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Plaintext
14189 lines
567 KiB
Plaintext
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The INTERNET WIRETAP First Electronic Edition of
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THE ADVENTURES OF HUCKLEBERRY FINN
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(Tom Sawyer's Comrade)
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BY
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MARK TWAIN
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(Samuel L. Clemens)
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Electronic Edition by <dell@wiretap.spies.com>
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Released to the public July 1993
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NOTICE
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PERSONS attempting to find a motive in this narra-
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tive will be prosecuted; persons attempting to find a
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moral in it will be banished; persons attempting to
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find a plot in it will be shot.
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BY ORDER OF THE AUTHOR,
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Per G.G., Chief of Ordnance.
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EXPLANATORY
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IN this book a number of dialects are used, to wit:
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the Missouri negro dialect; the extremest form of the
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backwoods Southwestern dialect; the ordinary "Pike
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County" dialect; and four modified varieties of this
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last. The shadings have not been done in a hap-
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hazard fashion, or by guesswork; but painstakingly,
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and with the trustworthy guidance and support of
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personal familiarity with these several forms of speech.
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I make this explanation for the reason that without
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it many readers would suppose that all these characters
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were trying to talk alike and not succeeding.
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THE AUTHOR.
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HUCKLEBERRY FINN
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Scene: The Mississippi Valley
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Time: Forty to fifty years ago
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CHAPTER I.
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YOU don't know about me without you have read a
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book by the name of The Adventures of Tom
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Sawyer; but that ain't no matter. That book was
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made by Mr. Mark Twain, and he told the truth,
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mainly. There was things which he stretched, but
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mainly he told the truth. That is nothing. I never
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seen anybody but lied one time or another, without it
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was Aunt Polly, or the widow, or maybe Mary. Aunt
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Polly -- Tom's Aunt Polly, she is -- and Mary, and
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the Widow Douglas is all told about in that book,
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which is mostly a true book, with some stretchers, as
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I said before.
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Now the way that the book winds up is this: Tom
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and me found the money that the robbers hid in the
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cave, and it made us rich. We got six thousand dollars
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apiece -- all gold. It was an awful sight of money
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when it was piled up. Well, Judge Thatcher he took
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it and put it out at interest, and it fetched us a dollar
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a day apiece all the year round -- more than a body
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could tell what to do with. The Widow Douglas she
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took me for her son, and allowed she would sivilize
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me; but it was rough living in the house all the time,
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considering how dismal regular and decent the widow
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was in all her ways; and so when I couldn't stand it
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no longer I lit out. I got into my old rags and my
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sugar-hogshead again, and was free and satisfied. But
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Tom Sawyer he hunted me up and said he was going
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to start a band of robbers, and I might join if I would
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go back to the widow and be respectable. So I went
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back.
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The widow she cried over me, and called me a poor
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lost lamb, and she called me a lot of other names,
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too, but she never meant no harm by it. She put me
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in them new clothes again, and I couldn't do nothing
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but sweat and sweat, and feel all cramped up. Well,
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then, the old thing commenced again. The widow
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rung a bell for supper, and you had to come to time.
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When you got to the table you couldn't go right to
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eating, but you had to wait for the widow to tuck
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down her head and grumble a little over the victuals,
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though there warn't really anything the matter with
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them, -- that is, nothing only everything was cooked
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by itself. In a barrel of odds and ends it is different;
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things get mixed up, and the juice kind of swaps
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around, and the things go better.
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After supper she got out her book and learned me
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about Moses and the Bulrushers, and I was in a sweat
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to find out all about him; but by and by she let it out
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that Moses had been dead a considerable long time; so
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then I didn't care no more about him, because I don't
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take no stock in dead people.
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Pretty soon I wanted to smoke, and asked the widow
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to let me. But she wouldn't. She said it was a mean
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practice and wasn't clean, and I must try to not do it
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any more. That is just the way with some people.
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They get down on a thing when they don't know
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nothing about it. Here she was a-bothering about
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Moses, which was no kin to her, and no use to any-
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body, being gone, you see, yet finding a power of
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fault with me for doing a thing that had some good in
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it. And she took snuff, too; of course that was all
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right, because she done it herself.
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Her sister, Miss Watson, a tolerable slim old maid,
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with goggles on, had just come to live with her, and
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took a set at me now with a spelling-book. She
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worked me middling hard for about an hour, and then
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the widow made her ease up. I couldn't stood it
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much longer. Then for an hour it was deadly dull,
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and I was fidgety. Miss Watson would say, "Don't
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put your feet up there, Huckleberry;" and "Don't
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scrunch up like that, Huckleberry -- set up straight;"
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and pretty soon she would say, "Don't gap and stretch
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like that, Huckleberry -- why don't you try to be-
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have?" Then she told me all about the bad place,
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and I said I wished I was there. She got mad then,
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but I didn't mean no harm. All I wanted was to go
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somewheres; all I wanted was a change, I warn't
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particular. She said it was wicked to say what I said;
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said she wouldn't say it for the whole world; she was
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going to live so as to go to the good place. Well, I
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couldn't see no advantage in going where she was
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going, so I made up my mind I wouldn't try for it.
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But I never said so, because it would only make
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trouble, and wouldn't do no good.
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Now she had got a start, and she went on and told
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me all about the good place. She said all a body
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would have to do there was to go around all day long
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with a harp and sing, forever and ever. So I didn't
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think much of it. But I never said so. I asked her if
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she reckoned Tom Sawyer would go there, and she
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said not by a considerable sight. I was glad about
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that, because I wanted him and me to be together.
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Miss Watson she kept pecking at me, and it got
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tiresome and lonesome. By and by they fetched the
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niggers in and had prayers, and then everybody was
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off to bed. I went up to my room with a piece of
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candle, and put it on the table. Then I set down in a
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chair by the window and tried to think of something
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cheerful, but it warn't no use. I felt so lonesome I
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most wished I was dead. The stars were shining, and
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the leaves rustled in the woods ever so mournful; and
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I heard an owl, away off, who-whooing about some-
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body that was dead, and a whippowill and a dog cry-
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ing about somebody that was going to die; and the
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wind was trying to whisper something to me, and I
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couldn't make out what it was, and so it made the cold
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shivers run over me. Then away out in the woods I
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heard that kind of a sound that a ghost makes when it
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wants to tell about something that's on its mind and
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can't make itself understood, and so can't rest easy in
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its grave, and has to go about that way every night
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grieving. I got so down-hearted and scared I did wish
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I had some company. Pretty soon a spider went
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crawling up my shoulder, and I flipped it off and it lit
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in the candle; and before I could budge it was all
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shriveled up. I didn't need anybody to tell me that
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that was an awful bad sign and would fetch me some
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bad luck, so I was scared and most shook the clothes
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off of me. I got up and turned around in my tracks
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three times and crossed my breast every time; and
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then I tied up a little lock of my hair with a thread to
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keep witches away. But I hadn't no confidence.
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You do that when you've lost a horseshoe that you've
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found, instead of nailing it up over the door, but I
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hadn't ever heard anybody say it was any way to keep
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off bad luck when you'd killed a spider.
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I set down again, a-shaking all over, and got out my
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pipe for a smoke; for the house was all as still as
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death now, and so the widow wouldn't know. Well,
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after a long time I heard the clock away off in the
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town go boom -- boom -- boom -- twelve licks; and
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all still again -- stiller than ever. Pretty soon I heard
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a twig snap down in the dark amongst the trees --
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something was a stirring. I set still and listened.
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Directly I could just barely hear a "me-yow! me-
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yow!" down there. That was good! Says I, "me-
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yow! me-yow!" as soft as I could, and then I put
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out the light and scrambled out of the window on to
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the shed. Then I slipped down to the ground and
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crawled in among the trees, and, sure enough, there
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was Tom Sawyer waiting for me.
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CHAPTER II.
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WE went tiptoeing along a path amongst the trees
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back towards the end of the widow's garden,
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stooping down so as the branches wouldn't scrape our
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heads. When we was passing by the kitchen I fell
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over a root and made a noise. We scrouched down
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and laid still. Miss Watson's big nigger, named Jim,
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was setting in the kitchen door; we could see him
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pretty clear, because there was a light behind him.
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He got up and stretched his neck out about a minute,
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listening. Then he says:
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"Who dah?"
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He listened some more; then he come tiptoeing
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down and stood right between us; we could a touched
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him, nearly. Well, likely it was minutes and minutes
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that there warn't a sound, and we all there so close
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together. There was a place on my ankle that got to
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itching, but I dasn't scratch it; and then my ear begun
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to itch; and next my back, right between my shoul-
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ders. Seemed like I'd die if I couldn't scratch. Well,
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I've noticed that thing plenty times since. If you are
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with the quality, or at a funeral, or trying to go to
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sleep when you ain't sleepy -- if you are anywheres
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where it won't do for you to scratch, why you will itch
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all over in upwards of a thousand places. Pretty soon
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Jim says:
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"Say, who is you? Whar is you? Dog my cats
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ef I didn' hear sumf'n. Well, I know what I's gwyne
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to do: I's gwyne to set down here and listen tell I
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hears it agin."
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So he set down on the ground betwixt me and Tom.
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He leaned his back up against a tree, and stretched his
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legs out till one of them most touched one of mine.
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My nose begun to itch. It itched till the tears come
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into my eyes. But I dasn't scratch. Then it begun
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to itch on the inside. Next I got to itching under-
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neath. I didn't know how I was going to set still.
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This miserableness went on as much as six or seven
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minutes; but it seemed a sight longer than that. I
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was itching in eleven different places now. I reckoned
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I couldn't stand it more'n a minute longer, but I set
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my teeth hard and got ready to try. Just then Jim
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begun to breathe heavy; next he begun to snore --
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and then I was pretty soon comfortable again.
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Tom he made a sign to me -- kind of a little noise
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with his mouth -- and we went creeping away on our
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hands and knees. When we was ten foot off Tom
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whispered to me, and wanted to tie Jim to the tree for
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fun. But I said no; he might wake and make a dis-
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turbance, and then they'd find out I warn't in. Then
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Tom said he hadn't got candles enough, and he would
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slip in the kitchen and get some more. I didn't want
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him to try. I said Jim might wake up and come.
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But Tom wanted to resk it; so we slid in there and got
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three candles, and Tom laid five cents on the table for
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pay. Then we got out, and I was in a sweat to get
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away; but nothing would do Tom but he must crawl
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to where Jim was, on his hands and knees, and play
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something on him. I waited, and it seemed a good
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while, everything was so still and lonesome.
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As soon as Tom was back we cut along the path,
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around the garden fence, and by and by fetched up on
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the steep top of the hill the other side of the house.
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Tom said he slipped Jim's hat off of his head and hung
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it on a limb right over him, and Jim stirred a little, but
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he didn't wake. Afterwards Jim said the witches be-
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witched him and put him in a trance, and rode him all
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over the State, and then set him under the trees again,
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and hung his hat on a limb to show who done it. And
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next time Jim told it he said they rode him down to
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New Orleans; and, after that, every time he told it he
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spread it more and more, till by and by he said they
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rode him all over the world, and tired him most to
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death, and his back was all over saddle-boils. Jim
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was monstrous proud about it, and he got so he
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wouldn't hardly notice the other niggers. Niggers
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would come miles to hear Jim tell about it, and he was
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more looked up to than any nigger in that country.
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Strange niggers would stand with their mouths open
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and look him all over, same as if he was a wonder.
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Niggers is always talking about witches in the dark by
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the kitchen fire; but whenever one was talking and
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letting on to know all about such things, Jim would
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happen in and say, "Hm! What you know 'bout
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witches?" and that nigger was corked up and had to
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take a back seat. Jim always kept that five-center
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piece round his neck with a string, and said it was a
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charm the devil give to him with his own hands, and
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told him he could cure anybody with it and fetch
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witches whenever he wanted to just by saying some-
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thing to it; but he never told what it was he said to it.
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Niggers would come from all around there and give
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Jim anything they had, just for a sight of that five-
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center piece; but they wouldn't touch it, because the
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devil had had his hands on it. Jim was most ruined
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for a servant, because he got stuck up on account of
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having seen the devil and been rode by witches.
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Well, when Tom and me got to the edge of the hill-
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top we looked away down into the village and could
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see three or four lights twinkling, where there was sick
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folks, maybe; and the stars over us was sparkling ever
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so fine; and down by the village was the river, a whole
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mile broad, and awful still and grand. We went down
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the hill and found Jo Harper and Ben Rogers, and
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two or three more of the boys, hid in the old tanyard.
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So we unhitched a skiff and pulled down the river two
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mile and a half, to the big scar on the hillside, and
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went ashore.
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We went to a clump of bushes, and Tom made
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everybody swear to keep the secret, and then showed
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them a hole in the hill, right in the thickest part of the
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bushes. Then we lit the candles, and crawled in on
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our hands and knees. We went about two hundred
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yards, and then the cave opened up. Tom poked
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about amongst the passages, and pretty soon ducked
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under a wall where you wouldn't a noticed that there
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was a hole. We went along a narrow place and got
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into a kind of room, all damp and sweaty and cold,
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and there we stopped. Tom says:
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"Now, we'll start this band of robbers and call it
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Tom Sawyer's Gang. Everybody that wants to join
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has got to take an oath, and write his name in blood."
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Everybody was willing. So Tom got out a sheet of
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paper that he had wrote the oath on, and read it. It
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swore every boy to stick to the band, and never tell
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any of the secrets; and if anybody done anything to
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any boy in the band, whichever boy was ordered to
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kill that person and his family must do it, and he
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mustn't eat and he mustn't sleep till he had killed them
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and hacked a cross in their breasts, which was the sign
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of the band. And nobody that didn't belong to the
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band could use that mark, and if he did he must be
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sued; and if he done it again he must be killed. And
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if anybody that belonged to the band told the secrets,
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he must have his throat cut, and then have his carcass
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burnt up and the ashes scattered all around, and his
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name blotted off of the list with blood and never men-
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tioned again by the gang, but have a curse put on it
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and be forgot forever.
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Everybody said it was a real beautiful oath, and
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asked Tom if he got it out of his own head. He said,
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some of it, but the rest was out of pirate-books and
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robber-books, and every gang that was high-toned
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had it.
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Some thought it would be good to kill the FAMILIES
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of boys that told the secrets. Tom said it was a good
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idea, so he took a pencil and wrote it in. Then Ben
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Rogers says:
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"Here's Huck Finn, he hain't got no family; what
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you going to do 'bout him?"
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"Well, hain't he got a father?" says Tom Sawyer.
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"Yes, he's got a father, but you can't never find
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him these days. He used to lay drunk with the hogs
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in the tanyard, but he hain't been seen in these parts
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for a year or more."
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They talked it over, and they was going to rule me
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out, because they said every boy must have a family
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or somebody to kill, or else it wouldn't be fair and
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square for the others. Well, nobody could think of
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anything to do -- everybody was stumped, and set
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still. I was most ready to cry; but all at once I
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thought of a way, and so I offered them Miss Watson
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-- they could kill her. Everybody said:
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"Oh, she'll do. That's all right. Huck can come
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in."
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Then they all stuck a pin in their fingers to get
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blood to sign with, and I made my mark on the paper.
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"Now," says Ben Rogers, "what's the line of busi-
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ness of this Gang?"
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"Nothing only robbery and murder," Tom said.
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"But who are we going to rob? -- houses, or cattle,
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or --"
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"Stuff! stealing cattle and such things ain't rob-
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bery; it's burglary," says Tom Sawyer. "We ain't
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burglars. That ain't no sort of style. We are high-
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waymen. We stop stages and carriages on the road,
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with masks on, and kill the people and take their
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watches and money."
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"Must we always kill the people?"
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"Oh, certainly. It's best. Some authorities think
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different, but mostly it's considered best to kill them --
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except some that you bring to the cave here, and keep
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them till they're ransomed."
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"Ransomed? What's that?"
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"I don't know. But that's what they do. I've
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seen it in books; and so of course that's what we've
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got to do."
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"But how can we do it if we don't know what it is?"
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"Why, blame it all, we've GOT to do it. Don't I tell
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you it's in the books? Do you want to go to doing
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different from what's in the books, and get things all
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muddled up?"
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"Oh, that's all very fine to SAY, Tom Sawyer, but
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how in the nation are these fellows going to be ran-
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somed if we don't know how to do it to them? -- that's
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the thing I want to get at. Now, what do you reckon
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it is?"
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"Well, I don't know. But per'aps if we keep them
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till they're ransomed, it means that we keep them till
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they're dead. "
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"Now, that's something LIKE. That'll answer.
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Why couldn't you said that before? We'll keep them
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till they're ransomed to death; and a bothersome lot
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they'll be, too -- eating up everything, and always
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trying to get loose."
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"How you talk, Ben Rogers. How can they get
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loose when there's a guard over them, ready to shoot
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them down if they move a peg?"
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"A guard! Well, that IS good. So somebody's
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got to set up all night and never get any sleep, just so
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as to watch them. I think that's foolishness. Why
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can't a body take a club and ransom them as soon as
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they get here?"
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|
|
|
"Because it ain't in the books so -- that's why.
|
|
Now, Ben Rogers, do you want to do things regular,
|
|
or don't you? -- that's the idea. Don't you reckon
|
|
that the people that made the books knows what's the
|
|
correct thing to do? Do you reckon YOU can learn
|
|
'em anything? Not by a good deal. No, sir, we'll
|
|
just go on and ransom them in the regular way."
|
|
|
|
"All right. I don't mind; but I say it's a fool
|
|
way, anyhow. Say, do we kill the women, too?"
|
|
|
|
"Well, Ben Rogers, if I was as ignorant as you I
|
|
wouldn't let on. Kill the women? No; nobody ever
|
|
saw anything in the books like that. You fetch them
|
|
to the cave, and you're always as polite as pie to them;
|
|
and by and by they fall in love with you, and never
|
|
want to go home any more."
|
|
|
|
"Well, if that's the way I'm agreed, but I don't
|
|
take no stock in it. Mighty soon we'll have the cave
|
|
so cluttered up with women, and fellows waiting to be
|
|
ransomed, that there won't be no place for the rob-
|
|
bers. But go ahead, I ain't got nothing to say."
|
|
|
|
Little Tommy Barnes was asleep now, and when
|
|
they waked him up he was scared, and cried, and said
|
|
he wanted to go home to his ma, and didn't want to
|
|
be a robber any more.
|
|
|
|
So they all made fun of him, and called him cry-
|
|
baby, and that made him mad, and he said he would
|
|
go straight and tell all the secrets. But Tom give him
|
|
five cents to keep quiet, and said we would all go home
|
|
and meet next week, and rob somebody and kill some
|
|
people.
|
|
|
|
Ben Rogers said he couldn't get out much, only
|
|
Sundays, and so he wanted to begin next Sunday; but
|
|
all the boys said it would be wicked to do it on Sunday,
|
|
and that settled the thing. They agreed to get to-
|
|
gether and fix a day as soon as they could, and then
|
|
we elected Tom Sawyer first captain and Jo Harper
|
|
second captain of the Gang, and so started home.
|
|
|
|
I clumb up the shed and crept into my window just
|
|
before day was breaking. My new clothes was all
|
|
greased up and clayey, and I was dog-tired.
|
|
|
|
|
|
CHAPTER III.
|
|
|
|
WELL, I got a good going-over in the morning
|
|
from old Miss Watson on account of my
|
|
clothes; but the widow she didn't scold, but only
|
|
cleaned off the grease and clay, and looked so sorry
|
|
that I thought I would behave awhile if I could. Then
|
|
Miss Watson she took me in the closet and prayed, but
|
|
nothing come of it. She told me to pray every day,
|
|
and whatever I asked for I would get it. But it warn't
|
|
so. I tried it. Once I got a fish-line, but no hooks.
|
|
It warn't any good to me without hooks. I tried for
|
|
the hooks three or four times, but somehow I couldn't
|
|
make it work. By and by, one day, I asked Miss
|
|
Watson to try for me, but she said I was a fool. She
|
|
never told me why, and I couldn't make it out no way.
|
|
|
|
I set down one time back in the woods, and had a
|
|
long think about it. I says to myself, if a body can
|
|
get anything they pray for, why don't Deacon Winn
|
|
get back the money he lost on pork? Why can't the
|
|
widow get back her silver snuffbox that was stole?
|
|
Why can't Miss Watson fat up? No, says I to my
|
|
self, there ain't nothing in it. I went and told the
|
|
widow about it, and she said the thing a body could
|
|
get by praying for it was "spiritual gifts." This was
|
|
too many for me, but she told me what she meant -- I
|
|
must help other people, and do everything I could for
|
|
other people, and look out for them all the time, and
|
|
never think about myself. This was including Miss
|
|
Watson, as I took it. I went out in the woods and
|
|
turned it over in my mind a long time, but I couldn't
|
|
see no advantage about it -- except for the other peo-
|
|
ple; so at last I reckoned I wouldn't worry about it
|
|
any more, but just let it go. Sometimes the widow
|
|
would take me one side and talk about Providence in a
|
|
way to make a body's mouth water; but maybe next
|
|
day Miss Watson would take hold and knock it all
|
|
down again. I judged I could see that there was two
|
|
Providences, and a poor chap would stand considerable
|
|
show with the widow's Providence, but if Miss Wat-
|
|
son's got him there warn't no help for him any more.
|
|
I thought it all out, and reckoned I would belong to
|
|
the widow's if he wanted me, though I couldn't make
|
|
out how he was a-going to be any better off then than
|
|
what he was before, seeing I was so ignorant, and so
|
|
kind of low-down and ornery.
|
|
|
|
Pap he hadn't been seen for more than a year, and
|
|
that was comfortable for me; I didn't want to see him
|
|
no more. He used to always whale me when he was
|
|
sober and could get his hands on me; though I used
|
|
to take to the woods most of the time when he was
|
|
around. Well, about this time he was found in the
|
|
river drownded, about twelve mile above town, so
|
|
people said. They judged it was him, anyway; said
|
|
this drownded man was just his size, and was ragged,
|
|
and had uncommon long hair, which was all like pap;
|
|
but they couldn't make nothing out of the face, be-
|
|
cause it had been in the water so long it warn't much
|
|
like a face at all. They said he was floating on his
|
|
back in the water. They took him and buried him on
|
|
the bank. But I warn't comfortable long, because I
|
|
happened to think of something. I knowed mighty
|
|
well that a drownded man don't float on his back, but
|
|
on his face. So I knowed, then, that this warn't pap,
|
|
but a woman dressed up in a man's clothes. So I was
|
|
uncomfortable again. I judged the old man would
|
|
turn up again by and by, though I wished he wouldn't.
|
|
|
|
We played robber now and then about a month, and
|
|
then I resigned. All the boys did. We hadn't robbed
|
|
nobody, hadn't killed any people, but only just pre-
|
|
tended. We used to hop out of the woods and go
|
|
charging down on hog-drivers and women in carts
|
|
taking garden stuff to market, but we never hived any
|
|
of them. Tom Sawyer called the hogs "ingots," and
|
|
he called the turnips and stuff "julery," and we would
|
|
go to the cave and powwow over what we had done,
|
|
and how many people we had killed and marked. But
|
|
I couldn't see no profit in it. One time Tom sent a
|
|
boy to run about town with a blazing stick, which he
|
|
called a slogan (which was the sign for the Gang to
|
|
get together), and then he said he had got secret news
|
|
by his spies that next day a whole parcel of Spanish
|
|
merchants and rich A-rabs was going to camp in Cave
|
|
Hollow with two hundred elephants, and six hundred
|
|
camels, and over a thousand "sumter" mules, all
|
|
loaded down with di'monds, and they didn't have only
|
|
a guard of four hundred soldiers, and so we would lay
|
|
in ambuscade, as he called it, and kill the lot and
|
|
scoop the things. He said we must slick up our swords
|
|
and guns, and get ready. He never could go after
|
|
even a turnip-cart but he must have the swords and
|
|
guns all scoured up for it, though they was only lath
|
|
and broomsticks, and you might scour at them till you
|
|
rotted, and then they warn't worth a mouthful of ashes
|
|
more than what they was before. I didn't believe we
|
|
could lick such a crowd of Spaniards and A-rabs, but
|
|
I wanted to see the camels and elephants, so I was on
|
|
hand next day, Saturday, in the ambuscade; and when
|
|
we got the word we rushed out of the woods and down
|
|
the hill. But there warn't no Spaniards and A-rabs,
|
|
and there warn't no camels nor no elephants. It
|
|
warn't anything but a Sunday-school picnic, and only
|
|
a primer-class at that. We busted it up, and chased
|
|
the children up the hollow; but we never got anything
|
|
but some doughnuts and jam, though Ben Rogers got
|
|
a rag doll, and Jo Harper got a hymn-book and a
|
|
tract; and then the teacher charged in, and made us
|
|
drop everything and cut. I didn't see no di'monds,
|
|
and I told Tom Sawyer so. He said there was loads
|
|
of them there, anyway; and he said there was A-rabs
|
|
there, too, and elephants and things. I said, why
|
|
couldn't we see them, then? He said if I warn't so
|
|
ignorant, but had read a book called Don Quixote, I
|
|
would know without asking. He said it was all done
|
|
by enchantment. He said there was hundreds of
|
|
soldiers there, and elephants and treasure, and so on,
|
|
but we had enemies which he called magicians; and
|
|
they had turned the whole thing into an infant Sunday-
|
|
school, just out of spite. I said, all right; then the
|
|
thing for us to do was to go for the magicians. Tom
|
|
Sawyer said I was a numskull.
|
|
|
|
"Why," said he, "a magician could call up a lot
|
|
of genies, and they would hash you up like nothing
|
|
before you could say Jack Robinson. They are as tall
|
|
as a tree and as big around as a church."
|
|
|
|
"Well," I says, "s'pose we got some genies to
|
|
help US -- can't we lick the other crowd then?"
|
|
|
|
"How you going to get them?"
|
|
|
|
"I don't know. How do THEY get them?"
|
|
|
|
"Why, they rub an old tin lamp or an iron ring,
|
|
and then the genies come tearing in, with the thunder
|
|
and lightning a-ripping around and the smoke a-rolling,
|
|
and everything they're told to do they up and do it.
|
|
They don't think nothing of pulling a shot-tower up
|
|
by the roots, and belting a Sunday-school superinten-
|
|
dent over the head with it -- or any other man."
|
|
|
|
"Who makes them tear around so?"
|
|
|
|
"Why, whoever rubs the lamp or the ring. They
|
|
belong to whoever rubs the lamp or the ring, and
|
|
they've got to do whatever he says. If he tells them
|
|
to build a palace forty miles long out of di'monds, and
|
|
fill it full of chewing-gum, or whatever you want, and
|
|
fetch an emperor's daughter from China for you to
|
|
marry, they've got to do it -- and they've got to do it
|
|
before sun-up next morning, too. And more: they've
|
|
got to waltz that palace around over the country
|
|
wherever you want it, you understand."
|
|
|
|
"Well," says I, "I think they are a pack of flat-
|
|
heads for not keeping the palace themselves 'stead of
|
|
fooling them away like that. And what's more -- if I
|
|
was one of them I would see a man in Jericho before I
|
|
would drop my business and come to him for the rub-
|
|
bing of an old tin lamp."
|
|
|
|
"How you talk, Huck Finn. Why, you'd HAVE to
|
|
come when he rubbed it, whether you wanted to or
|
|
not."
|
|
|
|
"What! and I as high as a tree and as big as a
|
|
church? All right, then; I WOULD come; but I lay
|
|
I'd make that man climb the highest tree there was in
|
|
the country."
|
|
|
|
"Shucks, it ain't no use to talk to you, Huck Finn.
|
|
You don't seem to know anything, somehow -- perfect
|
|
saphead."
|
|
|
|
I thought all this over for two or three days, and
|
|
then I reckoned I would see if there was anything in it.
|
|
I got an old tin lamp and an iron ring, and went out in
|
|
the woods and rubbed and rubbed till I sweat like an
|
|
Injun, calculating to build a palace and sell it; but it
|
|
warn't no use, none of the genies come. So then I
|
|
judged that all that stuff was only just one of Tom
|
|
Sawyer's lies. I reckoned he believed in the A-rabs
|
|
and the elephants, but as for me I think different. It
|
|
had all the marks of a Sunday-school.
|
|
|
|
|
|
CHAPTER IV.
|
|
|
|
WELL, three or four months run along, and it was
|
|
well into the winter now. I had been to school
|
|
most all the time and could spell and read and write
|
|
just a little, and could say the multiplication table up
|
|
to six times seven is thirty-five, and I don't reckon I
|
|
could ever get any further than that if I was to live
|
|
forever. I don't take no stock in mathematics, any-
|
|
way.
|
|
|
|
At first I hated the school, but by and by I got so I
|
|
could stand it. Whenever I got uncommon tired I
|
|
played hookey, and the hiding I got next day done me
|
|
good and cheered me up. So the longer I went to
|
|
school the easier it got to be. I was getting sort of
|
|
used to the widow's ways, too, and they warn't so
|
|
raspy on me. Living in a house and sleeping in a bed
|
|
pulled on me pretty tight mostly, but before the cold
|
|
weather I used to slide out and sleep in the woods
|
|
sometimes, and so that was a rest to me. I liked the
|
|
old ways best, but I was getting so I liked the new
|
|
ones, too, a little bit. The widow said I was coming
|
|
along slow but sure, and doing very satisfactory. She
|
|
said she warn't ashamed of me.
|
|
|
|
One morning I happened to turn over the salt-cellar
|
|
at breakfast. I reached for some of it as quick as I
|
|
could to throw over my left shoulder and keep off the
|
|
bad luck, but Miss Watson was in ahead of me, and
|
|
crossed me off. She says, "Take your hands away,
|
|
Huckleberry; what a mess you are always making!"
|
|
The widow put in a good word for me, but that warn't
|
|
going to keep off the bad luck, I knowed that well
|
|
enough. I started out, after breakfast, feeling worried
|
|
and shaky, and wondering where it was going to fall
|
|
on me, and what it was going to be. There is ways to
|
|
keep off some kinds of bad luck, but this wasn't one
|
|
of them kind; so I never tried to do anything, but just
|
|
poked along low-spirited and on the watch-out.
|
|
|
|
I went down to the front garden and clumb over the
|
|
stile where you go through the high board fence.
|
|
There was an inch of new snow on the ground, and I
|
|
seen somebody's tracks. They had come up from the
|
|
quarry and stood around the stile a while, and then
|
|
went on around the garden fence. It was funny they
|
|
hadn't come in, after standing around so. I couldn't
|
|
make it out. It was very curious, somehow. I was
|
|
going to follow around, but I stooped down to look at
|
|
the tracks first. I didn't notice anything at first, but
|
|
next I did. There was a cross in the left boot-heel
|
|
made with big nails, to keep off the devil.
|
|
|
|
I was up in a second and shinning down the hill. I
|
|
looked over my shoulder every now and then, but I
|
|
didn't see nobody. I was at Judge Thatcher's as quick
|
|
as I could get there. He said:
|
|
|
|
"Why, my boy, you are all out of breath. Did
|
|
you come for your interest?"
|
|
|
|
"No, sir," I says; "is there some for me?"
|
|
|
|
"Oh, yes, a half-yearly is in last night -- over a
|
|
hundred and fifty dollars. Quite a fortune for you.
|
|
You had better let me invest it along with your six
|
|
thousand, because if you take it you'll spend it."
|
|
|
|
"No, sir," I says, "I don't want to spend it. I
|
|
don't want it at all -- nor the six thousand, nuther.
|
|
I want you to take it; I want to give it to you -- the
|
|
six thousand and all."
|
|
|
|
He looked surprised. He couldn't seem to make
|
|
it out. He says:
|
|
|
|
"Why, what can you mean, my boy?"
|
|
|
|
I says, "Don't you ask me no questions about it,
|
|
please. You'll take it -- won't you?"
|
|
|
|
He says:
|
|
|
|
"Well, I'm puzzled. Is something the matter?"
|
|
|
|
"Please take it," says I, "and don't ask me noth-
|
|
ing -- then I won't have to tell no lies."
|
|
|
|
He studied a while, and then he says:
|
|
|
|
"Oho-o! I think I see. You want to SELL all your
|
|
property to me -- not give it. That's the correct
|
|
idea."
|
|
|
|
Then he wrote something on a paper and read it
|
|
over, and says:
|
|
|
|
"There; you see it says 'for a consideration.' That
|
|
means I have bought it of you and paid you for it.
|
|
Here's a dollar for you. Now you sign it."
|
|
|
|
So I signed it, and left.
|
|
|
|
Miss Watson's nigger, Jim, had a hair-ball as big as
|
|
your fist, which had been took out of the fourth
|
|
stomach of an ox, and he used to do magic with it.
|
|
He said there was a spirit inside of it, and it knowed
|
|
everything. So I went to him that night and told him
|
|
pap was here again, for I found his tracks in the snow.
|
|
What I wanted to know was, what he was going to do,
|
|
and was he going to stay? Jim got out his hair-ball
|
|
and said something over it, and then he held it up and
|
|
dropped it on the floor. It fell pretty solid, and only
|
|
rolled about an inch. Jim tried it again, and then
|
|
another time, and it acted just the same. Jim got
|
|
down on his knees, and put his ear against it and
|
|
listened. But it warn't no use; he said it wouldn't
|
|
talk. He said sometimes it wouldn't talk without
|
|
money. I told him I had an old slick counterfeit
|
|
quarter that warn't no good because the brass showed
|
|
through the silver a little, and it wouldn't pass nohow,
|
|
even if the brass didn't show, because it was so slick
|
|
it felt greasy, and so that would tell on it every time.
|
|
(I reckoned I wouldn't say nothing about the dollar I
|
|
got from the judge.) I said it was pretty bad money,
|
|
but maybe the hair-ball would take it, because maybe
|
|
it wouldn't know the difference. Jim smelt it and bit
|
|
it and rubbed it, and said he would manage so the
|
|
hair-ball would think it was good. He said he would
|
|
split open a raw Irish potato and stick the quarter in
|
|
between and keep it there all night, and next morning
|
|
you couldn't see no brass, and it wouldn't feel greasy
|
|
no more, and so anybody in town would take it in a
|
|
minute, let alone a hair-ball. Well, I knowed a potato
|
|
would do that before, but I had forgot it.
|
|
|
|
Jim put the quarter under the hair-ball, and got
|
|
down and listened again. This time he said the hair-
|
|
ball was all right. He said it would tell my whole
|
|
fortune if I wanted it to. I says, go on. So the hair-
|
|
ball talked to Jim, and Jim told it to me. He says:
|
|
|
|
"Yo' ole father doan' know yit what he's a-gwyne
|
|
to do. Sometimes he spec he'll go 'way, en den agin
|
|
he spec he'll stay. De bes' way is to res' easy en let
|
|
de ole man take his own way. Dey's two angels
|
|
hoverin' roun' 'bout him. One uv 'em is white en
|
|
shiny, en t'other one is black. De white one gits him
|
|
to go right a little while, den de black one sail in en
|
|
bust it all up. A body can't tell yit which one gwyne
|
|
to fetch him at de las'. But you is all right. You
|
|
gwyne to have considable trouble in yo' life, en con-
|
|
sidable joy. Sometimes you gwyne to git hurt, en
|
|
sometimes you gwyne to git sick; but every time you's
|
|
gwyne to git well agin. Dey's two gals flyin' 'bout
|
|
you in yo' life. One uv 'em's light en t'other one is
|
|
dark. One is rich en t'other is po'. You's gwyne to
|
|
marry de po' one fust en de rich one by en by. You
|
|
wants to keep 'way fum de water as much as you kin,
|
|
en don't run no resk, 'kase it's down in de bills dat
|
|
you's gwyne to git hung."
|
|
|
|
When I lit my candle and went up to my room that
|
|
night there sat pap -- his own self!
|
|
|
|
|
|
CHAPTER V.
|
|
|
|
I HAD shut the door to. Then I turned around.
|
|
and there he was. I used to be scared of him all
|
|
the time, he tanned me so much. I reckoned I was
|
|
scared now, too; but in a minute I see I was mistaken
|
|
-- that is, after the first jolt, as you may say, when
|
|
my breath sort of hitched, he being so unexpected;
|
|
but right away after I see I warn't scared of him worth
|
|
bothring about.
|
|
|
|
He was most fifty, and he looked it. His hair was
|
|
long and tangled and greasy, and hung down, and you
|
|
could see his eyes shining through like he was behind
|
|
vines. It was all black, no gray; so was his long,
|
|
mixed-up whiskers. There warn't no color in his face,
|
|
where his face showed; it was white; not like another
|
|
man's white, but a white to make a body sick, a white
|
|
to make a body's flesh crawl -- a tree-toad white, a
|
|
fish-belly white. As for his clothes -- just rags, that
|
|
was all. He had one ankle resting on t'other knee;
|
|
the boot on that foot was busted, and two of his toes
|
|
stuck through, and he worked them now and then.
|
|
His hat was laying on the floor -- an old black slouch
|
|
with the top caved in, like a lid.
|
|
|
|
I stood a-looking at him; he set there a-looking at
|
|
me, with his chair tilted back a little. I set the candle
|
|
down. I noticed the window was up; so he had clumb
|
|
in by the shed. He kept a-looking me all over. By
|
|
and by he says:
|
|
|
|
"Starchy clothes -- very. You think you're a good
|
|
deal of a big-bug, DON'T you?"
|
|
|
|
"Maybe I am, maybe I ain't," I says.
|
|
|
|
"Don't you give me none o' your lip," says he.
|
|
"You've put on considerable many frills since I been
|
|
away. I'll take you down a peg before I get done
|
|
with you. You're educated, too, they say -- can read
|
|
and write. You think you're better'n your father,
|
|
now, don't you, because he can't? I'LL take it out of
|
|
you. Who told you you might meddle with such
|
|
hifalut'n foolishness, hey? -- who told you you could?"
|
|
|
|
"The widow. She told me."
|
|
|
|
"The widow, hey? -- and who told the widow she
|
|
could put in her shovel about a thing that ain't none of
|
|
her business?"
|
|
|
|
"Nobody never told her."
|
|
|
|
"Well, I'll learn her how to meddle. And looky
|
|
here -- you drop that school, you hear? I'll learn
|
|
people to bring up a boy to put on airs over his own
|
|
father and let on to be better'n what HE is. You lemme
|
|
catch you fooling around that school again, you hear?
|
|
Your mother couldn't read, and she couldn't write,
|
|
nuther, before she died. None of the family couldn't
|
|
before THEY died. I can't; and here you're a-swelling
|
|
yourself up like this. I ain't the man to stand it --
|
|
you hear? Say, lemme hear you read."
|
|
|
|
I took up a book and begun something about Gen-
|
|
eral Washington and the wars. When I'd read about
|
|
a half a minute, he fetched the book a whack with his
|
|
hand and knocked it across the house. He says:
|
|
|
|
"It's so. You can do it. I had my doubts when
|
|
you told me. Now looky here; you stop that putting
|
|
on frills. I won't have it. I'll lay for you, my
|
|
smarty; and if I catch you about that school I'll tan
|
|
you good. First you know you'll get religion, too. I
|
|
never see such a son.
|
|
|
|
He took up a little blue and yaller picture of some
|
|
cows and a boy, and says:
|
|
|
|
"What's this?"
|
|
|
|
"It's something they give me for learning my
|
|
lessons good."
|
|
|
|
He tore it up, and says:
|
|
|
|
"I'll give you something better -- I'll give you a
|
|
cowhide.
|
|
|
|
He set there a-mumbling and a-growling a minute,
|
|
and then he says:
|
|
|
|
"AIN'T you a sweet-scented dandy, though? A
|
|
bed; and bedclothes; and a look'n'-glass; and a piece
|
|
of carpet on the floor -- and your own father got to
|
|
sleep with the hogs in the tanyard. I never see such a
|
|
son. I bet I'll take some o' these frills out o' you
|
|
before I'm done with you. Why, there ain't no end to
|
|
your airs -- they say you're rich. Hey? -- how's that?"
|
|
|
|
"They lie -- that's how."
|
|
|
|
"Looky here -- mind how you talk to me; I'm a-
|
|
standing about all I can stand now -- so don't gimme
|
|
no sass. I've been in town two days, and I hain't
|
|
heard nothing but about you bein' rich. I heard
|
|
about it away down the river, too. That's why I
|
|
come. You git me that money to-morrow -- I want
|
|
it."
|
|
|
|
"I hain't got no money."
|
|
|
|
"It's a lie. Judge Thatcher's got it. You git it.
|
|
I want it."
|
|
|
|
"I hain't got no money, I tell you. You ask Judge
|
|
Thatcher; he'll tell you the same."
|
|
|
|
"All right. I'll ask him; and I'll make him pungle,
|
|
too, or I'll know the reason why. Say, how much
|
|
you got in your pocket? I want it."
|
|
|
|
"I hain't got only a dollar, and I want that to --"
|
|
|
|
"It don't make no difference what you want it for
|
|
-- you just shell it out."
|
|
|
|
He took it and bit it to see if it was good, and then
|
|
he said he was going down town to get some whisky;
|
|
said he hadn't had a drink all day. When he had got
|
|
out on the shed he put his head in again, and cussed
|
|
me for putting on frills and trying to be better than
|
|
him; and when I reckoned he was gone he come back
|
|
and put his head in again, and told me to mind about
|
|
that school, because he was going to lay for me and
|
|
lick me if I didn't drop that.
|
|
|
|
Next day he was drunk, and he went to Judge
|
|
Thatcher's and bullyragged him, and tried to make
|
|
him give up the money; but he couldn't, and then he
|
|
swore he'd make the law force him.
|
|
|
|
The judge and the widow went to law to get the
|
|
court to take me away from him and let one of them
|
|
be my guardian; but it was a new judge that had just
|
|
come, and he didn't know the old man; so he said
|
|
courts mustn't interfere and separate families if they
|
|
could help it; said he'd druther not take a child away
|
|
from its father. So Judge Thatcher and the widow
|
|
had to quit on the business.
|
|
|
|
That pleased the old man till he couldn't rest. He
|
|
said he'd cowhide me till I was black and blue if I
|
|
didn't raise some money for him. I borrowed three
|
|
dollars from Judge Thatcher, and pap took it and got
|
|
drunk, and went a-blowing around and cussing and
|
|
whooping and carrying on; and he kept it up all over
|
|
town, with a tin pan, till most midnight; then they
|
|
jailed him, and next day they had him before court,
|
|
and jailed him again for a week. But he said HE was
|
|
satisfied; said he was boss of his son, and he'd make
|
|
it warm for HIM.
|
|
|
|
When he got out the new judge said he was a-going
|
|
to make a man of him. So he took him to his
|
|
own house, and dressed him up clean and nice, and
|
|
had him to breakfast and dinner and supper with the
|
|
family, and was just old pie to him, so to speak. And
|
|
after supper he talked to him about temperance and
|
|
such things till the old man cried, and said he'd been a
|
|
fool, and fooled away his life; but now he was a-going
|
|
to turn over a new leaf and be a man nobody wouldn't
|
|
be ashamed of, and he hoped the judge would help
|
|
him and not look down on him. The judge said he
|
|
could hug him for them words; so he cried, and his
|
|
wife she cried again; pap said he'd been a man that had
|
|
always been misunderstood before, and the judge said
|
|
he believed it. The old man said that what a man
|
|
wanted that was down was sympathy, and the judge
|
|
said it was so; so they cried again. And when it was
|
|
bedtime the old man rose up and held out his hand,
|
|
and says:
|
|
|
|
"Look at it, gentlemen and ladies all; take a-hold
|
|
of it; shake it. There's a hand that was the hand of
|
|
a hog; but it ain't so no more; it's the hand of a man
|
|
that's started in on a new life, and'll die before he'll
|
|
go back. You mark them words -- don't forget I said
|
|
them. It's a clean hand now; shake it -- don't be
|
|
afeard."
|
|
|
|
So they shook it, one after the other, all around, and
|
|
cried. The judge's wife she kissed it. Then the old
|
|
man he signed a pledge -- made his mark. The judge
|
|
said it was the holiest time on record, or something
|
|
like that. Then they tucked the old man into a beauti-
|
|
ful room, which was the spare room, and in the night
|
|
some time he got powerful thirsty and clumb out on to
|
|
the porch-roof and slid down a stanchion and traded his
|
|
new coat for a jug of forty-rod, and clumb back again
|
|
and had a good old time; and towards daylight he
|
|
crawled out again, drunk as a fiddler, and rolled off
|
|
the porch and broke his left arm in two places, and
|
|
was most froze to death when somebody found him
|
|
after sun-up. And when they come to look at that
|
|
spare room they had to take soundings before they
|
|
could navigate it.
|
|
|
|
The judge he felt kind of sore. He said he reckoned
|
|
a body could reform the old man with a shotgun,
|
|
maybe, but he didn't know no other way.
|
|
|
|
|
|
CHAPTER VI.
|
|
|
|
WELL, pretty soon the old man was up and around
|
|
again, and then he went for Judge Thatcher in
|
|
the courts to make him give up that money, and he
|
|
went for me, too, for not stopping school. He catched
|
|
me a couple of times and thrashed me, but I went to
|
|
school just the same, and dodged him or outrun him
|
|
most of the time. I didn't want to go to school much
|
|
before, but I reckoned I'd go now to spite pap. That
|
|
law trial was a slow business -- appeared like they
|
|
warn't ever going to get started on it; so every now
|
|
and then I'd borrow two or three dollars off of the
|
|
judge for him, to keep from getting a cowhiding.
|
|
Every time he got money he got drunk; and every
|
|
time he got drunk he raised Cain around town; and
|
|
every time he raised Cain he got jailed. He was just
|
|
suited -- this kind of thing was right in his line.
|
|
|
|
He got to hanging around the widow's too much
|
|
and so she told him at last that if he didn't quit using
|
|
around there she would make trouble for him. Well,
|
|
WASN'T he mad? He said he would show who was
|
|
Huck Finn's boss. So he watched out for me one day
|
|
in the spring, and catched me, and took me up the
|
|
river about three mile in a skiff, and crossed over to
|
|
the Illinois shore where it was woody and there warn't
|
|
no houses but an old log hut in a place where the
|
|
timber was so thick you couldn't find it if you didn't
|
|
know where it was.
|
|
|
|
He kept me with him all the time, and I never got a
|
|
chance to run off. We lived in that old cabin, and he
|
|
always locked the door and put the key under his head
|
|
nights. He had a gun which he had stole, I reckon,
|
|
and we fished and hunted, and that was what we lived
|
|
on. Every little while he locked me in and went down
|
|
to the store, three miles, to the ferry, and traded fish
|
|
and game for whisky, and fetched it home and got
|
|
drunk and had a good time, and licked me. The
|
|
widow she found out where I was by and by, and she
|
|
sent a man over to try to get hold of me; but pap
|
|
drove him off with the gun, and it warn't long after
|
|
that till I was used to being where I was, and liked
|
|
it -- all but the cowhide part.
|
|
|
|
It was kind of lazy and jolly, laying off comfortable
|
|
all day, smoking and fishing, and no books nor study.
|
|
Two months or more run along, and my clothes got to
|
|
be all rags and dirt, and I didn't see how I'd ever got
|
|
to like it so well at the widow's, where you had to
|
|
wash, and eat on a plate, and comb up, and go to bed
|
|
and get up regular, and be forever bothering over a
|
|
book, and have old Miss Watson pecking at you all the
|
|
time. I didn't want to go back no more. I had
|
|
stopped cussing, because the widow didn't like it; but
|
|
now I took to it again because pap hadn't no objec-
|
|
tions. It was pretty good times up in the woods
|
|
there, take it all around.
|
|
|
|
But by and by pap got too handy with his hick'ry,
|
|
and I couldn't stand it. I was all over welts. He got
|
|
to going away so much, too, and locking me in. Once
|
|
he locked me in and was gone three days. It was
|
|
dreadful lonesome. I judged he had got drowned,
|
|
and I wasn't ever going to get out any more. I was
|
|
scared. I made up my mind I would fix up some way
|
|
to leave there. I had tried to get out of that cabin
|
|
many a time, but I couldn't find no way. There
|
|
warn't a window to it big enough for a dog to get
|
|
through. I couldn't get up the chimbly; it was too
|
|
narrow. The door was thick, solid oak slabs. Pap
|
|
was pretty careful not to leave a knife or anything in
|
|
the cabin when he was away; I reckon I had hunted
|
|
the place over as much as a hundred times; well, I
|
|
was most all the time at it, because it was about the
|
|
only way to put in the time. But this time I found
|
|
something at last; I found an old rusty wood-saw
|
|
without any handle; it was laid in between a rafter
|
|
and the clapboards of the roof. I greased it up and
|
|
went to work. There was an old horse-blanket nailed
|
|
against the logs at the far end of the cabin behind the
|
|
table, to keep the wind from blowing through the
|
|
chinks and putting the candle out. I got under the
|
|
table and raised the blanket, and went to work to saw
|
|
a section of the big bottom log out -- big enough to
|
|
let me through. Well, it was a good long job, but I
|
|
was getting towards the end of it when I heard pap's
|
|
gun in the woods. I got rid of the signs of my work,
|
|
and dropped the blanket and hid my saw, and pretty
|
|
soon pap come in.
|
|
|
|
Pap warn't in a good humor -- so he was his natural
|
|
self. He said he was down town, and everything was
|
|
going wrong. His lawyer said he reckoned he would
|
|
win his lawsuit and get the money if they ever got
|
|
started on the trial; but then there was ways to put it
|
|
off a long time, and Judge Thatcher knowed how to do
|
|
it And he said people allowed there'd be another
|
|
trial to get me away from him and give me to the
|
|
widow for my guardian, and they guessed it would win
|
|
this time. This shook me up considerable, because I
|
|
didn't want to go back to the widow's any more and
|
|
be so cramped up and sivilized, as they called it.
|
|
Then the old man got to cussing, and cussed every-
|
|
thing and everybody he could think of, and then cussed
|
|
them all over again to make sure he hadn't skipped
|
|
any, and after that he polished off with a kind of a
|
|
general cuss all round, including a considerable parcel
|
|
of people which he didn't know the names of, and so
|
|
called them what's-his-name when he got to them, and
|
|
went right along with his cussing.
|
|
|
|
He said he would like to see the widow get me.
|
|
He said he would watch out, and if they tried to come
|
|
any such game on him he knowed of a place six or
|
|
seven mile off to stow me in, where they might hunt
|
|
till they dropped and they couldn't find me. That
|
|
made me pretty uneasy again, but only for a minute;
|
|
I reckoned I wouldn't stay on hand till he got that
|
|
chance.
|
|
|
|
The old man made me go to the skiff and fetch the
|
|
things he had got. There was a fifty-pound sack of
|
|
corn meal, and a side of bacon, ammunition, and a
|
|
four-gallon jug of whisky, and an old book and two
|
|
newspapers for wadding, besides some tow. I toted
|
|
up a load, and went back and set down on the bow of
|
|
the skiff to rest. I thought it all over, and I reckoned
|
|
I would walk off with the gun and some lines, and take
|
|
to the woods when I run away. I guessed I wouldn't
|
|
stay in one place, but just tramp right across the
|
|
country, mostly night times, and hunt and fish to keep
|
|
alive, and so get so far away that the old man nor the
|
|
widow couldn't ever find me any more. I judged I
|
|
would saw out and leave that night if pap got drunk
|
|
enough, and I reckoned he would. I got so full of it
|
|
I didn't notice how long I was staying till the old man
|
|
hollered and asked me whether I was asleep or
|
|
drownded.
|
|
|
|
I got the things all up to the cabin, and then it was
|
|
about dark. While I was cooking supper the old man
|
|
took a swig or two and got sort of warmed up, and
|
|
went to ripping again. He had been drunk over in
|
|
town, and laid in the gutter all night, and he was a
|
|
sight to look at. A body would a thought he was
|
|
Adam -- he was just all mud. Whenever his liquor
|
|
begun to work he most always went for the govment.
|
|
his time he says:
|
|
|
|
"Call this a govment! why, just look at it and see
|
|
what it's like. Here's the law a-standing ready to take
|
|
a man's son away from him -- a man's own son, which
|
|
he has had all the trouble and all the anxiety and all
|
|
the expense of raising. Yes, just as that man has got
|
|
that son raised at last, and ready to go to work and
|
|
begin to do suthin' for HIM and give him a rest, the law
|
|
up and goes for him. And they call THAT govment!
|
|
That ain't all, nuther. The law backs that old Judge
|
|
Thatcher up and helps him to keep me out o' my
|
|
property. Here's what the law does: The law takes a
|
|
man worth six thousand dollars and up'ards, and jams
|
|
him into an old trap of a cabin like this, and lets him
|
|
go round in clothes that ain't fitten for a hog. They
|
|
call that govment! A man can't get his rights in a
|
|
govment like this. Sometimes I've a mighty notion to
|
|
just leave the country for good and all. Yes, and I
|
|
TOLD 'em so; I told old Thatcher so to his face. Lots
|
|
of 'em heard me, and can tell what I said. Says I,
|
|
for two cents I'd leave the blamed country and never
|
|
come a-near it agin. Them's the very words. I says
|
|
look at my hat -- if you call it a hat -- but the lid
|
|
raises up and the rest of it goes down till it's below
|
|
my chin, and then it ain't rightly a hat at all, but more
|
|
like my head was shoved up through a jint o' stove-
|
|
pipe. Look at it, says I -- such a hat for me to wear
|
|
-- one of the wealthiest men in this town if I could git
|
|
my rights.
|
|
|
|
"Oh, yes, this is a wonderful govment, wonderful.
|
|
Why, looky here. There was a free nigger there from
|
|
Ohio -- a mulatter, most as white as a white man. He
|
|
had the whitest shirt on you ever see, too, and the
|
|
shiniest hat; and there ain't a man in that town that's
|
|
got as fine clothes as what he had; and he had a gold
|
|
watch and chain, and a silver-headed cane -- the awful-
|
|
est old gray-headed nabob in the State. And what do
|
|
you think? They said he was a p'fessor in a college,
|
|
and could talk all kinds of languages, and knowed
|
|
everything. And that ain't the wust. They said he
|
|
could VOTE when he was at home. Well, that let me
|
|
out. Thinks I, what is the country a-coming to? It
|
|
was 'lection day, and I was just about to go and vote
|
|
myself if I warn't too drunk to get there; but when
|
|
they told me there was a State in this country where
|
|
they'd let that nigger vote, I drawed out. I says I'll
|
|
never vote agin. Them's the very words I said; they
|
|
all heard me; and the country may rot for all me --
|
|
I'll never vote agin as long as I live. And to see the
|
|
cool way of that nigger -- why, he wouldn't a give me
|
|
the road if I hadn't shoved him out o' the way. I
|
|
says to the people, why ain't this nigger put up at
|
|
auction and sold? -- that's what I want to know. And
|
|
what do you reckon they said? Why, they said he
|
|
couldn't be sold till he'd been in the State six months,
|
|
and he hadn't been there that long yet. There, now --
|
|
that's a specimen. They call that a govment that can't
|
|
sell a free nigger till he's been in the State six months.
|
|
Here's a govment that calls itself a govment, and lets
|
|
on to be a govment, and thinks it is a govment, and
|
|
yet's got to set stock-still for six whole months before
|
|
it can take a hold of a prowling, thieving, infernal,
|
|
white-shirted free nigger, and --"
|
|
|
|
Pap was agoing on so he never noticed where his
|
|
old limber legs was taking him to, so he went head over
|
|
heels over the tub of salt pork and barked both shins,
|
|
and the rest of his speech was all the hottest kind of
|
|
language -- mostly hove at the nigger and the gov-
|
|
ment, though he give the tub some, too, all along,
|
|
here and there. He hopped around the cabin con-
|
|
siderable, first on one leg and then on the other, hold-
|
|
ing first one shin and then the other one, and at last he
|
|
let out with his left foot all of a sudden and fetched
|
|
the tub a rattling kick. But it warn't good judgment,
|
|
because that was the boot that had a couple of his toes
|
|
leaking out of the front end of it; so now he raised a
|
|
howl that fairly made a body's hair raise, and down he
|
|
went in the dirt, and rolled there, and held his toes;
|
|
and the cussing he done then laid over anything he
|
|
had ever done previous. He said so his own self after-
|
|
wards. He had heard old Sowberry Hagan in his
|
|
best days, and he said it laid over him, too; but I
|
|
reckon that was sort of piling it on, maybe.
|
|
|
|
After supper pap took the jug, and said he had
|
|
enough whisky there for two drunks and one delirium
|
|
tremens. That was always his word. I judged he
|
|
would be blind drunk in about an hour, and then I
|
|
would steal the key, or saw myself out, one or t'other.
|
|
He drank and drank, and tumbled down on his
|
|
blankets by and by; but luck didn't run my way. He
|
|
didn't go sound asleep, but was uneasy. He groaned
|
|
and moaned and thrashed around this way and that for
|
|
a long time. At last I got so sleepy I couldn't keep
|
|
my eyes open all I could do, and so before I knowed
|
|
what I was about I was sound asleep, and the candle
|
|
burning.
|
|
|
|
I don't know how long I was asleep, but all of a
|
|
sudden there was an awful scream and I was up.
|
|
There was pap looking wild, and skipping around every
|
|
which way and yelling about snakes. He said they
|
|
was crawling up his legs; and then he would give a
|
|
jump and scream, and say one had bit him on the
|
|
cheek -- but I couldn't see no snakes. He started
|
|
and run round and round the cabin, hollering "Take
|
|
him off! take him off! he's biting me on the neck!"
|
|
I never see a man look so wild in the eyes. Pretty
|
|
soon he was all fagged out, and fell down panting;
|
|
then he rolled over and over wonderful fast, kicking
|
|
things every which way, and striking and grabbing at
|
|
the air with his hands, and screaming and saying there
|
|
was devils a-hold of him. He wore out by and by,
|
|
and laid still a while, moaning. Then he laid stiller,
|
|
and didn't make a sound. I could hear the owls and
|
|
the wolves away off in the woods, and it seemed terri-
|
|
ble still. He was laying over by the corner. By and
|
|
by he raised up part way and listened, with his head
|
|
to one side. He says, very low:
|
|
|
|
"Tramp -- tramp -- tramp; that's the dead; tramp
|
|
-- tramp -- tramp; they're coming after me; but I
|
|
won't go. Oh, they're here! don't touch me -- don't!
|
|
hands off -- they're cold; let go. Oh, let a poor devil
|
|
alone!"
|
|
|
|
Then he went down on all fours and crawled off,
|
|
begging them to let him alone, and he rolled himself
|
|
up in his blanket and wallowed in under the old pine
|
|
table, still a-begging; and then he went to crying. I
|
|
could hear him through the blanket.
|
|
|
|
By and by he rolled out and jumped up on his feet
|
|
looking wild, and he see me and went for me. He
|
|
chased me round and round the place with a clasp-
|
|
knife, calling me the Angel of Death, and saying he
|
|
would kill me, and then I couldn't come for him no
|
|
more. I begged, and told him I was only Huck; but
|
|
he laughed SUCH a screechy laugh, and roared and
|
|
cussed, and kept on chasing me up. Once when I
|
|
turned short and dodged under his arm he made a
|
|
grab and got me by the jacket between my shoulders,
|
|
and I thought I was gone; but I slid out of the jacket
|
|
quick as lightning, and saved myself. Pretty soon he
|
|
was all tired out, and dropped down with his back
|
|
against the door, and said he would rest a minute and
|
|
then kill me. He put his knife under him, and said
|
|
he would sleep and get strong, and then he would see
|
|
who was who.
|
|
|
|
So he dozed off pretty soon. By and by I got the
|
|
old split-bottom chair and clumb up as easy as I could,
|
|
not to make any noise, and got down the gun. I
|
|
slipped the ramrod down it to make sure it was loaded,
|
|
then I laid it across the turnip barrel, pointing
|
|
towards pap, and set down behind it to wait for him to
|
|
stir. And how slow and still the time did drag along.
|
|
|
|
|
|
CHAPTER VII.
|
|
|
|
RGIT up! What you 'bout?"
|
|
|
|
I opened my eyes and looked around, trying
|
|
to make out where I was. It was after sun-up, and I
|
|
had been sound asleep. Pap was standing over me
|
|
looking sourQand sick, too. He says:
|
|
|
|
"What you doin' with this gun?"
|
|
|
|
I judged he didn't know nothing about what he had
|
|
been doing, so I says:
|
|
|
|
"Somebody tried to get in, so I was laying for
|
|
him."
|
|
|
|
"Why didn't you roust me out?"
|
|
|
|
"Well, I tried to, but I couldn't; I couldn't budge
|
|
you."
|
|
|
|
"Well, all right. Don't stand there palavering all
|
|
day, but out with you and see if there's a fish on the
|
|
lines for breakfast. I'll be along in a minute."
|
|
|
|
He unlocked the door, and I cleared out up the
|
|
river-bank. I noticed some pieces of limbs and such
|
|
things floating down, and a sprinkling of bark; so I
|
|
knowed the river had begun to rise. I reckoned I
|
|
would have great times now if I was over at the town.
|
|
The June rise used to be always luck for me; because
|
|
as soon as that rise begins here comes cordwood float-
|
|
ing down, and pieces of log rafts -- sometimes a dozen
|
|
logs together; so all you have to do is to catch them
|
|
and sell them to the wood-yards and the sawmill.
|
|
|
|
I went along up the bank with one eye out for pap
|
|
and t'other one out for what the rise might fetch
|
|
along. Well, all at once here comes a canoe; just a
|
|
beauty, too, about thirteen or fourteen foot long,
|
|
riding high like a duck. I shot head-first off of the
|
|
bank like a frog, clothes and all on, and struck out for
|
|
the canoe. I just expected there'd be somebody lay-
|
|
ing down in it, because people often done that to fool
|
|
folks, and when a chap had pulled a skiff out most to
|
|
it they'd raise up and laugh at him. But it warn't so
|
|
this time. It was a drift-canoe sure enough, and I
|
|
clumb in and paddled her ashore. Thinks I, the old
|
|
man will be glad when he sees this -- she's worth ten
|
|
dollars. But when I got to shore pap wasn't in sight
|
|
yet, and as I was running her into a little creek like a
|
|
gully, all hung over with vines and willows, I struck
|
|
another idea: I judged I'd hide her good, and then,
|
|
'stead of taking to the woods when I run off, I'd go
|
|
down the river about fifty mile and camp in one place
|
|
for good, and not have such a rough time tramping on
|
|
foot.
|
|
|
|
It was pretty close to the shanty, and I thought I
|
|
heard the old man coming all the time; but I got her
|
|
hid; and then I out and looked around a bunch of
|
|
willows, and there was the old man down the path
|
|
a piece just drawing a bead on a bird with his gun. So
|
|
he hadn't seen anything.
|
|
|
|
When he got along I was hard at it taking up a
|
|
"trot" line. He abused me a little for being so slow;
|
|
but I told him I fell in the river, and that was what
|
|
made me so long. I knowed he would see I was wet,
|
|
and then he would be asking questions. We got five
|
|
catfish off the lines and went home.
|
|
|
|
While we laid off after breakfast to sleep up, both of
|
|
us being about wore out, I got to thinking that if I could
|
|
fix up some way to keep pap and the widow from trying
|
|
to follow me, it would be a certainer thing than trust-
|
|
ing to luck to get far enough off before they missed
|
|
me; you see, all kinds of things might happen. Well,
|
|
I didn't see no way for a while, but by and by pap
|
|
raised up a minute to drink another barrel of water,
|
|
and he says:
|
|
|
|
"Another time a man comes a-prowling round here
|
|
you roust me out, you hear? That man warn't here
|
|
for no good. I'd a shot him. Next time you roust
|
|
me out, you hear?"
|
|
|
|
Then he dropped down and went to sleep again; but
|
|
what he had been saying give me the very idea I
|
|
wanted. I says to myself, I can fix it now so nobody
|
|
won't think of following me.
|
|
|
|
About twelve o'clock we turned out and went along
|
|
up the bank. The river was coming up pretty fast,
|
|
and lots of driftwood going by on the rise. By and
|
|
by along comes part of a log raft -- nine logs fast
|
|
together. We went out with the skiff and towed it
|
|
ashore. Then we had dinner. Anybody but pap
|
|
would a waited and seen the day through, so as to
|
|
catch more stuff; but that warn't pap's style. Nine
|
|
logs was enough for one time; he must shove right
|
|
over to town and sell. So he locked me in and took
|
|
the skiff, and started off towing the raft about half-
|
|
past three. I judged he wouldn't come back that
|
|
night. I waited till I reckoned he had got a good
|
|
start; then I out with my saw, and went to work on
|
|
that log again. Before he was t'other side of the river
|
|
I was out of the hole; him and his raft was just a
|
|
speck on the water away off yonder.
|
|
|
|
I took the sack of corn meal and took it to where
|
|
the canoe was hid, and shoved the vines and branches
|
|
apart and put it in; then I done the same with the
|
|
side of bacon; then the whisky-jug. I took all the
|
|
coffee and sugar there was, and all the ammunition; I
|
|
took the wadding; I took the bucket and gourd; I
|
|
took a dipper and a tin cup, and my old saw and two
|
|
blankets, and the skillet and the coffee-pot. I took
|
|
fish-lines and matches and other things -- everything
|
|
that was worth a cent. I cleaned out the place. I
|
|
wanted an axe, but there wasn't any, only the one out
|
|
at the woodpile, and I knowed why I was going to leave
|
|
that. I fetched out the gun, and now I was done.
|
|
|
|
I had wore the ground a good deal crawling out of
|
|
the hole and dragging out so many things. So I
|
|
fixed that as good as I could from the outside by
|
|
scattering dust on the place, which covered up the
|
|
smoothness and the sawdust. Then I fixed the piece
|
|
of log back into its place, and put two rocks under it
|
|
and one against it to hold it there, for it was bent up
|
|
at that place and didn't quite touch ground. If you
|
|
stood four or five foot away and didn't know it was
|
|
sawed, you wouldn't never notice it; and besides, this
|
|
was the back of the cabin, and it warn't likely anybody
|
|
would go fooling around there.
|
|
|
|
It was all grass clear to the canoe, so I hadn't left a
|
|
track. I followed around to see. I stood on the
|
|
bank and looked out over the river. All safe. So I
|
|
took the gun and went up a piece into the woods, and
|
|
was hunting around for some birds when I see a wild
|
|
pig; hogs soon went wild in them bottoms after they
|
|
had got away from the prairie farms. I shot this fel-
|
|
low and took him into camp.
|
|
|
|
I took the axe and smashed in the door. I beat it
|
|
and hacked it considerable a-doing it. I fetched the
|
|
pig in, and took him back nearly to the table and
|
|
hacked into his throat with the axe, and laid him down
|
|
on the ground to bleed; I say ground because it was
|
|
ground -- hard packed, and no boards. Well, next I
|
|
took an old sack and put a lot of big rocks in it -- all I
|
|
could drag -- and I started it from the pig, and dragged
|
|
it to the door and through the woods down to the river
|
|
and dumped it in, and down it sunk, out of sight.
