do in a given period, and was hindered, or, if you
|
|
will, modified in doing, by the interfering volitions of Phidias, of
|
|
Dante, of Shakspeare, the organ whereby man at the moment wrought.
|
|
|
|
Still more striking is the expression of this fact in the
|
|
proverbs of all nations, which are always the literature of reason,
|
|
or the statements of an absolute truth, without qualification.
|
|
Proverbs, like the sacred books of each nation, are the sanctuary of
|
|
the intuitions. That which the droning world, chained to
|
|
appearances, will not allow the realist to say in his own words, it
|
|
will suffer him to say in proverbs without contradiction. And this
|
|
law of laws which the pulpit, the senate, and the college deny, is
|
|
hourly preached in all markets and workshops by flights of proverbs,
|
|
whose teaching is as true and as omnipresent as that of birds and
|
|
flies.
|
|
|
|
All things are double, one against another. -- Tit for tat; an
|
|
eye for an eye; a tooth for a tooth; blood for blood; measure for
|
|
measure; love for love. -- Give and it shall be given you. -- He
|
|
that watereth shall be watered himself. -- What will you have? quoth
|
|
God; pay for it and take it. -- Nothing venture, nothing have. --
|
|
Thou shalt be paid exactly for what thou hast done, no more, no less.
|
|
-- Who doth not work shall not eat. -- Harm watch, harm catch. --
|
|
Curses always recoil on the head of him who imprecates them. -- If
|
|
you put a chain around the neck of a slave, the other end fastens
|
|
itself around your own. -- Bad counsel confounds the adviser. --
|
|
The Devil is an ass.
|
|
|
|
It is thus written, because it is thus in life. Our action is
|
|
overmastered and characterized above our will by the law of nature.
|
|
We aim at a petty end quite aside from the public good, but our act
|
|
arranges itself by irresistible magnetism in a line with the poles of
|
|
the world.
|
|
|
|
A man cannot speak but he judges himself. With his will, or
|
|
against his will, he draws his portrait to the eye of his companions
|
|
by every word. Every opinion reacts on him who utters it. It is a
|
|
thread-ball thrown at a mark, but the other end remains in the
|
|
thrower's bag. Or, rather, it is a harpoon hurled at the whale,
|
|
unwinding, as it flies, a coil of cord in the boat, and if the
|
|
harpoon is not good, or not well thrown, it will go nigh to cut the
|
|
steersman in twain, or to sink the boat.
|
|
|
|
You cannot do wrong without suffering wrong. "No man had ever
|
|
a point of pride that was not injurious to him," said Burke. The
|
|
exclusive in fashionable life does not see that he excludes himself
|
|
from enjoyment, in the attempt to appropriate it. The exclusionist
|
|
in religion does not see that he shuts the door of heaven on himself,
|
|
in striving to shut out others. Treat men as pawns and ninepins, and
|
|
you shall suffer as well as they. If you leave out their heart, you
|
|
shall lose your own. The senses would make things of all persons; of
|
|
women, of children, of the poor. The vulgar proverb, "I will get it
|
|
from his purse or get it from his skin," is sound philosophy.
|
|
|
|
All infractions of love and equity in our social relations are
|
|
speedily punished. They are punished by fear. Whilst I stand in
|
|
simple relations to my fellow-man, I have no displeasure in meeting
|
|
him. We meet as water meets water, or as two currents of air mix,
|
|
with perfect diffusion and interpenetration of nature. But as soon
|
|
as there is any departure from simplicity, and attempt at halfness,
|
|
or good for me that is not good for him, my neighbour feels the
|
|
wrong; he shrinks from me as far as I have shrunk from him; his eyes
|
|
no longer seek mine; there is war between us; there is hate in him
|
|
and fear in me.
|
|
|
|
All the old abuses in society, universal and particular, all
|
|
unjust accumulations of property and power, are avenged in the same
|
|
manner. Fear is an instructer of great sagacity, and the herald of
|
|
all revolutions. One thing he teaches, that there is rottenness
|
|
where he appears. He is a carrion crow, and though you see not well
|
|
what he hovers for, there is death somewhere. Our property is timid,
|
|
our laws are timid, our cultivated classes are timid. Fear for ages
|
|
has boded and mowed and gibbered over government and property. That
|
|
obscene bird is not there for nothing. He indicates great wrongs
|
|
which must be revised.
|
|
|
|
Of the like nature is that expectation of change which
|
|
instantly follows the suspension of our voluntary activity. The
|
|
terror of cloudless noon, the emerald of Polycrates, the awe of
|
|
prosperity, the instinct which leads every generous soul to impose on
|
|
itself tasks of a noble asceticism and vicarious virtue, are the
|
|
tremblings of the balance of justice through the heart and mind of
|
|
man.
|
|
|
|
Experienced men of the world know very well that it is best to
|
|
pay scot and lot as they go along, and that a man often pays dear for
|
|
a small frugality. The borrower runs in his own debt. Has a man
|
|
gained any thing who has received a hundred favors and rendered none?
|
|
Has he gained by borrowing, through indolence or cunning, his
|
|
neighbour's wares, or horses, or money? There arises on the deed the
|
|
instant acknowledgment of benefit on the one part, and of debt on the
|
|
other; that is, of superiority and inferiority. The transaction
|
|
remains in the memory of himself and his neighbour; and every new
|
|
transaction alters, according to its nature, their relation to each
|
|
other. He may soon come to see that he had better have broken his
|
|
own bones than to have ridden in his neighbour's coach, and that "the
|
|
highest price he can pay for a thing is to ask for it."
|
|
|
|
A wise man will extend this lesson to all parts of life, and
|
|
know that it is the part of prudence to face every claimant, and pay
|
|
every just demand on your time, your talents, or your heart. Always
|
|
pay; for, first or last, you must pay your entire debt. Persons and
|
|
events may stand for a time between you and justice, but it is only a
|
|
postponement. You must pay at last your own debt. If you are wise,
|
|
you will dread a prosperity which only loads you with more. Benefit
|
|
is the end of nature. But for every benefit which you receive, a tax
|
|
is levied. He is great who confers the most benefits. He is base --
|
|
and that is the one base thing in the universe -- to receive favors
|
|
and render none. In the order of nature we cannot render benefits to
|
|
those from whom we receive them, or only seldom. But the benefit we
|
|
receive must be rendered again, line for line, deed for deed, cent
|
|
for cent, to somebody. Beware of too much good staying in your hand.
|
|
It will fast corrupt and worm worms. Pay it away quickly in some
|
|
sort.
|
|
|
|
Labor is watched over by the same pitiless laws. Cheapest, say
|
|
the prudent, is the dearest labor. What we buy in a broom, a mat, a
|
|
wagon, a knife, is some application of good sense to a common want.
|
|
It is best to pay in your land a skilful gardener, or to buy good
|
|
sense applied to gardening; in your sailor, good sense applied to
|
|
navigation; in the house, good sense applied to cooking, sewing,
|
|
serving; in your agent, good sense applied to accounts and affairs.
|
|
So do you multiply your presence, or spread yourself throughout your
|
|
estate. But because of the dual constitution of things, in labor as
|
|
in life there can be no cheating. The thief steals from himself.
|
|
The swindler swindles himself. For the real price of labor is
|
|
knowledge and virtue, whereof wealth and credit are signs. These
|
|
signs, like paper money, may be counterfeited or stolen, but that
|
|
which they represent, namely, knowledge and virtue, cannot be
|
|
counterfeited or stolen. These ends of labor cannot be answered but
|
|
by real exertions of the mind, and in obedience to pure motives. The
|
|
cheat, the defaulter, the gambler, cannot extort the knowledge of
|
|
material and moral nature which his honest care and pains yield to
|
|
the operative. The law of nature is, Do the thing, and you shall
|
|
have the power: but they who do not the thing have not the power.
|
|
|
|
Human labor, through all its forms, from the sharpening of a
|
|
stake to the construction of a city or an epic, is one immense
|
|
illustration of the perfect compensation of the universe. The
|
|
absolute balance of Give and Take, the doctrine that every thing has
|
|
its price, -- and if that price is not paid, not that thing but
|
|
something else is obtained, and that it is impossible to get any
|
|
thing without its price, -- is not less sublime in the columns of a
|
|
leger than in the budgets of states, in the laws of light and
|
|
darkness, in all the action and reaction of nature. I cannot doubt
|
|
that the high laws which each man sees implicated in those processes
|
|
with which he is conversant, the stern ethics which sparkle on his
|
|
chisel-edge, which are measured out by his plumb and foot-rule, which
|
|
stand as manifest in the footing of the shop-bill as in the history
|
|
of a state, -- do recommend to him his trade, and though seldom
|
|
named, exalt his business to his imagination.
|
|
|
|
The league between virtue and nature engages all things to
|
|
assume a hostile front to vice. The beautiful laws and substances of
|
|
the world persecute and whip the traitor. He finds that things are
|
|
arranged for truth and benefit, but there is no den in the wide world
|
|
to hide a rogue. Commit a crime, and the earth is made of glass.
|
|
Commit a crime, and it seems as if a coat of snow fell on the ground,
|
|
such as reveals in the woods the track of every partridge and fox and
|
|
squirrel and mole. You cannot recall the spoken word, you cannot
|
|
wipe out the foot-track, you cannot draw up the ladder, so as to
|
|
leave no inlet or clew. Some damning circumstance always transpires.
|
|
The laws and substances of nature -- water, snow, wind, gravitation
|
|
-- become penalties to the thief.
|
|
|
|
On the other hand, the law holds with equal sureness for all
|
|
right action. Love, and you shall be loved. All love is
|
|
mathematically just, as much as the two sides of an algebraic
|
|
equation. The good man has absolute good, which like fire turns
|
|
every thing to its own nature, so that you cannot do him any harm;
|
|
but as the royal armies sent against Napoleon, when he approached,
|
|
cast down their colors and from enemies became friends, so disasters
|
|
of all kinds, as sickness, offence, poverty, prove benefactors: --
|
|
|
|
"Winds blow and waters roll
|
|
Strength to the brave, and power and deity,
|
|
Yet in themselves are nothing."
|
|
|
|
The good are befriended even by weakness and defect. As no man
|
|
had ever a point of pride that was not injurious to him, so no man
|
|
had ever a defect that was not somewhere made useful to him. The
|
|
stag in the fable admired his horns and blamed his feet, but when the
|
|
hunter came, his feet saved him, and afterwards, caught in the
|
|
thicket, his horns destroyed him. Every man in his lifetime needs to
|
|
thank his faults. As no man thoroughly understands a truth until he
|
|
has contended against it, so no man has a thorough acquaintance with
|
|
the hindrances or talents of men, until he has suffered from the one,
|
|
and seen the triumph of the other over his own want of the same. Has
|
|
he a defect of temper that unfits him to live in society? Thereby he
|
|
is driven to entertain himself alone, and acquire habits of
|
|
self-help; and thus, like the wounded oyster, he mends his shell with
|
|
pearl.
|
|
|
|
Our strength grows out of our weakness. The indignation which
|
|
arms itself with secret forces does not awaken until we are pricked
|
|
and stung and sorely assailed. A great man is always willing to be
|
|
little. Whilst he sits on the cushion of advantages, he goes to
|
|
sleep. When he is pushed, tormented, defeated, he has a chance to
|
|
learn something; he has been put on his wits, on his manhood; he has
|
|
gained facts; learns his ignorance; is cured of the insanity of
|
|
conceit; has got moderation and real skill. The wise man throws
|
|
himself on the side of his assailants. It is more his interest than
|
|
it is theirs to find his weak point. The wound cicatrizes and falls
|
|
off from him like a dead skin, and when they would triumph, lo! he
|
|
has passed on invulnerable. Blame is safer than praise. I hate to
|
|
be defended in a newspaper. As long as all that is said is said
|
|
against me, I feel a certain assurance of success. But as soon as
|
|
honeyed words of praise are spoken for me, I feel as one that lies
|
|
unprotected before his enemies. In general, every evil to which we
|
|
do not succumb is a benefactor. As the Sandwich Islander believes
|
|
that the strength and valor of the enemy he kills passes into
|
|
himself, so we gain the strength of the temptation we resist.
|
|
|
|
The same guards which protect us from disaster, defect, and
|
|
enmity, defend us, if we will, from selfishness and fraud. Bolts and
|
|
bars are not the best of our institutions, nor is shrewdness in trade
|
|
a mark of wisdom. Men suffer all their life long, under the foolish
|
|
superstition that they can be cheated. But it is as impossible for a
|
|
man to be cheated by any one but himself, as for a thing to be and
|
|
not to be at the same time. There is a third silent party to all our
|
|
bargains. The nature and soul of things takes on itself the guaranty
|
|
of the fulfilment of every contract, so that honest service cannot
|
|
come to loss. If you serve an ungrateful master, serve him the more.
|
|
Put God in your debt. Every stroke shall be repaid. The longer the
|
|
payment is withholden, the better for you; for compound interest on
|
|
compound interest is the rate and usage of this exchequer.
|
|
|
|
The history of persecution is a history of endeavours to cheat
|
|
nature, to make water run up hill, to twist a rope of sand. It makes
|
|
no difference whether the actors be many or one, a tyrant or a mob.
|
|
A mob is a society of bodies voluntarily bereaving themselves of
|
|
reason, and traversing its work. The mob is man voluntarily
|
|
descending to the nature of the beast. Its fit hour of activity is
|
|
night. Its actions are insane like its whole constitution. It
|
|
persecutes a principle; it would whip a right; it would tar and
|
|
feather justice, by inflicting fire and outrage upon the houses and
|
|
persons of those who have these. It resembles the prank of boys, who
|
|
run with fire-engines to put out the ruddy aurora streaming to the
|
|
stars. The inviolate spirit turns their spite against the
|
|
wrongdoers. The martyr cannot be dishonored. Every lash inflicted
|
|
is a tongue of fame; every prison, a more illustrious abode; every
|
|
burned book or house enlightens the world; every suppressed or
|
|
expunged word reverberates through the earth from side to side.
|
|
Hours of sanity and consideration are always arriving to communities,
|
|
as to individuals, when the truth is seen, and the martyrs are
|
|
justified.
|
|
|
|
Thus do all things preach the indifferency of circumstances.
|
|
The man is all. Every thing has two sides, a good and an evil.
|
|
Every advantage has its tax. I learn to be content. But the
|
|
doctrine of compensation is not the doctrine of indifferency. The
|
|
thoughtless say, on hearing these representations, -- What boots it
|
|
to do well? there is one event to good and evil; if I gain any good,
|
|
I must pay for it; if I lose any good, I gain some other; all actions
|
|
are indifferent.
|
|
|
|
There is a deeper fact in the soul than compensation, to wit,
|
|
its own nature. The soul is not a compensation, but a life. The
|
|
soul _is_. Under all this running sea of circumstance, whose waters
|
|
ebb and flow with perfect balance, lies the aboriginal abyss of real
|
|
Being. Essence, or God, is not a relation, or a part, but the whole.
|
|
Being is the vast affirmative, excluding negation, self-balanced, and
|
|
swallowing up all relations, parts, and times within itself. Nature,
|
|
truth, virtue, are the influx from thence. Vice is the absence or
|
|
departure of the same. Nothing, Falsehood, may indeed stand as the
|
|
great Night or shade, on which, as a background, the living universe
|
|
paints itself forth; but no fact is begotten by it; it cannot work;
|
|
for it is not. It cannot work any good; it cannot work any harm. It
|
|
is harm inasmuch as it is worse not to be than to be.
|
|
|
|
We feel defrauded of the retribution due to evil acts, because
|
|
the criminal adheres to his vice and contumacy, and does not come to
|
|
a crisis or judgment anywhere in visible nature. There is no
|
|
stunning confutation of his nonsense before men and angels. Has he
|
|
therefore outwitted the law? Inasmuch as he carries the malignity
|
|
and the lie with him, he so far deceases from nature. In some manner
|
|
there will be a demonstration of the wrong to the understanding also;
|
|
but should we not see it, this deadly deduction makes square the
|
|
eternal account.
|
|
|
|
Neither can it be said, on the other hand, that the gain of
|
|
rectitude must be bought by any loss. There is no penalty to virtue;
|
|
no penalty to wisdom; they are proper additions of being. In a
|
|
virtuous action, I properly _am_; in a virtuous act, I add to the
|
|
world; I plant into deserts conquered from Chaos and Nothing, and see
|
|
the darkness receding on the limits of the horizon. There can be no
|
|
excess to love; none to knowledge; none to beauty, when these
|
|
attributes are considered in the purest sense. The soul refuses
|
|
limits, and always affirms an Optimism, never a Pessimism.
|
|
|
|
His life is a progress, and not a station. His instinct is
|
|
trust. Our instinct uses "more" and "less" in application to man, of
|
|
the _presence of the soul_, and not of its absence; the brave man is
|
|
greater than the coward; the true, the benevolent, the wise, is more
|
|
a man, and not less, than the fool and knave. There is no tax on the
|
|
good of virtue; for that is the incoming of God himself, or absolute
|
|
existence, without any comparative. Material good has its tax, and
|
|
if it came without desert or sweat, has no root in me, and the next
|
|
wind will blow it away. But all the good of nature is the soul's,
|
|
and may be had, if paid for in nature's lawful coin, that is, by
|
|
labor which the heart and the head allow. I no longer wish to meet a
|
|
good I do not earn, for example, to find a pot of buried gold,
|
|
knowing that it brings with it new burdens. I do not wish more
|
|
external goods, -- neither possessions, nor honors, nor powers, nor
|
|
persons. The gain is apparent; the tax is certain. But there is no
|
|
tax on the knowledge that the compensation exists, and that it is not
|
|
desirable to dig up treasure. Herein I rejoice with a serene eternal
|
|
peace. I contract the boundaries of possible mischief. I learn the
|
|
wisdom of St. Bernard, -- "Nothing can work me damage except myself;
|
|
the harm that I sustain I carry about with me, and never am a real
|
|
sufferer but by my own fault."
|
|
|
|
In the nature of the soul is the compensation for the
|
|
inequalities of condition. The radical tragedy of nature seems to be
|
|
the distinction of More and Less. How can Less not feel the pain;
|
|
how not feel indignation or malevolence towards More? Look at those
|
|
who have less faculty, and one feels sad, and knows not well what to
|
|
make of it. He almost shuns their eye; he fears they will upbraid
|
|
God. What should they do? It seems a great injustice. But see the
|
|
facts nearly, and these mountainous inequalities vanish. Love
|
|
reduces them, as the sun melts the iceberg in the sea. The heart and
|
|
soul of all men being one, this bitterness of _His_ and _Mine_
|
|
ceases. His is mine. I am my brother, and my brother is me. If I
|
|
feel overshadowed and outdone by great neighbours, I can yet love; I
|
|
can still receive; and he that loveth maketh his own the grandeur he
|
|
loves. Thereby I make the discovery that my brother is my guardian,
|
|
acting for me with the friendliest designs, and the estate I so
|
|
admired and envied is my own. It is the nature of the soul to
|
|
appropriate all things. Jesus and Shakspeare are fragments of the
|
|
soul, and by love I conquer and incorporate them in my own conscious
|
|
domain. His virtue, -- is not that mine? His wit, -- if it cannot
|
|
be made mine, it is not wit.
|
|
|
|
Such, also, is the natural history of calamity. The changes
|
|
which break up at short intervals the prosperity of men are
|
|
advertisements of a nature whose law is growth. Every soul is by
|
|
this intrinsic necessity quitting its whole system of things, its
|
|
friends, and home, and laws, and faith, as the shell-fish crawls out
|
|
of its beautiful but stony case, because it no longer admits of its
|
|
growth, and slowly forms a new house. In proportion to the vigor of
|
|
the individual, these revolutions are frequent, until in some happier
|
|
mind they are incessant, and all worldly relations hang very loosely
|
|
about him, becoming, as it were, a transparent fluid membrane through
|
|
which the living form is seen, and not, as in most men, an indurated
|
|
heterogeneous fabric of many dates, and of no settled character in
|
|
which the man is imprisoned. Then there can be enlargement, and the
|
|
man of to-day scarcely recognizes the man of yesterday. And such
|
|
should be the outward biography of man in time, a putting off of dead
|
|
circumstances day by day, as he renews his raiment day by day. But
|
|
to us, in our lapsed estate, resting, not advancing, resisting, not
|
|
cooperating with the divine expansion, this growth comes by shocks.
|
|
|
|
We cannot part with our friends. We cannot let our angels go.
|
|
We do not see that they only go out, that archangels may come in. We
|
|
are idolaters of the old. We do not believe in the riches of the
|
|
soul, in its proper eternity and omnipresence. We do not believe
|
|
there is any force in to-day to rival or recreate that beautiful
|
|
yesterday. We linger in the ruins of the old tent, where once we had
|
|
bread and shelter and organs, nor believe that the spirit can feed,
|
|
cover, and nerve us again. We cannot again find aught so dear, so
|
|
sweet, so graceful. But we sit and weep in vain. The voice of the
|
|
Almighty saith, `Up and onward for evermore!' We cannot stay amid the
|
|
ruins. Neither will we rely on the new; and so we walk ever with
|
|
reverted eyes, like those monsters who look backwards.
|
|
|
|
And yet the compensations of calamity are made apparent to the
|
|
understanding also, after long intervals of time. A fever, a
|
|
mutilation, a cruel disappointment, a loss of wealth, a loss of
|
|
friends, seems at the moment unpaid loss, and unpayable. But the
|
|
sure years reveal the deep remedial force that underlies all facts.
|
|
The death of a dear friend, wife, brother, lover, which seemed
|
|
nothing but privation, somewhat later assumes the aspect of a guide
|
|
or genius; for it commonly operates revolutions in our way of life,
|
|
terminates an epoch of infancy or of youth which was waiting to be
|
|
closed, breaks up a wonted occupation, or a household, or style of
|
|
living, and allows the formation of new ones more friendly to the
|
|
growth of character. It permits or constrains the formation of new
|
|
acquaintances, and the reception of new influences that prove of the
|
|
first importance to the next years; and the man or woman who would
|
|
have remained a sunny garden-flower, with no room for its roots and
|
|
too much sunshine for its head, by the falling of the walls and the
|
|
neglect of the gardener, is made the banian of the forest, yielding
|
|
shade and fruit to wide neighbourhoods of men.
|
|
|
|
|
|
|
|
SPIRITUAL LAWS
|
|
|
|
|
|
The living Heaven thy prayers respect,
|
|
House at once and architect,
|
|
Quarrying man's rejected hours,
|
|
Builds therewith eternal towers;
|
|
Sole and self-commanded works,
|
|
Fears not undermining days,
|
|
Grows by decays,
|
|
And, by the famous might that lurks
|
|
In reaction and recoil,
|
|
Makes flame to freeze, and ice to boil;
|
|
Forging, through swart arms of Offence,
|
|
The silver seat of Innocence.
|
|
|
|
|
|
|
|
ESSAY IV _Spiritual Laws_
|
|
|
|
When the act of reflection takes place in the mind, when we
|
|
look at ourselves in the light of thought, we discover that our life
|
|
is embosomed in beauty. Behind us, as we go, all things assume
|
|
pleasing forms, as clouds do far off. Not only things familiar and
|
|
stale, but even the tragic and terrible, are comely, as they take
|
|
their place in the pictures of memory. The river-bank, the weed at
|
|
the water-side, the old house, the foolish person, -- however
|
|
neglected in the passing, -- have a grace in the past. Even the
|
|
corpse that has lain in the chambers has added a solemn ornament to
|
|
the house. The soul will not know either deformity or pain. If, in
|
|
the hours of clear reason, we should speak the severest truth, we
|
|
should say, that we had never made a sacrifice. In these hours the
|
|
mind seems so great, that nothing can be taken from us that seems
|
|
much. All loss, all pain, is particular; the universe remains to the
|
|
heart unhurt. Neither vexations nor calamities abate our trust. No
|
|
man ever stated his griefs as lightly as he might. Allow for
|
|
exaggeration in the most patient and sorely ridden hack that ever was
|
|
driven. For it is only the finite that has wrought and suffered; the
|
|
infinite lies stretched in smiling repose.
|
|
|
|
The intellectual life may be kept clean and healthful, if man
|
|
will live the life of nature, and not import into his mind
|
|
difficulties which are none of his. No man need be perplexed in his
|
|
speculations. Let him do and say what strictly belongs to him, and,
|
|
though very ignorant of books, his nature shall not yield him any
|
|
intellectual obstructions and doubts. Our young people are diseased
|
|
with the theological problems of original sin, origin of evil,
|
|
predestination, and the like. These never presented a practical
|
|
difficulty to any man, -- never darkened across any man's road, who
|
|
did not go out of his way to seek them. These are the soul's mumps,
|
|
and measles, and whooping-coughs, and those who have not caught them
|
|
cannot describe their health or prescribe the cure. A simple mind
|
|
will not know these enemies. It is quite another thing that he
|
|
should be able to give account of his faith, and expound to another
|
|
the theory of his self-union and freedom. This requires rare gifts.
|
|
Yet, without this self-knowledge, there may be a sylvan strength and
|
|
integrity in that which he is. "A few strong instincts and a few
|
|
plain rules" suffice us.
|
|
|
|
My will never gave the images in my mind the rank they now
|
|
take. The regular course of studies, the years of academical and
|
|
professional education, have not yielded me better facts than some
|
|
idle books under the bench at the Latin School. What we do not call
|
|
education is more precious than that which we call so. We form no
|
|
guess, at the time of receiving a thought, of its comparative value.
|
|
And education often wastes its effort in attempts to thwart and balk
|
|
this natural magnetism, which is sure to select what belongs to it.
|
|
|
|
In like manner, our moral nature is vitiated by any
|
|
interference of our will. People represent virtue as a struggle, and
|
|
take to themselves great airs upon their attainments, and the
|
|
question is everywhere vexed, when a noble nature is commended,
|
|
whether the man is not better who strives with temptation. But there
|
|
is no merit in the matter. Either God is there, or he is not there.
|
|
We love characters in proportion as they are impulsive and
|
|
spontaneous. The less a man thinks or knows about his virtues, the
|
|
better we like him. Timoleon's victories are the best victories;
|
|
which ran and flowed like Homer's verses, Plutarch said. When we see
|
|
a soul whose acts are all regal, graceful, and pleasant as roses, we
|
|
must thank God that such things can be and are, and not turn sourly
|
|
on the angel, and say, `Crump is a better man with his grunting
|
|
resistance to all his native devils.'
|
|
|
|
Not less conspicuous is the preponderance of nature over will
|
|
in all practical life. There is less intention in history than we
|
|
ascribe to it. We impute deep-laid, far-sighted plans to Caesar and
|
|
Napoleon; but the best of their power was in nature, not in them.
|
|
Men of an extraordinary success, in their honest moments, have always
|
|
sung, `Not unto us, not unto us.' According to the faith of their
|
|
times, they have built altars to Fortune, or to Destiny, or to St.
|
|
Julian. Their success lay in their parallelism to the course of
|
|
thought, which found in them an unobstructed channel; and the wonders
|
|
of which they were the visible conductors seemed to the eye their
|
|
deed. Did the wires generate the galvanism? It is even true that
|
|
there was less in them on which they could reflect, than in another;
|
|
as the virtue of a pipe is to be smooth and hollow. That which
|
|
externally seemed will and immovableness was willingness and
|
|
self-annihilation. Could Shakspeare give a theory of Shakspeare?
|
|
Could ever a man of prodigious mathematical genius convey to others
|
|
any insight into his methods? If he could communicate that secret,
|
|
it would instantly lose its exaggerated value, blending with the
|
|
daylight and the vital energy the power to stand and to go.
|
|
|
|
The lesson is forcibly taught by these observations, that our
|
|
life might be much easier and simpler than we make it; that the world
|
|
might be a happier place than it is; that there is no need of
|
|
struggles, convulsions, and despairs, of the wringing of the hands
|
|
and the gnashing of the teeth; that we miscreate our own evils. We
|
|
interfere with the optimism of nature; for, whenever we get this
|
|
vantage-ground of the past, or of a wiser mind in the present, we are
|
|
able to discern that we are begirt with laws which execute
|
|
themselves.
|
|
|
|
The face of external nature teaches the same lesson. Nature
|
|
will not have us fret and fume. She does not like our benevolence or
|
|
our learning much better than she likes our frauds and wars. When we
|
|
come out of the caucus, or the bank, or the Abolition-convention, or
|
|
the Temperance-meeting, or the Transcendental club, into the fields
|
|
and woods, she says to us, `So hot? my little Sir.'
|
|
|
|
We are full of mechanical actions. We must needs intermeddle,
|
|
and have things in our own way, until the sacrifices and virtues of
|
|
society are odious. Love should make joy; but our benevolence is
|
|
unhappy. Our Sunday-schools, and churches, and pauper-societies are
|
|
yokes to the neck. We pain ourselves to please nobody. There are
|
|
natural ways of arriving at the same ends at which these aim, but do
|
|
not arrive. Why should all virtue work in one and the same way? Why
|
|
should all give dollars? It is very inconvenient to us country folk,
|
|
and we do not think any good will come of it. We have not dollars;
|
|
merchants have; let them give them. Farmers will give corn; poets
|
|
will sing; women will sew; laborers will lend a hand; the children
|
|
will bring flowers. And why drag this dead weight of a Sunday-school
|
|
over the whole Christendom? It is natural and beautiful that
|
|
childhood should inquire, and maturity should teach; but it is time
|
|
enough to answer questions when they are asked. Do not shut up the
|
|
young people against their will in a pew, and force the children to
|
|
ask them questions for an hour against their will.
|
|
|
|
If we look wider, things are all alike; laws, and letters, and
|
|
creeds, and modes of living, seem a travestie of truth. Our society
|
|
is encumbered by ponderous machinery, which resembles the endless
|
|
aqueducts which the Romans built over hill and dale, and which are
|
|
superseded by the discovery of the law that water rises to the level
|
|
of its source. It is a Chinese wall which any nimble Tartar can leap
|
|
over. It is a standing army, not so good as a peace. It is a
|
|
graduated, titled, richly appointed empire, quite superfluous when
|
|
town-meetings are found to answer just as well.
|
|
|
|
Let us draw a lesson from nature, which always works by short
|
|
ways. When the fruit is ripe, it falls. When the fruit is
|
|
despatched, the leaf falls. The circuit of the waters is mere
|
|
falling. The walking of man and all animals is a falling forward.
|
|
All our manual labor and works of strength, as prying, splitting,
|
|
digging, rowing, and so forth, are done by dint of continual falling,
|
|
and the globe, earth, moon, comet, sun, star, fall for ever and ever.
|
|
|
|
The simplicity of the universe is very different from the
|
|
simplicity of a machine. He who sees moral nature out and out, and
|
|
thoroughly knows how knowledge is acquired and character formed, is a
|
|
pedant. The simplicity of nature is not that which may easily be
|
|
read, but is inexhaustible. The last analysis can no wise be made.
|
|
We judge of a man's wisdom by his hope, knowing that the perception
|
|
of the inexhaustibleness of nature is an immortal youth. The wild
|
|
fertility of nature is felt in comparing our rigid names and
|
|
reputations with our fluid consciousness. We pass in the world for
|
|
sects and schools, for erudition and piety, and we are all the time
|
|
jejune babes. One sees very well how Pyrrhonism grew up. Every man
|
|
sees that he is that middle point, whereof every thing may be
|
|
affirmed and denied with equal reason. He is old, he is young, he is
|
|
very wise, he is altogether ignorant. He hears and feels what you
|
|
say of the seraphim, and of the tin-pedler. There is no permanent
|
|
wise man, except in the figment of the Stoics. We side with the
|
|
hero, as we read or paint, against the coward and the robber; but we
|
|
have been ourselves that coward and robber, and shall be again, not
|
|
in the low circumstance, but in comparison with the grandeurs
|
|
possible to the soul.
|
|
|
|
A little consideration of what takes place around us every day
|
|
would show us, that a higher law than that of our will regulates
|
|
events; that our painful labors are unnecessary, and fruitless; that
|
|
only in our easy, simple, spontaneous action are we strong, and by
|
|
contenting ourselves with obedience we become divine. Belief and
|
|
love, -- a believing love will relieve us of a vast load of care. O
|
|
my brothers, God exists. There is a soul at the centre of nature,
|
|
and over the will of every man, so that none of us can wrong the
|
|
universe. It has so infused its strong enchantment into nature, that
|
|
we prosper when we accept its advice, and when we struggle to wound
|
|
its creatures, our hands are glued to our sides, or they beat our own
|
|
breasts. The whole course of things goes to teach us faith. We need
|
|
only obey. There is guidance for each of us, and by lowly listening
|
|
we shall hear the right word. Why need you choose so painfully your
|
|
place, and occupation, and associates, and modes of action, and of
|
|
entertainment? Certainly there is a possible right for you that
|
|
precludes the need of balance and wilful election. For you there is
|
|
a reality, a fit place and congenial duties. Place yourself in the
|
|
middle of the stream of power and wisdom which animates all whom it
|
|
floats, and you are without effort impelled to truth, to right, and a
|
|
perfect contentment. Then you put all gainsayers in the wrong. Then
|
|
you are the world, the measure of right, of truth, of beauty. If we
|
|
will not be mar-plots with our miserable interferences, the work, the
|
|
society, letters, arts, science, religion of men would go on far
|
|
better than now, and the heaven predicted from the beginning of the
|
|
world, and still predicted from the bottom of the heart, would
|
|
organize itself, as do now the rose, and the air, and the sun.
|
|
|
|
I say, _do not choose_; but that is a figure of speech by which
|
|
I would distinguish what is commonly called _choice_ among men, and
|
|
which is a partial act, the choice of the hands, of the eyes, of the
|
|
appetites, and not a whole act of the man. But that which I call
|
|
right or goodness is the choice of my constitution; and that which I
|
|
call heaven, and inwardly aspire after, is the state or circumstance
|
|
desirable to my constitution; and the action which I in all my years
|
|
tend to do, is the work for my faculties. We must hold a man
|
|
amenable to reason for the choice of his daily craft or profession.
|
|
It is not an excuse any longer for his deeds, that they are the
|
|
custom of his trade. What business has he with an evil trade? Has
|
|
he not a _calling_ in his character.
|
|
|
|
Each man has his own vocation. The talent is the call. There
|
|
is one direction in which all space is open to him. He has faculties
|
|
silently inviting him thither to endless exertion. He is like a ship
|
|
in a river; he runs against obstructions on every side but one; on
|
|
that side all obstruction is taken away, and he sweeps serenely over
|
|
a deepening channel into an infinite sea. This talent and this call
|
|
depend on his organization, or the mode in which the general soul
|
|
incarnates itself in him. He inclines to do something which is easy
|
|
to him, and good when it is done, but which no other man can do. He
|
|
has no rival. For the more truly he consults his own powers, the
|
|
more difference will his work exhibit from the work of any other.
|
|
His ambition is exactly proportioned to his powers. The height of
|
|
the pinnacle is determined by the breadth of the base. Every man has
|
|
this call of the power to do somewhat unique, and no man has any
|
|
other call. The pretence that he has another call, a summons by name
|
|
and personal election and outward "signs that mark him extraordinary,
|
|
and not in the roll of common men," is fanaticism, and betrays
|
|
obtuseness to perceive that there is one mind in all the individuals,
|
|
and no respect of persons therein.
|
|
|
|
By doing his work, he makes the need felt which he can supply,
|
|
and creates the taste by which he is enjoyed. By doing his own work,
|
|
he unfolds himself. It is the vice of our public speaking that it
|
|
has not abandonment. Somewhere, not only every orator but every man
|
|
should let out all the length of all the reins; should find or make a
|
|
frank and hearty expression of what force and meaning is in him. The
|
|
common experience is, that the man fits himself as well as he can to
|
|
the customary details of that work or trade he falls into, and tends
|
|
it as a dog turns a spit. Then is he a part of the machine he moves;
|
|
the man is lost. Until he can manage to communicate himself to
|
|
others in his full stature and proportion, he does not yet find his
|
|
vocation. He must find in that an outlet for his character, so that
|
|
he may justify his work to their eyes. If the labor is mean, let him
|
|
by his thinking and character make it liberal. Whatever he knows and
|
|
thinks, whatever in his apprehension is worth doing, that let him
|
|
communicate, or men will never know and honor him aright. Foolish,
|
|
whenever you take the meanness and formality of that thing you do,
|
|
instead of converting it into the obedient spiracle of your character
|
|
and aims.
|
|
|
|
We like only such actions as have already long had the praise
|
|
of men, and do not perceive that any thing man can do may be divinely
|
|
done. We think greatness entailed or organized in some places or
|
|
duties, in certain offices or occasions, and do not see that Paganini
|
|
can extract rapture from a catgut, and Eulenstein from a jews-harp,
|
|
and a nimble-fingered lad out of shreds of paper with his scissors,
|
|
and Landseer out of swine, and the hero out of the pitiful habitation
|
|
and company in which he was hidden. What we call obscure condition
|
|
or vulgar society is that condition and society whose poetry is not
|
|
yet written, but which you shall presently make as enviable and
|
|
renowned as any. In our estimates, let us take a lesson from kings.
|
|
The parts of hospitality, the connection of families, the
|
|
impressiveness of death, and a thousand other things, royalty makes
|
|
its own estimate of, and a royal mind will. To make habitually a new
|
|
estimate, -- that is elevation.
|
|
|
|
What a man does, that he has. What has he to do with hope or
|
|
fear? In himself is his might. Let him regard no good as solid, but
|
|
that which is in his nature, and which must grow out of him as long
|
|
as he exists. The goods of fortune may come and go like summer
|
|
leaves; let him scatter them on every wind as the momentary signs of
|
|
his infinite productiveness.
|
|
|
|
He may have his own. A man's genius, the quality that
|
|
differences him from every other, the susceptibility to one class of
|
|
influences, the selection of what is fit for him, the rejection of
|
|
what is unfit, determines for him the character of the universe. A
|
|
man is a method, a progressive arrangement; a selecting principle,
|
|
gathering his like to him, wherever he goes. He takes only his own
|
|
out of the multiplicity that sweeps and circles round him. He is
|
|
like one of those booms which are set out from the shore on rivers to
|
|
catch drift-wood, or like the loadstone amongst splinters of steel.
|
|
Those facts, words, persons, which dwell in his memory without his
|
|
being able to say why, remain, because they have a relation to him
|
|
not less real for being as yet unapprehended. They are symbols of
|
|
value to him, as they can interpret parts of his consciousness which
|
|
he would vainly seek words for in the conventional images of books
|
|
and other minds. What attracts my attention shall have it, as I will
|
|
go to the man who knocks at my door, whilst a thousand persons, as
|
|
worthy, go by it, to whom I give no regard. It is enough that these
|
|
particulars speak to me. A few anecdotes, a few traits of character,
|
|
manners, face, a few incidents, have an emphasis in your memory out
|
|
of all proportion to their apparent significance, if you measure them
|
|
by the ordinary standards. They relate to your gift. Let them have
|
|
their weight, and do not reject them, and cast about for illustration
|
|
and facts more usual in literature. What your heart thinks great is
|
|
great. The soul's emphasis is always right.
|
|
|
|
Over all things that are agreeable to his nature and genius,
|
|
the man has the highest right. Everywhere he may take what belongs
|
|
to his spiritual estate, nor can he take any thing else, though all
|
|
doors were open, nor can all the force of men hinder him from taking
|
|
so much. It is vain to attempt to keep a secret from one who has a
|
|
right to know it. It will tell itself. That mood into which a
|
|
friend can bring us is his dominion over us. To the thoughts of that
|
|
state of mind he has a right. All the secrets of that state of mind
|
|
he can compel. This is a law which statesmen use in practice. All
|
|
the terrors of the French Republic, which held Austria in awe, were
|
|
unable to command her diplomacy. But Napoleon sent to Vienna M. de
|
|
Narbonne, one of the old noblesse, with the morals, manners, and name
|
|
of that interest, saying, that it was indispensable to send to the
|
|
old aristocracy of Europe men of the same connection, which, in fact,
|
|
constitutes a sort of free-masonry. M. de Narbonne, in less than a
|
|
fortnight, penetrated all the secrets of the imperial cabinet.
|
|
|
|
Nothing seems so easy as to speak and to be understood. Yet a
|
|
man may come to find _that_ the strongest of defences and of ties, --
|
|
that he has been understood; and he who has received an opinion may
|
|
come to find it the most inconvenient of bonds.
|
|
|
|
If a teacher have any opinion which he wishes to conceal, his
|
|
pupils will become as fully indoctrinated into that as into any which
|
|
he publishes. If you pour water into a vessel twisted into coils and
|
|
angles, it is vain to say, I will pour it only into this or that; --
|
|
it will find its level in all. Men feel and act the consequences of
|
|
your doctrine, without being able to show how they follow. Show us
|
|
an arc of the curve, and a good mathematician will find out the whole
|
|
figure. We are always reasoning from the seen to the unseen. Hence
|
|
the perfect intelligence that subsists between wise men of remote
|
|
ages. A man cannot bury his meanings so deep in his book, but time
|
|
and like-minded men will find them. Plato had a secret doctrine, had
|
|
he? What secret can he conceal from the eyes of Bacon? of Montaigne?
|
|
of Kant? Therefore, Aristotle said of his works, "They are published
|
|
and not published."
|
|
|
|
No man can learn what he has not preparation for learning,
|
|
however near to his eyes is the object. A chemist may tell his most
|
|
precious secrets to a carpenter, and he shall be never the wiser, --
|
|
the secrets he would not utter to a chemist for an estate. God
|
|
screens us evermore from premature ideas. Our eyes are holden that
|
|
we cannot see things that stare us in the face, until the hour
|
|
arrives when the mind is ripened; then we behold them, and the time
|
|
when we saw them not is like a dream.
|
|
|
|
Not in nature but in man is all the beauty and worth he sees.
|
|
The world is very empty, and is indebted to this gilding, exalting
|
|
soul for all its pride. "Earth fills her lap with splendors" _not
|
|
her own_. The vale of Tempe, Tivoli, and Rome are earth and water,
|
|
rocks and sky. There are as good earth and water in a thousand
|
|
places, yet how unaffecting!
|
|
|
|
People are not the better for the sun and moon, the horizon and
|
|
the trees; as it is not observed that the keepers of Roman galleries,
|
|
or the valets of painters, have any elevation of thought, or that
|
|
librarians are wiser men than others. There are graces in the
|
|
demeanour of a polished and noble person, which are lost upon the eye
|
|
of a churl. These are like the stars whose light has not yet reached
|
|
us.
|
|
|
|
|
|
He may see what he maketh. Our dreams are the sequel of our
|
|
waking knowledge. The visions of the night bear some proportion to
|
|
the visions of the day. Hideous dreams are exaggerations of the sins
|
|
of the day. We see our evil affections embodied in bad
|
|
physiognomies. On the Alps, the traveller sometimes beholds his own
|
|
shadow magnified to a giant, so that every gesture of his hand is
|
|
terrific. "My children," said an old man to his boys scared by a
|
|
figure in the dark entry, "my children, you will never see any thing
|
|
worse than yourselves." As in dreams, so in the scarcely less fluid
|
|
events of the world, every man sees himself in colossal, without
|
|
knowing that it is himself. The good, compared to the evil which he
|
|
sees, is as his own good to his own evil. Every quality of his mind
|
|
is magnified in some one acquaintance, and every emotion of his heart
|
|
in some one. He is like a quincunx of trees, which counts five,
|
|
east, west, north, or south; or, an initial, medial, and terminal
|
|
acrostic. And why not? He cleaves to one person, and avoids
|
|
another, according to their likeness or unlikeness to himself, truly
|
|
seeking himself in his associates, and moreover in his trade, and
|
|
habits, and gestures, and meats, and drinks; and comes at last to be
|
|
faithfully represented by every view you take of his circumstances.
|
|
|
|
He may read what he writes. What can we see or acquire, but
|
|
what we are? You have observed a skilful man reading Virgil. Well,
|
|
that author is a thousand books to a thousand persons. Take the book
|
|
into your two hands, and read your eyes out; you will never find what
|
|
I find. If any ingenious reader would have a monopoly of the wisdom
|
|
or delight he gets, he is as secure now the book is Englished, as if
|
|
it were imprisoned in the Pelews' tongue. It is with a good book as
|
|
it is with good company. Introduce a base person among gentlemen; it
|
|
is all to no purpose; he is not their fellow. Every society protects
|
|
itself. The company is perfectly safe, and he is not one of them,
|
|
though his body is in the room.
|
|
|
|
What avails it to fight with the eternal laws of mind, which
|
|
adjust the relation of all persons to each other, by the mathematical
|
|
measure of their havings and beings? Gertrude is enamoured of Guy;
|
|
how high, how aristocratic, how Roman his mien and manners! to live
|
|
with him were life indeed, and no purchase is too great; and heaven
|
|
and earth are moved to that end. Well, Gertrude has Guy; but what
|
|
now avails how high, how aristocratic, how Roman his mien and
|
|
manners, if his heart and aims are in the senate, in the theatre, and
|
|
in the billiard-room, and she has no aims, no conversation, that can
|
|
enchant her graceful lord?
|
|
|
|
He shall have his own society. We can love nothing but nature.
|
|
The most wonderful talents, the most meritorious exertions, really
|
|
avail very little with us; but nearness or likeness of nature, -- how
|
|
beautiful is the ease of its victory! Persons approach us famous for
|
|
their beauty, for their accomplishments, worthy of all wonder for
|
|
their charms and gifts; they dedicate their whole skill to the hour
|
|
and the company, with very imperfect result. To be sure, it would be
|
|
ungrateful in us not to praise them loudly. Then, when all is done,
|
|
a person of related mind, a brother or sister by nature, comes to us
|
|
so softly and easily, so nearly and intimately, as if it were the
|
|
blood in our proper veins, that we feel as if some one was gone,
|
|
instead of another having come; we are utterly relieved and
|
|
refreshed; it is a sort of joyful solitude. We foolishly think in
|
|
our days of sin, that we must court friends by compliance to the
|
|
customs of society, to its dress, its breeding, and its estimates.
|
|
But only that soul can be my friend which I encounter on the line of
|
|
my own march, that soul to which I do not decline, and which does not
|
|
decline to me, but, native of the same celestial latitude, repeats in
|
|
its own all my experience. The scholar forgets himself, and apes the
|
|
customs and costumes of the man of the world, to deserve the smile of
|
|
beauty, and follows some giddy girl, not yet taught by religious
|
|
passion to know the noble woman with all that is serene, oracular,
|
|
and beautiful in her soul. Let him be great, and love shall follow
|
|
him. Nothing is more deeply punished than the neglect of the
|
|
affinities by which alone society should be formed, and the insane
|
|
levity of choosing associates by others' eyes.
|
|
|
|
He may set his own rate. It is a maxim worthy of all
|
|
acceptation, that a man may have that allowance he takes. Take the
|
|
place and attitude which belong to you, and all men acquiesce. The
|
|
world must be just. It leaves every man, with profound unconcern, to
|
|
set his own rate. Hero or driveller, it meddles not in the matter.
|
|
It will certainly accept your own measure of your doing and being,
|
|
whether you sneak about and deny your own name, or whether you see
|
|
your work produced to the concave sphere of the heavens, one with the
|
|
revolution of the stars.
|
|
|
|
The same reality pervades all teaching. The man may teach by
|
|
doing, and not otherwise. If he can communicate himself, he can
|
|
teach, but not by words. He teaches who gives, and he learns who
|
|
receives. There is no teaching until the pupil is brought into the
|
|
same state or principle in which you are; a transfusion takes place;
|
|
he is you, and you are he; then is a teaching; and by no unfriendly
|
|
chance or bad company can he ever quite lose the benefit. But your
|
|
propositions run out of one ear as they ran in at the other. We see
|
|
it advertised that Mr. Grand will deliver an oration on the Fourth of
|
|
July, and Mr. Hand before the Mechanics' Association, and we do not
|
|
go thither, because we know that these gentlemen will not communicate
|
|
their own character and experience to the company. If we had reason
|
|
to expect such a confidence, we should go through all inconvenience
|
|
and opposition. The sick would be carried in litters. But a public
|
|
oration is an escapade, a non-committal, an apology, a gag, and not a
|
|
communication, not a speech, not a man.
|
|
|
|
A like Nemesis presides over all intellectual works. We have
|
|
yet to learn, that the thing uttered in words is not therefore
|
|
affirmed. It must affirm itself, or no forms of logic or of oath can
|
|
give it evidence. The sentence must also contain its own apology for
|
|
being spoken.
|
|
|
|
The effect of any writing on the public mind is mathematically
|
|
measurable by its depth of thought. How much water does it draw? If
|
|
it awaken you to think, if it lift you from your feet with the great
|
|
voice of eloquence, then the effect is to be wide, slow, permanent,
|
|
over the minds of men; if the pages instruct you not, they will die
|
|
like flies in the hour. The way to speak and write what shall not go
|
|
out of fashion is, to speak and write sincerely. The argument which
|
|
has not power to reach my own practice, I may well doubt, will fail
|
|
to reach yours. But take Sidney's maxim: -- "Look in thy heart, and
|
|
write." He that writes to himself writes to an eternal public. That
|
|
statement only is fit to be made public, which you have come at in
|
|
attempting to satisfy your own curiosity. The writer who takes his
|
|
subject from his ear, and not from his heart, should know that he has
|
|
lost as much as he seems to have gained, and when the empty book has
|
|
gathered all its praise, and half the people say, `What poetry! what
|
|
genius!' it still needs fuel to make fire. That only profits which
|
|
is profitable. Life alone can impart life; and though we should
|
|
burst, we can only be valued as we make ourselves valuable. There is
|
|
no luck in literary reputation. They who make up the final verdict
|
|
upon every book are not the partial and noisy readers of the hour
|
|
when it appears; but a court as of angels, a public not to be bribed,
|
|
not to be entreated, and not to be overawed, decides upon every man's
|
|
title to fame. Only those books come down which deserve to last.
|
|
Gilt edges, vellum, and morocco, and presentation-copies to all the
|
|
libraries, will not preserve a book in circulation beyond its
|
|
intrinsic date. It must go with all Walpole's Noble and Royal
|
|
Authors to its fate. Blackmore, Kotzebue, or Pollok may endure for a
|
|
night, but Moses and Homer stand for ever. There are not in the
|
|
world at any one time more than a dozen persons who read and
|
|
understand Plato: -- never enough to pay for an edition of his works;
|
|
yet to every generation these come duly down, for the sake of those
|
|
few persons, as if God brought them in his hand. "No book," said
|
|
Bentley, "was ever written down by any but itself." The permanence of
|
|
all books is fixed by no effort friendly or hostile, but by their own
|
|
specific gravity, or the intrinsic importance of their contents to
|
|
the constant mind of man. "Do not trouble yourself too much about
|
|
the light on your statue," said Michel Angelo to the young sculptor;
|
|
"the light of the public square will test its value."
|
|
|
|
In like manner the effect of every action is measured by the
|
|
depth of the sentiment from which it proceeds. The great man knew
|
|
not that he was great. It took a century or two for that fact to
|
|
appear. What he did, he did because he must; it was the most natural
|
|
thing in the world, and grew out of the circumstances of the moment.
|
|
But now, every thing he did, even to the lifting of his finger or the
|
|
eating of bread, looks large, all-related, and is called an
|
|
institution.
|
|
|
|
These are the demonstrations in a few particulars of the genius
|
|
of nature; they show the direction of the stream. But the stream is
|
|
blood; every drop is alive. Truth has not single victories; all
|
|
things are its organs, -- not only dust and stones, but errors and
|
|
lies. The laws of disease, physicians say, are as beautiful as the
|
|
laws of health. Our philosophy is affirmative, and readily accepts
|
|
the testimony of negative facts, as every shadow points to the sun.
|
|
By a divine necessity, every fact in nature is constrained to offer
|
|
its testimony.
|
|
|
|
Human character evermore publishes itself. The most fugitive
|
|
deed and word, the mere air of doing a thing, the intimated purpose,
|
|
expresses character. If you act, you show character; if you sit
|
|
still, if you sleep, you show it. You think, because you have spoken
|
|
nothing when others spoke, and have given no opinion on the times, on
|
|
the church, on slavery, on marriage, on socialism, on secret
|
|
societies, on the college, on parties and persons, that your verdict
|
|
is still expected with curiosity as a reserved wisdom. Far
|
|
otherwise; your silence answers very loud. You have no oracle to
|
|
utter, and your fellow-men have learned that you cannot help them;
|
|
for, oracles speak. Doth not wisdom cry, and understanding put forth
|
|
her voice?
|
|
|
|
Dreadful limits are set in nature to the powers of
|
|
dissimulation. Truth tyrannizes over the unwilling members of the
|
|
body. Faces never lie, it is said. No man need be deceived, who
|
|
will study the changes of expression. When a man speaks the truth in
|
|
the spirit of truth, his eye is as clear as the heavens. When he has
|
|
base ends, and speaks falsely, the eye is muddy and sometimes
|
|
asquint.
|
|
|
|
I have heard an experienced counsellor say, that he never
|
|
feared the effect upon a jury of a lawyer who does not believe in his
|
|
heart that his client ought to have a verdict. If he does not
|
|
believe it, his unbelief will appear to the jury, despite all his
|
|
protestations, and will become their unbelief. This is that law
|
|
whereby a work of art, of whatever kind, sets us in the same state of
|
|
mind wherein the artist was when he made it. That which we do not
|
|
believe, we cannot adequately say, though we may repeat the words
|
|
never so often. It was this conviction which Swedenborg expressed,
|
|
when he described a group of persons in the spiritual world
|
|
endeavouring in vain to articulate a proposition which they did not
|
|
believe; but they could not, though they twisted and folded their
|
|
lips even to indignation.
|
|
|
|
|
|
A man passes for that he is worth. Very idle is all curiosity
|
|
concerning other people's estimate of us, and all fear of remaining
|
|
unknown is not less so. If a man know that he can do any thing, --
|
|
that he can do it better than any one else, -- he has a pledge of the
|
|
acknowledgment of that fact by all persons. The world is full of
|
|
judgment-days, and into every assembly that a man enters, in every
|
|
action he attempts, he is gauged and stamped. In every troop of boys
|
|
that whoop and run in each yard and square, a new-comer is as well
|
|
and accurately weighed in the course of a few days, and stamped with
|
|
his right number, as if he had undergone a formal trial of his
|
|
strength, speed, and temper. A stranger comes from a distant school,
|
|
with better dress, with trinkets in his pockets, with airs and
|
|
pretensions: an older boy says to himself, `It 's of no use; we shall
|
|
find him out to-morrow.' `What has he done?' is the divine question
|
|
which searches men, and transpierces every false reputation. A fop
|
|
may sit in any chair of the world, nor be distinguished for his hour
|
|
from Homer and Washington; but there need never be any doubt
|
|
concerning the respective ability of human beings. Pretension may
|
|
sit still, but cannot act. Pretension never feigned an act of real
|
|
greatness. Pretension never wrote an Iliad, nor drove back Xerxes,
|
|
nor christianized the world, nor abolished slavery.
|
|
|
|
As much virtue as there is, so much appears; as much goodness
|
|
as there is, so much reverence it commands. All the devils respect
|
|
virtue. The high, the generous, the self-devoted sect will always
|
|
instruct and command mankind. Never was a sincere word utterly lost.
|
|
Never a magnanimity fell to the ground, but there is some heart to
|
|
greet and accept it unexpectedly. A man passes for that he is worth.
|
|
What he is engraves itself on his face, on his form, on his fortunes,
|
|
in letters of light. Concealment avails him nothing; boasting
|
|
nothing. There is confession in the glances of our eyes; in our
|
|
smiles; in salutations; and the grasp of hands. His sin bedaubs him,
|
|
mars all his good impression. Men know not why they do not trust
|
|
him; but they do not trust him. His vice glasses his eye, cuts lines
|
|
of mean expression in his cheek, pinches the nose, sets the mark of
|
|
the beast on the back of the head, and writes O fool! fool! on the
|
|
forehead of a king.
|
|
|
|
|
|
If you would not be known to do any thing, never do it. A man
|
|
may play the fool in the drifts of a desert, but every grain of sand
|
|
shall seem to see. He may be a solitary eater, but he cannot keep
|
|
his foolish counsel. A broken complexion, a swinish look, ungenerous
|
|
acts, and the want of due knowledge, -- all blab. Can a cook, a
|
|
Chiffinch, an Iachimo be mistaken for Zeno or Paul? Confucius
|
|
exclaimed, -- "How can a man be concealed! How can a man be
|
|
concealed!"
|
|
|
|
On the other hand, the hero fears not, that, if he withhold the
|
|
avowal of a just and brave act, it will go unwitnessed and unloved.
|
|
One knows it, -- himself, -- and is pledged by it to sweetness of
|
|
peace, and to nobleness of aim, which will prove in the end a better
|
|
proclamation of it than the relating of the incident. Virtue is the
|
|
adherence in action to the nature of things, and the nature of things
|
|
makes it prevalent. It consists in a perpetual substitution of being
|
|
for seeming, and with sublime propriety God is described as saying, I
|
|
AM.
|
|
|
|
The lesson which these observations convey is, Be, and not
|
|
seem. Let us acquiesce. Let us take our bloated nothingness out of
|
|
the path of the divine circuits. Let us unlearn our wisdom of the
|
|
world. Let us lie low in the Lord's power, and learn that truth
|
|
alone makes rich and great.
|
|
|
|
If you visit your friend, why need you apologize for not having
|
|
visited him, and waste his time and deface your own act? Visit him
|
|
now. Let him feel that the highest love has come to see him, in
|
|
thee, its lowest organ. Or why need you torment yourself and friend
|
|
by secret self-reproaches that you have not assisted him or
|
|
complimented him with gifts and salutations heretofore? Be a gift
|
|
and a benediction. Shine with real light, and not with the borrowed
|
|
reflection of gifts. Common men are apologies for men; they bow the
|
|
head, excuse themselves with prolix reasons, and accumulate
|
|
appearances, because the substance is not.
|
|
|
|
We are full of these superstitions of sense, the worship of
|
|
magnitude. We call the poet inactive, because he is not a president,
|
|
a merchant, or a porter. We adore an institution, and do not see
|
|
that it is founded on a thought which we have. But real action is in
|
|
silent moments. The epochs of our life are not in the visible facts
|
|
of our choice of a calling, our marriage, our acquisition of an
|
|
office, and the like, but in a silent thought by the way-side as we
|
|
walk; in a thought which revises our entire manner of life, and says,
|
|
-- `Thus hast thou done, but it were better thus.' And all our after
|
|
years, like menials, serve and wait on this, and, according to their
|
|
ability, execute its will. This revisal or correction is a constant
|
|
force, which, as a tendency, reaches through our lifetime. The
|
|
object of the man, the aim of these moments, is to make daylight
|
|
shine through him, to suffer the law to traverse his whole being
|
|
without obstruction, so that, on what point soever of his doing your
|
|
eye falls, it shall report truly of his character, whether it be his
|
|
diet, his house, his religious forms, his society, his mirth, his
|
|
vote, his opposition. Now he is not homogeneous, but heterogeneous,
|
|
and the ray does not traverse; there are no thorough lights: but the
|
|
eye of the beholder is puzzled, detecting many unlike tendencies, and
|
|
a life not yet at one.
|
|
|
|
Why should we make it a point with our false modesty to
|
|
disparage that man we are, and that form of being assigned to us? A
|
|
good man is contented. I love and honor Epaminondas, but I do not
|
|
wish to be Epaminondas. I hold it more just to love the world of
|
|
this hour, than the world of his hour. Nor can you, if I am true,
|
|
excite me to the least uneasiness by saying, `He acted, and thou
|
|
sittest still.' I see action to be good, when the need is, and
|
|
sitting still to be also good. Epaminondas, if he was the man I take
|
|
him for, would have sat still with joy and peace, if his lot had been
|
|
mine. Heaven is large, and affords space for all modes of love and
|
|
fortitude. Why should we be busybodies and superserviceable? Action
|
|
and inaction are alike to the true. One piece of the tree is cut for
|
|
a weathercock, and one for the sleeper of a bridge; the virtue of the
|
|
wood is apparent in both.
|
|
|
|
I desire not to disgrace the soul. The fact that I am here
|
|
certainly shows me that the soul had need of an organ here. Shall I
|
|
not assume the post? Shall I skulk and dodge and duck with my
|
|
unseasonable apologies and vain modesty, and imagine my being here
|
|
impertinent? less pertinent than Epaminondas or Homer being there?
|
|
and that the soul did not know its own needs? Besides, without any
|
|
reasoning on the matter, I have no discontent. The good soul
|
|
nourishes me, and unlocks new magazines of power and enjoyment to me
|
|
every day. I will not meanly decline the immensity of good, because
|
|
I have heard that it has come to others in another shape.
|
|
|
|
Besides, why should we be cowed by the name of Action? 'T is a
|
|
trick of the senses, -- no more. We know that the ancestor of every
|
|
action is a thought. The poor mind does not seem to itself to be any
|
|
thing, unless it have an outside badge, -- some Gentoo diet, or
|
|
Quaker coat, or Calvinistic prayer-meeting, or philanthropic society,
|
|
or a great donation, or a high office, or, any how, some wild
|
|
contrasting action to testify that it is somewhat. The rich mind
|
|
lies in the sun and sleeps, and is Nature. To think is to act.
|
|
|
|
Let us, if we must have great actions, make our own so. All
|
|
action is of an infinite elasticity, and the least admits of being
|
|
inflated with the celestial air until it eclipses the sun and moon.
|
|
Let us seek _one_ peace by fidelity. Let me heed my duties. Why
|
|
need I go gadding into the scenes and philosophy of Greek and Italian
|
|
history, before I have justified myself to my benefactors? How dare
|
|
I read Washington's campaigns, when I have not answered the letters
|
|
of my own correspondents? Is not that a just objection to much of
|
|
our reading? It is a pusillanimous desertion of our work to gaze
|
|
after our neighbours. It is peeping. Byron says of Jack Bunting, --
|
|
|
|
"He knew not what to say, and so he swore."
|
|
|
|
I may say it of our preposterous use of books, -- He knew not
|
|
what to do, and so _he read_. I can think of nothing to fill my time
|
|
with, and I find the Life of Brant. It is a very extravagant
|
|
compliment to pay to Brant, or to General Schuyler, or to General
|
|
Washington. My time should be as good as their time, -- my facts, my
|
|
net of relations, as good as theirs, or either of theirs. Rather let
|
|
me do my work so well that other idlers, if they choose, may compare
|
|
my texture with the texture of these and find it identical with the
|
|
best.
|
|
|
|
This over-estimate of the possibilities of Paul and Pericles,
|
|
this under-estimate of our own, comes from a neglect of the fact of
|
|
an identical nature. Bonaparte knew but one merit, and rewarded in
|
|
one and the same way the good soldier, the good astronomer, the good
|
|
poet, the good player. The poet uses the names of Caesar, of
|
|
Tamerlane, of Bonduca, of Belisarius; the painter uses the
|
|
conventional story of the Virgin Mary, of Paul, of Peter. He does
|
|
not, therefore, defer to the nature of these accidental men, of these
|
|
stock heroes. If the poet write a true drama, then he is Caesar, and
|
|
not the player of Caesar; then the selfsame strain of thought,
|
|
emotion as pure, wit as subtle, motions as swift, mounting,
|
|
extravagant, and a heart as great, self-sufficing, dauntless, which
|
|
on the waves of its love and hope can uplift all that is reckoned
|
|
solid and precious in the world, -- palaces, gardens, money, navies,
|
|
kingdoms, -- marking its own incomparable worth by the slight it
|
|
casts on these gauds of men, -- these all are his, and by the power
|
|
of these he rouses the nations. Let a man believe in God, and not in
|
|
names and places and persons. Let the great soul incarnated in some
|
|
woman's form, poor and sad and single, in some Dolly or Joan, go out
|
|
to service, and sweep chambers and scour floors, and its effulgent
|
|
daybeams cannot be muffled or hid, but to sweep and scour will
|
|
instantly appear supreme and beautiful actions, the top and radiance
|
|
of human life, and all people will get mops and brooms; until, lo!
|
|
suddenly the great soul has enshrined itself in some other form, and
|
|
done some other deed, and that is now the flower and head of all
|
|
living nature.
|
|
|
|
We are the photometers, we the irritable goldleaf and tinfoil
|
|
that measure the accumulations of the subtle element. We know the
|
|
authentic effects of the true fire through every one of its million
|
|
disguises.
|
|
|
|
LOVE
|
|
|
|
"I was as a gem concealed;
|
|
Me my burning ray revealed."
|
|
_Koran_
|
|
|
|
|
|
|
|
ESSAY V _Love_
|
|
|
|
Every promise of the soul has innumerable fulfilments; each
|
|
ofnt. Nature, uncontainable, flowing, forelooking, in the first
|
|
sentiment of kindness anticipates already a benevolence which shall
|
|
lose all particular regards in its general light. The introduction
|
|
to this felicity is in a private and tender relation of one to one,
|
|
which is the enchantment of human life; which, like a certain divine
|
|
rage and enthusiasm, seizes on man at one period, and works a
|
|
revolution in his mind and body; unites him to his race, pledges him
|
|
to the domestic and civic relations, carries him with new sympathy
|
|
into nature, enhances the power of the senses, opens the imagination,
|
|
adds to his character heroic and sacred attributes, establishes
|
|
marriage, and gives permanence to human society.
|
|
|
|
The natural association of the sentiment of love with the
|
|
heyday of the blood seems to require, that in order to portray it in
|
|
vivid tints, which every youth and maid should confess to be true to
|
|
their throbbing experience, one must not be too old. The delicious
|
|
fancies of youth reject the least savour of a mature philosophy, as
|
|
chilling with age and pedantry their purple bloom. And, therefore, I
|
|
know I incur the imputation of unnecessary hardness and stoicism from
|
|
those who compose the Court and Parliament of Love. But from these
|
|
formidable censors I shall appeal to my seniors. For it is to be
|
|
considered that this passion of which we speak, though it begin with
|
|
the young, yet forsakes not the old, or rather suffers no one who is
|
|
truly its servant to grow old, but makes the aged participators of
|
|
it, not less than the tender maiden, though in a different and nobler
|
|
sort. For it is a fire that, kindling its first embers in the narrow
|
|
nook of a private bosom, caught from a wandering spark out of another
|
|
private heart, glows and enlarges until it warms and beams upon
|
|
multitudes of men and women, upon the universal heart of all, and so
|
|
lights up the whole world and all nature with its generous flames.
|
|
It matters not, therefore, whether we attempt to describe the passion
|
|
at twenty, at thirty, or at eighty years. He who paints it at the
|
|
first period will lose some of its later, he who paints it at the
|
|
last, some of its earlier traits. Only it is to be hoped that, by
|
|
patience and the Muses' aid, we may attain to that inward view of the
|
|
law, which shall describe a truth ever young and beautiful, so
|
|
central that it shall commend itself to the eye, at whatever angle
|
|
beholden.
|
|
|
|
And the first condition is, that we must leave a too close and
|
|
lingering adherence to facts, and study the sentiment as it appeared
|
|
in hope and not in history. For each man sees his own life defaced
|
|
and disfigured, as the life of man is not, to his imagination. Each
|
|
man sees over his own experience a certain stain of error, whilst
|
|
that of other men looks fair and ideal. Let any man go back to those
|
|
delicious relations which make the beauty of his life, which have
|
|
given him sincerest instruction and nourishment, he will shrink and
|
|
moan. Alas! I know not why, but infinite compunctions embitter in
|
|
mature life the remembrances of budding joy, and cover every beloved
|
|
name. Every thing is beautiful seen from the point of the intellect,
|
|
or as truth. But all is sour, if seen as experience. Details are
|
|
melancholy; the plan is seemly and noble. In the actual world -- the
|
|
painful kingdom of time and place -- dwell care, and canker, and
|
|
fear. With thought, with the ideal, is immortal hilarity, the rose
|
|
of joy. Round it all the Muses sing. But grief cleaves to names,
|
|
and persons, and the partial interests of to-day and yesterday.
|
|
|
|
The strong bent of nature is seen in the proportion which this
|
|
topic of personal relations usurps in the conversation of society.
|
|
What do we wish to know of any worthy person so much, as how he has
|
|
sped in the history of this sentiment? What books in the circulating
|
|
libraries circulate? How we glow over these novels of passion, when
|
|
the story is told with any spark of truth and nature! And what
|
|
fastens attention, in the intercourse of life, like any passage
|
|
betraying affection between two parties? Perhaps we never saw them
|
|
before, and never shall meet them again. But we see them exchange a
|
|
glance, or betray a deep emotion, and we are no longer strangers. We
|
|
understand them, and take the warmest interest in the development of
|
|
the romance. All mankind love a lover. The earliest demonstrations
|
|
of complacency and kindness are nature's most winning pictures. It
|
|
is the dawn of civility and grace in the coarse and rustic. The rude
|
|
village boy teases the girls about the school-house door; -- but
|
|
to-day he comes running into the entry, and meets one fair child
|
|
disposing her satchel; he holds her books to help her, and instantly
|
|
it seems to him as if she removed herself from him infinitely, and
|
|
was a sacred precinct. Among the throng of girls he runs rudely
|
|
enough, but one alone distances him; and these two little neighbours,
|
|
that were so close just now, have learned to respect each other's
|
|
personality. Or who can avert his eyes from the engaging,
|
|
half-artful, half-artless ways of school-girls who go into the
|
|
country shops to buy a skein of silk or a sheet of paper, and talk
|
|
half an hour about nothing with the broad-faced, good-natured
|
|
shop-boy. In the village they are on a perfect equality, which love
|
|
delights in, and without any coquetry the happy, affectionate nature
|
|
of woman flows out in this pretty gossip. The girls may have little
|
|
beauty, yet plainly do they establish between them and the good boy
|
|
the most agreeable, confiding relations, what with their fun and
|
|
their earnest, about Edgar, and Jonas, and Almira, and who was
|
|
invited to the party, and who danced at the dancing-school, and when
|
|
the singing-school would begin, and other nothings concerning which
|
|
the parties cooed. By and by that boy wants a wife, and very truly
|
|
and heartily will he know where to find a sincere and sweet mate,
|
|
without any risk such as Milton deplores as incident to scholars and
|
|
great men.