|
|
You could easy see that something had been dragged
|
|
over the ground. I did wish Tom Sawyer was there;
|
|
I knowed he would take an interest in this kind of
|
|
business, and throw in the fancy touches. Nobody
|
|
could spread himself like Tom Sawyer in such a thing
|
|
as that.
|
|
|
|
Well, last I pulled out some of my hair, and blooded
|
|
the axe good, and stuck it on the back side, and slung
|
|
the axe in the corner. Then I took up the pig and held
|
|
him to my breast with my jacket (so he couldn't drip)
|
|
till I got a good piece below the house and then
|
|
dumped him into the river. Now I thought of some-
|
|
thing else. So I went and got the bag of meal
|
|
and my old saw out of the canoe, and fetched
|
|
them to the house. I took the bag to where it
|
|
used to stand, and ripped a hole in the bottom of it
|
|
with the saw, for there warn't no knives and forks on
|
|
the place -- pap done everything with his clasp-knife
|
|
about the cooking. Then I carried the sack about a
|
|
hundred yards across the grass and through the willows
|
|
east of the house, to a shallow lake that was five mile
|
|
wide and full of rushes -- and ducks too, you might
|
|
say, in the season. There was a slough or a creek
|
|
leading out of it on the other side that went miles away,
|
|
I don't know where, but it didn't go to the river. The
|
|
meal sifted out and made a little track all the way to
|
|
the lake. I dropped pap's whetstone there too, so as
|
|
to look like it had been done by accident. Then I tied
|
|
up the rip in the meal sack with a string, so it wouldn't
|
|
leak no more, and took it and my saw to the canoe
|
|
again.
|
|
|
|
It was about dark now; so I dropped the canoe
|
|
down the river under some willows that hung over the
|
|
bank, and waited for the moon to rise. I made fast to
|
|
a willow; then I took a bite to eat, and by and by laid
|
|
down in the canoe to smoke a pipe and lay out a plan.
|
|
I says to myself, they'll follow the track of that sack-
|
|
ful of rocks to the shore and then drag the river for
|
|
me. And they'll follow that meal track to the lake
|
|
and go browsing down the creek that leads out of it to
|
|
find the robbers that killed me and took the things.
|
|
They won't ever hunt the river for anything but my
|
|
dead carcass. They'll soon get tired of that, and
|
|
won't bother no more about me. All right; I can
|
|
stop anywhere I want to. Jackson's Island is good
|
|
enough for me; I know that island pretty well, and
|
|
nobody ever comes there. And then I can paddle
|
|
over to town nights, and slink around and pick up
|
|
things I want. Jackson's Island's the place.
|
|
|
|
I was pretty tired, and the first thing I knowed I
|
|
was asleep. When I woke up I didn't know where I
|
|
was for a minute. I set up and looked around, a little
|
|
scared. Then I remembered. The river looked miles
|
|
and miles across. The moon was so bright I could a
|
|
counted the drift logs that went a-slipping along, black
|
|
and still, hundreds of yards out from shore. Every-
|
|
thing was dead quiet, and it looked late, and SMELT
|
|
late. You know what I mean -- I don't know the
|
|
words to put it in.
|
|
|
|
I took a good gap and a stretch, and was just going
|
|
to unhitch and start when I heard a sound away over
|
|
the water. I listened. Pretty soon I made it out. It
|
|
was that dull kind of a regular sound that comes from
|
|
oars working in rowlocks when it's a still night. I
|
|
peeped out through the willow branches, and there it
|
|
was -- a skiff, away across the water. I couldn't tell
|
|
how many was in it. It kept a-coming, and when it
|
|
was abreast of me I see there warn't but one man in it.
|
|
Think's I, maybe it's pap, though I warn't expecting
|
|
him. He dropped below me with the current, and
|
|
by and by he came a-swinging up shore in the easy
|
|
water, and he went by so close I could a reached out
|
|
the gun and touched him. Well, it WAS pap, sure
|
|
enough -- and sober, too, by the way he laid his oars.
|
|
|
|
I didn't lose no time. The next minute I was a-
|
|
spinning down stream soft but quick in the shade of
|
|
the bank. I made two mile and a half, and then
|
|
struck out a quarter of a mile or more towards the
|
|
middle of the river, because pretty soon I would be
|
|
passing the ferry landing, and people might see me
|
|
and hail me. I got out amongst the driftwood, and
|
|
then laid down in the bottom of the canoe and let her
|
|
float. I laid there, and had a good rest and a smoke
|
|
out of my pipe, looking away into the sky; not a
|
|
cloud in it. The sky looks ever so deep when you lay
|
|
down on your back in the moonshine; I never knowed
|
|
it before. And how far a body can hear on the water
|
|
such nights! I heard people talking at the ferry land-
|
|
ing. I heard what they said, too -- every word of it.
|
|
One man said it was getting towards the long days and
|
|
the short nights now. T'other one said THIS warn't
|
|
one of the short ones, he reckoned -- and then they
|
|
laughed, and he said it over again, and they laughed
|
|
again; then they waked up another fellow and told
|
|
him, and laughed, but he didn't laugh; he ripped out
|
|
something brisk, and said let him alone. The first
|
|
fellow said he 'lowed to tell it to his old woman -- she
|
|
would think it was pretty good; but he said that
|
|
warn't nothing to some things he had said in his time.
|
|
I heard one man say it was nearly three o'clock, and
|
|
he hoped daylight wouldn't wait more than about a
|
|
week longer. After that the talk got further and
|
|
further away, and I couldn't make out the words any
|
|
more; but I could hear the mumble, and now and then
|
|
a laugh, too, but it seemed a long ways off.
|
|
|
|
I was away below the ferry now. I rose up, and
|
|
there was Jackson's Island, about two mile and a half
|
|
down stream, heavy timbered and standing up out of
|
|
the middle of the river, big and dark and solid, like a
|
|
steamboat without any lights. There warn't any signs
|
|
of the bar at the head -- it was all under water now.
|
|
|
|
It didn't take me long to get there. I shot past the
|
|
head at a ripping rate, the current was so swift, and
|
|
then I got into the dead water and landed on the side
|
|
towards the Illinois shore. I run the canoe into a deep
|
|
dent in the bank that I knowed about; I had to part
|
|
the willow branches to get in; and when I made fast
|
|
nobody could a seen the canoe from the outside.
|
|
|
|
I went up and set down on a log at the head of the
|
|
island, and looked out on the big river and the black
|
|
driftwood and away over to the town, three mile
|
|
away, where there was three or four lights twinkling.
|
|
A monstrous big lumber-raft was about a mile up
|
|
stream, coming along down, with a lantern in the
|
|
middle of it. I watched it come creeping down, and
|
|
when it was most abreast of where I stood I heard a
|
|
man say, "Stern oars, there! heave her head to stab-
|
|
board!" I heard that just as plain as if the man was
|
|
by my side.
|
|
|
|
There was a little gray in the sky now; so I stepped
|
|
into the woods, and laid down for a nap before break-
|
|
fast.
|
|
|
|
|
|
CHAPTER VIII.
|
|
|
|
THE sun was up so high when I waked that I judged
|
|
it was after eight o'clock. I laid there in the
|
|
grass and the cool shade thinking about things, and
|
|
feeling rested and ruther comfortable and satisfied. I
|
|
could see the sun out at one or two holes, but mostly
|
|
it was big trees all about, and gloomy in there amongst
|
|
them. There was freckled places on the ground where
|
|
the light sifted down through the leaves, and the
|
|
freckled places swapped about a little, showing there
|
|
was a little breeze up there. A couple of squirrels set
|
|
on a limb and jabbered at me very friendly.
|
|
|
|
I was powerful lazy and comfortable -- didn't want
|
|
to get up and cook breakfast. Well, I was dozing off
|
|
again when I thinks I hears a deep sound of "boom!"
|
|
away up the river. I rouses up, and rests on my elbow
|
|
and listens; pretty soon I hears it again. I hopped
|
|
up, and went and looked out at a hole in the leaves,
|
|
and I see a bunch of smoke laying on the water a long
|
|
ways up -- about abreast the ferry. And there was
|
|
the ferryboat full of people floating along down. I
|
|
knowed what was the matter now. "Boom!" I see
|
|
the white smoke squirt out of the ferryboat's side.
|
|
You see, they was firing cannon over the water, trying
|
|
to make my carcass come to the top.
|
|
|
|
I was pretty hungry, but it warn't going to do for
|
|
me to start a fire, because they might see the smoke.
|
|
So I set there and watched the cannon-smoke and
|
|
listened to the boom. The river was a mile wide there,
|
|
and it always looks pretty on a summer morning -- so
|
|
I was having a good enough time seeing them hunt for
|
|
my remainders if I only had a bite to eat. Well, then
|
|
I happened to think how they always put quicksilver
|
|
in loaves of bread and float them off, because they
|
|
always go right to the drownded carcass and stop
|
|
there. So, says I, I'll keep a lookout, and if any of
|
|
them's floating around after me I'll give them a show.
|
|
I changed to the Illinois edge of the island to see what
|
|
luck I could have, and I warn't disappointed. A big
|
|
double loaf come along, and I most got it with a long
|
|
stick, but my foot slipped and she floated out further.
|
|
Of course I was where the current set in the closest to
|
|
the shore -- I knowed enough for that. But by and
|
|
by along comes another one, and this time I won. I
|
|
took out the plug and shook out the little dab of quick-
|
|
silver, and set my teeth in. It was "baker's bread"
|
|
-- what the quality eat; none of your low-down
|
|
corn-pone.
|
|
|
|
I got a good place amongst the leaves, and set there
|
|
on a log, munching the bread and watching the ferry-
|
|
boat, and very well satisfied. And then something
|
|
struck me. I says, now I reckon the widow or the
|
|
parson or somebody prayed that this bread would find
|
|
me, and here it has gone and done it. So there ain't
|
|
no doubt but there is something in that thing -- that is,
|
|
there's something in it when a body like the widow or
|
|
the parson prays, but it don't work for me, and I
|
|
reckon it don't work for only just the right kind.
|
|
|
|
I lit a pipe and had a good long smoke, and went
|
|
on watching. The ferryboat was floating with the
|
|
current, and I allowed I'd have a chance to see who
|
|
was aboard when she come along, because she would
|
|
come in close, where the bread did. When she'd got
|
|
pretty well along down towards me, I put out my pipe
|
|
and went to where I fished out the bread, and laid
|
|
down behind a log on the bank in a little open place.
|
|
Where the log forked I could peep through.
|
|
|
|
By and by she come along, and she drifted in so
|
|
close that they could a run out a plank and walked
|
|
ashore. Most everybody was on the boat. Pap, and
|
|
Judge Thatcher, and Bessie Thatcher, and Jo Harper,
|
|
and Tom Sawyer, and his old Aunt Polly, and Sid and
|
|
Mary, and plenty more. Everybody was talking about
|
|
the murder, but the captain broke in and says:
|
|
|
|
"Look sharp, now; the current sets in the closest
|
|
here, and maybe he's washed ashore and got tangled
|
|
amongst the brush at the water's edge. I hope so,
|
|
anyway."
|
|
|
|
"I didn't hope so. They all crowded up and leaned
|
|
over the rails, nearly in my face, and kept still, watch-
|
|
ing with all their might. I could see them first-rate,
|
|
but they couldn't see me. Then the captain sung out:
|
|
|
|
"Stand away!" and the cannon let off such a blast
|
|
right before me that it made me deef with the noise and
|
|
pretty near blind with the smoke, and I judged I was
|
|
gone. If they'd a had some bullets in, I reckon
|
|
they'd a got the corpse they was after. Well, I see I
|
|
warn't hurt, thanks to goodness. The boat floated on
|
|
and went out of sight around the shoulder of the island.
|
|
I could hear the booming now and then, further and
|
|
further off, and by and by, after an hour, I didn't hear
|
|
it no more. The island was three mile long. I judged
|
|
they had got to the foot, and was giving it up. But
|
|
they didn't yet a while. They turned around the foot
|
|
of the island and started up the channel on the Mis-
|
|
souri side, under steam, and booming once in a while
|
|
as they went. I crossed over to that side and watched
|
|
them. When they got abreast the head of the island
|
|
they quit shooting and dropped over to the Missouri
|
|
shore and went home to the town.
|
|
|
|
I knowed I was all right now. Nobody else would
|
|
come a-hunting after me. I got my traps out of the
|
|
canoe and made me a nice camp in the thick woods. I
|
|
made a kind of a tent out of my blankets to put my
|
|
things under so the rain couldn't get at them. I
|
|
catched a catfish and haggled him open with my saw,
|
|
and towards sundown I started my camp fire and had
|
|
supper. Then I set out a line to catch some fish for
|
|
breakfast.
|
|
|
|
When it was dark I set by my camp fire smoking,
|
|
and feeling pretty well satisfied; but by and by it got
|
|
sort of lonesome, and so I went and set on the bank
|
|
and listened to the current swashing along, and counted
|
|
the stars and drift logs and rafts that come down, and
|
|
then went to bed; there ain't no better way to put in
|
|
time when you are lonesome; you can't stay so, you
|
|
soon get over it.
|
|
|
|
And so for three days and nights. No difference --
|
|
just the same thing. But the next day I went explor-
|
|
ing around down through the island. I was boss of it;
|
|
it all belonged to me, so to say, and I wanted to know
|
|
all about it; but mainly I wanted to put in the time.
|
|
I found plenty strawberries, ripe and prime; and green
|
|
summer grapes, and green razberries; and the green
|
|
blackberries was just beginning to show. They would
|
|
all come handy by and by, I judged.
|
|
|
|
Well, I went fooling along in the deep woods till I
|
|
judged I warn't far from the foot of the island. I had
|
|
my gun along, but I hadn't shot nothing; it was for
|
|
protection; thought I would kill some game nigh
|
|
home. About this time I mighty near stepped on a
|
|
good-sized snake, and it went sliding off through the
|
|
grass and flowers, and I after it, trying to get a shot at
|
|
it. I clipped along, and all of a sudden I bounded
|
|
right on to the ashes of a camp fire that was still
|
|
smoking.
|
|
|
|
My heart jumped up amongst my lungs. I never
|
|
waited for to look further, but uncocked my gun and
|
|
went sneaking back on my tiptoes as fast as ever I
|
|
could. Every now and then I stopped a second amongst
|
|
the thick leaves and listened, but my breath come so
|
|
hard I couldn't hear nothing else. I slunk along an-
|
|
other piece further, then listened again; and so on,
|
|
and so on. If I see a stump, I took it for a man; if I
|
|
trod on a stick and broke it, it made me feel like a
|
|
person had cut one of my breaths in two and I only
|
|
got half, and the short half, too.
|
|
|
|
When I got to camp I warn't feeling very brash,
|
|
there warn't much sand in my craw; but I says, this
|
|
ain't no time to be fooling around. So I got all my
|
|
traps into my canoe again so as to have them out of
|
|
sight, and I put out the fire and scattered the ashes
|
|
around to look like an old last year's camp, and then
|
|
clumb a tree.
|
|
|
|
I reckon I was up in the tree two hours; but I
|
|
didn't see nothing, I didn't hear nothing -- I only
|
|
THOUGHT I heard and seen as much as a thousand
|
|
things. Well, I couldn't stay up there forever; so at
|
|
last I got down, but I kept in the thick woods and on
|
|
the lookout all the time. All I could get to eat was
|
|
berries and what was left over from breakfast.
|
|
|
|
By the time it was night I was pretty hungry. So
|
|
when it was good and dark I slid out from shore before
|
|
moonrise and paddled over to the Illinois bank -- about
|
|
a quarter of a mile. I went out in the woods and
|
|
cooked a supper, and I had about made up my mind
|
|
I would stay there all night when I hear a PLUNKETY-
|
|
PLUNK, PLUNKETY-PLUNK, and says to myself, horses
|
|
coming; and next I hear people's voices. I got
|
|
everything into the canoe as quick as I could, and then
|
|
went creeping through the woods to see what I could
|
|
find out. I hadn't got far when I hear a man say:
|
|
|
|
"We better camp here if we can find a good place;
|
|
the horses is about beat out. Let's look around."
|
|
|
|
I didn't wait, but shoved out and paddled away
|
|
easy. I tied up in the old place, and reckoned I would
|
|
sleep in the canoe.
|
|
|
|
I didn't sleep much. I couldn't, somehow, for
|
|
thinking. And every time I waked up I thought
|
|
somebody had me by the neck. So the sleep didn't
|
|
do me no good. By and by I says to myself, I can't
|
|
live this way; I'm a-going to find out who it is that's
|
|
here on the island with me; I'll find it out or bust.
|
|
Well, I felt better right off.
|
|
|
|
So I took my paddle and slid out from shore just a
|
|
step or two, and then let the canoe drop along down
|
|
amongst the shadows. The moon was shining, and out-
|
|
side of the shadows it made it most as light as day. I
|
|
poked along well on to an hour, everything still as
|
|
rocks and sound asleep. Well, by this time I was
|
|
most down to the foot of the island. A little ripply,
|
|
cool breeze begun to blow, and that was as good as
|
|
saying the night was about done. I give her a turn
|
|
with the paddle and brung her nose to shore; then I
|
|
got my gun and slipped out and into the edge of the
|
|
woods. I sat down there on a log, and looked out
|
|
through the leaves. I see the moon go off watch, and
|
|
the darkness begin to blanket the river. But in a little
|
|
while I see a pale streak over the treetops, and knowed
|
|
the day was coming. So I took my gun and slipped
|
|
off towards where I had run across that camp fire,
|
|
stopping every minute or two to listen. But I hadn't
|
|
no luck somehow; I couldn't seem to find the place.
|
|
But by and by, sure enough, I catched a glimpse of
|
|
fire away through the trees. I went for it, cautious
|
|
and slow. By and by I was close enough to have a
|
|
look, and there laid a man on the ground. It most
|
|
give me the fantods. He had a blanket around his
|
|
head, and his head was nearly in the fire. I set there
|
|
behind a clump of bushes in about six foot of him,
|
|
and kept my eyes on him steady. It was getting gray
|
|
daylight now. Pretty soon he gapped and stretched
|
|
himself and hove off the blanket, and it was Miss
|
|
Watson's Jim! I bet I was glad to see him. I says:
|
|
|
|
"Hello, Jim!" and skipped out.
|
|
|
|
He bounced up and stared at me wild. Then he
|
|
drops down on his knees, and puts his hands together
|
|
and says:
|
|
|
|
"Doan' hurt me -- don't! I hain't ever done no
|
|
harm to a ghos'. I alwuz liked dead people, en done
|
|
all I could for 'em. You go en git in de river agin,
|
|
whah you b'longs, en doan' do nuffn to Ole Jim, 'at
|
|
'uz awluz yo' fren'."
|
|
|
|
Well, I warn't long making him understand I warn't
|
|
dead. I was ever so glad to see Jim. I warn't lone-
|
|
some now. I told him I warn't afraid of HIM telling
|
|
the people where I was. I talked along, but he only
|
|
set there and looked at me; never said nothing. Then
|
|
I says:
|
|
|
|
"It's good daylight. Le's get breakfast. Make up
|
|
your camp fire good."
|
|
|
|
"What's de use er makin' up de camp fire to cook
|
|
strawbries en sich truck? But you got a gun, hain't
|
|
you? Den we kin git sumfn better den strawbries."
|
|
|
|
"Strawberries and such truck," I says. "Is that
|
|
what you live on?"
|
|
|
|
"I couldn' git nuffn else," he says.
|
|
|
|
"Why, how long you been on the island, Jim?"
|
|
|
|
"I come heah de night arter you's killed."
|
|
|
|
"What, all that time?"
|
|
|
|
"Yes -- indeedy."
|
|
|
|
"And ain't you had nothing but that kind of rub-
|
|
bage to eat?"
|
|
|
|
"No, sah -- nuffn else."
|
|
|
|
"Well, you must be most starved, ain't you?"
|
|
|
|
"I reck'n I could eat a hoss. I think I could.
|
|
How long you ben on de islan'?"
|
|
|
|
"Since the night I got killed."
|
|
|
|
"No! W'y, what has you lived on? But you got
|
|
a gun. Oh, yes, you got a gun. Dat's good. Now
|
|
you kill sumfn en I'll make up de fire."
|
|
|
|
So we went over to where the canoe was, and while
|
|
he built a fire in a grassy open place amongst the trees,
|
|
I fetched meal and bacon and coffee, and coffee-pot
|
|
and frying-pan, and sugar and tin cups, and the nigger
|
|
was set back considerable, because he reckoned it was
|
|
all done with witchcraft. I catched a good big catfish,
|
|
too, and Jim cleaned him with his knife, and fried
|
|
him.
|
|
|
|
When breakfast was ready we lolled on the grass and
|
|
eat it smoking hot. Jim laid it in with all his might,
|
|
for he was most about starved. Then when we had
|
|
got pretty well stuffed, we laid off and lazied.
|
|
By and by Jim says:
|
|
|
|
"But looky here, Huck, who wuz it dat 'uz killed
|
|
in dat shanty ef it warn't you?"
|
|
|
|
Then I told him the whole thing, and he said it was
|
|
smart. He said Tom Sawyer couldn't get up no better
|
|
plan than what I had. Then I says:
|
|
|
|
"How do you come to be here, Jim, and how'd you
|
|
get here?"
|
|
|
|
He looked pretty uneasy, and didn't say nothing for
|
|
a minute. Then he says:
|
|
|
|
"Maybe I better not tell."
|
|
|
|
"Why, Jim?"
|
|
|
|
"Well, dey's reasons. But you wouldn' tell on me
|
|
ef I uz to tell you, would you, Huck?"
|
|
|
|
"Blamed if I would, Jim."
|
|
|
|
"Well, I b'lieve you, Huck. I -- I RUN OFF."
|
|
|
|
"Jim!"
|
|
|
|
"But mind, you said you wouldn' tell -- you know
|
|
you said you wouldn' tell, Huck."
|
|
|
|
"Well, I did. I said I wouldn't, and I'll stick to it.
|
|
Honest INJUN, I will. People would call me a low-
|
|
down Abolitionist and despise me for keeping mum --
|
|
but that don't make no difference. I ain't a-going to
|
|
tell, and I ain't a-going back there, anyways. So,
|
|
now, le's know all about it."
|
|
|
|
"Well, you see, it 'uz dis way. Ole missus -- dat's
|
|
Miss Watson -- she pecks on me all de time, en treats
|
|
me pooty rough, but she awluz said she wouldn' sell
|
|
me down to Orleans. But I noticed dey wuz a nigger
|
|
trader roun' de place considable lately, en I begin to
|
|
git oneasy. Well, one night I creeps to de do' pooty
|
|
late, en de do' warn't quite shet, en I hear old missus
|
|
tell de widder she gwyne to sell me down to Orleans,
|
|
but she didn' want to, but she could git eight hund'd
|
|
dollars for me, en it 'uz sich a big stack o' money she
|
|
couldn' resis'. De widder she try to git her to say
|
|
she wouldn' do it, but I never waited to hear de res'.
|
|
I lit out mighty quick, I tell you.
|
|
|
|
"I tuck out en shin down de hill, en 'spec to steal a
|
|
skift 'long de sho' som'ers 'bove de town, but dey wuz
|
|
people a-stirring yit, so I hid in de ole tumble-down
|
|
cooper-shop on de bank to wait for everybody to go
|
|
'way. Well, I wuz dah all night. Dey wuz somebody
|
|
roun' all de time. 'Long 'bout six in de mawnin'
|
|
skifts begin to go by, en 'bout eight er nine every
|
|
skift dat went 'long wuz talkin' 'bout how yo' pap
|
|
come over to de town en say you's killed. Dese las'
|
|
skifts wuz full o' ladies en genlmen a-goin' over for to
|
|
see de place. Sometimes dey'd pull up at de sho' en
|
|
take a res' b'fo' dey started acrost, so by de talk I got
|
|
to know all 'bout de killin'. I 'uz powerful sorry
|
|
you's killed, Huck, but I ain't no mo' now.
|
|
|
|
"I laid dah under de shavin's all day. I 'uz
|
|
hungry, but I warn't afeard; bekase I knowed ole
|
|
missus en de widder wuz goin' to start to de camp-
|
|
meet'n' right arter breakfas' en be gone all day, en
|
|
dey knows I goes off wid de cattle 'bout daylight, so
|
|
dey wouldn' 'spec to see me roun' de place, en so dey
|
|
wouldn' miss me tell arter dark in de evenin'. De
|
|
yuther servants wouldn' miss me, kase dey'd shin out
|
|
en take holiday soon as de ole folks 'uz out'n de way.
|
|
|
|
"Well, when it come dark I tuck out up de river
|
|
road, en went 'bout two mile er more to whah dey
|
|
warn't no houses. I'd made up my mine 'bout what
|
|
I's agwyne to do. You see, ef I kep' on tryin' to git
|
|
away afoot, de dogs 'ud track me; ef I stole a skift to
|
|
cross over, dey'd miss dat skift, you see, en dey'd
|
|
know 'bout whah I'd lan' on de yuther side, en whah
|
|
to pick up my track. So I says, a raff is what I's
|
|
arter; it doan' MAKE no track.
|
|
|
|
"I see a light a-comin' roun' de p'int bymeby, so I
|
|
wade' in en shove' a log ahead o' me en swum more'n
|
|
half way acrost de river, en got in 'mongst de drift-
|
|
wood, en kep' my head down low, en kinder swum
|
|
agin de current tell de raff come along. Den I swum
|
|
to de stern uv it en tuck a-holt. It clouded up en 'uz
|
|
pooty dark for a little while. So I clumb up en laid
|
|
down on de planks. De men 'uz all 'way yonder in
|
|
de middle, whah de lantern wuz. De river wuz a-
|
|
risin', en dey wuz a good current; so I reck'n'd 'at
|
|
by fo' in de mawnin' I'd be twenty-five mile down de
|
|
river, en den I'd slip in jis b'fo' daylight en swim
|
|
asho', en take to de woods on de Illinois side.
|
|
|
|
"But I didn' have no luck. When we 'uz mos'
|
|
down to de head er de islan' a man begin to come aft
|
|
wid de lantern, I see it warn't no use fer to wait, so I
|
|
slid overboard en struck out fer de islan'. Well, I had
|
|
a notion I could lan' mos' anywhers, but I couldn't --
|
|
bank too bluff. I 'uz mos' to de foot er de islan'
|
|
b'fo' I found' a good place. I went into de woods en
|
|
jedged I wouldn' fool wid raffs no mo', long as dey
|
|
move de lantern roun' so. I had my pipe en a plug er
|
|
dog-leg, en some matches in my cap, en dey warn't
|
|
wet, so I 'uz all right."
|
|
|
|
"And so you ain't had no meat nor bread to eat all
|
|
this time? Why didn't you get mud-turkles?"
|
|
|
|
"How you gwyne to git 'm? You can't slip up on
|
|
um en grab um; en how's a body gwyne to hit um
|
|
wid a rock? How could a body do it in de night?
|
|
En I warn't gwyne to show mysef on de bank in de
|
|
daytime."
|
|
|
|
"Well, that's so. You've had to keep in the woods
|
|
all the time, of course. Did you hear 'em shooting
|
|
the cannon?"
|
|
|
|
"Oh, yes. I knowed dey was arter you. I see um
|
|
go by heah -- watched um thoo de bushes."
|
|
|
|
Some young birds come along, flying a yard or two
|
|
at a time and lighting. Jim said it was a sign it was
|
|
going to rain. He said it was a sign when young
|
|
chickens flew that way, and so he reckoned it was the
|
|
same way when young birds done it. I was going to
|
|
catch some of them, but Jim wouldn't let me. He
|
|
said it was death. He said his father laid mighty sick
|
|
once, and some of them catched a bird, and his old
|
|
granny said his father would die, and he did.
|
|
|
|
And Jim said you mustn't count the things you are
|
|
going to cook for dinner, because that would bring
|
|
bad luck. The same if you shook the table-cloth after
|
|
sundown. And he said if a man owned a beehive and
|
|
that man died, the bees must be told about it before
|
|
sun-up next morning, or else the bees would all
|
|
weaken down and quit work and die. Jim said bees
|
|
wouldn't sting idiots; but I didn't believe that, be-
|
|
cause I had tried them lots of times myself, and they
|
|
wouldn't sting me.
|
|
|
|
I had heard about some of these things before, but
|
|
not all of them. Jim knowed all kinds of signs. He
|
|
said he knowed most everything. I said it looked to
|
|
me like all the signs was about bad luck, and so I
|
|
asked him if there warn't any good-luck signs. He
|
|
says:
|
|
|
|
"Mighty few -- an' DEY ain't no use to a body.
|
|
What you want to know when good luck's a-comin'
|
|
for? Want to keep it off?" And he said: "Ef you's
|
|
got hairy arms en a hairy breas', it's a sign dat you's
|
|
agwyne to be rich. Well, dey's some use in a sign
|
|
like dat, 'kase it's so fur ahead. You see, maybe
|
|
you's got to be po' a long time fust, en so you might
|
|
git discourage' en kill yo'sef 'f you didn' know by de
|
|
sign dat you gwyne to be rich bymeby."
|
|
|
|
"Have you got hairy arms and a hairy breast,
|
|
Jim?"
|
|
|
|
"What's de use to ax dat question? Don't you
|
|
see I has?"
|
|
|
|
"Well, are you rich?"
|
|
|
|
"No, but I ben rich wunst, and gwyne to be rich
|
|
agin. Wunst I had foteen dollars, but I tuck to
|
|
specalat'n', en got busted out."
|
|
|
|
"What did you speculate in, Jim?"
|
|
|
|
"Well, fust I tackled stock."
|
|
|
|
"What kind of stock?"
|
|
|
|
"Why, live stock -- cattle, you know. I put ten
|
|
dollars in a cow. But I ain' gwyne to resk no mo'
|
|
money in stock. De cow up 'n' died on my han's."
|
|
|
|
"So you lost the ten dollars."
|
|
|
|
"No, I didn't lose it all. I on'y los' 'bout nine of
|
|
it. I sole de hide en taller for a dollar en ten cents."
|
|
|
|
"You had five dollars and ten cents left. Did you
|
|
speculate any more?"
|
|
|
|
"Yes. You know that one-laigged nigger dat
|
|
b'longs to old Misto Bradish? Well, he sot up a
|
|
bank, en say anybody dat put in a dollar would git fo'
|
|
dollars mo' at de en' er de year. Well, all de niggers
|
|
went in, but dey didn't have much. I wuz de on'y
|
|
one dat had much. So I stuck out for mo' dan fo'
|
|
dollars, en I said 'f I didn' git it I'd start a bank my-
|
|
sef. Well, o' course dat nigger want' to keep me out
|
|
er de business, bekase he says dey warn't business
|
|
'nough for two banks, so he say I could put in my five
|
|
dollars en he pay me thirty-five at de en' er de year.
|
|
|
|
"So I done it. Den I reck'n'd I'd inves' de
|
|
thirty-five dollars right off en keep things a-movin'.
|
|
Dey wuz a nigger name' Bob, dat had ketched a wood-
|
|
flat, en his marster didn' know it; en I bought it off'n
|
|
him en told him to take de thirty-five dollars when de
|
|
en' er de year come; but somebody stole de wood-flat
|
|
dat night, en nex day de one-laigged nigger say de
|
|
bank's busted. So dey didn' none uv us git no
|
|
money."
|
|
|
|
"What did you do with the ten cents, Jim?"
|
|
|
|
"Well, I 'uz gwyne to spen' it, but I had a dream,
|
|
en de dream tole me to give it to a nigger name'
|
|
Balum -- Balum's Ass dey call him for short; he's
|
|
one er dem chuckleheads, you know. But he's lucky,
|
|
dey say, en I see I warn't lucky. De dream say let
|
|
Balum inves' de ten cents en he'd make a raise for me.
|
|
Well, Balum he tuck de money, en when he wuz in
|
|
church he hear de preacher say dat whoever give to de
|
|
po' len' to de Lord, en boun' to git his money back a
|
|
hund'd times. So Balum he tuck en give de ten cents
|
|
to de po', en laid low to see what wuz gwyne to come
|
|
of it."
|
|
|
|
"Well, what did come of it, Jim?"
|
|
|
|
"Nuffn never come of it. I couldn' manage to
|
|
k'leck dat money no way; en Balum he couldn'. I
|
|
ain' gwyne to len' no mo' money 'dout I see de
|
|
security. Boun' to git yo' money back a hund'd
|
|
times, de preacher says! Ef I could git de ten CENTS
|
|
back, I'd call it squah, en be glad er de chanst."
|
|
|
|
"Well, it's all right anyway, Jim, long as you're
|
|
going to be rich again some time or other."
|
|
|
|
"Yes; en I's rich now, come to look at it. I owns
|
|
mysef, en I's wuth eight hund'd dollars. I wisht I
|
|
had de money, I wouldn' want no mo'."
|
|
|
|
|
|
CHAPTER IX.
|
|
|
|
I WANTED to go and look at a place right about the
|
|
middle of the island that I'd found when I was
|
|
exploring; so we started and soon got to it, because
|
|
the island was only three miles long and a quarter of a
|
|
mile wide.
|
|
|
|
This place was a tolerable long, steep hill or ridge
|
|
about forty foot high. We had a rough time getting
|
|
to the top, the sides was so steep and the bushes so
|
|
thick. We tramped and clumb around all over it, and
|
|
by and by found a good big cavern in the rock, most
|
|
up to the top on the side towards Illinois. The cavern
|
|
was as big as two or three rooms bunched together,
|
|
and Jim could stand up straight in it. It was cool in
|
|
there. Jim was for putting our traps in there right
|
|
away, but I said we didn't want to be climbing up and
|
|
down there all the time.
|
|
|
|
Jim said if we had the canoe hid in a good place,
|
|
and had all the traps in the cavern, we could rush there
|
|
if anybody was to come to the island, and they would
|
|
never find us without dogs. And, besides, he said
|
|
them little birds had said it was going to rain, and did
|
|
I want the things to get wet?
|
|
|
|
So we went back and got the canoe, and paddled up
|
|
abreast the cavern, and lugged all the traps up there.
|
|
Then we hunted up a place close by to hide the canoe
|
|
in, amongst the thick willows. We took some fish off
|
|
of the lines and set them again, and begun to get ready
|
|
for dinner.
|
|
|
|
The door of the cavern was big enough to roll a
|
|
hogshead in, and on one side of the door the floor
|
|
stuck out a little bit, and was flat and a good place to
|
|
build a fire on. So we built it there and cooked
|
|
dinner.
|
|
|
|
We spread the blankets inside for a carpet, and eat
|
|
our dinner in there. We put all the other things handy
|
|
at the back of the cavern. Pretty soon it darkened up,
|
|
and begun to thunder and lighten; so the birds was
|
|
right about it. Directly it begun to rain, and it rained
|
|
like all fury, too, and I never see the wind blow so.
|
|
It was one of these regular summer storms. It would
|
|
get so dark that it looked all blue-black outside, and
|
|
lovely; and the rain would thrash along by so thick
|
|
that the trees off a little ways looked dim and spider-
|
|
webby; and here would come a blast of wind that
|
|
would bend the trees down and turn up the pale under-
|
|
side of the leaves; and then a perfect ripper of a gust
|
|
would follow along and set the branches to tossing
|
|
their arms as if they was just wild; and next, when it
|
|
was just about the bluest and blackest -- FST! it was as
|
|
bright as glory, and you'd have a little glimpse of tree-
|
|
tops a-plunging about away off yonder in the storm,
|
|
hundreds of yards further than you could see before;
|
|
dark as sin again in a second, and now you'd hear the
|
|
thunder let go with an awful crash, and then go rum-
|
|
bling, grumbling, tumbling, down the sky towards the
|
|
under side of the world, like rolling empty barrels
|
|
down stairs -- where it's long stairs and they bounce a
|
|
good deal, you know.
|
|
|
|
"Jim, this is nice," I says. "I wouldn't want to
|
|
be nowhere else but here. Pass me along another
|
|
hunk of fish and some hot corn-bread."
|
|
|
|
"Well, you wouldn't a ben here 'f it hadn't a ben
|
|
for Jim. You'd a ben down dah in de woods widout
|
|
any dinner, en gittn' mos' drownded, too; dat you
|
|
would, honey. Chickens knows when it's gwyne to
|
|
rain, en so do de birds, chile."
|
|
|
|
The river went on raising and raising for ten or
|
|
twelve days, till at last it was over the banks. The
|
|
water was three or four foot deep on the island in the
|
|
low places and on the Illinois bottom. On that side it
|
|
was a good many miles wide, but on the Missouri side
|
|
it was the same old distance across -- a half a mile --
|
|
because the Missouri shore was just a wall of high
|
|
bluffs.
|
|
|
|
Daytimes we paddled all over the island in the canoe,
|
|
It was mighty cool and shady in the deep woods, even
|
|
if the sun was blazing outside. We went winding in
|
|
and out amongst the trees, and sometimes the vines
|
|
hung so thick we had to back away and go some other
|
|
way. Well, on every old broken-down tree you could
|
|
see rabbits and snakes and such things; and when
|
|
the island had been overflowed a day or two they got
|
|
so tame, on account of being hungry, that you could
|
|
paddle right up and put your hand on them if you
|
|
wanted to; but not the snakes and turtles -- they would
|
|
slide off in the water. The ridge our cavern was in
|
|
was full of them. We could a had pets enough if we'd
|
|
wanted them.
|
|
|
|
One night we catched a little section of a lumber
|
|
raft -- nice pine planks. It was twelve foot wide and
|
|
about fifteen or sixteen foot long, and the top stood
|
|
above water six or seven inches -- a solid, level floor.
|
|
We could see saw-logs go by in the daylight some-
|
|
times, but we let them go; we didn't show ourselves
|
|
in daylight.
|
|
|
|
Another night when we was up at the head of the
|
|
island, just before daylight, here comes a frame-house
|
|
down, on the west side. She was a two-story, and
|
|
tilted over considerable. We paddled out and got
|
|
aboard -- clumb in at an upstairs window. But it was
|
|
too dark to see yet, so we made the canoe fast and set
|
|
in her to wait for daylight.
|
|
|
|
The light begun to come before we got to the foot
|
|
of the island. Then we looked in at the window. We
|
|
could make out a bed, and a table, and two old chairs,
|
|
and lots of things around about on the floor, and there
|
|
was clothes hanging against the wall. There was
|
|
something laying on the floor in the far corner that
|
|
looked like a man. So Jim says:
|
|
|
|
"Hello, you!"
|
|
|
|
But it didn't budge. So I hollered again, and then
|
|
Jim says:
|
|
|
|
"De man ain't asleep -- he's dead. You hold still
|
|
-- I'll go en see."
|
|
|
|
He went, and bent down and looked, and says:
|
|
|
|
"It's a dead man. Yes, indeedy; naked, too.
|
|
He's ben shot in de back. I reck'n he's ben dead
|
|
two er three days. Come in, Huck, but doan' look at
|
|
his face -- it's too gashly."
|
|
|
|
I didn't look at him at all. Jim throwed some old
|
|
rags over him, but he needn't done it; I didn't want
|
|
to see him. There was heaps of old greasy cards
|
|
scattered around over the floor, and old whisky bottles,
|
|
and a couple of masks made out of black cloth; and
|
|
all over the walls was the ignorantest kind of words
|
|
and pictures made with charcoal. There was two old
|
|
dirty calico dresses, and a sun-bonnet, and some
|
|
women's underclothes hanging against the wall, and
|
|
some men's clothing, too. We put the lot into the
|
|
canoe -- it might come good. There was a boy's old
|
|
speckled straw hat on the floor; I took that, too.
|
|
And there was a bottle that had had milk in it, and it
|
|
had a rag stopper for a baby to suck. We would a
|
|
took the bottle, but it was broke. There was a seedy
|
|
old chest, and an old hair trunk with the hinges broke.
|
|
They stood open, but there warn't nothing left in them
|
|
that was any account. The way things was scattered
|
|
about we reckoned the people left in a hurry, and
|
|
warn't fixed so as to carry off most of their stuff.
|
|
|
|
We got an old tin lantern, and a butcher-knife with-
|
|
out any handle, and a bran-new Barlow knife worth
|
|
two bits in any store, and a lot of tallow candles, and a
|
|
tin candlestick, and a gourd, and a tin cup, and a ratty
|
|
old bedquilt off the bed, and a reticule with needles
|
|
and pins and beeswax and buttons and thread and all
|
|
such truck in it, and a hatchet and some nails, and a
|
|
fishline as thick as my little finger with some mon-
|
|
strous hooks on it, and a roll of buckskin, and a
|
|
leather dog-collar, and a horseshoe, and some vials of
|
|
medicine that didn't have no label on them; and just
|
|
as we was leaving I found a tolerable good curry-comb,
|
|
and Jim he found a ratty old fiddle-bow, and a wooden
|
|
leg. The straps was broke off of it, but, barring that,
|
|
it was a good enough leg, though it was too long for
|
|
me and not long enough for Jim, and we couldn't find
|
|
the other one, though we hunted all around.
|
|
|
|
And so, take it all around, we made a good haul.
|
|
When we was ready to shove off we was a quarter of a
|
|
mile below the island, and it was pretty broad day; so
|
|
I made Jim lay down in the canoe and cover up with
|
|
the quilt, because if he set up people could tell he was
|
|
a nigger a good ways off. I paddled over to the
|
|
Illinois shore, and drifted down most a half a mile
|
|
doing it. I crept up the dead water under the bank,
|
|
and hadn't no accidents and didn't see nobody. We
|
|
got home all safe.
|
|
|
|
|
|
CHAPTER X.
|
|
|
|
AFTER breakfast I wanted to talk about the dead
|
|
man and guess out how he come to be killed, but
|
|
Jim didn't want to. He said it would fetch bad luck;
|
|
and besides, he said, he might come and ha'nt us; he
|
|
said a man that warn't buried was more likely to go a-
|
|
ha'nting around than one that was planted and com-
|
|
fortable. That sounded pretty reasonable, so I didn't
|
|
say no more; but I couldn't keep from studying over
|
|
it and wishing I knowed who shot the man, and what
|
|
they done it for.
|
|
|
|
We rummaged the clothes we'd got, and found eight
|
|
dollars in silver sewed up in the lining of an old blanket
|
|
overcoat. Jim said he reckoned the people in that
|
|
house stole the coat, because if they'd a knowed the
|
|
money was there they wouldn't a left it. I said I
|
|
reckoned they killed him, too; but Jim didn't want to
|
|
talk about that. I says:
|
|
|
|
"Now you think it's bad luck; but what did you
|
|
say when I fetched in the snake-skin that I found on
|
|
the top of the ridge day before yesterday? You said
|
|
it was the worst bad luck in the world to touch a
|
|
snake-skin with my hands. Well, here's your bad
|
|
luck! We've raked in all this truck and eight dollars
|
|
besides. I wish we could have some bad luck like this
|
|
every day, Jim."
|
|
|
|
"Never you mind, honey, never you mind. Don't
|
|
you git too peart. It's a-comin'. Mind I tell you,
|
|
it's a-comin'."
|
|
|
|
It did come, too. It was a Tuesday that we had
|
|
that talk. Well, after dinner Friday we was laying
|
|
around in the grass at the upper end of the ridge, and
|
|
got out of tobacco. I went to the cavern to get some,
|
|
and found a rattlesnake in there. I killed him, and
|
|
curled him up on the foot of Jim's blanket, ever so
|
|
natural, thinking there'd be some fun when Jim found
|
|
him there. Well, by night I forgot all about the
|
|
snake, and when Jim flung himself down on the blanket
|
|
while I struck a light the snake's mate was there, and
|
|
bit him.
|
|
|
|
He jumped up yelling, and the first thing the light
|
|
showed was the varmint curled up and ready for
|
|
another spring. I laid him out in a second with a
|
|
stick, and Jim grabbed pap's whisky-jug and begun to
|
|
pour it down.
|
|
|
|
He was barefooted, and the snake bit him right on
|
|
the heel. That all comes of my being such a fool as
|
|
to not remember that wherever you leave a dead snake
|
|
its mate always comes there and curls around it. Jim
|
|
told me to chop off the snake's head and throw it
|
|
away, and then skin the body and roast a piece of it.
|
|
I done it, and he eat it and said it would help cure
|
|
him. He made me take off the rattles and tie them
|
|
around his wrist, too. He said that that would help.
|
|
Then I slid out quiet and throwed the snakes clear
|
|
away amongst the bushes; for I warn't going to let
|
|
Jim find out it was all my fault, not if I could help it.
|
|
|
|
Jim sucked and sucked at the jug, and now and then
|
|
he got out of his head and pitched around and yelled;
|
|
but every time he come to himself he went to sucking
|
|
at the jug again. His foot swelled up pretty big, and
|
|
so did his leg; but by and by the drunk begun to
|
|
come, and so I judged he was all right; but I'd
|
|
druther been bit with a snake than pap's whisky.
|
|
|
|
Jim was laid up for four days and nights. Then
|
|
the swelling was all gone and he was around again. I
|
|
made up my mind I wouldn't ever take a-holt of a
|
|
snake-skin again with my hands, now that I see what
|
|
had come of it. Jim said he reckoned I would believe
|
|
him next time. And he said that handling a snake-
|
|
skin was such awful bad luck that maybe we hadn't
|
|
got to the end of it yet. He said he druther see the
|
|
new moon over his left shoulder as much as a thousand
|
|
times than take up a snake-skin in his hand. Well, I
|
|
was getting to feel that way myself, though I've always
|
|
reckoned that looking at the new moon over your left
|
|
shoulder is one of the carelessest and foolishest things
|
|
a body can do. Old Hank Bunker done it once, and
|
|
bragged about it; and in less than two years he got
|
|
drunk and fell off of the shot-tower, and spread him-
|
|
self out so that he was just a kind of a layer, as you
|
|
may say; and they slid him edgeways between two
|
|
barn doors for a coffin, and buried him so, so they
|
|
say, but I didn't see it. Pap told me. But anyway
|
|
it all come of looking at the moon that way, like a
|
|
fool.
|
|
|
|
Well, the days went along, and the river went down
|
|
between its banks again; and about the first thing we
|
|
done was to bait one of the big hooks with a skinned
|
|
rabbit and set it and catch a catfish that was as big as
|
|
a man, being six foot two inches long, and weighed
|
|
over two hundred pounds. We couldn't handle him,
|
|
of course; he would a flung us into Illinois. We just
|
|
set there and watched him rip and tear around till he
|
|
drownded. We found a brass button in his stomach
|
|
and a round ball, and lots of rubbage. We split the
|
|
ball open with the hatchet, and there was a spool in it.
|
|
Jim said he'd had it there a long time, to coat it over
|
|
so and make a ball of it. It was as big a fish as was
|
|
ever catched in the Mississippi, I reckon. Jim said he
|
|
hadn't ever seen a bigger one. He would a been
|
|
worth a good deal over at the village. They peddle
|
|
out such a fish as that by the pound in the market-
|
|
house there; everybody buys some of him; his meat's
|
|
as white as snow and makes a good fry.
|
|
|
|
Next morning I said it was getting slow and dull,
|
|
and I wanted to get a stirring up some way. I said I
|
|
reckoned I would slip over the river and find out what
|
|
was going on. Jim liked that notion; but he said I
|
|
must go in the dark and look sharp. Then he studied
|
|
it over and said, couldn't I put on some of them old
|
|
things and dress up like a girl? That was a good
|
|
notion, too. So we shortened up one of the calico
|
|
gowns, and I turned up my trouser-legs to my knees
|
|
and got into it. Jim hitched it behind with the hooks,
|
|
and it was a fair fit. I put on the sun-bonnet and tied
|
|
it under my chin, and then for a body to look in and
|
|
see my face was like looking down a joint of stove-
|
|
pipe. Jim said nobody would know me, even in the
|
|
daytime, hardly. I practiced around all day to get
|
|
the hang of the things, and by and by I could do
|
|
pretty well in them, only Jim said I didn't walk like a
|
|
girl; and he said I must quit pulling up my gown to
|
|
get at my britches-pocket. I took notice, and done
|
|
better.
|
|
|
|
I started up the Illinois shore in the canoe just after
|
|
dark.
|
|
|
|
I started across to the town from a little below the
|
|
ferry-landing, and the drift of the current fetched me
|
|
in at the bottom of the town. I tied up and started
|
|
along the bank. There was a light burning in a little
|
|
shanty that hadn't been lived in for a long time, and I
|
|
wondered who had took up quarters there. I slipped
|
|
up and peeped in at the window. There was a woman
|
|
about forty year old in there knitting by a candle that
|
|
was on a pine table. I didn't know her face; she was
|
|
a stranger, for you couldn't start a face in that town
|
|
that I didn't know. Now this was lucky, because I
|
|
was weakening; I was getting afraid I had come;
|
|
people might know my voice and find me out. But if
|
|
this woman had been in such a little town two days
|
|
she could tell me all I wanted to know; so I knocked
|
|
at the door, and made up my mind I wouldn't forget I
|
|
was a girl.
|
|
|
|
|
|
CHAPTER XI.
|
|
|
|
"COME in," says the woman, and I did. She
|
|
says: "Take a cheer."
|
|
|
|
I done it. She looked me all over with her little
|
|
shiny eyes, and says:
|
|
|
|
"What might your name be?"
|
|
|
|
"Sarah Williams."
|
|
|
|
"Where 'bouts do you live? In this neighbor-
|
|
hood?'
|
|
|
|
"No'm. In Hookerville, seven mile below. I've
|
|
walked all the way and I'm all tired out."
|
|
|
|
"Hungry, too, I reckon. I'll find you something."
|
|
|
|
"No'm, I ain't hungry. I was so hungry I had to
|
|
stop two miles below here at a farm; so I ain't hungry
|
|
no more. It's what makes me so late. My mother's
|
|
down sick, and out of money and everything, and I
|
|
come to tell my uncle Abner Moore. He lives at the
|
|
upper end of the town, she says. I hain't ever been
|
|
here before. Do you know him?"
|
|
|
|
"No; but I don't know everybody yet. I haven't
|
|
lived here quite two weeks. It's a considerable ways
|
|
to the upper end of the town. You better stay here
|
|
all night. Take off your bonnet."
|
|
|
|
"No," I says; "I'll rest a while, I reckon, and go
|
|
on. I ain't afeared of the dark."
|
|
|
|
She said she wouldn't let me go by myself, but her
|
|
husband would be in by and by, maybe in a hour and
|
|
a half, and she'd send him along with me. Then she
|
|
got to talking about her husband, and about her rela-
|
|
tions up the river, and her relations down the river,
|
|
and about how much better off they used to was, and
|
|
how they didn't know but they'd made a mistake
|
|
coming to our town, instead of letting well alone --
|
|
and so on and so on, till I was afeard I had made a
|
|
mistake coming to her to find out what was going on
|
|
in the town; but by and by she dropped on to pap
|
|
and the murder, and then I was pretty willing to let
|
|
her clatter right along. She told about me and Tom
|
|
Sawyer finding the six thousand dollars (only she got
|
|
it ten) and all about pap and what a hard lot he was,
|
|
and what a hard lot I was, and at last she got down to
|
|
where I was murdered. I says:
|
|
|
|
"Who done it? We've heard considerable about
|
|
these goings on down in Hookerville, but we don't
|
|
know who 'twas that killed Huck Finn."
|
|
|
|
"Well, I reckon there's a right smart chance of
|
|
people HERE that'd like to know who killed him. Some
|
|
think old Finn done it himself."
|
|
|
|
"No -- is that so?"
|
|
|
|
"Most everybody thought it at first. He'll never
|
|
know how nigh he come to getting lynched. But
|
|
before night they changed around and judged it was
|
|
done by a runaway nigger named Jim."
|
|
|
|
"Why HE --"
|
|
|
|
I stopped. I reckoned I better keep still. She run
|
|
on, and never noticed I had put in at all:
|
|
|
|
"The nigger run off the very night Huck Finn was
|
|
killed. So there's a reward out for him -- three hun-
|
|
dred dollars. And there's a reward out for old Finn,
|
|
too -- two hundred dollars. You see, he come to town
|
|
the morning after the murder, and told about it, and
|
|
was out with 'em on the ferryboat hunt, and right
|
|
away after he up and left. Before night they wanted
|
|
to lynch him, but he was gone, you see. Well, next
|
|
day they found out the nigger was gone; they found
|
|
out he hadn't ben seen sence ten o'clock the night the
|
|
murder was done. So then they put it on him, you
|
|
see; and while they was full of it, next day, back
|
|
comes old Finn, and went boo-hooing to Judge
|
|
Thatcher to get money to hunt for the nigger all over
|
|
Illinois with. The judge gave him some, and that
|
|
evening he got drunk, and was around till after mid-
|
|
night with a couple of mighty hard-looking strangers,
|
|
and then went off with them. Well, he hain't come
|
|
back sence, and they ain't looking for him back till
|
|
this thing blows over a little, for people thinks now
|
|
that he killed his boy and fixed things so folks would
|
|
think robbers done it, and then he'd get Huck's money
|
|
without having to bother a long time with a lawsuit.
|
|
People do say he warn't any too good to do it. Oh,
|
|
he's sly, I reckon. If he don't come back for a year
|
|
he'll be all right. You can't prove anything on him,
|
|
you know; everything will be quieted down then, and
|
|
he'll walk in Huck's money as easy as nothing."
|
|
|
|
"Yes, I reckon so, 'm. I don't see nothing in the
|
|
way of it. Has everybody guit thinking the nigger
|
|
done it?"
|
|
|
|
"Oh, no, not everybody. A good many thinks he
|
|
done it. But they'll get the nigger pretty soon now,
|
|
and maybe they can scare it out of him."
|
|
|
|
"Why, are they after him yet?"
|
|
|
|
"Well, you're innocent, ain't you! Does three
|
|
hundred dollars lay around every day for people to
|
|
pick up? Some folks think the nigger ain't far from
|
|
here. I'm one of them -- but I hain't talked it around.
|
|
A few days ago I was talking with an old couple that
|
|
lives next door in the log shanty, and they happened
|
|
to say hardly anybody ever goes to that island over
|
|
yonder that they call Jackson's Island. Don't any-
|
|
body live there? says I. No, nobody, says they. I
|
|
didn't say any more, but I done some thinking. I
|
|
was pretty near certain I'd seen smoke over there,
|
|
about the head of the island, a day or two before that,
|
|
so I says to myself, like as not that nigger's hiding
|
|
over there; anyway, says I, it's worth the trouble to
|
|
give the place a hunt. I hain't seen any smoke sence,
|
|
so I reckon maybe he's gone, if it was him; but
|
|
husband's going over to see -- him and another man.
|
|
He was gone up the river; but he got back to-day,
|
|
and I told him as soon as he got here two hours ago."
|
|
|
|
I had got so uneasy I couldn't set still. I had to do
|
|
something with my hands; so I took up a needle off of
|
|
the table and went to threading it. My hands shook,
|
|
and I was making a bad job of it. When the woman
|
|
stopped talking I looked up, and she was looking at
|
|
me pretty curious and smiling a little. I put down the
|
|
needle and thread, and let on to be interested -- and I
|
|
was, too -- and says:
|
|
|
|
"Three hundred dollars is a power of money. I
|
|
wish my mother could get it. Is your husband going
|
|
over there to-night?"
|
|
|
|
"Oh, yes. He went up-town with the man I was
|
|
telling you of, to get a boat and see if they could
|
|
borrow another gun. They'll go over after midnight."
|
|
|
|
"Couldn't they see better if they was to wait till
|
|
daytime?"
|
|
|
|
"Yes. And couldn't the nigger see better, too?
|
|
After midnight he'll likely be asleep, and they can slip
|
|
around through the woods and hunt up his camp fire
|
|
all the better for the dark, if he's got one."
|
|
|
|
"I didn't think of that."
|
|
|
|
The woman kept looking at me pretty curious, and
|
|
I didn't feel a bit comfortable. Pretty soon she says"
|
|
|
|
"What did you say your name was, honey?"
|
|
|
|
"M -- Mary Williams."
|
|
|
|
Somehow it didn't seem to me that I said it was
|
|
Mary before, so I didn't look up -- seemed to me I
|
|
said it was Sarah; so I felt sort of cornered, and was
|
|
afeared maybe I was looking it, too. I wished the
|
|
woman would say something more; the longer she set
|
|
still the uneasier I was. But now she says:
|
|
|
|
"Honey, I thought you said it was Sarah when
|
|
you first come in?"
|
|
|
|
"Oh, yes'm, I did. Sarah Mary Williams. Sarah's
|
|
my first name. Some calls me Sarah, some calls me
|
|
Mary."
|
|
|
|
"Oh, that's the way of it?"
|
|
|
|
"Yes'm."
|
|
|
|
I was feeling better then, but I wished I was out of
|
|
there, anyway. I couldn't look up yet.
|
|
|
|
Well, the woman fell to talking about how hard
|
|
times was, and how poor they had to live, and how the
|
|
rats was as free as if they owned the place, and so
|
|
forth and so on, and then I got easy again. She was
|
|
right about the rats. You'd see one stick his nose out
|
|
of a hole in the corner every little while. She said she
|
|
had to have things handy to throw at them when she
|
|
was alone, or they wouldn't give her no peace. She
|
|
showed me a bar of lead twisted up into a knot, and
|
|
said she was a good shot with it generly, but she'd
|
|
wrenched her arm a day or two ago, and didn't know
|
|
whether she could throw true now. But she watched
|
|
for a chance, and directly banged away at a rat; but
|
|
she missed him wide, and said "Ouch!" it hurt her
|
|
arm so. Then she told me to try for the next one. I
|
|
wanted to be getting away before the old man got
|
|
back, but of course I didn't let on. I got the thing,
|
|
and the first rat that showed his nose I let drive, and
|
|
if he'd a stayed where he was he'd a been a tolerable
|
|
sick rat. She said that was first-rate, and she reckoned
|
|
I would hive the next one. She went and got the
|
|
lump of lead and fetched it back, and brought along a
|
|
hank of yarn which she wanted me to help her with.
|
|
I held up my two hands and she put the hank over
|
|
them, and went on talking about her and her husband's
|
|
matters. But she broke off to say:
|
|
|
|
"Keep your eye on the rats. You better have the
|
|
lead in your lap, handy."
|
|
|
|
So she dropped the lump into my lap just at that
|
|
moment, and I clapped my legs together on it and she
|
|
went on talking. But only about a minute. Then
|
|
she took off the hank and looked me straight in the
|
|
face, and very pleasant, and says:
|
|
|
|
"Come, now, what's your real name?"
|
|
|
|
"Wh -- what, mum?"
|
|
|
|
"What's your real name? Is it Bill, or Tom, or
|
|
Bob? -- or what is it?"
|
|
|
|
I reckon I shook like a leaf, and I didn't know
|
|
hardly what to do. But I says:
|
|
|
|
"Please to don't poke fun at a poor girl like me,
|
|
mum. If I'm in the way here, I'll --"
|
|
|
|
"No, you won't. Set down and stay where you
|
|
are. I ain't going to hurt you, and I ain't going to
|
|
tell on you, nuther. You just tell me your secret, and
|
|
trust me. I'll keep it; and, what's more, I'll help
|
|
you. So'll my old man if you want him to. You
|
|
see, you're a runaway 'prentice, that's all. It ain't
|
|
anything. There ain't no harm in it. You've been
|
|
treated bad, and you made up your mind to cut.
|
|
Bless you, child, I wouldn't tell on you. Tell me all
|
|
about it now, that's a good boy."
|
|
|
|
So I said it wouldn't be no use to try to play it any
|
|
longer, and I would just make a clean breast and tell
|
|
her everything, but she musn't go back on her promise.
|
|
Then I told her my father and mother was dead, and
|
|
the law had bound me out to a mean old farmer in the
|
|
country thirty mile back from the river, and he treated
|
|
me so bad I couldn't stand it no longer; he went away
|
|
to be gone a couple of days, and so I took my chance
|
|
and stole some of his daughter's old clothes and
|
|
cleared out, and I had been three nights coming the
|
|
thirty miles. I traveled nights, and hid daytimes and
|
|
slept, and the bag of bread and meat I carried from
|
|
home lasted me all the way, and I had a-plenty. I
|
|
said I believed my uncle Abner Moore would take care
|
|
of me, and so that was why I struck out for this town
|
|
of Goshen.
|
|
|
|
"Goshen, child? This ain't Goshen. This is St.
|
|
Petersburg. Goshen's ten mile further up the river.
|
|
Who told you this was Goshen?"
|
|
|
|
"Why, a man I met at daybreak this morning, just
|
|
as I was going to turn into the woods for my regular
|
|
sleep. He told me when the roads forked I must take
|
|
the right hand, and five mile would fetch me to
|
|
Goshen."
|
|
|
|
"He was drunk, I reckon. He told you just ex-
|
|
actly wrong."
|
|
|
|
"Well,,he did act like he was drunk, but it ain't no
|
|
matter now. I got to be moving along. I'll fetch
|
|
Goshen before daylight."
|
|
|
|
"Hold on a minute. I'll put you up a snack to eat.
|
|
You might want it."
|
|
|
|
So she put me up a snack, and says:
|
|
|
|
"Say, when a cow's laying down, which end of her
|
|
gets up first? Answer up prompt now -- don't stop
|
|
to study over it. Which end gets up first?"
|
|
|
|
"The hind end, mum."
|
|
|
|
"Well, then, a horse?"
|
|
|
|
"The for'rard end, mum."
|
|
|
|
"Which side of a tree does the moss grow on?"
|
|
|
|
"North side."
|
|
|
|
"If fifteen cows is browsing on a hillside, how
|
|
many of them eats with their heads pointed the same
|
|
direction?"
|
|
|
|
"The whole fifteen, mum."
|
|
|
|
"Well, I reckon you HAVE lived in the country. I
|
|
thought maybe you was trying to hocus me again.
|
|
What's your real name, now?"
|
|
|
|
"George Peters, mum."
|
|
|
|
"Well, try to remember it, George. Don't forget
|
|
and tell me it's Elexander before you go, and then get
|
|
out by saying it's George Elexander when I catch you.
|
|
And don't go about women in that old calico. You
|
|
do a girl tolerable poor, but you might fool men,
|
|
maybe. Bless you, child, when you set out to thread
|
|
a needle don't hold the thread still and fetch the needle
|
|
up to it; hold the needle still and poke the thread at
|
|
it; that's the way a woman most always does, but a
|
|
man always does t'other way. And when you throw
|
|
at a rat or anything, hitch yourself up a tiptoe and
|
|
fetch your hand up over your head as awkward as you
|
|
can, and miss your rat about six or seven foot. Throw
|
|
stiff-armed from the shoulder, like there was a pivot
|
|
there for it to turn on, like a girl; not from the wrist
|
|
and elbow, with your arm out to one side, like a boy.
|
|
And, mind you, when a girl tries to catch anything in
|
|
her lap she throws her knees apart; she don't clap
|
|
them together, the way you did when you catched the
|
|
lump of lead. Why, I spotted you for a boy when
|
|
you was threading the needle; and I contrived the
|
|
other things just to make certain. Now trot along to
|
|
your uncle, Sarah Mary Williams George Elexander
|
|
Peters, and if you get into trouble you send word to
|
|
Mrs. Judith Loftus, which is me, and I'll do what I
|
|
can to get you out of it. Keep the river road all the
|
|
way, and next time you tramp take shoes and socks
|
|
with you. The river road's a rocky one, and your
|
|
feet'll be in a condition when you get to Goshen, I
|
|
reckon."
|
|
|
|
I went up the bank about fifty yards, and then I
|
|
doubled on my tracks and slipped back to where my
|
|
canoe was, a good piece below the house. I jumped
|
|
in, and was off in a hurry. I went up-stream far
|
|
enough to make the head of the island, and then
|
|
started across. I took off the sun-bonnet, for I didn't
|
|
want no blinders on then. When I was about the
|
|
middle I heard the clock begin to strike, so I stops
|
|
and listens; the sound come faint over the water but
|
|
clear -- eleven. When I struck the head of the island
|
|
I never waited to blow, though I was most winded, but
|
|
I shoved right into the timber where my old camp used
|
|
to be, and started a good fire there on a high and dry
|
|
spot.
|
|
|
|
Then I jumped in the canoe and dug out for our
|
|
place, a mile and a half below, as hard as I could go.
|
|
I landed, and slopped through the timber and up the
|
|
ridge and into the cavern. There Jim laid, sound
|
|
asleep on the ground. I roused him out and says:
|
|
|
|
"Git up and hump yourself, Jim! There ain't a
|
|
minute to lose. They're after us!"
|
|
|
|
Jim never asked no questions, he never said a word;
|
|
but the way he worked for the next half an hour
|
|
showed about how he was scared. By that time every-
|
|
thing we had in the world was on our raft, and she was
|
|
ready to be shoved out from the willow cove where she
|
|
was hid. We put out the camp fire at the cavern the
|
|
first thing, and didn't show a candle outside after that.
|
|
|
|
I took the canoe out from the shore a little piece,
|
|
and took a look; but if there was a boat around I
|
|
couldn't see it, for stars and shadows ain't good to see
|
|
by. Then we got out the raft and slipped along down
|
|
in the shade, past the foot of the island dead still --
|
|
never saying a word.
|
|
|
|
|
|
CHAPTER XII.
|
|
|
|
IT must a been close on to one o'clock when we
|
|
got below the island at last, and the raft did seem
|
|
to go mighty slow. If a boat was to come along we
|
|
was going to take to the canoe and break for the
|
|
Illinois shore; and it was well a boat didn't come, for
|
|
we hadn't ever thought to put the gun in the canoe,
|
|
or a fishing-line, or anything to eat. We was in
|
|
ruther too much of a sweat to think of so many things.
|
|
It warn't good judgment to put EVERYTHING on the raft.
|
|
|
|
If the men went to the island I just expect they
|
|
found the camp fire I built, and watched it all night for
|
|
Jim to come. Anyways, they stayed away from us,
|
|
and if my building the fire never fooled them it warn't
|
|
no fault of mine. I played it as low down on them as
|
|
I could.
|
|
|
|
When the first streak of day began to show we tied
|
|
up to a towhead in a big bend on the Illinois side, and
|
|
hacked off cottonwood branches with the hatchet,
|
|
and covered up the raft with them so she looked like
|
|
there had been a cave-in in the bank there. A tow-
|
|
head is a sandbar that has cottonwoods on it as thick
|
|
as harrow-teeth.