|
|
|
|
I have been told, that in some public discourses of mine my
|
|
reverence for the intellect has made me unjustly cold to the personal
|
|
relations. But now I almost shrink at the remembrance of such
|
|
disparaging words. For persons are love's world, and the coldest
|
|
philosopher cannot recount the debt of the young soul wandering here
|
|
in nature to the power of love, without being tempted to unsay, as
|
|
treasonable to nature, aught derogatory to the social instincts.
|
|
For, though the celestial rapture falling out of heaven seizes only
|
|
upon those of tender age, and although a beauty overpowering all
|
|
analysis or comparison, and putting us quite beside ourselves, we can
|
|
seldom see after thirty years, yet the remembrance of these visions
|
|
outlasts all other remembrances, and is a wreath of flowers on the
|
|
oldest brows. But here is a strange fact; it may seem to many men,
|
|
in revising their experience, that they have no fairer page in their
|
|
life's book than the delicious memory of some passages wherein
|
|
affection contrived to give a witchcraft surpassing the deep
|
|
attraction of its own truth to a parcel of accidental and trivial
|
|
circumstances. In looking backward, they may find that several
|
|
things which were not the charm have more reality to this groping
|
|
memory than the charm itself which embalmed them. But be our
|
|
experience in particulars what it may, no man ever forgot the
|
|
visitations of that power to his heart and brain, which created all
|
|
things new; which was the dawn in him of music, poetry, and art;
|
|
which made the face of nature radiant with purple light, the morning
|
|
and the night varied enchantments; when a single tone of one voice
|
|
could make the heart bound, and the most trivial circumstance
|
|
associated with one form is put in the amber of memory; when he
|
|
became all eye when one was present, and all memory when one was
|
|
gone; when the youth becomes a watcher of windows, and studious of a
|
|
glove, a veil, a ribbon, or the wheels of a carriage; when no place
|
|
is too solitary, and none too silent, for him who has richer company
|
|
and sweeter conversation in his new thoughts, than any old friends,
|
|
though best and purest, can give him; for the figures, the motions,
|
|
the words of the beloved object are not like other images written in
|
|
water, but, as Plutarch said, "enamelled in fire," and make the study
|
|
of midnight.
|
|
|
|
"Thou art not gone being gone, where'er thou art,
|
|
Thou leav'st in him thy watchful eyes, in him thy loving
|
|
heart."
|
|
|
|
In the noon and the afternoon of life we still throb at the
|
|
recollection of days when happiness was not happy enough, but must be
|
|
drugged with the relish of pain and fear; for he touched the secret
|
|
of the matter, who said of love, --
|
|
|
|
"All other pleasures are not worth its pains";
|
|
|
|
and when the day was not long enough, but the night, too, must
|
|
be consumed in keen recollections; when the head boiled all night on
|
|
the pillow with the generous deed it resolved on; when the moonlight
|
|
was a pleasing fever, and the stars were letters, and the flowers
|
|
ciphers, and the air was coined into song; when all business seemed
|
|
an impertinence, and all the men and women running to and fro in the
|
|
streets, mere pictures.
|
|
|
|
The passion rebuilds the world for the youth. It makes all
|
|
things alive and significant. Nature grows conscious. Every bird on
|
|
the boughs of the tree sings now to his heart and soul. The notes
|
|
are almost articulate. The clouds have faces as he looks on them.
|
|
The trees of the forest, the waving grass, and the peeping flowers
|
|
have grown intelligent; and he almost fears to trust them with the
|
|
secret which they seem to invite. Yet nature soothes and
|
|
sympathizes. In the green solitude he finds a dearer home than with
|
|
men.
|
|
|
|
"Fountain-heads and pathless groves,
|
|
Places which pale passion loves,
|
|
Moonlight walks, when all the fowls
|
|
Are safely housed, save bats and owls,
|
|
A midnight bell, a passing groan, --
|
|
These are the sounds we feed upon."
|
|
|
|
Behold there in the wood the fine madman! He is a palace of
|
|
sweet sounds and sights; he dilates; he is twice a man; he walks with
|
|
arms akimbo; he soliloquizes; he accosts the grass and the trees; he
|
|
feels the blood of the violet, the clover, and the lily in his veins;
|
|
and he talks with the brook that wets his foot.
|
|
|
|
The heats that have opened his perceptions of natural beauty
|
|
have made him love music and verse. It is a fact often observed,
|
|
that men have written good verses under the inspiration of passion,
|
|
who cannot write well under any other circumstances.
|
|
|
|
The like force has the passion over all his nature. It expands
|
|
the sentiment; it makes the clown gentle, and gives the coward heart.
|
|
Into the most pitiful and abject it will infuse a heart and courage
|
|
to defy the world, so only it have the countenance of the beloved
|
|
object. In giving him to another, it still more gives him to
|
|
himself. He is a new man, with new perceptions, new and keener
|
|
purposes, and a religious solemnity of character and aims. He does
|
|
not longer appertain to his family and society; _he_ is somewhat;
|
|
_he_ is a person; _he_ is a soul.
|
|
|
|
|
|
And here let us examine a little nearer the nature of that
|
|
influence which is thus potent over the human youth. Beauty, whose
|
|
revelation to man we now celebrate, welcome as the sun wherever it
|
|
pleases to shine, which pleases everybody with it and with
|
|
themselves, seems sufficient to itself. The lover cannot paint his
|
|
maiden to his fancy poor and solitary. Like a tree in flower, so
|
|
much soft, budding, informing love-liness is society for itself, and
|
|
she teaches his eye why Beauty was pictured with Loves and Graces
|
|
attending her steps. Her existence makes the world rich. Though she
|
|
extrudes all other persons from his attention as cheap and unworthy,
|
|
she indemnifies him by carrying out her own being into somewhat
|
|
impersonal, large, mundane, so that the maiden stands to him for a
|
|
representative of all select things and virtues. For that reason,
|
|
the lover never sees personal resemblances in his mistress to her
|
|
kindred or to others. His friends find in her a likeness to her
|
|
mother, or her sisters, or to persons not of her blood. The lover
|
|
sees no resemblance except to summer evenings and diamond mornings,
|
|
to rainbows and the song of birds.
|
|
|
|
The ancients called beauty the flowering of virtue. Who can
|
|
analyze the nameless charm which glances from one and another face
|
|
and form? We are touched with emotions of tenderness and
|
|
complacency, but we cannot find whereat this dainty emotion, this
|
|
wandering gleam, points. It is destroyed for the imagination by any
|
|
attempt to refer it to organization. Nor does it point to any
|
|
relations of friendship or love known and described in society, but,
|
|
as it seems to me, to a quite other and unattainable sphere, to
|
|
relations of transcendent delicacy and sweetness, to what roses and
|
|
violets hint and fore-show. We cannot approach beauty. Its nature
|
|
is like opaline doves'-neck lustres, hovering and evanescent. Herein
|
|
it resembles the most excellent things, which all have this rainbow
|
|
character, defying all attempts at appropriation and use. What else
|
|
did Jean Paul Richter signify, when he said to music, "Away! away!
|
|
thou speakest to me of things which in all my endless life I have not
|
|
found, and shall not find." The same fluency may be observed in every
|
|
work of the plastic arts. The statue is then beautiful when it
|
|
begins to be incomprehensible, when it is passing out of criticism,
|
|
and can no longer be defined by compass and measuring-wand, but
|
|
demands an active imagination to go with it, and to say what it is in
|
|
the act of doing. The god or hero of the sculptor is always
|
|
represented in a transition _from_ that which is representable to the
|
|
senses, _to_ that which is not. Then first it ceases to be a stone.
|
|
The same remark holds of painting. And of poetry, the success is not
|
|
attained when it lulls and satisfies, but when it astonishes and
|
|
fires us with new endeavours after the unattainable. Concerning it,
|
|
Landor inquires "whether it is not to be referred to some purer state
|
|
of sensation and existence."
|
|
|
|
In like manner, personal beauty is then first charming and
|
|
itself, when it dissatisfies us with any end; when it becomes a story
|
|
without an end; when it suggests gleams and visions, and not earthly
|
|
satisfactions; when it makes the beholder feel his unworthiness; when
|
|
he cannot feel his right to it, though he were Caesar; he cannot feel
|
|
more right to it than to the firmament and the splendors of a sunset.
|
|
|
|
Hence arose the saying, "If I love you, what is that to you?"
|
|
We say so, because we feel that what we love is not in your will, but
|
|
above it. It is not you, but your radiance. It is that which you
|
|
know not in yourself, and can never know.
|
|
|
|
This agrees well with that high philosophy of Beauty which the
|
|
ancient writers delighted in; for they said that the soul of man,
|
|
embodied here on earth, went roaming up and down in quest of that
|
|
other world of its own, out of which it came into this, but was soon
|
|
stupefied by the light of the natural sun, and unable to see any
|
|
other objects than those of this world, which are but shadows of real
|
|
things. Therefore, the Deity sends the glory of youth before the
|
|
soul, that it may avail itself of beautiful bodies as aids to its
|
|
recollection of the celestial good and fair; and the man beholding
|
|
such a person in the female sex runs to her, and finds the highest
|
|
joy in contemplating the form, movement, and intelligence of this
|
|
person, because it suggests to him the presence of that which indeed
|
|
is within the beauty, and the cause of the beauty.
|
|
|
|
If, however, from too much conversing with material objects,
|
|
the soul was gross, and misplaced its satisfaction in the body, it
|
|
reaped nothing but sorrow; body being unable to fulfil the promise
|
|
which beauty holds out; but if, accepting the hint of these visions
|
|
and suggestions which beauty makes to his mind, the soul passes
|
|
through the body, and falls to admire strokes of character, and the
|
|
lovers contemplate one another in their discourses and their actions,
|
|
then they pass to the true palace of beauty, more and more inflame
|
|
their love of it, and by this love extinguishing the base affection,
|
|
as the sun puts out the fire by shining on the hearth, they become
|
|
pure and hallowed. By conversation with that which is in itself
|
|
excellent, magnanimous, lowly, and just, the lover comes to a warmer
|
|
love of these nobilities, and a quicker apprehension of them. Then
|
|
he passes from loving them in one to loving them in all, and so is
|
|
the one beautiful soul only the door through which he enters to the
|
|
society of all true and pure souls. In the particular society of his
|
|
mate, he attains a clearer sight of any spot, any taint, which her
|
|
beauty has contracted from this world, and is able to point it out,
|
|
and this with mutual joy that they are now able, without offence, to
|
|
indicate blemishes and hindrances in each other, and give to each all
|
|
help and comfort in curing the same. And, beholding in many souls
|
|
the traits of the divine beauty, and separating in each soul that
|
|
which is divine from the taint which it has contracted in the world,
|
|
the lover ascends to the highest beauty, to the love and knowledge of
|
|
the Divinity, by steps on this ladder of created souls.
|
|
|
|
Somewhat like this have the truly wise told us of love in all
|
|
ages. The doctrine is not old, nor is it new. If Plato, Plutarch,
|
|
and Apuleius taught it, so have Petrarch, Angelo, and Milton. It
|
|
awaits a truer unfolding in opposition and rebuke to that
|
|
subterranean prudence which presides at marriages with words that
|
|
take hold of the upper world, whilst one eye is prowling in the
|
|
cellar, so that its gravest discourse has a savor of hams and
|
|
powdering-tubs. Worst, when this sensualism intrudes into the
|
|
education of young women, and withers the hope and affection of human
|
|
nature, by teaching that marriage signifies nothing but a housewife's
|
|
thrift, and that woman's life has no other aim.
|
|
|
|
But this dream of love, though beautiful, is only one scene in
|
|
our play. In the procession of the soul from within outward, it
|
|
enlarges its circles ever, like the pebble thrown into the pond, or
|
|
the light proceeding from an orb. The rays of the soul alight first
|
|
on things nearest, on every utensil and toy, on nurses and domestics,
|
|
on the house, and yard, and passengers, on the circle of household
|
|
acquaintance, on politics, and geography, and history. But things
|
|
are ever grouping themselves according to higher or more interior
|
|
laws. Neighbourhood, size, numbers, habits, persons, lose by degrees
|
|
their power over us. Cause and effect, real affinities, the longing
|
|
for harmony between the soul and the circumstance, the progressive,
|
|
idealizing instinct, predominate later, and the step backward from
|
|
the higher to the lower relations is impossible. Thus even love,
|
|
which is the deification of persons, must become more impersonal
|
|
every day. Of this at first it gives no hint. Little think the
|
|
youth and maiden who are glancing at each other across crowded rooms,
|
|
with eyes so full of mutual intelligence, of the precious fruit long
|
|
hereafter to proceed from this new, quite external stimulus. The
|
|
work of vegetation begins first in the irritability of the bark and
|
|
leaf-buds. From exchanging glances, they advance to acts of
|
|
courtesy, of gallantry, then to fiery passion, to plighting troth,
|
|
and marriage. Passion beholds its object as a perfect unit. The
|
|
soul is wholly embodied, and the body is wholly ensouled.
|
|
|
|
"Her pure and eloquent blood
|
|
Spoke in her cheeks, and so distinctly wrought,
|
|
That one might almost say her body thought."
|
|
|
|
Romeo, if dead, should be cut up into little stars to make
|
|
the heavens fine. Life, with this pair, has no other aim, asks no
|
|
more, than Juliet, -- than Romeo. Night, day, studies, talents,
|
|
kingdoms, religion, are all contained in this form full of soul, in
|
|
this soul which is all form. The lovers delight in endearments, in
|
|
avowals of love, in comparisons of their regards. When alone, they
|
|
solace themselves with the remembered image of the other. Does that
|
|
other see the same star, the same melting cloud, read the same book,
|
|
feel the same emotion, that now delight me? They try and weigh their
|
|
affection, and, adding up costly advantages, friends, opportunities,
|
|
properties, exult in discovering that willingly, joyfully, they would
|
|
give all as a ransom for the beautiful, the beloved head, not one
|
|
hair of which shall be harmed. But the lot of humanity is on these
|
|
children. Danger, sorrow, and pain arrive to them, as to all. Love
|
|
prays. It makes covenants with Eternal Power in behalf of this dear
|
|
mate. The union which is thus effected, and which adds a new value
|
|
to every atom in nature, for it transmutes every thread throughout
|
|
the whole web of relation into a golden ray, and bathes the soul in a
|
|
new and sweeter element, is yet a temporary state. Not always can
|
|
flowers, pearls, poetry, protestations, nor even home in another
|
|
heart, content the awful soul that dwells in clay. It arouses itself
|
|
at last from these endearments, as toys, and puts on the harness, and
|
|
aspires to vast and universal aims. The soul which is in the soul of
|
|
each, craving a perfect beatitude, detects incongruities, defects,
|
|
and disproportion in the behaviour of the other. Hence arise
|
|
surprise, expostulation, and pain. Yet that which drew them to each
|
|
other was signs of loveliness, signs of virtue; and these virtues are
|
|
there, however eclipsed. They appear and reappear, and continue to
|
|
attract; but the regard changes, quits the sign, and attaches to the
|
|
substance. This repairs the wounded affection. Meantime, as life
|
|
wears on, it proves a game of permutation and combination of all
|
|
possible positions of the parties, to employ all the resources of
|
|
each, and acquaint each with the strength and weakness of the other.
|
|
For it is the nature and end of this relation, that they should
|
|
represent the human race to each other. All that is in the world,
|
|
which is or ought to be known, is cunningly wrought into the texture
|
|
of man, of woman.
|
|
|
|
"The person love does to us fit,
|
|
Like manna, has the taste of all in it."
|
|
|
|
The world rolls; the circumstances vary every hour. The angels
|
|
that inhabit this temple of the body appear at the windows, and the
|
|
gnomes and vices also. By all the virtues they are united. If there
|
|
be virtue, all the vices are known as such; they confess and flee.
|
|
Their once flaming regard is sobered by time in either breast, and,
|
|
losing in violence what it gains in extent, it becomes a thorough
|
|
good understanding. They resign each other, without complaint, to
|
|
the good offices which man and woman are severally appointed to
|
|
discharge in time, and exchange the passion which once could not lose
|
|
sight of its object, for a cheerful, disengaged furtherance, whether
|
|
present or absent, of each other's designs. At last they discover
|
|
that all which at first drew them together,---- those once sacred
|
|
features, that magical play of charms, -- was deciduous, had a
|
|
prospective end, like the scaffolding by which the house was built;
|
|
and the purification of the intellect and the heart, from year to
|
|
year, is the real marriage, foreseen and prepared from the first, and
|
|
wholly above their consciousness. Looking at these aims with which
|
|
two persons, a man and a woman, so variously and correlatively
|
|
gifted, are shut up in one house to spend in the nuptial society
|
|
forty or fifty years, I do not wonder at the emphasis with which the
|
|
heart prophesies this crisis from early infancy, at the profuse
|
|
beauty with which the instincts deck the nuptial bower, and nature,
|
|
and intellect, and art emulate each other in the gifts and the melody
|
|
they bring to the epithalamium.
|
|
|
|
Thus are we put in training for a love which knows not sex, nor
|
|
person, nor partiality, but which seeks virtue and wisdom everywhere,
|
|
to the end of increasing virtue and wisdom. We are by nature
|
|
observers, and thereby learners. That is our permanent state. But
|
|
we are often made to feel that our affections are but tents of a
|
|
night. Though slowly and with pain, the objects of the affections
|
|
change, as the objects of thought do. There are moments when the
|
|
affections rule and absorb the man, and make his happiness dependent
|
|
on a person or persons. But in health the mind is presently seen
|
|
again, -- its overarching vault, bright with galaxies of immutable
|
|
lights, and the warm loves and fears that swept over us as clouds,
|
|
must lose their finite character and blend with God, to attain their
|
|
own perfection. But we need not fear that we can lose any thing by
|
|
the progress of the soul. The soul may be trusted to the end. That
|
|
which is so beautiful and attractive as these relations must be
|
|
succeeded and supplanted only by what is more beautiful, and so on
|
|
for ever.
|
|
|
|
|
|
|
|
FRIENDSHIP
|
|
|
|
|
|
A ruddy drop of manly blood
|
|
The surging sea outweighs,
|
|
The world uncertain comes and goes,
|
|
The lover rooted stays.
|
|
I fancied he was fled,
|
|
And, after many a year,
|
|
Glowed unexhausted kindliness
|
|
Like daily sunrise there.
|
|
My careful heart was free again, --
|
|
O friend, my bosom said,
|
|
Through thee alone the sky is arched,
|
|
Through thee the rose is red,
|
|
All things through thee take nobler form,
|
|
And look beyond the earth,
|
|
And is the mill-round of our fate
|
|
A sun-path in thy worth.
|
|
Me too thy nobleness has taught
|
|
To master my despair;
|
|
The fountains of my hidden life
|
|
Are through thy friendship fair.
|
|
|
|
|
|
|
|
ESSAY VI _Friendship_
|
|
|
|
We have a great selfishness that chills like east winds the
|
|
world, the whole human family is bathed with an element of love like
|
|
a fine ether. How many persons we meet in houses, whom we scarcely
|
|
speak to, whom yet we honor, and who honor us! How many we see in
|
|
the street, or sit with in church, whom, though silently, we warmly
|
|
rejoice to be with! Read the language of these wandering eye-beams.
|
|
The heart knoweth.
|
|
|
|
The effect of the indulgence of this human affection is a
|
|
certain cordial exhilaration. In poetry, and in common speech, the
|
|
emotions of benevolence and complacency which are felt towards others
|
|
are likened to the material effects of fire; so swift, or much more
|
|
swift, more active, more cheering, are these fine inward
|
|
irradiations. From the highest degree of passionate love, to the
|
|
lowest degree of good-will, they make the sweetness of life.
|
|
|
|
Our intellectual and active powers increase with our affection.
|
|
The scholar sits down to write, and all his years of meditation do
|
|
not furnish him with one good thought or happy expression; but it is
|
|
necessary to write a letter to a friend, -- and, forthwith, troops of
|
|
gentle thoughts invest themselves, on every hand, with chosen words.
|
|
See, in any house where virtue and self-respect abide, the
|
|
palpitation which the approach of a stranger causes. A commended
|
|
stranger is expected and announced, and an uneasiness betwixt
|
|
pleasure and pain invades all the hearts of a household. His arrival
|
|
almost brings fear to the good hearts that would welcome him. The
|
|
house is dusted, all things fly into their places, the old coat is
|
|
exchanged for the new, and they must get up a dinner if they can. Of
|
|
a commended stranger, only the good report is told by others, only
|
|
the good and new is heard by us. He stands to us for humanity. He
|
|
is what we wish. Having imagined and invested him, we ask how we
|
|
should stand related in conversation and action with such a man, and
|
|
are uneasy with fear. The same idea exalts conversation with him.
|
|
We talk better than we are wont. We have the nimblest fancy, a
|
|
richer memory, and our dumb devil has taken leave for the time. For
|
|
long hours we can continue a series of sincere, graceful, rich
|
|
communications, drawn from the oldest, secretest experience, so that
|
|
they who sit by, of our own kinsfolk and acquaintance, shall feel a
|
|
lively surprise at our unusual powers. But as soon as the stranger
|
|
begins to intrude his partialities, his definitions, his defects,
|
|
into the conversation, it is all over. He has heard the first, the
|
|
last and best he will ever hear from us. He is no stranger now.
|
|
Vulgarity, ignorance, misapprehension are old acquaintances. Now,
|
|
when he comes, he may get the order, the dress, and the dinner, --
|
|
but the throbbing of the heart, and the communications of the soul,
|
|
no more.
|
|
|
|
What is so pleasant as these jets of affection which make a
|
|
young world for me again? What so delicious as a just and firm
|
|
encounter of two, in a thought, in a feeling? How beautiful, on
|
|
their approach to this beating heart, the steps and forms of the
|
|
gifted and the true! The moment we indulge our affections, the earth
|
|
is metamorphosed; there is no winter, and no night; all tragedies,
|
|
all ennuis, vanish, -- all duties even; nothing fills the proceeding
|
|
eternity but the forms all radiant of beloved persons. Let the soul
|
|
be assured that somewhere in the universe it should rejoin its
|
|
friend, and it would be content and cheerful alone for a thousand
|
|
years.
|
|
|
|
I awoke this morning with devout thanksgiving for my friends,
|
|
the old and the new. Shall I not call God the Beautiful, who daily
|
|
showeth himself so to me in his gifts? I chide society, I embrace
|
|
solitude, and yet I am not so ungrateful as not to see the wise, the
|
|
lovely, and the noble-minded, as from time to time they pass my gate.
|
|
Who hears me, who understands me, becomes mine, -- a possession for
|
|
all time. Nor is nature so poor but she gives me this joy several
|
|
times, and thus we weave social threads of our own, a new web of
|
|
relations; and, as many thoughts in succession substantiate
|
|
themselves, we shall by and by stand in a new world of our own
|
|
creation, and no longer strangers and pilgrims in a traditionary
|
|
globe. My friends have come to me unsought. The great God gave them
|
|
to me. By oldest right, by the divine affinity of virtue with
|
|
itself, I find them, or rather not I, but the Deity in me and in them
|
|
derides and cancels the thick walls of individual character,
|
|
relation, age, sex, circumstance, at which he usually connives, and
|
|
now makes many one. High thanks I owe you, excellent lovers, who
|
|
carry out the world for me to new and noble depths, and enlarge the
|
|
meaning of all my thoughts. These are new poetry of the first Bard,
|
|
-- poetry without stop, -- hymn, ode, and epic, poetry still flowing,
|
|
Apollo and the Muses chanting still. Will these, too, separate
|
|
themselves from me again, or some of them? I know not, but I fear it
|
|
not; for my relation to them is so pure, that we hold by simple
|
|
affinity, and the Genius of my life being thus social, the same
|
|
affinity will exert its energy on whomsoever is as noble as these men
|
|
and women, wherever I may be.
|
|
|
|
I confess to an extreme tenderness of nature on this point. It
|
|
is almost dangerous to me to "crush the sweet poison of misused wine"
|
|
of the affections. A new person is to me a great event, and hinders
|
|
me from sleep. I have often had fine fancies about persons which
|
|
have given me delicious hours; but the joy ends in the day; it yields
|
|
no fruit. Thought is not born of it; my action is very little
|
|
modified. I must feel pride in my friend's accomplishments as if
|
|
they were mine, -- and a property in his virtues. I feel as warmly
|
|
when he is praised, as the lover when he hears applause of his
|
|
engaged maiden. We over-estimate the conscience of our friend. His
|
|
goodness seems better than our goodness, his nature finer, his
|
|
temptations less. Every thing that is his, -- his name, his form,
|
|
his dress, books, and instruments, -- fancy enhances. Our own
|
|
thought sounds new and larger from his mouth.
|
|
|
|
Yet the systole and diastole of the heart are not without their
|
|
analogy in the ebb and flow of love. Friendship, like the
|
|
immortality of the soul, is too good to be believed. The lover,
|
|
beholding his maiden, half knows that she is not verily that which he
|
|
worships; and in the golden hour of friendship, we are surprised with
|
|
shades of suspicion and unbelief. We doubt that we bestow on our
|
|
hero the virtues in which he shines, and afterwards worship the form
|
|
to which we have ascribed this divine inhabitation. In strictness,
|
|
the soul does not respect men as it respects itself. In strict
|
|
science all persons underlie the same condition of an infinite
|
|
remoteness. Shall we fear to cool our love by mining for the
|
|
metaphysical foundation of this Elysian temple? Shall I not be as
|
|
real as the things I see? If I am, I shall not fear to know them for
|
|
what they are. Their essence is not less beautiful than their
|
|
appearance, though it needs finer organs for its apprehension. The
|
|
root of the plant is not unsightly to science, though for chaplets
|
|
and festoons we cut the stem short. And I must hazard the production
|
|
of the bald fact amidst these pleasing reveries, though it should
|
|
prove an Egyptian skull at our banquet. A man who stands united with
|
|
his thought conceives magnificently of himself. He is conscious of a
|
|
universal success, even though bought by uniform particular failures.
|
|
No advantages, no powers, no gold or force, can be any match for him.
|
|
I cannot choose but rely on my own poverty more than on your wealth.
|
|
I cannot make your consciousness tantamount to mine. Only the star
|
|
dazzles; the planet has a faint, moon-like ray. I hear what you say
|
|
of the admirable parts and tried temper of the party you praise, but
|
|
I see well that for all his purple cloaks I shall not like him,
|
|
unless he is at last a poor Greek like me. I cannot deny it, O
|
|
friend, that the vast shadow of the Phenomenal includes thee also in
|
|
its pied and painted immensity, -- thee, also, compared with whom all
|
|
else is shadow. Thou art not Being, as Truth is, as Justice is, --
|
|
thou art not my soul, but a picture and effigy of that. Thou hast
|
|
come to me lately, and already thou art seizing thy hat and cloak.
|
|
Is it not that the soul puts forth friends as the tree puts forth
|
|
leaves, and presently, by the germination of new buds, extrudes the
|
|
old leaf? The law of nature is alternation for evermore. Each
|
|
electrical state superinduces the opposite. The soul environs itself
|
|
with friends, that it may enter into a grander self-acquaintance or
|
|
solitude; and it goes alone for a season, that it may exalt its
|
|
conversation or society. This method betrays itself along the whole
|
|
history of our personal relations. The instinct of affection revives
|
|
the hope of union with our mates, and the returning sense of
|
|
insulation recalls us from the chase. Thus every man passes his life
|
|
in the search after friendship, and if he should record his true
|
|
sentiment, he might write a letter like this to each new candidate
|
|
for his love.
|
|
|
|
|
|
DEAR FRIEND: --
|
|
If I was sure of thee, sure of thy capacity, sure to match my
|
|
mood with thine, I should never think again of trifles in relation to
|
|
thy comings and goings. I am not very wise; my moods are quite
|
|
attainable; and I respect thy genius; it is to me as yet unfathomed;
|
|
yet dare I not presume in thee a perfect intelligence of me, and so
|
|
thou art to me a delicious torment. Thine ever, or never.
|
|
|
|
Yet these uneasy pleasures and fine pains are for curiosity,
|
|
and not for life. They are not to be indulged. This is to weave
|
|
cobweb, and not cloth. Our friendships hurry to short and poor
|
|
conclusions, because we have made them a texture of wine and dreams,
|
|
instead of the tough fibre of the human heart. The laws of
|
|
friendship are austere and eternal, of one web with the laws of
|
|
nature and of morals. But we have aimed at a swift and petty
|
|
benefit, to suck a sudden sweetness. We snatch at the slowest fruit
|
|
in the whole garden of God, which many summers and many winters must
|
|
ripen. We seek our friend not sacredly, but with an adulterate
|
|
passion which would appropriate him to ourselves. In vain. We are
|
|
armed all over with subtle antagonisms, which, as soon as we meet,
|
|
begin to play, and translate all poetry into stale prose. Almost all
|
|
people descend to meet. All association must be a compromise, and,
|
|
what is worst, the very flower and aroma of the flower of each of the
|
|
beautiful natures disappears as they approach each other. What a
|
|
perpetual disappointment is actual society, even of the virtuous and
|
|
gifted! After interviews have been compassed with long foresight, we
|
|
must be tormented presently by baffled blows, by sudden, unseasonable
|
|
apathies, by epilepsies of wit and of animal spirits, in the heyday
|
|
of friendship and thought. Our faculties do not play us true, and
|
|
both parties are relieved by solitude.
|
|
|
|
I ought to be equal to every relation. It makes no difference
|
|
how many friends I have, and what content I can find in conversing
|
|
with each, if there be one to whom I am not equal. If I have shrunk
|
|
unequal from one contest, the joy I find in all the rest becomes mean
|
|
and cowardly. I should hate myself, if then I made my other friends
|
|
my asylum.
|
|
|
|
|
|
"The valiant warrior famoused for fight,
|
|
After a hundred victories, once foiled,
|
|
Is from the book of honor razed quite,
|
|
And all the rest forgot for which he toiled."
|
|
|
|
Our impatience is thus sharply rebuked. Bashfulness and apathy
|
|
are a tough husk, in which a delicate organization is protected from
|
|
premature ripening. It would be lost if it knew itself before any of
|
|
the best souls were yet ripe enough to know and own it. Respect the
|
|
_naturlangsamkeit_ which hardens the ruby in a million years, and
|
|
works in duration, in which Alps and Andes come and go as rainbows.
|
|
The good spirit of our life has no heaven which is the price of
|
|
rashness. Love, which is the essence of God, is not for levity, but
|
|
for the total worth of man. Let us not have this childish luxury in
|
|
our regards, but the austerest worth; let us approach our friend with
|
|
an audacious trust in the truth of his heart, in the breadth,
|
|
impossible to be overturned, of his foundations.
|
|
|
|
The attractions of this subject are not to be resisted, and I
|
|
leave, for the time, all account of subordinate social benefit, to
|
|
speak of that select and sacred relation which is a kind of absolute,
|
|
and which even leaves the language of love suspicious and common, so
|
|
much is this purer, and nothing is so much divine.
|
|
|
|
I do not wish to treat friendships daintily, but with roughest
|
|
courage. When they are real, they are not glass threads or
|
|
frostwork, but the solidest thing we know. For now, after so many
|
|
ages of experience, what do we know of nature, or of ourselves? Not
|
|
one step has man taken toward the solution of the problem of his
|
|
destiny. In one condemnation of folly stand the whole universe of
|
|
men. But the sweet sincerity of joy and peace, which I draw from
|
|
this alliance with my brother's soul, is the nut itself, whereof all
|
|
nature and all thought is but the husk and shell. Happy is the house
|
|
that shelters a friend! It might well be built, like a festal bower
|
|
or arch, to entertain him a single day. Happier, if he know the
|
|
solemnity of that relation, and honor its law! He who offers himself
|
|
a candidate for that covenant comes up, like an Olympian, to the
|
|
great games, where the first-born of the world are the competitors.
|
|
He proposes himself for contests where Time, Want, Danger, are in the
|
|
lists, and he alone is victor who has truth enough in his
|
|
constitution to preserve the delicacy of his beauty from the wear and
|
|
tear of all these. The gifts of fortune may be present or absent,
|
|
but all the speed in that contest depends on intrinsic nobleness, and
|
|
the contempt of trifles. There are two elements that go to the
|
|
composition of friendship, each so sovereign that I can detect no
|
|
superiority in either, no reason why either should be first named.
|
|
One is Truth. A friend is a person with whom I may be sincere.
|
|
Before him I may think aloud. I am arrived at last in the presence
|
|
of a man so real and equal, that I may drop even those undermost
|
|
garments of dissimulation, courtesy, and second thought, which men
|
|
never put off, and may deal with him with the simplicity and
|
|
wholeness with which one chemical atom meets another. Sincerity is
|
|
the luxury allowed, like diadems and authority, only to the highest
|
|
rank, _that_ being permitted to speak truth, as having none above it
|
|
to court or conform unto. Every man alone is sincere. At the
|
|
entrance of a second person, hypocrisy begins. We parry and fend the
|
|
approach of our fellow-man by compliments, by gossip, by amusements,
|
|
by affairs. We cover up our thought from him under a hundred folds.
|
|
I knew a man, who, under a certain religious frenzy, cast off this
|
|
drapery, and, omitting all compliment and commonplace, spoke to the
|
|
conscience of every person he encountered, and that with great
|
|
insight and beauty. At first he was resisted, and all men agreed he
|
|
was mad. But persisting, as indeed he could not help doing, for some
|
|
time in this course, he attained to the advantage of bringing every
|
|
man of his acquaintance into true relations with him. No man would
|
|
think of speaking falsely with him, or of putting him off with any
|
|
chat of markets or reading-rooms. But every man was constrained by
|
|
so much sincerity to the like plaindealing, and what love of nature,
|
|
what poetry, what symbol of truth he had, he did certainly show him.
|
|
But to most of us society shows not its face and eye, but its side
|
|
and its back. To stand in true relations with men in a false age is
|
|
worth a fit of insanity, is it not? We can seldom go erect. Almost
|
|
every man we meet requires some civility, -- requires to be humored;
|
|
he has some fame, some talent, some whim of religion or philanthropy
|
|
in his head that is not to be questioned, and which spoils all
|
|
conversation with him. But a friend is a sane man who exercises not
|
|
my ingenuity, but me. My friend gives me entertainment without
|
|
requiring any stipulation on my part. A friend, therefore, is a sort
|
|
of paradox in nature. I who alone am, I who see nothing in nature
|
|
whose existence I can affirm with equal evidence to my own, behold
|
|
now the semblance of my being, in all its height, variety, and
|
|
curiosity, reiterated in a foreign form; so that a friend may well be
|
|
reckoned the masterpiece of nature.