|
|
|
|
We had mountains on the Missouri shore and heavy
|
|
timber on the Illinois side, and the channel was down
|
|
the Missouri shore at that place, so we warn't afraid of
|
|
anybody running across us. We laid there all day,
|
|
and watched the rafts and steamboats spin down the
|
|
Missouri shore, and up-bound steamboats fight the big
|
|
river in the middle. I told Jim all about the time I
|
|
had jabbering with that woman; and Jim said she was
|
|
a smart one, and if she was to start after us herself she
|
|
wouldn't set down and watch a camp fire -- no, sir,
|
|
she'd fetch a dog. Well, then, I said, why couldn't
|
|
she tell her husband to fetch a dog? Jim said he bet
|
|
she did think of it by the time the men was ready to
|
|
start, and he believed they must a gone up-town to get
|
|
a dog and so they lost all that time, or else we
|
|
wouldn't be here on a towhead sixteen or seventeen
|
|
mile below the village -- no, indeedy, we would be in
|
|
that same old town again. So I said I didn't care
|
|
what was the reason they didn't get us as long as they
|
|
didn't.
|
|
|
|
When it was beginning to come on dark we poked
|
|
our heads out of the cottonwood thicket, and looked
|
|
up and down and across; nothing in sight; so Jim
|
|
took up some of the top planks of the raft and built a
|
|
snug wigwam to get under in blazing weather and
|
|
rainy, and to keep the things dry. Jim made a floor
|
|
for the wigwam, and raised it a foot or more above the
|
|
level of the raft, so now the blankets and all the traps
|
|
was out of reach of steamboat waves. Right in the
|
|
middle of the wigwam we made a layer of dirt about
|
|
five or six inches deep with a frame around it for to
|
|
hold it to its place; this was to build a fire on in
|
|
sloppy weather or chilly; the wigwam would keep it
|
|
from being seen. We made an extra steering-oar,
|
|
too, because one of the others might get broke on a
|
|
snag or something. We fixed up a short forked stick
|
|
to hang the old lantern on, because we must always
|
|
light the lantern whenever we see a steamboat coming
|
|
down-stream, to keep from getting run over; but we
|
|
wouldn't have to light it for up-stream boats unless we
|
|
see we was in what they call a "crossing"; for the
|
|
river was pretty high yet, very low banks being still a
|
|
little under water; so up-bound boats didn't always
|
|
run the channel, but hunted easy water.
|
|
|
|
This second night we run between seven and eight
|
|
hours, with a current that was making over four mile
|
|
an hour. We catched fish and talked, and we took a
|
|
swim now and then to keep off sleepiness. It was
|
|
kind of solemn, drifting down the big, still river, lay-
|
|
ing on our backs looking up at the stars, and we didn't
|
|
ever feel like talking loud, and it warn't often that we
|
|
laughed -- only a little kind of a low chuckle. We
|
|
had mighty good weather as a general thing, and noth-
|
|
ing ever happened to us at all -- that night, nor the
|
|
next, nor the next.
|
|
|
|
Every night we passed towns, some of them away
|
|
up on black hillsides, nothing but just a shiny bed of
|
|
lights; not a house could you see. The fifth night we
|
|
passed St. Louis, and it was like the whole world lit
|
|
up. In St. Petersburg they used to say there was
|
|
twenty or thirty thousand people in St. Louis, but I
|
|
never believed it till I see that wonderful spread of
|
|
lights at two o'clock that still night. There warn't a
|
|
sound there; everybody was asleep.
|
|
|
|
Every night now I used to slip ashore towards ten
|
|
o'clock at some little village, and buy ten or fifteen
|
|
cents' worth of meal or bacon or other stuff to eat;
|
|
and sometimes I lifted a chicken that warn't roosting
|
|
comfortable, and took him along. Pap always said,
|
|
take a chicken when you get a chance, because if you
|
|
don't want him yourself you can easy find somebody
|
|
that does, and a good deed ain't ever forgot. I never
|
|
see pap when he didn't want the chicken himself, but
|
|
that is what he used to say, anyway.
|
|
|
|
Mornings before daylight I slipped into cornfields
|
|
and borrowed a watermelon, or a mushmelon, or a
|
|
punkin, or some new corn, or things of that kind.
|
|
Pap always said it warn't no harm to borrow things if
|
|
you was meaning to pay them back some time; but
|
|
the widow said it warn't anything but a soft name for
|
|
stealing, and no decent body would do it. Jim said he
|
|
reckoned the widow was partly right and pap was partly
|
|
right; so the best way would be for us to pick out two
|
|
or three things from the list and say we wouldn't borrow
|
|
them any more -- then he reckoned it wouldn't be no
|
|
harm to borrow the others. So we talked it over all
|
|
one night, drifting along down the river, trying to
|
|
make up our minds whether to drop the watermelons,
|
|
or the cantelopes, or the mushmelons, or what. But
|
|
towards daylight we got it all settled satisfactory, and
|
|
concluded to drop crabapples and p'simmons. We
|
|
warn't feeling just right before that, but it was all
|
|
comfortable now. I was glad the way it come out,
|
|
too, because crabapples ain't ever good, and the
|
|
p'simmons wouldn't be ripe for two or three months
|
|
yet.
|
|
|
|
We shot a water-fowl now and then that got up too
|
|
early in the morning or didn't go to bed early enough
|
|
in the evening. Take it all round, we lived pretty high.
|
|
|
|
The fifth night below St. Louis we had a big storm
|
|
after midnight, with a power of thunder and lightning,
|
|
and the rain poured down in a solid sheet. We stayed
|
|
in the wigwam and let the raft take care of itself.
|
|
When the lightning glared out we could see a big
|
|
straight river ahead, and high, rocky bluffs on both
|
|
sides. By and by says I, "Hel-LO, Jim, looky yon-
|
|
der!" It was a steamboat that had killed herself on a
|
|
rock. We was drifting straight down for her. The
|
|
lightning showed her very distinct. She was leaning
|
|
over, with part of her upper deck above water, and
|
|
you could see every little chimbly-guy clean and clear,
|
|
and a chair by the big bell, with an old slouch hat
|
|
hanging on the back of it, when the flashes come.
|
|
|
|
Well, it being away in the night and stormy, and all
|
|
so mysterious-like, I felt just the way any other boy
|
|
would a felt when I see that wreck laying there so
|
|
mournful and lonesome in the middle of the river. I
|
|
wanted to get aboard of her and slink around a little,
|
|
and see what there was there. So I says:
|
|
|
|
"Le's land on her, Jim."
|
|
|
|
But Jim was dead against it at first. He says:
|
|
|
|
"I doan' want to go fool'n 'long er no wrack.
|
|
We's doin' blame' well, en we better let blame' well
|
|
alone, as de good book says. Like as not dey's a
|
|
watchman on dat wrack."
|
|
|
|
"Watchman your grandmother," I says; "there
|
|
ain't nothing to watch but the texas and the pilot-
|
|
house; and do you reckon anybody's going to resk his
|
|
life for a texas and a pilot-house such a night as this,
|
|
when it's likely to break up and wash off down the
|
|
river any minute?" Jim couldn't say nothing to that,
|
|
so he didn't try. "And besides," I says, "we might
|
|
borrow something worth having out of the captain's
|
|
stateroom. Seegars, I bet you -- and cost five cents
|
|
apiece, solid cash. Steamboat captains is always rich,
|
|
and get sixty dollars a month, and THEY don't care a
|
|
cent what a thing costs, you know, long as they want
|
|
it. Stick a candle in your pocket; I can't rest, Jim,
|
|
till we give her a rummaging. Do you reckon Tom
|
|
Sawyer would ever go by this thing? Not for pie, he
|
|
wouldn't. He'd call it an adventure -- that's what
|
|
he'd call it; and he'd land on that wreck if it was his
|
|
last act. And wouldn't he throw style into it? --
|
|
wouldn't he spread himself, nor nothing? Why,
|
|
you'd think it was Christopher C'lumbus discovering
|
|
Kingdom-Come. I wish Tom Sawyer WAS here."
|
|
|
|
Jim he grumbled a little, but give in. He said we
|
|
mustn't talk any more than we could help, and then
|
|
talk mighty low. The lightning showed us the wreck
|
|
again just in time, and we fetched the stabboard
|
|
derrick, and made fast there.
|
|
|
|
The deck was high out here. We went sneaking down
|
|
the slope of it to labboard, in the dark, towards the
|
|
texas, feeling our way slow with our feet, and spreading
|
|
our hands out to fend off the guys, for it was so dark
|
|
we couldn't see no sign of them. Pretty soon we
|
|
struck the forward end of the skylight, and clumb on
|
|
to it; and the next step fetched us in front of the
|
|
captain's door, which was open, and by Jimminy,
|
|
away down through the texas-hall we see a light! and
|
|
all in the same second we seem to hear low voices in
|
|
yonder!
|
|
|
|
Jim whispered and said he was feeling powerful
|
|
sick, and told me to come along. I says, all right,
|
|
and was going to start for the raft; but just then I
|
|
heard a voice wail out and say:
|
|
|
|
"Oh, please don't, boys; I swear I won't ever
|
|
tell!"
|
|
|
|
Another voice said, pretty loud:
|
|
|
|
"It's a lie, Jim Turner. You've acted this way
|
|
before. You always want more'n your share of the
|
|
truck, and you've always got it, too, because you've
|
|
swore 't if you didn't you'd tell. But this time you've
|
|
said it jest one time too many. You're the meanest,
|
|
treacherousest hound in this country."
|
|
|
|
By this time Jim was gone for the raft. I was just
|
|
a-biling with curiosity; and I says to myself, Tom
|
|
Sawyer wouldn't back out now, and so I won't either;
|
|
I'm a-going to see what's going on here. So I
|
|
dropped on my hands and knees in the little passage,
|
|
and crept aft in the dark till there warn't but one
|
|
stateroom betwixt me and the cross-hall of the texas.
|
|
Then in there I see a man stretched on the floor and
|
|
tied hand and foot, and two men standing over him,
|
|
and one of them had a dim lantern in his hand, and
|
|
the other one had a pistol. This one kept pointing
|
|
the pistol at the man's head on the floor, and saying:
|
|
|
|
"I'd LIKE to! And I orter, too -- a mean skunk!"
|
|
|
|
The man on the floor would shrivel up and say,
|
|
"Oh, please don't, Bill; I hain't ever goin' to tell."
|
|
|
|
And every time he said that the man with the lantern
|
|
would laugh and say:
|
|
|
|
"'Deed you AIN'T! You never said no truer thing
|
|
'n that, you bet you." And once he said: "Hear
|
|
him beg! and yit if we hadn't got the best of him and
|
|
tied him he'd a killed us both. And what FOR? Jist
|
|
for noth'n. Jist because we stood on our RIGHTS --
|
|
that's what for. But I lay you ain't a-goin' to threaten
|
|
nobody any more, Jim Turner. Put UP that pistol,
|
|
Bill."
|
|
|
|
Bill says:
|
|
|
|
"I don't want to, Jake Packard. I'm for killin'
|
|
him -- and didn't he kill old Hatfield jist the same
|
|
way -- and don't he deserve it?"
|
|
|
|
"But I don't WANT him killed, and I've got my
|
|
reasons for it."
|
|
|
|
"Bless yo' heart for them words, Jake Packard!
|
|
I'll never forgit you long's I live!" says the man on
|
|
the floor, sort of blubbering.
|
|
|
|
Packard didn't take no notice of that, but hung up
|
|
his lantern on a nail and started towards where I was
|
|
there in the dark, and motioned Bill to come. I
|
|
crawfished as fast as I could about two yards, but the
|
|
boat slanted so that I couldn't make very good time;
|
|
so to keep from getting run over and catched I crawled
|
|
into a stateroom on the upper side. The man came a-
|
|
pawing along in the dark, and when Packard got to
|
|
my stateroom, he says:
|
|
|
|
"Here -- come in here."
|
|
|
|
And in he come, and Bill after him. But before
|
|
they got in I was up in the upper berth, cornered, and
|
|
sorry I come. Then they stood there, with their hands
|
|
on the ledge of the berth, and talked. I couldn't see
|
|
them, but I could tell where they was by the whisky
|
|
they'd been having. I was glad I didn't drink whisky;
|
|
but it wouldn't made much difference anyway, because
|
|
most of the time they couldn't a treed me because I
|
|
didn't breathe. I was too scared. And, besides, a
|
|
body COULDN'T breathe and hear such talk. They
|
|
talked low and earnest. Bill wanted to kill Turner.
|
|
He says:
|
|
|
|
"He's said he'll tell, and he will. If we was to
|
|
give both our shares to him NOW it wouldn't make no
|
|
difference after the row and the way we've served him.
|
|
Shore's you're born, he'll turn State's evidence; now
|
|
you hear ME. I'm for putting him out of his troubles."
|
|
|
|
"So'm I," says Packard, very quiet.
|
|
|
|
"Blame it, I'd sorter begun to think you wasnUt.
|
|
Well, then, that's all right. Le's go and do it."
|
|
|
|
"Hold on a minute; I hain't had my say yit. You
|
|
listen to me. Shooting's good, but there's quieter
|
|
ways if the thing's GOT to be done. But what I say is
|
|
this: it ain't good sense to go court'n around after a
|
|
halter if you can git at what you're up to in some
|
|
way that's jist as good and at the same time don't
|
|
bring you into no resks. Ain't that so?"
|
|
|
|
"You bet it is. But how you goin' to manage it
|
|
this time?"
|
|
|
|
"Well, my idea is this: we'll rustle around and gather
|
|
up whatever pickins we've overlooked in the state-
|
|
rooms, and shove for shore and hide the truck. Then
|
|
we'll wait. Now I say it ain't a-goin' to be more'n
|
|
two hours befo' this wrack breaks up and washes off
|
|
down the river. See? He'll be drownded, and won't
|
|
have nobody to blame for it but his own self. I
|
|
reckon that's a considerble sight better 'n killin' of
|
|
him. I'm unfavorable to killin' a man as long as you
|
|
can git aroun' it; it ain't good sense, it ain't good
|
|
morals. Ain't I right?"
|
|
|
|
"Yes, I reck'n you are. But s'pose she DON'T
|
|
break up and wash off?"
|
|
|
|
"Well, we can wait the two hours anyway and see,
|
|
can't we?"
|
|
|
|
"All right, then; come along."
|
|
|
|
So they started, and I lit out, all in a cold sweat,
|
|
and scrambled forward. It was dark as pitch there;
|
|
but I said, in a kind of a coarse whisper, "Jim !" and
|
|
he answered up, right at my elbow, with a sort of a
|
|
moan, and I says:
|
|
|
|
"Quick, Jim, it ain't no time for fooling around
|
|
and moaning; there's a gang of murderers in yonder,
|
|
and if we don't hunt up their boat and set her drifting
|
|
down the river so these fellows can't get away from the
|
|
wreck there's one of 'em going to be in a bad fix.
|
|
But if we find their boat we can put ALL of 'em in a
|
|
bad fix -- for the sheriff 'll get 'em. Quick -- hurry!
|
|
I'll hunt the labboard side, you hunt the stabboard.
|
|
You start at the raft, and --"
|
|
|
|
"Oh, my lordy, lordy! RAF'? Dey ain' no raf'
|
|
no mo'; she done broke loose en gone I -- en here
|
|
we is!"
|
|
|
|
|
|
CHAPTER XIII.
|
|
|
|
WELL, I catched my breath and most fainted.
|
|
Shut up on a wreck with such a gang as that!
|
|
But it warn't no time to be sentimentering. We'd GOT
|
|
to find that boat now -- had to have it for ourselves.
|
|
So we went a-quaking and shaking down the stabboard
|
|
side, and slow work it was, too -- seemed a week be-
|
|
fore we got to the stern. No sign of a boat. Jim
|
|
said he didn't believe he could go any further -- so
|
|
scared he hadn't hardly any strength left, he said.
|
|
But I said, come on, if we get left on this wreck we
|
|
are in a fix, sure. So on we prowled again. We
|
|
struck for the stern of the texas, and found it, and
|
|
then scrabbled along forwards on the skylight, hanging
|
|
on from shutter to shutter, for the edge of the skylight
|
|
was in the water. When we got pretty close to the
|
|
cross-hall door there was the skiff, sure enough! I
|
|
could just barely see her. I felt ever so thankful. In
|
|
another second I would a been aboard of her, but just
|
|
then the door opened. One of the men stuck his head
|
|
out only about a couple of foot from me, and I thought
|
|
I was gone; but he jerked it in again, and says:
|
|
|
|
"Heave that blame lantern out o' sight, Bill!"
|
|
|
|
He flung a bag of something into the boat, and then
|
|
got in himself and set down. It was Packard. Then
|
|
Bill HE come out and got in. Packard says, in a low
|
|
voice:
|
|
|
|
"All ready -- shove off!"
|
|
|
|
I couldn't hardly hang on to the shutters, I was so
|
|
weak. But Bill says:
|
|
|
|
"Hold on -- 'd you go through him?"
|
|
|
|
"No. Didn't you?"
|
|
|
|
"No. So he's got his share o' the cash yet."
|
|
|
|
"Well, then, come along; no use to take truck and
|
|
leave money."
|
|
|
|
"Say, won't he suspicion what we're up to?"
|
|
|
|
"Maybe he won't. But we got to have it anyway.
|
|
Come along."
|
|
|
|
So they got out and went in.
|
|
|
|
The door slammed to because it was on the careened
|
|
side; and in a half second I was in the boat, and Jim
|
|
come tumbling after me. I out with my knife and cut
|
|
the rope, and away we went!
|
|
|
|
We didn't touch an oar, and we didn't speak nor
|
|
whisper, nor hardly even breathe. We went gliding
|
|
swift along, dead silent, past the tip of the paddle-
|
|
box, and past the stern; then in a second or two more
|
|
we was a hundred yards below the wreck, and the
|
|
darkness soaked her up, every last sign of her, and we
|
|
was safe, and knowed it.
|
|
|
|
When we was three or four hundred yards down-
|
|
stream we see the lantern show like a little spark at the
|
|
texas door for a second, and we knowed by that that
|
|
the rascals had missed their boat, and was beginning
|
|
to understand that they was in just as much trouble now
|
|
as Jim Turner was.
|
|
|
|
Then Jim manned the oars, and we took out after
|
|
our raft. Now was the first time that I begun to worry
|
|
about the men -- I reckon I hadn't had time to before.
|
|
I begun to think how dreadful it was, even for mur-
|
|
derers, to be in such a fix. I says to myself, there
|
|
ain't no telling but I might come to be a murderer
|
|
myself yet, and then how would I like it? So says I
|
|
to Jim:
|
|
|
|
"The first light we see we'll land a hundred yards
|
|
below it or above it, in a place where it's a good
|
|
hiding-place for you and the skiff, and then I'll go and
|
|
fix up some kind of a yarn, and get somebody to go
|
|
for that gang and get them out of their scrape, so they
|
|
can be hung when their time comes."
|
|
|
|
But that idea was a failure; for pretty soon it begun
|
|
to storm again, and this time worse than ever. The
|
|
rain poured down, and never a light showed; every-
|
|
body in bed, I reckon. We boomed along down the
|
|
river, watching for lights and watching for our raft.
|
|
After a long time the rain let up, but the clouds
|
|
stayed, and the lightning kept whimpering, and by and
|
|
by a flash showed us a black thing ahead, floating, and
|
|
we made for it.
|
|
|
|
It was the raft, and mighty glad was we to get
|
|
aboard of it again. We seen a light now away down
|
|
to the right, on shore. So I said I would go for it.
|
|
The skiff was half full of plunder which that gang had
|
|
stole there on the wreck. We hustled it on to the raft
|
|
in a pile, and I told Jim to float along down, and show
|
|
a light when he judged he had gone about two mile,
|
|
and keep it burning till I come; then I manned my
|
|
oars and shoved for the light. As I got down towards
|
|
it three or four more showed -- up on a hillside. It
|
|
was a village. I closed in above the shore light, and
|
|
laid on my oars and floated. As I went by I see it
|
|
was a lantern hanging on the jackstaff of a double-hull
|
|
ferryboat. I skimmed around for the watchman, a-
|
|
wondering whereabouts he slept; and by and by I
|
|
found him roosting on the bitts forward, with his head
|
|
down between his knees. I gave his shoulder two or
|
|
three little shoves, and begun to cry.
|
|
|
|
He stirred up in a kind of a startlish way; but when
|
|
he see it was only me he took a good gap and stretch,
|
|
and then he says:
|
|
|
|
"Hello, what's up? Don't cry, bub. What's the
|
|
trouble?"
|
|
|
|
I says:
|
|
|
|
"Pap, and mam, and sis, and --"
|
|
|
|
Then I broke down. He says:
|
|
|
|
"Oh, dang it now, DON'T take on so; we all has to
|
|
have our troubles, and this 'n 'll come out all right.
|
|
What's the matter with 'em?"
|
|
|
|
"They're -- they're -- are you the watchman of the
|
|
boat?"
|
|
|
|
"Yes," he says, kind of pretty-well-satisfied like.
|
|
"I'm the captain and the owner and the mate and the
|
|
pilot and watchman and head deck-hand; and some-
|
|
times I'm the freight and passengers. I ain't as rich
|
|
as old Jim Hornback, and I can't be so blame' gener-
|
|
ous and good to Tom, Dick, and Harry as what he is,
|
|
and slam around money the way he does; but I've
|
|
told him a many a time 't I wouldn't trade places with
|
|
him; for, says I, a sailor's life's the life for me, and
|
|
I'm derned if I'D live two mile out o' town, where
|
|
there ain't nothing ever goin' on, not for all his spon-
|
|
dulicks and as much more on top of it. Says I --"
|
|
|
|
I broke in and says:
|
|
|
|
"They're in an awful peck of trouble, and --"
|
|
|
|
"WHO is?"
|
|
|
|
"Why, pap and mam and sis and Miss Hooker;
|
|
and if you'd take your ferryboat and go up there --"
|
|
|
|
"Up where? Where are they?"
|
|
|
|
"On the wreck."
|
|
|
|
"What wreck?"
|
|
|
|
"Why, there ain't but one."
|
|
|
|
"What, you don't mean the Walter Scott?"
|
|
|
|
"Yes."
|
|
|
|
"Good land! what are they doin' THERE, for gracious
|
|
sakes?"
|
|
|
|
"Well, they didn't go there a-purpose."
|
|
|
|
"I bet they didn't! Why, great goodness, there
|
|
ain't no chance for 'em if they don't git off mighty
|
|
quick! Why, how in the nation did they ever git into
|
|
such a scrape?"
|
|
|
|
"Easy enough. Miss Hooker was a-visiting up
|
|
there to the town --"
|
|
|
|
"Yes, Booth's Landing -- go on."
|
|
|
|
"She was a-visiting there at Booth's Landing, and
|
|
just in the edge of the evening she started over with
|
|
her nigger woman in the horse-ferry to stay all night
|
|
at her friend's house, Miss What-you-may-call-herQI
|
|
disremember her name -- and they lost their steering-
|
|
oar, and swung around and went a-floating down,
|
|
stern first, about two mile, and saddle-baggsed on the
|
|
wreck, and the ferryman and the nigger woman and
|
|
the horses was all lost, but Miss Hooker she made a
|
|
grab and got aboard the wreck. Well, about an hour
|
|
after dark we come along down in our trading-scow,
|
|
and it was so dark we didn't notice the wreck till we
|
|
was right on it; and so WE saddle-baggsed; but all of
|
|
us was saved but Bill Whipple -- and oh, he WAS the
|
|
best cretur ! -- I most wish 't it had been me, I do."
|
|
|
|
"My George! It's the beatenest thing I ever
|
|
struck. And THEN what did you all do?"
|
|
|
|
"Well, we hollered and took on, but it's so wide
|
|
there we couldn't make nobody hear. So pap said
|
|
somebody got to get ashore and get help somehow. I
|
|
was the only one that could swim, so I made a dash
|
|
for it, and Miss Hooker she said if I didn't strike help
|
|
sooner, come here and hunt up her uncle, and he'd
|
|
fix the thing. I made the land about a mile below,
|
|
and been fooling along ever since, trying to get people
|
|
to do something, but they said, 'What, in such a night
|
|
and such a current? There ain't no sense in it; go
|
|
for the steam ferry.' Now if you'll go and --"
|
|
|
|
"By Jackson, I'd LIKE to, and, blame it, I don't
|
|
know but I will; but who in the dingnation's a-going'
|
|
to PAY for it? Do you reckon your pap --"
|
|
|
|
"Why THAT'S all right. Miss Hooker she tole me,
|
|
PARTICULAR, that her uncle Hornback --"
|
|
|
|
"Great guns! is HE her uncle? Looky here, you
|
|
break for that light over yonder-way, and turn out
|
|
west when you git there, and about a quarter of a mile
|
|
out you'll come to the tavern; tell 'em to dart you
|
|
out to Jim Hornback's, and he'll foot the bill. And
|
|
don't you fool around any, because he'll want to know
|
|
the news. Tell him I'll have his niece all safe before
|
|
he can get to town. Hump yourself, now; I'm a-
|
|
going up around the corner here to roust out my
|
|
engineer."
|
|
|
|
I struck for the light, but as soon as he turned the
|
|
corner I went back and got into my skiff and bailed her
|
|
out, and then pulled up shore in the easy water about
|
|
six hundred yards, and tucked myself in among some
|
|
woodboats; for I couldn't rest easy till I could see
|
|
the ferryboat start. But take it all around, I was feel-
|
|
ing ruther comfortable on accounts of taking all this
|
|
trouble for that gang, for not many would a done it.
|
|
I wished the widow knowed about it. I judged she
|
|
would be proud of me for helping these rapscallions,
|
|
because rapscallions and dead beats is the kind the
|
|
widow and good people takes the most interest in.
|
|
|
|
Well, before long here comes the wreck, dim and
|
|
dusky, sliding along down! A kind of cold shiver
|
|
went through me, and then I struck out for her. She
|
|
was very deep, and I see in a minute there warn't much
|
|
chance for anybody being alive in her. I pulled all
|
|
around her and hollered a little, but there wasn't any
|
|
answer; all dead still. I felt a little bit heavy-hearted
|
|
about the gang, but not much, for I reckoned if they
|
|
could stand it I could.
|
|
|
|
Then here comes the ferryboat; so I shoved for the
|
|
middle of the river on a long down-stream slant; and
|
|
when I judged I was out of eye-reach I laid on my
|
|
oars, and looked back and see her go and smell around
|
|
the wreck for Miss Hooker's remainders, because the
|
|
captain would know her uncle Hornback would want
|
|
them; and then pretty soon the ferryboat give it up
|
|
and went for the shore, and I laid into my work and
|
|
went a-booming down the river.
|
|
|
|
It did seem a powerful long time before Jim's light
|
|
showed up; and when it did show it looked like it was
|
|
a thousand mile off. By the time I got there the sky
|
|
was beginning to get a little gray in the east; so we
|
|
struck for an island, and hid the raft, and sunk the
|
|
skiff, and turned in and slept like dead people.
|
|
|
|
|
|
CHAPTER XIV.
|
|
|
|
BY and by, when we got up, we turned over the
|
|
truck the gang had stole off of the wreck, and
|
|
found boots, and blankets, and clothes, and all sorts of
|
|
other things, and a lot of books, and a spyglass, and
|
|
three boxes of seegars. We hadn't ever been this rich
|
|
before in neither of our lives. The seegars was prime.
|
|
We laid off all the afternoon in the woods talking, and
|
|
me reading the books, and having a general good time.
|
|
I told Jim all about what happened inside the wreck
|
|
and at the ferryboat, and I said these kinds of things
|
|
was adventures; but he said he didn't want no more
|
|
adventures. He said that when I went in the texas
|
|
and he crawled back to get on the raft and found her
|
|
gone he nearly died, because he judged it was all up
|
|
with HIM anyway it could be fixed; for if he didn't get
|
|
saved he would get drownded; and if he did get
|
|
saved, whoever saved him would send him back home
|
|
so as to get the reward, and then Miss Watson would
|
|
sell him South, sure. Well, he was right; he was
|
|
most always right; he had an uncommon level head
|
|
for a nigger.
|
|
|
|
I read considerable to Jim about kings and dukes
|
|
and earls and such, and how gaudy they dressed, and
|
|
how much style they put on, and called each other
|
|
your majesty, and your grace, and your lordship, and
|
|
so on, 'stead of mister; and Jim's eyes bugged out,
|
|
and he was interested. He says:
|
|
|
|
"I didn' know dey was so many un um. I hain't
|
|
hearn 'bout none un um, skasely, but ole King Soller-
|
|
mun, onless you counts dem kings dat's in a pack er
|
|
k'yards. How much do a king git?"
|
|
|
|
"Get?" I says; "why, they get a thousand dollars
|
|
a month if they want it; they can have just as much
|
|
as they want; everything belongs to them."
|
|
|
|
"AIN' dat gay? En what dey got to do, Huck?"
|
|
|
|
"THEY don't do nothing! Why, how you talk!
|
|
They just set around."
|
|
|
|
"No; is dat so?"
|
|
|
|
"Of course it is. They just set around -- except,
|
|
maybe, when there's a war; then they go to the war.
|
|
But other times they just lazy around; or go hawking
|
|
-- just hawking and sp -- Sh! -- d' you hear a noise?"
|
|
|
|
We skipped out and looked; but it warn't nothing
|
|
but the flutter of a steamboat's wheel away down,
|
|
coming around the point; so we come back.
|
|
|
|
"Yes," says I, "and other times, when things is
|
|
dull, they fuss with the parlyment; and if everybody
|
|
don't go just so he whacks their heads off. But
|
|
mostly they hang round the harem."
|
|
|
|
"Roun' de which?"
|
|
|
|
"Harem."
|
|
|
|
"What's de harem?"
|
|
|
|
"The place where he keeps his wives. Don't you
|
|
know about the harem? Solomon had one; he had
|
|
about a million wives."
|
|
|
|
"Why, yes, dat's so; I -- I'd done forgot it. A
|
|
harem's a bo'd'n-house, I reck'n. Mos' likely dey
|
|
has rackety times in de nussery. En I reck'n de wives
|
|
quarrels considable; en dat 'crease de racket. Yit dey
|
|
say Sollermun de wises' man dat ever live'. I doan'
|
|
take no stock in dat. Bekase why: would a wise man
|
|
want to live in de mids' er sich a blim-blammin' all de
|
|
time? No -- 'deed he wouldn't. A wise man 'ud take
|
|
en buil' a biler-factry; en den he could shet DOWN de
|
|
biler-factry when he want to res'."
|
|
|
|
"Well, but he WAS the wisest man, anyway; be-
|
|
cause the widow she told me so, her own self."
|
|
|
|
"I doan k'yer what de widder say, he WARN'T no
|
|
wise man nuther. He had some er de dad-fetchedes'
|
|
ways I ever see. Does you know 'bout dat chile dat
|
|
he 'uz gwyne to chop in two?"
|
|
|
|
"Yes, the widow told me all about it."
|
|
|
|
"WELL, den! Warn' dat de beatenes' notion in de
|
|
worl'? You jes' take en look at it a minute. Dah's
|
|
de stump, dah -- dat's one er de women; heah's you
|
|
-- dat's de yuther one; I's Sollermun; en dish yer
|
|
dollar bill's de chile. Bofe un you claims it. What
|
|
does I do? Does I shin aroun' mongs' de neighbors
|
|
en fine out which un you de bill DO b'long to, en han'
|
|
it over to de right one, all safe en soun', de way dat
|
|
anybody dat had any gumption would? No; I take
|
|
en whack de bill in TWO, en give half un it to you, en
|
|
de yuther half to de yuther woman. Dat's de way
|
|
Sollermun was gwyne to do wid de chile. Now I
|
|
want to ast you: what's de use er dat half a bill? --
|
|
can't buy noth'n wid it. En what use is a half a
|
|
chile? I wouldn' give a dern for a million un um."
|
|
|
|
"But hang it, Jim, you've clean missed the point --
|
|
blame it, you've missed it a thousand mile."
|
|
|
|
"Who? Me? Go 'long. Doan' talk to me 'bout
|
|
yo' pints. I reck'n I knows sense when I sees it; en
|
|
dey ain' no sense in sich doin's as dat. De 'spute
|
|
warn't 'bout a half a chile, de 'spute was 'bout a
|
|
whole chile; en de man dat think he kin settle a
|
|
'spute 'bout a whole chile wid a half a chile doan'
|
|
know enough to come in out'n de rain. Doan' talk
|
|
to me 'bout Sollermun, Huck, I knows him by de back."
|
|
|
|
"But I tell you you don't get the point."
|
|
|
|
"Blame de point! I reck'n I knows what I knows.
|
|
En mine you, de REAL pint is down furder -- it's down
|
|
deeper. It lays in de way Sollermun was raised.
|
|
You take a man dat's got on'y one or two chillen; is
|
|
dat man gwyne to be waseful o' chillen? No, he
|
|
ain't; he can't 'ford it. HE know how to value 'em.
|
|
But you take a man dat's got 'bout five million chillen
|
|
runnin' roun' de house, en it's diffunt. HE as soon
|
|
chop a chile in two as a cat. Dey's plenty mo'. A
|
|
chile er two, mo' er less, warn't no consekens to
|
|
Sollermun, dad fatch him!"
|
|
|
|
I never see such a nigger. If he got a notion in his
|
|
head once, there warn't no getting it out again. He
|
|
was the most down on Solomon of any nigger I ever
|
|
see. So I went to talking about other kings, and let
|
|
Solomon slide. I told about Louis Sixteenth that got
|
|
his head cut off in France long time ago; and about
|
|
his little boy the dolphin, that would a been a king,
|
|
but they took and shut him up in jail, and some say he
|
|
died there.
|
|
|
|
"Po' little chap."
|
|
|
|
"But some says he got out and got away, and come
|
|
to America."
|
|
|
|
"Dat's good! But he'll be pooty lonesome -- dey
|
|
ain' no kings here, is dey, Huck?"
|
|
|
|
"No."
|
|
|
|
"Den he cain't git no situation. What he gwyne
|
|
to do?"
|
|
|
|
"Well, I don't know. Some of them gets on the
|
|
police, and some of them learns people how to talk
|
|
French."
|
|
|
|
"Why, Huck, doan' de French people talk de same
|
|
way we does?"
|
|
|
|
"NO, Jim; you couldn't understand a word they
|
|
said -- not a single word."
|
|
|
|
"Well, now, I be ding-busted! How do dat
|
|
come?"
|
|
|
|
"I don't know; but it's so. I got some of their
|
|
jabber out of a book. S'pose a man was to come to
|
|
you and say Polly-voo-franzy -- what would you
|
|
think?"
|
|
|
|
"I wouldn' think nuff'n; I'd take en bust him over
|
|
de head -- dat is, if he warn't white. I wouldn't 'low
|
|
no nigger to call me dat."
|
|
|
|
"Shucks, it ain't calling you anything. It's only
|
|
saying, do you know how to talk French?"
|
|
|
|
"Well, den, why couldn't he SAY it?"
|
|
|
|
"Why, he IS a-saying it. That's a Frenchman's
|
|
WAY of saying it."
|
|
|
|
"Well, it's a blame ridicklous way, en I doan' want
|
|
to hear no mo' 'bout it. Dey ain' no sense in it."
|
|
|
|
"Looky here, Jim; does a cat talk like we do?"
|
|
|
|
"No, a cat don't."
|
|
|
|
"Well, does a cow?"
|
|
|
|
"No, a cow don't, nuther."
|
|
|
|
"Does a cat talk like a cow, or a cow talk like a
|
|
cat?"
|
|
|
|
"No, dey don't."
|
|
|
|
"It's natural and right for 'em to talk different from
|
|
each other, ain't it?"
|
|
|
|
"Course."
|
|
|
|
"And ain't it natural and right for a cat and a cow
|
|
to talk different from US?"
|
|
|
|
"Why, mos' sholy it is."
|
|
|
|
"Well, then, why ain't it natural and right for a
|
|
FRENCHMAN to talk different from us? You answer me
|
|
that."
|
|
|
|
"Is a cat a man, Huck?"
|
|
|
|
"No."
|
|
|
|
"Well, den, dey ain't no sense in a cat talkin' like a
|
|
man. Is a cow a man? -- er is a cow a cat?"
|
|
|
|
"No, she ain't either of them."
|
|
|
|
"Well, den, she ain't got no business to talk like
|
|
either one er the yuther of 'em. Is a Frenchman a
|
|
man?"
|
|
|
|
"Yes."
|
|
|
|
"WELL, den! Dad blame it, why doan' he TALK like
|
|
a man? You answer me DAT!"
|
|
|
|
I see it warn't no use wasting words -- you can't
|
|
learn a nigger to argue. So I quit.
|
|
|
|
|
|
CHAPTER XV.
|
|
|
|
WE judged that three nights more would fetch us to
|
|
Cairo, at the bottom of Illinois, where the Ohio
|
|
River comes in, and that was what we was after. We
|
|
would sell the raft and get on a steamboat and go way
|
|
up the Ohio amongst the free States, and then be out
|
|
of trouble.
|
|
|
|
Well, the second night a fog begun to come on, and
|
|
we made for a towhead to tie to, for it wouldn't do to
|
|
try to run in a fog; but when I paddled ahead in the
|
|
canoe, with the line to make fast, there warn't any-
|
|
thing but little saplings to tie to. I passed the line
|
|
around one of them right on the edge of the cut bank,
|
|
but there was a stiff current, and the raft come boom-
|
|
ing down so lively she tore it out by the roots and
|
|
away she went. I see the fog closing down, and it
|
|
made me so sick and scared I couldn't budge for most
|
|
a half a minute it seemed to me -- and then there warn't
|
|
no raft in sight; you couldn't see twenty yards. I
|
|
jumped into the canoe and run back to the stern, and
|
|
grabbed the paddle and set her back a stroke. But
|
|
she didn't come. I was in such a hurry I hadn't
|
|
untied her. I got up and tried to untie her, but I was
|
|
so excited my hands shook so I couldn't hardly do
|
|
anything with them.
|
|
|
|
As soon as I got started I took out after the raft,
|
|
hot and heavy, right down the towhead. That was
|
|
all right as far as it went, but the towhead warn't
|
|
sixty yards long, and the minute I flew by the foot of
|
|
it I shot out into the solid white fog, and hadn't no
|
|
more idea which way I was going than a dead man.
|
|
|
|
Thinks I, it won't do to paddle; first I know I'll
|
|
run into the bank or a towhead or something; I got
|
|
to set still and float, and yet it's mighty fidgety busi-
|
|
ness to have to hold your hands still at such a time. I
|
|
whooped and listened. Away down there somewheres
|
|
I hears a small whoop, and up comes my spirits. I
|
|
went tearing after it, listening sharp to hear it again.
|
|
The next time it come I see I warn't heading for it,
|
|
but heading away to the right of it. And the next
|
|
time I was heading away to the left of it -- and not
|
|
gaining on it much either, for I was flying around, this
|
|
way and that and t'other, but it was going straight
|
|
ahead all the time.
|
|
|
|
I did wish the fool would think to beat a tin pan,
|
|
and beat it all the time, but he never did, and it was
|
|
the still places between the whoops that was making
|
|
the trouble for me. Well, I fought along, and directly
|
|
I hears the whoop BEHIND me. I was tangled good
|
|
now. That was somebody else's whoop, or else I was
|
|
turned around.
|
|
|
|
I throwed the paddle down. I heard the whoop
|
|
again; it was behind me yet, but in a different place;
|
|
it kept coming, and kept changing its place, and I kept
|
|
answering, till by and by it was in front of me again,
|
|
and I knowed the current had swung the canoe's head
|
|
down-stream, and I was all right if that was Jim and
|
|
not some other raftsman hollering. I couldn't tell
|
|
nothing about voices in a fog, for nothing don't look
|
|
natural nor sound natural in a fog.
|
|
|
|
The whooping went on, and in about a minute I
|
|
come a-booming down on a cut bank with smoky
|
|
ghosts of big trees on it, and the current throwed me
|
|
off to the left and shot by, amongst a lot of snags that
|
|
fairly roared, the currrent was tearing by them so swift.
|
|
|
|
In another second or two it was solid white and still
|
|
again. I set perfectly still then, listening to my heart
|
|
thump, and I reckon I didn't draw a breath while it
|
|
thumped a hundred.
|
|
|
|
I just give up then. I knowed what the matter was.
|
|
That cut bank was an island, and Jim had gone down
|
|
t'other side of it. It warn't no towhead that you
|
|
could float by in ten minutes. It had the big timber
|
|
of a regular island; it might be five or six miles long
|
|
and more than half a mile wide.
|
|
|
|
I kept quiet, with my ears cocked, about fifteen
|
|
minutes, I reckon. I was floating along, of course,
|
|
four or five miles an hour; but you don't ever think
|
|
of that. No, you FEEL like you are laying dead still on
|
|
the water; and if a little glimpse of a snag slips by
|
|
you don't think to yourself how fast YOU'RE going, but
|
|
you catch your breath and think, my! how that snag's
|
|
tearing along. If you think it ain't dismal and lone-
|
|
some out in a fog that way by yourself in the night,
|
|
you try it once -- you'll see.
|
|
|
|
Next, for about a half an hour, I whoops now and
|
|
then; at last I hears the answer a long ways off, and
|
|
tries to follow it, but I couldn't do it, and directly I
|
|
judged I'd got into a nest of towheads, for I had little
|
|
dim glimpses of them on both sides of me -- sometimes
|
|
just a narrow channel between, and some that I
|
|
couldn't see I knowed was there because I'd hear the
|
|
wash of the current against the old dead brush and
|
|
trash that hung over the banks. Well, I warn't long
|
|
loosing the whoops down amongst the towheads; and
|
|
I only tried to chase them a little while, anyway, be-
|
|
cause it was worse than chasing a Jack-o'-lantern.
|
|
You never knowed a sound dodge around so, and
|
|
swap places so quick and so much.
|
|
|
|
I had to claw away from the bank pretty lively four
|
|
or five times, to keep from knocking the islands out of
|
|
the river; and so I judged the raft must be butting
|
|
into the bank every now and then, or else it would get
|
|
further ahead and clear out of hearing -- it was floating
|
|
a little faster than what I was.
|
|
|
|
Well, I seemed to be in the open river again by and
|
|
by, but I couldn't hear no sign of a whoop nowheres.
|
|
I reckoned Jim had fetched up on a snag, maybe, and
|
|
it was all up with him. I was good and tired, so I laid
|
|
down in the canoe and said I wouldn't bother no
|
|
more. I didn't want to go to sleep, of course; but I
|
|
was so sleepy I couldn't help it; so I thought I would
|
|
take jest one little cat-nap.
|
|
|
|
But I reckon it was more than a cat-nap, for when I
|
|
waked up the stars was shining bright, the fog was all
|
|
gone, and I was spinning down a big bend stern first.
|
|
First I didn't know where I was; I thought I was
|
|
dreaming; and when things began to come back to me
|
|
they seemed to come up dim out of last week.
|
|
|
|
It was a monstrous big river here, with the tallest
|
|
and the thickest kind of timber on both banks; just a
|
|
solid wall, as well as I could see by the stars. I looked
|
|
away down-stream, and seen a black speck on the
|
|
water. I took after it; but when I got to it it warn't
|
|
nothing but a couple of sawlogs made fast together.
|
|
Then I see another speck, and chased that; then
|
|
another, and this time I was right. It was the raft.
|
|
|
|
When I got to it Jim was setting there with his head
|
|
down between his knees, asleep, with his right arm
|
|
hanging over the steering-oar. The other oar was
|
|
smashed off, and the raft was littered up with leaves
|
|
and branches and dirt. So she'd had a rough time.
|
|
|
|
I made fast and laid down under Jim's nose on the
|
|
raft, and began to gap, and stretch my fists out against
|
|
Jim, and says:
|
|
|
|
"Hello, Jim, have I been asleep? Why didn't you
|
|
stir me up?"
|
|
|
|
"Goodness gracious, is dat you, Huck? En you
|
|
ain' dead -- you ain' drownded -- you's back agin?
|
|
It's too good for true, honey, it's too good for true.
|
|
Lemme look at you chile, lemme feel o' you. No,
|
|
you ain' dead! you's back agin, 'live en soun', jis de
|
|
same ole Huck -- de same ole Huck, thanks to good-
|
|
ness!"
|
|
|
|
"What's the matter with you, Jim? You been a-
|
|
drinking?"
|
|
|
|
"Drinkin'? Has I ben a-drinkin'? Has I had a
|
|
chance to be a-drinkin'?"
|
|
|
|
"Well, then, what makes you talk so wild?"
|
|
|
|
"How does I talk wild?"
|
|
|
|
"HOW? Why, hain't you been talking about my
|
|
coming back, and all that stuff, as if I'd been gone
|
|
away?"
|
|
|
|
"Huck -- Huck Finn, you look me in de eye; look
|
|
me in de eye. HAIN'T you ben gone away?"
|
|
|
|
"Gone away? Why, what in the nation do you
|
|
mean? I hain't been gone anywheres. Where would
|
|
I go to?"
|
|
|
|
"Well, looky here, boss, dey's sumf'n wrong, dey
|
|
is. Is I ME, or who IS I? Is I heah, or whah IS I?
|
|
Now dat's what I wants to know."
|
|
|
|
"Well, I think you're here, plain enough, but I
|
|
think you're a tangle-headed old fool, Jim."
|
|
|
|
"I is, is I? Well, you answer me dis: Didn't you
|
|
tote out de line in de canoe fer to make fas' to de tow-
|
|
head?"
|
|
|
|
"No, I didn't. What tow-head? I hain't see no
|
|
tow-head."
|
|
|
|
"You hain't seen no towhead? Looky here, didn't
|
|
de line pull loose en de raf' go a-hummin' down de
|
|
river, en leave you en de canoe behine in de fog?"
|
|
|
|
"What fog?"
|
|
|
|
"Why, de fog! -- de fog dat's been aroun' all night.
|
|
En didn't you whoop, en didn't I whoop, tell we got
|
|
mix' up in de islands en one un us got los' en t'other
|
|
one was jis' as good as los', 'kase he didn' know whah
|
|
he wuz? En didn't I bust up agin a lot er dem islands
|
|
en have a turrible time en mos' git drownded? Now
|
|
ain' dat so, boss -- ain't it so? You answer me dat."
|
|
|
|
"Well, this is too many for me, Jim. I hain't seen
|
|
no fog, nor no islands, nor no troubles, nor nothing.
|
|
I been setting here talking with you all night till you
|
|
went to sleep about ten minutes ago, and I reckon I
|
|
done the same. You couldn't a got drunk in that
|
|
time, so of course you've been dreaming."
|
|
|
|
"Dad fetch it, how is I gwyne to dream all dat in
|
|
ten minutes?"
|
|
|
|
"Well, hang it all, you did dream it, because there
|
|
didn't any of it happen."
|
|
|
|
"But, Huck, it's all jis' as plain to me as --"
|
|
|
|
"It don't make no difference how plain it is; there
|
|
ain't nothing in it. I know, because I've been here
|
|
all the time."
|
|
|
|
Jim didn't say nothing for about five minutes, but
|
|
set there studying over it. Then he says:
|
|
|
|
"Well, den, I reck'n I did dream it, Huck; but
|
|
dog my cats ef it ain't de powerfullest dream I ever
|
|
see. En I hain't ever had no dream b'fo' dat's tired
|
|
me like dis one."
|
|
|
|
"Oh, well, that's all right, because a dream does
|
|
tire a body like everything sometimes. But this one
|
|
was a staving dream; tell me all about it, Jim."
|
|
|
|
So Jim went to work and told me the whole thing
|
|
right through, just as it happened, only he painted it
|
|
up considerable. Then he said he must start in and
|
|
"'terpret" it, because it was sent for a warning. He
|
|
said the first towhead stood for a man that would try
|
|
to do us some good, but the current was another man
|
|
that would get us away from him. The whoops was
|
|
warnings that would come to us every now and then,
|
|
and if we didn't try hard to make out to understand
|
|
them they'd just take us into bad luck, 'stead of keep-
|
|
ing us out of it. The lot of towheads was troubles
|
|
we was going to get into with quarrelsome people and
|
|
all kinds of mean folks, but if we minded our business
|
|
and didn't talk back and aggravate them, we would
|
|
pull through and get out of the fog and into the big
|
|
clear river, which was the free States, and wouldn't
|
|
have no more trouble.
|
|
|
|
It had clouded up pretty dark just after I got on to
|
|
the raft, but it was clearing up again now.
|
|
|
|
"Oh, well, that's all interpreted well enough as far
|
|
as it goes, Jim," I says; "but what does THESE things
|
|
stand for?"
|
|
|
|
It was the leaves and rubbish on the raft and the
|
|
smashed oar. You could see them first-rate now.
|
|
|
|
Jim looked at the trash, and then looked at me, and
|
|
back at the trash again. He had got the dream fixed
|
|
so strong in his head that he couldn't seem to shake it
|
|
loose and get the facts back into its place again right
|
|
away. But when he did get the thing straightened
|
|
around he looked at me steady without ever smiling,
|
|
and says:
|
|
|
|
"What do dey stan' for? I'se gwyne to tell you.
|
|
When I got all wore out wid work, en wid de callin'
|
|
for you, en went to sleep, my heart wuz mos' broke
|
|
bekase you wuz los', en I didn' k'yer no' mo' what
|
|
become er me en de raf'. En when I wake up en fine
|
|
you back agin, all safe en soun', de tears come, en I
|
|
could a got down on my knees en kiss yo' foot, I's so
|
|
thankful. En all you wuz thinkin' 'bout wuz how you
|
|
could make a fool uv ole Jim wid a lie. Dat truck dah
|
|
is TRASH; en trash is what people is dat puts dirt on de
|
|
head er dey fren's en makes 'em ashamed."
|
|
|
|
Then he got up slow and walked to the wigwam,
|
|
and went in there without saying anything but that.
|
|
But that was enough. It made me feel so mean I
|
|
could almost kissed HIS foot to get him to take it back.
|
|
|
|
It was fifteen minutes before I could work myself up
|
|
to go and humble myself to a nigger; but I done it,
|
|
and I warn't ever sorry for it afterwards, neither. I
|
|
didn't do him no more mean tricks, and I wouldn't
|
|
done that one if I'd a knowed it would make him feel
|
|
that way.
|
|
|
|
|
|
CHAPTER XVI.
|
|
|
|
WE slept most all day, and started out at night, a
|
|
little ways behind a monstrous long raft that
|
|
was as long going by as a procession. She had four
|
|
long sweeps at each end, so we judged she carried as
|
|
many as thirty men, likely. She had five big wigwams
|
|
aboard, wide apart, and an open camp fire in the mid-
|
|
dle, and a tall flag-pole at each end. There was a
|
|
power of style about her. It AMOUNTED to something
|
|
being a raftsman on such a craft as that.
|
|
|
|
We went drifting down into a big bend, and the
|
|
night clouded up and got hot. The river was very
|
|
wide, and was walled with solid timber on both sides;
|
|
you couldn't see a break in it hardly ever, or a light.
|
|
We talked about Cairo, and wondered whether we
|
|
would know it when we got to it. I said likely we
|
|
wouldn't, because I had heard say there warn't but
|
|
about a dozen houses there, and if they didn't happen
|
|
to have them lit up, how was we going to know we
|
|
was passing a town? Jim said if the two big rivers
|
|
joined together there, that would show. But I said
|
|
maybe we might think we was passing the foot of an
|
|
island and coming into the same old river again. That
|
|
disturbed Jim -- and me too. So the question was,
|
|
what to do? I said, paddle ashore the first time a
|
|
light showed, and tell them pap was behind, coming
|
|
along with a trading-scow, and was a green hand at
|
|
the business, and wanted to know how far it was to
|
|
Cairo. Jim thought it was a good idea, so we took a
|
|
smoke on it and waited.
|
|
|
|
There warn't nothing to do now but to look out
|
|
sharp for the town, and not pass it without seeing it.
|
|
He said he'd be mighty sure to see it, because he'd be
|
|
a free man the minute he seen it, but if he missed it
|
|
he'd be in a slave country again and no more show for
|
|
freedom. Every little while he jumps up and says:
|
|
|
|
"Dah she is?"
|
|
|
|
But it warn't. It was Jack-o'-lanterns, or lightning
|
|
bugs; so he set down again, and went to watching,
|
|
same as before. Jim said it made him all over trembly
|
|
and feverish to be so close to freedom. Well, I can
|
|
tell you it made me all over trembly and feverish, too,
|
|
to hear him, because I begun to get it through my
|
|
head that he WAS most free -- and who was to blame
|
|
for it? Why, ME. I couldn't get that out of my con-
|
|
science, no how nor no way. It got to troubling me
|
|
so I couldn't rest; I couldn't stay still in one place.
|
|
It hadn't ever come home to me before, what this
|
|
thing was that I was doing. But now it did; and it
|
|
stayed with me, and scorched me more and more. I
|
|
tried to make out to myself that I warn't to blame,
|
|
because I didn't run Jim off from his rightful owner;
|
|
but it warn't no use, conscience up and says, every
|
|
time, "But you knowed he was running for his free-
|
|
dom, and you could a paddled ashore and told some-
|
|
body." That was so -- I couldn't get around that
|
|
noway. That was where it pinched. Conscience says
|
|
to me, "What had poor Miss Watson done to you
|
|
that you could see her nigger go off right under your
|
|
eyes and never say one single word? What did that
|
|
poor old woman do to you that you could treat her so
|
|
mean? Why, she tried to learn you your book, she tried
|
|
to learn you your manners, she tried to be good to you
|
|
every way she knowed how. THAT'S what she done."
|
|
|
|
I got to feeling so mean and so miserable I most wished
|
|
I was dead. I fidgeted up and down the raft, abusing
|
|
myself to myself, and Jim was fidgeting up and down
|
|
past me. We neither of us could keep still. Every
|
|
time he danced around and says, "Dah's Cairo!" it
|
|
went through me like a shot, and I thought if it WAS
|
|
Cairo I reckoned I would die of miserableness.
|
|
|
|
Jim talked out loud all the time while I was talking
|
|
to myself. He was saying how the first thing he
|
|
would do when he got to a free State he would go to
|
|
saving up money and never spend a single cent, and
|
|
when he got enough he would buy his wife, which was
|
|
owned on a farm close to where Miss Watson lived;
|
|
and then they would both work to buy the two chil-
|
|
dren, and if their master wouldn't sell them, they'd
|
|
get an Ab'litionist to go and steal them.
|
|
|
|
It most froze me to hear such talk. He wouldn't
|
|
ever dared to talk such talk in his life before. Just
|
|
see what a difference it made in him the minute he
|
|
judged he was about free. It was according to the old
|
|
saying, "Give a nigger an inch and he'll take an ell."
|
|
Thinks I, this is what comes of my not thinking.
|
|
Here was this nigger, which I had as good as helped
|
|
to run away, coming right out flat-footed and saying
|
|
he would steal his children -- children that belonged to
|
|
a man I didn't even know; a man that hadn't ever
|
|
done me no harm.
|
|
|
|
I was sorry to hear Jim say that, it was such a
|
|
lowering of him. My conscience got to stirring me up
|
|
hotter than ever, until at last I says to it, "Let up on
|
|
me -- it ain't too late yet -- I'll paddle ashore at the
|
|
first light and tell." I felt easy and happy and light
|
|
as a feather right off. All my troubles was gone. I
|
|
went to looking out sharp for a light, and sort of sing-
|
|
ing to myself. By and by one showed. Jim sings
|
|
out:
|
|
|
|
"We's safe, Huck, we's safe! Jump up and crack
|
|
yo' heels! Dat's de good ole Cairo at las', I jis knows
|
|
it!"
|
|
|
|
I says:
|
|
|
|
"I'll take the canoe and go and see, Jim. It
|
|
mightn't be, you know."
|
|
|
|
He jumped and got the canoe ready, and put his old
|
|
coat in the bottom for me to set on, and give me the
|
|
paddle; and as I shoved off, he says:
|
|
|
|
"Pooty soon I'll be a-shout'n' for joy, en I'll say,
|
|
it's all on accounts o' Huck; I's a free man, en I
|
|
couldn't ever ben free ef it hadn' ben for Huck; Huck
|
|
done it. Jim won't ever forgit you, Huck; you's de
|
|
bes' fren' Jim's ever had; en you's de ONLY fren' ole
|
|
Jim's got now."
|
|
|
|
I was paddling off, all in a sweat to tell on him; but
|
|
when he says this, it seemed to kind of take the tuck
|
|
all out of me. I went along slow then, and I warn't
|
|
right down certain whether I was glad I started or
|
|
whether I warn't. When I was fifty yards off, Jim
|
|
says:
|
|
|
|
"Dah you goes, de ole true Huck; de on'y white
|
|
genlman dat ever kep' his promise to ole Jim."
|
|
|
|
Well, I just felt sick. But I says, I GOT to do it -- I
|
|
can't get OUT of it. Right then along comes a skiff
|
|
with two men in it with guns, and they stopped and I
|
|
stopped. One of them says:
|
|
|
|
"What's that yonder?"
|
|
|
|
"A piece of a raft," I says.
|
|
|
|
"Do you belong on it?"
|
|
|
|
"Yes, sir."
|
|
|
|
"Any men on it?"
|
|
|
|
"Only one, sir."
|
|
|
|
"Well, there's five niggers run off to-night up yon-
|
|
der, above the head of the bend. Is your man white
|
|
or black?"
|
|
|
|
I didn't answer up prompt. I tried to, but the
|
|
words wouldn't come. I tried for a second or two to
|
|
brace up and out with it, but I warn't man enough --
|
|
hadn't the spunk of a rabbit. I see I was weakening;
|
|
so I just give up trying, and up and says:
|
|
|
|
"He's white."
|
|
|
|
"I reckon we'll go and see for ourselves."
|
|
|
|
"I wish you would," says I, "because it's pap
|
|
that's there, and maybe you'd help me tow the raft
|
|
ashore where the light is. He's sick -- and so is mam
|
|
and Mary Ann."
|
|
|
|
"Oh, the devil! we're in a hurry, boy. But I
|
|
s'pose we've got to. Come, buckle to your paddle,
|
|
and let's get along."
|
|
|
|
I buckled to my paddle and they laid to their oars.
|
|
When we had made a stroke or two, I says:
|
|
|
|
"Pap'll be mighty much obleeged to you, I can
|
|
tell you. Everybody goes away when I want them to
|
|
help me tow the raft ashore, and I can't do it by
|
|
myself."
|
|
|
|
"Well, that's infernal mean. Odd, too. Say, boy,
|
|
what's the matter with your father?"
|
|
|
|
"It's the -- a -- the -- well, it ain't anything much."
|
|
|
|
They stopped pulling. It warn't but a mighty little
|
|
ways to the raft now. One says:
|
|
|
|
"Boy, that's a lie. What IS the matter with your
|
|
pap? Answer up square now, and it'll be the better
|
|
for you."
|
|
|
|
"I will, sir, I will, honest -- but don't leave us,
|
|
please. It's the -- the -- Gentlemen, if you'll only
|
|
pull ahead, and let me heave you the headline, you
|
|
won't have to come a-near the raft -- please do."
|
|
|
|
"Set her back, John, set her back!" says one.
|
|
They backed water. "Keep away, boy -- keep to
|
|
looard. Confound it, I just expect the wind has
|
|
blowed it to us. Your pap's got the small-pox, and
|
|
you know it precious well. Why didn't you come out
|
|
and say so? Do you want to spread it all over?"
|
|
|
|
"Well," says I, a-blubbering, "I've told every-
|
|
body before, and they just went away and left us."
|
|
|
|
"Poor devil, there's something in that. We are
|
|
right down sorry for you, but we -- well, hang it, we
|
|
don't want the small-pox, you see. Look here, I'll
|
|
tell you what to do. Don't you try to land by your-
|
|
self, or you'll smash everything to pieces. You float
|
|
along down about twenty miles, and you'll come to a
|
|
town on the left-hand side of the river. It will be
|
|
long after sun-up then, and when you ask for help
|
|
you tell them your folks are all down with chills and
|
|
fever. Don't be a fool again, and let people guess
|
|
what is the matter. Now we're trying to do you a
|
|
kindness; so you just put twenty miles between us,
|
|
that's a good boy. It wouldn't do any good to land
|
|
yonder where the light is -- it's only a wood-yard.
|
|
Say, I reckon your father's poor, and I'm bound to
|
|
say he's in pretty hard luck. Here, I'll put a twenty-
|
|
dollar gold piece on this board, and you get it when it
|
|
floats by. I feel mighty mean to leave you; but my
|
|
kingdom! it won't do to fool with small-pox, don't
|
|
you see?"
|
|
|
|
"Hold on, Parker," says the other man, "here's a
|
|
twenty to put on the board for me. Good-bye, boy;
|
|
you do as Mr. Parker told you, and you'll be all
|
|
right."
|
|
|
|
"That's so, my boy -- good-bye, good-bye. If you
|
|
see any runaway niggers you get help and nab them,
|
|
and you can make some money by it."
|
|
|
|
"Good-bye, sir," says I; "I won't let no runaway
|
|
niggers get by me if I can help it."
|
|
|
|
They went off and I got aboard the raft, feeling bad
|
|
and low, because I knowed very well I had done
|
|
wrong, and I see it warn't no use for me to try to
|
|
learn to do right; a body that don't get STARTED right
|
|
when he's little ain't got no show -- when the pinch
|
|
comes there ain't nothing to back him up and keep
|
|
him to his work, and so he gets beat. Then I thought
|
|
a minute, and says to myself, hold on; s'pose you'd a
|
|
done right and give Jim up, would you felt better than
|
|
what you do now? No, says I, I'd feel bad -- I'd feel
|
|
just the same way I do now. Well, then, says I,
|
|
what's the use you learning to do right when it's
|
|
troublesome to do right and ain't no trouble to do
|
|
wrong, and the wages is just the same? I was stuck.
|
|
I couldn't answer that. So I reckoned I wouldn't
|
|
bother no more about it, but after this always do
|
|
whichever come handiest at the time.
|
|
|
|
I went into the wigwam; Jim warn't there. I looked
|
|
all around; he warn't anywhere. I says:
|
|
|
|
"Jim!"
|
|
|
|
"Here I is, Huck. Is dey out o' sight yit? Don't
|
|
talk loud."
|
|
|
|
He was in the river under the stern oar, with just
|
|
his nose out. I told him they were out of sight, so he
|
|
come aboard. He says:
|
|
|
|
"I was a-listenin' to all de talk, en I slips into de
|
|
river en was gwyne to shove for sho' if dey come
|
|
aboard. Den I was gwyne to swim to de raf' agin
|
|
when dey was gone. But lawsy, how you did fool
|
|
'em, Huck! Dat WUZ de smartes' dodge! I tell you,
|
|
chile, I'spec it save' ole Jim -- ole Jim ain't going to
|
|
forgit you for dat, honey."
|
|
|
|
Then we talked about the money. It was a pretty
|
|
good raise -- twenty dollars apiece. Jim said we could
|
|
take deck passage on a steamboat now, and the money
|
|
would last us as far as we wanted to go in the free
|
|
States. He said twenty mile more warn't far for the
|
|
raft to go, but he wished we was already there.
|
|
|
|
Towards daybreak we tied up, and Jim was mighty
|
|
particular about hiding the raft good. Then he worked
|
|
all day fixing things in bundles, and getting all ready
|
|
to quit rafting.
|
|
|
|
That night about ten we hove in sight of the lights
|
|
of a town away down in a left-hand bend.
|
|
|
|
I went off in the canoe to ask about it. Pretty soon I
|
|
found a man out in the river with a skiff, setting a trot-
|
|
line. I ranged up and says:
|
|
|
|
"Mister, is that town Cairo?"
|
|
|
|
"Cairo? no. You must be a blame' fool."
|
|
|
|
"What town is it, mister?"
|
|
|
|
"If you want to know, go and find out. If you
|
|
stay here botherin' around me for about a half a minute
|
|
longer you'll get something you won't want."
|
|
|
|
I paddled to the raft. Jim was awful disappointed,
|
|
but I said never mind, Cairo would be the next place,
|
|
I reckoned.
|
|
|
|
We passed another town before daylight, and I was
|
|
going out again; but it was high ground, so I didn't
|
|
go. No high ground about Cairo, Jim said. I had
|
|
forgot it. We laid up for the day on a towhead
|
|
tolerable close to the left-hand bank. I begun to
|
|
suspicion something. So did Jim. I says:
|
|
|
|
"Maybe we went by Cairo in the fog that night."
|
|
|
|
He says:
|
|
|
|
"Doan' le's talk about it, Huck. Po' niggers can't
|
|
have no luck. I awluz 'spected dat rattlesnake-skin
|
|
warn't done wid its work."
|
|
|
|
"I wish I'd never seen that snake-skin, Jim -- I do
|
|
wish I'd never laid eyes on it."
|
|
|
|
"It ain't yo' fault, Huck; you didn' know. Don't
|
|
you blame yo'self 'bout it."
|
|
|
|
When it was daylight, here was the clear Ohio water
|
|
inshore, sure enough, and outside was the old regular
|
|
Muddy! So it was all up with Cairo.
|
|
|
|
We talked it all over. It wouldn't do to take to the
|
|
shore; we couldn't take the raft up the stream, of
|
|
course. There warn't no way but to wait for dark,
|
|
and start back in the canoe and take the chances. So
|
|
we slept all day amongst the cottonwood thicket, so
|
|
as to be fresh for the work, and when we went back to
|
|
the raft about dark the canoe was gone!
|
|
|
|
We didn't say a word for a good while. There
|
|
warn't anything to say. We both knowed well enough
|
|
it was some more work of the rattlesnake-skin; so
|
|
what was the use to talk about it? It would only look
|
|
like we was finding fault, and that would be bound to
|
|
fetch more bad luck -- and keep on fetching it, too, till
|
|
we knowed enough to keep still.
|
|
|
|
By and by we talked about what we better do, and
|
|
found there warn't no way but just to go along down
|
|
with the raft till we got a chance to buy a canoe to go
|
|
back in. We warn't going to borrow it when there
|
|
warn't anybody around, the way pap would do, for
|
|
that might set people after us.
|
|
|
|
So we shoved out after dark on the raft.
|
|
|
|
Anybody that don't believe yet that it's foolishness to
|
|
handle a snake-skin, after all that that snake-skin done
|
|
for us, will believe it now if they read on and see what
|
|
more it done for us.
|
|
|
|
The place to buy canoes is off of rafts laying up at
|
|
shore. But we didn't see no rafts laying up; so we
|
|
went along during three hours and more. Well, the
|
|
night got gray and ruther thick, which is the next
|
|
meanest thing to fog. You can't tell the shape of the
|
|
river, and you can't see no distance. It got to be
|
|
very late and still, and then along comes a steamboat
|
|
up the river. We lit the lantern, and judged she would
|
|
see it. Up-stream boats didn't generly come close to
|
|
us; they go out and follow the bars and hunt for easy
|
|
water under the reefs; but nights like this they bull
|
|
right up the channel against the whole river.
|
|
|
|
We could hear her pounding along, but we didn't
|
|
see her good till she was close. She aimed right for
|
|
us. Often they do that and try to see how close they
|
|
can come without touching; sometimes the wheel bites
|
|
off a sweep, and then the pilot sticks his head out and
|
|
laughs, and thinks he's mighty smart. Well, here she
|
|
comes, and we said she was going to try and shave us;
|
|
but she didn't seem to be sheering off a bit. She was
|
|
a big one, and she was coming in a hurry, too, looking
|
|
like a black cloud with rows of glow-worms around it;
|
|
but all of a sudden she bulged out, big and scary, with
|
|
a long row of wide-open furnace doors shining like
|
|
red-hot teeth, and her monstrous bows and guards
|
|
hanging right over us. There was a yell at us, and a
|
|
jingling of bells to stop the engines, a powwow of
|
|
cussing, and whistling of steam -- and as Jim went
|
|
overboard on one side and I on the other, she come
|
|
smashing straight through the raft.
|
|
|
|
I dived -- and I aimed to find the bottom, too, for a
|
|
thirty-foot wheel had got to go over me, and I wanted
|
|
it to have plenty of room. I could always stay under
|
|
water a minute; this time I reckon I stayed under a
|
|
minute and a half. Then I bounced for the top in a
|
|
hurry, for I was nearly busting. I popped out to my
|
|
armpits and blowed the water out of my nose, and
|
|
puffed a bit. Of course there was a booming current;
|
|
and of course that boat started her engines again ten
|
|
seconds after she stopped them, for they never cared
|
|
much for raftsmen; so now she was churning along up
|
|
the river, out of sight in the thick weather, though I
|
|
could hear her.
|
|
|
|
I sung out for Jim about a dozen times, but I didn't
|
|
get any answer; so I grabbed a plank that touched me
|
|
while I was "treading water," and struck out for
|
|
shore, shoving it ahead of me. But I made out to
|
|
see that the drift of the current was towards the left-
|
|
hand shore, which meant that I was in a crossing; so
|
|
I changed off and went that way.
|
|
|
|
It was one of these long, slanting, two-mile cross-
|
|
ings; so I was a good long time in getting over. I
|
|
made a safe landing, and clumb up the bank. I couldn't
|
|
see but a little ways, but I went poking along over
|
|
rough ground for a quarter of a mile or more, and
|
|
then I run across a big old-fashioned double log-house
|
|
before I noticed it. I was going to rush by and get
|
|
away, but a lot of dogs jumped out and went to howl-
|
|
ing and barking at me, and I knowed better than to
|
|
move another peg.
|
|
|
|
|
|
CHAPTER XVII.
|
|
|
|
IN about a minute somebody spoke out of a window
|
|
without putting his head out, and says:
|
|
|
|
"Be done, boys! Who's there?"
|
|
|
|
I says:
|
|
|
|
"It's me."
|
|
|
|
"Who's me?"
|
|
|
|
"George Jackson, sir."
|
|
|
|
"What do you want?"
|
|
|
|
"I don't want nothing, sir. I only want to go
|
|
along by, but the dogs won't let me."
|
|
|
|
"What are you prowling around here this time of
|
|
night for -- hey?"
|
|
|
|
"I warn't prowling around, sir, I fell overboard off
|
|
of the steamboat."
|
|
|
|
"Oh, you did, did you? Strike a light there, some-
|
|
body. What did you say your name was?"
|
|
|
|
"George Jackson, sir. I'm only a boy."
|
|
|
|
"Look here, if you're telling the truth you needn't
|
|
be afraid -- nobody'll hurt you. But don't try to
|
|
budge; stand right where you are. Rouse out Bob
|
|
and Tom, some of you, and fetch the guns. George
|
|
Jackson, is there anybody with you?"
|
|
|
|
"No, sir, nobody."
|
|
|
|
I heard the people stirring around in the house now,
|
|
and see a light. The man sung out:
|
|
|
|
"Snatch that light away, Betsy, you old fool -- ain't
|
|
you got any sense? Put it on the floor behind the
|
|
front door. Bob, if you and Tom are ready, take
|
|
your places."
|
|
|
|
"All ready."
|
|
|
|
"Now, George Jackson, do you know the Shepherd-
|
|
sons?"
|
|
|
|
"No, sir; I never heard of them."
|
|
|
|
"Well, that may be so, and it mayn't. Now, all
|
|
ready. Step forward, George Jackson. And mind,
|
|
don't you hurry -- come mighty slow. If there's any-
|
|
body with you, let him keep back -- if he shows him-
|
|
self he'll be shot. Come along now. Come slow;
|
|
push the door open yourself -- just enough to squeeze
|
|
in, d' you hear?"
|
|
|
|
I didn't hurry; I couldn't if I'd a wanted to. I
|
|
took one slow step at a time and there warn't a sound,
|
|
only I thought I could hear my heart. The dogs were
|
|
as still as the humans, but they followed a little behind
|
|
me. When I got to the three log doorsteps I heard
|
|
them unlocking and unbarring and unbolting. I put
|
|
my hand on the door and pushed it a little and a little
|
|
more till somebody said, "There, that's enough -- put
|
|
your head in." I done it, but I judged they would
|
|
take it off.
|
|
|
|
The candle was on the floor, and there they all was,
|
|
looking at me, and me at them, for about a quarter of
|
|
a minute: Three big men with guns pointed at me,
|
|
which made me wince, I tell you; the oldest, gray and
|
|
about sixty, the other two thirty or more -- all of them
|
|
fine and handsome -- and the sweetest old gray-headed
|
|
lady, and back of her two young women which I
|
|
couldn't see right well. The old gentleman says:
|
|
|
|
"There; I reckon it's all right. Come in."
|
|
|
|
As soon as I was in the old gentleman he locked the
|
|
door and barred it and bolted it, and told the young
|
|
men to come in with their guns, and they all went in a
|
|
big parlor that had a new rag carpet on the floor, and
|
|
got together in a corner that was out of the range of
|
|
the front windows -- there warn't none on the side.
|
|
They held the candle, and took a good look at me,
|
|
and all said, "Why, HE ain't a Shepherdson -- no,
|
|
there ain't any Shepherdson about him." Then the
|
|
old man said he hoped I wouldn't mind being searched
|
|
for arms, because he didn't mean no harm by it -- it
|
|
was only to make sure. So he didn't pry into my
|
|
pockets, but only felt outside with his hands, and said
|
|
it was all right. He told me to make myself easy and
|
|
at home, and tell all about myself; but the old lady
|
|
says:
|
|
|
|
"Why, bless you, Saul, the poor thing's as wet as
|
|
he can be; and don't you reckon it may be he's
|
|
hungry?"
|
|
|
|
"True for you, Rachel -- I forgot."
|
|
|
|
So the old lady says:
|
|
|
|
"Betsy" (this was a nigger woman), you fly around
|
|
and get him something to eat as quick as you can, poor
|
|
thing; and one of you girls go and wake up Buck and
|
|
tell him -- oh, here he is himself. Buck, take this
|
|
little stranger and get the wet clothes off from him and
|
|
dress him up in some of yours that's dry."
|
|
|
|
Buck looked about as old as me -- thirteen or four-
|
|
teen or along there, though he was a little bigger than
|
|
me. He hadn't on anything but a shirt, and he was
|
|
very frowzy-headed. He came in gaping and digging
|
|
one fist into his eyes, and he was dragging a gun along
|
|
with the other one. He says:
|
|
|
|
"Ain't they no Shepherdsons around?"
|
|
|
|
They said, no, 'twas a false alarm.
|
|
|
|
"Well," he says, "if they'd a ben some, I reckon
|
|
I'd a got one."
|
|
|
|
They all laughed, and Bob says:
|
|
|
|
"Why, Buck, they might have scalped us all, you've
|
|
been so slow in coming."
|
|
|
|
"Well, nobody come after me, and it ain't right
|
|
I'm always kept down; I don't get no show."
|
|
|
|
"Never mind, Buck, my boy," says the old man,
|
|
"you'll have show enough, all in good time, don't
|
|
you fret about that. Go 'long with you now, and do
|
|
as your mother told you."
|
|
|
|
When we got up-stairs to his room he got me a
|
|
coarse shirt and a roundabout and pants of his, and I
|
|
put them on. While I was at it he asked me what my
|
|
name was, but before I could tell him he started to tell
|
|
me about a bluejay and a young rabbit he had catched
|
|
in the woods day before yesterday, and he asked me
|
|
where Moses was when the candle went out. I said I
|
|
didn't know; I hadn't heard about it before, no way.
|
|
|
|
"Well, guess," he says.
|
|
|
|
"How'm I going to guess," says I, "when I never
|
|
heard tell of it before?"
|
|
|
|
"But you can guess, can't you? It's just as easy."
|
|
|
|
"WHICH candle?" I says.
|
|
|
|
"Why, any candle," he says.
|
|
|
|
"I don't know where he was," says I; "where
|
|
was he?"
|
|
|
|
"Why, he was in the DARK! That's where he was!"
|
|
|
|
"Well, if you knowed where he was, what did you
|
|
ask me for?"
|
|
|
|
"Why, blame it, it's a riddle, don't you see? Say,
|
|
how long are you going to stay here? You got to
|
|
stay always. We can just have booming times -- they
|
|
don't have no school now. Do you own a dog?
|
|
I've got a dog -- and he'll go in the river and bring
|
|
out chips that you throw in. Do you like to comb up
|
|
Sundays, and all that kind of foolishness? You bet I
|
|
don't, but ma she makes me. Confound these ole
|
|
britches! I reckon I'd better put 'em on, but I'd
|
|
ruther not, it's so warm. Are you all ready? All
|
|
right. Come along, old hoss."
|
|
|
|
Cold corn-pone, cold corn-beef, butter and butter-
|
|
milk -- that is what they had for me down there, and
|
|
there ain't nothing better that ever I've come across
|
|
yet. Buck and his ma and all of them smoked cob
|
|
pipes, except the nigger woman, which was gone, and
|
|
the two young women. They all smoked and talked,
|
|
and I eat and talked. The young women had quilts
|
|
around them, and their hair down their backs. They
|
|
all asked me questions, and I told them how pap and
|
|
me and all the family was living on a little farm down
|
|
at the bottom of Arkansaw, and my sister Mary Ann
|
|
run off and got married and never was heard of no
|
|
more, and Bill went to hunt them and he warn't heard
|
|
of no more, and Tom and Mort died, and then there
|
|
warn't nobody but just me and pap left, and he was
|
|
just trimmed down to nothing, on account of his
|
|
troubles; so when he died I took what there was left,
|
|
because the farm didn't belong to us, and started up
|
|
the river, deck passage, and fell overboard; and that
|
|
was how I come to be here. So they said I could
|
|
have a home there as long as I wanted it. Then it
|
|
was most daylight and everybody went to bed, and I
|
|
went to bed with Buck, and when I waked up in the
|
|
morning, drat it all, I had forgot what my name was.
|
|
So I laid there about an hour trying to think, and
|
|
when Buck waked up I says:
|
|
|
|
"Can you spell, Buck?"
|
|
|
|
"Yes," he says.
|
|
|
|
"I bet you can't spell my name," says I.
|
|
|
|
"I bet you what you dare I can," says he.
|
|
|
|
"All right," says I, "go ahead."
|
|
|
|
"G-e-o-r-g-e J-a-x-o-n -- there now," he says.
|
|
|
|
"Well," says I, "you done it, but I didn't think
|
|
you could. It ain't no slouch of a name to spell --
|
|
right off without studying."
|
|
|
|
I set it down, private, because somebody might want
|
|
ME to spell it next, and so I wanted to be handy with
|
|
it and rattle it off like I was used to it.
|
|
|
|
It was a mighty nice family, and a mighty nice
|
|
house, too. I hadn't seen no house out in the country
|
|
before that was so nice and had so much style. It
|
|
didn't have an iron latch on the front door, nor a
|
|
wooden one with a buckskin string, but a brass knob
|
|
to turn, the same as houses in town. There warn't no
|
|
bed in the parlor, nor a sign of a bed; but heaps of
|
|
parlors in towns has beds in them. There was a big
|
|
fireplace that was bricked on the bottom, and the
|
|
bricks was kept clean and red by pouring water on
|
|
them and scrubbing them with another brick; some-
|
|
times they wash them over with red water-paint that
|
|
they call Spanish-brown, same as they do in town.
|
|
They had big brass dog-irons that could hold up a saw-
|
|
log. There was a clock on the middle of the mantel-
|
|
piece, with a picture of a town painted on the bottom
|
|
half of the glass front, and a round place in the middle
|
|
of it for the sun, and you could see the pendulum
|
|
swinging behind it. It was beautiful to hear that clock
|
|
tick; and sometimes when one of these peddlers had
|
|
been along and scoured her up and got her in good
|
|
shape, she would start in and strike a hundred and
|
|
fifty before she got tuckered out. They wouldn't took
|
|
any money for her.
|
|
|
|
Well, there was a big outlandish parrot on each side
|
|
of the clock, made out of something like chalk, and
|
|
painted up gaudy. By one of the parrots was a cat
|
|
made of crockery, and a crockery dog by the other;
|
|
and when you pressed down on them they squeaked,
|
|
but didn't open their mouths nor look different nor
|
|
interested. They squeaked through underneath. There
|
|
was a couple of big wild-turkey-wing fans spread out
|
|
behind those things. On the table in the middle of
|
|
the room was a kind of a lovely crockery basket that
|
|
bad apples and oranges and peaches and grapes piled
|
|
up in it, which was much redder and yellower and
|
|
prettier than real ones is, but they warn't real because
|
|
you could see where pieces had got chipped off and
|
|
showed the white chalk, or whatever it was, under-
|
|
neath.
|
|
|
|
This table had a cover made out of beautiful oilcloth,
|
|
with a red and blue spread-eagle painted on it, and a
|
|
painted border all around. It come all the way from
|
|
Philadelphia, they said. There was some books, too,
|
|
piled up perfectly exact, on each corner of the table.
|
|
One was a big family Bible full of pictures. One was
|
|
Pilgrim's Progress, about a man that left his family, it
|
|
didn't say why. I read considerable in it now and
|
|
then. The statements was interesting, but tough.
|
|
Another was Friendship's Offering, full of beautiful
|
|
stuff and poetry; but I didn't read the poetry. An-
|
|
other was Henry Clay's Speeches, and another was
|
|
Dr. Gunn's Family Medicine, which told you all about
|
|
what to do if a body was sick or dead. There was a
|
|
hymn book, and a lot of other books. And there was
|
|
nice split-bottom chairs, and perfectly sound, too --
|
|
not bagged down in the middle and busted, like an
|
|
old basket.
|
|
|
|
They had pictures hung on the walls -- mainly
|
|
Washingtons and Lafayettes, and battles, and High-
|
|
land Marys, and one called "Signing the Declaration."
|
|
There was some that they called crayons, which one of
|
|
the daughters which was dead made her own self when
|
|
she was only fifteen years old. They was different
|
|
from any pictures I ever see before -- blacker, mostly,
|
|
than is common. One was a woman in a slim black
|
|
dress, belted small under the armpits, with bulges like
|
|
a cabbage in the middle of the sleeves, and a large
|
|
black scoop-shovel bonnet with a black veil, and white
|
|
slim ankles crossed about with black tape, and very
|
|
wee black slippers, like a chisel, and she was leaning
|
|
pensive on a tombstone on her right elbow, under a
|
|
weeping willow, and her other hand hanging down her
|
|
side holding a white handkerchief and a reticule, and
|
|
underneath the picture it said "Shall I Never See Thee
|
|
More Alas." Another one was a young lady with her
|
|
hair all combed up straight to the top of her head, and
|
|
knotted there in front of a comb like a chair-back, and
|
|
she was crying into a handkerchief and had a dead
|
|
bird laying on its back in her other hand with its heels
|
|
up, and underneath the picture it said "I Shall Never
|
|
Hear Thy Sweet Chirrup More Alas." There was one
|
|
where a young lady was at a window looking up at the
|
|
moon, and tears running down her cheeks; and she
|
|
had an open letter in one hand with black sealing wax
|
|
showing on one edge of it, and she was mashing a
|
|
locket with a chain to it against her mouth, and under-
|
|
neath the picture it said "And Art Thou Gone Yes
|
|
Thou Art Gone Alas." These was all nice pictures, I
|
|
reckon, but I didn't somehow seem to take to them,
|
|
because if ever I was down a little they always give me
|
|
the fan-tods. Everybody was sorry she died, because
|
|
she had laid out a lot more of these pictures to do,
|
|
and a body could see by what she had done what they
|
|
had lost. But I reckoned that with her disposition she
|
|
was having a better time in the graveyard. She was
|
|
at work on what they said was her greatest picture
|
|
when she took sick, and every day and every night it
|
|
was her prayer to be allowed to live till she got it
|
|
done, but she never got the chance. It was a picture
|
|
of a young woman in a long white gown, standing on
|
|
the rail of a bridge all ready to jump off, with her hair
|
|
all down her back, and looking up to the moon, with
|
|
the tears running down her face, and she had two arms
|
|
folded across her breast, and two arms stretched out in
|
|
front, and two more reaching up towards the moon --
|
|
and the idea was to see which pair would look best,
|
|
and then scratch out all the other arms; but, as I was
|
|
saying, she died before she got her mind made up,
|
|
and now they kept this picture over the head of the
|
|
bed in her room, and every time her birthday come
|
|
they hung flowers on it. Other times it was hid with
|
|
a little curtain. The young woman in the picture had a
|
|
kind of a nice sweet face, but there was so many arms
|
|
it made her look too spidery, seemed to me.
|
|
|
|
This young girl kept a scrap-book when she was
|
|
alive, and used to paste obituaries and accidents and
|
|
cases of patient suffering in it out of the Presbyterian
|
|
Observer, and write poetry after them out of her own
|
|
head. It was very good poetry. This is what she
|
|
wrote about a boy by the name of Stephen Dowling
|
|
Bots that fell down a well and was drownded:
|
|
|
|
ODE TO STEPHEN DOWLING BOTS, DEC'D
|
|
|
|
And did young Stephen sicken,
|
|
And did young Stephen die?
|
|
And did the sad hearts thicken,
|
|
And did the mourners cry?
|
|
|
|
No; such was not the fate of
|
|
Young Stephen Dowling Bots;
|
|
Though sad hearts round him thickened,
|
|
'Twas not from sickness' shots.
|
|
|
|
No whooping-cough did rack his frame,
|
|
Nor measles drear with spots;
|
|
Not these impaired the sacred name
|
|
Of Stephen Dowling Bots.
|
|
|
|
Despised love struck not with woe
|
|
That head of curly knots,
|
|
Nor stomach troubles laid him low,
|
|
Young Stephen Dowling Bots.
|
|
|
|
O no. Then list with tearful eye,
|
|
Whilst I his fate do tell.
|
|
His soul did from this cold world fly
|
|
By falling down a well.
|
|
|
|
They got him out and emptied him;
|
|
Alas it was too late;
|
|
His spirit was gone for to sport aloft
|
|
In the realms of the good and great.
|
|
|
|
If Emmeline Grangerford could make poetry like
|
|
that before she was fourteen, there ain't no telling
|
|
what she could a done by and by. Buck said she
|
|
could rattle off poetry like nothing. She didn't ever
|
|
have to stop to think. He said she would slap down a
|
|
line, and if she couldn't find anything to rhyme with it
|
|
would just scratch it out and slap down another one,
|
|
and go ahead. She warn't particular; she could write
|
|
about anything you choose to give her to write about
|
|
just so it was sadful. Every time a man died, or a
|
|
woman died, or a child died, she would be on hand
|
|
with her "tribute" before he was cold. She called
|
|
them tributes. The neighbors said it was the doctor
|
|
first, then Emmeline, then the undertaker -- the under-
|
|
taker never got in ahead of Emmeline but once, and
|
|
then she hung fire on a rhyme for the dead person's
|
|
name, which was Whistler. She warn't ever the same
|
|
after that; she never complained, but she kinder pined
|
|
away and did not live long. Poor thing, many's the
|
|
time I made myself go up to the little room that used
|
|
to be hers and get out her poor old scrap-book and
|
|
read in it when her pictures had been aggravating me
|
|
and I had soured on her a little. I liked all that
|
|
family, dead ones and all, and warn't going to let any-
|
|
thing come between us. Poor Emmeline made poetry
|
|
about all the dead people when she was alive, and it
|
|
didn't seem right that there warn't nobody to make
|
|
some about her now she was gone; so I tried to sweat
|
|
out a verse or two myself, but I couldn't seem to make
|
|
it go somehow. They kept Emmeline's room trim
|
|
and nice, and all the things fixed in it just the way
|
|
she liked to have them when she was alive, and nobody
|
|
ever slept there. The old lady took care of the room
|
|
herself, though there was plenty of niggers, and she
|
|
sewed there a good deal and read her Bible there
|
|
mostly.
|
|
|
|
Well, as I was saying about the parlor, there was
|
|
beautiful curtains on the windows: white, with pictures
|
|
painted on them of castles with vines all down the
|
|
walls, and cattle coming down to drink. There was a
|
|
little old piano, too, that had tin pans in it, I reckon,
|
|
and nothing was ever so lovely as to hear the young
|
|
ladies sing "The Last Link is Broken" and play "The
|
|
Battle of Prague" on it. The walls of all the rooms
|
|
was plastered, and most had carpets on the floors, and
|
|
the whole house was whitewashed on the outside.
|
|
|
|
It was a double house, and the big open place be-
|
|
twixt them was roofed and floored, and sometimes the
|
|
table was set there in the middle of the day, and it was
|
|
a cool, comfortable place. Nothing couldn't be better.
|
|
And warn't the cooking good, and just bushels of it
|
|
too!
|
|
|
|
|
|
CHAPTER XVIII.
|
|
|
|
COL. GRANGERFORD was a gentleman, you see.
|
|
He was a gentleman all over; and so was his
|
|
family. He was well born, as the saying is, and that's
|
|
worth as much in a man as it is in a horse, so the
|
|
Widow Douglas said, and nobody ever denied that she
|
|
was of the first aristocracy in our town; and pap he
|
|
always said it, too, though he warn't no more quality
|
|
than a mudcat himself. Col. Grangerford was very tall
|
|
and very slim, and had a darkish-paly complexion, not
|
|
a sign of red in it anywheres; he was clean shaved
|
|
every morning all over his thin face, and he had the
|
|
thinnest kind of lips, and the thinnest kind of nostrils,
|
|
and a high nose, and heavy eyebrows, and the blackest
|
|
kind of eyes, sunk so deep back that they seemed like
|
|
they was looking out of caverns at you, as you may
|
|
say. His forehead was high, and his hair was black
|
|
and straight and hung to his shoulders. His hands
|
|
was long and thin, and every day of his life he put on
|
|
a clean shirt and a full suit from head to foot made
|
|
out of linen so white it hurt your eyes to look at it;
|
|
and on Sundays he wore a blue tail-coat with brass
|
|
buttons on it. He carried a mahogany cane with a
|
|
silver head to it. There warn't no frivolishness about
|
|
him, not a bit, and he warn't ever loud. He was as
|
|
kind as he could be -- you could feel that, you know,
|
|
and so you had confidence. Sometimes he smiled,
|
|
and it was good to see; but when he straightened him-
|
|
self up like a liberty-pole, and the lightning begun to
|
|
flicker out from under his eyebrows, you wanted to
|
|
climb a tree first, and find out what the matter was
|
|
afterwards. He didn't ever have to tell anybody to
|
|
mind their manners -- everybody was always good-
|
|
mannered where he was. Everybody loved to have
|
|
him around, too; he was sunshine most always -- I
|
|
mean he made it seem like good weather. When he
|
|
turned into a cloudbank it was awful dark for half a
|
|
minute, and that was enough; there wouldn't nothing
|
|
go wrong again for a week.
|
|
|
|
When him and the old lady come down in the morn-
|
|
ing all the family got up out of their chairs and give
|
|
them good-day, and didn't set down again till they had
|
|
set down. Then Tom and Bob went to the sideboard
|
|
where the decanter was, and mixed a glass of bitters
|
|
and handed it to him, and he held it in his hand and
|
|
waited till Tom's and Bob's was mixed, and then they
|
|
bowed and said, "Our duty to you, sir, and madam;"
|
|
and THEY bowed the least bit in the world and said
|
|
thank you, and so they drank, all three, and Bob and
|
|
Tom poured a spoonful of water on the sugar and the
|
|
mite of whisky or apple brandy in the bottom of their
|
|
tumblers, and give it to me and Buck, and we drank to
|
|
the old people too.
|
|
|
|
Bob was the oldest and Tom next -- tall, beautiful
|
|
men with very broad shoulders and brown faces, and
|
|
long black hair and black eyes. They dressed in white
|
|
linen from head to foot, like the old gentleman, and
|
|
wore broad Panama hats.
|
|
|
|
Then there was Miss Charlotte; she was twenty-
|
|
five, and tall and proud and grand, but as good as she
|
|
could be when she warn't stirred up; but when she
|
|
was she had a look that would make you wilt in your
|
|
tracks, like her father. She was beautiful.
|
|
|
|
So was her sister, Miss Sophia, but it was a different
|
|
kind. She was gentle and sweet like a dove, and she
|
|
was only twenty.
|
|
|
|
Each person had their own nigger to wait on them --
|
|
Buck too. My nigger had a monstrous easy time, be-
|
|
cause I warn't used to having anybody do anything
|
|
for me, but Buck's was on the jump most of the time.
|
|
|
|
This was all there was of the family now, but there
|
|
used to be more -- three sons; they got killed; and
|
|
Emmeline that died.
|
|
|
|
The old gentleman owned a lot of farms and over a
|
|
hundred niggers. Sometimes a stack of people would
|
|
come there, horseback, from ten or fifteen mile around,
|
|
and stay five or six days, and have such junketings
|
|
round about and on the river, and dances and picnics
|
|
in the woods daytimes, and balls at the house nights.
|
|
These people was mostly kinfolks of the family. The
|
|
men brought their guns with them. It was a hand-
|
|
some lot of quality, I tell you.
|
|
|
|
There was another clan of aristocracy around there
|
|
-- five or six families -- mostly of the name of Shep-
|
|
herdson. They was as high-toned and well born and
|
|
rich and grand as the tribe of Grangerfords. The
|
|
Shepherdsons and Grangerfords used the same steam-
|
|
boat landing, which was about two mile above our
|
|
house; so sometimes when I went up there with a lot
|
|
of our folks I used to see a lot of the Shepherdsons
|
|
there on their fine horses.
|
|
|
|
One day Buck and me was away out in the woods
|
|
hunting, and heard a horse coming. We was crossing
|
|
the road. Buck says:
|
|
|
|
"Quick! Jump for the woods!"
|
|
|
|
We done it, and then peeped down the woods
|
|
through the leaves. Pretty soon a splendid young
|
|
man come galloping down the road, setting his horse
|
|
easy and looking like a soldier. He had his gun across
|
|
his pommel. I had seen him before. It was young
|
|
Harney Shepherdson. I heard Buck's gun go off at
|
|
my ear, and Harney's hat tumbled off from his head.
|
|
He grabbed his gun and rode straight to the place
|
|
where we was hid. But we didn't wait. We started
|
|
through the woods on a run. The woods warn't thick,
|
|
so I looked over my shoulder to dodge the bullet, and
|
|
twice I seen Harney cover Buck with his gun; and
|
|
then he rode away the way he come -- to get his hat,
|
|
I reckon, but I couldn't see. We never stopped run-
|
|
ning till we got home. The old gentleman's eyes
|
|
blazed a minute -- 'twas pleasure, mainly, I judged --
|
|
then his face sort of smoothed down, and he says,
|
|
kind of gentle:
|
|
|
|
"I don't like that shooting from behind a bush.
|
|
Why didn't you step into the road, my boy?"
|
|
|
|
"The Shepherdsons don't, father. They always
|
|
take advantage."
|
|
|
|
Miss Charlotte she held her head up like a queen
|
|
while Buck was telling his tale, and her nostrils spread
|
|
and her eyes snapped. The two young men looked
|
|
dark, but never said nothing. Miss Sophia she turned
|
|
pale, but the color come back when she found the
|
|
man warn't hurt.
|
|
|
|
Soon as I could get Buck down by the corn-cribs
|
|
under the trees by ourselves, I says:
|
|
|
|
"Did you want to kill him, Buck?"
|
|
|
|
"Well, I bet I did."
|
|
|
|
"What did he do to you?"
|
|
|
|
"Him? He never done nothing to me."
|
|
|
|
"Well, then, what did you want to kill him for?"
|
|
|
|
"Why, nothing -- only it's on account of the feud."
|
|
|
|
"What's a feud?"
|
|
|
|
"Why, where was you raised? Don't you know
|
|
what a feud is?"
|
|
|
|
"Never heard of it before -- tell me about it."
|
|
|
|
"Well," says Buck, "a feud is this way: A man
|
|
has a quarrel with another man, and kills him; then
|
|
that other man's brother kills HIM; then the other
|
|
brothers, on both sides, goes for one another; then
|
|
the COUSINS chip in -- and by and by everybody's killed
|
|
off, and there ain't no more feud. But it's kind of
|
|
slow, and takes a long time."
|
|
|
|
"Has this one been going on long, Buck?"
|
|
|
|
"Well, I should RECKON! It started thirty year ago,
|
|
or som'ers along there. There was trouble 'bout
|
|
something, and then a lawsuit to settle it; and the
|
|
suit went agin one of the men, and so he up and shot
|
|
the man that won the suit -- which he would naturally
|
|
do, of course. Anybody would."
|
|
|
|
"What was the trouble about, Buck? -- land?"
|
|
|
|
"I reckon maybe -- I don't know."
|
|
|
|
"Well, who done the shooting? Was it a Granger-
|
|
ford or a Shepherdson?"
|
|
|
|
"Laws, how do I know? It was so long ago."
|
|
|
|
"Don't anybody know?"
|
|
|
|
"Oh, yes, pa knows, I reckon, and some of the
|
|
other old people; but they don't know now what the
|
|
row was about in the first place."
|
|
|
|
"Has there been many killed, Buck?"
|
|
|
|
"Yes; right smart chance of funerals. But they
|
|
don't always kill. Pa's got a few buckshot in him;
|
|
but he don't mind it 'cuz he don't weigh much, any-
|
|
way. Bob's been carved up some with a bowie, and
|
|
Tom's been hurt once or twice."
|
|
|
|
"Has anybody been killed this year, Buck?"
|
|
|
|
"Yes; we got one and they got one. 'Bout three
|
|
months ago my cousin Bud, fourteen year old, was
|
|
riding through the woods on t'other side of the river,
|
|
and didn't have no weapon with him, which was blame'
|
|
foolishness, and in a lonesome place he hears a horse
|
|
a-coming behind him, and sees old Baldy Shepherdson
|
|
a-linkin' after him with his gun in his hand and his
|
|
white hair a-flying in the wind; and 'stead of jumping
|
|
off and taking to the brush, Bud 'lowed he could out-
|
|
run him; so they had it, nip and tuck, for five mile or
|
|
more, the old man a-gaining all the time; so at last
|
|
Bud seen it warn't any use, so he stopped and faced
|
|
around so as to have the bullet holes in front, you
|
|
know, and the old man he rode up and shot him
|
|
down. But he didn't git much chance to enjoy his
|
|
luck, for inside of a week our folks laid HIM out."
|
|
|
|
"I reckon that old man was a coward, Buck."
|
|
|
|
"I reckon he WARN'T a coward. Not by a blame'
|
|
sight. There ain't a coward amongst them Shepherd-
|
|
sons -- not a one. And there ain't no cowards amongst
|
|
the Grangerfords either. Why, that old man kep' up
|
|
his end in a fight one day for half an hour against
|
|
three Grangerfords, and come out winner. They was
|
|
all a-horseback; he lit off of his horse and got behind
|
|
a little woodpile, and kep' his horse before him to stop
|
|
the bullets; but the Grangerfords stayed on their
|
|
horses and capered around the old man, and peppered
|
|
away at him, and he peppered away at them. Him
|
|
and his horse both went home pretty leaky and crip-
|
|
pled, but the Grangerfords had to be FETCHED home --
|
|
and one of 'em was dead, and another died the next
|
|
day. No, sir; if a body's out hunting for cowards he
|
|
don't want to fool away any time amongst them Shep-
|
|
herdsons, becuz they don't breed any of that KIND."
|
|
|
|
Next Sunday we all went to church, about three
|
|
mile, everybody a-horseback. The men took their
|
|
guns along, so did Buck, and kept them between their
|
|
knees or stood them handy against the wall. The
|
|
Shepherdsons done the same. It was pretty ornery
|
|
preaching -- all about brotherly love, and such-like
|
|
tiresomeness; but everybody said it was a good ser-
|
|
mon, and they all talked it over going home, and had
|
|
such a powerful lot to say about faith and good works
|
|
and free grace and preforeordestination, and I don't
|
|
know what all, that it did seem to me to be one of the
|
|
roughest Sundays I had run across yet.
|
|
|
|
About an hour after dinner everybody was dozing
|
|
around, some in their chairs and some in their rooms,
|
|
and it got to be pretty dull. Buck and a dog was
|
|
stretched out on the grass in the sun sound asleep. I
|
|
went up to our room, and judged I would take a nap
|
|
myself. I found that sweet Miss Sophia standing in
|
|
her door, which was next to ours, and she took me in
|
|
her room and shut the door very soft, and asked me if
|
|
I liked her, and I said I did; and she asked me if I
|
|
would do something for her and not tell anybody,
|
|
and I said I would. Then she said she'd forgot her
|
|
Testament, and left it in the seat at church between two
|
|
other books, and would I slip out quiet and go there
|
|
and fetch it to her, and not say nothing to nobody. I
|
|
said I would. So I slid out and slipped off up the
|
|
road, and there warn't anybody at the church, except
|
|
maybe a hog or two, for there warn't any lock on the
|
|
door, and hogs likes a puncheon floor in summer-time
|
|
because it's cool. If you notice, most folks don't go
|
|
to church only when they've got to; but a hog is
|
|
different.
|
|
|
|
Says I to myself, something's up; it ain't natural
|
|
for a girl to be in such a sweat about a Testament.
|
|
So I give it a shake, and out drops a little piece of
|
|
paper with "HALF-PAST TWO" wrote on it with a pencil.
|
|
I ransacked it, but couldn't find anything else. I
|
|
couldn't make anything out of that, so I put the paper
|
|
in the book again, and when I got home and upstairs
|
|
there was Miss Sophia in her door waiting for me.
|
|
She pulled me in and shut the door; then she looked
|
|
in the Testament till she found the paper, and as soon
|
|
as she read it she looked glad; and before a body
|
|
could think she grabbed me and give me a squeeze,
|
|
and said I was the best boy in the world, and not to
|
|
tell anybody. She was mighty red in the face for a
|
|
minute, and her eyes lighted up, and it made her
|
|
powerful pretty. I was a good deal astonished, but
|
|
when I got my breath I asked her what the paper was
|
|
about, and she asked me if I had read it, and I said
|
|
no, and she asked me if I could read writing, and I
|
|
told her "no, only coarse-hand," and then she said
|
|
the paper warn't anything but a book-mark to keep
|
|
her place, and I might go and play now.
|
|
|
|
I went off down to the river, studying over this
|
|
thing, and pretty soon I noticed that my nigger was
|
|
following along behind. When we was out of sight of
|
|
the house he looked back and around a second, and
|
|
then comes a-running, and says:
|
|
|
|
"Mars Jawge, if you'll come down into de swamp
|
|
I'll show you a whole stack o' water-moccasins."
|
|
|
|
Thinks I, that's mighty curious; he said that yester-
|
|
day. He oughter know a body don't love water-
|
|
moccasins enough to go around hunting for them.
|
|
What is he up to, anyway? So I says:
|
|
|
|
"All right; trot ahead."
|
|
|
|
I followed a half a mile; then he struck out over the
|
|
swamp, and waded ankle deep as much as another
|
|
half-mile. We come to a little flat piece of land which
|
|
was dry and very thick with trees and bushes and
|
|
vines, and he says:
|
|
|
|
"You shove right in dah jist a few steps, Mars
|
|
Jawge; dah's whah dey is. I's seed 'm befo'; I
|
|
don't k'yer to see 'em no mo'."
|
|
|
|
Then he slopped right along and went away, and
|
|
pretty soon the trees hid him. I poked into the place
|
|
a-ways and come to a little open patch as big as a
|
|
bedroom all hung around with vines, and found a man
|
|
laying there asleep -- and, by jings, it was my old Jim!
|
|
|
|
I waked him up, and I reckoned it was going to be
|
|
a grand surprise to him to see me again, but it warn't.
|
|
He nearly cried he was so glad, but he warn't sur-
|
|
prised. Said he swum along behind me that night,
|
|
and heard me yell every time, but dasn't answer, be-
|
|
cause he didn't want nobody to pick HIM up and take
|
|
him into slavery again. Says he:
|
|
|
|
"I got hurt a little, en couldn't swim fas', so I wuz
|
|
a considable ways behine you towards de las'; when
|
|
you landed I reck'ned I could ketch up wid you on de
|
|
lan' 'dout havin' to shout at you, but when I see dat
|
|
house I begin to go slow. I 'uz off too fur to hear
|
|
what dey say to you -- I wuz 'fraid o' de dogs; but
|
|
when it 'uz all quiet agin I knowed you's in de house,
|
|
so I struck out for de woods to wait for day. Early
|
|
in de mawnin' some er de niggers come along, gwyne
|
|
to de fields, en dey tuk me en showed me dis place,
|
|
whah de dogs can't track me on accounts o' de water,
|
|
en dey brings me truck to eat every night, en tells me
|
|
how you's a-gitt'n along."
|
|
|
|
"Why didn't you tell my Jack to fetch me here
|
|
sooner, Jim?"
|
|
|
|
"Well, 'twarn't no use to 'sturb you, Huck, tell we
|
|
could do sumfn -- but we's all right now. I ben a-
|
|
buyin' pots en pans en vittles, as I got a chanst, en a-
|
|
patchin' up de raf' nights when --"
|
|
|
|
"WHAT raft, Jim?"
|
|
|
|
"Our ole raf'."
|
|
|
|
"You mean to say our old raft warn't smashed all
|
|
to flinders?"
|
|
|
|
"No, she warn't. She was tore up a good deal --
|
|
one en' of her was; but dey warn't no great harm
|
|
done, on'y our traps was mos' all los'. Ef we hadn'
|
|
dive' so deep en swum so fur under water, en de night
|
|
hadn' ben so dark, en we warn't so sk'yerd, en ben
|
|
sich punkin-heads, as de sayin' is, we'd a seed de raf'.
|
|
But it's jis' as well we didn't, 'kase now she's all fixed
|
|
up agin mos' as good as new, en we's got a new lot o'
|
|
stuff, in de place o' what 'uz los'."
|
|
|
|
"Why, how did you get hold of the raft again, Jim
|
|
-- did you catch her?"
|
|
|
|
"How I gwyne to ketch her en I out in de woods?
|
|
No; some er de niggers foun' her ketched on a snag
|
|
along heah in de ben', en dey hid her in a crick
|
|
'mongst de willows, en dey wuz so much jawin' 'bout
|
|
which un 'um she b'long to de mos' dat I come to
|
|
heah 'bout it pooty soon, so I ups en settles de trouble
|
|
by tellin' 'um she don't b'long to none uv um, but to
|
|
you en me; en I ast 'm if dey gwyne to grab a young
|
|
white genlman's propaty, en git a hid'n for it? Den I
|
|
gin 'm ten cents apiece, en dey 'uz mighty well satis-
|
|
fied, en wisht some mo' raf's 'ud come along en make
|
|
'm rich agin. Dey's mighty good to me, dese niggers
|
|
is, en whatever I wants 'm to do fur me I doan' have
|
|
to ast 'm twice, honey. Dat Jack's a good nigger, en
|
|
pooty smart."
|
|
|
|
"Yes, he is. He ain't ever told me you was here;
|
|
told me to come, and he'd show me a lot of water-
|
|
moccasins. If anything happens HE ain't mixed up in
|
|
it. He can say he never seen us together, and it 'll
|
|
be the truth."
|
|
|
|
I don't want to talk much about the next day. I
|
|
reckon I'll cut it pretty short. I waked up about
|
|
dawn, and was a-going to turn over and go to sleep
|
|
again when I noticed how still it was -- didn't seem
|
|
to be anybody stirring. That warn't usual. Next I
|
|
noticed that Buck was up and gone. Well, I gets up,
|
|
a-wondering, and goes down stairs -- nobody around;
|
|
everything as still as a mouse. Just the same outside.
|
|
Thinks I, what does it mean? Down by the wood-
|
|
pile I comes across my Jack, and says:
|
|
|
|
"What's it all about?"
|
|
|
|
Says he:
|
|
|
|
"Don't you know, Mars Jawge?"
|
|
|
|
"No," says I, "I don't."
|
|
|
|
"Well, den, Miss Sophia's run off! 'deed she has.
|
|
She run off in de night some time -- nobody don't
|
|
know jis' when; run off to get married to dat young
|
|
Harney Shepherdson, you know -- leastways, so dey
|
|
'spec. De fambly foun' it out 'bout half an hour
|
|
ago -- maybe a little mo' -- en' I TELL you dey warn't
|
|
no time los'. Sich another hurryin' up guns en hosses
|
|
YOU never see! De women folks has gone for to stir
|
|
up de relations, en ole Mars Saul en de boys tuck dey
|
|
guns en rode up de river road for to try to ketch dat
|
|
young man en kill him 'fo' he kin git acrost de river
|
|
wid Miss Sophia. I reck'n dey's gwyne to be mighty
|
|
rough times."
|
|
|
|
"Buck went off 'thout waking me up."
|
|
|
|
"Well, I reck'n he DID! Dey warn't gwyne to mix
|
|
you up in it. Mars Buck he loaded up his gun en
|
|
'lowed he's gwyne to fetch home a Shepherdson or
|
|
bust. Well, dey'll be plenty un 'm dah, I reck'n, en
|
|
you bet you he'll fetch one ef he gits a chanst."
|
|
|
|
I took up the river road as hard as I could put. By
|
|
and by I begin to hear guns a good ways off. When
|
|
I came in sight of the log store and the woodpile
|
|
where the steamboats lands I worked along under the
|
|
trees and brush till I got to a good place, and then I
|
|
clumb up into the forks of a cottonwood that was out
|
|
of reach, and watched. There was a wood-rank four
|
|
foot high a little ways in front of the tree, and first I
|
|
was going to hide behind that; but maybe it was
|
|
luckier I didn't.
|
|
|
|
There was four or five men cavorting around on their
|
|
horses in the open place before the log store, cussing
|
|
and yelling, and trying to get at a couple of young
|
|
chaps that was behind the wood-rank alongside of
|
|
the steamboat landing; but they couldn't come it.
|
|
Every time one of them showed himself on the river
|
|
side of the woodpile he got shot at. The two boys
|
|
was squatting back to back behind the pile, so they
|
|
could watch both ways.
|
|
|
|
By and by the men stopped cavorting around and
|
|
yelling. They started riding towards the store; then
|
|
up gets one of the boys, draws a steady bead over the
|
|
wood-rank, and drops one of them out of his saddle.
|
|
All the men jumped off of their horses and grabbed the
|
|
hurt one and started to carry him to the store; and
|
|
that minute the two boys started on the run. They
|
|
got half way to the tree I was in before the men
|
|
noticed. Then the men see them, and jumped on
|
|
their horses and took out after them. They gained on
|
|
the boys, but it didn't do no good, the boys had too
|
|
good a start; they got to the woodpile that was in
|
|
front of my tree, and slipped in behind it, and so they
|
|
had the bulge on the men again. One of the boys
|
|
was Buck, and the other was a slim young chap about
|
|
nineteen years old.
|
|
|
|
The men ripped around awhile, and then rode away.
|
|
As soon as they was out of sight I sung out to Buck
|
|
and told him. He didn't know what to make of my
|
|
voice coming out of the tree at first. He was awful
|
|
surprised. He told me to watch out sharp and let him
|
|
know when the men come in sight again; said they
|
|
was up to some devilment or other -- wouldn't be gone
|
|
long. I wished I was out of that tree, but I dasn't
|
|
come down. Buck begun to cry and rip, and 'lowed
|
|
that him and his cousin Joe (that was the other young
|
|
chap) would make up for this day yet. He said his
|
|
father and his two brothers was killed, and two or
|
|
three of the enemy. Said the Shepherdsons laid for
|
|
them in ambush. Buck said his father and brothers
|
|
ought to waited for their relations -- the Shepherdsons
|
|
was too strong for them. I asked him what was be-
|
|
come of young Harney and Miss Sophia. He said
|
|
they'd got across the river and was safe. I was glad
|
|
of that; but the way Buck did take on because he
|
|
didn't manage to kill Harney that day he shot at him
|
|
-- I hain't ever heard anything like it.
|
|
|
|
All of a sudden, bang! bang! bang! goes three or
|
|
four guns -- the men had slipped around through the
|
|
woods and come in from behind without their horses!
|
|
The boys jumped for the river -- both of them hurt --
|
|
and as they swum down the current the men run along
|
|
the bank shooting at them and singing out, "Kill
|
|
them, kill them!" It made me so sick I most fell out
|
|
of the tree. I ain't a-going to tell ALL that happened --
|
|
it would make me sick again if I was to do that. I
|
|
wished I hadn't ever come ashore that night to see
|
|
such things. I ain't ever going to get shut of them --
|
|
lots of times I dream about them.
|
|
|
|
I stayed in the tree till it begun to get dark, afraid
|
|
to come down. Sometimes I heard guns away off in
|
|
the woods; and twice I seen little gangs of men gallop
|
|
past the log store with guns; so I reckoned the trouble
|
|
was still a-going on. I was mighty downhearted; so I
|
|
made up my mind I wouldn't ever go anear that house
|
|
again, because I reckoned I was to blame, somehow.
|
|
I judged that that piece of paper meant that Miss
|
|
Sophia was to meet Harney somewheres at half-past
|
|
two and run off; and I judged I ought to told her
|
|
father about that paper and the curious way she acted,
|
|
and then maybe he would a locked her up, and this
|
|
awful mess wouldn't ever happened.
|
|
|
|
When I got down out of the tree I crept along down
|
|
the river bank a piece, and found the two bodies laying
|
|
in the edge of the water, and tugged at them till I got
|
|
them ashore; then I covered up their faces, and got
|
|
away as quick as I could. I cried a little when I was
|
|
covering up Buck's face, for he was mighty good to me.
|
|
|
|
It was just dark now. I never went near the house,
|
|
but struck through the woods and made for the
|
|
swamp. Jim warn't on his island, so I tramped off in
|
|
a hurry for the crick, and crowded through the willows,
|
|
red-hot to jump aboard and get out of that awful
|
|
country. The raft was gone! My souls, but I was
|
|
scared! I couldn't get my breath for most a minute.
|
|
Then I raised a yell. A voice not twenty-five foot
|
|
from me says:
|
|
|
|
"Good lan'! is dat you, honey? Doan' make no
|
|
noise."
|
|
|
|
It was Jim's voice -- nothing ever sounded so good
|
|
before. I run along the bank a piece and got aboard,
|
|
and Jim he grabbed me and hugged me, he was so glad
|
|
to see me. He says:
|
|
|
|
"Laws bless you, chile, I 'uz right down sho' you's
|
|
dead agin. Jack's been heah; he say he reck'n you's
|
|
ben shot, kase you didn' come home no mo'; so I's
|
|
jes' dis minute a startin' de raf' down towards de mouf
|
|
er de crick, so's to be all ready for to shove out en
|
|
leave soon as Jack comes agin en tells me for certain
|
|
you IS dead. Lawsy, I's mighty glad to git you back
|
|
again, honey.
|
|
|
|
I says:
|
|
|
|
"All right -- that's mighty good; they won't find
|
|
me, and they'll think I've been killed, and floated down
|
|
the river -- there's something up there that 'll help them
|
|
think so -- so don't you lose no time, Jim, but just
|
|
shove off for the big water as fast as ever you can."
|
|
|
|
I never felt easy till the raft was two mile below
|
|
there and out in the middle of the Mississippi. Then
|
|
we hung up our signal lantern, and judged that we was
|
|
free and safe once more. I hadn't had a bite to eat
|
|
since yesterday, so Jim he got out some corn-dodgers
|
|
and buttermilk, and pork and cabbage and greens --
|
|
there ain't nothing in the world so good when it's
|
|
cooked right -- and whilst I eat my supper we talked
|
|
and had a good time. I was powerful glad to get
|
|
away from the feuds, and so was Jim to get away from
|
|
the swamp. We said there warn't no home like a
|
|
raft, after all. Other places do seem so cramped up
|
|
and smothery, but a raft don't. You feel mighty free
|
|
and easy and comfortable on a raft.
|
|
|
|
|
|
CHAPTER XIX.
|
|
|
|
TWO or three days and nights went by; I reckon I
|
|
might say they swum by, they slid along so quiet
|
|
and smooth and lovely. Here is the way we put in
|
|
the time. It was a monstrous big river down there --
|
|
sometimes a mile and a half wide; we run nights, and
|
|
laid up and hid daytimes; soon as night was most
|
|
gone we stopped navigating and tied up -- nearly
|
|
always in the dead water under a towhead; and then
|
|
cut young cottonwoods and willows, and hid the raft
|
|
with them. Then we set out the lines. Next we slid
|
|
into the river and had a swim, so as to freshen up and
|
|
cool off; then we set down on the sandy bottom where
|
|
the water was about knee deep, and watched the day-
|
|
light come. Not a sound anywheres -- perfectly still
|
|
-- just like the whole world was asleep, only sometimes
|
|
the bullfrogs a-cluttering, maybe. The first thing to
|
|
see, looking away over the water, was a kind of dull
|
|
line -- that was the woods on t'other side; you
|
|
couldn't make nothing else out; then a pale place in
|
|
the sky; then more paleness spreading around; then
|
|
the river softened up away off, and warn't black any
|
|
more, but gray; you could see little dark spots drifting
|
|
along ever so far away -- trading scows, and such
|
|
things; and long black streaks -- rafts; sometimes
|
|
you could hear a sweep screaking; or jumbled up
|
|
voices, it was so still, and sounds come so far; and by
|
|
and by you could see a streak on the water which you
|
|
know by the look of the streak that there's a snag
|
|
there in a swift current which breaks on it and makes
|
|
that streak look that way; and you see the mist curl
|
|
up off of the water, and the east reddens up, and the
|
|
river, and you make out a log-cabin in the edge of
|
|
the woods, away on the bank on t'other side of the
|
|
river, being a woodyard, likely, and piled by them
|
|
cheats so you can throw a dog through it anywheres;
|
|
then the nice breeze springs up, and comes fanning
|
|
you from over there, so cool and fresh and sweet to
|
|
smell on account of the woods and the flowers; but
|
|
sometimes not that way, because they've left dead fish
|
|
laying around, gars and such, and they do get pretty
|
|
rank; and next you've got the full day, and every-
|
|
thing smiling in the sun, and the song-birds just
|
|
going it!
|
|
|
|
A little smoke couldn't be noticed now, so we would
|
|
take some fish off of the lines and cook up a hot break-
|
|
fast. And afterwards we would watch the lonesome-
|
|
ness of the river, and kind of lazy along, and by and
|
|
by lazy off to sleep. Wake up by and by, and look to
|
|
see what done it, and maybe see a steamboat coughing
|
|
along up-stream, so far off towards the other side you
|
|
couldn't tell nothing about her only whether she was a
|
|
stern-wheel or side-wheel; then for about an hour there
|
|
wouldn't be nothing to hear nor nothing to see -- just
|
|
solid lonesomeness. Next you'd see a raft sliding by,
|
|
away off yonder, and maybe a galoot on it chopping,
|
|
because they're most always doing it on a raft; you'd
|
|
see the axe flash and come down -- you don't
|
|
hear nothing; you see that axe go up again, and by
|
|
the time it's above the man's head then you hear the
|
|
K'CHUNK! -- it had took all that time to come over the
|
|
water. So we would put in the day, lazying around,
|
|
listening to the stillness. Once there was a thick fog,
|
|
and the rafts and things that went by was beating tin
|
|
pans so the steamboats wouldn't run over them. A
|
|
scow or a raft went by so close we could hear them
|
|
talking and cussing and laughing -- heard them plain;
|
|
but we couldn't see no sign of them; it made you feel
|
|
crawly; it was like spirits carrying on that way in the
|
|
air. Jim said he believed it was spirits; but I says:
|
|
|
|
"No; spirits wouldn't say, 'Dern the dern fog.'"
|
|
|
|
Soon as it was night out we shoved; when we got
|
|
her out to about the middle we let her alone, and let
|
|
her float wherever the current wanted her to; then we
|
|
lit the pipes, and dangled our legs in the water, and
|
|
talked about all kinds of things -- we was always
|
|
naked, day and night, whenever the mosquitoes would
|
|
let us -- the new clothes Buck's folks made for me was
|
|
too good to be comfortable, and besides I didn't go
|
|
much on clothes, nohow.
|
|
|
|
Sometimes we'd have that whole river all to ourselves
|
|
for the longest time. Yonder was the banks and the
|
|
islands, across the water; and maybe a spark -- which
|
|
was a candle in a cabin window; and sometimes on the
|
|
water you could see a spark or two -- on a raft or a
|
|
scow, you know; and maybe you could hear a fiddle
|
|
or a song coming over from one of them crafts. It's
|
|
lovely to live on a raft. We had the sky up there, all
|
|
speckled with stars, and we used to lay on our backs
|
|
and look up at them, and discuss about whether they
|
|
was made or only just happened. Jim he allowed
|
|
they was made, but I allowed they happened; I judged
|
|
it would have took too long to MAKE so many. Jim
|
|
said the moon could a LAID them; well, that looked
|
|
kind of reasonable, so I didn't say nothing against it,
|
|
because I've seen a frog lay most as many, so of
|
|
course it could be done. We used to watch the stars
|
|
that fell, too, and see them streak down. Jim allowed
|
|
they'd got spoiled and was hove out of the nest.
|
|
|
|
Once or twice of a night we would see a steamboat
|
|
slipping along in the dark, and now and then she
|
|
would belch a whole world of sparks up out of her
|
|
chimbleys, and they would rain down in the river and
|
|
look awful pretty; then she would turn a corner and
|
|
her lights would wink out and her powwow shut off
|
|
and leave the river still again; and by and by her
|
|
waves would get to us, a long time after she was gone,
|
|
and joggle the raft a bit, and after that you wouldn't
|
|
hear nothing for you couldn't tell how long, except
|
|
maybe frogs or something.
|
|
|
|
After midnight the people on shore went to bed,
|
|
and then for two or three hours the shores was black --
|
|
no more sparks in the cabin windows. These sparks
|
|
was our clock -- the first one that showed again meant
|
|
morning was coming, so we hunted a place to hide and
|
|
tie up right away.
|
|
|
|
One morning about daybreak I found a canoe and
|
|
crossed over a chute to the main shore -- it was only
|
|
two hundred yards -- and paddled about a mile up a
|
|
crick amongst the cypress woods, to see if I couldn't
|
|
get some berries. Just as I was passing a place where
|
|
a kind of a cowpath crossed the crick, here comes a
|
|
couple of men tearing up the path as tight as they
|
|
could foot it. I thought I was a goner, for whenever
|
|
anybody was after anybody I judged it was ME -- or
|
|
maybe Jim. I was about to dig out from there in a
|
|
hurry, but they was pretty close to me then, and sung
|
|
out and begged me to save their lives -- said they
|
|
hadn't been doing nothing, and was being chased for
|
|
it -- said there was men and dogs a-coming. They
|
|
wanted to jump right in, but I says:
|
|
|
|
"Don't you do it. I don't hear the dogs and horses
|
|
yet; you've got time to crowd through the brush and
|
|
get up the crick a little ways; then you take to the
|
|
water and wade down to me and get in -- that'll throw
|
|
the dogs off the scent."
|
|
|
|
They done it, and soon as they was aboard I lit
|
|
out for our towhead, and in about five or ten minutes
|
|
we heard the dogs and the men away off, shouting.
|
|
We heard them come along towards the crick, but
|
|
couldn't see them; they seemed to stop and fool
|
|
around a while; then, as we got further and further
|
|
away all the time, we couldn't hardly hear them at all;
|
|
by the time we had left a mile of woods behind us and
|
|
struck the river, everything was quiet, and we paddled
|
|
over to the towhead and hid in the cottonwoods and
|
|
was safe.
|
|
|
|
One of these fellows was about seventy or upwards,
|
|
and had a bald head and very gray whiskers. He had
|
|
an old battered-up slouch hat on, and a greasy blue
|
|
woollen shirt, and ragged old blue jeans britches stuffed
|
|
into his boot-tops, and home-knit galluses -- no, he
|
|
only had one. He had an old long-tailed blue jeans
|
|
coat with slick brass buttons flung over his arm, and
|
|
both of them had big, fat, ratty-looking carpet-bags.
|
|
|
|
The other fellow was about thirty, and dressed about
|
|
as ornery. After breakfast we all laid off and talked,
|
|
and the first thing that come out was that these chaps
|
|
didn't know one another.
|
|
|
|
"What got you into trouble?" says the baldhead to
|
|
t'other chap.
|
|
|
|
"Well, I'd been selling an article to take the tartar
|
|
off the teeth -- and it does take it off, too, and generly
|
|
the enamel along with it -- but I stayed about one
|
|
night longer than I ought to, and was just in the act of
|
|
sliding out when I ran across you on the trail this side
|
|
of town, and you told me they were coming, and begged
|
|
me to help you to get off. So I told you I was ex-
|
|
pecting trouble myself, and would scatter out WITH you.
|
|
That's the whole yarn -- what's yourn?
|
|
|
|
"Well, I'd ben a-running' a little temperance revival
|
|
thar 'bout a week, and was the pet of the women
|
|
folks, big and little, for I was makin' it mighty warm
|
|
for the rummies, I TELL you, and takin' as much as five
|
|
or six dollars a night -- ten cents a head, children and
|
|
niggers free -- and business a-growin' all the time,
|
|
when somehow or another a little report got around
|
|
last night that I had a way of puttin' in my time with
|
|
a private jug on the sly. A nigger rousted me out
|
|
this mornin', and told me the people was getherin' on
|
|
the quiet with their dogs and horses, and they'd be
|
|
along pretty soon and give me 'bout half an hour's
|
|
start, and then run me down if they could; and if they
|
|
got me they'd tar and feather me and ride me on a
|
|
rail, sure. I didn't wait for no breakfast -- I warn't
|
|
hungry."
|
|
|
|
"Old man," said the young one, "I reckon we
|
|
might double-team it together; what do you think?"
|
|
|
|
"I ain't undisposed. What's your line -- mainly?"
|
|
|
|
"Jour printer by trade; do a little in patent medi-
|
|
cines; theater-actor -- tragedy, you know; take a turn
|
|
to mesmerism and phrenology when there's a chance;
|
|
teach singing-geography school for a change; sling a
|
|
lecture sometimes -- oh, I do lots of things -- most
|
|
anything that comes handy, so it ain't work. What's
|
|
your lay?"
|
|
|
|
"I've done considerble in the doctoring way in my
|
|
time. Layin' on o' hands is my best holt -- for cancer
|
|
and paralysis, and sich things; and I k'n tell a fortune
|
|
pretty good when I've got somebody along to find out
|
|
the facts for me. Preachin's my line, too, and
|
|
workin' camp-meetin's, and missionaryin' around."
|
|
|
|
Nobody never said anything for a while; then the
|
|
young man hove a sigh and says:
|
|
|
|
"Alas!"
|
|
|
|
"What 're you alassin' about?" says the bald-
|
|
head.
|
|
|
|
"To think I should have lived to be leading such a
|
|
life, and be degraded down into such company." And
|
|
he begun to wipe the corner of his eye with a rag.
|
|
|
|
"Dern your skin, ain't the company good enough
|
|
for you?" says the baldhead, pretty pert and uppish.
|
|
|
|
" Yes, it IS good enough for me; it's as good as I
|
|
deserve; for who fetched me so low when I was so
|
|
high? I did myself. I don't blame YOU, gentlemen --
|
|
far from it; I don't blame anybody. I deserve it all.
|
|
Let the cold world do its worst; one thing I know --
|
|
there's a grave somewhere for me. The world may
|
|
go on just as it's always done, and take everything
|
|
from me -- loved ones, property, everything; but it
|
|
can't take that. Some day I'll lie down in it and for-
|
|
get it all, and my poor broken heart will be at rest."
|
|
He went on a-wiping.
|
|
|
|
"Drot your pore broken heart," says the baldhead;
|
|
"what are you heaving your pore broken heart at US
|
|
f'r? WE hain't done nothing."
|
|
|
|
"No, I know you haven't. I ain't blaming you,
|
|
gentlemen. I brought myself down -- yes, I did it
|
|
myself. It's right I should suffer -- perfectly right --
|
|
I don't make any moan."
|
|
|
|
"Brought you down from whar? Whar was you
|
|
brought down from?"
|
|
|
|
"Ah, you would not believe me; the world never
|
|
believes -- let it pass -- 'tis no matter. The secret of
|
|
my birth --"
|
|
|
|
"The secret of your birth! Do you mean to say --"
|
|
|
|
"Gentlemen," says the young man, very solemn,
|
|
"I will reveal it to you, for I feel I may have confi-
|
|
dence in you. By rights I am a duke!"
|
|
|
|
Jim's eyes bugged out when he heard that; and I
|
|
reckon mine did, too. Then the baldhead says:
|
|
"No! you can't mean it?"
|
|
|
|
"Yes. My great-grandfather, eldest son of the
|
|
Duke of Bridgewater, fled to this country about the
|
|
end of the last century, to breathe the pure air of free-
|
|
dom; married here, and died, leaving a son, his own
|
|
father dying about the same time. The second son of
|
|
the late duke seized the titles and estates -- the infant
|
|
real duke was ignored. I am the lineal descendant of
|
|
that infant -- I am the rightful Duke of Bridgewater;
|
|
and here am I, forlorn, torn from my high estate,
|
|
hunted of men, despised by the cold world, ragged,
|
|
worn, heart-broken, and degraded to the companion-
|
|
ship of felons on a raft!"
|
|
|
|
Jim pitied him ever so much, and so did I. We
|
|
tried to comfort him, but he said it warn't much use,
|
|
he couldn't be much comforted; said if we was a mind
|
|
to acknowledge him, that would do him more good
|
|
than most anything else; so we said we would, if he
|
|
would tell us how. He said we ought to bow when
|
|
we spoke to him, and say "Your Grace," or "My
|
|
Lord," or "Your Lordship" -- and he wouldn't mind
|
|
it if we called him plain "Bridgewater," which, he
|
|
said, was a title anyway, and not a name; and one of
|
|
us ought to wait on him at dinner, and do any little
|
|
thing for him he wanted done.
|
|
|
|
Well, that was all easy, so we done it. All through
|
|
dinner Jim stood around and waited on him, and says,
|
|
"Will yo' Grace have some o' dis or some o' dat?"
|
|
and so on, and a body could see it was mighty pleasing
|
|
to him.
|
|
|
|
But the old man got pretty silent by and by -- didn't
|
|
have much to say, and didn't look pretty comfortable
|
|
over all that petting that was going on around that
|
|
duke. He seemed to have something on his mind.
|
|
So, along in the afternoon, he says:
|
|
|
|
"Looky here, Bilgewater," he says, "I'm nation
|
|
sorry for you, but you ain't the only person that's had
|
|
troubles like that."
|
|
|
|
"No?"
|
|
|
|
"No you ain't. You ain't the only person that's
|
|
ben snaked down wrongfully out'n a high place."
|
|
|
|
"Alas!"
|
|
|
|
"No, you ain't the only person that's had a secret
|
|
of his birth." And, by jings, HE begins to cry.
|
|
|
|
"Hold! What do you mean?"
|
|
|
|
"Bilgewater, kin I trust you?" says the old man,
|
|
still sort of sobbing.
|
|
|
|
"To the bitter death!" He took the old man by
|
|
the hand and squeezed it, and says, "That secret of
|
|
your being: speak!"
|
|
|
|
"Bilgewater, I am the late Dauphin!"
|
|
|
|
You bet you, Jim and me stared this time. Then
|
|
the duke says:
|
|
|
|
"You are what?"
|
|
|
|
"Yes, my friend, it is too true -- your eyes is look-
|
|
in' at this very moment on the pore disappeared
|
|
Dauphin, Looy the Seventeen, son of Looy the Six-
|
|
teen and Marry Antonette."
|
|
|
|
"You! At your age! No! You mean you're
|
|
the late Charlemagne; you must be six or seven hun-
|
|
dred years old, at the very least."
|
|
|
|
"Trouble has done it, Bilgewater, trouble has done
|
|
it; trouble has brung these gray hairs and this prema-
|
|
ture balditude. Yes, gentlemen, you see before you,
|
|
in blue jeans and misery, the wanderin', exiled, tram-
|
|
pled-on, and sufferin' rightful King of France."
|
|
|
|
Well, he cried and took on so that me and Jim
|
|
didn't know hardly what to do, we was so sorry -- and
|
|
so glad and proud we'd got him with us, too. So we
|
|
set in, like we done before with the duke, and tried to
|
|
comfort HIM. But he said it warn't no use, nothing
|
|
but to be dead and done with it all could do him any
|
|
good; though he said it often made him feel easier and
|
|
better for a while if people treated him according to
|
|
his rights, and got down on one knee to speak to him,
|
|
and always called him "Your Majesty," and waited
|
|
on him first at meals, and didn't set down in his
|
|
presence till he asked them. So Jim and me set to
|
|
majestying him, and doing this and that and t'other
|
|
for him, and standing up till he told us we might set
|
|
down. This done him heaps of good, and so he got
|
|
cheerful and comfortable. But the duke kind of soured
|
|
on him, and didn't look a bit satisfied with the way
|
|
things was going; still, the king acted real friendly
|
|
towards him, and said the duke's great-grandfather
|
|
and all the other Dukes of Bilgewater was a good deal
|
|
thought of by HIS father, and was allowed to come to
|
|
the palace considerable; but the duke stayed huffy a
|
|
good while, till by and by the king says:
|
|
|
|
"Like as not we got to be together a blamed long
|
|
time on this h-yer raft, Bilgewater, and so what's the
|
|
use o' your bein' sour? It 'll only make things on-
|
|
comfortable. It ain't my fault I warn't born a duke,
|
|
it ain't your fault you warn't born a king -- so what's
|
|
the use to worry? Make the best o' things the way
|
|
you find 'em, says I -- that's my motto. This ain't
|
|
no bad thing that we've struck here -- plenty grub
|
|
and an easy life -- come, give us your hand, duke, and
|
|
le's all be friends."
|
|
|
|
The duke done it, and Jim and me was pretty glad
|
|
to see it. It took away all the uncomfortableness and
|
|
we felt mighty good over it, because it would a been a
|
|
miserable business to have any unfriendliness on the
|
|
raft; for what you want, above all things, on a raft, is
|
|
for everybody to be satisfied, and feel right and kind
|
|
towards the others.