|
|
|
|
The other element of friendship is tenderness. We are holden
|
|
to men by every sort of tie, by blood, by pride, by fear, by hope, by
|
|
lucre, by lust, by hate, by admiration, by every circumstance and
|
|
badge and trifle, but we can scarce believe that so much character
|
|
can subsist in another as to draw us by love. Can another be so
|
|
blessed, and we so pure, that we can offer him tenderness? When a
|
|
man becomes dear to me, I have touched the goal of fortune. I find
|
|
very little written directly to the heart of this matter in books.
|
|
And yet I have one text which I cannot choose but remember. My
|
|
author says, -- "I offer myself faintly and bluntly to those whose I
|
|
effectually am, and tender myself least to him to whom I am the most
|
|
devoted." I wish that friendship should have feet, as well as eyes
|
|
and eloquence. It must plant itself on the ground, before it vaults
|
|
over the moon. I wish it to be a little of a citizen, before it is
|
|
quite a cherub. We chide the citizen because he makes love a
|
|
commodity. It is an exchange of gifts, of useful loans; it is good
|
|
neighbourhood; it watches with the sick; it holds the pall at the
|
|
funeral; and quite loses sight of the delicacies and nobility of the
|
|
relation. But though we cannot find the god under this disguise of a
|
|
sutler, yet, on the other hand, we cannot forgive the poet if he
|
|
spins his thread too fine, and does not substantiate his romance by
|
|
the municipal virtues of justice, punctuality, fidelity, and pity. I
|
|
hate the prostitution of the name of friendship to signify modish and
|
|
worldly alliances. I much prefer the company of ploughboys and
|
|
tin-peddlers, to the silken and perfumed amity which celebrates its
|
|
days of encounter by a frivolous display, by rides in a curricle, and
|
|
dinners at the best taverns. The end of friendship is a commerce the
|
|
most strict and homely that can be joined; more strict than any of
|
|
which we have experience. It is for aid and comfort through all the
|
|
relations and passages of life and death. It is fit for serene days,
|
|
and graceful gifts, and country rambles, but also for rough roads and
|
|
hard fare, shipwreck, poverty, and persecution. It keeps company
|
|
with the sallies of the wit and the trances of religion. We are to
|
|
dignify to each other the daily needs and offices of man's life, and
|
|
embellish it by courage, wisdom, and unity. It should never fall
|
|
into something usual and settled, but should be alert and inventive,
|
|
and add rhyme and reason to what was drudgery.
|
|
|
|
Friendship may be said to require natures so rare and costly,
|
|
each so well tempered and so happily adapted, and withal so
|
|
circumstanced, (for even in that particular, a poet says, love
|
|
demands that the parties be altogether paired,) that its satisfaction
|
|
can very seldom be assured. It cannot subsist in its perfection, say
|
|
some of those who are learned in this warm lore of the heart, betwixt
|
|
more than two. I am not quite so strict in my terms, perhaps because
|
|
I have never known so high a fellowship as others. I please my
|
|
imagination more with a circle of godlike men and women variously
|
|
related to each other, and between whom subsists a lofty
|
|
intelligence. But I find this law of _one to one_ peremptory for
|
|
conversation, which is the practice and consummation of friendship.
|
|
Do not mix waters too much. The best mix as ill as good and bad.
|
|
You shall have very useful and cheering discourse at several times
|
|
with two several men, but let all three of you come together, and you
|
|
shall not have one new and hearty word. Two may talk and one may
|
|
hear, but three cannot take part in a conversation of the most
|
|
sincere and searching sort. In good company there is never such
|
|
discourse between two, across the table, as takes place when you
|
|
leave them alone. In good company, the individuals merge their
|
|
egotism into a social soul exactly co-extensive with the several
|
|
consciousnesses there present. No partialities of friend to friend,
|
|
no fondnesses of brother to sister, of wife to husband, are there
|
|
pertinent, but quite otherwise. Only he may then speak who can sail
|
|
on the common thought of the party, and not poorly limited to his
|
|
own. Now this convention, which good sense demands, destroys the
|
|
high freedom of great conversation, which requires an absolute
|
|
running of two souls into one.
|
|
|
|
|
|
No two men but, being left alone with each other, enter into
|
|
simpler relations. Yet it is affinity that determines _which_ two
|
|
shall converse. Unrelated men give little joy to each other; will
|
|
never suspect the latent powers of each. We talk sometimes of a
|
|
great talent for conversation, as if it were a permanent property in
|
|
some individuals. Conversation is an evanescent relation, -- no
|
|
more. A man is reputed to have thought and eloquence; he cannot, for
|
|
all that, say a word to his cousin or his uncle. They accuse his
|
|
silence with as much reason as they would blame the insignificance of
|
|
a dial in the shade. In the sun it will mark the hour. Among those
|
|
who enjoy his thought, he will regain his tongue.
|
|
|
|
Friendship requires that rare mean betwixt likeness and
|
|
unlikeness, that piques each with the presence of power and of
|
|
consent in the other party. Let me be alone to the end of the world,
|
|
rather than that my friend should overstep, by a word or a look, his
|
|
real sympathy. I am equally balked by antagonism and by compliance.
|
|
Let him not cease an instant to be himself. The only joy I have in
|
|
his being mine, is that the _not mine_ is _mine_. I hate, where I
|
|
looked for a manly furtherance, or at least a manly resistance, to
|
|
find a mush of concession. Better be a nettle in the side of your
|
|
friend than his echo. The condition which high friendship demands is
|
|
ability to do without it. That high office requires great and
|
|
sublime parts. There must be very two, before there can be very one.
|
|
Let it be an alliance of two large, formidable natures, mutually
|
|
beheld, mutually feared, before yet they recognize the deep identity
|
|
which beneath these disparities unites them.
|
|
|
|
He only is fit for this society who is magnanimous; who is sure
|
|
that greatness and goodness are always economy; who is not swift to
|
|
intermeddle with his fortunes. Let him not intermeddle with this.
|
|
Leave to the diamond its ages to grow, nor expect to accelerate the
|
|
births of the eternal. Friendship demands a religious treatment. We
|
|
talk of choosing our friends, but friends are self-elected.
|
|
Reverence is a great part of it. Treat your friend as a spectacle.
|
|
Of course he has merits that are not yours, and that you cannot
|
|
honor, if you must needs hold him close to your person. Stand aside;
|
|
give those merits room; let them mount and expand. Are you the
|
|
friend of your friend's buttons, or of his thought? To a great heart
|
|
he will still be a stranger in a thousand particulars, that he may
|
|
come near in the holiest ground. Leave it to girls and boys to
|
|
regard a friend as property, and to suck a short and all-confounding
|
|
pleasure, instead of the noblest benefit.
|
|
|
|
Let us buy our entrance to this guild by a long probation. Why
|
|
should we desecrate noble and beautiful souls by intruding on them?
|
|
Why insist on rash personal relations with your friend? Why go to
|
|
his house, or know his mother and brother and sisters? Why be
|
|
visited by him at your own? Are these things material to our
|
|
covenant? Leave this touching and clawing. Let him be to me a
|
|
spirit. A message, a thought, a sincerity, a glance from him, I
|
|
want, but not news, nor pottage. I can get politics, and chat, and
|
|
neighbourly conveniences from cheaper companions. Should not the
|
|
society of my friend be to me poetic, pure, universal, and great as
|
|
nature itself? Ought I to feel that our tie is profane in comparison
|
|
with yonder bar of cloud that sleeps on the horizon, or that clump of
|
|
waving grass that divides the brook? Let us not vilify, but raise it
|
|
to that standard. That great, defying eye, that scornful beauty of
|
|
his mien and action, do not pique yourself on reducing, but rather
|
|
fortify and enhance. Worship his superiorities; wish him not less by
|
|
a thought, but hoard and tell them all. Guard him as thy
|
|
counterpart. Let him be to thee for ever a sort of beautiful enemy,
|
|
untamable, devoutly revered, and not a trivial conveniency to be soon
|
|
outgrown and cast aside. The hues of the opal, the light of the
|
|
diamond, are not to be seen, if the eye is too near. To my friend I
|
|
write a letter, and from him I receive a letter. That seems to you a
|
|
little. It suffices me. It is a spiritual gift worthy of him to
|
|
give, and of me to receive. It profanes nobody. In these warm lines
|
|
the heart will trust itself, as it will not to the tongue, and pour
|
|
out the prophecy of a godlier existence than all the annals of
|
|
heroism have yet made good.
|
|
|
|
Respect so far the holy laws of this fellowship as not to
|
|
prejudice its perfect flower by your impatience for its opening. We
|
|
must be our own before we can be another's. There is at least this
|
|
satisfaction in crime, according to the Latin proverb; -- you can
|
|
speak to your accomplice on even terms. _Crimen quos inquinat,
|
|
aequat_. To those whom we admire and love, at first we cannot. Yet
|
|
the least defect of self-possession vitiates, in my judgment, the
|
|
entire relation. There can never be deep peace between two spirits,
|
|
never mutual respect, until, in their dialogue, each stands for the
|
|
whole world.
|
|
|
|
What is so great as friendship, let us carry with what grandeur
|
|
of spirit we can. Let us be silent, -- so we may hear the whisper of
|
|
the gods. Let us not interfere. Who set you to cast about what you
|
|
should say to the select souls, or how to say any thing to such? No
|
|
matter how ingenious, no matter how graceful and bland. There are
|
|
innumerable degrees of folly and wisdom, and for you to say aught is
|
|
to be frivolous. Wait, and thy heart shall speak. Wait until the
|
|
necessary and everlasting overpowers you, until day and night avail
|
|
themselves of your lips. The only reward of virtue is virtue; the
|
|
only way to have a friend is to be one. You shall not come nearer a
|
|
man by getting into his house. If unlike, his soul only flees the
|
|
faster from you, and you shall never catch a true glance of his eye.
|
|
We see the noble afar off, and they repel us; why should we intrude?
|
|
Late, -- very late, -- we perceive that no arrangements, no
|
|
introductions, no consuetudes or habits of society, would be of any
|
|
avail to establish us in such relations with them as we desire, --
|
|
but solely the uprise of nature in us to the same degree it is in
|
|
them; then shall we meet as water with water; and if we should not
|
|
meet them then, we shall not want them, for we are already they. In
|
|
the last analysis, love is only the reflection of a man's own
|
|
worthiness from other men. Men have sometimes exchanged names with
|
|
their friends, as if they would signify that in their friend each
|
|
loved his own soul.
|
|
|
|
The higher the style we demand of friendship, of course the
|
|
less easy to establish it with flesh and blood. We walk alone in the
|
|
world. Friends, such as we desire, are dreams and fables. But a
|
|
sublime hope cheers ever the faithful heart, that elsewhere, in other
|
|
regions of the universal power, souls are now acting, enduring, and
|
|
daring, which can love us, and which we can love. We may
|
|
congratulate ourselves that the period of nonage, of follies, of
|
|
blunders, and of shame, is passed in solitude, and when we are
|
|
finished men, we shall grasp heroic hands in heroic hands. Only be
|
|
admonished by what you already see, not to strike leagues of
|
|
friendship with cheap persons, where no friendship can be. Our
|
|
impatience betrays us into rash and foolish alliances which no God
|
|
attends. By persisting in your path, though you forfeit the little
|
|
you gain the great. You demonstrate yourself, so as to put yourself
|
|
out of the reach of false relations, and you draw to you the
|
|
first-born of the world, -- those rare pilgrims whereof only one or
|
|
two wander in nature at once, and before whom the vulgar great show
|
|
as spectres and shadows merely.
|
|
|
|
It is foolish to be afraid of making our ties too spiritual, as
|
|
if so we could lose any genuine love. Whatever correction of our
|
|
popular views we make from insight, nature will be sure to bear us
|
|
out in, and though it seem to rob us of some joy, will repay us with
|
|
a greater. Let us feel, if we will, the absolute insulation of man.
|
|
We are sure that we have all in us. We go to Europe, or we pursue
|
|
persons, or we read books, in the instinctive faith that these will
|
|
call it out and reveal us to ourselves. Beggars all. The persons
|
|
are such as we; the Europe an old faded garment of dead persons; the
|
|
books their ghosts. Let us drop this idolatry. Let us give over
|
|
this mendicancy. Let us even bid our dearest friends farewell, and
|
|
defy them, saying, `Who are you? Unhand me: I will be dependent no
|
|
more.' Ah! seest thou not, O brother, that thus we part only to meet
|
|
again on a higher platform, and only be more each other's, because we
|
|
are more our own? A friend is Janus-faced: he looks to the past and
|
|
the future. He is the child of all my foregoing hours, the prophet
|
|
of those to come, and the harbinger of a greater friend.
|
|
|
|
I do then with my friends as I do with my books. I would have
|
|
them where I can find them, but I seldom use them. We must have
|
|
society on our own terms, and admit or exclude it on the slightest
|
|
cause. I cannot afford to speak much with my friend. If he is
|
|
great, he makes me so great that I cannot descend to converse. In
|
|
the great days, presentiments hover before me in the firmament. I
|
|
ought then to dedicate myself to them. I go in that I may seize
|
|
them, I go out that I may seize them. I fear only that I may lose
|
|
them receding into the sky in which now they are only a patch of
|
|
brighter light. Then, though I prize my friends, I cannot afford to
|
|
talk with them and study their visions, lest I lose my own. It would
|
|
indeed give me a certain household joy to quit this lofty seeking,
|
|
this spiritual astronomy, or search of stars, and come down to warm
|
|
sympathies with you; but then I know well I shall mourn always the
|
|
vanishing of my mighty gods. It is true, next week I shall have
|
|
languid moods, when I can well afford to occupy myself with foreign
|
|
objects; then I shall regret the lost literature of your mind, and
|
|
wish you were by my side again. But if you come, perhaps you will
|
|
fill my mind only with new visions, not with yourself but with your
|
|
lustres, and I shall not be able any more than now to converse with
|
|
you. So I will owe to my friends this evanescent intercourse. I
|
|
will receive from them, not what they have, but what they are. They
|
|
shall give me that which properly they cannot give, but which
|
|
emanates from them. But they shall not hold me by any relations less
|
|
subtile and pure. We will meet as though we met not, and part as
|
|
though we parted not.
|
|
|
|
It has seemed to me lately more possible than I knew, to carry
|
|
a friendship greatly, on one side, without due correspondence on the
|
|
other. Why should I cumber myself with regrets that the receiver is
|
|
not capacious? It never troubles the sun that some of his rays fall
|
|
wide and vain into ungrateful space, and only a small part on the
|
|
reflecting planet. Let your greatness educate the crude and cold
|
|
companion. If he is unequal, he will presently pass away; but thou
|
|
art enlarged by thy own shining, and, no longer a mate for frogs and
|
|
worms, dost soar and burn with the gods of the empyrean. It is
|
|
thought a disgrace to love unrequited. But the great will see that
|
|
true love cannot be unrequited. True love transcends the unworthy
|
|
object, and dwells and broods on the eternal, and when the poor
|
|
interposed mask crumbles, it is not sad, but feels rid of so much
|
|
earth, and feels its independency the surer. Yet these things may
|
|
hardly be said without a sort of treachery to the relation. The
|
|
essence of friendship is entireness, a total magnanimity and trust.
|
|
It must not surmise or provide for infirmity. It treats its object
|
|
as a god, that it may deify both.
|
|
|
|
|
|
|
|
PRUDENCE
|
|
|
|
|
|
Theme no poet gladly sung,
|
|
Fair to old and foul to young,
|
|
Scorn not thou the love of parts,
|
|
And the articles of arts.
|
|
Grandeur of the perfect sphere
|
|
Thanks the atoms that cohere.
|
|
|
|
|
|
|
|
ESSAY VII _Prudence_
|
|
|
|
What right have I to write ont of the negative sort? My
|
|
prudence consists in avoiding and going without, not in the inventing
|
|
of means and methods, not in adroit steering, not in gentle
|
|
repairing. I have no skill to make money spend well, no genius in my
|
|
economy, and whoever sees my garden discovers that I must have some
|
|
other garden. Yet I love facts, and hate lubricity, and people
|
|
without perception. Then I have the same title to write on prudence,
|
|
that I have to write on poetry or holiness. We write from aspiration
|
|
and antagonism, as well as from experience. We paint those qualities
|
|
which we do not possess. The poet admires the man of energy and
|
|
tactics; the merchant breeds his son for the church or the bar: and
|
|
where a man is not vain and egotistic, you shall find what he has not
|
|
by his praise. Moreover, it would be hardly honest in me not to
|
|
balance these fine lyric words of Love and Friendship with words of
|
|
coarser sound, and, whilst my debt to my senses is real and constant,
|
|
not to own it in passing.
|
|
|
|
Prudence is the virtue of the senses. It is the science of
|
|
appearances. It is the outmost action of the inward life. It is God
|
|
taking thought for oxen. It moves matter after the laws of matter.
|
|
It is content to seek health of body by complying with physical
|
|
conditions, and health of mind by the laws of the intellect.
|
|
|
|
The world of the senses is a world of shows; it does not exist
|
|
for itself, but has a symbolic character; and a true prudence or law
|
|
of shows recognizes the copresence of other laws, and knows that its
|
|
own office is subaltern; knows that it is surface and not centre
|
|
where it works. Prudence is false when detached. It is legitimate
|
|
when it is the Natural History of the soul incarnate; when it unfolds
|
|
the beauty of laws within the narrow scope of the senses.
|
|
|
|
There are all degrees of proficiency in knowledge of the world.
|
|
It is sufficient, to our present purpose, to indicate three. One
|
|
class live to the utility of the symbol; esteeming health and wealth
|
|
a final good. Another class live above this mark to the beauty of
|
|
the symbol; as the poet, and artist, and the naturalist, and man of
|
|
science. A third class live above the beauty of the symbol to the
|
|
beauty of the thing signified; these are wise men. The first class
|
|
have common sense; the second, taste; and the third, spiritual
|
|
perception. Once in a long time, a man traverses the whole scale,
|
|
and sees and enjoys the symbol solidly; then also has a clear eye for
|
|
its beauty, and, lastly, whilst he pitches his tent on this sacred
|
|
volcanic isle of nature, does not offer to build houses and barns
|
|
thereon, reverencing the splendor of the God which he sees bursting
|
|
through each chink and cranny.
|
|
|
|
The world is filled with the proverbs and acts and winkings of
|
|
a base prudence, which is a devotion to matter, as if we possessed no
|
|
other faculties than the palate, the nose, the touch, the eye and
|
|
ear; a prudence which adores the Rule of Three, which never
|
|
subscribes, which never gives, which seldom lends, and asks but one
|
|
question of any project, -- Will it bake bread? This is a disease
|
|
like a thickening of the skin until the vital organs are destroyed.
|
|
But culture, revealing the high origin of the apparent world, and
|
|
aiming at the perfection of the man as the end, degrades every thing
|
|
else, as health and bodily life, into means. It sees prudence not to
|
|
be a several faculty, but a name for wisdom and virtue conversing
|
|
with the body and its wants. Cultivated men always feel and speak
|
|
so, as if a great fortune, the achievement of a civil or social
|
|
measure, great personal influence, a graceful and commanding address,
|
|
had their value as proofs of the energy of the spirit. If a man lose
|
|
his balance, and immerse himself in any trades or pleasures for their
|
|
own sake, he may be a good wheel or pin, but he is not a cultivated
|
|
man.
|
|
|
|
The spurious prudence, making the senses final, is the god of
|
|
sots and cowards, and is the subject of all comedy. It is nature's
|
|
joke, and therefore literature's. The true prudence limits this
|
|
sensualism by admitting the knowledge of an internal and real world.
|
|
This recognition once made, -- the order of the world and the
|
|
distribution of affairs and times being studied with the
|
|
co-perception of their subordinate place, will reward any degree of
|
|
attention. For our existence, thus apparently attached in nature to
|
|
the sun and the returning moon and the periods which they mark, -- so
|
|
susceptible to climate and to country, so alive to social good and
|
|
evil, so fond of splendor, and so tender to hunger and cold and debt,
|
|
-- reads all its primary lessons out of these books.
|
|
|
|
Prudence does not go behind nature, and ask whence it is. It
|
|
takes the laws of the world, whereby man's being is conditioned, as
|
|
they are, and keeps these laws, that it may enjoy their proper good.
|
|
It respects space and time, climate, want, sleep, the law of
|
|
polarity, growth, and death. There revolve to give bound and period
|
|
to his being, on all sides, the sun and moon, the great formalists in
|
|
the sky: here lies stubborn matter, and will not swerve from its
|
|
chemical routine. Here is a planted globe, pierced and belted with
|
|
natural laws, and fenced and distributed externally with civil
|
|
partitions and properties which impose new restraints on the young
|
|
inhabitant.
|
|
|
|
We eat of the bread which grows in the field. We live by the
|
|
air which blows around us, and we are poisoned by the air that is too
|
|
cold or too hot, too dry or too wet. Time, which shows so vacant,
|
|
indivisible, and divine in its coming, is slit and peddled into
|
|
trifles and tatters. A door is to be painted, a lock to be repaired.
|
|
I want wood, or oil, or meal, or salt; the house smokes, or I have a
|
|
headache; then the tax; and an affair to be transacted with a man
|
|
without heart or brains; and the stinging recollection of an
|
|
injurious or very awkward word, -- these eat up the hours. Do what
|
|
we can, summer will have its flies: if we walk in the woods, we must
|
|
feed mosquitos: if we go a-fishing, we must expect a wet coat. Then
|
|
climate is a great impediment to idle persons: we often resolve to
|
|
give up the care of the weather, but still we regard the clouds and
|
|
the rain.
|
|
|
|
We are instructed by these petty experiences which usurp the
|
|
hours and years. The hard soil and four months of snow make the
|
|
inhabitant of the northern temperate zone wiser and abler than his
|
|
fellow who enjoys the fixed smile of the tropics. The islander may
|
|
ramble all day at will. At night, he may sleep on a mat under the
|
|
moon, and wherever a wild date-tree grows, nature has, without a
|
|
prayer even, spread a table for his morning meal. The northerner is
|
|
perforce a householder. He must brew, bake, salt, and preserve his
|
|
food, and pile wood and coal. But as it happens that not one stroke
|
|
can labor lay to, without some new acquaintance with nature; and as
|
|
nature is inexhaustibly significant, the inhabitants of these
|
|
climates have always excelled the southerner in force. Such is the
|
|
value of these matters, that a man who knows other things can never
|
|
know too much of these. Let him have accurate perceptions. Let him,
|
|
if he have hands, handle; if eyes, measure and discriminate; let him
|
|
accept and hive every fact of chemistry, natural history, and
|
|
economics; the more he has, the less is he willing to spare any one.
|
|
Time is always bringing the occasions that disclose their value.
|
|
Some wisdom comes out of every natural and innocent action. The
|
|
domestic man, who loves no music so well as his kitchen clock, and
|
|
the airs which the logs sing to him as they burn on the hearth, has
|
|
solaces which others never dream of. The application of means to
|
|
ends insures victory and the songs of victory, not less in a farm or
|
|
a shop than in the tactics of party or of war. The good husband
|
|
finds method as efficient in the packing of fire-wood in a shed, or
|
|
in the harvesting of fruits in the cellar, as in Peninsular campaigns
|
|
or the files of the Department of State. In the rainy day, he builds
|
|
a work-bench, or gets his tool-box set in the corner of the
|
|
barn-chamber, and stored with nails, gimlet, pincers, screwdriver,
|
|
and chisel. Herein he tastes an old joy of youth and childhood, the
|
|
cat-like love of garrets, presses, and corn-chambers, and of the
|
|
conveniences of long housekeeping. His garden or his poultry-yard
|
|
tells him many pleasant anecdotes. One might find argument for
|
|
optimism in the abundant flow of this saccharine element of pleasure
|
|
in every suburb and extremity of the good world. Let a man keep the
|
|
law, -- any law, -- and his way will be strown with satisfactions.
|
|
There is more difference in the quality of our pleasures than in the
|
|
amount.
|
|
|
|
On the other hand, nature punishes any neglect of prudence. If
|
|
you think the senses final, obey their law. If you believe in the
|
|
soul, do not clutch at sensual sweetness before it is ripe on the
|
|
slow tree of cause and effect. It is vinegar to the eyes, to deal
|
|
with men of loose and imperfect perception. Dr. Johnson is reported
|
|
to have said, -- "If the child says he looked out of this window,
|
|
when he looked out of that, -- whip him." Our American character is
|
|
marked by a more than average delight in accurate perception, which
|
|
is shown by the currency of the byword, "No mistake." But the
|
|
discomfort of unpunctuality, of confusion of thought about facts, of
|
|
inattention to the wants of to-morrow, is of no nation. The
|
|
beautiful laws of time and space, once dislocated by our inaptitude,
|
|
are holes and dens. If the hive be disturbed by rash and stupid
|
|
hands, instead of honey, it will yield us bees. Our words and
|
|
actions to be fair must be timely. A gay and pleasant sound is the
|
|
whetting of the scythe in the mornings of June; yet what is more
|
|
lonesome and sad than the sound of a whetstone or mower's rifle, when
|
|
it is too late in the season to make hay? Scatter-brained and
|
|
"afternoon men" spoil much more than their own affair, in spoiling
|
|
the temper of those who deal with them. I have seen a criticism on
|
|
some paintings, of which I am reminded when I see the shiftless and
|
|
unhappy men who are not true to their senses. The last Grand Duke of
|
|
Weimar, a man of superior understanding, said: -- "I have sometimes
|
|
remarked in the presence of great works of art, and just now
|
|
especially, in Dresden, how much a certain property contributes to
|
|
the effect which gives life to the figures, and to the life an
|
|
irresistible truth. This property is the hitting, in all the figures
|
|
we draw, the right centre of gravity. I mean, the placing the
|
|
figures firm upon their feet, making the hands grasp, and fastening
|
|
the eyes on the spot where they should look. Even lifeless figures,
|
|
as vessels and stools, -- let them be drawn ever so correctly, --
|
|
lose all effect so soon as they lack the resting upon their centre of
|
|
gravity, and have a certain swimming and oscillating appearance. The
|
|
Raphael, in the Dresden gallery, (the only greatly affecting picture
|
|
which I have seen,) is the quietest and most passionless piece you
|
|
can imagine; a couple of saints who worship the Virgin and Child.
|
|
Nevertheless, it awakens a deeper impression than the contortions of
|
|
ten crucified martyrs. For, beside all the resistless beauty of
|
|
form, it possesses in the highest degree the property of the
|
|
perpendicularity of all the figures." This perpendicularity we demand
|
|
of all the figures in this picture of life. Let them stand on their
|
|
feet, and not float and swing. Let us know where to find them. Let
|
|
them discriminate between what they remember and what they dreamed,
|
|
call a spade a spade, give us facts, and honor their own senses with
|
|
trust.
|
|
|
|
But what man shall dare tax another with imprudence? Who is
|
|
prudent? The men we call greatest are least in this kingdom. There
|
|
is a certain fatal dislocation in our relation to nature, distorting
|
|
our modes of living, and making every law our enemy, which seems at
|
|
last to have aroused all the wit and virtue in the world to ponder
|
|
the question of Reform. We must call the highest prudence to
|
|
counsel, and ask why health and beauty and genius should now be the
|
|
exception, rather than the rule, of human nature? We do not know the
|
|
properties of plants and animals and the laws of nature through our
|
|
sympathy with the same; but this remains the dream of poets. Poetry
|
|
and prudence should be coincident. Poets should be lawgivers; that
|
|
is, the boldest lyric inspiration should not chide and insult, but
|
|
should announce and lead, the civil code, and the day's work. But
|
|
now the two things seem irreconcilably parted. We have violated law
|
|
upon law, until we stand amidst ruins, and when by chance we espy a
|
|
coincidence between reason and the phenomena, we are surprised.
|
|
Beauty should be the dowry of every man and woman, as invariably as
|
|
sensation; but it is rare. Health or sound organization should be
|
|
universal. Genius should be the child of genius, and every child
|
|
should be inspired; but now it is not to be predicted of any child,
|
|
and nowhere is it pure. We call partial half-lights, by courtesy,
|
|
genius; talent which converts itself to money; talent which glitters
|
|
to-day, that it may dine and sleep well to-morrow; and society is
|
|
officered by _men of parts_, as they are properly called, and not by
|
|
divine men. These use their gifts to refine luxury, not to abolish
|
|
it. Genius is always ascetic; and piety and love. Appetite shows to
|
|
the finer souls as a disease, and they find beauty in rites and
|
|
bounds that resist it.
|
|
|
|
We have found out fine names to cover our sensuality withal,
|
|
but no gifts can raise intemperance. The man of talent affects to
|
|
call his transgressions of the laws of the senses trivial, and to
|
|
count them nothing considered with his devotion to his art. His art
|
|
never taught him lewdness, nor the love of wine, nor the wish to reap
|
|
where he had not sowed. His art is less for every deduction from his
|
|
holiness, and less for every defect of common sense. On him who
|
|
scorned the world, as he said, the scorned world wreaks its revenge.
|
|
He that despiseth small things will perish by little and little.
|
|
Goethe's Tasso is very likely to be a pretty fair historical
|
|
portrait, and that is true tragedy. It does not seem to me so
|
|
genuine grief when some tyrannous Richard the Third oppresses and
|
|
slays a score of innocent persons, as when Antonio and Tasso, both
|
|
apparently right, wrong each other. One living after the maxims of
|
|
this world, and consistent and true to them, the other fired with all
|
|
divine sentiments, yet grasping also at the pleasures of sense,
|
|
without submitting to their law. That is a grief we all feel, a knot
|
|
we cannot untie. Tasso's is no infrequent case in modern biography.
|
|
A man of genius, of an ardent temperament, reckless of physical laws,
|
|
self-indulgent, becomes presently unfortunate, querulous, a
|
|
"discomfortable cousin," a thorn to himself and to others.
|
|
|
|
The scholar shames us by his bifold life. Whilst something
|
|
higher than prudence is active, he is admirable; when common sense is
|
|
wanted, he is an encumbrance. Yesterday, Caesar was not so great;
|
|
to-day, the felon at the gallows' foot is not more miserable.
|
|
Yesterday, radiant with the light of an ideal world, in which he
|
|
lives, the first of men; and now oppressed by wants and by sickness,
|
|
for which he must thank himself. He resembles the pitiful
|
|
drivellers, whom travellers describe as frequenting the bazaars of
|
|
Constantinople, who skulk about all day, yellow, emaciated, ragged,
|
|
sneaking; and at evening, when the bazaars are open, slink to the
|
|
opium-shop, swallow their morsel, and become tranquil and glorified
|
|
seers. And who has not seen the tragedy of imprudent genius,
|
|
struggling for years with paltry pecuniary difficulties, at last
|
|
sinking, chilled, exhausted, and fruitless, like a giant slaughtered
|
|
by pins?
|
|
|
|
Is it not better that a man should accept the first pains and
|
|
mortifications of this sort, which nature is not slack in sending
|
|
him, as hints that he must expect no other good than the just fruit
|
|
of his own labor and self-denial? Health, bread, climate, social
|
|
position, have their importance, and he will give them their due.
|
|
Let him esteem Nature a perpetual counsellor, and her perfections the
|
|
exact measure of our deviations. Let him make the night night, and
|
|
the day day. Let him control the habit of expense. Let him see that
|
|
as much wisdom may be expended on a private economy as on an empire,
|
|
and as much wisdom may be drawn from it. The laws of the world are
|
|
written out for him on every piece of money in his hand. There is
|
|
nothing he will not be the better for knowing, were it only the
|
|
wisdom of Poor Richard; or the State-Street prudence of buying by the
|
|
acre to sell by the foot; or the thrift of the agriculturist, to
|
|
stick a tree between whiles, because it will grow whilst he sleeps;
|
|
or the prudence which consists in husbanding little strokes of the
|
|
tool, little portions of time, particles of stock, and small gains.
|
|
The eye of prudence may never shut. Iron, if kept at the
|
|
ironmonger's, will rust; beer, if not brewed in the right state of
|
|
the atmosphere, will sour; timber of ships will rot at sea, or, if
|
|
laid up high and dry, will strain, warp, and dry-rot; money, if kept
|
|
by us, yields no rent, and is liable to loss; if invested, is liable
|
|
to depreciation of the particular kind of stock. Strike, says the
|
|
smith, the iron is white; keep the rake, says the haymaker, as nigh
|
|
the scythe as you can, and the cart as nigh the rake. Our Yankee
|
|
trade is reputed to be very much on the extreme of this prudence. It
|
|
takes bank-notes, -- good, bad, clean, ragged, -- and saves itself by
|
|
the speed with which it passes them off. Iron cannot rust, nor beer
|
|
sour, nor timber rot, nor calicoes go out of fashion, nor money
|
|
stocks depreciate, in the few swift moments in which the Yankee
|
|
suffers any one of them to remain in his possession. In skating over
|
|
thin ice, our safety is in our speed.
|
|
|
|
Let him learn a prudence of a higher strain. Let him learn
|
|
that every thing in nature, even motes and feathers, go by law and
|
|
not by luck, and that what he sows he reaps. By diligence and
|
|
self-command, let him put the bread he eats at his own disposal, that
|
|
he may not stand in bitter and false relations to other men; for the
|
|
best good of wealth is freedom. Let him practise the minor virtues.
|
|
How much of human life is lost in waiting! let him not make his
|
|
fellow-creatures wait. How many words and promises are promises of
|
|
conversation! let his be words of fate. When he sees a folded and
|
|
sealed scrap of paper float round the globe in a pine ship, and come
|
|
safe to the eye for which it was written, amidst a swarming
|
|
population, let him likewise feel the admonition to integrate his
|
|
being across all these distracting forces, and keep a slender human
|
|
word among the storms, distances, and accidents that drive us hither
|
|
and thither, and, by persistency, make the paltry force of one man
|
|
reappear to redeem its pledge, after months and years, in the most
|
|
distant climates.
|
|
|
|
We must not try to write the laws of any one virtue, looking at
|
|
that only. Human nature loves no contradictions, but is symmetrical.
|
|
The prudence which secures an outward well-being is not to be studied
|
|
by one set of men, whilst heroism and holiness are studied by
|
|
another, but they are reconcilable. Prudence concerns the present
|
|
time, persons, property, and existing forms. But as every fact hath
|
|
its roots in the soul, and, if the soul were changed, would cease to
|
|
be, or would become some other thing, the proper administration of
|
|
outward things will always rest on a just apprehension of their cause
|
|
and origin, that is, the good man will be the wise man, and the
|
|
single-hearted, the politic man. Every violation of truth is not
|
|
only a sort of suicide in the liar, but is a stab at the health of
|
|
human society. On the most profitable lie, the course of events
|
|
presently lays a destructive tax; whilst frankness invites frankness,
|
|
puts the parties on a convenient footing, and makes their business a
|
|
friendship. Trust men, and they will be true to you; treat them
|
|
greatly, and they will show themselves great, though they make an
|
|
exception in your favor to all their rules of trade.
|
|
|
|
So, in regard to disagreeable and formidable things, prudence
|
|
does not consist in evasion, or in flight, but in courage. He who
|
|
wishes to walk in the most peaceful parts of life with any serenity
|
|
must screw himself up to resolution. Let him front the object of his
|
|
worst apprehension, and his stoutness will commonly make his fear
|
|
groundless. The Latin proverb says, that "in battles the eye is
|
|
first overcome." Entire self-possession may make a battle very little
|
|
more dangerous to life than a match at foils or at football.
|
|
Examples are cited by soldiers, of men who have seen the cannon
|
|
pointed, and the fire given to it, and who have stepped aside from
|
|
the path of the ball. The terrors of the storm are chiefly confined
|
|
to the parlour and the cabin. The drover, the sailor, buffets it all
|
|
day, and his health renews itself at as vigorous a pulse under the
|
|
sleet, as under the sun of June.