|
|
|
|
It didn't take me long to make up my mind that
|
|
these liars warn't no kings nor dukes at all, but just
|
|
low-down humbugs and frauds. But I never said
|
|
nothing, never let on; kept it to myself; it's the best
|
|
way; then you don't have no quarrels, and don't get
|
|
into no trouble. If they wanted us to call them kings
|
|
and dukes, I hadn't no objections, 'long as it would
|
|
keep peace in the family; and it warn't no use to tell
|
|
Jim, so I didn't tell him. If I never learnt nothing
|
|
else out of pap, I learnt that the best way to get along
|
|
with his kind of people is to let them have their own
|
|
way.
|
|
|
|
|
|
CHAPTER XX.
|
|
|
|
THEY asked us considerable many questions; wanted
|
|
to know what we covered up the raft that way
|
|
for, and laid by in the daytime instead of running --
|
|
was Jim a runaway nigger? Says I:
|
|
|
|
"Goodness sakes! would a runaway nigger run
|
|
SOUTH?"
|
|
|
|
No, they allowed he wouldn't. I had to account
|
|
for things some way, so I says:
|
|
|
|
"My folks was living in Pike County, in Missouri,
|
|
where I was born, and they all died off but me and pa
|
|
and my brother Ike. Pa, he 'lowed he'd break up
|
|
and go down and live with Uncle Ben, who's got a
|
|
little one-horse place on the river, forty-four mile
|
|
below Orleans. Pa was pretty poor, and had some
|
|
debts; so when he'd squared up there warn't nothing
|
|
left but sixteen dollars and our nigger, Jim. That
|
|
warn't enough to take us fourteen hundred mile, deck
|
|
passage nor no other way. Well, when the river rose
|
|
pa had a streak of luck one day; he ketched this piece
|
|
of a raft; so we reckoned we'd go down to Orleans on
|
|
it. Pa's luck didn't hold out; a steamboat run over
|
|
the forrard corner of the raft one night, and we all
|
|
went overboard and dove under the wheel; Jim and
|
|
me come up all right, but pa was drunk, and Ike was
|
|
only four years old, so they never come up no more.
|
|
Well, for the next day or two we had considerable
|
|
trouble, because people was always coming out in skiffs
|
|
and trying to take Jim away from me, saying they be-
|
|
lieved he was a runaway nigger. We don't run day-
|
|
times no more now; nights they don't bother us."
|
|
|
|
The duke says:
|
|
|
|
"Leave me alone to cipher out a way so we can run
|
|
in the daytime if we want to. I'll think the thing
|
|
over -- I'll invent a plan that'll fix it. We'll let it
|
|
alone for to-day, because of course we don't want to
|
|
go by that town yonder in daylight -- it mightn't be
|
|
healthy."
|
|
|
|
Towards night it begun to darken up and look like
|
|
rain; the heat lightning was squirting around low down
|
|
in the sky, and the leaves was beginning to shiver -- it
|
|
was going to be pretty ugly, it was easy to see that.
|
|
So the duke and the king went to overhauling our
|
|
wigwam, to see what the beds was like. My bed was
|
|
a straw tickQbetter than Jim's, which was a corn-
|
|
shuck tick; there's always cobs around about in a
|
|
shuck tick, and they poke into you and hurt; and
|
|
when you roll over the dry shucks sound like you was
|
|
rolling over in a pile of dead leaves; it makes such a
|
|
rustling that you wake up. Well, the duke allowed he
|
|
would take my bed; but the king allowed he wouldn't.
|
|
He says:
|
|
|
|
"I should a reckoned the difference in rank would a
|
|
sejested to you that a corn-shuck bed warn't just fitten
|
|
for me to sleep on. Your Grace 'll take the shuck
|
|
bed yourself."
|
|
|
|
Jim and me was in a sweat again for a minute, being
|
|
afraid there was going to be some more trouble
|
|
amongst them; so we was pretty glad when the duke
|
|
says:
|
|
|
|
"'Tis my fate to be always ground into the mire
|
|
under the iron heel of oppression. Misfortune has
|
|
broken my once haughty spirit; I yield, I submit; 'tis
|
|
my fate. I am alone in the world -- let me suffer;
|
|
can bear it."
|
|
|
|
We got away as soon as it was good and dark. The
|
|
king told us to stand well out towards the middle of
|
|
the river, and not show a light till we got a long ways
|
|
below the town. We come in sight of the little bunch
|
|
of lights by and by -- that was the town, you know --
|
|
and slid by, about a half a mile out, all right. When
|
|
we was three-quarters of a mile below we hoisted up
|
|
our signal lantern; and about ten o'clock it come on
|
|
to rain and blow and thunder and lighten like every-
|
|
thing; so the king told us to both stay on watch till
|
|
the weather got better; then him and the duke crawled
|
|
into the wigwam and turned in for the night. It was
|
|
my watch below till twelve, but I wouldn't a turned in
|
|
anyway if I'd had a bed, because a body don't see
|
|
such a storm as that every day in the week, not by a
|
|
long sight. My souls, how the wind did scream along!
|
|
And every second or two there'd come a glare that lit
|
|
up the white-caps for a half a mile around, and you'd
|
|
see the islands looking dusty through the rain, and the
|
|
trees thrashing around in the wind; then comes a
|
|
H-WHACK! -- bum! bum! bumble-umble-um-bum-bum-
|
|
bum-bum -- and the thunder would go rumbling and
|
|
grumbling away, and quit -- and then RIP comes an-
|
|
other flash and another sockdolager. The waves most
|
|
washed me off the raft sometimes, but I hadn't any
|
|
clothes on, and didn't mind. We didn't have no
|
|
trouble about snags; the lightning was glaring and
|
|
flittering around so constant that we could see them
|
|
plenty soon enough to throw her head this way or that
|
|
and miss them.
|
|
|
|
I had the middle watch, you know, but I was pretty
|
|
sleepy by that time, so Jim he said he would stand the
|
|
first half of it for me; he was always mighty good
|
|
that way, Jim was. I crawled into the wigwam, but
|
|
the king and the duke had their legs sprawled around
|
|
so there warn't no show for me; so I laid outside -- I
|
|
didn't mind the rain, because it was warm, and the
|
|
waves warn't running so high now. About two they
|
|
come up again, though, and Jim was going to call me;
|
|
but he changed his mind, because he reckoned they
|
|
warn't high enough yet to do any harm; but he was
|
|
mistaken about that, for pretty soon all of a sudden
|
|
along comes a regular ripper and washed me over-
|
|
board. It most killed Jim a-laughing. He was the
|
|
easiest nigger to laugh that ever was, anyway.
|
|
|
|
I took the watch, and Jim he laid down and snored
|
|
away; and by and by the storm let up for good and
|
|
all; and the first cabin-light that showed I rousted him
|
|
out, and we slid the raft into hiding quarters for the
|
|
day.
|
|
|
|
The king got out an old ratty deck of cards after
|
|
breakfast, and him and the duke played seven-up a
|
|
while, five cents a game. Then they got tired of it,
|
|
and allowed they would "lay out a campaign," as
|
|
they called it. The duke went down into his carpet-
|
|
bag, and fetched up a lot of little printed bills and
|
|
read them out loud. One bill said, "The celebrated
|
|
Dr. Armand de Montalban, of Paris," would "lecture
|
|
on the Science of Phrenology" at such and such a
|
|
place, on the blank day of blank, at ten cents admis-
|
|
sion, and "furnish charts of character at twenty-five
|
|
cents apiece." The duke said that was HIM. In an-
|
|
other bill he was the "world-renowned Shakespearian
|
|
tragedian, Garrick the Younger, of Drury Lane, Lon-
|
|
don." In other bills he had a lot of other names and
|
|
done other wonderful things, like finding water and
|
|
gold with a "divining-rod," "dissipating witch
|
|
spells," and so on. By and by he says:
|
|
|
|
"But the histrionic muse is the darling. Have you
|
|
ever trod the boards, Royalty?"
|
|
|
|
"No," says the king.
|
|
|
|
"You shall, then, before you're three days older,
|
|
Fallen Grandeur," says the duke. "The first good
|
|
town we come to we'll hire a hall and do the sword
|
|
fight in Richard III. and the balcony scene in Romeo
|
|
and Juliet. How does that strike you?"
|
|
|
|
"I'm in, up to the hub, for anything that will pay,
|
|
Bilgewater; but, you see, I don't know nothing about
|
|
play-actin', and hain't ever seen much of it. I was too
|
|
small when pap used to have 'em at the palace. Do
|
|
you reckon you can learn me?"
|
|
|
|
"Easy!"
|
|
|
|
"All right. I'm jist a-freezn' for something fresh,
|
|
anyway. Le's commence right away."
|
|
|
|
So the duke he told him all about who Romeo was
|
|
and who Juliet was, and said he was used to being
|
|
Romeo, so the king could be Juliet.
|
|
|
|
"But if Juliet's such a young gal, duke, my peeled
|
|
head and my white whiskers is goin' to look oncommon
|
|
odd on her, maybe."
|
|
|
|
"No, don't you worry; these country jakes won't
|
|
ever think of that. Besides, you know, you'll be in
|
|
costume, and that makes all the difference in the
|
|
world; Juliet's in a balcony, enjoying the moonlight
|
|
before she goes to bed, and she's got on her night-
|
|
gown and her ruffled nightcap. Here are the costumes
|
|
for the parts."
|
|
|
|
He got out two or three curtain-calico suits, which
|
|
he said was meedyevil armor for Richard III. and
|
|
t'other chap, and a long white cotton nightshirt and a
|
|
ruffled nightcap to match. The king was satisfied; so
|
|
the duke got out his book and read the parts over in
|
|
the most splendid spread-eagle way, prancing around
|
|
and acting at the same time, to show how it had got to
|
|
be done; then he give the book to the king and told
|
|
him to get his part by heart.
|
|
|
|
There was a little one-horse town about three mile
|
|
down the bend, and after dinner the duke said he had
|
|
ciphered out his idea about how to run in daylight
|
|
without it being dangersome for Jim; so he allowed
|
|
he would go down to the town and fix that thing.
|
|
The king allowed he would go, too, and see if he
|
|
couldn't strike something. We was out of coffee, so
|
|
Jim said I better go along with them in the canoe and
|
|
get some.
|
|
|
|
When we got there there warn't nobody stirring;
|
|
streets empty, and perfectly dead and still, like Sun-
|
|
day. We found a sick nigger sunning himself in a
|
|
back yard, and he said everybody that warn't too
|
|
young or too sick or too old was gone to camp-
|
|
meeting, about two mile back in the woods. The king
|
|
got the directions, and allowed he'd go and work that
|
|
camp-meeting for all it was worth, and I might go,
|
|
too.
|
|
|
|
The duke said what he was after was a printing-
|
|
office. We found it; a little bit of a concern, up over
|
|
a carpenter shop -- carpenters and printers all gone to
|
|
the meeting, and no doors locked. It was a dirty,
|
|
littered-up place, and had ink marks, and handbills
|
|
with pictures of horses and runaway niggers on them,
|
|
all over the walls. The duke shed his coat and said he
|
|
was all right now. So me and the king lit out for the
|
|
camp-meeting.
|
|
|
|
We got there in about a half an hour fairly dripping,
|
|
for it was a most awful hot day. There was as much
|
|
as a thousand people there from twenty mile around.
|
|
The woods was full of teams and wagons, hitched
|
|
everywheres, feeding out of the wagon-troughs and
|
|
stomping to keep off the flies. There was sheds made
|
|
out of poles and roofed over with branches, where they
|
|
had lemonade and gingerbread to sell, and piles of
|
|
watermelons and green corn and such-like truck.
|
|
|
|
The preaching was going on under the same kinds
|
|
of sheds, only they was bigger and held crowds of
|
|
people. The benches was made out of outside slabs
|
|
of logs, with holes bored in the round side to drive
|
|
sticks into for legs. They didn't have no backs.
|
|
The preachers had high platforms to stand on at one
|
|
end of the sheds. The women had on sun-bonnets;
|
|
and some had linsey-woolsey frocks, some gingham
|
|
ones, and a few of the young ones had on calico.
|
|
Some of the young men was barefooted, and some of
|
|
the children didn't have on any clothes but just a tow-
|
|
linen shirt. Some of the old women was knitting, and
|
|
some of the young folks was courting on the sly.
|
|
|
|
The first shed we come to the preacher was lining
|
|
out a hymn. He lined out two lines, everybody sung
|
|
it, and it was kind of grand to hear it, there was so
|
|
many of them and they done it in such a rousing way;
|
|
then he lined out two more for them to sing -- and so
|
|
on. The people woke up more and more, and sung
|
|
louder and louder; and towards the end some begun
|
|
to groan, and some begun to shout. Then the preacher
|
|
begun to preach, and begun in earnest, too; and went
|
|
weaving first to one side of the platform and then the
|
|
other, and then a-leaning down over the front of it,
|
|
with his arms and his body going all the time, and
|
|
shouting his words out with all his might; and every
|
|
now and then he would hold up his Bible and spread it
|
|
open, and kind of pass it around this way and that,
|
|
shouting, "It's the brazen serpent in the wilderness!
|
|
Look upon it and live!" And people would shout
|
|
out, "Glory! -- A-a-MEN!" And so he went on, and
|
|
the people groaning and crying and saying amen:
|
|
|
|
"Oh, come to the mourners' bench! come, black
|
|
with sin! (AMEN!) come, sick and sore! (AMEN!)
|
|
come, lame and halt and blind! (AMEN!) come, pore
|
|
and needy, sunk in shame! (A-A-MEN!) come, all
|
|
that's worn and soiled and suffering! -- come with a
|
|
broken spirit! come with a contrite heart! come in
|
|
your rags and sin and dirt! the waters that cleanse is
|
|
free, the door of heaven stands open -- oh, enter in
|
|
and be at rest!" (A-A-MEN! GLORY, GLORY HALLELUJAH!)
|
|
|
|
And so on. You couldn't make out what the
|
|
preacher said any more, on account of the shouting
|
|
and crying. Folks got up everywheres in the crowd,
|
|
and worked their way just by main strength to the
|
|
mourners' bench, with the tears running down their
|
|
faces; and when all the mourners had got up there to
|
|
the front benches in a crowd, they sung and shouted
|
|
and flung themselves down on the straw, just crazy
|
|
and wild.
|
|
|
|
Well, the first I knowed the king got a-going, and
|
|
you could hear him over everybody; and next he
|
|
went a-charging up on to the platform, and the
|
|
preacher he begged him to speak to the people, and
|
|
he done it. He told them he was a pirate -- been a
|
|
pirate for thirty years out in the Indian Ocean -- and
|
|
his crew was thinned out considerable last spring in a
|
|
fight, and he was home now to take out some fresh
|
|
men, and thanks to goodness he'd been robbed last
|
|
night and put ashore off of a steamboat without a cent,
|
|
and he was glad of it; it was the blessedest thing that
|
|
ever happened to him, because he was a changed man
|
|
now, and happy for the first time in his life; and,
|
|
poor as he was, he was going to start right off and
|
|
work his way back to the Indian Ocean, and put in the
|
|
rest of his life trying to turn the pirates into the true
|
|
path; for he could do it better than anybody else,
|
|
being acquainted with all pirate crews in that ocean;
|
|
and though it would take him a long time to get
|
|
there without money, he would get there anyway, and
|
|
every time he convinced a pirate he would say to him,
|
|
"Don't you thank me, don't you give me no credit;
|
|
it all belongs to them dear people in Pokeville camp-
|
|
meeting, natural brothers and benefactors of the race,
|
|
and that dear preacher there, the truest friend a pirate
|
|
ever had!"
|
|
|
|
And then he busted into tears, and so did everybody.
|
|
Then somebody sings out, "Take up a collection for
|
|
him, take up a collection!" Well, a half a dozen
|
|
made a jump to do it, but somebody sings out, "Let
|
|
HIM pass the hat around!" Then everybody said it,
|
|
the preacher too.
|
|
|
|
So the king went all through the crowd with his hat
|
|
swabbing his eyes, and blessing the people and praising
|
|
them and thanking them for being so good to the poor
|
|
pirates away off there; and every little while the
|
|
prettiest kind of girls, with the tears running down
|
|
their cheeks, would up and ask him would he let them
|
|
kiss him for to remember him by; and he always done
|
|
it; and some of them he hugged and kissed as many
|
|
as five or six times -- and he was invited to stay a
|
|
week; and everybody wanted him to live in their
|
|
houses, and said they'd think it was an honor; but he
|
|
said as this was the last day of the camp-meeting he
|
|
couldn't do no good, and besides he was in a sweat to
|
|
get to the Indian Ocean right off and go to work on
|
|
the pirates.
|
|
|
|
When we got back to the raft and he come to count
|
|
up he found he had collected eighty-seven dollars and
|
|
seventy-five cents. And then he had fetched away a
|
|
three-gallon jug of whisky, too, that he found under a
|
|
wagon when he was starting home through the woods.
|
|
The king said, take it all around, it laid over any day
|
|
he'd ever put in in the missionarying line. He said it
|
|
warn't no use talking, heathens don't amount to shucks
|
|
alongside of pirates to work a camp-meeting with.
|
|
|
|
The duke was thinking HE'D been doing pretty well
|
|
till the king come to show up, but after that he didn't
|
|
think so so much. He had set up and printed off two
|
|
little jobs for farmers in that printing-office -- horse
|
|
bills -- and took the money, four dollars. And he
|
|
had got in ten dollars' worth of advertisements for the
|
|
paper, which he said he would put in for four dollars
|
|
if they would pay in advance -- so they done it. The
|
|
price of the paper was two dollars a year, but he took
|
|
in three subscriptions for half a dollar apiece on con-
|
|
dition of them paying him in advance; they were going
|
|
to pay in cordwood and onions as usual, but he said
|
|
he had just bought the concern and knocked down the
|
|
price as low as he could afford it, and was going to
|
|
run it for cash. He set up a little piece of poetry,
|
|
which he made, himself, out of his own head -- three
|
|
verses -- kind of sweet and saddish -- the name of it
|
|
was, "Yes, crush, cold world, this breaking heart" --
|
|
and he left that all set up and ready to print in the
|
|
paper, and didn't charge nothing for it. Well, he
|
|
took in nine dollars and a half, and said he'd done a
|
|
pretty square day's work for it.
|
|
|
|
Then he showed us another little job he'd printed
|
|
and hadn't charged for, because it was for us. It had
|
|
a picture of a runaway nigger with a bundle on a stick
|
|
over his shoulder, and "$200 reward" under it. The
|
|
reading was all about Jim, and just described him to a
|
|
dot. It said he run away from St. Jacques' planta-
|
|
tion, forty mile below New Orleans, last winter, and
|
|
likely went north, and whoever would catch him and
|
|
send him back he could have the reward and expenses.
|
|
|
|
"Now," says the duke, "after to-night we can run
|
|
in the daytime if we want to. Whenever we see any-
|
|
body coming we can tie Jim hand and foot with a rope,
|
|
and lay him in the wigwam and show this handbill and
|
|
say we captured him up the river, and were too poor
|
|
to travel on a steamboat, so we got this little raft on
|
|
credit from our friends and are going down to get the
|
|
reward. Handcuffs and chains would look still better
|
|
on Jim, but it wouldn't go well with the story of us
|
|
being so poor. Too much like jewelry. Ropes are
|
|
the correct thing -- we must preserve the unities, as we
|
|
say on the boards."
|
|
|
|
We all said the duke was pretty smart, and there
|
|
couldn't be no trouble about running daytimes. We
|
|
judged we could make miles enough that night to get
|
|
out of the reach of the powwow we reckoned the duke's
|
|
work in the printing office was going to make in that
|
|
little town; then we could boom right along if we
|
|
wanted to.
|
|
|
|
We laid low and kept still, and never shoved out till
|
|
nearly ten o'clock; then we slid by, pretty wide away
|
|
from the town, and didn't hoist our lantern till we was
|
|
clear out of sight of it.
|
|
|
|
When Jim called me to take the watch at four in the
|
|
morning, he says:
|
|
|
|
"Huck, does you reck'n we gwyne to run acrost
|
|
any mo' kings on dis trip?"
|
|
|
|
"No," I says, "I reckon not."
|
|
|
|
"Well," says he, "dat's all right, den. I doan'
|
|
mine one er two kings, but dat's enough. Dis one's
|
|
powerful drunk, en de duke ain' much better."
|
|
|
|
I found Jim had been trying to get him to talk
|
|
French, so he could hear what it was like; but he said
|
|
he had been in this country so long, and had so much
|
|
trouble, he'd forgot it.
|
|
|
|
|
|
CHAPTER XXI.
|
|
|
|
IT was after sun-up now, but we went right on and
|
|
didn't tie up. The king and the duke turned out
|
|
by and by looking pretty rusty; but after they'd
|
|
jumped overboard and took a swim it chippered them
|
|
up a good deal. After breakfast the king he took a
|
|
seat on the corner of the raft, and pulled off his boots
|
|
and rolled up his britches, and let his legs dangle in
|
|
the water, so as to be comfortable, and lit his pipe, and
|
|
went to getting his Romeo and Juliet by heart. When
|
|
he had got it pretty good him and the duke begun to
|
|
practice it together. The duke had to learn him over
|
|
and over again how to say every speech; and he made
|
|
him sigh, and put his hand on his heart, and after a
|
|
while he said he done it pretty well; "only," he says,
|
|
"you mustn't bellow out ROMEO! that way, like a
|
|
bull -- you must say it soft and sick and languishy,
|
|
so -- R-o-o-meo! that is the idea; for Juliet's a dear
|
|
sweet mere child of a girl, you know, and she doesn't
|
|
bray like a jackass."
|
|
|
|
Well, next they got out a couple of long swords that
|
|
the duke made out of oak laths, and begun to practice
|
|
the sword fight -- the duke called himself Richard
|
|
III.; and the way they laid on and pranced around
|
|
the raft was grand to see. But by and by the king
|
|
tripped and fell overboard, and after that they took a
|
|
rest, and had a talk about all kinds of adventures
|
|
they'd had in other times along the river.
|
|
|
|
After dinner the duke says:
|
|
|
|
"Well, Capet, we'll want to make this a first-class
|
|
show, you know, so I guess we'll add a little more to
|
|
it. We want a little something to answer encores
|
|
with, anyway."
|
|
|
|
"What's onkores, Bilgewater?"
|
|
|
|
The duke told him, and then says:
|
|
|
|
"I'll answer by doing the Highland fling or the
|
|
sailor's hornpipe; and you -- well, let me see -- oh,
|
|
I've got it -- you can do Hamlet's soliloquy."
|
|
|
|
"Hamlet's which?"
|
|
|
|
"Hamlet's soliloquy, you know; the most celebrated
|
|
thing in Shakespeare. Ah, it's sublime, sublime! Al-
|
|
ways fetches the house. I haven't got it in the book
|
|
-- I've only got one volume -- but I reckon I can
|
|
piece it out from memory. I'll just walk up and down
|
|
a minute, and see if I can call it back from recollec-
|
|
tion's vaults."
|
|
|
|
So he went to marching up and down, thinking, and
|
|
frowning horrible every now and then; then he would
|
|
hoist up his eyebrows; next he would squeeze his hand
|
|
on his forehead and stagger back and kind of moan;
|
|
next he would sigh, and next he'd let on to drop a
|
|
tear. It was beautiful to see him. By and by he got
|
|
it. He told us to give attention. Then he strikes a
|
|
most noble attitude, with one leg shoved forwards, and
|
|
his arms stretched away up, and his head tilted back,
|
|
looking up at the sky; and then he begins to rip and
|
|
rave and grit his teeth; and after that, all through his
|
|
speech, he howled, and spread around, and swelled up
|
|
his chest, and just knocked the spots out of any acting
|
|
ever I see before. This is the speech -- I learned it,
|
|
easy enough, while he was learning it to the king:
|
|
|
|
To be, or not to be; that is the bare bodkin
|
|
That makes calamity of so long life;
|
|
For who would fardels bear, till Birnam Wood do
|
|
come to Dunsinane,
|
|
But that the fear of something after death
|
|
Murders the innocent sleep,
|
|
Great nature's second course,
|
|
And makes us rather sling the arrows of outrageous fortune
|
|
Than fly to others that we know not of.
|
|
There's the respect must give us pause:
|
|
Wake Duncan with thy knocking! I would thou couldst;
|
|
For who would bear the whips and scorns of time,
|
|
The oppressor's wrong, the proud man's contumely,
|
|
The law's delay, and the quietus which his
|
|
pangs might take,
|
|
In the dead waste and middle of the night,
|
|
when churchyards yawn
|
|
In customary suits of solemn black,
|
|
But that the undiscovered country from whose
|
|
bourne no traveler returns,
|
|
Breathes forth contagion on the world,
|
|
And thus the native hue of resolution, like
|
|
the poor cat i' the adage,
|
|
Is sicklied o'er with care,
|
|
And all the clouds that lowered o'er our housetops,
|
|
With this regard their currents turn awry,
|
|
And lose the name of action.
|
|
'Tis a consummation devoutly to be wished.
|
|
But soft you, the fair Ophelia:
|
|
Ope not thy ponderous and marble jaws,
|
|
But get thee to a nunnery -- go!
|
|
|
|
Well, the old man he liked that speech, and he
|
|
mighty soon got it so he could do it first-rate. It
|
|
seemed like he was just born for it; and when he had
|
|
his hand in and was excited, it was perfectly lovely
|
|
the way he would rip and tear and rair up behind
|
|
when he was getting it off.
|
|
|
|
The first chance we got the duke he had some show-
|
|
bills printed; and after that, for two or three days as
|
|
we floated along, the raft was a most uncommon lively
|
|
place, for there warn't nothing but sword fighting and
|
|
rehearsing -- as the duke called it -- going on all the
|
|
time. One morning, when we was pretty well down
|
|
the State of Arkansaw, we come in sight of a little
|
|
one-horse town in a big bend; so we tied up about
|
|
three-quarters of a mile above it, in the mouth of a
|
|
crick which was shut in like a tunnel by the cypress
|
|
trees, and all of us but Jim took the canoe and went
|
|
down there to see if there was any chance in that place
|
|
for our show.
|
|
|
|
We struck it mighty lucky; there was going to be a
|
|
circus there that afternoon, and the country people was
|
|
already beginning to come in, in all kinds of old
|
|
shackly wagons, and on horses. The circus would
|
|
leave before night, so our show would have a pretty
|
|
good chance. The duke he hired the courthouse, and
|
|
we went around and stuck up our bills. They read
|
|
like this:
|
|
|
|
Shaksperean Revival ! ! !
|
|
Wonderful Attraction!
|
|
For One Night Only!
|
|
The world renowned tragedians,
|
|
David Garrick the Younger, of Drury Lane Theatre London,
|
|
and
|
|
Edmund Kean the elder, of the Royal Haymarket Theatre,
|
|
Whitechapel, Pudding Lane, Piccadilly, London, and the
|
|
Royal Continental Theatres, in their sublime
|
|
Shaksperean Spectacle entitled
|
|
The Balcony Scene
|
|
in
|
|
Romeo and Juliet ! ! !
|
|
Romeo...................Mr. Garrick
|
|
Juliet..................Mr. Kean
|
|
Assisted by the whole strength of the company!
|
|
New costumes, new scenes, new appointments!
|
|
Also:
|
|
The thrilling, masterly, and blood-curdling
|
|
Broad-sword conflict
|
|
In Richard III. ! ! !
|
|
Richard III.............Mr. Garrick
|
|
Richmond................Mr. Kean
|
|
Also:
|
|
(by special request)
|
|
Hamlet's Immortal Soliloquy ! !
|
|
By The Illustrious Kean!
|
|
Done by him 300 consecutive nights in Paris!
|
|
For One Night Only,
|
|
On account of imperative European engagements!
|
|
Admission 25 cents; children and servants, 10 cents.
|
|
|
|
Then we went loafing around town. The stores and
|
|
houses was most all old, shackly, dried up frame con-
|
|
cerns that hadn't ever been painted; they was set up
|
|
three or four foot above ground on stilts, so as to be
|
|
out of reach of the water when the river was over-
|
|
flowed. The houses had little gardens around them,
|
|
but they didn't seem to raise hardly anything in them
|
|
but jimpson-weeds, and sunflowers, and ash piles, and
|
|
old curled-up boots and shoes, and pieces of bottles,
|
|
and rags, and played-out tinware. The fences was
|
|
made of different kinds of boards, nailed on at dif-
|
|
ferent times; and they leaned every which way, and
|
|
had gates that didn't generly have but one hinge -- a
|
|
leather one. Some of the fences had been white-
|
|
washed some time or another, but the duke said it was
|
|
in Clumbus' time, like enough. There was generly
|
|
hogs in the garden, and people driving them out.
|
|
|
|
All the stores was along one street. They had
|
|
white domestic awnings in front, and the country peo-
|
|
ple hitched their horses to the awning-posts. There
|
|
was empty drygoods boxes under the awnings, and
|
|
loafers roosting on them all day long, whittling them
|
|
with their Barlow knives; and chawing tobacco, and
|
|
gaping and yawning and stretching -- a mighty ornery
|
|
lot. They generly had on yellow straw hats most as
|
|
wide as an umbrella, but didn't wear no coats nor
|
|
waistcoats, they called one another Bill, and Buck,
|
|
and Hank, and Joe, and Andy, and talked lazy and
|
|
drawly, and used considerable many cuss words.
|
|
There was as many as one loafer leaning up against
|
|
every awning-post, and he most always had his hands
|
|
in his britches-pockets, except when he fetched them
|
|
out to lend a chaw of tobacco or scratch. What a
|
|
body was hearing amongst them all the time was:
|
|
|
|
"Gimme a chaw 'v tobacker, Hank "
|
|
|
|
"Cain't; I hain't got but one chaw left. Ask Bill."
|
|
|
|
Maybe Bill he gives him a chaw; maybe he lies and
|
|
says he ain't got none. Some of them kinds of
|
|
loafers never has a cent in the world, nor a chaw of
|
|
tobacco of their own. They get all their chawing by
|
|
borrowing; they say to a fellow, "I wisht you'd len'
|
|
me a chaw, Jack, I jist this minute give Ben Thompson
|
|
the last chaw I had" -- which is a lie pretty much
|
|
everytime; it don't fool nobody but a stranger; but
|
|
Jack ain't no stranger, so he says:
|
|
|
|
"YOU give him a chaw, did you? So did your
|
|
sister's cat's grandmother. You pay me back the
|
|
chaws you've awready borry'd off'n me, Lafe Buckner,
|
|
then I'll loan you one or two ton of it, and won't
|
|
charge you no back intrust, nuther."
|
|
|
|
"Well, I DID pay you back some of it wunst."
|
|
|
|
"Yes, you did -- 'bout six chaws. You borry'd
|
|
store tobacker and paid back nigger-head."
|
|
|
|
Store tobacco is flat black plug, but these fellows
|
|
mostly chaws the natural leaf twisted. When they
|
|
borrow a chaw they don't generly cut it off with a
|
|
knife, but set the plug in between their teeth, and gnaw
|
|
with their teeth and tug at the plug with their hands
|
|
till they get it in two; then sometimes the one that
|
|
owns the tobacco looks mournful at it when it's
|
|
handed back, and says, sarcastic:
|
|
|
|
"Here, gimme the CHAW, and you take the PLUG."
|
|
|
|
All the streets and lanes was just mud; they warn't
|
|
nothing else BUT mud -- mud as black as tar and nigh
|
|
about a foot deep in some places, and two or three
|
|
inches deep in ALL the places. The hogs loafed and
|
|
grunted around everywheres. You'd see a muddy
|
|
sow and a litter of pigs come lazying along the street
|
|
and whollop herself right down in the way, where folks
|
|
had to walk around her, and she'd stretch out and shut
|
|
her eyes and wave her ears whilst the pigs was milking
|
|
her, and look as happy as if she was on salary. And
|
|
pretty soon you'd hear a loafer sing out, "Hi! SO
|
|
boy! sick him, Tige!" and away the sow would go,
|
|
squealing most horrible, with a dog or two swinging to
|
|
each ear, and three or four dozen more a-coming; and
|
|
then you would see all the loafers get up and watch
|
|
the thing out of sight, and laugh at the fun and look
|
|
grateful for the noise. Then they'd settle back again
|
|
till there was a dog fight. There couldn't anything
|
|
wake them up all over, and make them happy all over,
|
|
like a dog fight -- unless it might be putting turpentine
|
|
on a stray dog and setting fire to him, or tying a tin
|
|
pan to his tail and see him run himself to death.
|
|
|
|
On the river front some of the houses was sticking
|
|
out over the bank, and they was bowed and bent, and
|
|
about ready to tumble in, The people had moved out
|
|
of them. The bank was caved away under one corner
|
|
of some others, and that corner was hanging over.
|
|
People lived in them yet, but it was dangersome, be-
|
|
cause sometimes a strip of land as wide as a house
|
|
caves in at a time. Sometimes a belt of land a quarter
|
|
of a mile deep will start in and cave along and cave
|
|
along till it all caves into the river in one summer.
|
|
Such a town as that has to be always moving back,
|
|
and back, and back, because the river's always gnawing
|
|
at it.
|
|
|
|
The nearer it got to noon that day the thicker and
|
|
thicker was the wagons and horses in the streets, and
|
|
more coming all the time. Families fetched their
|
|
dinners with them from the country, and eat them in
|
|
the wagons. There was considerable whisky drinking
|
|
going on, and I seen three fights. By and by some-
|
|
body sings out:
|
|
|
|
"Here comes old Boggs! -- in from the country for
|
|
his little old monthly drunk; here he comes, boys!"
|
|
|
|
All the loafers looked glad; I reckoned they was
|
|
used to having fun out of Boggs. One of them says:
|
|
|
|
"Wonder who he's a-gwyne to chaw up this time.
|
|
If he'd a-chawed up all the men he's ben a-gwyne to
|
|
chaw up in the last twenty year he'd have considerable
|
|
ruputation now."
|
|
|
|
Another one says, "I wisht old Boggs 'd threaten
|
|
me, 'cuz then I'd know I warn't gwyne to die for a
|
|
thousan' year."
|
|
|
|
Boggs comes a-tearing along on his horse, whooping
|
|
and yelling like an Injun, and singing out:
|
|
|
|
"Cler the track, thar. I'm on the waw-path, and
|
|
the price uv coffins is a-gwyne to raise."
|
|
|
|
He was drunk, and weaving about in his saddle; he
|
|
was over fifty year old, and had a very red face.
|
|
Everybody yelled at him and laughed at him and sassed
|
|
him, and he sassed back, and said he'd attend to them
|
|
and lay them out in their regular turns, but he couldn't
|
|
wait now because he'd come to town to kill old
|
|
Colonel Sherburn, and his motto was, "Meat first,
|
|
and spoon vittles to top off on."
|
|
|
|
He see me, and rode up and says:
|
|
|
|
"Whar'd you come f'm, boy? You prepared to
|
|
die?"
|
|
|
|
Then he rode on. I was scared, but a man says:
|
|
|
|
"He don't mean nothing; he's always a-carryin'
|
|
on like that when he's drunk. He's the best natured-
|
|
est old fool in Arkansaw -- never hurt nobody, drunk
|
|
nor sober."
|
|
|
|
Boggs rode up before the biggest store in town, and
|
|
bent his head down so he could see under the curtain
|
|
of the awning and yells:
|
|
|
|
"Come out here, Sherburn! Come out and meet
|
|
the man you've swindled. You're the houn' I'm after,
|
|
and I'm a-gwyne to have you, too!"
|
|
|
|
And so he went on, calling Sherburn everything he
|
|
could lay his tongue to, and the whole street packed
|
|
with people listening and laughing and going on. By
|
|
and by a proud-looking man about fifty-five -- and he
|
|
was a heap the best dressed man in that town, too --
|
|
steps out of the store, and the crowd drops back on
|
|
each side to let him come. He says to Boggs, mighty
|
|
ca'm and slow -- he says:
|
|
|
|
"I'm tired of this, but I'll endure it till one o'clock.
|
|
Till one o'clock, mind -- no longer. If you open your
|
|
mouth against me only once after that time you can't
|
|
travel so far but I will find you."
|
|
|
|
Then he turns and goes in. The crowd looked
|
|
mighty sober; nobody stirred, and there warn't no
|
|
more laughing. Boggs rode off blackguarding Sher-
|
|
burn as loud as he could yell, all down the street; and
|
|
pretty soon back he comes and stops before the store,
|
|
still keeping it up. Some men crowded around him
|
|
and tried to get him to shut up, but he wouldn't; they
|
|
told him it would be one o'clock in about fifteen min-
|
|
utes, and so he MUST go home -- he must go right
|
|
away. But it didn't do no good. He cussed away
|
|
with all his might, and throwed his hat down in the
|
|
mud and rode over it, and pretty soon away he went
|
|
a-raging down the street again, with his gray hair a-
|
|
flying. Everybody that could get a chance at him
|
|
tried their best to coax him off of his horse so they
|
|
could lock him up and get him sober; but it warn't no
|
|
use -- up the street he would tear again, and give
|
|
Sherburn another cussing. By and by somebody says:
|
|
|
|
"Go for his daughter! -- quick, go for his daughter;
|
|
sometimes he'll listen to her. If anybody can persuade
|
|
him, she can."
|
|
|
|
So somebody started on a run. I walked down
|
|
street a ways and stopped. In about five or ten min-
|
|
utes here comes Boggs again, but not on his horse.
|
|
He was a-reeling across the street towards me, bare-
|
|
headed, with a friend on both sides of him a-holt of
|
|
his arms and hurrying him along. He was quiet, and
|
|
looked uneasy; and he warn't hanging back any, but
|
|
was doing some of the hurrying himself. Somebody
|
|
sings out:
|
|
|
|
"Boggs!"
|
|
|
|
I looked over there to see who said it, and it was
|
|
that Colonel Sherburn. He was standing perfectly
|
|
still in the street, and had a pistol raised in his right
|
|
hand -- not aiming it, but holding it out with the barrel
|
|
tilted up towards the sky. The same second I see a
|
|
young girl coming on the run, and two men with her.
|
|
Boggs and the men turned round to see who called
|
|
him, and when they see the pistol the men jumped
|
|
to one side, and the pistol-barrel come down slow
|
|
and steady to a level -- both barrels cocked. Boggs
|
|
throws up both of his hands and says, "O Lord, don't
|
|
shoot!" Bang! goes the first shot, and he staggers
|
|
back, clawing at the air -- bang! goes the second one,
|
|
and he tumbles backwards on to the ground, heavy
|
|
and solid, with his arms spread out. That young girl
|
|
screamed out and comes rushing, and down she throws
|
|
herself on her father, crying, and saying, "Oh, he's
|
|
killed him, he's killed him!" The crowd closed up
|
|
around them, and shouldered and jammed one another,
|
|
with their necks stretched, trying to see, and people
|
|
on the inside trying to shove them back and shouting,
|
|
"Back, back! give him air, give him air!"
|
|
|
|
Colonel Sherburn he tossed his pistol on to the
|
|
ground, and turned around on his heels and walked off.
|
|
|
|
They took Boggs to a little drug store, the crowd
|
|
pressing around just the same, and the whole town
|
|
following, and I rushed and got a good place at the
|
|
window, where I was close to him and could see in.
|
|
They laid him on the floor and put one large Bible
|
|
under his head, and opened another one and spread it
|
|
on his breast; but they tore open his shirt first, and I
|
|
seen where one of the bullets went in. He made
|
|
about a dozen long gasps, his breast lifting the Bible
|
|
up when he drawed in his breath, and letting it down
|
|
again when he breathed it out -- and after that he laid
|
|
still; he was dead. Then they pulled his daughter
|
|
away from him, screaming and crying, and took her
|
|
off. She was about sixteen, and very sweet and gentle
|
|
looking, but awful pale and scared.
|
|
|
|
Well, pretty soon the whole town was there, squirm-
|
|
ing and scrouging and pushing and shoving to get at
|
|
the window and have a look, but people that had the
|
|
places wouldn't give them up, and folks behind them
|
|
was saying all the time, "Say, now, you've looked
|
|
enough, you fellows; 'tain't right and 'tain't fair for
|
|
you to stay thar all the time, and never give nobody a
|
|
chance; other folks has their rights as well as you."
|
|
|
|
There was considerable jawing back, so I slid out,
|
|
thinking maybe there was going to be trouble. The
|
|
streets was full, and everybody was excited. Every-
|
|
body that seen the shooting was telling how it hap-
|
|
pened, and there was a big crowd packed around each
|
|
one of these fellows, stretching their necks and listen-
|
|
ing. One long, lanky man, with long hair and a big
|
|
white fur stovepipe hat on the back of his head, and a
|
|
crooked-handled cane, marked out the places on the
|
|
ground where Boggs stood and where Sherburn stood,
|
|
and the people following him around from one place
|
|
to t'other and watching everything he done, and bob-
|
|
bing their heads to show they understood, and stoop-
|
|
ing a little and resting their hands on their thighs to
|
|
watch him mark the places on the ground with his
|
|
cane; and then he stood up straight and stiff where
|
|
Sherburn had stood, frowning and having his hat-brim
|
|
down over his eyes, and sung out, "Boggs!" and then
|
|
fetched his cane down slow to a level, and says
|
|
"Bang!" staggered backwards, says "Bang!" again,
|
|
and fell down flat on his back. The people that had
|
|
seen the thing said he done it perfect; said it was just
|
|
exactly the way it all happened. Then as much as a
|
|
dozen people got out their bottles and treated him.
|
|
|
|
Well, by and by somebody said Sherburn ought to
|
|
be lynched. In about a minute everybody was saying
|
|
it; so away they went, mad and yelling, and snatching
|
|
down every clothes-line they come to to do the hang-
|
|
ing with.
|
|
|
|
|
|
CHAPTER XXII.
|
|
|
|
THEY swarmed up towards Sherburn's house, a-
|
|
whooping and raging like Injuns, and everything
|
|
had to clear the way or get run over and tromped to
|
|
mush, and it was awful to see. Children was heeling
|
|
it ahead of the mob, screaming and trying to get out
|
|
of the way; and every window along the road was full
|
|
of women's heads, and there was nigger boys in every
|
|
tree, and bucks and wenches looking over every fence;
|
|
and as soon as the mob would get nearly to them they
|
|
would break and skaddle back out of reach. Lots of
|
|
the women and girls was crying and taking on, scared
|
|
most to death.
|
|
|
|
They swarmed up in front of Sherburn's palings as
|
|
thick as they could jam together, and you couldn't
|
|
hear yourself think for the noise. It was a little
|
|
twenty-foot yard. Some sung out "Tear down the
|
|
fence! tear down the fence!" Then there was a
|
|
racket of ripping and tearing and smashing, and down
|
|
she goes, and the front wall of the crowd begins to
|
|
roll in like a wave.
|
|
|
|
Just then Sherburn steps out on to the roof of his
|
|
little front porch, with a double-barrel gun in his hand,
|
|
and takes his stand, perfectly ca'm and deliberate, not
|
|
saying a word. The racket stopped, and the wave
|
|
sucked back.
|
|
|
|
Sherburn never said a word -- just stood there, look-
|
|
ing down. The stillness was awful creepy and uncom-
|
|
fortable. Sherburn run his eye slow along the crowd;
|
|
and wherever it struck the people tried a little to out-
|
|
gaze him, but they couldn't; they dropped their eyes
|
|
and looked sneaky. Then pretty soon Sherburn sort
|
|
of laughed; not the pleasant kind, but the kind that
|
|
makes you feel like when you are eating bread that's
|
|
got sand in it.
|
|
|
|
Then he says, slow and scornful:
|
|
|
|
"The idea of YOU lynching anybody! It's amusing.
|
|
The idea of you thinking you had pluck enough to
|
|
lynch a MAN! Because you're brave enough to tar and
|
|
feather poor friendless cast-out women that come along
|
|
here, did that make you think you had grit enough to
|
|
lay your hands on a MAN? Why, a MAN'S safe in the
|
|
hands of ten thousand of your kind -- as long as it's
|
|
daytime and you're not behind him.
|
|
|
|
"Do I know you? I know you clear through
|
|
was born and raised in the South, and I've lived in the
|
|
North; so I know the average all around. The
|
|
average man's a coward. In the North he lets anybody
|
|
walk over him that wants to, and goes home and prays
|
|
for a humble spirit to bear it. In the South one man
|
|
all by himself, has stopped a stage full of men in the
|
|
daytime, and robbed the lot. Your newspapers call
|
|
you a brave people so much that you think you are
|
|
braver than any other people -- whereas you're just AS
|
|
brave, and no braver. Why don't your juries hang
|
|
murderers? Because they're afraid the man's friends
|
|
will shoot them in the back, in the dark -- and it's just
|
|
what they WOULD do.
|
|
|
|
"So they always acquit; and then a MAN goes in
|
|
the night, with a hundred masked cowards at his back
|
|
and lynches the rascal. Your mistake is, that you
|
|
didn't bring a man with you; that's one mistake, and
|
|
the other is that you didn't come in the dark and fetch
|
|
your masks. You brought PART of a man -- Buck
|
|
Harkness, there -- and if you hadn't had him to start
|
|
you, you'd a taken it out in blowing.
|
|
|
|
"You didn't want to come. The average man
|
|
don't like trouble and danger. YOU don't like trouble
|
|
and danger. But if only HALF a man -- like Buck
|
|
Harkness, there -- shouts 'Lynch him! lynch him!'
|
|
you're afraid to back down -- afraid you'll be found
|
|
out to be what you are -- COWARDS -- and so you raise
|
|
a yell, and hang yourselves on to that half-a-man's
|
|
coat-tail, and come raging up here, swearing what big
|
|
things you're going to do. The pitifulest thing out is
|
|
a mob; that's what an army is -- a mob; they don't
|
|
fight with courage that's born in them, but with cour-
|
|
age that's borrowed from their mass, and from their
|
|
officers. But a mob without any MAN at the head of
|
|
it is BENEATH pitifulness. Now the thing for YOU to do
|
|
is to droop your tails and go home and crawl in a
|
|
hole. If any real lynching's going to be done it will
|
|
be done in the dark, Southern fashion; and when they
|
|
come they'll bring their masks, and fetch a MAN along.
|
|
Now LEAVE -- and take your half-a-man with you" --
|
|
tossing his gun up across his left arm and cocking it
|
|
when he says this.
|
|
|
|
The crowd washed back sudden, and then broke all
|
|
apart, and went tearing off every which way, and Buck
|
|
Harkness he heeled it after them, looking tolerable cheap.
|
|
I could a stayed if I wanted to, but I didn't want to.
|
|
|
|
I went to the circus and loafed around the back side
|
|
till the watchman went by, and then dived in under the
|
|
tent. I had my twenty-dollar gold piece and some
|
|
other money, but I reckoned I better save it, because
|
|
there ain't no telling how soon you are going to need
|
|
it, away from home and amongst strangers that way.
|
|
You can't be too careful. I ain't opposed to spending
|
|
money on circuses when there ain't no other way, but
|
|
there ain't no use in WASTING it on them.
|
|
|
|
It was a real bully circus. It was the splendidest
|
|
sight that ever was when they all come riding in, two
|
|
and two, a gentleman and lady, side by side, the men
|
|
just in their drawers and undershirts, and no shoes nor
|
|
stirrups, and resting their hands on their thighs easy
|
|
and comfortable -- there must a been twenty of them
|
|
-- and every lady with a lovely complexion, and per-
|
|
fectly beautiful, and looking just like a gang of real
|
|
sure-enough queens, and dressed in clothes that cost
|
|
millions of dollars, and just littered with diamonds. It
|
|
was a powerful fine sight; I never see anything so
|
|
lovely. And then one by one they got up and stood,
|
|
and went a-weaving around the ring so gentle and
|
|
wavy and graceful, the men looking ever so tall and airy
|
|
and straight, with their heads bobbing and skimming
|
|
along, away up there under the tent-roof, and every
|
|
lady's rose-leafy dress flapping soft and silky around
|
|
her hips, and she looking like the most loveliest parasol.
|
|
|
|
And then faster and faster they went, all of them
|
|
dancing, first one foot out in the air and then the other,
|
|
the horses leaning more and more, and the ringmaster
|
|
going round and round the center-pole, cracking his
|
|
whip and shouting "Hi! -- hi!" and the clown crack-
|
|
ing jokes behind him; and by and by all hands dropped
|
|
the reins, and every lady put her knuckles on her hips
|
|
and every gentleman folded his arms, and then how
|
|
the horses did lean over and hump themselves! And
|
|
so one after the other they all skipped off into the
|
|
ring, and made the sweetest bow I ever see, and then
|
|
scampered out, and everybody clapped their hands and
|
|
went just about wild.
|
|
|
|
Well, all through the circus they done the most
|
|
astonishing things; and all the time that clown carried
|
|
on so it most killed the people. The ringmaster
|
|
couldn't ever say a word to him but he was back at
|
|
him quick as a wink with the funniest things a body
|
|
ever said; and how he ever COULD think of so many of
|
|
them, and so sudden and so pat, was what I couldn't
|
|
noway understand. Why, I couldn't a thought of
|
|
them in a year. And by and by a drunk man tried to
|
|
get into the ring -- said he wanted to ride; said he
|
|
could ride as well as anybody that ever was. They
|
|
argued and tried to keep him out, but he wouldn't
|
|
listen, and the whole show come to a standstill. Then
|
|
the people begun to holler at him and make fun of
|
|
him, and that made him mad, and he begun to rip
|
|
and tear; so that stirred up the people, and a lot of
|
|
men begun to pile down off of the benches and swarm
|
|
towards the ring, saying, "Knock him down! throw
|
|
him out!" and one or two women begun to scream.
|
|
So, then, the ringmaster he made a little speech, and
|
|
said he hoped there wouldn't be no disturbance, and if
|
|
the man would promise he wouldn't make no more
|
|
trouble he would let him ride if he thought he could
|
|
stay on the horse. So everybody laughed and said all
|
|
right, and the man got on. The minute he was on,
|
|
the horse begun to rip and tear and jump and cavort
|
|
around, with two circus men hanging on to his bridle
|
|
trying to hold him, and the drunk man hanging on to
|
|
his neck, and his heels flying in the air every jump,
|
|
and the whole crowd of people standing up shouting
|
|
and laughing till tears rolled down. And at last, sure
|
|
enough, all the circus men could do, the horse broke
|
|
loose, and away he went like the very nation, round
|
|
and round the ring, with that sot laying down on him
|
|
and hanging to his neck, with first one leg hanging
|
|
most to the ground on one side, and then t'other one
|
|
on t'other side, and the people just crazy. It warn't
|
|
funny to me, though; I was all of a tremble to see his
|
|
danger. But pretty soon he struggled up astraddle
|
|
and grabbed the bridle, a-reeling this way and that; and
|
|
the next minute he sprung up and dropped the bridle
|
|
and stood! and the horse a-going like a house afire
|
|
too. He just stood up there, a-sailing around as easy
|
|
and comfortable as if he warn't ever drunk in his life
|
|
-- and then he begun to pull off his clothes and sling
|
|
them. He shed them so thick they kind of clogged
|
|
up the air, and altogether he shed seventeen suits.
|
|
And, then, there he was, slim and handsome, and
|
|
dressed the gaudiest and prettiest you ever saw, and
|
|
he lit into that horse with his whip and made him fairly
|
|
hum -- and finally skipped off, and made his bow and
|
|
danced off to the dressing-room, and everybody just
|
|
a-howling with pleasure and astonishment.
|
|
|
|
Then the ringmaster he see how he had been fooled,
|
|
and he WAS the sickest ringmaster you ever see, I
|
|
reckon. Why, it was one of his own men! He had
|
|
got up that joke all out of his own head, and never let
|
|
on to nobody. Well, I felt sheepish enough to be
|
|
took in so, but I wouldn't a been in that ringmaster's
|
|
place, not for a thousand dollars. I don't know;
|
|
there may be bullier circuses than what that one was,
|
|
but I never struck them yet. Anyways, it was plenty
|
|
good enough for ME; and wherever I run across it, it
|
|
can have all of MY custom every time.
|
|
|
|
Well, that night we had OUR show; but there warn't
|
|
only about twelve people there -- just enough to pay
|
|
expenses. And they laughed all the time, and that
|
|
made the duke mad; and everybody left, anyway,
|
|
before the show was over, but one boy which was
|
|
asleep. So the duke said these Arkansaw lunkheads
|
|
couldn't come up to Shakespeare; what they wanted
|
|
was low comedy -- and maybe something ruther worse
|
|
than low comedy, he reckoned. He said he could
|
|
size their style. So next morning he got some big
|
|
sheets of wrapping paper and some black paint, and
|
|
drawed off some handbills, and stuck them up all over
|
|
the village. The bills said:
|
|
|
|
AT THE COURT HOUSE!
|
|
FOR 3 NIGHTS ONLY!
|
|
The World-Renowned Tragedians
|
|
DAVID GARRICK THE YOUNGER!
|
|
AND
|
|
EDMUND KEAN THE ELDER!
|
|
Of the London and Continental
|
|
Theatres,
|
|
In their Thrilling Tragedy of
|
|
THE KING'S CAMELEOPARD,
|
|
OR
|
|
THE ROYAL NONESUCH ! ! !
|
|
Admission 50 cents.
|
|
|
|
Then at the bottom was the biggest line of all, which
|
|
said:
|
|
|
|
LADIES AND CHILDREN NOT ADMITTED.
|
|
|
|
"There," says he, "if that line don't fetch them, I
|
|
don't know Arkansaw!"
|
|
|
|
|
|
CHAPTER XXIII.
|
|
|
|
WELL, all day him and the king was hard at it,
|
|
rigging up a stage and a curtain and a row of
|
|
candles for footlights; and that night the house was
|
|
jam full of men in no time. When the place couldn't
|
|
hold no more, the duke he quit tending door and went
|
|
around the back way and come on to the stage and
|
|
stood up before the curtain and made a little speech,
|
|
and praised up this tragedy, and said it was the most
|
|
thrillingest one that ever was; and so he went on a-
|
|
bragging about the tragedy, and about Edmund Kean
|
|
the Elder, which was to play the main principal part
|
|
in it; and at last when he'd got everybody's expecta-
|
|
tions up high enough, he rolled up the curtain, and
|
|
the next minute the king come a-prancing out on all
|
|
fours, naked; and he was painted all over, ring-
|
|
streaked-and-striped, all sorts of colors, as splendid
|
|
as a rainbow. And -- but never mind the rest of his
|
|
outfit; it was just wild, but it was awful funny. The
|
|
people most killed themselves laughing; and when the
|
|
king got done capering and capered off behind the
|
|
scenes, they roared and clapped and stormed and haw-
|
|
hawed till he come back and done it over again, and
|
|
after that they made him do it another time. Well, it
|
|
would make a cow laugh to see the shines that old
|
|
idiot cut.
|
|
|
|
Then the duke he lets the curtain down, and bows to
|
|
the people, and says the great tragedy will be per-
|
|
formed only two nights more, on accounts of pressing
|
|
London engagements, where the seats is all sold already
|
|
for it in Drury Lane; and then he makes them another
|
|
bow, and says if he has succeeded in pleasing them
|
|
and instructing them, he will be deeply obleeged if
|
|
they will mention it to their friends and get them to
|
|
come and see it.
|
|
|
|
Twenty people sings out:
|
|
|
|
"What, is it over? Is that ALL?"
|
|
|
|
The duke says yes. Then there was a fine time.
|
|
Everybody sings out, "Sold!" and rose up mad, and
|
|
was a-going for that stage and them tragedians. But a
|
|
big, fine looking man jumps up on a bench and
|
|
shouts:
|
|
|
|
"Hold on! Just a word, gentlemen." They stopped
|
|
to listen. "We are sold -- mighty badly sold. But
|
|
we don't want to be the laughing stock of this whole
|
|
town, I reckon, and never hear the last of this thing as
|
|
long as we live. NO. What we want is to go out of
|
|
here quiet, and talk this show up, and sell the REST of
|
|
the town! Then we'll all be in the same boat. Ain't
|
|
that sensible?" ("You bet it is! -- the jedge is
|
|
right!" everybody sings out.) "All right, then --
|
|
not a word about any sell. Go along home, and ad-
|
|
vise everybody to come and see the tragedy."
|
|
|
|
Next day you couldn't hear nothing around that
|
|
town but how splendid that show was. House was
|
|
jammed again that night, and we sold this crowd the
|
|
same way. When me and the king and the duke got
|
|
home to the raft we all had a supper; and by and by,
|
|
about midnight, they made Jim and me back her out
|
|
and float her down the middle of the river, and fetch
|
|
her in and hide her about two mile below town.
|
|
|
|
The third night the house was crammed again -- and
|
|
they warn't new-comers this time, but people that was
|
|
at the show the other two nights. I stood by the duke
|
|
at the door, and I see that every man that went in had
|
|
his pockets bulging, or something muffled up under
|
|
his coat -- and I see it warn't no perfumery, neither,
|
|
not by a long sight. I smelt sickly eggs by the barrel,
|
|
and rotten cabbages, and such things; and if I know
|
|
the signs of a dead cat being around, and I bet I do,
|
|
there was sixty-four of them went in. I shoved in
|
|
there for a minute, but it was too various for me; I
|
|
couldn't stand it. Well, when the place couldn't hold
|
|
no more people the duke he give a fellow a quarter
|
|
and told him to tend door for him a minute, and then
|
|
he started around for the stage door, I after him; but
|
|
the minute we turned the corner and was in the dark
|
|
he says:
|
|
|
|
"Walk fast now till you get away from the houses,
|
|
and then shin for the raft like the dickens was after
|
|
you!"
|
|
|
|
I done it, and he done the same. We struck the
|
|
raft at the same time, and in less than two seconds we
|
|
was gliding down stream, all dark and still, and edging
|
|
towards the middle of the river, nobody saying a word.
|
|
I reckoned the poor king was in for a gaudy time of it
|
|
with the audience, but nothing of the sort; pretty
|
|
soon he crawls out from under the wigwam, and says:
|
|
|
|
"Well, how'd the old thing pan out this time,
|
|
duke?" He hadn't been up-town at all.
|
|
|
|
We never showed a light till we was about ten mile
|
|
below the village. Then we lit up and had a supper,
|
|
and the king and the duke fairly laughed their bones
|
|
loose over the way they'd served them people. The
|
|
duke says:
|
|
|
|
"Greenhorns, flatheads! I knew the first house
|
|
would keep mum and let the rest of the town get roped
|
|
in; and I knew they'd lay for us the third night, and
|
|
consider it was THEIR turn now. Well, it IS their turn,
|
|
and I'd give something to know how much they'd take
|
|
for it. I WOULD just like to know how they're putting
|
|
in their opportunity. They can turn it into a picnic if
|
|
they want to -- they brought plenty provisions."
|
|
|
|
Them rapscallions took in four hundred and sixty-
|
|
five dollars in that three nights. I never see money
|
|
hauled in by the wagon-load like that before.
|
|
By and by, when they was asleep and snoring, Jim
|
|
says:
|
|
|
|
"Don't it s'prise you de way dem kings carries on,
|
|
Huck?"
|
|
|
|
"No," I says, "it don't."
|
|
|
|
"Why don't it, Huck?"
|
|
|
|
"Well, it don't, because it's in the breed. I reckon
|
|
they're all alike,"
|
|
|
|
"But, Huck, dese kings o' ourn is reglar rapscal-
|
|
lions; dat's jist what dey is; dey's reglar rapscallions."
|
|
|
|
"Well, that's what I'm a-saying; all kings is
|
|
mostly rapscallions, as fur as I can make out."
|
|
|
|
"Is dat so?"
|
|
|
|
"You read about them once -- you'll see. Look
|
|
at Henry the Eight; this 'n 's a Sunday-school Super-
|
|
intendent to HIM. And look at Charles Second, and
|
|
Louis Fourteen, and Louis Fifteen, and James Second,
|
|
and Edward Second, and Richard Third, and forty
|
|
more; besides all them Saxon heptarchies that used
|
|
to rip around so in old times and raise Cain. My,
|
|
you ought to seen old Henry the Eight when he was
|
|
in bloom. He WAS a blossom. He used to marry a
|
|
new wife every day, and chop off her head next morn-
|
|
ing. And he would do it just as indifferent as if he
|
|
was ordering up eggs. 'Fetch up Nell Gwynn,' he
|
|
says. They fetch her up. Next morning, 'Chop off
|
|
her head!' And they chop it off. 'Fetch up Jane
|
|
Shore,' he says; and up she comes, Next morning,
|
|
'Chop off her head' -- and they chop it off. 'Ring
|
|
up Fair Rosamun.' Fair Rosamun answers the bell.
|
|
Next morning, 'Chop off her head.' And he made
|
|
every one of them tell him a tale every night; and he
|
|
kept that up till he had hogged a thousand and one
|
|
tales that way, and then he put them all in a book,
|
|
and called it Domesday Book -- which was a good
|
|
name and stated the case. You don't know kings,
|
|
Jim, but I know them; and this old rip of ourn is one
|
|
of the cleanest I've struck in history. Well, Henry
|
|
he takes a notion he wants to get up some trouble with
|
|
this country. How does he go at it -- give notice? --
|
|
give the country a show? No. All of a sudden he
|
|
heaves all the tea in Boston Harbor overboard, and
|
|
whacks out a declaration of independence, and dares
|
|
them to come on. That was HIS style -- he never give
|
|
anybody a chance. He had suspicions of his father,
|
|
the Duke of Wellington. Well, what did he do? Ask
|
|
him to show up? No -- drownded him in a butt of
|
|
mamsey, like a cat. S'pose people left money laying
|
|
around where he was -- what did he do? He collared
|
|
it. S'pose he contracted to do a thing, and you paid
|
|
him, and didn't set down there and see that he done
|
|
it -- what did he do? He always done the other thing.
|
|
S'pose he opened his mouth -- what then? If he
|
|
didn't shut it up powerful quick he'd lose a lie every
|
|
time. That's the kind of a bug Henry was; and if
|
|
we'd a had him along 'stead of our kings he'd a fooled
|
|
that town a heap worse than ourn done. I don't say
|
|
that ourn is lambs, because they ain't, when you come
|
|
right down to the cold facts; but they ain't nothing to
|
|
THAT old ram, anyway. All I say is, kings is kings,
|
|
and you got to make allowances. Take them all
|
|
around, they're a mighty ornery lot. It's the way
|
|
they're raised."
|
|
|
|
"But dis one do SMELL so like de nation, Huck."
|
|
|
|
"Well, they all do, Jim. We can't help the way a
|
|
king smells; history don't tell no way."
|
|
|
|
"Now de duke, he's a tolerble likely man in some
|
|
ways."
|
|
|
|
"Yes, a duke's different. But not very different.
|
|
This one's a middling hard lot for a duke. When
|
|
he's drunk there ain't no near-sighted man could tell
|
|
him from a king."
|
|
|
|
"Well, anyways, I doan' hanker for no mo' un um,
|
|
Huck. Dese is all I kin stan'."
|
|
|
|
"It's the way I feel, too, Jim. But we've got them
|
|
on our hands, and we got to remember what they are,
|
|
and make allowances. Sometimes I wish we could
|
|
hear of a country that's out of kings."
|
|
|
|
What was the use to tell Jim these warn't real kings
|
|
and dukes? It wouldn't a done no good; and, be-
|
|
sides, it was just as I said: you couldn't tell them from
|
|
the real kind.
|
|
|
|
I went to sleep, and Jim didn't call me when it was
|
|
my turn. He often done that. When I waked up
|
|
just at daybreak he was sitting there with his head
|
|
down betwixt his knees, moaning and mourning to
|
|
himself. I didn't take notice nor let on. I knowed
|
|
what it was about. He was thinking about his wife
|
|
and his children, away up yonder, and he was low and
|
|
homesick; because he hadn't ever been away from
|
|
home before in his life; and I do believe he cared just
|
|
as much for his people as white folks does for their'n.
|
|
It don't seem natural, but I reckon it's so. He was
|
|
often moaning and mourning that way nights, when
|
|
he judged I was asleep, and saying, "Po' little 'Liza-
|
|
beth! po' little Johnny! it's mighty hard; I spec' I
|
|
ain't ever gwyne to see you no mo', no mo'!" He
|
|
was a mighty good nigger, Jim was.
|
|
|
|
But this time I somehow got to talking to him about
|
|
his wife and young ones; and by and by he says:
|
|
|
|
"What makes me feel so bad dis time 'uz bekase I
|
|
hear sumpn over yonder on de bank like a whack, er
|
|
a slam, while ago, en it mine me er de time I treat my
|
|
little 'Lizabeth so ornery. She warn't on'y 'bout fo'
|
|
year ole, en she tuck de sk'yarlet fever, en had a
|
|
powful rough spell; but she got well, en one day she
|
|
was a-stannin' aroun', en I says to her, I says:
|
|
|
|
"'Shet de do'.'
|
|
|
|
"She never done it; jis' stood dah, kiner smilin' up
|
|
at me. It make me mad; en I says agin, mighty loud,
|
|
I says:
|
|
|
|
"'Doan' you hear me? Shet de do'!'
|
|
|
|
"She jis stood de same way, kiner smilin' up. I
|
|
was a-bilin'! I says:
|
|
|
|
"'I lay I MAKE you mine!'
|
|
|
|
"En wid dat I fetch' her a slap side de head dat
|
|
sont her a-sprawlin'. Den I went into de yuther
|
|
room, en 'uz gone 'bout ten minutes; en when I
|
|
come back dah was dat do' a-stannin' open YIT, en
|
|
dat chile stannin' mos' right in it, a-lookin' down and
|
|
mournin', en de tears runnin' down. My, but I WUZ
|
|
mad! I was a-gwyne for de chile, but jis' den -- it
|
|
was a do' dat open innerds -- jis' den, 'long come de
|
|
wind en slam it to, behine de chile, ker-BLAM! -- en my
|
|
lan', de chile never move'! My breff mos' hop outer
|
|
me; en I feel so -- so -- I doan' know HOW I feel. I
|
|
crope out, all a-tremblin', en crope aroun' en open de
|
|
do' easy en slow, en poke my head in behine de chile,
|
|
sof' en still, en all uv a sudden I says POW! jis' as
|
|
loud as I could yell. SHE NEVER BUDGE! Oh, Huck, I
|
|
bust out a-cryin' en grab her up in my arms, en say,
|
|
'Oh, de po' little thing! De Lord God Amighty
|
|
fogive po' ole Jim, kaze he never gwyne to fogive his-
|
|
self as long's he live!' Oh, she was plumb deef en
|
|
dumb, Huck, plumb deef en dumb -- en I'd ben a-
|
|
treat'n her so!"
|
|
|
|
|
|
CHAPTER XXIV.
|
|
|
|
NEXT day, towards night, we laid up under a little
|
|
willow towhead out in the middle, where there
|
|
was a village on each side of the river, and the duke
|
|
and the king begun to lay out a plan for working them
|
|
towns. Jim he spoke to the duke, and said he hoped
|
|
it wouldn't take but a few hours, because it got mighty
|
|
heavy and tiresome to him when he had to lay all day
|
|
in the wigwam tied with the rope. You see, when we
|
|
left him all alone we had to tie him, because if any-
|
|
body happened on to him all by himself and not tied
|
|
it wouldn't look much like he was a runaway nigger,
|
|
you know. So the duke said it WAS kind of hard to
|
|
have to lay roped all day, and he'd cipher out some
|
|
way to get around it.
|
|
|
|
He was uncommon bright, the duke was, and he
|
|
soon struck it. He dressed Jim up in King Lear's
|
|
outfit -- it was a long curtain-calico gown, and a white
|
|
horse-hair wig and whiskers; and then he took his
|
|
theater paint and painted Jim's face and hands and
|
|
ears and neck all over a dead, dull, solid blue, like a
|
|
man that's been drownded nine days. Blamed if he
|
|
warn't the horriblest looking outrage I ever see. Then
|
|
the duke took and wrote out a sign on a shingle so:
|
|
|
|
Sick Arab -- but harmless when not out of his head.
|
|
|
|
And he nailed that shingle to a lath, and stood the
|
|
lath up four or five foot in front of the wigwam. Jim
|
|
was satisfied. He said it was a sight better than lying
|
|
tied a couple of years every day, and trembling all
|
|
over every time there was a sound. The duke told
|
|
him to make himself free and easy, and if anybody
|
|
ever come meddling around, he must hop out of the
|
|
wigwam, and carry on a little, and fetch a howl or two
|
|
like a wild beast, and he reckoned they would light out
|
|
and leave him alone. Which was sound enough judg-
|
|
ment; but you take the average man, and he wouldn't
|
|
wait for him to howl. Why, he didn't only look like
|
|
he was dead, he looked considerable more than that.
|
|
|
|
These rapscallions wanted to try the Nonesuch again,
|
|
because there was so much money in it, but they
|
|
judged it wouldn't be safe, because maybe the news
|
|
might a worked along down by this time. They
|
|
couldn't hit no project that suited exactly; so at last
|
|
the duke said he reckoned he'd lay off and work his
|
|
brains an hour or two and see if he couldn't put up
|
|
something on the Arkansaw village; and the king he
|
|
allowed he would drop over to t'other village without
|
|
any plan, but just trust in Providence to lead him the
|
|
profitable way -- meaning the devil, I reckon. We
|
|
had all bought store clothes where we stopped last;
|
|
and now the king put his'n on, and he told me to put
|
|
mine on. I done it, of course. The king's duds was
|
|
all black, and he did look real swell and starchy. I
|
|
never knowed how clothes could change a body be-
|
|
fore. Why, before, he looked like the orneriest old
|
|
rip that ever was; but now, when he'd take off his new
|
|
white beaver and make a bow and do a smile, he
|
|
looked that grand and good and pious that you'd say
|
|
he had walked right out of the ark, and maybe was old
|
|
Leviticus himself. Jim cleaned up the canoe, and I
|
|
got my paddle ready. There was a big steamboat lay-
|
|
ing at the shore away up under the point, about three
|
|
mile above the town -- been there a couple of hours,
|
|
taking on freight. Says the king:
|
|
|
|
"Seein' how I'm dressed, I reckon maybe I better
|
|
arrive down from St. Louis or Cincinnati, or some
|
|
other big place. Go for the steamboat, Huckleberry;
|
|
we'll come down to the village on her."
|
|
|
|
I didn't have to be ordered twice to go and take a
|
|
steamboat ride. I fetched the shore a half a mile
|
|
above the village, and then went scooting along the
|
|
bluff bank in the easy water. Pretty soon we come to
|
|
a nice innocent-looking young country jake setting on
|
|
a log swabbing the sweat off of his face, for it was
|
|
powerful warm weather; and he had a couple of big
|
|
carpet-bags by him.
|
|
|
|
"Run her nose in shore," says the king. I done
|
|
it. "Wher' you bound for, young man?"
|
|
|
|
"For the steamboat; going to Orleans."
|
|
|
|
"Git aboard," says the king. "Hold on a minute,
|
|
my servant 'll he'p you with them bags. Jump out
|
|
and he'p the gentleman, Adolphus" -- meaning me, I
|
|
see.
|
|
|
|
I done so, and then we all three started on again.
|
|
The young chap was mighty thankful; said it was
|
|
tough work toting his baggage such weather. He
|
|
asked the king where he was going, and the king told
|
|
him he'd come down the river and landed at the other
|
|
village this morning, and now he was going up a few
|
|
mile to see an old friend on a farm up there. The
|
|
young fellow says:
|
|
|
|
"When I first see you I says to myself, 'It's Mr.
|
|
Wilks, sure, and he come mighty near getting here in
|
|
time.' But then I says again, 'No, I reckon it ain't
|
|
him, or else he wouldn't be paddling up the river.'
|
|
You AIN'T him, are you?"
|
|
|
|
"No, my name's Blodgett -- Elexander Blodgett --
|
|
REVEREND Elexander Blodgett, I s'pose I must say, as
|
|
I'm one o' the Lord's poor servants. But still I'm
|
|
jist as able to be sorry for Mr. Wilks for not arriving
|
|
in time, all the same, if he's missed anything by it --
|
|
which I hope he hasn't."
|
|
|
|
"Well, he don't miss any property by it, because
|
|
he'll get that all right; but he's missed seeing his
|
|
brother Peter die -- which he mayn't mind, nobody
|
|
can tell as to that -- but his brother would a give
|
|
anything in this world to see HIM before he died;
|
|
never talked about nothing else all these three weeks;
|
|
hadn't seen him since they was boys together -- and
|
|
hadn't ever seen his brother William at all -- that's the
|
|
deef and dumb one -- William ain't more than thirty
|
|
or thirty-five. Peter and George were the only ones
|
|
that come out here; George was the married brother;
|
|
him and his wife both died last year. Harvey and
|
|
William's the only ones that's left now; and, as I was
|
|
saying, they haven't got here in time."
|
|
|
|
"Did anybody send 'em word?"
|
|
|
|
"Oh, yes; a month or two ago, when Peter was
|
|
first took; because Peter said then that he sorter felt
|
|
like he warn't going to get well this time. You see,
|
|
he was pretty old, and George's g'yirls was too young
|
|
to be much company for him, except Mary Jane, the
|
|
red-headed one; and so he was kinder lonesome after
|
|
George and his wife died, and didn't seem to care
|
|
much to live. He most desperately wanted to see
|
|
Harvey -- and William, too, for that matter -- because
|
|
he was one of them kind that can't bear to make a
|
|
will. He left a letter behind for Harvey, and said
|
|
he'd told in it where his money was hid, and how he
|
|
wanted the rest of the property divided up so George's
|
|
g'yirls would be all right -- for George didn't leave
|
|
nothing. And that letter was all they could get him
|
|
to put a pen to."
|
|
|
|
"Why do you reckon Harvey don't come? Wher'
|
|
does he live?"
|
|
|
|
"Oh, he lives in England -- Sheffield -- preaches
|
|
there -- hasn't ever been in this country. He hasn't
|
|
had any too much time -- and besides he mightn't a
|
|
got the letter at all, you know."
|
|
|
|
"Too bad, too bad he couldn't a lived to see his
|
|
brothers, poor soul. You going to Orleans, you say?"
|
|
|
|
"Yes, but that ain't only a part of it. I'm going
|
|
in a ship, next Wednesday, for Ryo Janeero, where
|
|
my uncle lives."
|
|
|
|
"It's a pretty long journey. But it'll be lovely;
|
|
wisht I was a-going. Is Mary Jane the oldest? How
|
|
old is the others?"
|
|
|
|
"Mary Jane's nineteen, Susan's fifteen, and Joanna's
|
|
about fourteen -- that's the one that gives herself to
|
|
good works and has a hare-lip."
|
|
|
|
"Poor things! to be left alone in the cold world
|
|
so."
|
|
|
|
"Well, they could be worse off. Old Peter had
|
|
friends, and they ain't going to let them come to no
|
|
harm. There's Hobson, the Babtis' preacher; and
|
|
Deacon Lot Hovey, and Ben Rucker, and Abner
|
|
Shackleford, and Levi Bell, the lawyer; and Dr. Rob-
|
|
inson, and their wives, and the widow Bartley, and --
|
|
well, there's a lot of them; but these are the ones that
|
|
Peter was thickest with, and used to write about some-
|
|
times, when he wrote home; so Harvey 'll know where
|
|
to look for friends when he gets here."
|
|
|
|
Well, the old man went on asking questions till he
|
|
just fairly emptied that young fellow. Blamed if he
|
|
didn't inquire about everybody and everything in that
|
|
blessed town, and all about the Wilkses; and about
|
|
Peter's business -- which was a tanner; and about
|
|
George's -- which was a carpenter; and about Har-
|
|
vey's -- which was a dissentering minister; and so on,
|
|
and so on. Then he says:
|
|
|
|
"What did you want to walk all the way up to the
|
|
steamboat for?"
|
|
|
|
"Because she's a big Orleans boat, and I was afeard
|
|
she mightn't stop there. When they're deep they
|
|
won't stop for a hail. A Cincinnati boat will, but this
|
|
is a St. Louis one."
|
|
|
|
"Was Peter Wilks well off?"
|
|
|
|
"Oh, yes, pretty well off. He had houses and
|
|
land, and it's reckoned he left three or four thousand
|
|
in cash hid up som'ers."
|
|
|
|
"When did you say he died?"
|
|
|
|
"I didn't say, but it was last night."
|
|
|
|
"Funeral to-morrow, likely?"
|
|
|
|
"Yes, 'bout the middle of the day."
|
|
|
|
"Well, it's all terrible sad; but we've all got to go,
|
|
one time or another. So what we want to do is to be
|
|
prepared; then we're all right."
|
|
|
|
"Yes, sir, it's the best way. Ma used to always
|
|
say that."
|
|
|
|
When we struck the boat she was about done load-
|
|
ing, and pretty soon she got off. The king never said
|
|
nothing about going aboard, so I lost my ride, after
|
|
all. When the boat was gone the king made me pad-
|
|
dle up another mile to a lonesome place, and then he
|
|
got ashore and says:
|
|
|
|
"Now hustle back, right off, and fetch the duke up
|
|
here, and the new carpet-bags. And if he's gone over
|
|
to t'other side, go over there and git him. And tell
|
|
him to git himself up regardless. Shove along, now."
|
|
|
|
I see what HE was up to; but I never said nothing,
|
|
of course. When I got back with the duke we hid the
|
|
canoe, and then they set down on a log, and the king
|
|
told him everything, just like the young fellow had
|
|
said it -- every last word of it. And all the time he
|
|
was a-doing it he tried to talk like an Englishman;
|
|
and he done it pretty well, too, for a slouch. I can't
|
|
imitate him, and so I ain't a-going to try to; but he
|
|
really done it pretty good. Then he says:
|
|
|
|
"How are you on the deef and dumb, Bilgewater?"
|
|
|
|
The duke said, leave him alone for that; said he had
|
|
played a deef and dumb person on the histronic boards.
|
|
So then they waited for a steamboat.
|
|
|
|
About the middle of the afternoon a couple of little
|
|
boats come along, but they didn't come from high
|
|
enough up the river; but at last there was a big one,
|
|
and they hailed her. She sent out her yawl, and we
|
|
went aboard, and she was from Cincinnati; and when
|
|
they found we only wanted to go four or five mile
|
|
they was booming mad, and gave us a cussing, and
|
|
said they wouldn't land us. But the king was ca'm.
|
|
He says:
|
|
|
|
"If gentlemen kin afford to pay a dollar a mile
|
|
apiece to be took on and put off in a yawl, a steam-
|
|
boat kin afford to carry 'em, can't it?"
|
|
|
|
So they softened down and said it was all right;
|
|
and when we got to the village they yawled us ashore.
|
|
About two dozen men flocked down when they see the
|
|
yawl a-coming, and when the king says:
|
|
|
|
"Kin any of you gentlemen tell me wher' Mr. Peter
|
|
Wilks lives?" they give a glance at one another, and
|
|
nodded their heads, as much as to say, "What d' I
|
|
tell you?" Then one of them says, kind of soft and
|
|
gentle:
|
|
|
|
"I'm sorry. sir, but the best we can do is to tell
|
|
you where he DID live yesterday evening."
|
|
|
|
Sudden as winking the ornery old cretur went an
|
|
to smash, and fell up against the man, and put his
|
|
chin on his shoulder, and cried down his back, and
|
|
says:
|
|
|
|
"Alas, alas, our poor brother -- gone, and we never
|
|
got to see him; oh, it's too, too hard!"
|
|
|
|
Then he turns around, blubbering, and makes a lot
|
|
of idiotic signs to the duke on his hands, and blamed
|
|
if he didn't drop a carpet-bag and bust out a-crying.
|
|
If they warn't the beatenest lot, them two frauds, that
|
|
ever I struck.
|
|
|
|
Well, the men gathered around and sympathized
|
|
with them, and said all sorts of kind things to them,
|
|
and carried their carpet-bags up the hill for them, and
|
|
let them lean on them and cry, and told the king all
|
|
about his brother's last moments, and the king he told
|
|
it all over again on his hands to the duke, and both of
|
|
them took on about that dead tanner like they'd lost
|
|
the twelve disciples. Well, if ever I struck anything
|
|
like it, I'm a nigger. It was enough to make a body
|
|
ashamed of the human race.
|
|
|
|
|
|
CHAPTER XXV.
|
|
|
|
THE news was all over town in two minutes, and
|
|
you could see the people tearing down on the
|
|
run from every which way, some of them putting on
|
|
their coats as they come. Pretty soon we was in the
|
|
middle of a crowd, and the noise of the tramping was
|
|
like a soldier march. The windows and dooryards was
|
|
full; and every minute somebody would say, over a
|
|
fence:
|
|
|
|
"Is it THEM?"
|
|
|
|
And somebody trotting along with the gang would
|
|
answer back and say:
|
|
|
|
"You bet it is."
|
|
|
|
When we got to the house the street in front of it
|
|
was packed, and the three girls was standing in the
|
|
door. Mary Jane WAS red-headed, but that don't make
|
|
no difference, she was most awful beautiful, and her
|
|
face and her eyes was all lit up like glory, she was so
|
|
glad her uncles was come. The king he spread his
|
|
arms, and Marsy Jane she jumped for them, and the
|
|
hare-lip jumped for the duke, and there they HAD it!
|
|
Everybody most, leastways women, cried for joy to
|
|
see them meet again at last and have such good times.
|
|
|
|
Then the king he hunched the duke private -- I see
|
|
him do it -- and then he looked around and see the
|
|
coffin, over in the corner on two chairs; so then him
|
|
and the duke, with a hand across each other's shoul-
|
|
der, and t'other hand to their eyes, walked slow and
|
|
solemn over there, everybody dropping back to give
|
|
them room, and all the talk and noise stopping, people
|
|
saying "Sh!" and all the men taking their hats off and
|
|
drooping their heads, so you could a heard a pin fall.
|
|
And when they got there they bent over and looked in
|
|
the coffin, and took one sight, and then they bust out
|
|
a-crying so you could a heard them to Orleans, most;
|
|
and then they put their arms around each other's
|
|
necks, and hung their chins over each other's shoul-
|
|
ders; and then for three minutes, or maybe four, I
|
|
never see two men leak the way they done. And,
|
|
mind you, everybody was doing the same; and the
|
|
place was that damp I never see anything like it.
|
|
Then one of them got on one side of the coffin, and
|
|
t'other on t'other side, and they kneeled down and
|
|
rested their foreheads on the coffin, and let on to pray
|
|
all to themselves. Well, when it come to that it
|
|
worked the crowd like you never see anything like it,
|
|
and everybody broke down and went to sobbing right
|
|
out loud -- the poor girls, too; and every woman,
|
|
nearly, went up to the girls, without saying a word,
|
|
and kissed them, solemn, on the forehead, and then
|
|
put their hand on their head, and looked up towards
|
|
the sky, with the tears running down, and then busted
|
|
out and went off sobbing and swabbing, and give the
|
|
next woman a show. I never see anything so dis-
|
|
gusting.
|
|
|
|
Well, by and by the king he gets up and comes for-
|
|
ward a little, and works himself up and slobbers out a
|
|
speech, all full of tears and flapdoodle about its being
|
|
a sore trial for him and his poor brother to lose the
|
|
diseased, and to miss seeing diseased alive after the
|
|
long journey of four thousand mile, but it's a trial
|
|
that's sweetened and sanctified to us by this dear sym-
|
|
pathy and these holy tears, and so he thanks them out
|
|
of his heart and out of his brother's heart, because out
|
|
of their mouths they can't, words being too weak and
|
|
cold, and all that kind of rot and slush, till it was just
|
|
sickening; and then he blubbers out a pious goody-
|
|
goody Amen, and turns himself loose and goes to cry-
|
|
ing fit to bust.
|
|
|
|
And the minute the words were out of his mouth
|
|
somebody over in the crowd struck up the doxolojer,
|
|
and everybody joined in with all their might, and it
|
|
just warmed you up and made you feel as good as
|
|
church letting out. Music is a good thing; and after
|
|
all that soul-butter and hogwash I never see it freshen
|
|
up things so, and sound so honest and bully.
|
|
|
|
Then the king begins to work his jaw again, and
|
|
says how him and his nieces would be glad if a few of
|
|
the main principal friends of the family would take
|
|
supper here with them this evening, and help set up
|
|
with the ashes of the diseased; and says if his poor
|
|
brother laying yonder could speak he knows who he
|
|
would name, for they was names that was very dear to
|
|
him, and mentioned often in his letters; and so he will
|
|
name the same, to wit, as follows, vizz.: -- Rev. Mr.
|
|
Hobson, and Deacon Lot Hovey, and Mr. Ben Rucker,
|
|
and Abner Shackleford, and Levi Bell, and Dr. Robin-
|
|
son, and their wives, and the widow Bartley.
|
|
|
|
Rev. Hobson and Dr. Robinson was down to the
|
|
end of the town a-hunting together -- that is, I mean
|
|
the doctor was shipping a sick man to t'other world,
|
|
and the preacher was pinting him right. Lawyer Bell
|
|
was away up to Louisville on business. But the rest
|
|
was on hand, and so they all come and shook hands
|
|
with the king and thanked him and talked to him; and
|
|
then they shook hands with the duke and didn't say
|
|
nothing, but just kept a-smiling and bobbing their
|
|
heads like a passel of sapheads whilst he made all sorts
|
|
of signs with his hands and said "Goo-goo -- goo-goo-
|
|
goo" all the time, like a baby that can't talk.
|
|
|
|
So the king he blattered along, and managed to
|
|
inquire about pretty much everybody and dog in town,
|
|
by his name, and mentioned all sorts of little things
|
|
that happened one time or another in the town, or to
|
|
George's family, or to Peter. And he always let on
|
|
that Peter wrote him the things; but that was a lie:
|
|
he got every blessed one of them out of that young
|
|
flathead that we canoed up to the steamboat.
|
|
|
|
Then Mary Jane she fetched the letter her father
|
|
left behind, and the king he read it out loud and cried
|
|
over it. It give the dwelling-house and three thousand
|
|
dollars, gold, to the girls; and it give the tanyard
|
|
(which was doing a good business), along with some
|
|
other houses and land (worth about seven thousand),
|
|
and three thousand dollars in gold to Harvey and
|
|
William, and told where the six thousand cash was hid
|
|
down cellar. So these two frauds said they'd go and
|
|
fetch it up, and have everything square and above-
|
|
board; and told me to come with a candle. We shut
|
|
the cellar door behind us, and when they found the
|
|
bag they spilt it out on the floor, and it was a lovely
|
|
sight, all them yaller-boys. My, the way the king's
|
|
eyes did shine! He slaps the duke on the shoulder
|
|
and says:
|
|
|
|
"Oh, THIS ain't bully nor noth'n! Oh, no, I reckon
|
|
not! Why, Biljy, it beats the Nonesuch, DON'T it?"
|
|
|
|
The duke allowed it did. They pawed the yaller-
|
|
boys, and sifted them through their fingers and let
|
|
them jingle down on the floor; and the king says:
|
|
|
|
"It ain't no use talkin'; bein' brothers to a rich
|
|
dead man and representatives of furrin heirs that's got
|
|
left is the line for you and me, Bilge. Thish yer
|
|
comes of trust'n to Providence. It's the best way, in
|
|
the long run. I've tried 'em all, and ther' ain't no
|
|
better way."
|
|
|
|
Most everybody would a been satisfied with the pile,
|
|
and took it on trust; but no, they must count it. So
|
|
they counts it, and it comes out four hundred and
|
|
fifteen dollars short. Says the king:
|
|
|
|
"Dern him, I wonder what he done with that four
|
|
hundred and fifteen dollars?"
|
|
|
|
They worried over that awhile, and ransacked all
|
|
around for it. Then the duke says:
|
|
|
|
"Well, he was a pretty sick man, and likely he
|
|
made a mistake -- I reckon that's the way of it. The
|
|
best way's to let it go, and keep still about it. We
|
|
can spare it."
|
|
|
|
"Oh, shucks, yes, we can SPARE it. I don't k'yer
|
|
noth'n 'bout that -- it's the COUNT I'm thinkin' about.
|
|
We want to be awful square and open and above-board
|
|
here, you know. We want to lug this h-yer money
|
|
up stairs and count it before everybody -- then ther'
|
|
ain't noth'n suspicious. But when the dead man says
|
|
ther's six thous'n dollars, you know, we don't want
|
|
to --"
|
|
|
|
"Hold on," says the duke. "Le's make up the
|
|
deffisit," and he begun to haul out yaller-boys out of
|
|
his pocket.
|
|
|
|
"It's a most amaz'n' good idea, duke -- you HAVE
|
|
got a rattlin' clever head on you," says the king.
|
|
"Blest if the old Nonesuch ain't a heppin' us out
|
|
agin," and HE begun to haul out yaller-jackets and
|
|
stack them up.
|
|
|
|
It most busted them, but they made up the six
|
|
thousand clean and clear.
|
|
|
|
"Say," says the duke, "I got another idea. Le's
|
|
go up stairs and count this money, and then take and
|
|
GIVE IT TO THE GIRLS."
|
|
|
|
"Good land, duke, lemme hug you! It's the most
|
|
dazzling idea 'at ever a man struck. You have cert'nly
|
|
got the most astonishin' head I ever see. Oh, this is
|
|
the boss dodge, ther' ain't no mistake 'bout it. Let
|
|
'em fetch along their suspicions now if they want to --
|
|
this 'll lay 'em out."
|
|
|
|
When we got up-stairs everybody gethered around
|
|
the table, and the king he counted it and stacked it up,
|
|
three hundred dollars in a pile -- twenty elegant little
|
|
piles. Everybody looked hungry at it, and licked their
|
|
chops. Then they raked it into the bag again, and I
|
|
see the king begin to swell himself up for another
|
|
speech. He says:
|
|
|
|
"Friends all, my poor brother that lays yonder has
|
|
done generous by them that's left behind in the vale of
|
|
sorrers. He has done generous by these yer poor
|
|
little lambs that he loved and sheltered, and that's left
|
|
fatherless and motherless. Yes, and we that knowed
|
|
him knows that he would a done MORE generous by 'em
|
|
if he hadn't ben afeard o' woundin' his dear William
|
|
and me. Now, WOULDN'T he? Ther' ain't no question
|
|
'bout it in MY mind. Well, then, what kind o' brothers
|
|
would it be that 'd stand in his way at sech a time?
|
|
And what kind o' uncles would it be that 'd rob -- yes,
|
|
ROB -- sech poor sweet lambs as these 'at he loved so at
|
|
sech a time? If I know William -- and I THINK I do --
|
|
he -- well, I'll jest ask him." He turns around and
|
|
begins to make a lot of signs to the duke with his
|
|
hands, and the duke he looks at him stupid and leather-
|
|
headed a while; then all of a sudden he seems to catch
|
|
his meaning, and jumps for the king, goo-gooing with
|
|
all his might for joy, and hugs him about fifteen times
|
|
before he lets up. Then the king says, "I knowed
|
|
it; I reckon THAT 'll convince anybody the way HE feels
|
|
about it. Here, Mary Jane, Susan, Joanner, take the
|
|
money -- take it ALL. It's the gift of him that lays
|
|
yonder, cold but joyful."
|
|
|
|
Mary Jane she went for him, Susan and the hare-lip
|
|
went for the duke, and then such another hugging and
|
|
kissing I never see yet. And everybody crowded up
|
|
with the tears in their eyes, and most shook the hands
|
|
off of them frauds, saying all the time:
|
|
|
|
"You DEAR good souls! -- how LOVELY! -- how COULD
|
|
you!"
|
|
|
|
Well, then, pretty soon all hands got to talking
|
|
about the diseased again, and how good he was, and
|
|
what a loss he was, and all that; and before long a big
|
|
iron-jawed man worked himself in there from outside,
|
|
and stood a-listening and looking, and not saying any-
|
|
thing; and nobody saying anything to him either,
|
|
because the king was talking and they was all busy
|
|
listening. The king was saying -- in the middle of
|
|
something he'd started in on --
|
|
|
|
"-- they bein' partickler friends o' the diseased.
|
|
That's why they're invited here this evenin'; but to-
|
|
morrow we want ALL to come -- everybody; for he
|
|
respected everybody, he liked everybody, and so it's
|
|
fitten that his funeral orgies sh'd be public."
|
|
|
|
And so he went a-mooning on and on, liking to hear
|
|
himself talk, and every little while he fetched in his
|
|
funeral orgies again, till the duke he couldn't stand it
|
|
no more; so he writes on a little scrap of paper,
|
|
"OBSEQUIES, you old fool," and folds it up, and goes
|
|
to goo-gooing and reaching it over people's heads to
|
|
him. The king he reads it and puts it in his pocket,
|
|
and says:
|
|
|
|
"Poor William, afflicted as he is, his HEART'S aluz
|
|
right. Asks me to invite everybody to come to the
|
|
funeral -- wants me to make 'em all welcome. But he
|
|
needn't a worried -- it was jest what I was at."
|
|
|
|
Then he weaves along again, perfectly ca'm, and
|
|
goes to dropping in his funeral orgies again every now
|
|
and then, just like he done before. And when he
|
|
done it the third time he says:
|
|
|
|
"I say orgies, not because it's the common term,
|
|
because it ain't -- obsequies bein' the common term --
|
|
but because orgies is the right term. Obsequies ain't
|
|
used in England no more now -- it's gone out. We
|
|
say orgies now in England. Orgies is better, because
|
|
it means the thing you're after more exact. It's a
|
|
word that's made up out'n the Greek ORGO, outside,
|
|
open, abroad; and the Hebrew JEESUM, to plant, cover
|
|
up; hence inTER. So, you see, funeral orgies is an
|
|
open er public funeral."
|
|
|
|
He was the WORST I ever struck. Well, the iron-
|
|
jawed man he laughed right in his face. Everybody
|
|
was shocked. Everybody says, "Why, DOCTOR!" and
|
|
Abner Shackleford says:
|
|
|
|
"Why, Robinson, hain't you heard the news? This
|
|
is Harvey Wilks."
|
|
|
|
The king he smiled eager, and shoved out his
|
|
flapper, and says:
|
|
|
|
"Is it my poor brother's dear good friend and phy-
|
|
sician? I --"
|
|
|
|
"Keep your hands off of me!" says the doctor.
|
|
"YOU talk like an Englishman, DON'T you? It's the
|
|
worst imitation I ever heard. YOU Peter Wilks's
|
|
brother! You're a fraud, that's what you are!"
|
|
|
|
Well, how they all took on! They crowded around
|
|
the doctor and tried to quiet him down, and tried to
|
|
explain to him and tell him how Harvey 'd showed in
|
|
forty ways that he WAS Harvey, and knowed every-
|
|
body by name, and the names of the very dogs, and
|
|
begged and BEGGED him not to hurt Harvey's feelings
|
|
and the poor girl's feelings, and all that. But it warn't
|
|
no use; he stormed right along, and said any man that
|
|
pretended to be an Englishman and couldn't imitate
|
|
the lingo no better than what he did was a fraud and a
|
|
liar. The poor girls was hanging to the king and cry-
|
|
ing; and all of a sudden the doctor ups and turns on
|
|
THEM. He says:
|
|
|
|
"I was your father's friend, and I'm your friend;
|
|
and I warn you as a friend, and an honest one that
|
|
wants to protect you and keep you out of harm and
|
|
trouble, to turn your backs on that scoundrel and have
|
|
nothing to do with him, the ignorant tramp, with his
|
|
idiotic Greek and Hebrew, as he calls it. He is the
|
|
thinnest kind of an impostor -- has come here with a
|
|
lot of empty names and facts which he picked up
|
|
somewheres, and you take them for PROOFS, and are
|
|
helped to fool yourselves by these foolish friends here,
|
|
who ought to know better. Mary Jane Wilks, you
|
|
know me for your friend, and for your unselfish friend,
|
|
too. Now listen to me; turn this pitiful rascal out --
|
|
I BEG you to do it. Will you?"
|
|
|
|
Mary Jane straightened herself up, and my, but she
|
|
was handsome! She says:
|
|
|
|
"HERE is my answer." She hove up the bag of
|
|
money and put it in the king's hands, and says,
|
|
"Take this six thousand dollars, and invest for me
|
|
and my sisters any way you want to, and don't give
|
|
us no receipt for it."
|
|
|
|
Then she put her arm around the king on one side,
|
|
and Susan and the hare-lip done the same on the
|
|
other. Everybody clapped their hands and stomped
|
|
on the floor like a perfect storm, whilst the king held
|
|
up his head and smiled proud. The doctor says:
|
|
|
|
"All right; I wash MY hands of the matter. But I
|
|
warn you all that a time 's coming when you're going
|
|
to feel sick whenever you think of this day." And
|
|
away he went.
|
|
|
|
"All right, doctor," says the king, kinder mocking
|
|
him; "we'll try and get 'em to send for you;" which
|
|
made them all laugh, and they said it was a prime
|
|
good hit.
|
|
|
|
|
|
CHAPTER XXVI.
|
|
|
|
WELL, when they was all gone the king he asks
|
|
Mary Jane how they was off for spare rooms,
|
|
and she said she had one spare room, which would do
|
|
for Uncle William, and she'd give her own room to
|
|
Uncle Harvey, which was a little bigger, and she would
|
|
turn into the room with her sisters and sleep on a cot;
|
|
and up garret was a little cubby, with a pallet in it.
|
|
The king said the cubby would do for his valley --
|
|
meaning me.
|
|
|
|
So Mary Jane took us up, and she showed them
|
|
their rooms, which was plain but nice. She said she'd
|
|
have her frocks and a lot of other traps took out of
|
|
her room if they was in Uncle Harvey's way, but he
|
|
said they warn't. The frocks was hung along the wall,
|
|
and before them was a curtain made out of calico that
|
|
hung down to the floor. There was an old hair trunk
|
|
in one corner, and a guitar-box in another, and all
|
|
sorts of little knickknacks and jimcracks around, like
|
|
girls brisken up a room with. The king said it was all
|
|
the more homely and more pleasanter for these fixings,
|
|
and so don't disturb them. The duke's room was
|
|
pretty small, but plenty good enough, and so was my
|
|
cubby.
|
|
|
|
That night they had a big supper, and all them men
|
|
and women was there, and I stood behind the king and
|
|
the duke's chairs and waited on them, and the niggers
|
|
waited on the rest. Mary Jane she set at the head of
|
|
the table, with Susan alongside of her, and said how
|
|
bad the biscuits was, and how mean the preserves was,
|
|
and how ornery and tough the fried chickens was --
|
|
and all that kind of rot, the way women always do for
|
|
to force out compliments; and the people all knowed
|
|
everything was tiptop, and said so -- said "How DO
|
|
you get biscuits to brown so nice?" and "Where, for
|
|
the land's sake, DID you get these amaz'n pickles?"
|
|
and all that kind of humbug talky-talk, just the way
|
|
people always does at a supper, you know.
|
|
|
|
And when it was all done me and the hare-lip had
|
|
supper in the kitchen off of the leavings, whilst the others
|
|
was helping the niggers clean up the things. The
|
|
hare-lip she got to pumping me about England, and
|
|
blest if I didn't think the ice was getting mighty thin
|
|
sometimes. She says:
|
|
|
|
"Did you ever see the king?"
|
|
|
|
"Who? William Fourth? Well, I bet I have -- he
|
|
goes to our church." I knowed he was dead years
|
|
ago, but I never let on. So when I says he goes to
|
|
our church, she says:
|
|
|
|
"What -- regular?"
|
|
|
|
"Yes -- regular. His pew's right over opposite
|
|
ourn -- on t'other side the pulpit."
|
|
|
|
"I thought he lived in London?"
|
|
|
|
"Well, he does. Where WOULD he live?"
|
|
|
|
"But I thought YOU lived in Sheffield?"
|
|
|
|
I see I was up a stump. I had to let on to get
|
|
choked with a chicken bone, so as to get time to think
|
|
how to get down again. Then I says:
|
|
|
|
"I mean he goes to our church regular when he's in
|
|
Sheffield. That's only in the summer time, when he
|
|
comes there to take the sea baths."
|
|
|
|
"Why, how you talk -- Sheffield ain't on the sea."
|
|
|
|
"Well, who said it was?"
|
|
|
|
"Why, you did."
|
|
|
|
"I DIDN'T nuther."
|
|
|
|
"You did!"
|
|
|
|
"I didn't."
|
|
|
|
"You did."
|
|
|
|
"I never said nothing of the kind."
|
|
|
|
"Well, what DID you say, then?"
|
|
|
|
"Said he come to take the sea BATHS -- that's what I
|
|
said."
|
|
|
|
"Well, then, how's he going to take the sea baths if
|
|
it ain't on the sea?"
|
|
|
|
"Looky here," I says; "did you ever see any
|
|
Congress-water?"
|
|
|
|
"Yes."
|
|
|
|
"Well, did you have to go to Congress to get
|
|
it?"
|
|
|
|
"Why, no."
|
|
|
|
"Well, neither does William Fourth have to go to
|
|
the sea to get a sea bath."
|
|
|
|
"How does he get it, then?"
|
|
|
|
"Gets it the way people down here gets Congress-
|
|
water -- in barrels. There in the palace at Sheffield
|
|
they've got furnaces, and he wants his water hot.
|
|
They can't bile that amount of water away off there at
|
|
the sea. They haven't got no conveniences for it."
|
|
|
|
"Oh, I see, now. You might a said that in the first
|
|
place and saved time."
|
|
|
|
When she said that I see I was out of the woods
|
|
again, and so I was comfortable and glad. Next, she
|
|
says:
|
|
|
|
"Do you go to church, too?"
|
|
|
|
"Yes -- regular."
|
|
|
|
"Where do you set?"
|
|
|
|
"Why, in our pew."
|
|
|
|
"WHOSE pew?"
|
|
|
|
"Why, OURN -- your Uncle Harvey's."
|
|
|
|
"His'n? What does HE want with a pew?"
|
|
|
|
"Wants it to set in. What did you RECKON he wanted
|
|
with it?"
|
|
|
|
"Why, I thought he'd be in the pulpit."
|
|
|
|
Rot him, I forgot he was a preacher. I see I was
|
|
up a stump again, so I played another chicken bone
|
|
and got another think. Then I says:
|
|
|
|
"Blame it, do you suppose there ain't but one
|
|
preacher to a church?"
|
|
|
|
"Why, what do they want with more?"
|
|
|
|
"What! -- to preach before a king? I never did
|
|
see such a girl as you. They don't have no less than
|
|
seventeen."
|
|
|
|
"Seventeen! My land! Why, I wouldn't set out
|
|
such a string as that, not if I NEVER got to glory. It
|
|
must take 'em a week."
|
|
|
|
"Shucks, they don't ALL of 'em preach the same
|
|
day -- only ONE of 'em."
|
|
|
|
|
|
"Well, then, what does the rest of 'em do?"
|
|
|
|
"Oh, nothing much. Loll around, pass the plate
|
|
-- and one thing or another. But mainly they don't
|
|
do nothing."
|
|
|
|
"Well, then, what are they FOR?"
|
|
|
|
"Why, they're for STYLE. Don't you know noth-
|
|
ing?"
|
|
|
|
"Well, I don't WANT to know no such foolishness as
|
|
that. How is servants treated in England? Do they
|
|
treat 'em better 'n we treat our niggers?"
|
|
|
|
"NO! A servant ain't nobody there. They treat
|
|
them worse than dogs."
|
|
|
|
"Don't they give 'em holidays, the way we do,
|
|
Christmas and New Year's week, and Fourth of July?"
|
|
|
|
"Oh, just listen! A body could tell YOU hain't ever
|
|
been to England by that. Why, Hare-l -- why, Joanna,
|
|
they never see a holiday from year's end to year's
|
|
end; never go to the circus, nor theater, nor nigger
|
|
shows, nor nowheres."
|
|
|
|
"Nor church?"
|
|
|
|
"Nor church."
|
|
|
|
"But YOU always went to church."
|
|
|
|
Well, I was gone up again. I forgot I was the old
|
|
man's servant. But next minute I whirled in on a
|
|
kind of an explanation how a valley was different from
|
|
a common servant and HAD to go to church whether
|
|
he wanted to or not, and set with the family, on ac-
|
|
count of its being the law. But I didn't do it pretty
|
|
good, and when I got done I see she warn't satisfied.
|
|
She says:
|
|
|
|
"Honest injun, now, hain't you been telling me a
|
|
lot of lies?"
|
|
|
|
"Honest injun," says I.
|
|
|
|
"None of it at all?"
|
|
|
|
"None of it at all. Not a lie in it," says I.
|
|
|
|
"Lay your hand on this book and say it."
|
|
|
|
I see it warn't nothing but a dictionary, so I laid my
|
|
hand on it and said it. So then she looked a little
|
|
better satisfied, and says:
|
|
|
|
"Well, then, I'll believe some of it; but I hope to
|
|
gracious if I'll believe the rest."
|
|
|
|
"What is it you won't believe, Joe?" says Mary
|
|
Jane, stepping in with Susan behind her. "It ain't
|
|
right nor kind for you to talk so to him, and him a
|
|
stranger and so far from his people. How would you
|
|
like to be treated so?"
|
|
|
|
"That's always your way, Maim -- always sailing in
|
|
to help somebody before they're hurt. I hain't done
|
|
nothing to him. He's told some stretchers, I reckon,
|
|
and I said I wouldn't swallow it all; and that's every
|
|
bit and grain I DID say. I reckon he can stand a little
|
|
thing like that, can't he?"
|
|
|
|
"I don't care whether 'twas little or whether 'twas
|
|
big; he's here in our house and a stranger, and it
|
|
wasn't good of you to say it. If you was in his place
|
|
it would make you feel ashamed; and so you oughtn't
|
|
to say a thing to another person that will make THEM
|
|
feel ashamed."
|
|
|
|
"Why, Maim, he said --"
|
|
|
|
"It don't make no difference what he SAID -- that
|
|
ain't the thing. The thing is for you to treat him
|
|
KIND, and not be saying things to make him remember
|
|
he ain't in his own country and amongst his own
|
|
folks."
|
|
|
|
I says to myself, THIS is a girl that I'm letting that
|
|
old reptle rob her of her money!
|
|
|
|
Then Susan SHE waltzed in; and if you'll believe
|
|
me, she did give Hare-lip hark from the tomb!
|
|
|
|
Says I to myself, and this is ANOTHER one that I'm
|
|
letting him rob her of her money!
|
|
|
|
Then Mary Jane she took another inning, and went
|
|
in sweet and lovely again -- which was her way; but
|
|
when she got done there warn't hardly anything left o'
|
|
poor Hare-lip. So she hollered.
|
|
|
|
"All right, then," says the other girls; "you just
|
|
ask his pardon."
|
|
|
|
She done it, too; and she done it beautiful. She
|
|
done it so beautiful it was good to hear; and I wished
|
|
I could tell her a thousand lies, so she could do it
|
|
again.
|
|
|
|
I says to myself, this is ANOTHER one that I'm letting
|
|
him rob her of her money. And when she got through
|
|
they all jest laid theirselves out to make me feel at
|
|
home and know I was amongst friends. I felt so
|
|
ornery and low down and mean that I says to myself,
|
|
my mind's made up; I'll hive that money for them or
|
|
bust.
|
|
|
|
So then I lit out -- for bed, I said, meaning some
|
|
time or another. When I got by myself I went to
|
|
thinking the thing over. I says to myself, shall I go
|
|
to that doctor, private, and blow on these frauds?
|
|
No -- that won't do. He might tell who told him;
|
|
then the king and the duke would make it warm for
|
|
me. Shall I go, private, and tell Mary Jane? No --
|
|
I dasn't do it. Her face would give them a hint,
|
|
sure; they've got the money, and they'd slide right
|
|
out and get away with it. If she was to fetch in help
|
|
I'd get mixed up in the business before it was done
|
|
with, I judge. No; there ain't no good way but one.
|
|
I got to steal that money, somehow; and I got to
|
|
steal it some way that they won't suspicion that I done
|
|
it. They've got a good thing here, and they ain't
|
|
a-going to leave till they've played this family and this
|
|
town for all they're worth, so I'll find a chance time
|
|
enough. I'll steal it and hide it; and by and by,
|
|
when I'm away down the river, I'll write a letter and
|
|
tell Mary Jane where it's hid. But I better hive it to-
|
|
night if I can, because the doctor maybe hasn't let up
|
|
as much as he lets on he has; he might scare them
|
|
out of here yet.
|
|
|
|
So, thinks I, I'll go and search them rooms. Up-
|
|
stairs the hall was dark, but I found the duke's room,
|
|
and started to paw around it with my hands; but I
|
|
recollected it wouldn't be much like the king to let
|
|
anybody else take care of that money but his own self;
|
|
so then I went to his room and begun to paw around
|
|
there. But I see I couldn't do nothing without a
|
|
candle, and I dasn't light one, of course. So I judged
|
|
I'd got to do the other thing -- lay for them and
|
|
eavesdrop. About that time I hears their footsteps
|
|
coming, and was going to skip under the bed; I
|
|
reached for it, but it wasn't where I thought it would
|
|
be; but I touched the curtain that hid Mary Jane's
|
|
frocks, so I jumped in behind that and snuggled in
|
|
amongst the gowns, and stood there perfectly still.
|
|
|
|
They come in and shut the door; and the first thing
|
|
the duke done was to get down and look under the
|
|
bed. Then I was glad I hadn't found the bed when I
|
|
wanted it. And yet, you know, it's kind of natural to
|
|
hide under the bed when you are up to anything
|
|
private. They sets down then, and the king says:
|
|
|
|
"Well, what is it? And cut it middlin' short, be-
|
|
cause it's better for us to be down there a-whoopin'
|
|
up the mournin' than up here givin' 'em a chance to
|
|
talk us over."
|
|
|
|
"Well, this is it, Capet. I ain't easy; I ain't com-
|
|
fortable. That doctor lays on my mind. I wanted to
|
|
know your plans. I've got a notion, and I think it's a
|
|
sound one."
|
|
|
|
"What is it, duke?"
|
|
|
|
"That we better glide out of this before three in the
|
|
morning, and clip it down the river with what we've
|
|
got. Specially, seeing we got it so easy -- GIVEN back
|
|
to us, flung at our heads, as you may say, when of
|
|
course we allowed to have to steal it back. I'm for
|
|
knocking off and lighting out."
|
|
|
|
That made me feel pretty bad. About an hour or
|
|
two ago it would a been a little different, but now it
|
|
made me feel bad and disappointed, The king rips out
|
|
and says:
|
|
|
|
"What! And not sell out the rest o' the property?
|
|
March off like a passel of fools and leave eight or nine
|
|
thous'n' dollars' worth o' property layin' around jest
|
|
sufferin' to be scooped in? -- and all good, salable
|
|
stuff, too."
|
|
|
|
The duke he grumbled; said the bag of gold was
|
|
enough, and he didn't want to go no deeper -- didn't
|
|
want to rob a lot of orphans of EVERYTHING they had.
|
|
|
|
"Why, how you talk!" says the king. "We
|
|
sha'n't rob 'em of nothing at all but jest this money.
|
|
The people that BUYS the property is the suff'rers;
|
|
because as soon 's it's found out 'at we didn't own
|
|
it -- which won't be long after we've slid -- the sale
|
|
won't be valid, and it 'll all go back to the estate.
|
|
These yer orphans 'll git their house back agin, and
|
|
that's enough for THEM; they're young and spry, and
|
|
k'n easy earn a livin'. THEY ain't a-goin to suffer.
|
|
Why, jest think -- there's thous'n's and thous'n's that
|
|
ain't nigh so well off. Bless you, THEY ain't got noth'n'
|
|
to complain of."
|
|
|
|
Well, the king he talked him blind; so at last he
|
|
give in, and said all right, but said he believed it was
|
|
blamed foolishness to stay, and that doctor hanging
|
|
over them. But the king says:
|
|
|
|
"Cuss the doctor! What do we k'yer for HIM?
|
|
Hain't we got all the fools in town on our side? And
|
|
ain't that a big enough majority in any town?"
|
|
|
|
So they got ready to go down stairs again. The
|
|
duke says:
|
|
|
|
"I don't think we put that money in a good place."
|
|
|
|
That cheered me up. I'd begun to think I warn't
|
|
going to get a hint of no kind to help me. The king
|
|
says:
|
|
|
|
"Why?"
|
|
|
|
"Because Mary Jane 'll be in mourning from this
|
|
out; and first you know the nigger that does up the
|
|
rooms will get an order to box these duds up and put
|
|
'em away; and do you reckon a nigger can run across
|
|
money and not borrow some of it?"
|
|
|
|
"Your head's level agin, duke," says the king; and
|
|
he comes a-fumbling under the curtain two or three
|
|
foot from where I was. I stuck tight to the wall and
|
|
kept mighty still, though quivery; and I wondered
|
|
what them fellows would say to me if they catched
|
|
me; and I tried to think what I'd better do if they did
|
|
catch me. But the king he got the bag before I could
|
|
think more than about a half a thought, and he never
|
|
suspicioned I was around. They took and shoved the
|
|
bag through a rip in the straw tick that was under the
|
|
feather-bed, and crammed it in a foot or two amongst
|
|
the straw and said it was all right now, because a
|
|
nigger only makes up the feather-bed, and don't turn
|
|
over the straw tick only about twice a year, and so it
|
|
warn't in no danger of getting stole now.
|
|
|
|
But I knowed better. I had it out of there before
|
|
they was half-way down stairs. I groped along up to
|
|
my cubby, and hid it there till I could get a chance
|
|
to do better. I judged I better hide it outside of the
|
|
house somewheres, because if they missed it they would
|
|
give the house a good ransacking: I knowed that very
|
|
well. Then I turned in, with my clothes all on; but I
|
|
couldn't a gone to sleep if I'd a wanted to, I was in
|
|
such a sweat to get through with the business. By
|
|
and by I heard the king and the duke come up; so I
|
|
rolled off my pallet and laid with my chin at the top of
|
|
my ladder, and waited to see if anything was going to
|
|
happen. But nothing did.
|
|
|
|
So I held on till all the late sounds had quit and the
|
|
early ones hadn't begun yet; and then I slipped down
|
|
the ladder.
|
|
|
|
|
|
CHAPTER XXVII.
|
|
|
|
I CREPT to their doors and listened; they was snor-
|
|
ing. So I tiptoed along, and got down stairs all
|
|
right. There warn't a sound anywheres. I peeped
|
|
through a crack of the dining-room door, and see the
|
|
men that was watching the corpse all sound asleep on
|
|
their chairs. The door was open into the parlor, where
|
|
the corpse was laying, and there was a candle in both
|
|
rooms. I passed along, and the parlor door was open;
|
|
but I see there warn't nobody in there but the re-
|
|
mainders of Peter; so I shoved on by; but the front
|
|
door was locked, and the key wasn't there. Just then
|
|
I heard somebody coming down the stairs, back behind
|
|
me. I run in the parlor and took a swift look around,
|
|
and the only place I see to hide the bag was in the
|
|
coffin. The lid was shoved along about a foot, show-
|
|
ing the dead man's face down in there, with a wet
|
|
cloth over it, and his shroud on. I tucked the money-
|
|
bag in under the lid, just down beyond where his
|
|
hands was crossed, which made me creep, they was so
|
|
cold, and then I run back across the room and in
|
|
behind the door.
|
|
|
|
The person coming was Mary Jane. She went to
|
|
the coffin, very soft, and kneeled down and looked in;
|
|
then she put up her handkerchief, and I see she begun
|
|
to cry, though I couldn't hear her, and her back was
|
|
to me. I slid out, and as I passed the dining-room I
|
|
thought I'd make sure them watchers hadn't seen me;
|
|
so I looked through the crack, and everything was all
|
|
right. They hadn't stirred.
|
|
|
|
I slipped up to bed, feeling ruther blue, on accounts
|
|
of the thing playing out that way after I had took so
|
|
much trouble and run so much resk about it. Says I,
|
|
if it could stay where it is, all right; because when we
|
|
get down the river a hundred mile or two I could write
|
|
back to Mary Jane, and she could dig him up again
|
|
and get it; but that ain't the thing that's going to
|
|
happen; the thing that's going to happen is, the
|
|
money 'll be found when they come to screw on the
|
|
lid. Then the king 'll get it again, and it 'll be a long
|
|
day before he gives anybody another chance to smouch
|
|
it from him. Of course I WANTED to slide down and
|
|
get it out of there, but I dasn't try it. Every minute
|
|
it was getting earlier now, and pretty soon some of
|
|
them watchers would begin to stir, and I might get
|
|
catched -- catched with six thousand dollars in my
|
|
hands that nobody hadn't hired me to take care of. I
|
|
don't wish to be mixed up in no such business as that,
|
|
I says to myself.
|
|
|
|
When I got down stairs in the morning the parlor
|
|
was shut up, and the watchers was gone. There warn't
|
|
nobody around but the family and the widow Bartley
|
|
and our tribe. I watched their faces to see if anything
|
|
had been happening, but I couldn't tell.
|
|
|
|
Towards the middle of the day the undertaker come
|
|
with his man, and they set the coffin in the middle of
|
|
the room on a couple of chairs, and then set all our
|
|
chairs in rows, and borrowed more from the neighbors
|
|
till the hall and the parlor and the dining-room was
|
|
full. I see the coffin lid was the way it was before,
|
|
but I dasn't go to look in under it, with folks around.
|
|
|
|
Then the people begun to flock in, and the beats
|
|
and the girls took seats in the front row at the head of
|
|
the coffin, and for a half an hour the people filed
|
|
around slow, in single rank, and looked down at the
|
|
dead man's face a minute, and some dropped in a tear,
|
|
and it was all very still and solemn, only the girls and
|
|
the beats holding handkerchiefs to their eyes and keep-
|
|
ing their heads bent, and sobbing a little. There
|
|
warn't no other sound but the scraping of the feet on
|
|
the floor and blowing noses -- because people always
|
|
blows them more at a funeral than they do at other
|
|
places except church.
|
|
|
|
When the place was packed full the undertaker he
|
|
slid around in his black gloves with his softy soother-
|
|
ing ways, putting on the last touches, and getting
|
|
people and things all ship-shape and comfortable, and
|
|
making no more sound than a cat. He never spoke;
|
|
he moved people around, he squeezed in late ones, he
|
|
opened up passageways, and done it with nods, and
|
|
signs with his hands. Then he took his place over
|
|
against the wall. He was the softest, glidingest,
|
|
stealthiest man I ever see; and there warn't no more
|
|
smile to him than there is to a ham.
|
|
|
|
They had borrowed a melodeum -- a sick one; and
|
|
when everything was ready a young woman set down
|
|
and worked it, and it was pretty skreeky and colicky,
|
|
and everybody joined in and sung, and Peter was the
|
|
only one that had a good thing, according to my
|
|
notion. Then the Reverend Hobson opened up, slow
|
|
and solemn, and begun to talk; and straight off the
|
|
most outrageous row busted out in the cellar a body
|
|
ever heard; it was only one dog, but he made a most
|
|
powerful racket, and he kept it up right along; the
|
|
parson he had to stand there, over the coffin, and wait
|
|
-- you couldn't hear yourself think. It was right
|
|
down awkward, and nobody didn't seem to know what
|
|
to do. But pretty soon they see that long-legged
|
|
undertaker make a sign to the preacher as much as to
|
|
say, "Don't you worry -- just depend on me." Then
|
|
he stooped down and begun to glide along the wall,
|
|
just his shoulders showing over the people's heads.
|
|
So he glided along, and the powwow and racket get-
|
|
ting more and more outrageous all the time; and at
|
|
last, when he had gone around two sides of the room,
|
|
he disappears down cellar. Then in about two seconds
|
|
we heard a whack, and the dog he finished up with a
|
|
most amazing howl or two, and then everything was
|
|
dead still, and the parson begun his solemn talk where
|
|
he left off. In a minute or two here comes this under-
|
|
taker's back and shoulders gliding along the wall
|
|
again; and so he glided and glided around three sides
|
|
of the room, and then rose up, and shaded his mouth
|
|
with his hands, and stretched his neck out towards the
|
|
preacher, over the people's heads, and says, in a kind
|
|
of a coarse whisper, "HE HAD A RAT!" Then he
|
|
drooped down and glided along the wall again to his
|
|
place. You could see it was a great satisfaction to the
|
|
people, because naturally they wanted to know. A
|
|
little thing like that don't cost nothing, and it's just the
|
|
little things that makes a man to be looked up to and
|
|
liked. There warn't no more popular man in town
|
|
than what that undertaker was.
|
|
|
|
Well, the funeral sermon was very good, but pison
|
|
long and tiresome; and then the king he shoved in and
|
|
got off some of his usual rubbage, and at last the job
|
|
was through, and the undertaker begun to sneak up on
|
|
the coffin with his screw-driver. I was in a sweat
|
|
then, and watched him pretty keen. But he never
|
|
meddled at all; just slid the lid along as soft as mush,
|
|
and screwed it down tight and fast. So there I was!
|
|
I didn't know whether the money was in there or not.
|
|
So, says I, s'pose somebody has hogged that bag on
|
|
the sly? -- now how do I know whether to write to
|
|
Mary Jane or not? S'pose she dug him up and didn't
|
|
find nothing, what would she think of me? Blame it,
|
|
I says, I might get hunted up and jailed; I'd better
|
|
lay low and keep dark, and not write at all; the thing's
|
|
awful mixed now; trying to better it, I've worsened it
|
|
a hundred times, and I wish to goodness I'd just let it
|
|
alone, dad fetch the whole business!
|
|
|
|
They buried him, and we come back home, and I
|
|
went to watching faces again -- I couldn't help it, and
|
|
I couldn't rest easy. But nothing come of it; the
|
|
faces didn't tell me nothing.
|
|
|
|
The king he visited around in the evening, and
|
|
sweetened everybody up, and made himself ever so
|
|
friendly; and he give out the idea that his congrega-
|
|
tion over in England would be in a sweat about him,
|
|
so he must hurry and settle up the estate right away
|
|
and leave for home. He was very sorry he was so
|
|
pushed, and so was everybody; they wished he could
|
|
stay longer, but they said they could see it couldn't be
|
|
done. And he said of course him and William would
|
|
take the girls home with them; and that pleased every-
|
|
body too, because then the girls would be well fixed and
|
|
amongst their own relations; and it pleased the girls,
|
|
too -- tickled them so they clean forgot they ever had
|
|
a trouble in the world; and told him to sell out as
|
|
quick as he wanted to, they would be ready. Them
|
|
poor things was that glad and happy it made my heart
|
|
ache to see them getting fooled and lied to so, but I
|
|
didn't see no safe way for me to chip in and change
|
|
the general tune.
|
|
|
|
Well, blamed if the king didn't bill the house and
|
|
the niggers and all the property for auction straight
|
|
off -- sale two days after the funeral; but anybody
|
|
could buy private beforehand if they wanted to.
|
|
|
|
So the next day after the funeral, along about noon-
|
|
time, the girls' joy got the first jolt. A couple of
|
|
nigger traders come along, and the king sold them the
|
|
niggers reasonable, for three-day drafts as they called
|
|
it, and away they went, the two sons up the river to
|
|
Memphis, and their mother down the river to Orleans.
|
|
I thought them poor girls and them niggers would
|
|
break their hearts for grief; they cried around each
|
|
other, and took on so it most made me down sick to
|
|
see it. The girls said they hadn't ever dreamed of
|
|
seeing the family separated or sold away from the
|
|
town. I can't ever get it out of my memory, the
|
|
sight of them poor miserable girls and niggers hanging
|
|
around each other's necks and crying; and I reckon I
|
|
couldn't a stood it all, but would a had to bust out
|
|
and tell on our gang if I hadn't knowed the sale warn't
|
|
no account and the niggers would be back home in a
|
|
week or two.
|
|
|
|
The thing made a big stir in the town, too, and a
|
|
good many come out flatfooted and said it was scandal-
|
|
ous to separate the mother and the children that way.
|
|
It injured the frauds some; but the old fool he bulled
|
|
right along, spite of all the duke could say or do, and
|
|
I tell you the duke was powerful uneasy.
|
|
|
|
Next day was auction day. About broad day in the
|
|
morning the king and the duke come up in the garret
|
|
and woke me up, and I see by their look that there
|
|
was trouble. The king says:
|
|
|
|
"Was you in my room night before last?"
|
|
|
|
"No, your majesty" -- which was the way I always
|
|
called him when nobody but our gang warn't around.
|
|
|
|
"Was you in there yisterday er last night?"
|
|
|
|
"No, your majesty."
|
|
|
|
"Honor bright, now -- no lies."
|
|
|
|
"Honor bright, your majesty, I'm telling you the
|
|
truth. I hain't been a-near your room since Miss Mary
|
|
Jane took you and the duke and showed it to you."
|
|
|
|
The duke says:
|
|
|
|
"Have you seen anybody else go in there?"
|
|
|
|
"No, your grace, not as I remember, I believe."
|
|
|
|
"Stop and think."
|
|
|
|
I studied awhile and see my chance; then I says:
|
|
|
|
"Well, I see the niggers go in there several times."
|
|
|
|
Both of them gave a little jump, and looked like
|
|
they hadn't ever expected it, and then like they HAD.
|
|
Then the duke says:
|
|
|
|
"What, all of them?"
|
|
|
|
"No -- leastways, not all at once -- that is, I don't
|
|
think I ever see them all come OUT at once but just one
|
|
time."
|
|
|
|
"Hello! When was that?"
|
|
|
|
"It was the day we had the funeral. In the morn-
|
|
ing. It warn't early, because I overslept. I was just
|
|
starting down the ladder, and I see them."
|
|
|
|
"Well, go on, GO on! What did they do? How'd
|
|
they act?"
|
|
|
|
"They didn't do nothing. And they didn't act
|
|
anyway much, as fur as I see. They tiptoed away;
|
|
so I seen, easy enough, that they'd shoved in there to
|
|
do up your majesty's room, or something, s'posing
|
|
you was up; and found you WARN'T up, and so they
|
|
was hoping to slide out of the way of trouble without
|
|
waking you up, if they hadn't already waked you up."
|
|
|
|
"Great guns, THIS is a go!" says the king; and
|
|
both of them looked pretty sick and tolerable silly.
|
|
They stood there a-thinking and scratching their heads
|
|
a minute, and the duke he bust into a kind of a little
|
|
raspy chuckle, and says:
|
|
|
|
"It does beat all how neat the niggers played their
|
|
hand. They let on to be SORRY they was going out of
|
|
this region! And I believed they WAS sorry, and so
|
|
did you, and so did everybody. Don't ever tell ME
|
|
any more that a nigger ain't got any histrionic talent.
|
|
Why, the way they played that thing it would fool
|
|
ANYBODY. In my opinion, there's a fortune in 'em. If
|
|
I had capital and a theater, I wouldn't want a better
|
|
lay-out than that -- and here we've gone and sold 'em
|
|
for a song. Yes, and ain't privileged to sing the song
|
|
yet. Say, where IS that song -- that draft?"
|
|
|
|
"In the bank for to be collected. Where WOULD it
|
|
be?"
|
|
|
|
"Well, THAT'S all right then, thank goodness."
|
|
|
|
Says I, kind of timid-like:
|
|
|
|
"Is something gone wrong?"
|
|
|
|
The king whirls on me and rips out:
|
|
|
|
"None o' your business! You keep your head
|
|
shet, and mind y'r own affairs -- if you got any.
|
|
Long as you're in this town don't you forgit THAT --
|
|
you hear?" Then he says to the duke, "We got to
|
|
jest swaller it and say noth'n': mum's the word for US."
|
|
|
|
As they was starting down the ladder the duke he
|
|
chuckles again, and says:
|
|
|
|
"Quick sales AND small profits! It's a good busi-
|
|
ness -- yes."
|
|
|
|
The king snarls around on him and says:
|
|
|
|
"I was trying to do for the best in sellin' 'em out
|
|
so quick. If the profits has turned out to be none,
|
|
lackin' considable, and none to carry, is it my fault
|
|
any more'n it's yourn?"
|
|
|
|
"Well, THEY'D be in this house yet and we WOULDN'T
|
|
if I could a got my advice listened to."
|
|
|
|
The king sassed back as much as was safe for him,
|
|
and then swapped around and lit into ME again. He
|
|
give me down the banks for not coming and TELLING
|
|
him I see the niggers come out of his room acting that
|
|
way -- said any fool would a KNOWED something was
|
|
up. And then waltzed in and cussed HIMSELF awhile,
|
|
and said it all come of him not laying late and taking
|
|
his natural rest that morning, and he'd be blamed if he'd
|
|
ever do it again. So they went off a-jawing; and I
|
|
felt dreadful glad I'd worked it all off on to the niggers,
|
|
and yet hadn't done the niggers no harm by it.
|
|
|
|
|
|
CHAPTER XXVIII.
|
|
|
|
BY and by it was getting-up time. So I come down
|
|
the ladder and started for down-stairs; but as I
|
|
come to the girls' room the door was open, and I see
|
|
Mary Jane setting by her old hair trunk, which was
|
|
open and she'd been packing things in it -- getting
|
|
ready to go to England. But she had stopped now
|
|
with a folded gown in her lap, and had her face in her
|
|
hands, crying. I felt awful bad to see it; of course
|
|
anybody would. I went in there and says:
|
|
|
|
"Miss Mary Jane, you can't a-bear to see people
|
|
in trouble, and I can't -- most always. Tell me
|
|
about it."
|
|
|
|
So she done it. And it was the niggers -- I just
|
|
expected it. She said the beautiful trip to England
|
|
was most about spoiled for her; she didn't know HOW
|
|
she was ever going to be happy there, knowing the
|
|
mother and the children warn't ever going to see
|
|
each other no more -- and then busted out bitterer
|
|
than ever, and flung up her hands, and says:
|
|
|
|
"Oh, dear, dear, to think they ain't EVER going to
|
|
see each other any more!"
|
|
|
|
"But they WILL -- and inside of two weeks -- and I
|
|
KNOW it!" says I.
|
|
|
|
Laws, it was out before I could think! And before
|
|
I could budge she throws her arms around my neck
|
|
and told me to say it AGAIN, say it AGAIN, say it AGAIN!
|
|
|
|
I see I had spoke too sudden and said too much,
|
|
and was in a close place. I asked her to let me think
|
|
a minute; and she set there, very impatient and ex-
|
|
cited and handsome, but looking kind of happy and
|
|
eased-up, like a person that's had a tooth pulled out.
|
|
So I went to studying it out. I says to myself, I
|
|
reckon a body that ups and tells the truth when he is
|
|
in a tight place is taking considerable many resks,
|
|
though I ain't had no experience, and can't say for
|
|
certain; but it looks so to me, anyway; and yet here's
|
|
a case where I'm blest if it don't look to me like the
|
|
truth is better and actuly SAFER than a lie. I must lay
|
|
it by in my mind, and think it over some time or
|
|
other, it's so kind of strange and unregular. I never
|
|
see nothing like it. Well, I says to myself at last,
|
|
I'm a-going to chance it; I'll up and tell the truth this
|
|
time, though it does seem most like setting down on a
|
|
kag of powder and touching it off just to see where
|
|
you'll go to. Then I says:
|
|
|
|
"Miss Mary Jane, is there any place out of town a
|
|
little ways where you could go and stay three or four
|
|
days?"
|
|
|
|
"Yes; Mr. Lothrop's. Why?"
|
|
|
|
"Never mind why yet. If I'll tell you how I know
|
|
the niggers will see each other again inside of two
|
|
weeks -- here in this house -- and PROVE how I know
|
|
it -- will you go to Mr. Lothrop's and stay four days?"
|
|
|
|
"Four days!" she says; "I'll stay a year!"
|
|
|
|
"All right," I says, "I don't want nothing more
|
|
out of YOU than just your word -- I druther have it than
|
|
another man's kiss-the-Bible." She smiled and red-
|
|
dened up very sweet, and I says, "If you don't mind
|
|
it, I'll shut the door -- and bolt it."
|
|
|
|
Then I come back and set down again, and says:
|
|
|
|
"Don't you holler. Just set still and take it like a
|
|
man. I got to tell the truth, and you want to brace
|
|
up, Miss Mary, because it's a bad kind, and going to
|
|
be hard to take, but there ain't no help for it. These
|
|
uncles of yourn ain't no uncles at all; they're a couple
|
|
of frauds -- regular dead-beats. There, now we're
|
|
over the worst of it, you can stand the rest middling
|
|
easy."
|
|
|
|
It jolted her up like everything, of course; but I
|
|
was over the shoal water now, so I went right along,
|
|
her eyes a-blazing higher and higher all the time, and
|
|
told her every blame thing, from where we first struck
|
|
that young fool going up to the steamboat, clear
|
|
through to where she flung herself on to the king's
|
|
breast at the front door and he kissed her sixteen or
|
|
seventeen times -- and then up she jumps, with her
|
|
face afire like sunset, and says:
|
|
|
|
"The brute! Come, don't waste a minute -- not a
|
|
SECOND -- we'll have them tarred and feathered, and
|
|
flung in the river!"
|
|
|
|
Says I:
|
|
|
|
"Cert'nly. But do you mean BEFORE you go to Mr.
|
|
Lothrop's, or --"
|
|
|
|
"Oh," she says, "what am I THINKING about!"
|
|
she says, and set right down again. "Don't mind
|
|
what I said -- please don't -- you WON'T, now, WILL
|
|
you?" Laying her silky hand on mine in that kind
|
|
of a way that I said I would die first. "I never
|
|
thought, I was so stirred up," she says; "now go on,
|
|
and I won't do so any more. You tell me what to do,
|
|
and whatever you say I'll do it."