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|
|
|
In the occurrence of unpleasant things among neighbours, fear
|
|
comes readily to heart, and magnifies the consequence of the other
|
|
party; but it is a bad counsellor. Every man is actually weak, and
|
|
apparently strong. To himself, he seems weak; to others, formidable.
|
|
You are afraid of Grim; but Grim also is afraid of you. You are
|
|
solicitous of the good-will of the meanest person, uneasy at his
|
|
ill-will. But the sturdiest offender of your peace and of the
|
|
neighbourhood, if you rip up _his_ claims, is as thin and timid as
|
|
any; and the peace of society is often kept, because, as children
|
|
say, one is afraid, and the other dares not. Far off, men swell,
|
|
bully, and threaten; bring them hand to hand, and they are a feeble
|
|
folk.
|
|
|
|
It is a proverb, that `courtesy costs nothing'; but calculation
|
|
might come to value love for its profit. Love is fabled to be blind;
|
|
but kindness is necessary to perception; love is not a hood, but an
|
|
eye-water. If you meet a sectary, or a hostile partisan, never
|
|
recognize the dividing lines; but meet on what common ground remains,
|
|
-- if only that the sun shines, and the rain rains for both; the area
|
|
will widen very fast, and ere you know it the boundary mountains, on
|
|
which the eye had fastened, have melted into air. If they set out to
|
|
contend, Saint Paul will lie, and Saint John will hate. What low,
|
|
poor, paltry, hypocritical people an argument on religion will make
|
|
of the pure and chosen souls! They will shuffle, and crow, crook,
|
|
and hide, feign to confess here, only that they may brag and conquer
|
|
there, and not a thought has enriched either party, and not an
|
|
emotion of bravery, modesty, or hope. So neither should you put
|
|
yourself in a false position with your contemporaries, by indulging a
|
|
vein of hostility and bitterness. Though your views are in straight
|
|
antagonism to theirs, assume an identity of sentiment, assume that
|
|
you are saying precisely that which all think, and in the flow of wit
|
|
and love roll out your paradoxes in solid column, with not the
|
|
infirmity of a doubt. So at least shall you get an adequate
|
|
deliverance. The natural motions of the soul are so much better than
|
|
the voluntary ones, that you will never do yourself justice in
|
|
dispute. The thought is not then taken hold of by the right handle,
|
|
does not show itself proportioned, and in its true bearings, but
|
|
bears extorted, hoarse, and half witness. But assume a consent, and
|
|
it shall presently be granted, since, really, and underneath their
|
|
external diversities, all men are of one heart and mind.
|
|
|
|
Wisdom will never let us stand with any man or men on an
|
|
unfriendly footing. We refuse sympathy and intimacy with people, as
|
|
if we waited for some better sympathy and intimacy to come. But
|
|
whence and when? To-morrow will be like to-day. Life wastes itself
|
|
whilst we are preparing to live. Our friends and fellow-workers die
|
|
off from us. Scarcely can we say, we see new men, new women,
|
|
approaching us. We are too old to regard fashion, too old to expect
|
|
patronage of any greater or more powerful. Let us suck the sweetness
|
|
of those affections and consuetudes that grow near us. These old
|
|
shoes are easy to the feet. Undoubtedly, we can easily pick faults
|
|
in our company, can easily whisper names prouder, and that tickle the
|
|
fancy more. Every man's imagination hath its friends; and life would
|
|
be dearer with such companions. But, if you cannot have them on good
|
|
mutual terms, you cannot have them. If not the Deity, but our
|
|
ambition, hews and shapes the new relations, their virtue escapes, as
|
|
strawberries lose their flavor in garden-beds.
|
|
|
|
Thus truth, frankness, courage, love, humility, and all the
|
|
virtues, range themselves on the side of prudence, or the art of
|
|
securing a present well-being. I do not know if all matter will be
|
|
found to be made of one element, as oxygen or hydrogen, at last, but
|
|
the world of manners and actions is wrought of one stuff, and, begin
|
|
where we will, we are pretty sure in a short space to be mumbling our
|
|
ten commandments.
|
|
|
|
|
|
HEROISM
|
|
|
|
|
|
"Paradise is under the shadow of swords."
|
|
_Mahomet_
|
|
|
|
|
|
Ruby wine is drunk by knaves,
|
|
Sugar spends to fatten slaves,
|
|
Rose and vine-leaf deck buffoons;
|
|
Thunderclouds are Jove's festoons,
|
|
Drooping oft in wreaths of dread
|
|
Lightning-knotted round his head;
|
|
The hero is not fed on sweets,
|
|
Daily his own heart he eats;
|
|
Chambers of the great are jails,
|
|
And head-winds right for royal sails.
|
|
|
|
|
|
|
|
ESSAY VIII _Heroism_
|
|
|
|
In the elder English dramaetcher, there is a constant
|
|
recognition of gentility, as if a noble behaviour were as easily
|
|
marked in the society of their age, as color is in our American
|
|
population. When any Rodrigo, Pedro, or Valerio enters, though he be
|
|
a stranger, the duke or governor exclaims, This is a gentleman, --
|
|
and proffers civilities without end; but all the rest are slag and
|
|
refuse. In harmony with this delight in personal advantages, there
|
|
is in their plays a certain heroic cast of character and dialogue, --
|
|
as in Bonduca, Sophocles, the Mad Lover, the Double Marriage, --
|
|
wherein the speaker is so earnest and cordial, and on such deep
|
|
grounds of character, that the dialogue, on the slightest additional
|
|
incident in the plot, rises naturally into poetry. Among many texts,
|
|
take the following. The Roman Martius has conquered Athens, -- all
|
|
but the invincible spirits of Sophocles, the duke of Athens, and
|
|
Dorigen, his wife. The beauty of the latter inflames Martius, and he
|
|
seeks to save her husband; but Sophocles will not ask his life,
|
|
although assured that a word will save him, and the execution of both
|
|
proceeds.
|
|
|
|
"_Valerius_. Bid thy wife farewell.
|
|
|
|
_Soph_. No, I will take no leave. My Dorigen,
|
|
Yonder, above, 'bout Ariadne's crown,
|
|
My spirit shall hover for thee. Prithee, haste.
|
|
|
|
_Dor_. Stay, Sophocles, -- with this tie up my sight;
|
|
Let not soft nature so transformed be,
|
|
And lose her gentler sexed humanity,
|
|
To make me see my lord bleed. So, 't is well;
|
|
Never one object underneath the sun
|
|
Will I behold before my Sophocles:
|
|
Farewell; now teach the Romans how to die.
|
|
|
|
_Mar_. Dost know what 't is to die?
|
|
|
|
_Soph_. Thou dost not, Martius,
|
|
And, therefore, not what 't is to live; to die
|
|
Is to begin to live. It is to end |P372|p1
|
|
An old, stale, weary work, and to commence
|
|
A newer and a better. 'T is to leave
|
|
Deceitful knaves for the society
|
|
Of gods and goodness. Thou thyself must part
|
|
At last from all thy garlands, pleasures, triumphs,
|
|
And prove thy fortitude what then 't will do.
|
|
|
|
_Val_. But art not grieved nor vexed to leave thy life thus?
|
|
|
|
_Soph_. Why should I grieve or vex for being sent
|
|
To them I ever loved best? Now I'll kneel,
|
|
But with my back toward thee; 't is the last duty
|
|
This trunk can do the gods.
|
|
|
|
_Mar_. Strike, strike, Valerius,
|
|
Or Martius' heart will leap out at his mouth:
|
|
This is a man, a woman! Kiss thy lord,
|
|
And live with all the freedom you were wont.
|
|
O love! thou doubly hast afflicted me
|
|
With virtue and with beauty. Treacherous heart,
|
|
My hand shall cast thee quick into my urn,
|
|
Ere thou transgress this knot of piety.
|
|
|
|
_Val_. What ails my brother?
|
|
|
|
_Soph_. Martius, O Martius,
|
|
Thou now hast found a way to conquer me.
|
|
|
|
_Dor_. O star of Rome! what gratitude can speak
|
|
Fit words to follow such a deed as this?
|
|
|
|
_Mar_. This admirable duke, Valerius,
|
|
With his disdain of fortune and of death,
|
|
Captived himself, has captivated me,
|
|
And though my arm hath ta'en his body here,
|
|
His soul hath subjugated Martius' soul.
|
|
By Romulus, he is all soul, I think;
|
|
He hath no flesh, and spirit cannot be gyved;
|
|
Then we have vanquished nothing; he is free,
|
|
And Martius walks now in captivity."
|
|
|
|
I do not readily remember any poem, play, sermon, novel, or
|
|
oration, that our press vents in the last few years, which goes to
|
|
the same tune. We have a great many flutes and flageolets, but not
|
|
often the sound of any fife. Yet, Wordsworth's Laodamia, and the ode
|
|
of "Dion," and some sonnets, have a certain noble music; and Scott
|
|
will sometimes draw a stroke like the protrait of Lord Evandale,
|
|
given by Balfour of Burley. Thomas Carlyle, with his natural taste
|
|
for what is manly and daring in character, has suffered no heroic
|
|
trait in his favorites to drop from his biographical and historical
|
|
pictures. Earlier, Robert Burns has given us a song or two. In the
|
|
Harleian Miscellanies, there is an account of the battle of Lutzen,
|
|
which deserves to be read. And Simon Ockley's History of the
|
|
Saracens recounts the prodigies of individual valor with admiration,
|
|
all the more evident on the part of the narrator, that he seems to
|
|
think that his place in Christian Oxford requires of him some proper
|
|
protestations of abhorrence. But, if we explore the literature of
|
|
Heroism, we shall quickly come to Plutarch, who is its Doctor and
|
|
historian. To him we owe the Brasidas, the Dion, the Epaminondas,
|
|
the Scipio of old, and I must think we are more deeply indebted to
|
|
him than to all the ancient writers. Each of his "Lives" is a
|
|
refutation to the despondency and cowardice of our religious and
|
|
political theorists. A wild courage, a Stoicism not of the schools,
|
|
but of the blood, shines in every anecdote, and has given that book
|
|
its immense fame.
|
|
|
|
We need books of this tart cathartic virtue, more than books of
|
|
political science, or of private economy. Life is a festival only to
|
|
the wise. Seen from the nook and chimney-side of prudence, it wears
|
|
a ragged and dangerous front. The violations of the laws of nature
|
|
by our predecessors and our contemporaries are punished in us also.
|
|
The disease and deformity around us certify the infraction of
|
|
natural, intellectual, and moral laws, and often violation on
|
|
violation to breed such compound misery. A lock-jaw that bends a
|
|
man's head back to his heels, hydrophobia, that makes him bark at his
|
|
wife and babes, insanity, that makes him eat grass; war, plague,
|
|
cholera, famine, indicate a certain ferocity in nature, which, as it
|
|
had its inlet by human crime, must have its outlet by human
|
|
suffering. Unhappily, no man exists who has not in his own person
|
|
become, to some amount, a stockholder in the sin, and so made himself
|
|
liable to a share in the expiation.
|
|
|
|
Our culture, therefore, must not omit the arming of the man.
|
|
Let him hear in season, that he is born into the state of war, and
|
|
that the commonwealth and his own well-being require that he should
|
|
not go dancing in the weeds of peace, but warned, self-collected, and
|
|
neither defying nor dreading the thunder, let him take both
|
|
reputation and life in his hand, and, with perfect urbanity, dare the
|
|
gibbet and the mob by the absolute truth of his speech, and the
|
|
rectitude of his behaviour.
|
|
|
|
Towards all this external evil, the man within the breast
|
|
assumes a warlike attitude, and affirms his ability to cope
|
|
single-handed with the infinite army of enemies. To this military
|
|
attitude of the soul we give the name of Heroism. Its rudest form is
|
|
the contempt for safety and ease, which makes the attractiveness of
|
|
war. It is a self-trust which slights the restraints of prudence, in
|
|
the plenitude of its energy and power to repair the harms it may
|
|
suffer. The hero is a mind of such balance that no disturbances can
|
|
shake his will, but pleasantly, and, as it were, merrily, he advances
|
|
to his own music, alike in frightful alarms and in the tipsy mirth of
|
|
universal dissoluteness. There is somewhat not philosophical in
|
|
heroism; there is somewhat not holy in it; it seems not to know that
|
|
other souls are of one texture with it; it has pride; it is the
|
|
extreme of individual nature. Nevertheless, we must profoundly
|
|
revere it. There is somewhat in great actions, which does not allow
|
|
us to go behind them. Heroism feels and never reasons, and therefore
|
|
is always right; and although a different breeding, different
|
|
religion, and greater intellectual activity would have modified or
|
|
even reversed the particular action, yet for the hero that thing he
|
|
does is the highest deed, and is not open to the censure of
|
|
philosophers or divines. It is the avowal of the unschooled man,
|
|
that he finds a quality in him that is negligent of expense, of
|
|
health, of life, of danger, of hatred, of reproach, and knows that
|
|
his will is higher and more excellent than all actual and all
|
|
possible antagonists.
|
|
|
|
Heroism works in contradiction to the voice of mankind, and in
|
|
contradiction, for a time, to the voice of the great and good.
|
|
Heroism is an obedience to a secret impulse of an individual's
|
|
character. Now to no other man can its wisdom appear as it does to
|
|
him, for every man must be supposed to see a little farther on his
|
|
own proper path than any one else. Therefore, just and wise men take
|
|
umbrage at his act, until after some little time be past: then they
|
|
see it to be in unison with their acts. All prudent men see that the
|
|
action is clean contrary to a sensual prosperity; for every heroic
|
|
act measures itself by its contempt of some external good. But it
|
|
finds its own success at last, and then the prudent also extol.
|
|
|
|
Self-trust is the essence of heroism. It is the state of the
|
|
soul at war, and its ultimate objects are the last defiance of
|
|
falsehood and wrong, and the power to bear all that can be inflicted
|
|
by evil agents. It speaks the truth, and it is just, generous,
|
|
hospitable, temperate, scornful of petty calculations, and scornful
|
|
of being scorned. It persists; it is of an undaunted boldness, and
|
|
of a fortitude not to be wearied out. Its jest is the littleness of
|
|
common life. That false prudence which dotes on health and wealth is
|
|
the butt and merriment of heroism. Heroism, like Plotinus, is almost
|
|
ashamed of its body. What shall it say, then, to the sugar-plums and
|
|
cats'-cradles, to the toilet, compliments, quarrels, cards, and
|
|
custard, which rack the wit of all society. What joys has kind
|
|
nature provided for us dear creatures! There seems to be no interval
|
|
between greatness and meanness. When the spirit is not master of the
|
|
world, then it is its dupe. Yet the little man takes the great hoax
|
|
so innocently, works in it so headlong and believing, is born red,
|
|
and dies gray, arranging his toilet, attending on his own health,
|
|
laying traps for sweet food and strong wine, setting his heart on a
|
|
horse or a rifle, made happy with a little gossip or a little praise,
|
|
that the great soul cannot choose but laugh at such earnest nonsense.
|
|
"Indeed, these humble considerations make me out of love with
|
|
greatness. What a disgrace is it to me to take note how many pairs
|
|
of silk stockings thou hast, namely, these and those that were the
|
|
peach-colored ones; or to bear the inventory of thy shirts, as one
|
|
for superfluity, and one other for use!"
|
|
|
|
Citizens, thinking after the laws of arithmetic, consider the
|
|
inconvenience of receiving strangers at their fireside, reckon
|
|
narrowly the loss of time and the unusual display: the soul of a
|
|
better quality thrusts back the unseasonable economy into the vaults
|
|
of life, and says, I will obey the God, and the sacrifice and the
|
|
fire he will provide. Ibn Haukal, the Arabian geographer, describes
|
|
a heroic extreme in the hospitality of Sogd, in Bukharia. "When I
|
|
was in Sogd, I saw a great building, like a palace, the gates of
|
|
which were open and fixed back to the wall with large nails. I asked
|
|
the reason, and was told that the house had not been shut, night or
|
|
day, for a hundred years. Strangers may present themselves at any
|
|
hour, and in whatever number; the master has amply provided for the
|
|
reception of the men and their animals, and is never happier than
|
|
when they tarry for some time. Nothing of the kind have I seen in
|
|
any other country." The magnanimous know very well that they who give
|
|
time, or money, or shelter, to the stranger -- so it be done for
|
|
love, and not for ostentation -- do, as it were, put God under
|
|
obligation to them, so perfect are the compensations of the universe.
|
|
In some way the time they seem to lose is redeemed, and the pains
|
|
they seem to take remunerate themselves. These men fan the flame of
|
|
human love, and raise the standard of civil virtue among mankind.
|
|
But hospitality must be for service, and not for show, or it pulls
|
|
down the host. The brave soul rates itself too high to value itself
|
|
by the splendor of its table and draperies. It gives what it hath,
|
|
and all it hath, but its own majesty can lend a better grace to
|
|
bannocks and fair water than belong to city feasts.
|
|
|
|
The temperance of the hero proceeds from the same wish to do no
|
|
dishonor to the worthiness he has. But he loves it for its elegancy,
|
|
not for its austerity. It seems not worth his while to be solemn,
|
|
and denounce with bitterness flesh-eating or wine-drinking, the use
|
|
of tobacco, or opium, or tea, or silk, or gold. A great man scarcely
|
|
knows how he dines, how he dresses; but without railing or precision,
|
|
his living is natural and poetic. John Eliot, the Indian Apostle,
|
|
drank water, and said of wine, -- "It is a noble, generous liquor,
|
|
and we should be humbly thankful for it, but, as I remember, water
|
|
was made before it." Better still is the temperance of King David,
|
|
who poured out on the ground unto the Lord the water which three of
|
|
his warriors had brought him to drink, at the peril of their lives.
|
|
|
|
It is told of Brutus, that when he fell on his sword, after the
|
|
battle of Philippi, he quoted a line of Euripides, -- "O virtue! I
|
|
have followed thee through life, and I find thee at last but a
|
|
shade." I doubt not the hero is slandered by this report. The heroic
|
|
soul does not sell its justice and its nobleness. It does not ask to
|
|
dine nicely, and to sleep warm. The essence of greatness is the
|
|
perception that virtue is enough. Poverty is its ornament. It does
|
|
not need plenty, and can very well abide its loss.
|
|
|
|
But that which takes my fancy most, in the heroic class, is the
|
|
good-humor and hilarity they exhibit. It is a height to which common
|
|
duty can very well attain, to suffer and to dare with solemnity. But
|
|
these rare souls set opinion, success, and life, at so cheap a rate,
|
|
that they will not soothe their enemies by petitions, or the show of
|
|
sorrow, but wear their own habitual greatness. Scipio, charged with
|
|
peculation, refuses to do himself so great a disgrace as to wait for
|
|
justification, though he had the scroll of his accounts in his hands,
|
|
but tears it to pieces before the tribunes. Socrates's condemnation
|
|
of himself to be maintained in all honor in the Prytaneum, during his
|
|
life, and Sir Thomas More's playfulness at the scaffold, are of the
|
|
same strain. In Beaumont and Fletcher's "Sea Voyage," Juletta tells
|
|
the stout captain and his company, --
|
|
|
|
_Jul_. Why, slaves, 't is in our power to hang ye.
|
|
_Master_. Very likely,
|
|
'T is in our powers, then, to be hanged, and scorn ye."
|
|
|
|
These replies are sound and whole. Sport is the bloom and glow
|
|
of a perfect health. The great will not condescend to take any thing
|
|
seriously; all must be as gay as the song of a canary, though it were
|
|
the building of cities, or the eradication of old and foolish
|
|
churches and nations, which have cumbered the earth long thousands of
|
|
years. Simple hearts put all the history and customs of this world
|
|
behind them, and play their own game in innocent defiance of the
|
|
Blue-Laws of the world; and such would appear, could we see the human
|
|
race assembled in vision, like little children frolicking together;
|
|
though, to the eyes of mankind at large, they wear a stately and
|
|
solemn garb of works and influences.
|
|
|
|
The interest these fine stories have for us, the power of a
|
|
romance over the boy who grasps the forbidden book under his bench at
|
|
school, our delight in the hero, is the main fact to our purpose.
|
|
All these great and transcendent properties are ours. If we dilate
|
|
in beholding the Greek energy, the Roman pride, it is that we are
|
|
already domesticating the same sentiment. Let us find room for this
|
|
great guest in our small houses. The first step of worthiness will
|
|
be to disabuse us of our superstitious associations with places and
|
|
times, with number and size. Why should these words, Athenian,
|
|
Roman, Asia, and England, so tingle in the ear? Where the heart is,
|
|
there the muses, there the gods sojourn, and not in any geography of
|
|
fame. Massachusetts, Connecticut River, and Boston Bay, you think
|
|
paltry places, and the ear loves names of foreign and classic
|
|
topography. But here we are; and, if we will tarry a little, we may
|
|
come to learn that here is best. See to it, only, that thyself is
|
|
here; -- and art and nature, hope and fate, friends, angels, and the
|
|
Supreme Being, shall not be absent from the chamber where thou
|
|
sittest. Epaminondas, brave and affectionate, does not seem to us to
|
|
need Olympus to die upon, nor the Syrian sunshine. He lies very well
|
|
where he is. The Jerseys were handsome ground enough for Washington
|
|
to tread, and London streets for the feet of Milton. A great man
|
|
makes his climate genial in the imagination of men, and its air the
|
|
beloved element of all delicate spirits. That country is the
|
|
fairest, which is inhabited by the noblest minds. The pictures which
|
|
fill the imagination in reading the actions of Pericles, Xenophon,
|
|
Columbus, Bayard, Sidney, Hampden, teach us how needlessly mean our
|
|
life is, that we, by the depth of our living, should deck it with
|
|
more than regal or national splendor, and act on principles that
|
|
should interest man and nature in the length of our days.
|
|
|
|
We have seen or heard of many extraordinary young men, who
|
|
never ripened, or whose performance in actual life was not
|
|
extraordinary. When we see their air and mien, when we hear them
|
|
speak of society, of books, of religion, we admire their superiority,
|
|
they seem to throw contempt on our entire polity and social state;
|
|
theirs is the tone of a youthful giant, who is sent to work
|
|
revolutions. But they enter an active profession, and the forming
|
|
Colossus shrinks to the common size of man. The magic they used was
|
|
the ideal tendencies, which always make the Actual ridiculous; but
|
|
the tough world had its revenge the moment they put their horses of
|
|
the sun to plough in its furrow. They found no example and no
|
|
companion, and their heart fainted. What then? The lesson they gave
|
|
in their first aspirations is yet true; and a better valor and a
|
|
purer truth shall one day organize their belief. Or why should a
|
|
woman liken herself to any historical woman, and think, because
|
|
Sappho, or Sevigne, or De Stael, or the cloistered souls who have had
|
|
genius and cultivation, do not satisfy the imagination and the serene
|
|
Themis, none can, -- certainly not she. Why not? She has a new and
|
|
unattempted problem to solve, perchance that of the happiest nature
|
|
that ever bloomed. Let the maiden, with erect soul, walk serenely on
|
|
her way, accept the hint of each new experience, search in turn all
|
|
the objects that solicit her eye, that she may learn the power and
|
|
the charm of her new-born being, which is the kindling of a new dawn
|
|
in the recesses of space. The fair girl, who repels interference by
|
|
a decided and proud choice of influences, so careless of pleasing, so
|
|
wilful and lofty, inspires every beholder with somewhat of her own
|
|
nobleness. The silent heart encourages her; O friend, never strike
|
|
sail to a fear! Come into port greatly, or sail with God the seas.
|
|
Not in vain you live, for every passing eye is cheered and refined by
|
|
the vision.
|
|
|
|
The characteristic of heroism is its persistency. All men have
|
|
wandering impulses, fits, and starts of generosity. But when you
|
|
have chosen your part, abide by it, and do not weakly try to
|
|
reconcile yourself with the world. The heroic cannot be the common,
|
|
nor the common the heroic. Yet we have the weakness to expect the
|
|
sympathy of people in those actions whose excellence is that they
|
|
outrun sympathy, and appeal to a tardy justice. If you would serve
|
|
your brother, because it is fit for you to serve him, do not take
|
|
back your words when you find that prudent people do not commend you.
|
|
Adhere to your own act, and congratulate yourself if you have done
|
|
something strange and extravagant, and broken the monotony of a
|
|
decorous age. It was a high counsel that I once heard given to a
|
|
young person, -- "Always do what you are afraid to do." A simple,
|
|
manly character need never make an apology, but should regard its
|
|
past action with the calmness of Phocion, when he admitted that the
|
|
event of the battle was happy, yet did not regret his dissuasion from
|
|
the battle.
|
|
|
|
There is no weakness or exposure for which we cannot find
|
|
consolation in the thought, -- this is a part of my constitution,
|
|
part of my relation and office to my fellow-creature. Has nature
|
|
covenanted with me that I should never appear to disadvantage, never
|
|
make a ridiculous figure? Let us be generous of our dignity, as well
|
|
as of our money. Greatness once and for ever has done with opinion.
|
|
We tell our charities, not because we wish to be praised for them,
|
|
not because we think they have great merit, but for our
|
|
justification. It is a capital blunder; as you discover, when
|
|
another man recites his charities.
|
|
|
|
To speak the truth, even with some austerity, to live with some
|
|
rigor of temperance, or some extremes of generosity, seems to be an
|
|
asceticism which common good-nature would appoint to those who are at
|
|
ease and in plenty, in sign that they feel a brotherhood with the
|
|
great multitude of suffering men. And not only need we breathe and
|
|
exercise the soul by assuming the penalties of abstinence, of debt,
|
|
of solitude, of unpopularity, but it behooves the wise man to look
|
|
with a bold eye into those rarer dangers which sometimes invade men,
|
|
and to familiarize himself with disgusting forms of disease, with
|
|
sounds of execration, and the vision of violent death.
|
|
|
|
Times of heroism are generally times of terror, but the day
|
|
never shines in which this element may not work. The circumstances
|
|
of man, we say, are historically somewhat better in this country, and
|
|
at this hour, than perhaps ever before. More freedom exists for
|
|
culture. It will not now run against an axe at the first step out of
|
|
the beaten track of opinion. But whoso is heroic will always find
|
|
crises to try his edge. Human virtue demands her champions and
|
|
martyrs, and the trial of persecution always proceeds. It is but the
|
|
other day that the brave Lovejoy gave his breast to the bullets of a
|
|
mob, for the rights of free speech and opinion, and died when it was
|
|
better not to live.
|
|
|
|
I see not any road of perfect peace which a man can walk, but
|
|
after the counsel of his own bosom. Let him quit too much
|
|
association, let him go home much, and stablish himself in those
|
|
courses he approves. The unremitting retention of simple and high
|
|
sentiments in obscure duties is hardening the character to that
|
|
temper which will work with honor, if need be, in the tumult, or on
|
|
the scaffold. Whatever outrages have happened to men may befall a
|
|
man again; and very easily in a republic, if there appear any signs
|
|
of a decay of religion. Coarse slander, fire, tar and feathers, and
|
|
the gibbet, the youth may freely bring home to his mind, and with
|
|
what sweetness of temper he can, and inquire how fast he can fix his
|
|
sense of duty, braving such penalties, whenever it may please the
|
|
next newspaper and a sufficient number of his neighbours to pronounce
|
|
his opinions incendiary.
|
|
|
|
It may calm the apprehension of calamity in the most
|
|
susceptible heart to see how quick a bound nature has set to the
|
|
utmost infliction of malice. We rapidly approach a brink over which
|
|
no enemy can follow us.
|
|
|
|
"Let them rave:
|
|
Thou art quiet in thy grave."
|
|
|
|
In the gloom of our ignorance of what shall be, in the hour
|
|
when we are deaf to the higher voices, who does not envy those who
|
|
have seen safely to an end their manful endeavour? Who that sees the
|
|
meanness of our politics, but inly congratulates Washington that he
|
|
is long already wrapped in his shroud, and for ever safe; that he was
|
|
laid sweet in his grave, the hope of humanity not yet subjugated in
|
|
him? Who does not sometimes envy the good and brave, who are no more
|
|
to suffer from the tumults of the natural world, and await with
|
|
curious complacency the speedy term of his own conversation with
|
|
finite nature? And yet the love that will be annihilated sooner than
|
|
treacherous has already made death impossible, and affirms itself no
|
|
mortal, but a native of the deeps of absolute and inextinguishable
|
|
being.
|
|
|
|
|
|
|
|
THE OVER-SOUL
|
|
|
|
|
|
"But souls that of his own good life partake,
|
|
He loves as his own self; dear as his eye
|
|
They are to Him: He'll never them forsake:
|
|
When they shall die, then God himself shall die:
|
|
They live, they live in blest eternity."
|
|
_Henry More_
|
|
|
|
|
|
Space is ample, east and west,
|
|
But two cannot go abreast,
|
|
Cannot travel in it two:
|
|
Yonder masterful cuckoo
|
|
Crowds every egg out of the nest,
|
|
Quick or dead, except its own;
|
|
A spell is laid on sod and stone,
|
|
Night and Day 've been tampered with,
|
|
Every quality and pith
|
|
Surcharged and sultry with a power
|
|
That works its will on age and hour.
|
|
|
|
|
|
|
|
ESSAY IX _The Over-Soul_
|
|
|
|
There is a difference between one and another hour of life, in
|
|
their authority and subsequent effect. Our faith comes in moments;
|
|
our vice is habitual. Yet there is a depth in those brief moments
|
|
which constrains us to ascribe more reality to them than to all other
|
|
experiences. For this reason, the argument which is always
|
|
forthcoming to silence those who conceive extraordinary hopes of man,
|
|
namely, the appeal to experience, is for ever invalid and vain. We
|
|
give up the past to the objector, and yet we hope. He must explain
|
|
this hope. We grant that human life is mean; but how did we find out
|
|
that it was mean? What is the ground of this uneasiness of ours; of
|
|
this old discontent? What is the universal sense of want and
|
|
ignorance, but the fine inuendo by which the soul makes its enormous
|
|
claim? Why do men feel that the natural history of man has never
|
|
been written, but he is always leaving behind what you have said of
|
|
him, and it becomes old, and books of metaphysics worthless? The
|
|
philosophy of six thousand years has not searched the chambers and
|
|
magazines of the soul. In its experiments there has always remained,
|
|
in the last analysis, a residuum it could not resolve. Man is a
|
|
stream whose source is hidden. Our being is descending into us from
|
|
we know not whence. The most exact calculator has no prescience that
|
|
somewhat incalculable may not balk the very next moment. I am
|
|
constrained every moment to acknowledge a higher origin for events
|
|
than the will I call mine.
|
|
|
|
As with events, so is it with thoughts. When I watch that
|
|
flowing river, which, out of regions I see not, pours for a season
|
|
its streams into me, I see that I am a pensioner; not a cause, but a
|
|
surprised spectator of this ethereal water; that I desire and look
|
|
up, and put myself in the attitude of reception, but from some alien
|
|
energy the visions come.
|
|
|
|
The Supreme Critic on the errors of the past and the present,
|
|
and the only prophet of that which must be, is that great nature in
|
|
which we rest, as the earth lies in the soft arms of the atmosphere;
|
|
that Unity, that Over-soul, within which every man's particular being
|
|
is contained and made one with all other;that common heart, of which
|
|
all sincere conversation is the worship, to which all right action is
|
|
submission; that overpowering reality which confutes our tricks and
|
|
talents, and constrains every one to pass for what he is, and to
|
|
speak from his character, and not from his tongue, and which evermore
|
|
tends to pass into our thought and hand, and become wisdom, and
|
|
virtue, and power, and beauty. We live in succession, in division,
|
|
in parts, in particles. Meantime within man is the soul of the
|
|
whole; the wise silence; the universal beauty, to which every part
|
|
and particle is equally related; the eternal ONE. And this deep
|
|
power in which we exist, and whose beatitude is all accessible to us,
|
|
is not only self-sufficing and perfect in every hour, but the act of
|
|
seeing and the thing seen, the seer and the spectacle, the subject
|
|
and the object, are one. We see the world piece by piece, as the
|
|
sun, the moon, the animal, the tree; but the whole, of which these
|
|
are the shining parts, is the soul. Only by the vision of that
|
|
Wisdom can the horoscope of the ages be read, and by falling back on
|
|
our better thoughts, by yielding to the spirit of prophecy which is
|
|
innate in every man, we can know what it saith. Every man's words,
|
|
who speaks from that life, must sound vain to those who do not dwell
|
|
in the same thought on their own part. I dare not speak for it. My
|
|
words do not carry its august sense; they fall short and cold. Only
|
|
itself can inspire whom it will, and behold! their speech shall be
|
|
lyrical, and sweet, and universal as the rising of the wind. Yet I
|
|
desire, even by profane words, if I may not use sacred, to indicate
|
|
the heaven of this deity, and to report what hints I have collected
|
|
of the transcendent simplicity and energy of the Highest Law.
|
|
|
|
If we consider what happens in conversation, in reveries, in
|
|
remorse, in times of passion, in surprises, in the instructions of
|
|
dreams, wherein often we see ourselves in masquerade, -- the droll
|
|
disguises only magnifying and enhancing a real element, and forcing
|
|
it on our distinct notice, -- we shall catch many hints that will
|
|
broaden and lighten into knowledge of the secret of nature. All goes
|
|
to show that the soul in man is not an organ, but animates and
|
|
exercises all the organs; is not a function, like the power of
|
|
memory, of calculation, of comparison, but uses these as hands and
|
|
feet; is not a faculty, but a light; is not the intellect or the
|
|
will, but the master of the intellect and the will; is the background
|
|
of our being, in which they lie, -- an immensity not possessed and
|
|
that cannot be possessed. From within or from behind, a light shines
|
|
through us upon things, and makes us aware that we are nothing, but
|
|
the light is all. A man is the fasade of a temple wherein all wisdom
|
|
and all good abide. What we commonly call man, the eating, drinking,
|
|
planting, counting man, does not, as we know him, represent himself,
|
|
but misrepresents himself. Him we do not respect, but the soul,
|
|
whose organ he is, would he let it appear through his action, would
|
|
make our knees bend. When it breathes through his intellect, it is
|
|
genius; when it breathes through his will, it is virtue; when it
|
|
flows through his affection, it is love. And the blindness of the
|
|
intellect begins, when it would be something of itself. The weakness
|
|
of the will begins, when the individual would be something of
|
|
himself. All reform aims, in some one particular, to let the soul
|
|
have its way through us; in other words, to engage us to obey.
|
|
|
|
Of this pure nature every man is at some time sensible.