|
|
|
|
"Well," I says, "it's a rough gang, them two
|
|
frauds, and I'm fixed so I got to travel with them a
|
|
while longer, whether I want to or not -- I druther not
|
|
tell you why; and if you was to blow on them this
|
|
town would get me out of their claws, and I'd be all
|
|
right; but there'd be another person that you don't
|
|
know about who'd be in big trouble. Well, we got
|
|
to save HIM, hain't we? Of course. Well, then, we
|
|
won't blow on them."
|
|
|
|
Saying them words put a good idea in my head. I
|
|
see how maybe I could get me and Jim rid of the
|
|
frauds; get them jailed here, and then leave. But I
|
|
didn't want to run the raft in the daytime without any-
|
|
body aboard to answer questions but me; so I didn't
|
|
want the plan to begin working till pretty late to-night.
|
|
I says:
|
|
|
|
"Miss Mary Jane, I'll tell you what we'll do, and
|
|
you won't have to stay at Mr. Lothrop's so long,
|
|
nuther. How fur is it?"
|
|
|
|
"A little short of four miles -- right out in the
|
|
country, back here."
|
|
|
|
"Well, that 'll answer. Now you go along out there,
|
|
and lay low till nine or half-past to-night, and then get
|
|
them to fetch you home again -- tell them you've
|
|
thought of something. If you get here before eleven
|
|
put a candle in this window, and if I don't turn up
|
|
wait TILL eleven, and THEN if I don't turn up it means
|
|
I'm gone, and out of the way, and safe. Then you
|
|
come out and spread the news around, and get these
|
|
beats jailed."
|
|
|
|
"Good," she says, "I'll do it."
|
|
|
|
"And if it just happens so that I don't get away,
|
|
but get took up along with them, you must up and say
|
|
I told you the whole thing beforehand, and you must
|
|
stand by me all you can."
|
|
|
|
"Stand by you! indeed I will. They sha'n't touch
|
|
a hair of your head!" she says, and I see her nostrils
|
|
spread and her eyes snap when she said it, too.
|
|
|
|
"If I get away I sha'n't be here," I says, "to
|
|
prove these rapscallions ain't your uncles, and I
|
|
couldn't do it if I WAS here. I could swear they was
|
|
beats and bummers, that's all, though that's worth
|
|
something. Well, there's others can do that better than
|
|
what I can, and they're people that ain't going to be
|
|
doubted as quick as I'd be. I'll tell you how to find
|
|
them. Gimme a pencil and a piece of paper. There
|
|
-- 'Royal Nonesuch, Bricksville.' Put it away, and
|
|
don't lose it. When the court wants to find out some-
|
|
thing about these two, let them send up to Bricksville
|
|
and say they've got the men that played the Royal
|
|
Nonesuch, and ask for some witnesses -- why, you'll
|
|
have that entire town down here before you can hardly
|
|
wink, Miss Mary. And they'll come a-biling, too."
|
|
|
|
I judged we had got everything fixed about right
|
|
now. So I says:
|
|
|
|
"Just let the auction go right along, and don't
|
|
worry. Nobody don't have to pay for the things they
|
|
buy till a whole day after the auction on accounts of
|
|
the short notice, and they ain't going out of this till
|
|
they get that money; and the way we've fixed it the
|
|
sale ain't going to count, and they ain't going to get
|
|
no money. It's just like the way it was with the
|
|
niggers -- it warn't no sale, and the niggers will be
|
|
back before long. Why, they can't collect the money
|
|
for the NIGGERS yet -- they're in the worst kind of a
|
|
fix, Miss Mary."
|
|
|
|
"Well," she says, "I'll run down to breakfast now,
|
|
and then I'll start straight for Mr. Lothrop's."
|
|
|
|
"'Deed, THAT ain't the ticket, Miss Mary Jane," I
|
|
says, "by no manner of means; go BEFORE breakfast."
|
|
|
|
"Why?"
|
|
|
|
"What did you reckon I wanted you to go at all
|
|
for, Miss Mary?"
|
|
|
|
"Well, I never thought -- and come to think, I
|
|
don't know. What was it?"
|
|
|
|
"Why, it's because you ain't one of these leather-
|
|
face people. I don't want no better book than what
|
|
your face is. A body can set down and read it off
|
|
like coarse print. Do you reckon you can go and
|
|
face your uncles when they come to kiss you good-
|
|
morning, and never --"
|
|
|
|
"There, there, don't! Yes, I'll go before break-
|
|
fast -- I'll be glad to. And leave my sisters with
|
|
them?"
|
|
|
|
"Yes; never mind about them. They've got to
|
|
stand it yet a while. They might suspicion something
|
|
if all of you was to go. I don't want you to see them,
|
|
nor your sisters, nor nobody in this town; if a neigh-
|
|
bor was to ask how is your uncles this morning your
|
|
face would tell something. No, you go right along,
|
|
Miss Mary Jane, and I'll fix it with all of them. I'll
|
|
tell Miss Susan to give your love to your uncles and
|
|
say you've went away for a few hours for to get a
|
|
little rest and change, or to see a friend, and you'll be
|
|
back to-night or early in the morning."
|
|
|
|
"Gone to see a friend is all right, but I won't have
|
|
my love given to them."
|
|
|
|
"Well, then, it sha'n't be." It was well enough to
|
|
tell HER so -- no harm in it. It was only a little thing
|
|
to do, and no trouble; and it's the little things that
|
|
smooths people's roads the most, down here below; it
|
|
would make Mary Jane comfortable, and it wouldn't
|
|
cost nothing. Then I says: "There's one more thing
|
|
-- that bag of money."
|
|
|
|
"Well, they've got that; and it makes me feel
|
|
pretty silly to think HOW they got it."
|
|
|
|
"No, you're out, there. They hain't got it."
|
|
|
|
"Why, who's got it?"
|
|
|
|
"I wish I knowed, but I don't. I HAD it, because I
|
|
stole it from them; and I stole it to give to you; and
|
|
I know where I hid it, but I'm afraid it ain't there no
|
|
more. I'm awful sorry, Miss Mary Jane, I'm just as
|
|
sorry as I can be; but I done the best I could; I did
|
|
honest. I come nigh getting caught, and I had to
|
|
shove it into the first place I come to, and run -- and
|
|
it warn't a good place."
|
|
|
|
"Oh, stop blaming yourself -- it's too bad to do it,
|
|
and I won't allow it -- you couldn't help it; it wasn't
|
|
your fault. Where did you hide it?"
|
|
|
|
I didn't want to set her to thinking about her
|
|
troubles again; and I couldn't seem to get my mouth
|
|
to tell her what would make her see that corpse laying
|
|
in the coffin with that bag of money on his stomach.
|
|
So for a minute I didn't say nothing; then I says:
|
|
|
|
"I'd ruther not TELL you where I put it, Miss Mary
|
|
Jane, if you don't mind letting me off; but I'll write it
|
|
for you on a piece of paper, and you can read it along
|
|
the road to Mr. Lothrop's, if you want to. Do you
|
|
reckon that 'll do?"
|
|
|
|
"Oh, yes."
|
|
|
|
So I wrote: "I put it in the coffin. It was in
|
|
there when you was crying there, away in the night.
|
|
I was behind the door, and I was mighty sorry for
|
|
you, Miss Mary Jane."
|
|
|
|
It made my eyes water a little to remember her cry-
|
|
ing there all by herself in the night, and them devils
|
|
laying there right under her own roof, shaming her
|
|
and robbing her; and when I folded it up and give it
|
|
to her I see the water come into her eyes, too; and
|
|
she shook me by the hand, hard, and says:
|
|
|
|
"GOOD-bye. I'm going to do everything just as
|
|
you've told me; and if I don't ever see you again, I
|
|
sha'n't ever forget you. and I'll think of you a many
|
|
and a many a time, and I'll PRAY for you, too!" -- and
|
|
she was gone.
|
|
|
|
Pray for me! I reckoned if she knowed me she'd
|
|
take a job that was more nearer her size. But I bet
|
|
she done it, just the same -- she was just that kind.
|
|
She had the grit to pray for Judus if she took the
|
|
notion -- there warn't no back-down to her, I judge.
|
|
You may say what you want to, but in my opinion
|
|
she had more sand in her than any girl I ever see; in
|
|
my opinion she was just full of sand. It sounds like
|
|
flattery, but it ain't no flattery. And when it comes
|
|
to beauty -- and goodness, too -- she lays over them
|
|
all. I hain't ever seen her since that time that I see
|
|
her go out of that door; no, I hain't ever seen her
|
|
since, but I reckon I've thought of her a many and a
|
|
many a million times, and of her saying she would
|
|
pray for me; and if ever I'd a thought it would do
|
|
any good for me to pray for HER, blamed if I wouldn't
|
|
a done it or bust.
|
|
|
|
Well, Mary Jane she lit out the back way, I reckon;
|
|
because nobody see her go. When I struck Susan
|
|
and the hare-lip, I says:
|
|
|
|
"What's the name of them people over on t'other
|
|
side of the river that you all goes to see sometimes?"
|
|
|
|
They says:
|
|
|
|
"There's several; but it's the Proctors, mainly."
|
|
|
|
"That's the name," I says; "I most forgot it.
|
|
Well, Miss Mary Jane she told me to tell you she's
|
|
gone over there in a dreadful hurry -- one of them's
|
|
sick."
|
|
|
|
"Which one?"
|
|
|
|
"I don't know; leastways, I kinder forget; but I
|
|
thinks it's --"
|
|
|
|
"Sakes alive, I hope it ain't HANNER?"
|
|
|
|
"I'm sorry to say it," I says, "but Hanner's the
|
|
very one."
|
|
|
|
"My goodness, and she so well only last week! Is
|
|
she took bad?"
|
|
|
|
"It ain't no name for it. They set up with her all
|
|
night, Miss Mary Jane said, and they don't think she'll
|
|
last many hours."
|
|
|
|
"Only think of that, now! What's the matter with
|
|
her?"
|
|
|
|
I couldn't think of anything reasonable, right off
|
|
that way, so I says:
|
|
|
|
"Mumps."
|
|
|
|
"Mumps your granny! They don't set up with
|
|
people that's got the mumps."
|
|
|
|
"They don't, don't they? You better bet they do
|
|
with THESE mumps. These mumps is different. It's a
|
|
new kind, Miss Mary Jane said."
|
|
|
|
"How's it a new kind?"
|
|
|
|
"Because it's mixed up with other things."
|
|
|
|
"What other things?"
|
|
|
|
"Well, measles, and whooping-cough, and erysiplas,
|
|
and consumption, and yaller janders, and brain-fever,
|
|
and I don't know what all."
|
|
|
|
"My land! And they call it the MUMPS?"
|
|
|
|
"That's what Miss Mary Jane said."
|
|
|
|
"Well, what in the nation do they call it the MUMPS
|
|
for?"
|
|
|
|
"Why, because it IS the mumps. That's what it
|
|
starts with."
|
|
|
|
"Well, ther' ain't no sense in it. A body might
|
|
stump his toe, and take pison, and fall down the well,
|
|
and break his neck, and bust his brains out, and some-
|
|
body come along and ask what killed him, and some
|
|
numskull up and say, 'Why, he stumped his TOE.'
|
|
Would ther' be any sense in that? NO. And ther'
|
|
ain't no sense in THIS, nuther. Is it ketching?"
|
|
|
|
"Is it KETCHING? Why, how you talk. Is a HARROW
|
|
catching -- in the dark? If you don't hitch on to one
|
|
tooth, you're bound to on another, ain't you? And
|
|
you can't get away with that tooth without fetching
|
|
the whole harrow along, can you? Well, these kind
|
|
of mumps is a kind of a harrow, as you may say -- and
|
|
it ain't no slouch of a harrow, nuther, you come to
|
|
get it hitched on good."
|
|
|
|
"Well, it's awful, I think," says the hare-lip.
|
|
"I'll go to Uncle Harvey and --"
|
|
|
|
"Oh, yes," I says, "I WOULD. Of COURSE I would.
|
|
I wouldn't lose no time."
|
|
|
|
"Well, why wouldn't you?"
|
|
|
|
"Just look at it a minute, and maybe you can see.
|
|
Hain't your uncles obleegd to get along home to Eng-
|
|
land as fast as they can? And do you reckon they'd
|
|
be mean enough to go off and leave you to go all that
|
|
journey by yourselves? YOU know they'll wait for
|
|
you. So fur, so good. Your uncle Harvey's a
|
|
preacher, ain't he? Very well, then; is a PREACHER
|
|
going to deceive a steamboat clerk? is he going to
|
|
deceive a SHIP CLERK? -- so as to get them to let Miss
|
|
Mary Jane go aboard? Now YOU know he ain't.
|
|
What WILL he do, then? Why, he'll say, 'It's a great
|
|
pity, but my church matters has got to get along the
|
|
best way they can; for my niece has been exposed to
|
|
the dreadful pluribus-unum mumps, and so it's my
|
|
bounden duty to set down here and wait the three
|
|
months it takes to show on her if she's got it.' But
|
|
never mind, if you think it's best to tell your uncle
|
|
Harvey --"
|
|
|
|
"Shucks, and stay fooling around here when we
|
|
could all be having good times in England whilst we
|
|
was waiting to find out whether Mary Jane's got it or
|
|
not? Why, you talk like a muggins."
|
|
|
|
"Well, anyway, maybe you'd better tell some of
|
|
the neighbors."
|
|
|
|
"Listen at that, now. You do beat all for natural
|
|
stupidness. Can't you SEE that THEY'D go and tell?
|
|
Ther' ain't no way but just to not tell anybody at ALL."
|
|
|
|
"Well, maybe you're right -- yes, I judge you ARE
|
|
right."
|
|
|
|
"But I reckon we ought to tell Uncle Harvey she's
|
|
gone out a while, anyway, so he won't be uneasy
|
|
about her?"
|
|
|
|
"Yes, Miss Mary Jane she wanted you to do that.
|
|
She says, 'Tell them to give Uncle Harvey and
|
|
William my love and a kiss, and say I've run over the
|
|
river to see Mr.' -- Mr. -- what IS the name of that
|
|
rich family your uncle Peter used to think so much
|
|
of? -- I mean the one that --"
|
|
|
|
"Why, you must mean the Apthorps, ain't it?"
|
|
|
|
"Of course; bother them kind of names, a body
|
|
can't ever seem to remember them, half the time,
|
|
somehow. Yes, she said, say she has run over for to
|
|
ask the Apthorps to be sure and come to the auction
|
|
and buy this house, because she allowed her uncle
|
|
Peter would ruther they had it than anybody else;
|
|
and she's going to stick to them till they say they'll
|
|
come, and then, if she ain't too tired, she's coming
|
|
home; and if she is, she'll be home in the morning
|
|
anyway. She said, don't say nothing about the Proc-
|
|
tors, but only about the Apthorps -- which 'll be per-
|
|
fectly true, because she is going there to speak about
|
|
their buying the house; I know it, because she told
|
|
me so herself."
|
|
|
|
"All right," they said, and cleared out to lay for
|
|
their uncles, and give them the love and the kisses,
|
|
and tell them the message.
|
|
|
|
Everything was all right now. The girls wouldn't
|
|
say nothing because they wanted to go to England;
|
|
and the king and the duke would ruther Mary Jane was
|
|
off working for the auction than around in reach of
|
|
Doctor Robinson. I felt very good; I judged I had
|
|
done it pretty neat -- I reckoned Tom Sawyer couldn't
|
|
a done it no neater himself. Of course he would a
|
|
throwed more style into it, but I can't do that very
|
|
handy, not being brung up to it.
|
|
|
|
Well, they held the auction in the public square,
|
|
along towards the end of the afternoon, and it strung
|
|
along, and strung along, and the old man he was on
|
|
hand and looking his level pisonest, up there longside
|
|
of the auctioneer, and chipping in a little Scripture
|
|
now and then, or a little goody-goody saying of some
|
|
kind, and the duke he was around goo-gooing for sym-
|
|
pathy all he knowed how, and just spreading himself
|
|
generly.
|
|
|
|
But by and by the thing dragged through, and
|
|
everything was sold -- everything but a little old trifling
|
|
lot in the graveyard. So they'd got to work that off
|
|
-- I never see such a girafft as the king was for want-
|
|
ing to swallow EVERYTHING. Well, whilst they was at it
|
|
a steamboat landed, and in about two minutes up
|
|
comes a crowd a-whooping and yelling and laughing
|
|
and carrying on, and singing out:
|
|
|
|
"HERE'S your opposition line! here's your two sets
|
|
o' heirs to old Peter Wilks -- and you pays your
|
|
money and you takes your choice!"
|
|
|
|
|
|
CHAPTER XXIX.
|
|
|
|
THEY was fetching a very nice-looking old gentle-
|
|
man along, and a nice-looking younger one, with
|
|
his right arm in a sling. And, my souls, how the
|
|
people yelled and laughed, and kept it up. But I didn't
|
|
see no joke about it, and I judged it would strain the
|
|
duke and the king some to see any. I reckoned
|
|
they'd turn pale. But no, nary a pale did THEY turn.
|
|
The duke he never let on he suspicioned what was
|
|
up, but just went a goo-gooing around, happy and
|
|
satisfied, like a jug that's googling out buttermilk;
|
|
and as for the king, he just gazed and gazed down
|
|
sorrowful on them new-comers like it give him the
|
|
stomach-ache in his very heart to think there could be
|
|
such frauds and rascals in the world. Oh, he done it
|
|
admirable. Lots of the principal people gethered
|
|
around the king, to let him see they was on his side.
|
|
That old gentleman that had just come looked all puz-
|
|
zled to death. Pretty soon he begun to speak, and I
|
|
see straight off he pronounced LIKE an Englishman --
|
|
not the king's way, though the king's WAS pretty good
|
|
for an imitation. I can't give the old gent's words,
|
|
nor I can't imitate him; but he turned around to the
|
|
crowd, and says, about like this:
|
|
|
|
"This is a surprise to me which I wasn't looking
|
|
for; and I'll acknowledge, candid and frank, I ain't
|
|
very well fixed to meet it and answer it; for my
|
|
brother and me has had misfortunes; he's broke his
|
|
arm, and our baggage got put off at a town above here
|
|
last night in the night by a mistake. I am Peter
|
|
Wilks' brother Harvey, and this is his brother William,
|
|
which can't hear nor speak -- and can't even make
|
|
signs to amount to much, now't he's only got one
|
|
hand to work them with. We are who we say we are;
|
|
and in a day or two, when I get the baggage, I can
|
|
prove it. But up till then I won't say nothing more,
|
|
but go to the hotel and wait."
|
|
|
|
So him and the new dummy started off; and the king
|
|
he laughs, and blethers out:
|
|
|
|
"Broke his arm -- VERY likely, AIN'T it? -- and very
|
|
convenient, too, for a fraud that's got to make signs,
|
|
and ain't learnt how. Lost their baggage! That's
|
|
MIGHTY good! -- and mighty ingenious -- under the
|
|
CIRCUMSTANCES!
|
|
|
|
So he laughed again; and so did everybody else,
|
|
except three or four, or maybe half a dozen. One of
|
|
these was that doctor; another one was a sharp-
|
|
looking gentleman, with a carpet-bag of the old-
|
|
fashioned kind made out of carpet-stuff, that had just
|
|
come off of the steamboat and was talking to him in a
|
|
low voice, and glancing towards the king now and then
|
|
and nodding their heads -- it was Levi Bell, the lawyer
|
|
that was gone up to Louisville; and another one was
|
|
a big rough husky that come along and listened to
|
|
all the old gentleman said, and was listening to the
|
|
king now. And when the king got done this husky
|
|
up and says:
|
|
|
|
"Say, looky here; if you are Harvey Wilks, when'd
|
|
you come to this town?"
|
|
|
|
"The day before the funeral, friend," says the king.
|
|
|
|
"But what time o' day?"
|
|
|
|
"In the evenin' -- 'bout an hour er two before sun-
|
|
down."
|
|
|
|
"HOW'D you come?"
|
|
|
|
"I come down on the Susan Powell from Cincin-
|
|
nati."
|
|
|
|
"Well, then, how'd you come to be up at the Pint
|
|
in the MORNIN' -- in a canoe?"
|
|
|
|
"I warn't up at the Pint in the mornin'."
|
|
|
|
"It's a lie."
|
|
|
|
Several of them jumped for him and begged him not
|
|
to talk that way to an old man and a preacher.
|
|
|
|
"Preacher be hanged, he's a fraud and a liar. He
|
|
was up at the Pint that mornin'. I live up there, don't
|
|
I? Well, I was up there, and he was up there. I see
|
|
him there. He come in a canoe, along with Tim
|
|
Collins and a boy."
|
|
|
|
The doctor he up and says:
|
|
|
|
"Would you know the boy again if you was to see
|
|
him, Hines?"
|
|
|
|
"I reckon I would, but I don't know. Why,
|
|
yonder he is, now. I know him perfectly easy."
|
|
|
|
It was me he pointed at. The doctor says:
|
|
|
|
"Neighbors, I don't know whether the new couple
|
|
is frauds or not; but if THESE two ain't frauds, I am an
|
|
idiot, that's all. I think it's our duty to see that they
|
|
don't get away from here till we've looked into this
|
|
thing. Come along, Hines; come along, the rest of
|
|
you. We'll take these fellows to the tavern and
|
|
affront them with t'other couple, and I reckon we'll
|
|
find out SOMETHING before we get through."
|
|
|
|
It was nuts for the crowd, though maybe not for
|
|
the king's friends; so we all started. It was about
|
|
sundown. The doctor he led me along by the hand,
|
|
and was plenty kind enough, but he never let go my
|
|
hand.
|
|
|
|
We all got in a big room in the hotel, and lit up
|
|
some candles, and fetched in the new couple. First,
|
|
the doctor says:
|
|
|
|
"I don't wish to be too hard on these two men, but
|
|
I think they're frauds, and they may have complices
|
|
that we don't know nothing about. If they have,
|
|
won't the complices get away with that bag of gold
|
|
Peter Wilks left? It ain't unlikely. If these men
|
|
ain't frauds, they won't object to sending for that
|
|
money and letting us keep it till they prove they're
|
|
all right -- ain't that so?"
|
|
|
|
Everybody agreed to that. So I judged they had
|
|
our gang in a pretty tight place right at the outstart.
|
|
But the king he only looked sorrowful, and says:
|
|
|
|
"Gentlemen, I wish the money was there, for I
|
|
ain't got no disposition to throw anything in the way
|
|
of a fair, open, out-and-out investigation o' this
|
|
misable business; but, alas, the money ain't there;
|
|
you k'n send and see, if you want to."
|
|
|
|
"Where is it, then?"
|
|
|
|
"Well, when my niece give it to me to keep for her
|
|
I took and hid it inside o' the straw tick o' my bed,
|
|
not wishin' to bank it for the few days we'd be here,
|
|
and considerin' the bed a safe place, we not bein' used
|
|
to niggers, and suppos'n' 'em honest, like servants in
|
|
England. The niggers stole it the very next mornin'
|
|
after I had went down stairs; and when I sold 'em I
|
|
hadn't missed the money yit, so they got clean away
|
|
with it. My servant here k'n tell you 'bout it, gentle-
|
|
men."
|
|
|
|
The doctor and several said "Shucks!" and I see
|
|
nobody didn't altogether believe him. One man asked
|
|
me if I see the niggers steal it. I said no, but I see
|
|
them sneaking out of the room and hustling away, and
|
|
I never thought nothing, only I reckoned they was
|
|
afraid they had waked up my master and was trying to
|
|
get away before he made trouble with them. That
|
|
was all they asked me. Then the doctor whirls on me
|
|
and says:
|
|
|
|
"Are YOU English, too?"
|
|
|
|
I says yes; and him and some others laughed, and
|
|
said, "Stuff!"
|
|
|
|
Well, then they sailed in on the general investiga-
|
|
tion, and there we had it, up and down, hour in, hour
|
|
out, and nobody never said a word about supper, nor
|
|
ever seemed to think about it -- and so they kept it
|
|
up, and kept it up; and it WAS the worst mixed-up
|
|
thing you ever see. They made the king tell his yarn,
|
|
and they made the old gentleman tell his'n; and any-
|
|
body but a lot of prejudiced chuckleheads would a SEEN
|
|
that the old gentleman was spinning truth and t'other
|
|
one lies. And by and by they had me up to tell what
|
|
I knowed. The king he give me a left-handed look
|
|
out of the corner of his eye, and so I knowed enough
|
|
to talk on the right side. I begun to tell about
|
|
Sheffield, and how we lived there, and all about the
|
|
English Wilkses, and so on; but I didn't get pretty
|
|
fur till the doctor begun to laugh; and Levi Bell, the
|
|
lawyer, says:
|
|
|
|
"Set down, my boy; I wouldn't strain myself if I
|
|
was you. I reckon you ain't used to lying, it don't
|
|
seem to come handy; what you want is practice. You
|
|
do it pretty awkward."
|
|
|
|
I didn't care nothing for the compliment, but I was
|
|
glad to be let off, anyway.
|
|
|
|
The doctor he started to say something, and turns
|
|
and says:
|
|
|
|
"If you'd been in town at first, Levi Bell --
|
|
"
|
|
The king broke in and reached out his hand, and
|
|
says:
|
|
|
|
"Why, is this my poor dead brother's old friend
|
|
that he's wrote so often about?"
|
|
|
|
The lawyer and him shook hands, and the lawyer
|
|
smiled and looked pleased, and they talked right along
|
|
awhile, and then got to one side and talked low; and
|
|
at last the lawyer speaks up and says:
|
|
|
|
"That 'll fix it. I'll take the order and send it,
|
|
along with your brother's, and then they'll know it's
|
|
all right."
|
|
|
|
So they got some paper and a pen, and the king he
|
|
set down and twisted his head to one side, and chawed
|
|
his tongue, and scrawled off something; and then they
|
|
give the pen to the duke -- and then for the first time
|
|
the duke looked sick. But he took the pen and wrote.
|
|
So then the lawyer turns to the new old gentleman and
|
|
says:
|
|
|
|
"You and your brother please write a line or two
|
|
and sign your names."
|
|
|
|
The old gentleman wrote, but nobody couldn't read
|
|
it. The lawyer looked powerful astonished, and says:
|
|
|
|
"Well, it beats ME -- and snaked a lot of old letters
|
|
out of his pocket, and examined them, and then ex-
|
|
amined the old man's writing, and then THEM again;
|
|
and then says: "These old letters is from Harvey
|
|
Wilks; and here's THESE two handwritings, and any-
|
|
body can see they didn't write them" (the king and
|
|
the duke looked sold and foolish, I tell you, to see
|
|
how the lawyer had took them in), "and here's THIS old
|
|
gentleman's hand writing, and anybody can tell, easy
|
|
enough, HE didn't write them -- fact is, the scratches
|
|
he makes ain't properly WRITING at all. Now, here's
|
|
some letters from --"
|
|
|
|
The new old gentleman says:
|
|
|
|
"If you please, let me explain. Nobody can read
|
|
my hand but my brother there -- so he copies for me.
|
|
It's HIS hand you've got there, not mine."
|
|
|
|
"WELL!" says the lawyer, "this IS a state of
|
|
things. I've got some of William's letters, too; so if
|
|
you'll get him to write a line or so we can com --"
|
|
|
|
"He CAN'T write with his left hand," says the old
|
|
gentleman. "If he could use his right hand, you
|
|
would see that he wrote his own letters and mine
|
|
too. Look at both, please -- they're by the same
|
|
hand."
|
|
|
|
The lawyer done it, and says:
|
|
|
|
"I believe it's so -- and if it ain't so, there's a heap
|
|
stronger resemblance than I'd noticed before, anyway.
|
|
Well, well, well! I thought we was right on the track
|
|
of a slution, but it's gone to grass, partly. But any-
|
|
way, one thing is proved -- THESE two ain't either of
|
|
'em Wilkses" -- and he wagged his head towards the
|
|
king and the duke.
|
|
|
|
Well, what do you think? That muleheaded old
|
|
fool wouldn't give in THEN! Indeed he wouldn't.
|
|
Said it warn't no fair test. Said his brother William
|
|
was the cussedest joker in the world, and hadn't tried
|
|
to write -- HE see William was going to play one of his
|
|
jokes the minute he put the pen to paper. And so he
|
|
warmed up and went warbling right along till he was
|
|
actuly beginning to believe what he was saying HIM-
|
|
SELF; but pretty soon the new gentleman broke in, and
|
|
says:
|
|
|
|
"I've thought of something. Is there anybody
|
|
here that helped to lay out my br -- helped to lay out
|
|
the late Peter Wilks for burying?"
|
|
|
|
"Yes," says somebody, "me and Ab Turner done
|
|
it. We're both here."
|
|
|
|
Then the old man turns towards the king, and
|
|
says:
|
|
|
|
"Peraps this gentleman can tell me what was
|
|
tattooed on his breast?"
|
|
|
|
Blamed if the king didn't have to brace up mighty
|
|
quick, or he'd a squshed down like a bluff bank that
|
|
the river has cut under, it took him so sudden; and,
|
|
mind you, it was a thing that was calculated to make
|
|
most ANYBODY sqush to get fetched such a solid one as
|
|
that without any notice, because how was HE going to
|
|
know what was tattooed on the man? He whitened a
|
|
little; he couldn't help it; and it was mighty still in
|
|
there, and everybody bending a little forwards and
|
|
gazing at him. Says I to myself, NOW he'll throw up
|
|
the sponge -- there ain't no more use. Well, did he?
|
|
A body can't hardly believe it, but he didn't. I
|
|
reckon he thought he'd keep the thing up till he tired
|
|
them people out, so they'd thin out, and him and the
|
|
duke could break loose and get away. Anyway, he
|
|
set there, and pretty soon he begun to smile, and says:
|
|
|
|
"Mf! It's a VERY tough question, AIN'T it! YES,
|
|
sir, I k'n tell you what's tattooed on his breast. It's
|
|
jest a small, thin, blue arrow -- that's what it is; and
|
|
if you don't look clost, you can't see it. NOW what
|
|
do you say -- hey?"
|
|
|
|
Well, I never see anything like that old blister for
|
|
clean out-and-out cheek.
|
|
|
|
The new old gentleman turns brisk towards Ab
|
|
Turner and his pard, and his eye lights up like he
|
|
judged he'd got the king THIS time, and says:
|
|
|
|
"There -- you've heard what he said! Was there
|
|
any such mark on Peter Wilks' breast?"
|
|
|
|
Both of them spoke up and says:
|
|
|
|
"We didn't see no such mark."
|
|
|
|
"Good!" says the old gentleman. "Now, what
|
|
you DID see on his breast was a small dim P, and a B
|
|
(which is an initial he dropped when he was young),
|
|
and a W, with dashes between them, so: P -- B --
|
|
W" -- and he marked them that way on a piece of
|
|
paper. "Come, ain't that what you saw?"
|
|
|
|
Both of them spoke up again, and says:
|
|
|
|
"No, we DIDN'T. We never seen any marks at all."
|
|
|
|
Well, everybody WAS in a state of mind now, and
|
|
they sings out:
|
|
|
|
"The whole BILIN' of 'm 's frauds! Le's duck
|
|
'em! le's drown 'em! le's ride 'em on a rail!" and
|
|
everybody was whooping at once, and there was a rat-
|
|
tling powwow. But the lawyer he jumps on the table
|
|
and yells, and says:
|
|
|
|
"Gentlemen -- gentleMEN! Hear me just a word --
|
|
just a SINGLE word -- if you PLEASE! There's one way
|
|
yet -- let's go and dig up the corpse and look."
|
|
|
|
That took them.
|
|
|
|
"Hooray!" they all shouted, and was starting right
|
|
off; but the lawyer and the doctor sung out:
|
|
|
|
"Hold on, hold on! Collar all these four men and
|
|
the boy, and fetch THEM along, too!"
|
|
|
|
"We'll do it!" they all shouted; "and if we don't
|
|
find them marks we'll lynch the whole gang!"
|
|
|
|
I WAS scared, now, I tell you. But there warn't no
|
|
getting away, you know. They gripped us all, and
|
|
marched us right along, straight for the graveyard,
|
|
which was a mile and a half down the river, and the
|
|
whole town at our heels, for we made noise enough,
|
|
and it was only nine in the evening.
|
|
|
|
As we went by our house I wished I hadn't sent
|
|
Mary Jane out of town; because now if I could tip her
|
|
the wink she'd light out and save me, and blow on our
|
|
dead-beats.
|
|
|
|
Well, we swarmed along down the river road, just
|
|
carrying on like wildcats; and to make it more scary
|
|
the sky was darking up, and the lightning beginning to
|
|
wink and flitter, and the wind to shiver amongst the
|
|
leaves. This was the most awful trouble and most
|
|
dangersome I ever was in; and I was kinder stunned;
|
|
everything was going so different from what I had
|
|
allowed for; stead of being fixed so I could take my
|
|
own time if I wanted to, and see all the fun, and have
|
|
Mary Jane at my back to save me and set me free
|
|
when the close-fit come, here was nothing in the
|
|
world betwixt me and sudden death but just them
|
|
tattoo-marks. If they didn't find them --
|
|
|
|
I couldn't bear to think about it; and yet, some-
|
|
how, I couldn't think about nothing else. It got
|
|
darker and darker, and it was a beautiful time to give
|
|
the crowd the slip; but that big husky had me by the
|
|
wrist -- Hines -- and a body might as well try to give
|
|
Goliar the slip. He dragged me right along, he was so
|
|
excited, and I had to run to keep up.
|
|
|
|
When they got there they swarmed into the grave-
|
|
yard and washed over it like an overflow. And when
|
|
they got to the grave they found they had about a
|
|
hundred times as many shovels as they wanted, but
|
|
nobody hadn't thought to fetch a lantern. But they
|
|
sailed into digging anyway by the flicker of the light-
|
|
ning, and sent a man to the nearest house, a half a
|
|
mile off, to borrow one.
|
|
|
|
So they dug and dug like everything; and it got
|
|
awful dark, and the rain started, and the wind swished
|
|
and swushed along, and the lightning come brisker and
|
|
brisker, and the thunder boomed; but them people
|
|
never took no notice of it, they was so full of this
|
|
business; and one minute you could see everything
|
|
and every face in that big crowd, and the shovelfuls of
|
|
dirt sailing up out of the grave, and the next second
|
|
the dark wiped it all out, and you couldn't see nothing
|
|
at all.
|
|
|
|
At last they got out the coffin and begun to unscrew
|
|
the lid, and then such another crowding and shoulder-
|
|
ing and shoving as there was, to scrouge in and get a
|
|
sight, you never see; and in the dark, that way, it was
|
|
awful. Hines he hurt my wrist dreadful pulling and
|
|
tugging so, and I reckon he clean forgot I was in the
|
|
world, he was so excited and panting.
|
|
|
|
All of a sudden the lightning let go a perfect sluice
|
|
of white glare, and somebody sings out:
|
|
|
|
"By the living jingo, here's the bag of gold on his
|
|
breast!"
|
|
|
|
Hines let out a whoop, like everybody else, and
|
|
dropped my wrist and give a big surge to bust his way
|
|
in and get a look, and the way I lit out and shinned
|
|
for the road in the dark there ain't nobody can tell.
|
|
|
|
I had the road all to myself, and I fairly flew --
|
|
leastways, I had it all to myself except the solid dark,
|
|
and the now-and-then glares, and the buzzing of the
|
|
rain, and the thrashing of the wind, and the splitting
|
|
of the thunder; and sure as you are born I did clip it
|
|
along!
|
|
|
|
When I struck the town I see there warn't nobody
|
|
out in the storm, so I never hunted for no back streets,
|
|
but humped it straight through the main one; and
|
|
when I begun to get towards our house I aimed my
|
|
eye and set it. No light there; the house all dark --
|
|
which made me feel sorry and disappointed, I didn't
|
|
know why. But at last, just as I was sailing by, FLASH
|
|
comes the light in Mary Jane's window! and my heart
|
|
swelled up sudden, like to bust; and the same second
|
|
the house and all was behind me in the dark, and
|
|
wasn't ever going to be before me no more in this
|
|
world. She WAS the best girl I ever see, and had the
|
|
most sand.
|
|
|
|
The minute I was far enough above the town to see
|
|
I could make the towhead, I begun to look sharp for
|
|
a boat to borrow, and the first time the lightning
|
|
showed me one that wasn't chained I snatched it and
|
|
shoved. It was a canoe, and warn't fastened with
|
|
nothing but a rope. The towhead was a rattling big
|
|
distance off, away out there in the middle of the river,
|
|
but I didn't lose no time; and when I struck the raft
|
|
at last I was so fagged I would a just laid down to
|
|
blow and gasp if I could afforded it. But I didn't.
|
|
As I sprung aboard I sung out:
|
|
|
|
"Out with you, Jim, and set her loose! Glory be
|
|
to goodness, we're shut of them!"
|
|
|
|
Jim lit out, and was a-coming for me with both arms
|
|
spread, he was so full of joy; but when I glimpsed
|
|
him in the lightning my heart shot up in my mouth
|
|
and I went overboard backwards; for I forgot he was
|
|
old King Lear and a drownded A-rab all in one, and it
|
|
most scared the livers and lights out of me. But Jim
|
|
fished me out, and was going to hug me and bless me,
|
|
and so on, he was so glad I was back and we was shut
|
|
of the king and the duke, but I says:
|
|
|
|
"Not now; have it for breakfast, have it for break-
|
|
fast! Cut loose and let her slide!"
|
|
|
|
So in two seconds away we went a-sliding down the
|
|
river, and it DID seem so good to be free again and all
|
|
by ourselves on the big river, and nobody to bother
|
|
us. I had to skip around a bit, and jump up and
|
|
crack my heels a few times -- I couldn't help it; but
|
|
about the third crack I noticed a sound that I knowed
|
|
mighty well, and held my breath and listened and
|
|
waited; and sure enough, when the next flash busted
|
|
out over the water, here they come! -- and just a-
|
|
laying to their oars and making their skiff hum! It
|
|
was the king and the duke.
|
|
|
|
So I wilted right down on to the planks then, and
|
|
give up; and it was all I could do to keep from crying.
|
|
|
|
|
|
CHAPTER XXX.
|
|
|
|
WHEN they got aboard the king went for me, and
|
|
shook me by the collar, and says:
|
|
|
|
"Tryin' to give us the slip, was ye, you pup!
|
|
Tired of our company, hey?"
|
|
|
|
I says:
|
|
|
|
"No, your majesty, we warn't -- PLEASE don't, your
|
|
majesty!"
|
|
|
|
"Quick, then, and tell us what WAS your idea, or
|
|
I'll shake the insides out o' you!"
|
|
|
|
"Honest, I'll tell you everything just as it hap-
|
|
pened, your majesty. The man that had a-holt of me
|
|
was very good to me, and kept saying he had a boy
|
|
about as big as me that died last year, and he was
|
|
sorry to see a boy in such a dangerous fix; and when
|
|
they was all took by surprise by finding the gold, and
|
|
made a rush for the coffin, he lets go of me and whis-
|
|
pers, 'Heel it now, or they'll hang ye, sure!' and I
|
|
lit out. It didn't seem no good for ME to stay -- I
|
|
couldn't do nothing, and I didn't want to be hung if
|
|
I could get away. So I never stopped running till I
|
|
found the canoe; and when I got here I told Jim to
|
|
hurry, or they'd catch me and hang me yet, and said I
|
|
was afeard you and the duke wasn't alive now, and
|
|
I was awful sorry, and so was Jim, and was awful glad
|
|
when we see you coming; you may ask Jim if I
|
|
didn't."
|
|
|
|
Jim said it was so; and the king told him to shut
|
|
up, and said, "Oh, yes, it's MIGHTY likely!" and
|
|
shook me up again, and said he reckoned he'd drownd
|
|
me. But the duke says:
|
|
|
|
"Leggo the boy, you old idiot! Would YOU a done
|
|
any different? Did you inquire around for HIM when
|
|
you got loose? I don't remember it."
|
|
|
|
So the king let go of me, and begun to cuss that
|
|
town and everybody in it. But the duke says:
|
|
|
|
"You better a blame' sight give YOURSELF a good
|
|
cussing, for you're the one that's entitled to it most.
|
|
You hain't done a thing from the start that had any
|
|
sense in it, except coming out so cool and cheeky with
|
|
that imaginary blue-arrow mark. That WAS bright --
|
|
it was right down bully; and it was the thing that
|
|
saved us. For if it hadn't been for that they'd a jailed
|
|
us till them Englishmen's baggage come -- and then --
|
|
the penitentiary, you bet! But that trick took 'em to
|
|
the graveyard, and the gold done us a still bigger
|
|
kindness; for if the excited fools hadn't let go all
|
|
holts and made that rush to get a look we'd a slept in
|
|
our cravats to-night -- cravats warranted to WEAR, too
|
|
-- longer than WE'D need 'em."
|
|
|
|
They was still a minute -- thinking; then the king
|
|
says, kind of absent-minded like:
|
|
|
|
"Mf! And we reckoned the NIGGERS stole it!"
|
|
|
|
That made me squirm!
|
|
|
|
"Yes," says the duke, kinder slow and deliberate
|
|
and sarcastic, "WE did."
|
|
|
|
After about a half a minute the king drawls out:
|
|
|
|
"Leastways, I did."
|
|
|
|
The duke says, the same way:
|
|
|
|
"On the contrary, I did."
|
|
|
|
The king kind of ruffles up, and says:
|
|
|
|
"Looky here, Bilgewater, what'r you referrin' to?"
|
|
|
|
The duke says, pretty brisk:
|
|
|
|
"When it comes to that, maybe you'll let me ask,
|
|
what was YOU referring to?"
|
|
|
|
"Shucks!" says the king, very sarcastic; "but I
|
|
don't know -- maybe you was asleep, and didn't know
|
|
what you was about."
|
|
|
|
The duke bristles up now, and says:
|
|
|
|
"Oh, let UP on this cussed nonsense; do you take
|
|
me for a blame' fool? Don't you reckon I know who
|
|
hid that money in that coffin?"
|
|
|
|
"YES, sir! I know you DO know, because you done
|
|
it yourself!"
|
|
|
|
"It's a lie!" -- and the duke went for him. The
|
|
king sings out:
|
|
|
|
"Take y'r hands off! -- leggo my throat! -- I take it
|
|
all back!"
|
|
|
|
The duke says:
|
|
|
|
"Well, you just own up, first, that you DID hide
|
|
that money there, intending to give me the slip one of
|
|
these days, and come back and dig it up, and have it
|
|
all to yourself."
|
|
|
|
"Wait jest a minute, duke -- answer me this one
|
|
question, honest and fair; if you didn't put the money
|
|
there, say it, and I'll b'lieve you, and take back every-
|
|
thing I said."
|
|
|
|
"You old scoundrel, I didn't, and you know I
|
|
didn't. There, now!"
|
|
|
|
"Well, then, I b'lieve you. But answer me only
|
|
jest this one more -- now DON'T git mad; didn't you
|
|
have it in your mind to hook the money and hide it?"
|
|
|
|
The duke never said nothing for a little bit; then he
|
|
says:
|
|
|
|
"Well, I don't care if I DID, I didn't DO it, anyway.
|
|
But you not only had it in mind to do it, but you
|
|
DONE it."
|
|
|
|
"I wisht I never die if I done it, duke, and that's
|
|
honest. I won't say I warn't goin' to do it, because I
|
|
WAS; but you -- I mean somebody -- got in ahead o'
|
|
me."
|
|
|
|
"It's a lie! You done it, and you got to SAY you
|
|
done it, or --"
|
|
|
|
The king began to gurgle, and then he gasps out:
|
|
|
|
"'Nough! -- I OWN UP!"
|
|
|
|
I was very glad to hear him say that; it made me
|
|
feel much more easier than what I was feeling before.
|
|
So the duke took his hands off and says:
|
|
|
|
"If you ever deny it again I'll drown you. It's
|
|
WELL for you to set there and blubber like a baby -- it's
|
|
fitten for you, after the way you've acted. I never
|
|
see such an old ostrich for wanting to gobble every-
|
|
thing -- and I a-trusting you all the time, like you was
|
|
my own father. You ought to been ashamed of your-
|
|
self to stand by and hear it saddled on to a lot of poor
|
|
niggers, and you never say a word for 'em. It makes
|
|
me feel ridiculous to think I was soft enough to BELIEVE
|
|
that rubbage. Cuss you, I can see now why you was
|
|
so anxious to make up the deffisit -- you wanted to
|
|
get what money I'd got out of the Nonesuch and one
|
|
thing or another, and scoop it ALL!"
|
|
|
|
The king says, timid, and still a-snuffling:
|
|
|
|
"Why, duke, it was you that said make up the
|
|
deffisit; it warn't me."
|
|
|
|
"Dry up! I don't want to hear no more out of
|
|
you!" says the duke. "And NOW you see what you
|
|
GOT by it. They've got all their own money back, and
|
|
all of OURN but a shekel or two BESIDES. G'long to bed,
|
|
and don't you deffersit ME no more deffersits, long 's
|
|
YOU live!"
|
|
|
|
So the king sneaked into the wigwam and took to
|
|
his bottle for comfort, and before long the duke tackled
|
|
HIS bottle; and so in about a half an hour they was as
|
|
thick as thieves again, and the tighter they got the
|
|
lovinger they got, and went off a-snoring in each
|
|
other's arms. They both got powerful mellow, but I
|
|
noticed the king didn't get mellow enough to forget to
|
|
remember to not deny about hiding the money-bag
|
|
again. That made me feel easy and satisfied. Of
|
|
course when they got to snoring we had a long gabble,
|
|
and I told Jim everything.
|
|
|
|
|
|
CHAPTER XXXI.
|
|
|
|
WE dasn't stop again at any town for days and
|
|
days; kept right along down the river. We
|
|
was down south in the warm weather now, and a
|
|
mighty long ways from home. We begun to come to
|
|
trees with Spanish moss on them, hanging down from
|
|
the limbs like long, gray beards. It was the first I
|
|
ever see it growing, and it made the woods look solemn
|
|
and dismal. So now the frauds reckoned they was out
|
|
of danger, and they begun to work the villages again.
|
|
|
|
First they done a lecture on temperance; but they
|
|
didn't make enough for them both to get drunk on.
|
|
Then in another village they started a dancing-school;
|
|
but they didn't know no more how to dance than a
|
|
kangaroo does; so the first prance they made the
|
|
general public jumped in and pranced them out of
|
|
town. Another time they tried to go at yellocution;
|
|
but they didn't yellocute long till the audience got up
|
|
and give them a solid good cussing, and made them
|
|
skip out. They tackled missionarying, and mesmeriz-
|
|
ing, and doctoring, and telling fortunes, and a little of
|
|
everything; but they couldn't seem to have no luck.
|
|
So at last they got just about dead broke, and laid
|
|
around the raft as she floated along, thinking and
|
|
thinking, and never saying nothing, by the half a day
|
|
at a time, and dreadful blue and desperate.
|
|
|
|
And at last they took a change and begun to lay
|
|
their heads together in the wigwam and talk low and
|
|
confidential two or three hours at a time. Jim and me
|
|
got uneasy. We didn't like the look of it. We judged
|
|
they was studying up some kind of worse deviltry than
|
|
ever. We turned it over and over, and at last we made
|
|
up our minds they was going to break into somebody's
|
|
house or store, or was going into the counterfeit-
|
|
money business, or something. So then we was pretty
|
|
scared, and made up an agreement that we wouldn't
|
|
have nothing in the world to do with such actions, and
|
|
if we ever got the least show we would give them the
|
|
cold shake and clear out and leave them behind.
|
|
Well, early one morning we hid the raft in a good,
|
|
safe place about two mile below a little bit of a shabby
|
|
village named Pikesville, and the king he went ashore
|
|
and told us all to stay hid whilst he went up to town
|
|
and smelt around to see if anybody had got any wind
|
|
of the Royal Nonesuch there yet. ("House to rob,
|
|
you MEAN," says I to myself; "and when you get
|
|
through robbing it you'll come back here and wonder
|
|
what has become of me and Jim and the raft -- and
|
|
you'll have to take it out in wondering.") And he
|
|
said if he warn't back by midday the duke and me
|
|
would know it was all right, and we was to come along.
|
|
|
|
So we stayed where we was. The duke he fretted
|
|
and sweated around, and was in a mighty sour way.
|
|
He scolded us for everything, and we couldn't seem to
|
|
do nothing right; he found fault with every little
|
|
thing. Something was a-brewing, sure. I was good
|
|
and glad when midday come and no king; we could
|
|
have a change, anyway -- and maybe a chance for THE
|
|
chance on top of it. So me and the duke went up to
|
|
the village, and hunted around there for the king, and
|
|
by and by we found him in the back room of a little
|
|
low doggery, very tight, and a lot of loafers bullyrag-
|
|
ging him for sport, and he a-cussing and a-threatening
|
|
with all his might, and so tight he couldn't walk, and
|
|
couldn't do nothing to them. The duke he begun to
|
|
abuse him for an old fool, and the king begun to sass
|
|
back, and the minute they was fairly at it I lit out and
|
|
shook the reefs out of my hind legs, and spun down
|
|
the river road like a deer, for I see our chance; and I
|
|
made up my mind that it would be a long day before
|
|
they ever see me and Jim again. I got down there all
|
|
out of breath but loaded up with joy, and sung out:
|
|
|
|
"Set her loose, Jim! we're all right now!"
|
|
|
|
But there warn't no answer, and nobody come out
|
|
of the wigwam. Jim was gone! I set up a shout --
|
|
and then another -- and then another one; and run
|
|
this way and that in the woods, whooping and screech-
|
|
ing; but it warn't no use -- old Jim was gone. Then
|
|
I set down and cried; I couldn't help it. But I
|
|
couldn't set still long. Pretty soon I went out on the
|
|
road, trying to think what I better do, and I run across
|
|
a boy walking, and asked him if he'd seen a strange
|
|
nigger dressed so and so, and he says:
|
|
|
|
"Yes."
|
|
|
|
"Whereabouts?" says I.
|
|
|
|
"Down to Silas Phelps' place, two mile below
|
|
here. He's a runaway nigger, and they've got him.
|
|
Was you looking for him?"
|
|
|
|
"You bet I ain't! I run across him in the woods
|
|
about an hour or two ago, and he said if I hollered
|
|
he'd cut my livers out -- and told me to lay down and
|
|
stay where I was; and I done it. Been there ever
|
|
since; afeard to come out."
|
|
|
|
"Well," he says, "you needn't be afeard no more,
|
|
becuz they've got him. He run off f'm down South,
|
|
som'ers."
|
|
|
|
"It's a good job they got him."
|
|
|
|
"Well, I RECKON! There's two hunderd dollars re-
|
|
ward on him. It's like picking up money out'n the
|
|
road."
|
|
|
|
"Yes, it is -- and I could a had it if I'd been big
|
|
enough; I see him FIRST. Who nailed him?"
|
|
|
|
"It was an old fellow -- a stranger -- and he sold
|
|
out his chance in him for forty dollars, becuz he's got
|
|
to go up the river and can't wait. Think o' that,
|
|
now! You bet I'D wait, if it was seven year."
|
|
|
|
"That's me, every time," says I. "But maybe his
|
|
chance ain't worth no more than that, if he'll sell it so
|
|
cheap. Maybe there's something ain't straight about
|
|
it."
|
|
|
|
"But it IS, though -- straight as a string. I see the
|
|
handbill myself. It tells all about him, to a dot --
|
|
paints him like a picture, and tells the plantation he's
|
|
frum, below NewrLEANS. No-sirree-BOB, they ain't no
|
|
trouble 'bout THAT speculation, you bet you. Say,
|
|
gimme a chaw tobacker, won't ye?"
|
|
|
|
I didn't have none, so he left. I went to the raft,
|
|
and set down in the wigwam to think. But I couldn't
|
|
come to nothing. I thought till I wore my head sore,
|
|
but I couldn't see no way out of the trouble. After
|
|
all this long journey, and after all we'd done for them
|
|
scoundrels, here it was all come to nothing, everything
|
|
all busted up and ruined, because they could have the
|
|
heart to serve Jim such a trick as that, and make him
|
|
a slave again all his life, and amongst strangers, too,
|
|
for forty dirty dollars.
|
|
|
|
Once I said to myself it would be a thousand times
|
|
better for Jim to be a slave at home where his family
|
|
was, as long as he'd GOT to be a slave, and so I'd better
|
|
write a letter to Tom Sawyer and tell him to tell Miss
|
|
Watson where he was. But I soon give up that notion
|
|
for two things: she'd be mad and disgusted at his
|
|
rascality and ungratefulness for leaving her, and so
|
|
she'd sell him straight down the river again; and if
|
|
she didn't, everybody naturally despises an ungrateful
|
|
nigger, and they'd make Jim feel it all the time, and so
|
|
he'd feel ornery and disgraced. And then think of
|
|
ME! It would get all around that Huck Finn helped a
|
|
nigger to get his freedom; and if I was ever to see
|
|
anybody from that town again I'd be ready to get
|
|
down and lick his boots for shame. That's just the
|
|
way: a person does a low-down thing, and then he
|
|
don't want to take no consequences of it. Thinks as
|
|
long as he can hide, it ain't no disgrace. That was
|
|
my fix exactly. The more I studied about this the
|
|
more my conscience went to grinding me, and the
|
|
more wicked and low-down and ornery I got to feel-
|
|
ing. And at last, when it hit me all of a sudden that
|
|
here was the plain hand of Providence slapping me in
|
|
the face and letting me know my wickedness was being
|
|
watched all the time from up there in heaven,whilst I
|
|
was stealing a poor old woman's nigger that hadn't
|
|
ever done me no harm, and now was showing me
|
|
there's One that's always on the lookout, and ain't a-
|
|
going to allow no such miserable doings to go only
|
|
just so fur and no further, I most dropped in my
|
|
tracks I was so scared. Well, I tried the best I could
|
|
to kinder soften it up somehow for myself by saying I
|
|
was brung up wicked, and so I warn't so much to
|
|
blame; but something inside of me kept saying,
|
|
"There was the Sunday-school, you could a gone to
|
|
it; and if you'd a done it they'd a learnt you there
|
|
that people that acts as I'd been acting about that
|
|
nigger goes to everlasting fire."
|
|
|
|
It made me shiver. And I about made up my mind
|
|
to pray, and see if I couldn't try to quit being the kind
|
|
of a boy I was and be better. So I kneeled down.
|
|
But the words wouldn't come. Why wouldn't they?
|
|
It warn't no use to try and hide it from Him. Nor
|
|
from ME, neither. I knowed very well why they
|
|
wouldn't come. It was because my heart warn't right;
|
|
it was because I warn't square; it was because I was
|
|
playing double. I was letting ON to give up sin, but
|
|
away inside of me I was holding on to the biggest one
|
|
of all. I was trying to make my mouth SAY I would
|
|
do the right thing and the clean thing, and go and write
|
|
to that nigger's owner and tell where he was; but deep
|
|
down in me I knowed it was a lie, and He knowed it.
|
|
You can't pray a lie -- I found that out.
|
|
|
|
So I was full of trouble, full as I could be; and
|
|
didn't know what to do. At last I had an idea; and I
|
|
says, I'll go and write the letter -- and then see if I can
|
|
pray. Why, it was astonishing, the way I felt as light
|
|
as a feather right straight off, and my troubles all
|
|
gone. So I got a piece of paper and a pencil, all
|
|
glad and excited, and set down and wrote:
|
|
|
|
Miss Watson, your runaway nigger Jim is down
|
|
here two mile below Pikesville, and Mr. Phelps
|
|
has got him and he will give him up for the
|
|
reward if you send.
|
|
|
|
HUCK FINN.
|
|
|
|
I felt good and all washed clean of sin for the first
|
|
time I had ever felt so in my life, and I knowed I
|
|
could pray now. But I didn't do it straight off, but
|
|
laid the paper down and set there thinking -- thinking
|
|
how good it was all this happened so, and how near I
|
|
come to being lost and going to hell. And went on
|
|
thinking. And got to thinking over our trip down the
|
|
river; and I see Jim before me all the time: in the
|
|
day and in the night-time, sometimes moonlight, some-
|
|
times storms, and we a-floating along, talking and
|
|
singing and laughing. But somehow I couldn't seem
|
|
to strike no places to harden me against him, but only
|
|
the other kind. I'd see him standing my watch on top
|
|
of his'n, 'stead of calling me, so I could go on sleep-
|
|
ing; and see him how glad he was when I come back
|
|
out of the fog; and when I come to him again in the
|
|
swamp, up there where the feud was; and such-like
|
|
times; and would always call me honey, and pet me
|
|
and do everything he could think of for me, and how
|
|
good he always was; and at last I struck the time I
|
|
saved him by telling the men we had small-pox aboard,
|
|
and he was so grateful, and said I was the best friend
|
|
old Jim ever had in the world, and the ONLY one he's
|
|
got now; and then I happened to look around and see
|
|
that paper.
|
|
|
|
It was a close place. I took it up, and held it in
|
|
my hand. I was a-trembling, because I'd got to de-
|
|
cide, forever, betwixt two things, and I knowed it. I
|
|
studied a minute, sort of holding my breath, and then
|
|
says to myself:
|
|
|
|
"All right, then, I'll GO to hell" -- and tore it up.
|
|
|
|
It was awful thoughts and awful words, but they was
|
|
said. And I let them stay said; and never thought no
|
|
more about reforming. I shoved the whole thing out
|
|
of my head, and said I would take up wickedness
|
|
again, which was in my line, being brung up to it, and
|
|
the other warn't. And for a starter I would go to
|
|
work and steal Jim out of slavery again; and if I could
|
|
think up anything worse, I would do that, too; be-
|
|
cause as long as I was in, and in for good, I might as
|
|
well go the whole hog.
|
|
|
|
Then I set to thinking over how to get at it, and
|
|
turned over some considerable many ways in my mind;
|
|
and at last fixed up a plan that suited me. So then I
|
|
took the bearings of a woody island that was down
|
|
the river a piece, and as soon as it was fairly dark I
|
|
crept out with my raft and went for it, and hid it
|
|
there, and then turned in. I slept the night through,
|
|
and got up before it was light, and had my breakfast,
|
|
and put on my store clothes, and tied up some others
|
|
and one thing or another in a bundle, and took the
|
|
canoe and cleared for shore. I landed below where I
|
|
judged was Phelps's place, and hid my bundle in the
|
|
woods, and then filled up the canoe with water, and
|
|
loaded rocks into her and sunk her where I could find
|
|
her again when I wanted her, about a quarter of a
|
|
mile below a little steam sawmill that was on the bank.
|
|
|
|
Then I struck up the road, and when I passed the
|
|
mill I see a sign on it, "Phelps's Sawmill," and when
|
|
I come to the farm-houses, two or three hundred yards
|
|
further along, I kept my eyes peeled, but didn't see
|
|
nobody around, though it was good daylight now.
|
|
But I didn't mind, because I didn't want to see nobody
|
|
just yet -- I only wanted to get the lay of the land.
|
|
According to my plan, I was going to turn up there
|
|
from the village, not from below. So I just took a
|
|
look, and shoved along, straight for town. Well, the
|
|
very first man I see when I got there was the duke.
|
|
He was sticking up a bill for the Royal Nonesuch --
|
|
three-night performance -- like that other time. They
|
|
had the cheek, them frauds! I was right on him be-
|
|
fore I could shirk. He looked astonished, and says:
|
|
|
|
"Hel-LO! Where'd YOU come from?" Then he
|
|
says, kind of glad and eager, "Where's the raft? --
|
|
got her in a good place?"
|
|
|
|
I says:
|
|
|
|
"Why, that's just what I was going to ask your
|
|
grace."
|
|
|
|
Then he didn't look so joyful, and says:
|
|
|
|
"What was your idea for asking ME?" he says.
|
|
|
|
"Well," I says, "when I see the king in that dog-
|
|
gery yesterday I says to myself, we can't get him
|
|
home for hours, till he's soberer; so I went a-loafing
|
|
around town to put in the time and wait. A man up
|
|
and offered me ten cents to help him pull a skiff over
|
|
the river and back to fetch a sheep, and so I went
|
|
along; but when we was dragging him to the boat, and
|
|
the man left me a-holt of the rope and went behind
|
|
him to shove him along, he was too strong for me and
|
|
jerked loose and run, and we after him. We didn't
|
|
have no dog, and so we had to chase him all over the
|
|
country till we tired him out. We never got him till
|
|
dark; then we fetched him over, and I started down
|
|
for the raft. When I got there and see it was gone, I
|
|
says to myself, 'They've got into trouble and had to
|
|
leave; and they've took my nigger, which is the only
|
|
nigger I've got in the world, and now I'm in a strange
|
|
country, and ain't got no property no more, nor noth-
|
|
ing, and no way to make my living;' so I set down
|
|
and cried. I slept in the woods all night. But what
|
|
DID become of the raft, then? -- and Jim -- poor Jim!"
|
|
|
|
"Blamed if I know -- that is, what's become of the
|
|
raft. That old fool had made a trade and got forty
|
|
dollars, and when we found him in the doggery the
|
|
loafers had matched half-dollars with him and got
|
|
every cent but what he'd spent for whisky; and when
|
|
I got him home late last night and found the raft gone,
|
|
we said, 'That little rascal has stole our raft and shook
|
|
us, and run off down the river.'"
|
|
|
|
"I wouldn't shake my NIGGER, would I? -- the only
|
|
nigger I had in the world, and the only property."
|
|
|
|
"We never thought of that. Fact is, I reckon we'd
|
|
come to consider him OUR nigger; yes, we did consider
|
|
him so -- goodness knows we had trouble enough for
|
|
him. So when we see the raft was gone and we flat
|
|
broke, there warn't anything for it but to try the
|
|
Royal Nonesuch another shake. And I've pegged
|
|
along ever since, dry as a powder-horn. Where's that
|
|
ten cents? Give it here."
|
|
|
|
I had considerable money, so I give him ten cents,
|
|
but begged him to spend it for something to eat, and
|
|
give me some, because it was all the money I had, and
|
|
I hadn't had nothing to eat since yesterday. He never
|
|
said nothing. The next minute he whirls on me and
|
|
says:
|
|
|
|
"Do you reckon that nigger would blow on us?
|
|
We'd skin him if he done that!"
|
|
|
|
"How can he blow? Hain't he run off?"
|
|
|
|
"No! That old fool sold him, and never divided
|
|
with me, and the money's gone."
|
|
|
|
"SOLD him?" I says, and begun to cry; "why, he
|
|
was MY nigger, and that was my money. Where is
|
|
he? -- I want my nigger."
|
|
|
|
"Well, you can't GET your nigger, that's all -- so
|
|
dry up your blubbering. Looky here -- do you think
|
|
YOU'D venture to blow on us? Blamed if I think I'd
|
|
trust you. Why, if you WAS to blow on us --"
|
|
|
|
He stopped, but I never see the duke look so ugly out
|
|
of his eyes before. I went on a-whimpering, and says:
|
|
|
|
"I don't want to blow on nobody; and I ain't got
|
|
no time to blow, nohow. I got to turn out and find
|
|
my nigger."
|
|
|
|
He looked kinder bothered, and stood there with his
|
|
bills fluttering on his arm, thinking, and wrinkling up
|
|
his forehead. At last he says:
|
|
|
|
"I'll tell you something. We got to be here three
|
|
days. If you'll promise you won't blow, and won't
|
|
let the nigger blow, I'll tell you where to find him."
|
|
|
|
So I promised, and he says:
|
|
|
|
"A farmer by the name of Silas Ph----" and then
|
|
he stopped. You see, he started to tell me the truth;
|
|
but when he stopped that way, and begun to study and
|
|
think again, I reckoned he was changing his mind.
|
|
And so he was. He wouldn't trust me; he wanted to
|
|
make sure of having me out of the way the whole
|
|
three days. So pretty soon he says:
|
|
|
|
"The man that bought him is named Abram Foster
|
|
-- Abram G. Foster -- and he lives forty mile back
|
|
here in the country, on the road to Lafayette."
|
|
|
|
"All right," I says, "I can walk it in three days.
|
|
And I'll start this very afternoon."
|
|
|
|
"No you wont, you'll start NOW; and don't you
|
|
lose any time about it, neither, nor do any gabbling by
|
|
the way. Just keep a tight tongue in your head and
|
|
move right along, and then you won't get into trouble
|
|
with US, d'ye hear?"
|
|
|
|
That was the order I wanted, and that was the one I
|
|
played for. I wanted to be left free to work my plans.
|
|
|
|
"So clear out," he says; "and you can tell Mr.
|
|
Foster whatever you want to. Maybe you can get
|
|
him to believe that Jim IS your nigger -- some idiots
|
|
don't require documents -- leastways I've heard there's
|
|
such down South here. And when you tell him the
|
|
handbill and the reward's bogus, maybe he'll believe
|
|
you when you explain to him what the idea was for
|
|
getting 'em out. Go 'long now, and tell him anything
|
|
you want to; but mind you don't work your jaw any
|
|
BETWEEN here and there."
|
|
|
|
So I left, and struck for the back country. I didn't
|
|
look around, but I kinder felt like he was watching me.
|
|
But I knowed I could tire him out at that. I went
|
|
straight out in the country as much as a mile before I
|
|
stopped; then I doubled back through the woods
|
|
towards Phelps'. I reckoned I better start in on my
|
|
plan straight off without fooling around, because I
|
|
wanted to stop Jim's mouth till these fellows could get
|
|
away. I didn't want no trouble with their kind. I'd
|
|
seen all I wanted to of them, and wanted to get entirely
|
|
shut of them.
|
|
|
|
|
|
CHAPTER XXXII.
|
|
|
|
WHEN I got there it was all still and Sunday-like,
|
|
and hot and sunshiny; the hands was gone to
|
|
the fields; and there was them kind of faint dronings
|
|
of bugs and flies in the air that makes it seem so lone-
|
|
some and like everybody's dead and gone; and if a
|
|
breeze fans along and quivers the leaves it makes you
|
|
feel mournful, because you feel like it's spirits whisper-
|
|
ing -- spirits that's been dead ever so many years --
|
|
and you always think they're talking about YOU. As a
|
|
general thing it makes a body wish HE was dead, too,
|
|
and done with it all.
|
|
|
|
Phelps' was one of these little one-horse cotton plan-
|
|
tations, and they all look alike. A rail fence round a
|
|
two-acre yard; a stile made out of logs sawed off and
|
|
up-ended in steps, like barrels of a different length, to
|
|
climb over the fence with, and for the women to stand
|
|
on when they are going to jump on to a horse; some
|
|
sickly grass-patches in the big yard, but mostly it was
|
|
bare and smooth, like an old hat with the nap rubbed
|
|
off; big double log-house for the white folks -- hewed
|
|
logs, with the chinks stopped up with mud or mortar,
|
|
and these mud-stripes been whitewashed some time or
|
|
another; round-log kitchen, with a big broad, open
|
|
but roofed passage joining it to the house; log smoke-
|
|
house back of the kitchen; three little log nigger-cabins
|
|
in a row t'other side the smoke-house; one little hut
|
|
all by itself away down against the back fence, and
|
|
some outbuildings down a piece the other side; ash-
|
|
hopper and big kettle to bile soap in by the little hut;
|
|
bench by the kitchen door, with bucket of water and a
|
|
gourd; hound asleep there in the sun; more hounds
|
|
asleep round about; about three shade trees away off
|
|
in a corner; some currant bushes and gooseberry
|
|
bushes in one place by the fence; outside of the fence
|
|
a garden and a watermelon patch; then the cotton
|
|
fields begins, and after the fields the woods.