|
|
Language cannot paint it with his colors. It is too subtile. It is
|
|
undefinable, unmeasurable, but we know that it pervades and contains
|
|
us. We know that all spiritual being is in man. A wise old proverb
|
|
says, "God comes to see us without bell"; that is, as there is no
|
|
screen or ceiling between our heads and the infinite heavens, so is
|
|
there no bar or wall in the soul where man, the effect, ceases, and
|
|
God, the cause, begins. The walls are taken away. We lie open on
|
|
one side to the deeps of spiritual nature, to the attributes of God.
|
|
Justice we see and know, Love, Freedom, Power. These natures no man
|
|
ever got above, but they tower over us, and most in the moment when
|
|
our interests tempt us to wound them.
|
|
|
|
The sovereignty of this nature whereof we speak is made known
|
|
by its independency of those limitations which circumscribe us on
|
|
every hand. The soul circumscribes all things. As I have said, it
|
|
contradicts all experience. In like manner it abolishes time and
|
|
space. The influence of the senses has, in most men, overpowered the
|
|
mind to that degree, that the walls of time and space have come to
|
|
look real and insurmountable; and to speak with levity of these
|
|
limits is, in the world, the sign of insanity. Yet time and space
|
|
are but inverse measures of the force of the soul. The spirit sports
|
|
with time, --
|
|
|
|
"Can crowd eternity into an hour,
|
|
Or stretch an hour to eternity."
|
|
|
|
We are often made to feel that there is another youth and age
|
|
than that which is measured from the year of our natural birth. Some
|
|
thoughts always find us young, and keep us so. Such a thought is the
|
|
love of the universal and eternal beauty. Every man parts from that
|
|
contemplation with the feeling that it rather belongs to ages than to
|
|
mortal life. The least activity of the intellectual powers redeems
|
|
us in a degree from the conditions of time. In sickness, in languor,
|
|
give us a strain of poetry, or a profound sentence, and we are
|
|
refreshed; or produce a volume of Plato, or Shakspeare, or remind us
|
|
of their names, and instantly we come into a feeling of longevity.
|
|
See how the deep, divine thought reduces centuries, and millenniums,
|
|
and makes itself present through all ages. Is the teaching of Christ
|
|
less effective now than it was when first his mouth was opened? The
|
|
emphasis of facts and persons in my thought has nothing to do with
|
|
time. And so, always, the soul's scale is one; the scale of the
|
|
senses and the understanding is another. Before the revelations of
|
|
the soul, Time, Space, and Nature shrink away. In common speech, we
|
|
refer all things to time, as we habitually refer the immensely
|
|
sundered stars to one concave sphere. And so we say that the
|
|
Judgment is distant or near, that the Millennium approaches, that a
|
|
day of certain political, moral, social reforms is at hand, and the
|
|
like, when we mean, that, in the nature of things, one of the facts
|
|
we contemplate is external and fugitive, and the other is permanent
|
|
and connate with the soul. The things we now esteem fixed shall, one
|
|
by one, detach themselves, like ripe fruit, from our experience, and
|
|
fall. The wind shall blow them none knows whither. The landscape,
|
|
the figures, Boston, London, are facts as fugitive as any institution
|
|
past, or any whiff of mist or smoke, and so is society, and so is the
|
|
world. The soul looketh steadily forwards, creating a world before
|
|
her, leaving worlds behind her. She has no dates, nor rites, nor
|
|
persons, nor specialties, nor men. The soul knows only the soul; the
|
|
web of events is the flowing robe in which she is clothed.
|
|
|
|
|
|
After its own law and not by arithmetic is the rate of its
|
|
progress to be computed. The soul's advances are not made by
|
|
gradation, such as can be represented by motion in a straight line;
|
|
but rather by ascension of state, such as can be represented by
|
|
metamorphosis, -- from the egg to the worm, from the worm to the fly.
|
|
The growths of genius are of a certain _total_ character, that does
|
|
not advance the elect individual first over John, then Adam, then
|
|
Richard, and give to each the pain of discovered inferiority, but by
|
|
every throe of growth the man expands there where he works, passing,
|
|
at each pulsation, classes, populations, of men. With each divine
|
|
impulse the mind rends the thin rinds of the visible and finite, and
|
|
comes out into eternity, and inspires and expires its air. It
|
|
converses with truths that have always been spoken in the world, and
|
|
becomes conscious of a closer sympathy with Zeno and Arrian, than
|
|
with persons in the house.
|
|
|
|
This is the law of moral and of mental gain. The simple rise
|
|
as by specific levity, not into a particular virtue, but into the
|
|
region of all the virtues. They are in the spirit which contains
|
|
them all. The soul requires purity, but purity is not it; requires
|
|
justice, but justice is not that; requires beneficence, but is
|
|
somewhat better; so that there is a kind of descent and accommodation
|
|
felt when we leave speaking of moral nature, to urge a virtue which
|
|
it enjoins. To the well-born child, all the virtues are natural, and
|
|
not painfully acquired. Speak to his heart, and the man becomes
|
|
suddenly virtuous.
|
|
|
|
Within the same sentiment is the germ of intellectual growth,
|
|
which obeys the same law. Those who are capable of humility, of
|
|
justice, of love, of aspiration, stand already on a platform that
|
|
commands the sciences and arts, speech and poetry, action and grace.
|
|
For whoso dwells in this moral beatitude already anticipates those
|
|
special powers which men prize so highly. The lover has no talent,
|
|
no skill, which passes for quite nothing with his enamoured maiden,
|
|
however little she may possess of related faculty; and the heart
|
|
which abandons itself to the Supreme Mind finds itself related to all
|
|
its works, and will travel a royal road to particular knowledges and
|
|
powers. In ascending to this primary and aboriginal sentiment, we
|
|
have come from our remote station on the circumference
|
|
instantaneously to the centre of the world, where, as in the closet
|
|
of God, we see causes, and anticipate the universe, which is but a
|
|
slow effect.
|
|
|
|
One mode of the divine teaching is the incarnation of the
|
|
spirit in a form, -- in forms, like my own. I live in society; with
|
|
persons who answer to thoughts in my own mind, or express a certain
|
|
obedience to the great instincts to which I live. I see its presence
|
|
to them. I am certified of a common nature; and these other souls,
|
|
these separated selves, draw me as nothing else can. They stir in me
|
|
the new emotions we call passion; of love, hatred, fear, admiration,
|
|
pity; thence comes conversation, competition, persuasion, cities, and
|
|
war. Persons are supplementary to the primary teaching of the soul.
|
|
In youth we are mad for persons. Childhood and youth see all the
|
|
world in them. But the larger experience of man discovers the
|
|
identical nature appearing through them all. Persons themselves
|
|
acquaint us with the impersonal. In all conversation between two
|
|
persons, tacit reference is made, as to a third party, to a common
|
|
nature. That third party or common nature is not social; it is
|
|
impersonal; is God. And so in groups where debate is earnest, and
|
|
especially on high questions, the company become aware that the
|
|
thought rises to an equal level in all bosoms, that all have a
|
|
spiritual property in what was said, as well as the sayer. They all
|
|
become wiser than they were. It arches over them like a temple, this
|
|
unity of thought, in which every heart beats with nobler sense of
|
|
power and duty, and thinks and acts with unusual solemnity. All are
|
|
conscious of attaining to a higher self-possession. It shines for
|
|
all. There is a certain wisdom of humanity which is common to the
|
|
greatest men with the lowest, and which our ordinary education often
|
|
labors to silence and obstruct. The mind is one, and the best minds,
|
|
who love truth for its own sake, think much less of property in
|
|
truth. They accept it thankfully everywhere, and do not label or
|
|
stamp it with any man's name, for it is theirs long beforehand, and
|
|
from eternity. The learned and the studious of thought have no
|
|
monopoly of wisdom. Their violence of direction in some degree
|
|
disqualifies them to think truly. We owe many valuable observations
|
|
to people who are not very acute or profound, and who say the thing
|
|
without effort, which we want and have long been hunting in vain.
|
|
The action of the soul is oftener in that which is felt and left
|
|
unsaid, than in that which is said in any conversation. It broods
|
|
over every society, and they unconsciously seek for it in each other.
|
|
We know better than we do. We do not yet possess ourselves, and we
|
|
know at the same time that we are much more. I feel the same truth
|
|
how often in my trivial conversation with my neighbours, that
|
|
somewhat higher in each of us overlooks this by-play, and Jove nods
|
|
to Jove from behind each of us.
|
|
|
|
Men descend to meet. In their habitual and mean service to the
|
|
world, for which they forsake their native nobleness, they resemble
|
|
those Arabian sheiks, who dwell in mean houses, and affect an
|
|
external poverty, to escape the rapacity of the Pacha, and reserve
|
|
all their display of wealth for their interior and guarded
|
|
retirements.
|
|
|
|
As it is present in all persons, so it is in every period of
|
|
life. It is adult already in the infant man. In my dealing with my
|
|
child, my Latin and Greek, my accomplishments and my money stead me
|
|
nothing; but as much soul as I have avails. If I am wilful, he sets
|
|
his will against mine, one for one, and leaves me, if I please, the
|
|
degradation of beating him by my superiority of strength. But if I
|
|
renounce my will, and act for the soul, setting that up as umpire
|
|
between us two, out of his young eyes looks the same soul; he reveres
|
|
and loves with me.
|
|
|
|
The soul is the perceiver and revealer of truth. We know truth
|
|
when we see it, let skeptic and scoffer say what they choose.
|
|
Foolish people ask you, when you have spoken what they do not wish to
|
|
hear, `How do you know it is truth, and not an error of your own?' We
|
|
know truth when we see it, from opinion, as we know when we are awake
|
|
that we are awake. It was a grand sentence of Emanuel Swedenborg,
|
|
which would alone indicate the greatness of that man's perception, --
|
|
"It is no proof of a man's understanding to be able to confirm
|
|
whatever he pleases; but to be able to discern that what is true is
|
|
true, and that what is false is false, this is the mark and character
|
|
of intelligence." In the book I read, the good thought returns to me,
|
|
as every truth will, the image of the whole soul. To the bad thought
|
|
which I find in it, the same soul becomes a discerning, separating
|
|
sword, and lops it away. We are wiser than we know. If we will not
|
|
interfere with our thought, but will act entirely, or see how the
|
|
thing stands in God, we know the particular thing, and every thing,
|
|
and every man. For the Maker of all things and all persons stands
|
|
behind us, and casts his dread omniscience through us over things.
|
|
|
|
But beyond this recognition of its own in particular passages
|
|
of the individual's experience, it also reveals truth. And here we
|
|
should seek to reinforce ourselves by its very presence, and to speak
|
|
with a worthier, loftier strain of that advent. For the soul's
|
|
communication of truth is the highest event in nature, since it then
|
|
does not give somewhat from itself, but it gives itself, or passes
|
|
into and becomes that man whom it enlightens; or, in proportion to
|
|
that truth he receives, it takes him to itself.
|
|
|
|
We distinguish the announcements of the soul, its
|
|
manifestations of its own nature, by the term _Revelation_. These
|
|
are always attended by the emotion of the sublime. For this
|
|
communication is an influx of the Divine mind into our mind. It is
|
|
an ebb of the individual rivulet before the flowing surges of the sea
|
|
of life. Every distinct apprehension of this central commandment
|
|
agitates men with awe and delight. A thrill passes through all men
|
|
at the reception of new truth, or at the performance of a great
|
|
action, which comes out of the heart of nature. In these
|
|
communications, the power to see is not separated from the will to
|
|
do, but the insight proceeds from obedience, and the obedience
|
|
proceeds from a joyful perception. Every moment when the individual
|
|
feels himself invaded by it is memorable. By the necessity of our
|
|
constitution, a certain enthusiasm attends the individual's
|
|
consciousness of that divine presence. The character and duration of
|
|
this enthusiasm varies with the state of the individual, from an
|
|
ecstasy and trance and prophetic inspiration, -- which is its rarer
|
|
appearance, -- to the faintest glow of virtuous emotion, in which
|
|
form it warms, like our household fires, all the families and
|
|
associations of men, and makes society possible. A certain tendency
|
|
to insanity has always attended the opening of the religious sense in
|
|
men, as if they had been "blasted with excess of light." The trances
|
|
of Socrates, the "union" of Plotinus, the vision of Porphyry, the
|
|
conversion of Paul, the aurora of Behmen, the convulsions of George
|
|
Fox and his Quakers, the illumination of Swedenborg, are of this
|
|
kind. What was in the case of these remarkable persons a ravishment
|
|
has, in innumerable instances in common life, been exhibited in less
|
|
striking manner. Everywhere the history of religion betrays a
|
|
tendency to enthusiasm. The rapture of the Moravian and Quietist;
|
|
the opening of the internal sense of the Word, in the language of the
|
|
New Jerusalem Church; the _revival_ of the Calvinistic churches; the
|
|
_experiences_ of the Methodists, are varying forms of that shudder of
|
|
awe and delight with which the individual soul always mingles with
|
|
the universal soul.
|
|
|
|
The nature of these revelations is the same; they are
|
|
perceptions of the absolute law. They are solutions of the soul's
|
|
own questions. They do not answer the questions which the
|
|
understanding asks. The soul answers never by words, but by the
|
|
thing itself that is inquired after.
|
|
|
|
Revelation is the disclosure of the soul. The popular notion
|
|
of a revelation is, that it is a telling of fortunes. In past
|
|
oracles of the soul, the understanding seeks to find answers to
|
|
sensual questions, and undertakes to tell from God how long men shall
|
|
exist, what their hands shall do, and who shall be their company,
|
|
adding names, and dates, and places. But we must pick no locks. We
|
|
must check this low curiosity. An answer in words is delusive; it is
|
|
really no answer to the questions you ask. Do not require a
|
|
description of the countries towards which you sail. The description
|
|
does not describe them to you, and to-morrow you arrive there, and
|
|
know them by inhabiting them. Men ask concerning the immortality of
|
|
the soul, the employments of heaven, the state of the sinner, and so
|
|
forth. They even dream that Jesus has left replies to precisely
|
|
these interrogatories. Never a moment did that sublime spirit speak
|
|
in their _patois_. To truth, justice, love, the attributes of the
|
|
soul, the idea of immutableness is essentially associated. Jesus,
|
|
living in these moral sentiments, heedless of sensual fortunes,
|
|
heeding only the manifestations of these, never made the separation
|
|
of the idea of duration from the essence of these attributes, nor
|
|
uttered a syllable concerning the duration of the soul. It was left
|
|
to his disciples to sever duration from the moral elements, and to
|
|
teach the immortality of the soul as a doctrine, and maintain it by
|
|
evidences. The moment the doctrine of the immortality is separately
|
|
taught, man is already fallen. In the flowing of love, in the
|
|
adoration of humility, there is no question of continuance. No
|
|
inspired man ever asks this question, or condescends to these
|
|
evidences. For the soul is true to itself, and the man in whom it is
|
|
shed abroad cannot wander from the present, which is infinite, to a
|
|
future which would be finite.
|
|
|
|
These questions which we lust to ask about the future are a
|
|
confession of sin. God has no answer for them. No answer in words
|
|
can reply to a question of things. It is not in an arbitrary "decree
|
|
of God," but in the nature of man, that a veil shuts down on the
|
|
facts of to-morrow; for the soul will not have us read any other
|
|
cipher than that of cause and effect. By this veil, which curtains
|
|
events, it instructs the children of men to live in to-day. The only
|
|
mode of obtaining an answer to these questions of the senses is to
|
|
forego all low curiosity, and, accepting the tide of being which
|
|
floats us into the secret of nature, work and live, work and live,
|
|
and all unawares the advancing soul has built and forged for itself a
|
|
new condition, and the question and the answer are one.
|
|
|
|
By the same fire, vital, consecrating, celestial, which burns
|
|
until it shall dissolve all things into the waves and surges of an
|
|
ocean of light, we see and know each other, and what spirit each is
|
|
of. Who can tell the grounds of his knowledge of the character of
|
|
the several individuals in his circle of friends? No man. Yet their
|
|
acts and words do not disappoint him. In that man, though he knew no
|
|
ill of him, he put no trust. In that other, though they had seldom
|
|
met, authentic signs had yet passed, to signify that he might be
|
|
trusted as one who had an interest in his own character. We know
|
|
each other very well, -- which of us has been just to himself, and
|
|
whether that which we teach or behold is only an aspiration, or is
|
|
our honest effort also.
|
|
|
|
We are all discerners of spirits. That diagnosis lies aloft in
|
|
our life or unconscious power. The intercourse of society, -- its
|
|
trade, its religion, its friendships, its quarrels,--- is one wide,
|
|
judicial investigation of character. In full court, or in small
|
|
committee, or confronted face to face, accuser and accused, men offer
|
|
themselves to be judged. Against their will they exhibit those
|
|
decisive trifles by which character is read. But who judges? and
|
|
what? Not our understanding. We do not read them by learning or
|
|
craft. No; the wisdom of the wise man consists herein, that he does
|
|
not judge them; he lets them judge themselves, and merely reads and
|
|
records their own verdict.
|
|
|
|
By virtue of this inevitable nature, private will is
|
|
overpowered, and, maugre our efforts or our imperfections, your
|
|
genius will speak from you, and mine from me. That which we are, we
|
|
shall teach, not voluntarily, but involuntarily. Thoughts come into
|
|
our minds by avenues which we never left open, and thoughts go out of
|
|
our minds through avenues which we never voluntarily opened.
|
|
Character teaches over our head. The infallible index of true
|
|
progress is found in the tone the man takes. Neither his age, nor
|
|
his breeding, nor company, nor books, nor actions, nor talents, nor
|
|
all together, can hinder him from being deferential to a higher
|
|
spirit than his own. If he have not found his home in God, his
|
|
manners, his forms of speech, the turn of his sentences, the build,
|
|
shall I say, of all his opinions, will involuntarily confess it, let
|
|
him brave it out how he will. If he have found his centre, the Deity
|
|
will shine through him, through all the disguises of ignorance, of
|
|
ungenial temperament, of unfavorable circumstance. The tone of
|
|
seeking is one, and the tone of having is another.
|
|
|
|
The great distinction between teachers sacred or literary, --
|
|
between poets like Herbert, and poets like Pope, -- between
|
|
philosophers like Spinoza, Kant, and Coleridge, and philosophers like
|
|
Locke, Paley, Mackintosh, and Stewart, -- between men of the world,
|
|
who are reckoned accomplished talkers, and here and there a fervent
|
|
mystic, prophesying, half insane under the infinitude of his thought,
|
|
-- is, that one class speak _from within_, or from experience, as
|
|
parties and possessors of the fact; and the other class, _from
|
|
without_, as spectators merely, or perhaps as acquainted with the
|
|
fact on the evidence of third persons. It is of no use to preach to
|
|
me from without. I can do that too easily myself. Jesus speaks
|
|
always from within, and in a degree that transcends all others. In
|
|
that is the miracle. I believe beforehand that it ought so to be.
|
|
All men stand continually in the expectation of the appearance of
|
|
such a teacher. But if a man do not speak from within the veil,
|
|
where the word is one with that it tells of, let him lowly confess
|
|
it.
|
|
|
|
|
|
The same Omniscience flows into the intellect, and makes what
|
|
we call genius. Much of the wisdom of the world is not wisdom, and
|
|
the most illuminated class of men are no doubt superior to literary
|
|
fame, and are not writers. Among the multitude of scholars and
|
|
authors, we feel no hallowing presence; we are sensible of a knack
|
|
and skill rather than of inspiration; they have a light, and know not
|
|
whence it comes, and call it their own; their talent is some
|
|
exaggerated faculty, some overgrown member, so that their strength is
|
|
a disease. In these instances the intellectual gifts do not make the
|
|
impression of virtue, but almost of vice; and we feel that a man's
|
|
talents stand in the way of his advancement in truth. But genius is
|
|
religious. It is a larger imbibing of the common heart. It is not
|
|
anomalous, but more like, and not less like other men. There is, in
|
|
all great poets, a wisdom of humanity which is superior to any
|
|
talents they exercise. The author, the wit, the partisan, the fine
|
|
gentleman, does not take place of the man. Humanity shines in Homer,
|
|
in Chaucer, in Spenser, in Shakspeare, in Milton. They are content
|
|
with truth. They use the positive degree. They seem frigid and
|
|
phlegmatic to those who have been spiced with the frantic passion and
|
|
violent coloring of inferior, but popular writers. For they are
|
|
poets by the free course which they allow to the informing soul,
|
|
which through their eyes beholds again, and blesses the things which
|
|
it hath made. The soul is superior to its knowledge; wiser than any
|
|
of its works. The great poet makes us feel our own wealth, and then
|
|
we think less of his compositions. His best communication to our
|
|
mind is to teach us to despise all he has done. Shakspeare carries
|
|
us to such a lofty strain of intelligent activity, as to suggest a
|
|
wealth which beggars his own; and we then feel that the splendid
|
|
works which he has created, and which in other hours we extol as a
|
|
sort of self-existent poetry, take no stronger hold of real nature
|
|
than the shadow of a passing traveller on the rock. The inspiration
|
|
which uttered itself in Hamlet and Lear could utter things as good
|
|
from day to day, for ever. Why, then, should I make account of
|
|
Hamlet and Lear, as if we had not the soul from which they fell as
|
|
syllables from the tongue?
|
|
|
|
This energy does not descend into individual life on any other
|
|
condition than entire possession. It comes to the lowly and simple;
|
|
it comes to whomsoever will put off what is foreign and proud; it
|
|
comes as insight; it comes as serenity and grandeur. When we see
|
|
those whom it inhabits, we are apprized of new degrees of greatness.
|
|
From that inspiration the man comes back with a changed tone. He
|
|
does not talk with men with an eye to their opinion. He tries them.
|
|
It requires of us to be plain and true. The vain traveller attempts
|
|
to embellish his life by quoting my lord, and the prince, and the
|
|
countess, who thus said or did to _him._ The ambitious vulgar show
|
|
you their spoons, and brooches, and rings, and preserve their cards
|
|
and compliments. The more cultivated, in their account of their own
|
|
experience, cull out the pleasing, poetic circumstance, -- the visit
|
|
to Rome, the man of genius they saw, the brilliant friend they know;
|
|
still further on, perhaps, the gorgeous landscape, the mountain
|
|
lights, the mountain thoughts, they enjoyed yesterday, -- and so seek
|
|
to throw a romantic color over their life. But the soul that ascends
|
|
to worship the great God is plain and true; has no rose-color, no
|
|
fine friends, no chivalry, no adventures; does not want admiration;
|
|
dwells in the hour that now is, in the earnest experience of the
|
|
common day, -- by reason of the present moment and the mere trifle
|
|
having become porous to thought, and bibulous of the sea of light.
|
|
|
|
Converse with a mind that is grandly simple, and literature
|
|
looks like word-catching. The simplest utterances are worthiest to
|
|
be written, yet are they so cheap, and so things of course, that, in
|
|
the infinite riches of the soul, it is like gathering a few pebbles
|
|
off the ground, or bottling a little air in a phial, when the whole
|
|
earth and the whole atmosphere are ours. Nothing can pass there, or
|
|
make you one of the circle, but the casting aside your trappings, and
|
|
dealing man to man in naked truth, plain confession, and omniscient
|
|
affirmation.
|
|
|
|
Souls such as these treat you as gods would; walk as gods in
|
|
the earth, accepting without any admiration your wit, your bounty,
|
|
your virtue even, -- say rather your act of duty, for your virtue
|
|
they own as their proper blood, royal as themselves, and over-royal,
|
|
and the father of the gods. But what rebuke their plain fraternal
|
|
bearing casts on the mutual flattery with which authors solace each
|
|
other and wound themselves! These flatter not. I do not wonder that
|
|
these men go to see Cromwell, and Christina, and Charles the Second,
|
|
and James the First, and the Grand Turk. For they are, in their own
|
|
elevation, the fellows of kings, and must feel the servile tone of
|
|
conversation in the world. They must always be a godsend to princes,
|
|
for they confront them, a king to a king, without ducking or
|
|
concession, and give a high nature the refreshment and satisfaction
|
|
of resistance, of plain humanity, of even companionship, and of new
|
|
ideas. They leave them wiser and superior men. Souls like these
|
|
make us feel that sincerity is more excellent than flattery. Deal so
|
|
plainly with man and woman, as to constrain the utmost sincerity, and
|
|
destroy all hope of trifling with you. It is the highest compliment
|
|
you can pay. Their "highest praising," said Milton, "is not
|
|
flattery, and their plainest advice is a kind of praising."
|
|
|
|
Ineffable is the union of man and God in every act of the soul.
|
|
The simplest person, who in his integrity worships God, becomes God;
|
|
yet for ever and ever the influx of this better and universal self is
|
|
new and unsearchable. It inspires awe and astonishment. How dear,
|
|
how soothing to man, arises the idea of God, peopling the lonely
|
|
place, effacing the scars of our mistakes and disappointments! When
|
|
we have broken our god of tradition, and ceased from our god of
|
|
rhetoric, then may God fire the heart with his presence. It is the
|
|
doubling of the heart itself, nay, the infinite enlargement of the
|
|
heart with a power of growth to a new infinity on every side. It
|
|
inspires in man an infallible trust. He has not the conviction, but
|
|
the sight, that the best is the true, and may in that thought easily
|
|
dismiss all particular uncertainties and fears, and adjourn to the
|
|
sure revelation of time, the solution of his private riddles. He is
|
|
sure that his welfare is dear to the heart of being. In the presence
|
|
of law to his mind, he is overflowed with a reliance so universal,
|
|
that it sweeps away all cherished hopes and the most stable projects
|
|
of mortal condition in its flood. He believes that he cannot escape
|
|
from his good. The things that are really for thee gravitate to
|
|
thee. You are running to seek your friend. Let your feet run, but
|
|
your mind need not. If you do not find him, will you not acquiesce
|
|
that it is best you should not find him? for there is a power, which,
|
|
as it is in you, is in him also, and could therefore very well bring
|
|
you together, if it were for the best. You are preparing with
|
|
eagerness to go and render a service to which your talent and your
|
|
taste invite you, the love of men and the hope of fame. Has it not
|
|
occurred to you, that you have no right to go, unless you are equally
|
|
willing to be prevented from going? O, believe, as thou livest, that
|
|
every sound that is spoken over the round world, which thou oughtest
|
|
to hear, will vibrate on thine ear! Every proverb, every book, every
|
|
byword that belongs to thee for aid or comfort, shall surely come
|
|
home through open or winding passages. Every friend whom not thy
|
|
fantastic will, but the great and tender heart in thee craveth, shall
|
|
lock thee in his embrace. And this, because the heart in thee is the
|
|
heart of all; not a valve, not a wall, not an intersection is there
|
|
anywhere in nature, but one blood rolls uninterruptedly an endless
|
|
circulation through all men, as the water of the globe is all one
|
|
sea, and, truly seen, its tide is one.
|
|
|
|
Let man, then, learn the revelation of all nature and all
|
|
thought to his heart; this, namely; that the Highest dwells with him;
|
|
that the sources of nature are in his own mind, if the sentiment of
|
|
duty is there. But if he would know what the great God speaketh, he
|
|
must `go into his closet and shut the door,' as Jesus said. God will
|
|
not make himself manifest to cowards. He must greatly listen to
|
|
himself, withdrawing himself from all the accents of other men's
|
|
devotion. Even their prayers are hurtful to him, until he have made
|
|
his own. Our religion vulgarly stands on numbers of believers.
|
|
Whenever the appeal is made -- no matter how indirectly -- to
|
|
numbers, proclamation is then and there made, that religion is not.
|
|
He that finds God a sweet, enveloping thought to him never counts his
|
|
company. When I sit in that presence, who shall dare to come in?
|
|
When I rest in perfect humility, when I burn with pure love, what can
|
|
Calvin or Swedenborg say?
|
|
|
|
It makes no difference whether the appeal is to numbers or to
|
|
one. The faith that stands on authority is not faith. The reliance
|
|
on authority measures the decline of religion, the withdrawal of the
|
|
soul. The position men have given to Jesus, now for many centuries
|
|
of history, is a position of authority. It characterizes themselves.
|
|
It cannot alter the eternal facts. Great is the soul, and plain. It
|
|
is no flatterer, it is no follower; it never appeals from itself. It
|
|
believes in itself. Before the immense possibilities of man, all
|
|
mere experience, all past biography, however spotless and sainted,
|
|
shrinks away. Before that heaven which our presentiments foreshow
|
|
us, we cannot easily praise any form of life we have seen or read of.
|
|
We not only affirm that we have few great men, but, absolutely
|
|
speaking, that we have none; that we have no history, no record of
|
|
any character or mode of living, that entirely contents us. The
|
|
saints and demigods whom history worships we are constrained to
|
|
accept with a grain of allowance. Though in our lonely hours we draw
|
|
a new strength out of their memory, yet, pressed on our attention, as
|
|
they are by the thoughtless and customary, they fatigue and invade.
|
|
The soul gives itself, alone, original, and pure, to the Lonely,
|
|
Original, and Pure, who, on that condition, gladly inhabits, leads,
|
|
and speaks through it. Then is it glad, young, and nimble. It is
|
|
not wise, but it sees through all things. It is not called
|
|
religious, but it is innocent. It calls the light its own, and feels
|
|
that the grass grows and the stone falls by a law inferior to, and
|
|
dependent on, its nature. Behold, it saith, I am born into the
|
|
great, the universal mind. I, the imperfect, adore my own Perfect.
|
|
I am somehow receptive of the great soul, and thereby I do overlook
|
|
the sun and the stars, and feel them to be the fair accidents and
|
|
effects which change and pass. More and more the surges of
|
|
everlasting nature enter into me, and I become public and human in my
|
|
regards and actions. So come I to live in thoughts, and act with
|
|
energies, which are immortal. Thus revering the soul, and learning,
|
|
as the ancient said, that "its beauty is immense," man will come to
|
|
see that the world is the perennial miracle which the soul worketh,
|
|
and be less astonished at particular wonders; he will learn that
|
|
there is no profane history; that all history is sacred; that the
|
|
universe is represented in an atom, in a moment of time. He will
|
|
weave no longer a spotted life of shreds and patches, but he will
|
|
live with a divine unity. He will cease from what is base and
|
|
frivolous in his life, and be content with all places and with any
|
|
service he can render. He will calmly front the morrow in the
|
|
negligency of that trust which carries God with it, and so hath
|
|
already the whole future in the bottom of the heart.
|
|
|
|
|
|
|
|
CIRCLES
|
|
|
|
Nature centres into balls,
|
|
And her proud ephemerals,
|
|
Fast to surface and outside,
|
|
Scan the profile of the sphere;
|
|
Knew they what that signified,
|
|
A new genesis were here.
|
|
|
|
|
|
|
|
ESSAY X _Circles_
|
|
|
|
The eye is the first circle; the horizon which it forms is the
|
|
second; and throughout nature this primary figure is repeated without
|
|
end. It is the highest emblem in the cipher of the world. St.
|
|
Augustine described the nature of God as a circle whose centre was
|
|
everywhere, and its circumference nowhere. We are all our lifetime
|
|
reading the copious sense of this first of forms. One moral we have
|
|
already deduced, in considering the circular or compensatory
|
|
character of every human action. Another analogy we shall now trace;
|
|
that every action admits of being outdone. Our life is an
|
|
apprenticeship to the truth, that around every circle another can be
|
|
drawn; that there is no end in nature, but every end is a beginning;
|
|
that there is always another dawn risen on mid-noon, and under every
|
|
deep a lower deep opens.
|
|
|
|
This fact, as far as it symbolizes the moral fact of the
|
|
Unattainable, the flying Perfect, around which the hands of man can
|
|
never meet, at once the inspirer and the condemner of every success,
|
|
may conveniently serve us to connect many illustrations of human
|
|
power in every department.
|
|
|
|
There are no fixtures in nature. The universe is fluid and
|
|
volatile. Permanence is but a word of degrees. Our globe seen by
|
|
God is a transparent law, not a mass of facts. The law dissolves the
|
|
fact and holds it fluid. Our culture is the predominance of an idea
|
|
which draws after it this train of cities and institutions. Let us
|
|
rise into another idea: they will disappear. The Greek sculpture is
|
|
all melted away, as if it had been statues of ice; here and there a
|
|
solitary figure or fragment remaining, as we see flecks and scraps of
|
|
snow left in cold dells and mountain clefts, in June and July. For
|
|
the genius that created it creates now somewhat else. The Greek
|
|
letters last a little longer, but are already passing under the same
|
|
sentence, and tumbling into the inevitable pit which the creation of
|
|
new thought opens for all that is old. The new continents are built
|
|
out of the ruins of an old planet; the new races fed out of the
|
|
decomposition of the foregoing. New arts destroy the old. See the
|
|
investment of capital in aqueducts made useless by hydraulics;
|
|
fortifications, by gunpowder; roads and canals, by railways; sails,
|
|
by steam; steam by electricity.
|
|
|
|
You admire this tower of granite, weathering the hurts of so
|
|
many ages. Yet a little waving hand built this huge wall, and that
|
|
which builds is better than that which is built. The hand that built
|
|
can topple it down much faster. Better than the hand, and nimbler,
|
|
was the invisible thought which wrought through it; and thus ever,
|
|
behind the coarse effect, is a fine cause, which, being narrowly
|
|
seen, is itself the effect of a finer cause. Every thing looks
|
|
permanent until its secret is known. A rich estate appears to women
|
|
a firm and lasting fact; to a merchant, one easily created out of any
|
|
materials, and easily lost. An orchard, good tillage, good grounds,
|
|
seem a fixture, like a gold mine, or a river, to a citizen; but to a
|
|
large farmer, not much more fixed than the state of the crop. Nature
|
|
looks provokingly stable and secular, but it has a cause like all the
|
|
rest; and when once I comprehend that, will these fields stretch so
|
|
immovably wide, these leaves hang so individually considerable?
|
|
Permanence is a word of degrees. Every thing is medial. Moons are
|
|
no more bounds to spiritual power than bat-balls.
|
|
|
|
The key to every man is his thought. Sturdy and defying though
|
|
he look, he has a helm which he obeys, which is the idea after which
|
|
all his facts are classified. He can only be reformed by showing him
|
|
a new idea which commands his own. The life of man is a
|
|
self-evolving circle, which, from a ring imperceptibly small, rushes
|
|
on all sides outwards to new and larger circles, and that without
|
|
end. The extent to which this generation of circles, wheel without
|
|
wheel, will go, depends on the force or truth of the individual soul.
|
|
For it is the inert effort of each thought, having formed itself into
|
|
a circular wave of circumstance, -- as, for instance, an empire,
|
|
rules of an art, a local usage, a religious rite, -- to heap itself
|
|
on that ridge, and to solidify and hem in the life. But if the soul
|
|
is quick and strong, it bursts over that boundary on all sides, and
|
|
expands another orbit on the great deep, which also runs up into a
|
|
high wave, with attempt again to stop and to bind. But the heart
|
|
refuses to be imprisoned; in its first and narrowest pulses, it
|
|
already tends outward with a vast force, and to immense and
|
|
innumerable expansions.
|
|
|
|
Every ultimate fact is only the first of a new series. Every
|
|
general law only a particular fact of some more general law presently
|
|
to disclose itself. There is no outside, no inclosing wall, no
|
|
circumference to us. The man finishes his story, -- how good! how
|
|
final! how it puts a new face on all things! He fills the sky. Lo!
|
|
on the other side rises also a man, and draws a circle around the
|
|
circle we had just pronounced the outline of the sphere. Then
|
|
already is our first speaker not man, but only a first speaker. His
|
|
only redress is forthwith to draw a circle outside of his antagonist.
|
|
And so men do by themselves. The result of to-day, which haunts the
|
|
mind and cannot be escaped, will presently be abridged into a word,
|
|
and the principle that seemed to explain nature will itself be
|
|
included as one example of a bolder generalization. In the thought
|
|
of to-morrow there is a power to upheave all thy creed, all the
|
|
creeds, all the literatures, of the nations, and marshal thee to a
|
|
heaven which no epic dream has yet depicted. Every man is not so
|
|
much a workman in the world, as he is a suggestion of that he should
|
|
be. Men walk as prophecies of the next age.
|
|
|
|
Step by step we scale this mysterious ladder: the steps are
|
|
actions; the new prospect is power. Every several result is
|
|
threatened and judged by that which follows. Every one seems to be
|
|
contradicted by the new; it is only limited by the new. The new
|
|
statement is always hated by the old, and, to those dwelling in the
|
|
old, comes like an abyss of skepticism. But the eye soon gets wonted
|
|
to it, for the eye and it are effects of one cause; then its
|
|
innocency and benefit appear, and presently, all its energy spent, it
|
|
pales and dwindles before the revelation of the new hour.
|
|
|
|
Fear not the new generalization. Does the fact look crass and
|
|
material, threatening to degrade thy theory of spirit? Resist it
|
|
not; it goes to refine and raise thy theory of matter just as much.
|
|
|
|
There are no fixtures to men, if we appeal to consciousness.
|
|
Every man supposes himself not to be fully understood; and if there
|
|
is any truth in him, if he rests at last on the divine soul, I see
|
|
not how it can be otherwise. The last chamber, the last closet, he
|
|
must feel, was never opened; there is always a residuum unknown,
|
|
unanalyzable. That is, every man believes that he has a greater
|
|
possibility.
|
|
|
|
Our moods do not believe in each other. To-day I am full of
|
|
thoughts, and can write what I please. I see no reason why I should
|
|
not have the same thought, the same power of expression, to-morrow.
|
|
What I write, whilst I write it, seems the most natural thing in the
|
|
world; but yesterday I saw a dreary vacuity in this direction in
|
|
which now I see so much; and a month hence, I doubt not, I shall
|
|
wonder who he was that wrote so many continuous pages. Alas for this
|
|
infirm faith, this will not strenuous, this vast ebb of a vast flow!
|
|
I am God in nature; I am a weed by the wall.
|
|
|
|
The continual effort to raise himself above himself, to work a
|
|
pitch above his last height, betrays itself in a man's relations. We
|
|
thirst for approbation, yet cannot forgive the approver. The sweet
|
|
of nature is love; yet, if I have a friend, I am tormented by my
|
|
imperfections. The love of me accuses the other party. If he were
|
|
high enough to slight me, then could I love him, and rise by my
|
|
affection to new heights. A man's growth is seen in the successive
|
|
choirs of his friends. For every friend whom he loses for truth, he
|
|
gains a better. I thought, as I walked in the woods and mused on my
|
|
friends, why should I play with them this game of idolatry? I know
|
|
and see too well, when not voluntarily blind, the speedy limits of
|
|
persons called high and worthy. Rich, noble, and great they are by
|
|
the liberality of our speech, but truth is sad. O blessed Spirit,
|
|
whom I forsake for these, they are not thou! Every personal
|
|
consideration that we allow costs us heavenly state. We sell the
|
|
thrones of angels for a short and turbulent pleasure.
|
|
|
|
How often must we learn this lesson? Men cease to interest us
|
|
when we find their limitations. The only sin is limitation. As soon
|
|
as you once come up with a man's limitations, it is all over with
|
|
him. Has he talents? has he enterprise? has he knowledge? it boots
|
|
not. Infinitely alluring and attractive was he to you yesterday, a
|
|
great hope, a sea to swim in; now, you have found his shores, found
|
|
it a pond, and you care not if you never see it again.
|
|
|
|
Each new step we take in thought reconciles twenty seemingly
|
|
discordant facts, as expressions of one law. Aristotle and Plato are
|
|
reckoned the respective heads of two schools. A wise man will see
|
|
that Aristotle Platonizes. By going one step farther back in
|
|
thought, discordant opinions are reconciled, by being seen to be two
|
|
extremes of one principle, and we can never go so far back as to
|
|
preclude a still higher vision.
|
|
|
|
Beware when the great God lets loose a thinker on this planet.
|
|
Then all things are at risk. It is as when a conflagration has
|
|
broken out in a great city, and no man knows what is safe, or where
|
|
it will end. There is not a piece of science, but its flank may be
|
|
turned to-morrow; there is not any literary reputation, not the
|
|
so-called eternal names of fame, that may not be revised and
|
|
condemned. The very hopes of man, the thoughts of his heart, the
|
|
religion of nations, the manners and morals of mankind, are all at
|
|
the mercy of a new generalization. Generalization is always a new
|
|
influx of the divinity into the mind. Hence the thrill that attends
|
|
it.
|
|
|
|
Valor consists in the power of self-recovery, so that a man
|
|
cannot have his flank turned, cannot be out-generalled, but put him
|
|
where you will, he stands. This can only be by his preferring truth
|
|
to his past apprehension of truth; and his alert acceptance of it,
|
|
from whatever quarter; the intrepid conviction that his laws, his
|
|
relations to society, his Christianity, his world, may at any time be
|
|
superseded and decease.
|
|
|
|
There are degrees in idealism. We learn first to play with it
|
|
academically, as the magnet was once a toy. Then we see in the
|
|
heyday of youth and poetry that it may be true, that it is true in
|
|
gleams and fragments. Then, its countenance waxes stern and grand,
|
|
and we see that it must be true. It now shows itself ethical and
|
|
practical. We learn that God IS that he is in me; and that all
|
|
things are shadows of him. The idealism of Berkeley is only a crude
|
|
statement of the idealism of Jesus, and that again is a crude
|
|
statement of the fact, that all nature is the rapid efflux of
|
|
goodness executing and organizing itself. Much more obviously is
|
|
history and the state of the world at any one time directly dependent
|
|
on the intellectual classification then existing in the minds of men.
|
|
The things which are dear to men at this hour are so on account of
|
|
the ideas which have emerged on their mental horizon, and which cause
|
|
the present order of things as a tree bears its apples. A new degree
|
|
of culture would instantly revolutionize the entire system of human
|
|
pursuits.
|
|
|
|
Conversation is a game of circles. In conversation we pluck up
|
|
the _termini_ which bound the common of silence on every side. The
|
|
parties are not to be judged by the spirit they partake and even
|
|
express under this Pentecost. To-morrow they will have receded from
|
|
this high-water mark. To-morrow you shall find them stooping under
|
|
the old pack-saddles. Yet let us enjoy the cloven flame whilst it
|
|
glows on our walls. When each new speaker strikes a new light,
|
|
emancipates us from the oppression of the last speaker, to oppress us
|
|
with the greatness and exclusiveness of his own thought, then yields
|
|
us to another redeemer, we seem to recover our rights, to become men.
|
|
O, what truths profound and executable only in ages and orbs are
|
|
supposed in the announcement of every truth! In common hours,
|
|
society sits cold and statuesque. We all stand waiting, empty, --
|
|
knowing, possibly, that we can be full, surrounded by mighty symbols
|
|
which are not symbols to us, but prose and trivial toys. Then cometh
|
|
the god, and converts the statues into fiery men, and by a flash of
|
|
his eye burns up the veil which shrouded all things, and the meaning
|
|
of the very furniture, of cup and saucer, of chair and clock and
|
|
tester, is manifest. The facts which loomed so large in the fogs of
|
|
yesterday, -- property, climate, breeding, personal beauty, and the
|
|
like, have strangely changed their proportions. All that we reckoned
|
|
settled shakes and rattles; and literatures, cities, climates,
|
|
religions, leave their foundations, and dance before our eyes. And
|
|
yet here again see the swift circumspection! Good as is discourse,
|
|
silence is better, and shames it. The length of the discourse
|
|
indicates the distance of thought betwixt the speaker and the hearer.
|
|
If they were at a perfect understanding in any part, no words would
|
|
be necessary thereon. If at one in all parts, no words would be
|
|
suffered.
|
|
|
|
Literature is a point outside of our hodiernal circle, through
|
|
which a new one may be described. The use of literature is to afford
|
|
us a platform whence we may command a view of our present life, a
|
|
purchase by which we may move it. We fill ourselves with ancient
|
|
learning, install ourselves the best we can in Greek, in Punic, in
|
|
Roman houses, only that we may wiselier see French, English, and
|
|
American houses and modes of living. In like manner, we see
|
|
literature best from the midst of wild nature, or from the din of
|
|
affairs, or from a high religion. The field cannot be well seen from
|
|
within the field. The astronomer must have his diameter of the
|
|
earth's orbit as a base to find the parallax of any star.
|
|
|
|
Therefore we value the poet. All the argument and all the
|
|
wisdom is not in the encyclopaedia, or the treatise on metaphysics,
|
|
or the Body of Divinity, but in the sonnet or the play. In my daily
|
|
work I incline to repeat my old steps, and do not believe in remedial
|
|
force, in the power of change and reform. But some Petrarch or
|
|
Ariosto, filled with the new wine of his imagination, writes me an
|
|
ode or a brisk romance, full of daring thought and action. He smites
|
|
and arouses me with his shrill tones, breaks up my whole chain of
|
|
habits, and I open my eye on my own possibilities. He claps wings to
|
|
the sides of all the solid old lumber of the world, and I am capable
|
|
once more of choosing a straight path in theory and practice.
|
|
|
|
We have the same need to command a view of the religion of the
|
|
world. We can never see Christianity from the catechism: -- from the
|
|
pastures, from a boat in the pond, from amidst the songs of
|
|
wood-birds, we possibly may. Cleansed by the elemental light and
|
|
wind, steeped in the sea of beautiful forms which the field offers
|
|
us, we may chance to cast a right glance back upon biography.
|
|
Christianity is rightly dear to the best of mankind; yet was there
|
|
never a young philosopher whose breeding had fallen into the
|
|
Christian church, by whom that brave text of Paul's was not specially
|
|
prized: -- "Then shall also the Son be subject unto Him who put all
|
|
things under him, that God may be all in all." Let the claims and
|
|
virtues of persons be never so great and welcome, the instinct of man
|
|
presses eagerly onward to the impersonal and illimitable, and gladly
|
|
arms itself against the dogmatism of bigots with this generous word
|
|
out of the book itself.
|
|
|
|
The natural world may be conceived of as a system of concentric
|
|
circles, and we now and then detect in nature slight dislocations,
|
|
which apprize us that this surface on which we now stand is not
|
|
fixed, but sliding. These manifold tenacious qualities, this
|
|
chemistry and vegetation, these metals and animals, which seem to
|
|
stand there for their own sake, are means and methods only, -- are
|
|
words of God, and as fugitive as other words. Has the naturalist or
|
|
chemist learned his craft, who has explored the gravity of atoms and
|
|
the elective affinities, who has not yet discerned the deeper law
|
|
whereof this is only a partial or approximate statement, namely, that
|
|
like draws to like; and that the goods which belong to you gravitate
|
|
to you, and need not be pursued with pains and cost? Yet is that
|
|
statement approximate also, and not final. Omnipresence is a higher
|
|
fact. Not through subtle, subterranean channels need friend and fact
|
|
be drawn to their counterpart, but, rightly considered, these things
|
|
proceed from the eternal generation of the soul. Cause and effect
|
|
are two sides of one fact.
|
|
|
|
The same law of eternal procession ranges all that we call the
|
|
virtues, and extinguishes each in the light of a better. The great
|
|
man will not be prudent in the popular sense; all his prudence will
|
|
be so much deduction from his grandeur. But it behooves each to see,
|
|
when he sacrifices prudence, to what god he devotes it; if to ease
|
|
and pleasure, he had better be prudent still; if to a great trust, he
|
|
can well spare his mule and panniers who has a winged chariot
|
|
instead. Geoffrey draws on his boots to go through the woods, that
|
|
his feet may be safer from the bite of snakes; Aaron never thinks of
|
|
such a peril. In many years neither is harmed by such an accident.
|
|
Yet it seems to me, that, with every precaution you take against such
|
|
an evil, you put yourself into the power of the evil. I suppose that
|
|
the highest prudence is the lowest prudence. Is this too sudden a
|
|
rushing from the centre to the verge of our orbit? Think how many
|
|
times we shall fall back into pitiful calculations before we take up
|
|
our rest in the great sentiment, or make the verge of to-day the new
|
|
centre. Besides, your bravest sentiment is familiar to the humblest
|
|
men. The poor and the low have their way of expressing the last
|
|
facts of philosophy as well as you. "Blessed be nothing," and "the
|
|
worse things are, the better they are," are proverbs which express
|
|
the transcendentalism of common life.
|
|
|
|
One man's justice is another's injustice; one man's beauty,
|
|
another's ugliness; one man's wisdom, another's folly; as one beholds
|
|
the same objects from a higher point. One man thinks justice
|
|
consists in paying debts, and has no measure in his abhorrence of
|
|
another who is very remiss in this duty, and makes the creditor wait
|
|
tediously. But that second man has his own way of looking at things;
|
|
asks himself which debt must I pay first, the debt to the rich, or
|
|
the debt to the poor? the debt of money, or the debt of thought to
|
|
mankind, of genius to nature? For you, O broker! there is no other
|
|
principle but arithmetic. For me, commerce is of trivial import;
|
|
love, faith, truth of character, the aspiration of man, these are
|
|
sacred; nor can I detach one duty, like you, from all other duties,
|
|
and concentrate my forces mechanically on the payment of moneys. Let
|
|
me live onward; you shall find that, though slower, the progress of
|
|
my character will liquidate all these debts without injustice to
|
|
higher claims. If a man should dedicate himself to the payment of
|
|
notes, would not this be injustice? Does he owe no debt but money?
|
|
And are all claims on him to be postponed to a landlord's or a
|
|
banker's?
|
|
|
|
There is no virtue which is final; all are initial. The
|
|
virtues of society are vices of the saint. The terror of reform is
|
|
the discovery that we must cast away our virtues, or what we have
|
|
always esteemed such, into the same pit that has consumed our grosser
|
|
vices.
|
|
|
|
"Forgive his crimes, forgive his virtues too,
|
|
Those smaller faults, half converts to the right."
|
|
|
|
It is the highest power of divine moments that they abolish our
|
|
contritions also. I accuse myself of sloth and unprofitableness day
|
|
by day; but when these waves of God flow into me, I no longer reckon
|
|
lost time. I no longer poorly compute my possible achievement by
|
|
what remains to me of the month or the year; for these moments confer
|
|
a sort of omnipresence and omnipotence which asks nothing of
|
|
duration, but sees that the energy of the mind is commensurate with
|
|
the work to be done, without time.
|
|
|
|
And thus, O circular philosopher, I hear some reader exclaim,
|
|
you have arrived at a fine Pyrrhonism, at an equivalence and
|
|
indifferency of all actions, and would fain teach us that, _if we are
|
|
true_, forsooth, our crimes may be lively stones out of which we
|
|
shall construct the temple of the true God!
|
|
|
|
I am not careful to justify myself. I own I am gladdened by
|
|
seeing the predominance of the saccharine principle throughout
|
|
vegetable nature, and not less by beholding in morals that
|
|
unrestrained inundation of the principle of good into every chink and
|
|
hole that selfishness has left open, yea, into selfishness and sin
|
|
itself; so that no evil is pure, nor hell itself without its extreme
|
|
satisfactions. But lest I should mislead any when I have my own head
|
|
and obey my whims, let me remind the reader that I am only an
|
|
experimenter. Do not set the least value on what I do, or the least
|
|
discredit on what I do not, as if I pretended to settle any thing as
|
|
true or false. I unsettle all things. No facts are to me sacred;
|
|
none are profane; I simply experiment, an endless seeker, with no
|
|
Past at my back.
|
|
|
|
Yet this incessant movement and progression which all things
|
|
partake could never become sensible to us but by contrast to some
|
|
principle of fixture or stability in the soul. Whilst the eternal
|
|
generation of circles proceeds, the eternal generator abides. That
|
|
central life is somewhat superior to creation, superior to knowledge
|
|
and thought, and contains all its circles. For ever it labors to
|
|
create a life and thought as large and excellent as itself; but in
|
|
vain; for that which is made instructs how to make a better.
|
|
|
|
Thus there is no sleep, no pause, no preservation, but all
|
|
things renew, germinate, and spring. Why should we import rags and
|
|
relics into the new hour? Nature abhors the old, and old age seems
|
|
the only disease; all others run into this one. We call it by many
|
|
names, -- fever, intemperance, insanity, stupidity, and crime; they
|
|
are all forms of old age; they are rest, conservatism, appropriation,
|
|
inertia, not newness, not the way onward. We grizzle every day. I
|
|
see no need of it. Whilst we converse with what is above us, we do
|
|
not grow old, but grow young. Infancy, youth, receptive, aspiring,
|
|
with religious eye looking upward, counts itself nothing, and
|
|
abandons itself to the instruction flowing from all sides. But the
|
|
man and woman of seventy assume to know all, they have outlived their
|
|
hope, they renounce aspiration, accept the actual for the necessary,
|
|
and talk down to the young. Let them, then, become organs of the
|
|
Holy Ghost; let them be lovers; let them behold truth; and their eyes
|
|
are uplifted, their wrinkles smoothed, they are perfumed again with
|
|
hope and power. This old age ought not to creep on a human mind. In
|
|
nature every moment is new; the past is always swallowed and
|
|
forgotten; the coming only is sacred. Nothing is secure but life,
|
|
transition, the energizing spirit. No love can be bound by oath or
|
|
covenant to secure it against a higher love. No truth so sublime but
|
|
it may be trivial to-morrow in the light of new thoughts. People
|
|
wish to be settled; only as far as they are unsettled is there any
|
|
hope for them.
|
|
|
|
Life is a series of surprises. We do not guess to-day the
|
|
mood, the pleasure, the power of to-morrow, when we are building up
|
|
our being. Of lower states, -- of acts of routine and sense, -- we
|
|
can tell somewhat; but the masterpieces of God, the total growths and
|
|
universal movements of the soul, he hideth; they are incalculable. I
|
|
can know that truth is divine and helpful; but how it shall help me I
|
|
can have no guess, for _so to be_ is the sole inlet of _so to know._
|
|
The new position of the advancing man has all the powers of the old,
|
|
yet has them all new. It carries in its bosom all the energies of
|
|
the past, yet is itself an exhalation of the morning. I cast away in
|
|
this new moment all my once hoarded knowledge, as vacant and vain.
|
|
Now, for the first time, seem I to know any thing rightly. The
|
|
simplest words, -- we do not know what they mean, except when we love
|
|
and aspire.
|
|
|
|
The difference between talents and character is adroitness to
|
|
keep the old and trodden round, and power and courage to make a new
|
|
road to new and better goals. Character makes an overpowering
|
|
present; a cheerful, determined hour, which fortifies all the
|
|
company, by making them see that much is possible and excellent that
|
|
was not thought of. Character dulls the impression of particular
|
|
events. When we see the conqueror, we do not think much of any one
|
|
battle or success. We see that we had exaggerated the difficulty.
|
|
It was easy to him. The great man is not convulsible or tormentable;
|
|
events pass over him without much impression. People say sometimes,
|
|
`See what I have overcome; see how cheerful I am; see how completely
|
|
I have triumphed over these black events.' Not if they still remind
|
|
me of the black event. True conquest is the causing the calamity to
|
|
fade and disappear, as an early cloud of insignificant result in a
|
|
history so large and advancing.
|
|
|
|
|
|
The one thing which we seek with insatiable desire is to forget
|
|
ourselves, to be surprised out of our propriety, to lose our
|
|
sempiternal memory, and to do something without knowing how or why;
|
|
in short, to draw a new circle. Nothing great was ever achieved
|
|
without enthusiasm. The way of life is wonderful: it is by
|
|
abandonment. The great moments of history are the facilities of
|
|
performance through the strength of ideas, as the works of genius and
|
|
religion. "A man," said Oliver Cromwell, "never rises so high as
|
|
when he knows not whither he is going." Dreams and drunkenness, the
|
|
use of opium and alcohol are the semblance and counterfeit of this
|
|
oracular genius, and hence their dangerous attraction for men. For
|
|
the like reason, they ask the aid of wild passions, as in gaming and
|
|
war, to ape in some manner these flames and generosities of the heart
|
|
|
|
INTELLECT
|
|
|
|
|
|
Go, speed the stars of Thought
|
|
On to their shining goals; --
|
|
The sower scatters broad his seed,
|
|
The wheat thou strew'st be souls.
|
|
|
|
|
|
|
|
ESSAY XI _Intellect_
|
|
|
|
Every substance is negatively electric to that which stands
|
|
above it in th chemical tables, positively to that which stands below
|
|
it. Water dissolves wood, and iron, and salt; air dissolves water;
|
|
electric fire dissolves air, but the intellect dissolves fire,
|
|
gravity, laws, method, and the subtlest unnamed relations of nature,
|
|
in its resistless menstruum. Intellect lies behind genius, which is
|
|
intellect constructive. Intellect is the simple power anterior to
|
|
all action or construction. Gladly would I unfold in calm degrees a
|
|
natural history of the intellect, but what man has yet been able to
|
|
mark the steps and boundaries of that transparent essence? The first
|
|
questions are always to be asked, and the wisest doctor is gravelled
|
|
by the inquisitiveness of a child. How can we speak of the action of
|
|
the mind under any divisions, as of its knowledge, of its ethics, of
|
|
its works, and so forth, since it melts will into perception,
|
|
knowledge into act? Each becomes the other. Itself alone is. Its
|
|
vision is not like the vision of the eye, but is union with the
|
|
things known.
|
|
|
|
Intellect and intellection signify to the common ear
|
|
consideration of abstract truth. The considerations of time and
|
|
place, of you and me, of profit and hurt, tyrannize over most men's
|
|
minds. Intellect separates the fact considered from _you_, from all
|
|
local and personal reference, and discerns it as if it existed for
|
|
its own sake. Heraclitus looked upon the affections as dense and
|
|
colored mists. In the fog of good and evil affections, it is hard
|
|
for man to walk forward in a straight line. Intellect is void of
|
|
affection, and sees an object as it stands in the light of science,
|
|
cool and disengaged. The intellect goes out of the individual,
|
|
floats over its own personality, and regards it as a fact, and not as
|
|
_I_ and _mine_. He who is immersed in what concerns person or place
|
|
cannot see the problem of existence. This the intellect always
|
|
ponders. Nature shows all things formed and bound. The intellect
|
|
pierces the form, overleaps the wall, detects intrinsic likeness
|
|
between remote things, and reduces all things into a few principles.
|
|
|
|
|
|
The making a fact the subject of thought raises it. All that
|
|
mass of mental and moral phenomena, which we do not make objects of
|
|
voluntary thought, come within the power of fortune; they constitute
|
|
the circumstance of daily life; they are subject to change, to fear,
|
|
and hope. Every man beholds his human condition with a degree of
|
|
melancholy. As a ship aground is battered by the waves, so man,
|
|
imprisoned in mortal life, lies open to the mercy of coming events.
|
|
But a truth, separated by the intellect, is no longer a subject of
|
|
destiny. We behold it as a god upraised above care and fear. And so
|
|
any fact in our life, or any record of our fancies or reflections,
|
|
disentangled from the web of our unconsciousness, becomes an object
|
|
impersonal and immortal. It is the past restored, but embalmed. A
|
|
better art than that of Egypt has taken fear and corruption out of
|
|
it. It is eviscerated of care. It is offered for science. What is
|
|
addressed to us for contemplation does not threaten us, but makes us
|
|
intellectual beings.
|
|
|
|
The growth of the intellect is spontaneous in every expansion.
|
|
The mind that grows could not predict the times, the means, the mode
|
|
of that spontaneity. God enters by a private door into every
|
|
individual. Long prior to the age of reflection is the thinking of
|
|
the mind. Out of darkness, it came insensibly into the marvellous
|
|
light of to-day. In the period of infancy it accepted and disposed
|
|
of all impressions from the surrounding creation after its own way.
|
|
Whatever any mind doth or saith is after a law; and this native law
|
|
remains over it after it has come to reflection or conscious thought.
|
|
In the most worn, pedantic, introverted self-tormenter's life, the
|
|
greatest part is incalculable by him, unforeseen, unimaginable, and
|
|
must be, until he can take himself up by his own ears. What am I?
|
|
What has my will done to make me that I am? Nothing. I have been
|
|
floated into this thought, this hour, this connection of events, by
|
|
secret currents of might and mind, and my ingenuity and wilfulness
|
|
have not thwarted, have not aided to an appreciable degree.
|
|
|
|
Our spontaneous action is always the best. You cannot, with
|
|
your best deliberation and heed, come so close to any question as
|
|
your spontaneous glance shall bring you, whilst you rise from your
|
|
bed, or walk abroad in the morning after meditating the matter before
|
|
sleep on the previous night. Our thinking is a pious reception. Our
|
|
truth of thought is therefore vitiated as much by too violent
|
|
direction given by our will, as by too great negligence. We do not
|
|
determine what we will think. We only open our senses, clear away,
|
|
as we can, all obstruction from the fact, and suffer the intellect to
|
|
see. We have little control over our thoughts. We are the prisoners
|
|
of ideas. They catch us up for moments into their heaven, and so
|
|
fully engage us, that we take no thought for the morrow, gaze like
|
|
children, without an effort to make them our own. By and by we fall
|
|
out of that rapture, bethink us where we have been, what we have
|
|
seen, and repeat, as truly as we can, what we have beheld. As far as
|
|
we can recall these ecstasies, we carry away in the ineffaceable
|
|
memory the result, and all men and all the ages confirm it. It is
|
|
called Truth. But the moment we cease to report, and attempt to
|
|
correct and contrive, it is not truth.
|
|
|
|
If we consider what persons have stimulated and profited us, we
|
|
shall perceive the superiority of the spontaneous or intuitive
|
|
principle over the arithmetical or logical. The first contains the
|
|
second, but virtual and latent. We want, in every man, a long logic;
|
|
we cannot pardon the absence of it, but it must not be spoken. Logic
|
|
is the procession or proportionate unfolding of the intuition; but
|
|
its virtue is as silent method; the moment it would appear as
|
|
propositions, and have a separate value, it is worthless.
|
|
|
|
In every man's mind, some images, words, and facts remain,
|
|
without effort on his part to imprint them, which others forget, and
|
|
afterwards these illustrate to him important laws. All our progress
|
|
is an unfolding, like the vegetable bud. You have first an instinct,
|
|
then an opinion, then a knowledge, as the plant has root, bud, and
|
|
fruit. Trust the instinct to the end, though you can render no
|
|
reason. It is vain to hurry it. By trusting it to the end, it shall
|
|
ripen into truth, and you shall know why you believe.
|
|
|
|
Each mind has its own method. A true man never acquires after
|
|
college rules. What you have aggregated in a natural manner
|
|
surprises and delights when it is produced. For we cannot oversee
|
|
each other's secret. And hence the differences between men in
|
|
natural endowment are insignificant in comparison with their common
|
|
wealth. Do you think the porter and the cook have no anecdotes, no
|
|
experiences, no wonders for you? Every body knows as much as the
|
|
savant. The walls of rude minds are scrawled all over with facts,
|
|
with thoughts. They shall one day bring a lantern and read the
|
|
inscriptions. Every man, in the degree in which he has wit and
|
|
culture, finds his curiosity inflamed concerning the modes of living
|
|
and thinking of other men, and especially of those classes whose
|
|
minds have not been subdued by the drill of school education.
|
|
|
|
This instinctive action never ceases in a healthy mind, but
|
|
becomes richer and more frequent in its informations through all
|
|
states of culture. At last comes the era of reflection, when we not
|
|
only observe, but take pains to observe; when we of set purpose sit
|
|
down to consider an abstract truth; when we keep the mind's eye open,
|
|
whilst we converse, whilst we read, whilst we act, intent to learn
|
|
the secret law of some class of facts.
|
|
|
|
What is the hardest task in the world? To think. I would put
|
|
myself in the attitude to look in the eye an abstract truth, and I
|
|
cannot. I blench and withdraw on this side and on that. I seem to
|
|
know what he meant who said, No man can see God face to face and
|
|
live. For example, a man explores the basis of civil government.
|
|
Let him intend his mind without respite, without rest, in one
|
|
direction. His best heed long time avails him nothing. Yet thoughts
|
|
are flitting before him. We all but apprehend, we dimly forebode the
|
|
truth. We say, I will walk abroad, and the truth will take form and
|
|
clearness to me. We go forth, but cannot find it. It seems as if we
|
|
needed only the stillness and composed attitude of the library to
|
|
seize the thought. But we come in, and are as far from it as at
|
|
first. Then, in a moment, and unannounced, the truth appears. A
|
|
certain, wandering light appears, and is the distinction, the
|
|
principle, we wanted. But the oracle comes, because we had
|
|
previously laid siege to the shrine. It seems as if the law of the
|
|
intellect resembled that law of nature by which we now inspire, now
|
|
expire the breath; by which the heart now draws in, then hurls out
|
|
the blood, -- the law of undulation. So now you must labor with your
|
|
brains, and now you must forbear your activity, and see what the
|
|
great Soul showeth.
|
|
|
|
|
|
The immortality of man is as legitimately preached from the
|
|
intellections as from the moral volitions. Every intellection is
|
|
mainly prospective. Its present value is its least. Inspect what
|
|
delights you in Plutarch, in Shakspeare, in Cervantes. Each truth
|
|
that a writer acquires is a lantern, which he turns full on what
|
|
facts and thoughts lay already in his mind, and behold, all the mats
|
|
and rubbish which had littered his garret become precious. Every
|
|
trivial fact in his private biography becomes an illustration of this
|
|
new principle, revisits the day, and delights all men by its piquancy
|
|
and new charm. Men say, Where did he get this? and think there was
|
|
something divine in his life. But no; they have myriads of facts
|
|
just as good, would they only get a lamp to ransack their attics
|
|
withal.
|
|
|
|
We are all wise. The difference between persons is not in
|
|
wisdom but in art. I knew, in an academical club, a person who
|
|
always deferred to me, who, seeing my whim for writing, fancied that
|
|
my experiences had somewhat superior; whilst I saw that his
|
|
experiences were as good as mine. Give them to me, and I would make
|
|
the same use of them. He held the old; he holds the new; I had the
|
|
habit of tacking together the old and the new, which he did not use
|
|
to exercise. This may hold in the great examples. Perhaps if we
|
|
should meet Shakspeare, we should not be conscious of any steep
|
|
inferiority; no: but of a great equality, -- only that he possessed a
|
|
strange skill of using, of classifying, his facts, which we lacked.
|
|
For, notwithstanding our utter incapacity to produce any thing like
|
|
Hamlet and Othello, see the perfect reception this wit, and immense
|
|
knowledge of life, and liquid eloquence find in us all.
|
|
|
|
If you gather apples in the sunshine, or make hay, or hoe corn,
|
|
and then retire within doors, and shut your eyes, and press them with
|
|
your hand, you shall still see apples hanging in the bright light,
|
|
with boughs and leaves thereto, or the tasselled grass, or the
|
|
corn-flags, and this for five or six hours afterwards. There lie the
|
|
impressions on the retentive organ, though you knew it not. So lies
|
|
the whole series of natural images with which your life has made you
|
|
acquainted in your memory, though you know it not, and a thrill of
|
|
passion flashes light on their dark chamber, and the active power
|
|
seizes instantly the fit image, as the word of its momentary thought.
|
|
|
|
It is long ere we discover how rich we are. Our history, we
|
|
are sure, is quite tame: we have nothing to write, nothing to infer.
|
|
But our wiser years still run back to the despised recollections of
|
|
childhood, and always we are fishing up some wonderful article out of
|
|
that pond; until, by and by, we begin to suspect that the biography
|
|
of the one foolish person we know is, in reality, nothing less than
|
|
the miniature paraphrase of the hundred volumes of the Universal
|
|
History.
|
|
|
|
In the intellect constructive, which we popularly designate by
|
|
the word Genius, we observe the same balance of two elements as in
|
|
intellect receptive. The constructive intellect produces thoughts,
|
|
sentences, poems, plans, designs, systems. It is the generation of
|
|
the mind, the marriage of thought with nature. To genius must always
|
|
go two gifts, the thought and the publication. The first is
|
|
revelation, always a miracle, which no frequency of occurrence or
|
|
incessant study can ever familiarize, but which must always leave the
|
|
inquirer stupid with wonder. It is the advent of truth into the
|
|
world, a form of thought now, for the first time, bursting into the
|
|
universe, a child of the old eternal soul, a piece of genuine and
|
|
immeasurable greatness. It seems, for the time, to inherit all that
|
|
has yet existed, and to dictate to the unborn. It affects every
|
|
thought of man, and goes to fashion every institution. But to make
|
|
it available, it needs a vehicle or art by which it is conveyed to
|
|
men. To be communicable, it must become picture or sensible object.
|
|
We must learn the language of facts. The most wonderful inspirations
|
|
die with their subject, if he has no hand to paint them to the
|
|
senses. The ray of light passes invisible through space, and only
|
|
when it falls on an object is it seen. When the spiritual energy is
|
|
directed on something outward, then it is a thought. The relation
|
|
between it and you first makes you, the value of you, apparent to me.
|
|
The rich, inventive genius of the painter must be smothered and lost
|
|
for want of the power of drawing, and in our happy hours we should be
|
|
inexhaustible poets, if once we could break through the silence into
|
|
adequate rhyme. As all men have some access to primary truth, so all
|
|
have some art or power of communication in their head, but only in
|
|
the artist does it descend into the hand. There is an inequality,
|
|
whose laws we do not yet know, between two men and between two
|
|
moments of the same man, in respect to this faculty. In common
|
|
hours, we have the same facts as in the uncommon or inspired, but
|
|
they do not sit for their portraits; they are not detached, but lie
|
|
in a web. The thought of genius is spontaneous; but the power of
|
|
picture or expression, in the most enriched and flowing nature,
|
|
implies a mixture of will, a certain control over the spontaneous
|
|
states, without which no production is possible. It is a conversion
|
|
of all nature into the rhetoric of thought, under the eye of
|
|
judgment, with a strenuous exercise of choice. And yet the
|
|
imaginative vocabulary seems to be spontaneous also. It does not
|
|
flow from experience only or mainly, but from a richer source. Not
|
|
by any conscious imitation of particular forms are the grand strokes
|
|
of the painter executed, but by repairing to the fountain-head of all
|
|
forms in his mind. Who is the first drawing-master? Without
|
|
instruction we know very well the ideal of the human form. A child
|
|
knows if an arm or a leg be distorted in a picture, if the attitude
|
|
be natural or grand, or mean, though he has never received any
|
|
instruction in drawing, or heard any conversation on the subject, nor
|
|
can himself draw with correctness a single feature. A good form
|
|
strikes all eyes pleasantly, long before they have any science on the
|
|
subject, and a beautiful face sets twenty hearts in palpitation,
|
|
prior to all consideration of the mechanical proportions of the
|
|
features and head. We may owe to dreams some light on the fountain
|
|
of this skill; for, as soon as we let our will go, and let the
|
|
unconscious states ensue, see what cunning draughtsmen we are! We
|
|
entertain ourselves with wonderful forms of men, of women, of
|
|
animals, of gardens, of woods, and of monsters, and the mystic pencil
|
|
wherewith we then draw has no awkwardness or inexperience, no
|
|
meagreness or poverty; it can design well, and group well; its
|
|
composition is full of art, its colors are well laid on, and the
|
|
whole canvas which it paints is life-like, and apt to touch us with
|
|
terror, with tenderness, with desire, and with grief. Neither are
|
|
the artist's copies from experience ever mere copies, but always
|
|
touched and softened by tints from this ideal domain.
|
|
|
|
The conditions essential to a constructive mind do not appear
|
|
to be so often combined but that a good sentence or verse remains
|
|
fresh and memorable for a long time. Yet when we write with ease,
|
|
and come out into the free air of thought, we seem to be assured that
|
|
nothing is easier than to continue this communication at pleasure.
|
|
Up, down, around, the kingdom of thought has no inclosures, but the
|
|
Muse makes us free of her city. Well, the world has a million
|
|
writers. One would think, then, that good thought would be as
|
|
familiar as air and water, and the gifts of each new hour would
|
|
exclude the last. Yet we can count all our good books; nay, I
|
|
remember any beautiful verse for twenty years. It is true that the
|
|
discerning intellect of the world is always much in advance of the
|
|
creative, so that there are many competent judges of the best book,
|
|
and few writers of the best books. But some of the conditions of
|
|
intellectual construction are of rare occurrence. The intellect is a
|
|
whole, and demands integrity in every work. This is resisted equally
|
|
by a man's devotion to a single thought, and by his ambition to
|
|
combine too many.
|
|
|
|
Truth is our element of life, yet if a man fasten his attention
|
|
on a single aspect of truth, and apply himself to that alone for a
|
|
long time, the truth becomes distorted and not itself, but falsehood;
|
|
herein resembling the air, which is our natural element, and the
|
|
breath of our nostrils, but if a stream of the same be directed on
|
|
the body for a time, it causes cold, fever, and even death. How
|
|
wearisome the grammarian, the phrenologist, the political or
|
|
religious fanatic, or indeed any possessed mortal whose balance is
|
|
lost by the exaggeration of a single topic. It is incipient
|
|
insanity. Every thought is a prison also. I cannot see what you
|
|
see, because I am caught up by a strong wind, and blown so far in one
|
|
direction that I am out of the hoop of your horizon.
|
|
|
|
Is it any better, if the student, to avoid this offence, and to
|
|
liberalize himself, aims to make a mechanical whole of history, or
|
|
science, or philosophy, by a numerical addition of all the facts that
|
|
fall within his vision? The world refuses to be analyzed by addition
|
|
and subtraction. When we are young, we spend much time and pains in
|
|
filling our note-books with all definitions of Religion, Love,
|
|
Poetry, Politics, Art, in the hope that, in the course of a few
|
|
years, we shall have condensed into our encyclopaedia the net value
|
|
of all the theories at which the world has yet arrived. But year
|
|
after year our tables get no completeness, and at last we discover
|
|
that our curve is a parabola, whose arcs will never meet.
|
|
|
|
Neither by detachment, neither by aggregation, is the integrity
|
|
of the intellect transmitted to its works, but by a vigilance which
|
|
brings the intellect in its greatness and best state to operate every
|
|
moment. It must have the same wholeness which nature has. Although
|
|
no diligence can rebuild the universe in a model, by the best
|
|
accumulation or disposition of details, yet does the world reappear
|
|
in miniature in every event, so that all the laws of nature may be
|
|
read in the smallest fact. The intellect must have the like
|
|
perfection in its apprehension and in its works. For this reason, an
|
|
index or mercury of intellectual proficiency is the perception of
|
|
identity. We talk with accomplished persons who appear to be
|
|
strangers in nature. The cloud, the tree, the turf, the bird are not
|
|
theirs, have nothing of them: the world is only their lodging and
|
|
table. But the poet, whose verses are to be spheral and complete, is
|
|
one whom Nature cannot deceive, whatsoever face of strangeness she
|
|
may put on. He feels a strict consanguinity, and detects more
|
|
likeness than variety in all her changes. We are stung by the desire
|
|
for new thought; but when we receive a new thought, it is only the
|
|
old thought with a new face, and though we make it our own, we
|
|
instantly crave another; we are not really enriched. For the truth
|
|
was in us before it was reflected to us from natural objects; and the
|
|
profound genius will cast the likeness of all creatures into every
|
|
product of his wit.
|
|
|
|
But if the constructive powers are rare, and it is given to few
|
|
men to be poets, yet every man is a receiver of this descending holy
|
|
ghost, and may well study the laws of its influx. Exactly parallel
|
|
is the whole rule of intellectual duty to the rule of moral duty. A
|
|
self-denial, no less austere than the saint's, is demanded of the
|
|
scholar. He must worship truth, and forego all things for that, and
|
|
choose defeat and pain, so that his treasure in thought is thereby
|
|
augmented.
|
|
|
|
God offers to every mind its choice between truth and repose.
|
|
Take which you please, -- you can never have both. Between these, as
|
|
a pendulum, man oscillates. He in whom the love of repose
|
|
predominates will accept the first creed, the first philosophy, the
|
|
first political party he meets, -- most likely his father's. He gets
|
|
rest, commodity, and reputation; but he shuts the door of truth. He
|
|
in whom the love of truth predominates will keep himself aloof from
|
|
all moorings, and afloat. He will abstain from dogmatism, and
|
|
recognize all the opposite negations, between which, as walls, his
|
|
being is swung. He submits to the inconvenience of suspense and
|
|
imperfect opinion, but he is a candidate for truth, as the other is
|
|
not, and respects the highest law of his being.
|
|
|
|
The circle of the green earth he must measure with his shoes,
|
|
to find the man who can yield him truth. He shall then know that
|
|
there is somewhat more blessed and great in hearing than in speaking.
|
|
Happy is the hearing man; unhappy the speaking man. As long as I
|
|
hear truth, I am bathed by a beautiful element, and am not conscious
|
|
of any limits to my nature. The suggestions are thousandfold that I
|
|
hear and see. The waters of the great deep have ingress and egress
|
|
to the soul. But if I speak, I define, I confine, and am less. When
|
|
Socrates speaks, Lysis and Menexenus are afflicted by no shame that
|
|
they do not speak. They also are good. He likewise defers to them,
|
|
loves them, whilst he speaks. Because a true and natural man
|
|
contains and is the same truth which an eloquent man articulates: but
|
|
in the eloquent man, because he can articulate it, it seems something
|
|
the less to reside, and he turns to these silent beautiful with the
|
|
more inclination and respect. The ancient sentence said, Let us be
|
|
silent, for so are the gods. Silence is a solvent that destroys
|
|
personality, and gives us leave to be great and universal. Every
|
|
man's progress is through a succession of teachers, each of whom
|
|
seems at the time to have a superlative influence, but it at last
|
|
gives place to a new. Frankly let him accept it all. Jesus says,
|
|
Leave father, mother, house and lands, and follow me. Who leaves
|
|
all, receives more. This is as true intellectually as morally. Each
|
|
new mind we approach seems to require an abdication of all our past
|
|
and present possessions. A new doctrine seems, at first, a
|
|
subversion of all our opinions, tastes, and manner of living. Such
|
|
has Swedenborg, such has Kant, such has Coleridge, such has Hegel or
|
|
his interpreter Cousin, seemed to many young men in this country.
|
|
Take thankfully and heartily all they can give. Exhaust them,
|
|
wrestle with them, let them not go until their blessing be won, and,
|
|
after a short season, the dismay will be overpast, the excess of
|
|
influence withdrawn, and they will be no longer an alarming meteor,
|
|
but one more bright star shining serenely in your heaven, and
|
|
blending its light with all your day.
|
|
|
|
But whilst he gives himself up unreservedly to that which draws
|
|
him, because that is his own, he is to refuse himself to that which
|
|
draws him not, whatsoever fame and authority may attend it, because
|
|
it is not his own. Entire self-reliance belongs to the intellect.
|
|
One soul is a counterpoise of all souls, as a capillary column of
|
|
water is a balance for the sea. It must treat things, and books, and
|
|
sovereign genius, as itself also a sovereign. If Aeschylus be that
|
|
man he is taken for, he has not yet done his office, when he has
|
|
educated the learned of Europe for a thousand years. He is now to
|
|
approve himself a master of delight to me also. If he cannot do
|
|
that, all his fame shall avail him nothing with me. I were a fool
|
|
not to sacrifice a thousand Aeschyluses to my intellectual integrity.
|
|
Especially take the same ground in regard to abstract truth, the
|
|
science of the mind. The Bacon, the Spinoza, the Hume, Schelling,
|
|
Kant, or whosoever propounds to you a philosophy of the mind, is only
|
|
a more or less awkward translator of things in your consciousness,
|
|
which you have also your way of seeing, perhaps of denominating.
|
|
Say, then, instead of too timidly poring into his obscure sense, that
|
|
he has not succeeded in rendering back to you your consciousness. He
|
|
has not succeeded; now let another try. If Plato cannot, perhaps
|
|
Spinoza will. If Spinoza cannot, then perhaps Kant. Anyhow, when at
|
|
last it is done, you will find it is no recondite, but a simple,
|
|
natural, common state, which the writer restores to you.
|
|
|
|
But let us end these didactics. I will not, though the subject
|
|
might provoke it, speak to the open question between Truth and Love.
|
|
I shall not presume to interfere in the old politics of the
|
|
skies;---- "The cherubim know most; the seraphim love most." The gods
|
|
shall settle their own quarrels. But I cannot recite, even thus
|
|
rudely, laws of the intellect, without remembering that lofty and
|
|
sequestered class of men who have been its prophets and oracles, the
|
|
high-priesthood of the pure reason, the _Trismegisti_, the expounders
|
|
of the principles of thought from age to age. When, at long
|
|
intervals, we turn over their abstruse pages, wonderful seems the
|
|
calm and grand air of these few, these great spiritual lords, who
|
|
have walked in the world, -- these of the old religion, -- dwelling
|
|
in a worship which makes the sanctities of Christianity look
|
|
_parvenues_ and popular; for "persuasion is in soul, but necessity is
|
|
in intellect." This band of grandees, Hermes, Heraclitus, Empedocles,
|
|
Plato, Plotinus, Olympiodorus, Proclus, Synesius, and the rest, have
|
|
somewhat so vast in their logic, so primary in their thinking, that
|
|
it seems antecedent to all the ordinary distinctions of rhetoric and
|
|
literature, and to be at once poetry, and music, and dancing, and
|
|
astronomy, and mathematics. I am present at the sowing of the seed
|
|
of the world. With a geometry of sunbeams, the soul lays the
|
|
foundations of nature. The truth and grandeur of their thought is
|
|
proved by its scope and applicability, for it commands the entire
|
|
schedule and inventory of things for its illustration. But what
|
|
marks its elevation, and has even a comic look to us, is the innocent
|
|
serenity with which these babe-like Jupiters sit in their clouds, and
|
|
from age to age prattle to each other, and to no contemporary. Well
|
|
assured that their speech is intelligible, and the most natural thing
|
|
in the world, they add thesis to thesis, without a moment's heed of
|
|
the universal astonishment of the human race below, who do not
|
|
comprehend their plainest argument; nor do they ever relent so much
|
|
as to insert a popular or explaining sentence; nor testify the least
|
|
displeasure or petulance at the dulness of their amazed auditory.
|
|
The angels are so enamoured of the language that is spoken in heaven,
|
|
that they will not distort their lips with the hissing and unmusical
|
|
dialects of men, but speak their own, whether there be any who
|
|
understand it or not.
|
|
|
|
|
|
|
|
ART
|
|
|
|
Give to barrows, trays, and pans
|
|
Grace and glimmer of romance;
|
|
Bring the moonlight into noon
|
|
Hid in gleaming piles of stone;
|
|
On the city's paved street
|
|
Plant gardens lined with lilac sweet;
|
|
Let spouting fountains cool the air,
|
|
Singing in the sun-baked square;
|
|
Let statue, picture, park, and hall,
|
|
Ballad, flag, and festival,
|
|
The past restore, the day adorn,
|
|
And make each morrow a new morn.
|
|
So shall the drudge in dusty frock
|
|
Spy behind the city clock
|
|
Retinues of airy kings,
|
|
Skirts of angels, starry wings,
|
|
His fathers shining in bright fables,
|
|
His children fed at heavenly tables.
|
|
'T is the privilege of Art
|
|
Thus to play its cheerful part,
|
|
Man in Earth to acclimate,
|
|
And bend the exile to his fate,
|
|
And, moulded of one element
|
|
With the days and firmament,
|
|
Teach him on these as stairs to climb,
|
|
And live on even terms with Time;
|
|
Whilst upper life the slender rill
|
|
Of human sense doth overfill.
|
|
|
|
|
|
|
|
ESSAY XII _Art_
|
|
|
|
Because the soul is progressive, it never quite repeats itself,
|
|
but in every act attempts the production of a new and fairer whole.
|
|
This appears in works both of the useful and the fine arts, if we
|
|
employ the popular distinction of works according to their aim,
|
|
either at use or beauty. Thus in our fine arts, not imitation, but
|
|
creation is the aim. In landscapes, the painter should give the
|
|
suggestion of a fairer creation than we know. The details, the prose
|
|
of nature he should omit, and give us only the spirit and splendor.
|
|
He should know that the landscape has beauty for his eye, because it
|
|
expresses a thought which is to him good: and this, because the same
|
|
power which sees through his eyes, is seen in that spectacle; and he
|
|
will come to value the expression of nature, and not nature itself,
|
|
and so exalt in his copy, the features that please him. He will give
|
|
the gloom of gloom, and the sunshine of sunshine. In a portrait, he
|
|
must inscribe the character, and not the features, and must esteem
|
|
the man who sits to him as himself only an imperfect picture or
|
|
likeness of the aspiring original within.
|
|
|
|
What is that abridgment and selection we observe in all
|
|
spiritual activity, but itself the creative impulse? for it is the
|
|
inlet of that higher illumination which teaches to convey a larger
|
|
sense by simpler symbols. What is a man but nature's finer success
|
|
in self-explication? What is a man but a finer and compacter
|
|
landscape than the horizon figures, -- nature's eclecticism? and what
|
|
is his speech, his love of painting, love of nature, but a still
|
|
finer success? all the weary miles and tons of space and bulk left
|
|
out, and the spirit or moral of it contracted into a musical word, or
|
|
the most cunning stroke of the pencil?
|
|
|
|
But the artist must employ the symbols in use in his day and
|
|
nation, to convey his enlarged sense to his fellow-men. Thus the new
|
|
in art is always formed out of the old. The Genius of the Hour sets
|
|
his ineffaceable seal on the work, and gives it an inexpressible
|
|
charm for the imagination. As far as the spiritual character of the
|
|
period overpowers the artist, and finds expression in his work, so
|
|
far it will retain a certain grandeur, and will represent to future
|
|
beholders the Unknown, the Inevitable, the Divine. No man can quite
|
|
exclude this element of Necessity from his labor. No man can quite
|
|
emancipate himself from his age and country, or produce a model in
|
|
which the education, the religion, the politics, usages, and arts, of
|
|
his times shall have no share. Though he were never so original,
|
|
never so wilful and fantastic, he cannot wipe out of his work every
|
|
trace of the thoughts amidst which it grew. The very avoidance
|
|
betrays the usage he avoids. Above his will, and out of his sight,
|
|
he is necessitated, by the air he breathes, and the idea on which he
|
|
and his contemporaries live and toil, to share the manner of his
|
|
times, without knowing what that manner is. Now that which is
|
|
inevitable in the work has a higher charm than individual talent can
|
|
ever give, inasmuch as the artist's pen or chisel seems to have been
|
|
held and guided by a gigantic hand to inscribe a line in the history
|
|
of the human race. This circumstance gives a value to the Egyptian
|
|
hieroglyphics, to the Indian, Chinese, and Mexican idols, however
|
|
gross and shapeless. They denote the height of the human soul in
|
|
that hour, and were not fantastic, but sprung from a necessity as
|
|
deep as the world. Shall I now add, that the whole extant product of
|
|
the plastic arts has herein its highest value, _as history_; as a
|
|
stroke drawn in the portrait of that fate, perfect and beautiful,
|
|
according to whose ordinations all beings advance to their beatitude?
|
|
|
|
Thus, historically viewed, it has been the office of art to
|
|
educate the perception of beauty. We are immersed in beauty, but our
|
|
eyes have no clear vision. It needs, by the exhibition of single
|
|
traits, to assist and lead the dormant taste. We carve and paint, or
|
|
we behold what is carved and painted, as students of the mystery of
|
|
Form. The virtue of art lies in detachment, in sequestering one
|
|
object from the embarrassing variety. Until one thing comes out from
|
|
the connection of things, there can be enjoyment, contemplation, but
|
|
no thought. Our happiness and unhappiness are unproductive. The
|
|
infant lies in a pleasing trance, but his individual character and
|
|
his practical power depend on his daily progress in the separation of
|
|
things, and dealing with one at a time. Love and all the passions
|
|
concentrate all existence around a single form. It is the habit of
|
|
certain minds to give an all-excluding fulness to the object, the
|
|
thought, the word, they alight upon, and to make that for the time
|
|
the deputy of the world. These are the artists, the orators, the
|
|
leaders of society. The power to detach, and to magnify by
|
|
detaching, is the essence of rhetoric in the hands of the orator and
|
|
the poet. This rhetoric, or power to fix the momentary eminency of
|
|
an object, -- so remarkable in Burke, in Byron, in Carlyle, -- the
|
|
painter and sculptor exhibit in color and in stone. The power
|
|
depends on the depth of the artist's insight of that object he
|
|
contemplates. For every object has its roots in central nature, and
|
|
may of course be so exhibited to us as to represent the world.
|
|
Therefore, each work of genius is the tyrant of the hour, and
|
|
concentrates attention on itself. For the time, it is the only thing
|
|
worth naming to do that, -- be it a sonnet, an opera, a landscape, a
|
|
statue, an oration, the plan of a temple, of a campaign, or of a
|
|
voyage of discovery. Presently we pass to some other object, which
|
|
rounds itself into a whole, as did the first; for example, a
|
|
well-laid garden: and nothing seems worth doing but the laying out of
|
|
gardens. I should think fire the best thing in the world, if I were
|
|
not acquainted with air, and water, and earth. For it is the right
|
|
and property of all natural objects, of all genuine talents, of all
|
|
native properties whatsoever, to be for their moment the top of the
|
|
world. A squirrel leaping from bough to bough, and making the wood
|
|
but one wide tree for his pleasure, fills the eye not less than a
|
|
lion, -- is beautiful, self-sufficing, and stands then and there for
|
|
nature. A good ballad draws my ear and heart whilst I listen, as
|
|
much as an epic has done before. A dog, drawn by a master, or a
|
|
litter of pigs, satisfies, and is a reality not less than the
|
|
frescoes of Angelo. From this succession of excellent objects, we
|
|
learn at last the immensity of the world, the opulence of human
|
|
nature, which can run out to infinitude in any direction. But I also
|
|
learn that what astonished and fascinated me in the first work
|
|
astonished me in the second work also; that excellence of all things
|
|
is one.
|
|
|
|
The office of painting and sculpture seems to be merely
|
|
initial. The best pictures can easily tell us their last secret.
|
|
The best pictures are rude draughts of a few of the miraculous dots
|
|
and lines and dyes which make up the ever-changing "landscape with
|
|
figures" amidst which we dwell. Painting seems to be to the eye what
|
|
dancing is to the limbs. When that has educated the frame to
|
|
self-possession, to nimbleness, to grace, the steps of the
|
|
dancing-master are better forgotten; so painting teaches me the
|
|
splendor of color and the expression of form, and, as I see many
|
|
pictures and higher genius in the art, I see the boundless opulence
|
|
of the pencil, the indifferency in which the artist stands free to
|
|
choose out of the possible forms. If he can draw every thing, why
|
|
draw any thing? and then is my eye opened to the eternal picture
|
|
which nature paints in the street with moving men and children,
|
|
beggars, and fine ladies, draped in red, and green, and blue, and
|
|
gray; long-haired, grizzled, white-faced, black-faced, wrinkled,
|
|
giant, dwarf, expanded, elfish, -- capped and based by heaven, earth,
|
|
and sea.
|
|
|
|
A gallery of sculpture teaches more austerely the same lesson.
|
|
As picture teaches the coloring, so sculpture the anatomy of form.
|
|
When I have seen fine statues, and afterwards enter a public
|
|
assembly, I understand well what he meant who said, "When I have been
|
|
reading Homer, all men look like giants." I too see that painting and
|
|
sculpture are gymnastics of the eye, its training to the niceties and
|
|
curiosities of its function. There is no statue like this living
|
|
man, with his infinite advantage over all ideal sculpture, of
|
|
perpetual variety. What a gallery of art have I here! No mannerist
|
|
made these varied groups and diverse original single figures. Here
|
|
is the artist himself improvising, grim and glad, at his block. Now
|
|
one thought strikes him, now another, and with each moment he alters
|
|
the whole air, attitude, and expression of his clay. Away with your
|
|
nonsense of oil and easels, of marble and chisels: except to open
|
|
your eyes to the masteries of eternal art, they are hypocritical
|
|
rubbish.
|
|
|
|
The reference of all production at last to an aboriginal Power
|
|
explains the traits common to all works of the highest art, -- that
|
|
they are universally intelligible; that they restore to us the
|
|
simplest states of mind; and are religious. Since what skill is
|
|
therein shown is the reappearance of the original soul, a jet of pure
|
|
light, it should produce a similar impression to that made by natural
|
|
objects. In happy hours, nature appears to us one with art; art
|
|
perfected, -- the work of genius. And the individual, in whom simple
|
|
tastes and susceptibility to all the great human influences overpower
|
|
the accidents of a local and special culture, is the best critic of
|
|
art. Though we travel the world over to find the beautiful, we must
|
|
carry it with us, or we find it not. The best of beauty is a finer
|
|
charm than skill in surfaces, in outlines, or rules of art can ever
|
|
teach, namely, a radiation from the work of art of human character,
|
|
-- a wonderful expression through stone, or canvas, or musical sound,
|
|
of the deepest and simplest attributes of our nature, and therefore
|
|
most intelligible at last to those souls which have these attributes.
|
|
In the sculptures of the Greeks, in the masonry of the Romans, and in
|
|
the pictures of the Tuscan and Venetian masters, the highest charm is
|
|
the universal language they speak. A confession of moral nature, of
|
|
purity, love, and hope, breathes from them all. That which we carry
|
|
to them, the same we bring back more fairly illustrated in the
|
|
memory. The traveller who visits the Vatican, and passes from
|
|
chamber to chamber through galleries of statues, vases, sarcophagi,
|
|
and candelabra, through all forms of beauty, cut in the richest
|
|
materials, is in danger of forgetting the simplicity of the
|
|
principles out of which they all sprung, and that they had their
|
|
origin from thoughts and laws in his own breast. He studies the
|
|
technical rules on these wonderful remains, but forgets that these
|
|
works were not always thus constellated; that they are the
|
|
contributions of many ages and many countries; that each came out of
|
|
the solitary workshop of one artist, who toiled perhaps in ignorance
|
|
of the existence of other sculpture, created his work without other
|
|
model, save life, household life, and the sweet and smart of personal
|
|
relations, of beating hearts, and meeting eyes, of poverty, and
|
|
necessity, and hope, and fear. These were his inspirations, and
|
|
these are the effects he carries home to your heart and mind. In
|
|
proportion to his force, the artist will find in his work an outlet
|
|
for his proper character. He must not be in any manner pinched or
|
|
hindered by his material, but through his necessity of imparting
|
|
himself the adamant will be wax in his hands, and will allow an
|
|
adequate communication of himself, in his full stature and
|
|
proportion. He need not cumber himself with a conventional nature
|
|
and culture, nor ask what is the mode in Rome or in Paris, but that
|
|
house, and weather, and manner of living which poverty and the fate
|
|
of birth have made at once so odious and so dear, in the gray,
|
|
unpainted wood cabin, on the corner of a New Hampshire farm, or in
|
|
the log-hut of the backwoods, or in the narrow lodging where he has
|
|
endured the constraints and seeming of a city poverty, will serve as
|
|
well as any other condition as the symbol of a thought which pours
|
|
itself indifferently through all.
|
|
|
|
I remember, when in my younger days I had heard of the wonders
|
|
of Italian painting, I fancied the great pictures would be great
|
|
strangers; some surprising combination of color and form; a foreign
|
|
wonder, barbaric pearl and gold, like the spontoons and standards of
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the militia, which play such pranks in the eyes and imaginations of
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school-boys. I was to see and acquire I knew not what. When I came
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at last to Rome, and saw with eyes the pictures, I found that genius
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left to novices the gay and fantastic and ostentatious, and itself
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|
pierced directly to the simple and true; that it was familiar and
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sincere; that it was the old, eternal fact I had met already in so
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many forms, -- unto which I lived; that it was the plain _you and me_
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|
I knew so well, -- had left at home in so many conversations. I had
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the same experience already in a church at Naples. There I saw that
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|
nothing was changed with me but the place, and said to myself, --
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|
`Thou foolish child, hast thou come out hither, over four thousand
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|
miles of salt water, to find that which was perfect to thee there at
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home?' -- that fact I saw again in the Academmia at Naples, in the
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chambers of sculpture, and yet again when I came to Rome, and to the
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paintings of Raphael, Angelo, Sacchi, Titian, and Leonardo da Vinci.
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|
"What, old mole! workest thou in the earth so fast?" It had travelled
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|
by my side: that which I fancied I had left in Boston was here in the
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|
Vatican, and again at Milan, and at Paris, and made all travelling
|
|
ridiculous as a treadmill. I now require this of all pictures, that
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they domesticate me, not that they dazzle me. Pictures must not be
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|
too picturesque. Nothing astonishes men so much as common-sense and
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plain dealing. All great actions have been simple, and all great
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|
pictures are.
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|
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|
The Transfiguration, by Raphael, is an eminent example of this
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|
peculiar merit. A calm, benignant beauty shines over all this
|
|
picture, and goes directly to the heart. It seems almost to call you
|
|
by name. The sweet and sublime face of Jesus is beyond praise, yet
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|
how it disappoints all florid expectations! This familiar, simple,
|
|
home-speaking countenance is as if one should meet a friend. The
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|
knowledge of picture-dealers has its value, but listen not to their
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|
criticism when your heart is touched by genius. It was not painted
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|
for them, it was painted for you; for such as had eyes capable of
|
|
being touched by simplicity and lofty emotions.
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|
|
|
Yet when we have said all our fine things about the arts, we
|
|
must end with a frank confession, that the arts, as we know them, are
|
|
but initial. Our best praise is given to what they aimed and
|
|
promised, not to the actual result. He has conceived meanly of the
|
|
resources of man, who believes that the best age of production is
|
|
past. The real value of the Iliad, or the Transfiguration, is as
|
|
signs of power; billows or ripples they are of the stream of
|
|
tendency; tokens of the everlasting effort to produce, which even in
|
|
its worst estate the soul betrays. Art has not yet come to its
|
|
maturity, if it do not put itself abreast with the most potent
|
|
influences of the world, if it is not practical and moral, if it do
|
|
not stand in connection with the conscience, if it do not make the
|
|
poor and uncultivated feel that it addresses them with a voice of
|
|
lofty cheer. There is higher work for Art than the arts. They are
|
|
abortive births of an imperfect or vitiated instinct. Art is the
|
|
need to create; but in its essence, immense and universal, it is
|
|
impatient of working with lame or tied hands, and of making cripples
|
|
and monsters, such as all pictures and statues are. Nothing less
|
|
than the creation of man and nature is its end. A man should find in
|
|
it an outlet for his whole energy. He may paint and carve only as
|
|
long as he can do that. Art should exhilarate, and throw down the
|
|
walls of circumstance on every side, awakening in the beholder the
|
|
same sense of universal relation and power which the work evinced in
|
|
the artist, and its highest effect is to make new artists.
|
|
|
|
Already History is old enough to witness the old age and
|
|
disappearance of particular arts. The art of sculpture is long ago
|
|
perished to any real effect. It was originally a useful art, a mode
|
|
of writing, a savage's record of gratitude or devotion, and among a
|
|
people possessed of a wonderful perception of form this childish
|
|
carving was refined to the utmost splendor of effect. But it is the
|
|
game of a rude and youthful people, and not the manly labor of a wise
|
|
and spiritual nation. Under an oak-tree loaded with leaves and nuts,
|
|
under a sky full of eternal eyes, I stand in a thoroughfare; but in
|
|
the works of our plastic arts, and especially of sculpture, creation
|
|
is driven into a corner. I cannot hide from myself that there is a
|
|
certain appearance of paltriness, as of toys, and the trumpery of a
|
|
theatre, in sculpture. Nature transcends all our moods of thought,
|
|
and its secret we do not yet find. But the gallery stands at the
|
|
mercy of our moods, and there is a moment when it becomes frivolous.
|
|
I do not wonder that Newton, with an attention habitually engaged on
|
|
the paths of planets and suns, should have wondered what the Earl of
|
|
Pembroke found to admire in "stone dolls." Sculpture may serve to
|
|
teach the pupil how deep is the secret of form, how purely the spirit
|
|
can translate its meanings into that eloquent dialect. But the
|
|
statue will look cold and false before that new activity which needs
|
|
to roll through all things, and is impatient of counterfeits, and
|
|
things not alive. Picture and sculpture are the celebrations and
|
|
festivities of form. But true art is never fixed, but always
|
|
flowing. The sweetest music is not in the oratorio, but in the human
|
|
voice when it speaks from its instant life tones of tenderness,
|
|
truth, or courage. The oratorio has already lost its relation to the
|
|
morning, to the sun, and the earth, but that persuading voice is in
|
|
tune with these. All works of art should not be detached, but
|
|
extempore performances. A great man is a new statue in every
|
|
attitude and action. A beautiful woman is a picture which drives all
|
|
beholders nobly mad. Life may be lyric or epic, as well as a poem or
|
|
a romance.
|
|
|
|
A true announcement of the law of creation, if a man were found
|
|
worthy to declare it, would carry art up into the kingdom of nature,
|
|
and destroy its separate and contrasted existence. The fountains of
|
|
invention and beauty in modern society are all but dried up. A
|
|
popular novel, a theatre, or a ball-room makes us feel that we are
|
|
all paupers in the alms-house of this world, without dignity, without
|
|
skill, or industry. Art is as poor and low. The old tragic
|
|
Necessity, which lowers on the brows even of the Venuses and the
|
|
Cupids of the antique, and furnishes the sole apology for the
|
|
intrusion of such anomalous figures into nature, -- namely, that they
|
|
were inevitable; that the artist was drunk with a passion for form
|
|
which he could not resist, and which vented itself in these fine
|
|
extravagances, -- no longer dignifies the chisel or the pencil. But
|
|
the artist and the connoisseur now seek in art the exhibition of
|
|
their talent, or an asylum from the evils of life. Men are not well
|
|
pleased with the figure they make in their own imaginations, and they
|
|
flee to art, and convey their better sense in an oratorio, a statue,
|
|
or a picture. Art makes the same effort which a sensual prosperity
|
|
makes; namely, to detach the beautiful from the useful, to do up the
|
|
work as unavoidable, and, hating it, pass on to enjoyment. These
|
|
solaces and compensations, this division of beauty from use, the laws
|
|
of nature do not permit. As soon as beauty is sought, not from
|
|
religion and love, but for pleasure, it degrades the seeker. High
|
|
beauty is no longer attainable by him in canvas or in stone, in
|
|
sound, or in lyrical construction; an effeminate, prudent, sickly
|
|
beauty, which is not beauty, is all that can be formed; for the hand
|
|
can never execute any thing higher than the character can inspire.
|
|
|
|
The art that thus separates is itself first separated. Art
|
|
must not be a superficial talent, but must begin farther back in man.
|
|
Now men do not see nature to be beautiful, and they go to make a
|
|
statue which shall be. They abhor men as tasteless, dull, and
|
|
inconvertible, and console themselves with color-bags, and blocks of
|
|
marble. They reject life as prosaic, and create a death which they
|
|
call poetic. They despatch the day's weary chores, and fly to
|
|
voluptuous reveries. They eat and drink, that they may afterwards
|
|
execute the ideal. Thus is art vilified; the name conveys to the
|
|
mind its secondary and bad senses; it stands in the imagination as
|
|
somewhat contrary to nature, and struck with death from the first.
|
|
Would it not be better to begin higher up, -- to serve the ideal
|
|
before they eat and drink; to serve the ideal in eating and drinking,
|
|
in drawing the breath, and in the functions of life? Beauty must
|
|
come back to the useful arts, and the distinction between the fine
|
|
and the useful arts be forgotten. If history were truly told, if
|
|
life were nobly spent, it would be no longer easy or possible to
|
|
distinguish the one from the other. In nature, all is useful, all is
|
|
beautiful. It is therefore beautiful, because it is alive, moving,
|
|
reproductive; it is therefore useful, because it is symmetrical and
|
|
fair. Beauty will not come at the call of a legislature, nor will it
|
|
repeat in England or America its history in Greece. It will come, as
|
|
always, unannounced, and spring up between the feet of brave and
|
|
earnest men. It is in vain that we look for genius to reiterate its
|
|
miracles in the old arts; it is its instinct to find beauty and
|
|
holiness in new and necessary facts, in the field and road-side, in
|
|
the shop and mill. Proceeding from a religious heart it will raise
|
|
to a divine use the railroad, the insurance office, the joint-stock
|
|
company, our law, our primary assemblies, our commerce, the galvanic
|
|
battery, the electric jar, the prism, and the chemist's retort, in
|
|
which we seek now only an economical use. Is not the selfish and
|
|
even cruel aspect which belongs to our great mechanical works, -- to
|
|
mills, railways, and machinery, -- the effect of the mercenary
|
|
impulses which these works obey? When its errands are noble and
|
|
adequate, a steamboat bridging the Atlantic between Old and New
|
|
England, and arriving at its ports with the punctuality of a planet,
|
|
is a step of man into harmony with nature. The boat at St.
|
|
Petersburgh, which plies along the Lena by magnetism, needs little to
|
|
make it sublime. When science is learned in love, and its powers are
|
|
wielded by love, they will appear the supplements and continuations
|
|
of the material creation.
|
|
.
|