|
|
|
|
I went around and clumb over the back stile by the
|
|
ash-hopper, and started for the kitchen. When I got
|
|
a little ways I heard the dim hum of a spinning-wheel
|
|
wailing along up and sinking along down again; and
|
|
then I knowed for certain I wished I was dead -- for
|
|
that IS the lonesomest sound in the whole world.
|
|
|
|
I went right along, not fixing up any particular plan,
|
|
but just trusting to Providence to put the right words
|
|
in my mouth when the time come; for I'd noticed that
|
|
Providence always did put the right words in my mouth
|
|
if I left it alone.
|
|
|
|
When I got half-way, first one hound and then
|
|
another got up and went for me, and of course I
|
|
stopped and faced them, and kept still. And such
|
|
another powwow as they made! In a quarter of a
|
|
minute I was a kind of a hub of a wheel, as you may
|
|
say -- spokes made out of dogs -- circle of fifteen
|
|
of them packed together around me, with their necks
|
|
and noses stretched up towards me, a-barking and
|
|
howling; and more a-coming; you could see them sail-
|
|
ing over fences and around corners from everywheres.
|
|
|
|
A nigger woman come tearing out of the kitchen with
|
|
a rolling-pin in her hand, singing out, "Begone YOU
|
|
Tige! you Spot! begone sah!" and she fetched first
|
|
one and then another of them a clip and sent them
|
|
howling, and then the rest followed; and the next
|
|
second half of them come back, wagging their tails
|
|
around me, and making friends with me. There ain't
|
|
no harm in a hound, nohow.
|
|
|
|
And behind the woman comes a little nigger girl and
|
|
two little nigger boys without anything on but tow-linen
|
|
shirts, and they hung on to their mother's gown, and
|
|
peeped out from behind her at me, bashful, the way
|
|
they always do. And here comes the white woman
|
|
running from the house, about forty-five or fifty year
|
|
old, bareheaded, and her spinning-stick in her hand;
|
|
and behind her comes her little white children, acting
|
|
the same way the little niggers was going. She was
|
|
smiling all over so she could hardly stand -- and says:
|
|
|
|
"It's YOU, at last! -- AIN'T it?"
|
|
|
|
I out with a "Yes'm" before I thought.
|
|
|
|
She grabbed me and hugged me tight; and then
|
|
gripped me by both hands and shook and shook; and
|
|
the tears come in her eyes, and run down over; and
|
|
she couldn't seem to hug and shake enough, and kept
|
|
saying, "You don't look as much like your mother as
|
|
I reckoned you would; but law sakes, I don't care for
|
|
that, I'm so glad to see you! Dear, dear, it does seem
|
|
like I could eat you up! Children, it's your cousin
|
|
Tom! -- tell him howdy."
|
|
|
|
But they ducked their heads, and put their fingers in
|
|
their mouths, and hid behind her. So she run on:
|
|
|
|
"Lize, hurry up and get him a hot breakfast right
|
|
away -- or did you get your breakfast on the boat?"
|
|
|
|
I said I had got it on the boat. So then she started
|
|
for the house, leading me by the hand, and the children
|
|
tagging after. When we got there she set me down in
|
|
a split-bottomed chair, and set herself down on a little
|
|
low stool in front of me, holding both of my hands,
|
|
and says:
|
|
|
|
"Now I can have a GOOD look at you; and, laws-a-
|
|
me, I've been hungry for it a many and a many a time,
|
|
all these long years, and it's come at last! We been
|
|
expecting you a couple of days and more. What kep'
|
|
you? -- boat get aground?"
|
|
|
|
"Yes'm -- she --"
|
|
|
|
"Don't say yes'm -- say Aunt Sally. Where'd she
|
|
get aground?"
|
|
|
|
I didn't rightly know what to say, because I didn't
|
|
know whether the boat would be coming up the river
|
|
or down. But I go a good deal on instinct; and my
|
|
instinct said she would be coming up -- from down
|
|
towards Orleans. That didn't help me much, though;
|
|
for I didn't know the names of bars down that way. I
|
|
see I'd got to invent a bar, or forget the name of the
|
|
one we got aground on -- or -- Now I struck an idea,
|
|
and fetched it out:
|
|
|
|
"It warn't the grounding -- that didn't keep us back
|
|
but a little. We blowed out a cylinder-head."
|
|
|
|
"Good gracious! anybody hurt?"
|
|
|
|
"No'm. Killed a nigger."
|
|
|
|
"Well, it's lucky; because sometimes people do get
|
|
hurt. Two years ago last Christmas your uncle Silas
|
|
was coming up from Newrleans on the old Lally Rook,
|
|
and she blowed out a cylinder-head and crippled a man.
|
|
And I think he died afterwards. He was a Baptist.
|
|
Your uncle Silas knowed a family in Baton Rouge
|
|
that knowed his people very well. Yes, I remember
|
|
now, he DID die. Mortification set in, and they had to
|
|
amputate him. But it didn't save him. Yes, it was
|
|
mortification -- that was it. He turned blue all over,
|
|
and died in the hope of a glorious resurrection. They
|
|
say he was a sight to look at. Your uncle's been up
|
|
to the town every day to fetch you. And he's gone
|
|
again, not more'n an hour ago; he'll be back any
|
|
minute now. You must a met him on the road, didn't
|
|
you? -- oldish man, with a --"
|
|
|
|
"No, I didn't see nobody, Aunt Sally. The boat
|
|
landed just at daylight, and I left my baggage on the
|
|
wharf-boat and went looking around the town and out
|
|
a piece in the country, to put in the time and not get
|
|
here too soon; and so I come down the back way."
|
|
|
|
"Who'd you give the baggage to?"
|
|
|
|
"Nobody."
|
|
|
|
"Why, child, it 'll be stole!"
|
|
|
|
"Not where I hid it I reckon it won't," I says.
|
|
|
|
"How'd you get your breakfast so early on the
|
|
boat?"
|
|
|
|
It was kinder thin ice, but I says:
|
|
|
|
"The captain see me standing around, and told me
|
|
I better have something to eat before I went ashore;
|
|
so he took me in the texas to the officers' lunch, and
|
|
give me all I wanted."
|
|
|
|
I was getting so uneasy I couldn't listen good. I
|
|
had my mind on the children all the time; I wanted to
|
|
get them out to one side and pump them a little, and
|
|
find out who I was. But I couldn't get no show, Mrs.
|
|
Phelps kept it up and run on so. Pretty soon she made
|
|
the cold chills streak all down my back, because she
|
|
says:
|
|
|
|
"But here we're a-running on this way, and you
|
|
hain't told me a word about Sis, nor any of them.
|
|
Now I'll rest my works a little, and you start up yourn;
|
|
just tell me EVERYTHING -- tell me all about 'm all
|
|
every one of 'm; and how they are, and what they're
|
|
doing, and what they told you to tell me; and every
|
|
last thing you can think of."
|
|
|
|
Well, I see I was up a stump -- and up it good.
|
|
Providence had stood by me this fur all right, but I
|
|
was hard and tight aground now. I see it warn't a bit
|
|
of use to try to go ahead -- I'd got to throw up my
|
|
hand. So I says to myself, here's another place where
|
|
I got to resk the truth. I opened my mouth to begin;
|
|
but she grabbed me and hustled me in behind the bed,
|
|
and says:
|
|
|
|
"Here he comes! Stick your head down lower --
|
|
there, that'll do; you can't be seen now. Don't you
|
|
let on you're here. I'll play a joke on him. Children,
|
|
don't you say a word."
|
|
|
|
I see I was in a fix now. But it warn't no use to
|
|
worry; there warn't nothing to do but just hold still,
|
|
and try and be ready to stand from under when the
|
|
lightning struck.
|
|
|
|
I had just one little glimpse of the old gentleman
|
|
when he come in; then the bed hid him. Mrs. Phelps
|
|
she jumps for him, and says:
|
|
|
|
"Has he come?"
|
|
|
|
"No," says her husband.
|
|
|
|
"Good-NESS gracious!" she says, "what in the
|
|
warld can have become of him?"
|
|
|
|
"I can't imagine," says the old gentleman; "and
|
|
I must say it makes me dreadful uneasy."
|
|
|
|
"Uneasy!" she says; "I'm ready to go distracted!
|
|
He MUST a come; and you've missed him along the
|
|
road. I KNOW it's so -- something tells me so."
|
|
|
|
"Why, Sally, I COULDN'T miss him along the road --
|
|
YOU know that."
|
|
|
|
"But oh, dear, dear, what WILL Sis say! He must a
|
|
come! You must a missed him. He --"
|
|
|
|
"Oh, don't distress me any more'n I'm already dis-
|
|
tressed. I don't know what in the world to make of it.
|
|
I'm at my wit's end, and I don't mind acknowledging
|
|
't I'm right down scared. But there's no hope that
|
|
he's come; for he COULDN'T come and me miss him.
|
|
Sally, it's terrible -- just terrible -- something's hap-
|
|
pened to the boat, sure!"
|
|
|
|
"Why, Silas! Look yonder! -- up the road! -- ain't
|
|
that somebody coming?"
|
|
|
|
He sprung to the window at the head of the bed,
|
|
and that give Mrs. Phelps the chance she wanted. She
|
|
stooped down quick at the foot of the bed and give me
|
|
a pull, and out I come; and when he turned back
|
|
from the window there she stood, a-beaming and a-smil-
|
|
ing like a house afire, and I standing pretty meek and
|
|
sweaty alongside. The old gentleman stared, and
|
|
says:
|
|
|
|
"Why, who's that?"
|
|
|
|
"Who do you reckon 't is?"
|
|
|
|
"I hain't no idea. Who IS it?"
|
|
|
|
"It's TOM SAWYER!"
|
|
|
|
By jings, I most slumped through the floor! But
|
|
there warn't no time to swap knives; the old man
|
|
grabbed me by the hand and shook, and kept on shak-
|
|
ing; and all the time how the woman did dance around
|
|
and laugh and cry; and then how they both did fire off
|
|
questions about Sid, and Mary, and the rest of the
|
|
tribe.
|
|
|
|
But if they was joyful, it warn't nothing to what I
|
|
was; for it was like being born again, I was so glad to
|
|
find out who I was. Well, they froze to me for two
|
|
hours; and at last, when my chin was so tired it
|
|
couldn't hardly go any more, I had told them more
|
|
about my family -- I mean the Sawyer family -- than
|
|
ever happened to any six Sawyer families. And I ex-
|
|
plained all about how we blowed out a cylinder-head at
|
|
the mouth of White River, and it took us three days to
|
|
fix it. Which was all right, and worked first-rate; be-
|
|
cause THEY didn't know but what it would take three
|
|
days to fix it. If I'd a called it a bolthead it would a
|
|
done just as well.
|
|
|
|
Now I was feeling pretty comfortable all down one
|
|
side, and pretty uncomfortable all up the other. Be-
|
|
ing Tom Sawyer was easy and comfortable, and it
|
|
stayed easy and comfortable till by and by I hear a
|
|
steamboat coughing along down the river. Then I
|
|
says to myself, s'pose Tom Sawyer comes down on that
|
|
boat? And s'pose he steps in here any minute, and
|
|
sings out my name before I can throw him a wink to
|
|
keep quiet?
|
|
|
|
Well, I couldn't HAVE it that way; it wouldn't do at
|
|
all. I must go up the road and waylay him. So I
|
|
told the folks I reckoned I would go up to the town
|
|
and fetch down my baggage. The old gentleman was
|
|
for going along with me, but I said no, I could drive
|
|
the horse myself, and I druther he wouldn't take no
|
|
trouble about me.
|
|
|
|
|
|
CHAPTER XXXIII.
|
|
|
|
SO I started for town in the wagon, and when I was
|
|
half-way I see a wagon coming, and sure enough it
|
|
was Tom Sawyer, and I stopped and waited till he come
|
|
along. I says "Hold on!" and it stopped alongside,
|
|
and his mouth opened up like a trunk, and stayed so;
|
|
and he swallowed two or three times like a person that's
|
|
got a dry throat, and then says:
|
|
|
|
"I hain't ever done you no harm. You know that.
|
|
So, then, what you want to come back and ha'nt ME
|
|
for?"
|
|
|
|
I says:
|
|
|
|
"I hain't come back -- I hain't been GONE."
|
|
|
|
When he heard my voice it righted him up some, but
|
|
he warn't quite satisfied yet. He says:
|
|
|
|
"Don't you play nothing on me, because I wouldn't
|
|
on you. Honest injun, you ain't a ghost?"
|
|
|
|
"Honest injun, I ain't," I says.
|
|
|
|
"Well -- I -- I -- well, that ought to settle it, of
|
|
course; but I can't somehow seem to understand it no
|
|
way. Looky here, warn't you ever murdered AT ALL?"
|
|
|
|
"No. I warn't ever murdered at all -- I played it
|
|
on them. You come in here and feel of me if you
|
|
don't believe me."
|
|
|
|
So he done it; and it satisfied him; and he was that
|
|
glad to see me again he didn't know what to do. And
|
|
he wanted to know all about it right off, because it was
|
|
a grand adventure, and mysterious, and so it hit him
|
|
where he lived. But I said, leave it alone till by and
|
|
by; and told his driver to wait, and we drove off a little
|
|
piece, and I told him the kind of a fix I was in, and what
|
|
did he reckon we better do? He said, let him alone a
|
|
minute, and don't disturb him. So he thought and
|
|
thought, and pretty soon he says:
|
|
|
|
"It's all right; I've got it. Take my trunk in your
|
|
wagon, and let on it's your'n; and you turn back and
|
|
fool along slow, so as to get to the house about the
|
|
time you ought to; and I'll go towards town a piece,
|
|
and take a fresh start, and get there a quarter or a half
|
|
an hour after you; and you needn't let on to know
|
|
me at first."
|
|
|
|
I says:
|
|
|
|
"All right; but wait a minute. There's one more
|
|
thing -- a thing that NOBODY don't know but me. And
|
|
that is, there's a nigger here that I'm a-trying to steal
|
|
out of slavery, and his name is JIM -- old Miss Wat-
|
|
son's Jim."
|
|
|
|
He says:
|
|
|
|
" What ! Why, Jim is --"
|
|
|
|
He stopped and went to studying. I says:
|
|
|
|
"I know what you'll say. You'll say it's dirty, low-
|
|
down business; but what if it is? I'm low down; and
|
|
I'm a-going to steal him, and I want you keep mum
|
|
and not let on. Will you?"
|
|
|
|
His eye lit up, and he says:
|
|
|
|
"I'll HELP you steal him!"
|
|
|
|
Well, I let go all holts then, like I was shot. It
|
|
was the most astonishing speech I ever heard -- and
|
|
I'm bound to say Tom Sawyer fell considerable in my
|
|
estimation. Only I couldn't believe it. Tom Sawyer a
|
|
NIGGER-STEALER!
|
|
|
|
"Oh, shucks!" I says; "you're joking."
|
|
|
|
"I ain't joking, either."
|
|
|
|
"Well, then," I says, "joking or no joking, if you
|
|
hear anything said about a runaway nigger, don't for-
|
|
get to remember that YOU don't know nothing about
|
|
him, and I don't know nothing about him."
|
|
|
|
Then we took the trunk and put it in my wagon, and
|
|
he drove off his way and I drove mine. But of course
|
|
I forgot all about driving slow on accounts of being glad
|
|
and full of thinking; so I got home a heap too quick
|
|
for that length of a trip. The old gentleman was at
|
|
the door, and he says:
|
|
|
|
"Why, this is wonderful! Whoever would a
|
|
thought it was in that mare to do it? I wish we'd
|
|
a timed her. And she hain't sweated a hair -- not a
|
|
hair. It's wonderful. Why, I wouldn't take a hundred
|
|
dollars for that horse now -- I wouldn't, honest; and
|
|
yet I'd a sold her for fifteen before, and thought 'twas
|
|
all she was worth."
|
|
|
|
That's all he said. He was the innocentest, best old
|
|
soul I ever see. But it warn't surprising; because he
|
|
warn't only just a farmer, he was a preacher, too, and
|
|
had a little one-horse log church down back of the
|
|
plantation, which he built it himself at his own expense,
|
|
for a church and schoolhouse, and never charged noth-
|
|
ing for his preaching, and it was worth it, too. There
|
|
was plenty other farmer-preachers like that, and done
|
|
the same way, down South.
|
|
|
|
In about half an hour Tom's wagon drove up to the
|
|
front stile, and Aunt Sally she see it through the win-
|
|
dow, because it was only about fifty yards, and says:
|
|
|
|
"Why, there's somebody come! I wonder who
|
|
'tis? Why, I do believe it's a stranger. Jimmy "
|
|
(that's one of the children)' "run and tell Lize to put
|
|
on another plate for dinner."
|
|
|
|
Everybody made a rush for the front door, because,
|
|
of course, a stranger don't come EVERY year, and so he
|
|
lays over the yaller-fever, for interest, when he does
|
|
come. Tom was over the stile and starting for the
|
|
house; the wagon was spinning up the road for the
|
|
village, and we was all bunched in the front door. Tom
|
|
had his store clothes on, and an audience -- and that
|
|
was always nuts for Tom Sawyer. In them circum-
|
|
stances it warn't no trouble to him to throw in an
|
|
amount of style that was suitable. He warn't a boy to
|
|
meeky along up that yard like a sheep; no, he come
|
|
ca'm and important, like the ram. When he got a-front
|
|
of us he lifts his hat ever so gracious and dainty, like it
|
|
was the lid of a box that had butterflies asleep in it and
|
|
he didn't want to disturb them, and says:
|
|
|
|
"Mr. Archibald Nichols, I presume?"
|
|
|
|
"No, my boy," says the old gentleman, "I'm sorry
|
|
to say 't your driver has deceived you; Nichols's place
|
|
is down a matter of three mile more. Come in, come
|
|
in."
|
|
|
|
Tom he took a look back over his shoulder, and says,
|
|
"Too late -- he's out of sight."
|
|
|
|
"Yes, he's gone, my son, and you must come in
|
|
and eat your dinner with us; and then we'll hitch up
|
|
and take you down to Nichols's."
|
|
|
|
"Oh, I CAN'T make you so much trouble; I couldn't
|
|
think of it. I'll walk -- I don't mind the distance."
|
|
|
|
"But we won't LET you walk -- it wouldn't be South-
|
|
ern hospitality to do it. Come right in."
|
|
|
|
"Oh, DO," says Aunt Sally; "it ain't a bit of
|
|
trouble to us, not a bit in the world. You must stay.
|
|
It's a long, dusty three mile, and we can't let you walk.
|
|
And, besides, I've already told 'em to put on another
|
|
plate when I see you coming; so you mustn't disap-
|
|
point us. Come right in and make yourself at home."
|
|
|
|
So Tom he thanked them very hearty and handsome,
|
|
and let himself be persuaded, and come in; and when
|
|
he was in he said he was a stranger from Hicksville,
|
|
Ohio, and his name was William Thompson -- and he
|
|
made another bow.
|
|
|
|
Well, he run on, and on, and on, making up stuff
|
|
about Hicksville and everybody in it he could invent,
|
|
and I getting a little nervious, and wondering how this
|
|
was going to help me out of my scrape; and at last,
|
|
still talking along, he reached over and kissed Aunt
|
|
Sally right on the mouth, and then settled back again
|
|
in his chair comfortable, and was going on talking; but
|
|
she jumped up and wiped it off with the back of her
|
|
hand, and says:
|
|
|
|
"You owdacious puppy!"
|
|
|
|
He looked kind of hurt, and says:
|
|
|
|
"I'm surprised at you, m'am."
|
|
|
|
"You're s'rp -- Why, what do you reckon I am?
|
|
I've a good notion to take and -- Say, what do you
|
|
mean by kissing me?"
|
|
|
|
He looked kind of humble, and says:
|
|
|
|
"I didn't mean nothing, m'am. I didn't mean no
|
|
harm. I -- I -- thought you'd like it."
|
|
|
|
"Why, you born fool!" She took up the spinning
|
|
stick, and it looked like it was all she could do to keep
|
|
from giving him a crack with it. "What made you
|
|
think I'd like it?"
|
|
|
|
"Well, I don't know. Only, they -- they -- told
|
|
me you would."
|
|
|
|
"THEY told you I would. Whoever told you's
|
|
ANOTHER lunatic. I never heard the beat of it. Who's
|
|
THEY?"
|
|
|
|
"Why, everybody. They all said so, m'am."
|
|
|
|
It was all she could do to hold in; and her eyes
|
|
snapped, and her fingers worked like she wanted to
|
|
scratch him; and she says:
|
|
|
|
"Who's 'everybody'? Out with their names, or
|
|
ther'll be an idiot short."
|
|
|
|
He got up and looked distressed, and fumbled his
|
|
hat, and says:
|
|
|
|
"I'm sorry, and I warn't expecting it. They told
|
|
me to. They all told me to. They all said, kiss her;
|
|
and said she'd like it. They all said it -- every one of
|
|
them. But I'm sorry, m'am, and I won't do it no
|
|
more -- I won't, honest."
|
|
|
|
"You won't, won't you? Well, I sh'd RECKON you
|
|
won't!"
|
|
|
|
"No'm, I'm honest about it; I won't ever do it
|
|
again -- till you ask me."
|
|
|
|
"Till I ASK you! Well, I never see the beat of it in
|
|
my born days! I lay you'll be the Methusalem-num-
|
|
skull of creation before ever I ask you -- or the likes of
|
|
you."
|
|
|
|
"Well," he says, "it does surprise me so. I can't
|
|
make it out, somehow. They said you would, and I
|
|
thought you would. But --" He stopped and looked
|
|
around slow, like he wished he could run across a
|
|
friendly eye somewheres, and fetched up on the old
|
|
gentleman's, and says, "Didn't YOU think she'd like
|
|
me to kiss her, sir?"
|
|
|
|
"Why, no; I -- I -- well, no, I b'lieve I didn't."
|
|
|
|
Then he looks on around the same way to me, and
|
|
says:
|
|
|
|
"Tom, didn't YOU think Aunt Sally 'd open out her
|
|
arms and say, 'Sid Sawyer --'"
|
|
|
|
"My land!" she says, breaking in and jumping for
|
|
him, "you impudent young rascal, to fool a body
|
|
so --" and was going to hug him, but he fended her
|
|
off, and says:
|
|
|
|
"No, not till you've asked me first."
|
|
|
|
So she didn't lose no time, but asked him; and
|
|
hugged him and kissed him over and over again, and
|
|
then turned him over to the old man, and he took what
|
|
was left. And after they got a little quiet again she says:
|
|
|
|
"Why, dear me, I never see such a surprise. We
|
|
warn't looking for YOU at all, but only Tom. Sis never
|
|
wrote to me about anybody coming but him."
|
|
|
|
"It's because it warn't INTENDED for any of us to
|
|
come but Tom," he says; "but I begged and begged,
|
|
and at the last minute she let me come, too; so, com-
|
|
ing down the river, me and Tom thought it would be
|
|
a first-rate surprise for him to come here to the house
|
|
first, and for me to by and by tag along and drop in,
|
|
and let on to be a stranger. But it was a mistake,
|
|
Aunt Sally. This ain't no healthy place for a stranger
|
|
to come."
|
|
|
|
"No -- not impudent whelps, Sid. You ought to
|
|
had your jaws boxed; I hain't been so put out since I
|
|
don't know when. But I don't care, I don't mind
|
|
the terms -- I'd be willing to stand a thousand such
|
|
jokes to have you here. Well, to think of that per-
|
|
formance! I don't deny it, I was most putrified with
|
|
astonishment when you give me that smack."
|
|
|
|
We had dinner out in that broad open passage be-
|
|
twixt the house and the kitchen; and there was things
|
|
enough on that table for seven families -- and all hot,
|
|
too; none of your flabby, tough meat that's laid in a
|
|
cupboard in a damp cellar all night and tastes like a
|
|
hunk of old cold cannibal in the morning. Uncle
|
|
Silas he asked a pretty long blessing over it, but it was
|
|
worth it; and it didn't cool it a bit, neither, the way
|
|
I've seen them kind of interruptions do lots of times.
|
|
There was a considerable good deal of talk all the
|
|
afternoon, and me and Tom was on the lookout all the
|
|
time; but it warn't no use, they didn't happen to say
|
|
nothing about any runaway nigger, and we was afraid
|
|
to try to work up to it. But at supper, at night, one
|
|
of the little boys says:
|
|
|
|
"Pa, mayn't Tom and Sid and me go to the show?"
|
|
|
|
"No," says the old man, "I reckon there ain't go-
|
|
ing to be any; and you couldn't go if there was; be-
|
|
cause the runaway nigger told Burton and me all about
|
|
that scandalous show, and Burton said he would tell the
|
|
people; so I reckon they've drove the owdacious loaf-
|
|
ers out of town before this time."
|
|
|
|
So there it was! -- but I couldn't help it. Tom and
|
|
me was to sleep in the same room and bed; so, being
|
|
tired, we bid good-night and went up to bed right after
|
|
supper, and clumb out of the window and down the
|
|
lightning-rod, and shoved for the town; for I didn't
|
|
believe anybody was going to give the king and the
|
|
duke a hint, and so if I didn't hurry up and give them
|
|
one they'd get into trouble sure.
|
|
|
|
On the road Tom he told me all about how it was
|
|
reckoned I was murdered, and how pap disappeared
|
|
pretty soon, and didn't come back no more, and what
|
|
a stir there was when Jim run away; and I told Tom
|
|
all about our Royal Nonesuch rapscallions, and as
|
|
much of the raft voyage as I had time to; and as we
|
|
struck into the town and up through the -- here comes a
|
|
raging rush of people with torches, and an awful
|
|
whooping and yelling, and banging tin pans and blow-
|
|
ing horns; and we jumped to one side to let them go
|
|
by; and as they went by I see they had the king and
|
|
the duke astraddle of a rail -- that is, I knowed it WAS
|
|
the king and the duke, though they was all over tar and
|
|
feathers, and didn't look like nothing in the world that
|
|
was human -- just looked like a couple of monstrous
|
|
big soldier-plumes. Well, it made me sick to see it;
|
|
and I was sorry for them poor pitiful rascals, it seemed
|
|
like I couldn't ever feel any hardness against them any
|
|
more in the world. It was a dreadful thing to see.
|
|
Human beings CAN be awful cruel to one another.
|
|
|
|
We see we was too late -- couldn't do no good. We
|
|
asked some stragglers about it, and they said everybody
|
|
went to the show looking very innocent; and laid
|
|
low and kept dark till the poor old king was in the
|
|
middle of his cavortings on the stage; then somebody
|
|
give a signal, and the house rose up and went for
|
|
them.
|
|
|
|
So we poked along back home, and I warn't feeling
|
|
so brash as I was before, but kind of ornery, and
|
|
humble, and to blame, somehow -- though I hadn't
|
|
done nothing. But that's always the way; it don't
|
|
make no difference whether you do right or wrong, a
|
|
person's conscience ain't got no sense, and just goes for
|
|
him anyway. If I had a yaller dog that didn't know
|
|
no more than a person's conscience does I would pison
|
|
him. It takes up more room than all the rest of a
|
|
person's insides, and yet ain't no good, nohow. Tom
|
|
Sawyer he says the same.
|
|
|
|
|
|
CHAPTER XXXIV.
|
|
|
|
WE stopped talking, and got to thinking. By and by
|
|
Tom says:
|
|
|
|
"Looky here, Huck, what fools we are to not think
|
|
of it before! I bet I know where Jim is."
|
|
|
|
"No! Where?"
|
|
|
|
"In that hut down by the ash-hopper. Why, looky
|
|
here. When we was at dinner, didn't you see a nigger
|
|
man go in there with some vittles?"
|
|
|
|
"Yes."
|
|
|
|
"What did you think the vittles was for?"
|
|
|
|
"For a dog."
|
|
|
|
"So 'd I. Well, it wasn't for a dog."
|
|
|
|
"Why?"
|
|
|
|
"Because part of it was watermelon."
|
|
|
|
"So it was -- I noticed it. Well, it does beat all
|
|
that I never thought about a dog not eating water-
|
|
melon. It shows how a body can see and don't see at
|
|
the same time."
|
|
|
|
"Well, the nigger unlocked the padlock when he
|
|
went in, and he locked it again when he came out. He
|
|
fetched uncle a key about the time we got up from
|
|
table -- same key, I bet. Watermelon shows man,
|
|
lock shows prisoner; and it ain't likely there's two
|
|
prisoners on such a little plantation, and where the
|
|
people's all so kind and good. Jim's the prisoner.
|
|
All right -- I'm glad we found it out detective fashion;
|
|
I wouldn't give shucks for any other way. Now you
|
|
work your mind, and study out a plan to steal Jim, and
|
|
I will study out one, too; and we'll take the one we
|
|
like the best."
|
|
|
|
What a head for just a boy to have! If I had Tom
|
|
Sawyer's head I wouldn't trade it off to be a duke, nor
|
|
mate of a steamboat, nor clown in a circus, nor nothing
|
|
I can think of. I went to thinking out a plan, but only
|
|
just to be doing something; I knowed very well where
|
|
the right plan was going to come from. Pretty soon
|
|
Tom says:
|
|
|
|
"Ready?"
|
|
|
|
"Yes," I says.
|
|
|
|
"All right -- bring it out."
|
|
|
|
"My plan is this," I says. "We can easy find out
|
|
if it's Jim in there. Then get up my canoe to-morrow
|
|
night, and fetch my raft over from the island. Then
|
|
the first dark night that comes steal the key out of the
|
|
old man's britches after he goes to bed, and shove off
|
|
down the river on the raft with Jim, hiding daytimes
|
|
and running nights, the way me and Jim used to do be-
|
|
fore. Wouldn't that plan work?"
|
|
|
|
"WORK? Why, cert'nly it would work, like rats
|
|
a-fighting. But it's too blame' simple; there ain't
|
|
nothing TO it. What's the good of a plan that ain't no
|
|
more trouble than that? It's as mild as goose-milk.
|
|
Why, Huck, it wouldn't make no more talk than break-
|
|
ing into a soap factory."
|
|
|
|
I never said nothing, because I warn't expecting noth-
|
|
ing different; but I knowed mighty well that whenever
|
|
he got HIS plan ready it wouldn't have none of them
|
|
objections to it.
|
|
|
|
And it didn't. He told me what it was, and I see in
|
|
a minute it was worth fifteen of mine for style, and
|
|
would make Jim just as free a man as mine would, and
|
|
maybe get us all killed besides. So I was satisfied, and
|
|
said we would waltz in on it. I needn't tell what it
|
|
was here, because I knowed it wouldn't stay the way, it
|
|
was. I knowed he would be changing it around every
|
|
which way as we went along, and heaving in new bull-
|
|
inesses wherever he got a chance. And that is what
|
|
he done.
|
|
|
|
Well, one thing was dead sure, and that was that Tom
|
|
Sawyer was in earnest, and was actuly going to help
|
|
steal that nigger out of slavery. That was the thing
|
|
that was too many for me. Here was a boy that was
|
|
respectable and well brung up; and had a character to
|
|
lose; and folks at home that had characters; and he
|
|
was bright and not leather-headed; and knowing and
|
|
not ignorant; and not mean, but kind; and yet here
|
|
he was, without any more pride, or rightness, or feel-
|
|
ing, than to stoop to this business, and make himself a
|
|
shame, and his family a shame, before everybody. I
|
|
COULDN'T understand it no way at all. It was outra-
|
|
geous, and I knowed I ought to just up and tell him so;
|
|
and so be his true friend, and let him quit the thing
|
|
right where he was and save himself. And I DID start
|
|
to tell him; but he shut me up, and says:
|
|
|
|
"Don't you reckon I know what I'm about? Don't
|
|
I generly know what I'm about?"
|
|
|
|
"Yes."
|
|
|
|
"Didn't I SAY I was going to help steal the nigger?"
|
|
|
|
"Yes."
|
|
|
|
"WELL, then."
|
|
|
|
That's all he said, and that's all I said. It warn't no
|
|
use to say any more; because when he said he'd do a
|
|
thing, he always done it. But I couldn't make out
|
|
how he was willing to go into this thing; so I just let it
|
|
go, and never bothered no more about it. If he was
|
|
bound to have it so, I couldn't help it.
|
|
|
|
When we got home the house was all dark and still;
|
|
so we went on down to the hut by the ash-hopper for
|
|
to examine it. We went through the yard so as to see
|
|
what the hounds would do. They knowed us, and
|
|
didn't make no more noise than country dogs is always
|
|
doing when anything comes by in the night. When
|
|
we got to the cabin we took a look at the front and the
|
|
two sides; and on the side I warn't acquainted with --
|
|
which was the north side -- we found a square window-
|
|
hole, up tolerable high, with just one stout board nailed
|
|
across it. I says:
|
|
|
|
"Here's the ticket. This hole's big enough for Jim
|
|
to get through if we wrench off the board."
|
|
|
|
Tom says:
|
|
|
|
"It's as simple as tit-tat-toe, three-in-a-row, and as
|
|
easy as playing hooky. I should HOPE we can find a
|
|
way that's a little more complicated than THAT, Huck
|
|
Finn."
|
|
|
|
"Well, then," I says, "how 'll it do to saw him out,
|
|
the way I done before I was murdered that time?"
|
|
|
|
"That's more LIKE," he says. "It's real mysterious,
|
|
and troublesome, and good," he says; "but I bet we
|
|
can find a way that's twice as long. There ain't no
|
|
hurry; le's keep on looking around."
|
|
|
|
Betwixt the hut and the fence, on the back side, was
|
|
a lean-to that joined the hut at the eaves, and was made
|
|
out of plank. It was as long as the hut, but narrow
|
|
-- only about six foot wide. The door to it was at the
|
|
south end, and was padlocked. Tom he went to the
|
|
soap-kettle and searched around, and fetched back the
|
|
iron thing they lift the lid with; so he took it and
|
|
prized out one of the staples. The chain fell down,
|
|
and we opened the door and went in, and shut it, and
|
|
struck a match, and see the shed was only built against
|
|
a cabin and hadn't no connection with it; and there
|
|
warn't no floor to the shed, nor nothing in it but some
|
|
old rusty played-out hoes and spades and picks and
|
|
a crippled plow. The match went out, and so did we,
|
|
and shoved in the staple again, and the door was locked
|
|
as good as ever. Tom was joyful. He says;
|
|
|
|
"Now we're all right. We'll DIG him out. It 'll
|
|
take about a week!"
|
|
|
|
Then we started for the house, and I went in the
|
|
back door -- you only have to pull a buckskin latch-
|
|
string, they don't fasten the doors -- but that warn't
|
|
romantical enough for Tom Sawyer; no way would do
|
|
him but he must climb up the lightning-rod. But after
|
|
he got up half way about three times, and missed fire
|
|
and fell every time, and the last time most busted his
|
|
brains out, he thought he'd got to give it up; but after
|
|
he was rested he allowed he would give her one more
|
|
turn for luck, and this time he made the trip.
|
|
|
|
In the morning we was up at break of day, and down
|
|
to the nigger cabins to pet the dogs and make friends
|
|
with the nigger that fed Jim -- if it WAS Jim that was
|
|
being fed. The niggers was just getting through break-
|
|
fast and starting for the fields; and Jim's nigger was
|
|
piling up a tin pan with bread and meat and things;
|
|
and whilst the others was leaving, the key come from
|
|
the house.
|
|
|
|
This nigger had a good-natured, chuckle-headed face,
|
|
and his wool was all tied up in little bunches with
|
|
thread. That was to keep witches off. He said the
|
|
witches was pestering him awful these nights, and mak-
|
|
ing him see all kinds of strange things, and hear all kinds
|
|
of strange words and noises, and he didn't believe he
|
|
was ever witched so long before in his life. He got
|
|
so worked up, and got to running on so about his
|
|
troubles, he forgot all about what he'd been a-going to
|
|
do. So Tom says:
|
|
|
|
"What's the vittles for? Going to feed the dogs?"
|
|
|
|
The nigger kind of smiled around graduly over his
|
|
face, like when you heave a brickbat in a mud-puddle,
|
|
and he says:
|
|
|
|
"Yes, Mars Sid, A dog. Cur'us dog, too. Does
|
|
you want to go en look at 'im?"
|
|
|
|
"Yes."
|
|
|
|
I hunched Tom, and whispers:
|
|
|
|
"You going, right here in the daybreak? THAT
|
|
warn't the plan."
|
|
|
|
"No, it warn't; but it's the plan NOW."
|
|
|
|
So, drat him, we went along, but I didn't like it
|
|
much. When we got in we couldn't hardly see any-
|
|
thing, it was so dark; but Jim was there, sure enough,
|
|
and could see us; and he sings out:
|
|
|
|
"Why, HUCK! En good LAN'! ain' dat Misto Tom?"
|
|
|
|
I just knowed how it would be; I just expected it.
|
|
I didn't know nothing to do; and if I had I couldn't
|
|
a done it, because that nigger busted in and says:
|
|
|
|
"Why, de gracious sakes! do he know you genl-
|
|
men?"
|
|
|
|
We could see pretty well now. Tom he looked at
|
|
the nigger, steady and kind of wondering, and says:
|
|
|
|
"Does WHO know us?"
|
|
|
|
"Why, dis-yer runaway nigger."
|
|
|
|
"I don't reckon he does; but what put that into
|
|
your head?"
|
|
|
|
"What PUT it dar? Didn' he jis' dis minute sing
|
|
out like he knowed you?"
|
|
|
|
Tom says, in a puzzled-up kind of way:
|
|
|
|
"Well, that's mighty curious. WHO sung out?
|
|
WHEN did he sing out? WHAT did he sing out?"
|
|
And turns to me, perfectly ca'm, and says, "Did
|
|
YOU hear anybody sing out?"
|
|
|
|
Of course there warn't nothing to be said but the one
|
|
thing; so I says:
|
|
|
|
"No; I ain't heard nobody say nothing."
|
|
|
|
Then he turns to Jim, and looks him over like he
|
|
never see him before, and says:
|
|
|
|
"Did you sing out?"
|
|
|
|
"No, sah," says Jim; " I hain't said nothing, sah."
|
|
|
|
"Not a word?"
|
|
|
|
"No, sah, I hain't said a word."
|
|
|
|
"Did you ever see us before?"
|
|
|
|
"No, sah; not as I knows on."
|
|
|
|
So Tom turns to the nigger, which was looking wild
|
|
and distressed, and says, kind of severe:
|
|
|
|
"What do you reckon's the matter with you, any-
|
|
way? What made you think somebody sung out?"
|
|
|
|
"Oh, it's de dad-blame' witches, sah, en I wisht I
|
|
was dead, I do. Dey's awluz at it, sah, en dey do
|
|
mos' kill me, dey sk'yers me so. Please to don't tell
|
|
nobody 'bout it sah, er ole Mars Silas he'll scole me;
|
|
'kase he say dey AIN'T no witches. I jis' wish to good-
|
|
ness he was heah now -- DEN what would he say! I
|
|
jis' bet he couldn' fine no way to git aroun' it DIS time.
|
|
But it's awluz jis' so; people dat's SOT, stays sot; dey
|
|
won't look into noth'n'en fine it out f'r deyselves, en
|
|
when YOU fine it out en tell um 'bout it, dey doan'
|
|
b'lieve you."
|
|
|
|
Tom give him a dime, and said we wouldn't tell no-
|
|
body; and told him to buy some more thread to tie up
|
|
his wool with; and then looks at Jim, and says:
|
|
|
|
"I wonder if Uncle Silas is going to hang this nigger.
|
|
If I was to catch a nigger that was ungrateful enough
|
|
to run away, I wouldn't give him up, I'd hang him."
|
|
And whilst the nigger stepped to the door to look at
|
|
the dime and bite it to see if it was good, he whispers
|
|
to Jim and says:
|
|
|
|
"Don't ever let on to know us. And if you hear
|
|
any digging going on nights, it's us; we're going to
|
|
set you free."
|
|
|
|
Jim only had time to grab us by the hand and squeeze
|
|
it; then the nigger come back, and we said we'd
|
|
come again some time if the nigger wanted us to; and
|
|
he said he would, more particular if it was dark, be-
|
|
cause the witches went for him mostly in the dark, and
|
|
it was good to have folks around then.
|
|
|
|
|
|
CHAPTER XXXV.
|
|
|
|
IT would be most an hour yet till breakfast, so we left
|
|
and struck down into the woods; because Tom said
|
|
we got to have SOME light to see how to dig by, and a
|
|
lantern makes too much, and might get us into trouble;
|
|
what we must have was a lot of them rotten chunks
|
|
that's called fox-fire, and just makes a soft kind of a
|
|
glow when you lay them in a dark place. We fetched
|
|
an armful and hid it in the weeds, and set down to rest,
|
|
and Tom says, kind of dissatisfied:
|
|
|
|
"Blame it, this whole thing is just as easy and
|
|
awkward as it can be. And so it makes it so rotten
|
|
difficult to get up a difficult plan. There ain't no watch-
|
|
man to be drugged -- now there OUGHT to be a watch-
|
|
man. There ain't even a dog to give a sleeping-mix-
|
|
ture to. And there's Jim chained by one leg, with a
|
|
ten-foot chain, to the leg of his bed: why, all you got
|
|
to do is to lift up the bedstead and slip off the chain.
|
|
And Uncle Silas he trusts everybody; sends the key
|
|
to the punkin-headed nigger, and don't send nobody to
|
|
watch the nigger. Jim could a got out of that window-
|
|
hole before this, only there wouldn't be no use trying
|
|
to travel with a ten-foot chain on his leg. Why, drat
|
|
it, Huck, it's the stupidest arrangement I ever see.
|
|
You got to invent ALL the difficulties. Well, we can't
|
|
help it; we got to do the best we can with the materials
|
|
we've got. Anyhow, there's one thing -- there's more
|
|
honor in getting him out through a lot of difficulties
|
|
and dangers, where there warn't one of them furnished
|
|
to you by the people who it was their duty to furnish
|
|
them, and you had to contrive them all out of your
|
|
own head. Now look at just that one thing of the
|
|
lantern. When you come down to the cold facts, we
|
|
simply got to LET ON that a lantern's resky. Why, we
|
|
could work with a torchlight procession if we wanted
|
|
to, I believe. Now, whilst I think of it, we got to
|
|
hunt up something to make a saw out of the first
|
|
chance we get."
|
|
|
|
"What do we want of a saw?"
|
|
|
|
"What do we WANT of a saw? Hain't we got to
|
|
saw the leg of Jim's bed off, so as to get the chain
|
|
loose?"
|
|
|
|
"Why, you just said a body could lift up the bed-
|
|
stead and slip the chain off."
|
|
|
|
"Well, if that ain't just like you, Huck Finn. You
|
|
CAN get up the infant-schooliest ways of going at a
|
|
thing. Why, hain't you ever read any books at all?
|
|
-- Baron Trenck, nor Casanova, nor Benvenuto Chel-
|
|
leeny, nor Henri IV., nor none of them heroes? Who
|
|
ever heard of getting a prisoner loose in such an old-
|
|
maidy way as that? No; the way all the best authori-
|
|
ties does is to saw the bed-leg in two, and leave it just
|
|
so, and swallow the sawdust, so it can't be found, and
|
|
put some dirt and grease around the sawed place so the
|
|
very keenest seneskal can't see no sign of it's being
|
|
sawed, and thinks the bed-leg is perfectly sound. Then,
|
|
the night you're ready, fetch the leg a kick, down she
|
|
goes; slip off your chain, and there you are. Nothing
|
|
to do but hitch your rope ladder to the battlements, shin
|
|
down it, break your leg in the moat -- because a rope
|
|
ladder is nineteen foot too short, you know -- and there's
|
|
your horses and your trusty vassles, and they scoop
|
|
you up and fling you across a saddle, and away you go
|
|
to your native Langudoc, or Navarre, or wherever it is.
|
|
It's gaudy, Huck. I wish there was a moat to this
|
|
cabin. If we get time, the night of the escape,
|
|
we'll dig one."
|
|
|
|
I says:
|
|
|
|
"What do we want of a moat when we're going to
|
|
snake him out from under the cabin?"
|
|
|
|
But he never heard me. He had forgot me and
|
|
everything else. He had his chin in his hand, thinking.
|
|
Pretty soon he sighs and shakes his head; then sighs
|
|
again, and says:
|
|
|
|
"No, it wouldn't do -- there ain't necessity enough
|
|
for it."
|
|
|
|
"For what?" I says.
|
|
|
|
"Why, to saw Jim's leg off," he says.
|
|
|
|
"Good land!" I says; "why, there ain't NO neces-
|
|
sity for it. And what would you want to saw his leg
|
|
off for, anyway?"
|
|
|
|
"Well, some of the best authorities has done it.
|
|
They couldn't get the chain off, so they just cut their
|
|
hand off and shoved. And a leg would be better still.
|
|
But we got to let that go. There ain't necessity
|
|
enough in this case; and, besides, Jim's a nigger, and
|
|
wouldn't understand the reasons for it, and how it's the
|
|
custom in Europe; so we'll let it go. But there's one
|
|
thing -- he can have a rope ladder; we can tear up our
|
|
sheets and make him a rope ladder easy enough. And
|
|
we can send it to him in a pie; it's mostly done that
|
|
way. And I've et worse pies."
|
|
|
|
"Why, Tom Sawyer, how you talk," I says; "Jim
|
|
ain't got no use for a rope ladder."
|
|
|
|
"He HAS got use for it. How YOU talk, you better
|
|
say; you don't know nothing about it. He's GOT to
|
|
have a rope ladder; they all do."
|
|
|
|
"What in the nation can he DO with it?"
|
|
|
|
"DO with it? He can hide it in his bed, can't he?"
|
|
That's what they all do; and HE'S got to, too.
|
|
Huck, you don't ever seem to want to do anything
|
|
that's regular; you want to be starting something fresh
|
|
all the time. S'pose he DON'T do nothing with it? ain't
|
|
it there in his bed, for a clew, after he's gone? and
|
|
don't you reckon they'll want clews? Of course they
|
|
will. And you wouldn't leave them any? That would
|
|
be a PRETTY howdy-do, WOULDN'T it! I never heard of
|
|
such a thing."
|
|
|
|
"Well," I says, "if it's in the regulations, and he's
|
|
got to have it, all right, let him have it; because I
|
|
don't wish to go back on no regulations; but there's
|
|
one thing, Tom Sawyer -- if we go to tearing up our
|
|
sheets to make Jim a rope ladder, we're going to get
|
|
into trouble with Aunt Sally, just as sure as you're
|
|
born. Now, the way I look at it, a hickry-bark ladder
|
|
don't cost nothing, and don't waste nothing, and is
|
|
just as good to load up a pie with, and hide in a straw
|
|
tick, as any rag ladder you can start; and as for Jim,
|
|
he ain't had no experience, and so he don't care what
|
|
kind of a --"
|
|
|
|
"Oh, shucks, Huck Finn, if I was as ignorant as
|
|
you I'd keep still -- that's what I'D do. Who ever
|
|
heard of a state prisoner escaping by a hickry-bark
|
|
ladder? Why, it's perfectly ridiculous."
|
|
|
|
"Well, all right, Tom, fix it your own way; but if
|
|
you'll take my advice, you'll let me borrow a sheet off
|
|
of the clothesline."
|
|
|
|
He said that would do. And that gave him another
|
|
idea, and he says:
|
|
|
|
"Borrow a shirt, too."
|
|
|
|
"What do we want of a shirt, Tom?"
|
|
|
|
"Want it for Jim to keep a journal on."
|
|
|
|
"Journal your granny -- JIM can't write."
|
|
|
|
"S'pose he CAN'T write -- he can make marks on
|
|
the shirt, can't he, if we make him a pen out of
|
|
an old pewter spoon or a piece of an old iron barrel-
|
|
hoop?"
|
|
|
|
"Why, Tom, we can pull a feather out of a goose
|
|
and make him a better one; and quicker, too."
|
|
|
|
"PRISONERS don't have geese running around the
|
|
donjon-keep to pull pens out of, you muggins. They
|
|
ALWAYS make their pens out of the hardest, toughest,
|
|
troublesomest piece of old brass candlestick or some-
|
|
thing like that they can get their hands on; and it
|
|
takes them weeks and weeks and months and months
|
|
to file it out, too, because they've got to do it by rub-
|
|
bing it on the wall. THEY wouldn't use a goose-quill if
|
|
they had it. It ain't regular."
|
|
|
|
"Well, then, what'll we make him the ink out of?"
|
|
|
|
"Many makes it out of iron-rust and tears; but
|
|
that's the common sort and women; the best authori-
|
|
ties uses their own blood. Jim can do that; and when
|
|
he wants to send any little common ordinary mysterious
|
|
message to let the world know where he's captivated,
|
|
he can write it on the bottom of a tin plate with a fork
|
|
and throw it out of the window. The Iron Mask
|
|
always done that, and it's a blame' good way, too."
|
|
|
|
"Jim ain't got no tin plates. They feed him in a
|
|
pan."
|
|
|
|
"That ain't nothing; we can get him some."
|
|
|
|
"Can't nobody READ his plates."
|
|
|
|
"That ain't got anything to DO with it, Huck Finn.
|
|
All HE'S got to do is to write on the plate and throw
|
|
it out. You don't HAVE to be able to read it. Why,
|
|
half the time you can't read anything a prisoner writes
|
|
on a tin plate, or anywhere else."
|
|
|
|
"Well, then, what's the sense in wasting the plates?"
|
|
|
|
"Why, blame it all, it ain't the PRISONER'S plates."
|
|
|
|
"But it's SOMEBODY'S plates, ain't it?"
|
|
|
|
"Well, spos'n it is? What does the PRISONER care
|
|
whose --"
|
|
|
|
He broke off there, because we heard the breakfast-
|
|
horn blowing. So we cleared out for the house.
|
|
|
|
Along during the morning I borrowed a sheet and a
|
|
white shirt off of the clothes-line; and I found an old
|
|
sack and put them in it, and we went down and got the
|
|
fox-fire, and put that in too. I called it borrowing,
|
|
because that was what pap always called it; but Tom
|
|
said it warn't borrowing, it was stealing. He said we
|
|
was representing prisoners; and prisoners don't care
|
|
how they get a thing so they get it, and nobody don't
|
|
blame them for it, either. It ain't no crime in a
|
|
prisoner to steal the thing he needs to get away with,
|
|
Tom said; it's his right; and so, as long as we was
|
|
representing a prisoner, we had a perfect right to steal
|
|
anything on this place we had the least use for to get
|
|
ourselves out of prison with. He said if we warn't
|
|
prisoners it would be a very different thing, and nobody
|
|
but a mean, ornery person would steal when he warn't
|
|
a prisoner. So we allowed we would steal every-
|
|
thing there was that come handy. And yet he made
|
|
a mighty fuss, one day, after that, when I stole a
|
|
watermelon out of the nigger-patch and eat it; and he
|
|
made me go and give the niggers a dime without telling
|
|
them what it was for. Tom said that what he meant
|
|
was, we could steal anything we NEEDED. Well, I says,
|
|
I needed the watermelon. But he said I didn't need it
|
|
to get out of prison with; there's where the difference
|
|
was. He said if I'd a wanted it to hide a knife in, and
|
|
smuggle it to Jim to kill the seneskal with, it would a
|
|
been all right. So I let it go at that, though I couldn't
|
|
see no advantage in my representing a prisoner if I got
|
|
to set down and chaw over a lot of gold-leaf distinctions
|
|
like that every time I see a chance to hog a watermelon.
|
|
|
|
Well, as I was saying, we waited that morning till
|
|
everybody was settled down to business, and nobody
|
|
in sight around the yard; then Tom he carried the
|
|
sack into the lean-to whilst I stood off a piece to keep
|
|
watch. By and by he come out, and we went and set
|
|
down on the woodpile to talk. He says:
|
|
|
|
"Everything's all right now except tools; and that's
|
|
easy fixed."
|
|
|
|
"Tools?" I says.
|
|
|
|
"Yes."
|
|
|
|
"Tools for what?"
|
|
|
|
"Why, to dig with. We ain't a-going to GNAW him
|
|
out, are we?"
|
|
|
|
"Ain't them old crippled picks and things in there
|
|
good enough to dig a nigger out with?" I says.
|
|
|
|
He turns on me, looking pitying enough to make a
|
|
body cry, and says:
|
|
|
|
"Huck Finn, did you EVER hear of a prisoner having
|
|
picks and shovels, and all the modern conveniences in
|
|
his wardrobe to dig himself out with? Now I want to
|
|
ask you -- if you got any reasonableness in you at all
|
|
-- what kind of a show would THAT give him to be a
|
|
hero? Why, they might as well lend him the key and
|
|
done with it. Picks and shovels -- why, they wouldn't
|
|
furnish 'em to a king."
|
|
|
|
"Well, then," I says, "if we don't want the picks
|
|
and shovels, what do we want?"
|
|
|
|
"A couple of case-knives."
|
|
|
|
"To dig the foundations out from under that cabin
|
|
with?"
|
|
|
|
"Yes."
|
|
|
|
"Confound it, it's foolish, Tom."
|
|
|
|
"It don't make no difference how foolish it is, it's
|
|
the RIGHT way -- and it's the regular way. And there
|
|
ain't no OTHER way, that ever I heard of, and I've read
|
|
all the books that gives any information about these
|
|
things. They always dig out with a case-knife -- and
|
|
not through dirt, mind you; generly it's through solid
|
|
rock. And it takes them weeks and weeks and weeks,
|
|
and for ever and ever. Why, look at one of them
|
|
prisoners in the bottom dungeon of the Castle Deef, in
|
|
the harbor of Marseilles, that dug himself out that way;
|
|
how long was HE at it, you reckon?"
|
|
|
|
"I don't know."
|
|
|
|
"Well, guess."
|
|
|
|
"I don't know. A month and a half."
|
|
|
|
"THIRTY-SEVEN YEAR -- and he come out in China.
|
|
THAT'S the kind. I wish the bottom of THIS fortress
|
|
was solid rock."
|
|
|
|
"JIM don't know nobody in China."
|
|
|
|
"What's THAT got to do with it? Neither did that
|
|
other fellow. But you're always a-wandering off on a
|
|
side issue. Why can't you stick to the main point?"
|
|
|
|
"All right -- I don't care where he comes out, so he
|
|
COMES out; and Jim don't, either, I reckon. But
|
|
there's one thing, anyway -- Jim's too old to be dug
|
|
out with a case-knife. He won't last."
|
|
|
|
"Yes he will LAST, too. You don't reckon it's going
|
|
to take thirty-seven years to dig out through a DIRT
|
|
foundation, do you?"
|
|
|
|
"How long will it take, Tom?"
|
|
|
|
"Well, we can't resk being as long as we ought to,
|
|
because it mayn't take very long for Uncle Silas to hear
|
|
from down there by New Orleans. He'll hear Jim ain't
|
|
from there. Then his next move will be to advertise Jim,
|
|
or something like that. So we can't resk being as long
|
|
digging him out as we ought to. By rights I reckon
|
|
we ought to be a couple of years; but we can't.
|
|
Things being so uncertain, what I recommend is this:
|
|
that we really dig right in, as quick as we can; and
|
|
after that, we can LET ON, to ourselves, that we was at
|
|
it thirty-seven years. Then we can snatch him out and
|
|
rush him away the first time there's an alarm. Yes, I
|
|
reckon that 'll be the best way."
|
|
|
|
"Now, there's SENSE in that," I says. "Letting on
|
|
don't cost nothing; letting on ain't no trouble; and if
|
|
it's any object, I don't mind letting on we was at it a
|
|
hundred and fifty year. It wouldn't strain me none,
|
|
after I got my hand in. So I'll mosey along now, and
|
|
smouch a couple of case-knives."
|
|
|
|
"Smouch three," he says; "we want one to make
|
|
a saw out of."
|
|
|
|
"Tom, if it ain't unregular and irreligious to sejest
|
|
it," I says, "there's an old rusty saw-blade around
|
|
yonder sticking under the weather-boarding behind the
|
|
smoke-house."
|
|
|
|
He looked kind of weary and discouraged-like, and
|
|
says:
|
|
|
|
"It ain't no use to try to learn you nothing, Huck.
|
|
Run along and smouch the knives -- three of them."
|
|
So I done it.
|
|
|
|
|
|
CHAPTER XXXVI.
|
|
|
|
AS soon as we reckoned everybody was asleep that
|
|
night we went down the lightning-rod, and shut
|
|
ourselves up in the lean-to, and got out our pile of
|
|
fox-fire, and went to work. We cleared everything
|
|
out of the way, about four or five foot along the mid-
|
|
dle of the bottom log. Tom said we was right behind
|
|
Jim's bed now, and we'd dig in under it, and when we
|
|
got through there couldn't nobody in the cabin ever
|
|
know there was any hole there, because Jim's counter-
|
|
pin hung down most to the ground, and you'd have to
|
|
raise it up and look under to see the hole. So we dug
|
|
and dug with the case-knives till most midnight; and
|
|
then we was dog-tired, and our hands was blistered,
|
|
and yet you couldn't see we'd done anything hardly.
|
|
At last I says:
|
|
|
|
"This ain't no thirty-seven year job; this is a
|
|
thirty-eight year job, Tom Sawyer."
|
|
|
|
He never said nothing. But he sighed, and pretty
|
|
soon he stopped digging, and then for a good little
|
|
while I knowed that he was thinking. Then he says:
|
|
|
|
"It ain't no use, Huck, it ain't a-going to work. If
|
|
we was prisoners it would, because then we'd have as
|
|
many years as we wanted, and no hurry; and we
|
|
wouldn't get but a few minutes to dig, every day,
|
|
while they was changing watches, and so our hands
|
|
wouldn't get blistered, and we could keep it up right
|
|
along, year in and year out, and do it right, and the
|
|
way it ought to be done. But WE can't fool along;
|
|
we got to rush; we ain't got no time to spare. If we
|
|
was to put in another night this way we'd have to
|
|
knock off for a week to let our hands get well --
|
|
couldn't touch a case-knife with them sooner."
|
|
|
|
"Well, then, what we going to do, Tom?"
|
|
|
|
"I'll tell you. It ain't right, and it ain't moral, .
|
|
and I wouldn't like it to get out; but there ain't only
|
|
just the one way: we got to dig him out with the
|
|
picks, and LET ON it's case-knives."
|
|
|
|
"NOW you're TALKING!" I says; "your head gets
|
|
leveler and leveler all the time, Tom Sawyer," I
|
|
says. "Picks is the thing, moral or no moral; and as
|
|
for me, I don't care shucks for the morality of it,
|
|
nohow. When I start in to steal a nigger, or a water-
|
|
melon, or a Sunday-school book, I ain't no ways
|
|
particular how it's done so it's done. What I want is
|
|
my nigger; or what I want is my watermelon; or what
|
|
I want is my Sunday-school book; and if a pick's the
|
|
handiest thing, that's the thing I'm a-going to dig that
|
|
nigger or that watermelon or that Sunday-school book
|
|
out with; and I don't give a dead rat what the au-
|
|
thorities thinks about it nuther."
|
|
|
|
"Well," he says, "there's excuse for picks and
|
|
letting-on in a case like this; if it warn't so, I wouldn't
|
|
approve of it, nor I wouldn't stand by and see the
|
|
rules broke -- because right is right, and wrong is
|
|
wrong, and a body ain't got no business doing wrong
|
|
when he ain't ignorant and knows better. It might
|
|
answer for YOU to dig Jim out with a pick, WITHOUT any
|
|
letting on, because you don't know no better; but it
|
|
wouldn't for me, because I do know better. Gimme
|
|
a case-knife."
|
|
|
|
He had his own by him, but I handed him mine.
|
|
He flung it down, and says:
|
|
|
|
"Gimme a CASE-KNIFE."
|
|
|
|
I didn't know just what to do -- but then I thought.
|
|
I scratched around amongst the old tools, and got a
|
|
pickaxe and give it to him, and he took it and went to
|
|
work, and never said a word.
|
|
|
|
He was always just that particular. Full of principle.
|
|
|
|
So then I got a shovel, and then we picked and
|
|
shoveled, turn about, and made the fur fly. We stuck
|
|
to it about a half an hour, which was as long as we
|
|
could stand up; but we had a good deal of a hole to
|
|
show for it. When I got up stairs I looked out at the
|
|
window and see Tom doing his level best with the
|
|
lightning-rod, but he couldn't come it, his hands was
|
|
so sore. At last he says:
|
|
|
|
"It ain't no use, it can't be done. What you
|
|
reckon I better do? Can't you think of no way?"
|
|
|
|
"Yes," I says, "but I reckon it ain't regular.
|
|
Come up the stairs, and let on it's a lightning-rod."
|
|
|
|
So he done it.
|
|
|
|
Next day Tom stole a pewter spoon and a brass
|
|
candlestick in the house, for to make some pens for
|
|
Jim out of, and six tallow candles; and I hung around
|
|
the nigger cabins and laid for a chance, and stole three
|
|
tin plates. Tom says it wasn't enough; but I said
|
|
nobody wouldn't ever see the plates that Jim throwed
|
|
out, because they'd fall in the dog-fennel and jimpson
|
|
weeds under the window-hole -- then we could tote
|
|
them back and he could use them over again. So
|
|
Tom was satisfied. Then he says:
|
|
|
|
"Now, the thing to study out is, how to get the
|
|
things to Jim."
|
|
|
|
"Take them in through the hole," I says, "when
|
|
we get it done."
|
|
|
|
He only just looked scornful, and said something
|
|
about nobody ever heard of such an idiotic idea, and
|
|
then he went to studying. By and by he said he had
|
|
ciphered out two or three ways, but there warn't no
|
|
need to decide on any of them yet. Said we'd got to
|
|
post Jim first.
|
|
|
|
That night we went down the lightning-rod a little
|
|
after ten, and took one of the candles along, and
|
|
listened under the window-hole, and heard Jim snoring;
|
|
so we pitched it in, and it didn't wake him. Then we
|
|
whirled in with the pick and shovel, and in about two
|
|
hours and a half the job was done. We crept in under
|
|
Jim's bed and into the cabin, and pawed around and
|
|
found the candle and lit it, and stood over Jim awhile,
|
|
and found him looking hearty and healthy, and then
|
|
we woke him up gentle and gradual. He was so glad to
|
|
see us he most cried; and called us honey, and all the
|
|
pet names he could think of; and was for having us
|
|
hunt up a cold-chisel to cut the chain off of his leg
|
|
with right away, and clearing out without losing any
|
|
time. But Tom he showed him how unregular it
|
|
would be, and set down and told him all about our
|
|
plans, and how we could alter them in a minute any
|
|
time there was an alarm; and not to be the least afraid,
|
|
because we would see he got away, SURE. So Jim he
|
|
said it was all right, and we set there and talked over
|
|
old times awhile, and then Tom asked a lot of ques-
|
|
tions, and when Jim told him Uncle Silas come in
|
|
every day or two to pray with him, and Aunt Sally
|
|
come in to see if he was comfortable and had plenty to
|
|
eat, and both of them was kind as they could be, Tom
|
|
says:
|
|
|
|
"NOW I know how to fix it. We'll send you some
|
|
things by them."
|
|
|
|
I said, "Don't do nothing of the kind; it's one of
|
|
the most jackass ideas I ever struck;" but he never
|
|
paid no attention to me; went right on. It was his
|
|
way when he'd got his plans set.
|
|
|
|
So he told Jim how we'd have to smuggle in the
|
|
rope-ladder pie and other large things by Nat, the
|
|
nigger that fed him, and he must be on the lookout,
|
|
and not be surprised, and not let Nat see him open
|
|
them; and we would put small things in uncle's coat-
|
|
pockets and he must steal them out; and we would tie
|
|
things to aunt's apron-strings or put them in her
|
|
apron-pocket, if we got a chance; and told him what
|
|
they would be and what they was for. And told him
|
|
how to keep a journal on the shirt with his blood, and
|
|
all that. He told him everything. Jim he couldn't
|
|
see no sense in the most of it, but he allowed we was
|
|
white folks and knowed better than him; so he was
|
|
satisfied, and said he would do it all just as Tom said.
|
|
|
|
Jim had plenty corn-cob pipes and tobacco; so
|
|
we had a right down good sociable time; then we
|
|
crawled out through the hole, and so home to bed,
|
|
with hands that looked like they'd been chawed. Tom
|
|
was in high spirits. He said it was the best fun he
|
|
ever had in his life, and the most intellectural; and
|
|
said if he only could see his way to it we would keep it
|
|
up all the rest of our lives and leave Jim to our children
|
|
to get out; for he believed Jim would come to like it
|
|
better and better the more he got used to it. He said
|
|
that in that way it could be strung out to as much as
|
|
eighty year, and would be the best time on record.
|
|
And he said it would make us all celebrated that had a
|
|
hand in it.
|
|
|
|
In the morning we went out to the woodpile and
|
|
chopped up the brass candlestick into handy sizes, and
|
|
Tom put them and the pewter spoon in his pocket.
|
|
Then we went to the nigger cabins, and while I got
|
|
Nat's notice off, Tom shoved a piece of candlestick
|
|
into the middle of a corn-pone that was in Jim's pan,
|
|
and we went along with Nat to see how it would work,
|
|
and it just worked noble; when Jim bit into it it most
|
|
mashed all his teeth out; and there warn't ever any-
|
|
thing could a worked better. Tom said so himself.
|
|
Jim he never let on but what it was only just a piece of
|
|
rock or something like that that's always getting into
|
|
bread, you know; but after that he never bit into
|
|
nothing but what he jabbed his fork into it in three or
|
|
four places first.
|
|
|
|
And whilst we was a-standing there in the dimmish
|
|
light, here comes a couple of the hounds bulging in
|
|
from under Jim's bed; and they kept on piling in till
|
|
there was eleven of them, and there warn't hardly
|
|
room in there to get your breath. By jings, we forgot
|
|
to fasten that lean-to door! The nigger Nat he only
|
|
just hollered "Witches" once, and keeled over on to
|
|
the floor amongst the dogs, and begun to groan like
|
|
he was dying. Tom jerked the door open and flung
|
|
out a slab of Jim's meat, and the dogs went for it, and
|
|
in two seconds he was out himself and back again and
|
|
shut the door, and I knowed he'd fixed the other door
|
|
too. Then he went to work on the nigger, coaxing
|
|
him and petting him, and asking him if he'd been
|
|
imagining he saw something again. He raised up, and
|
|
blinked his eyes around, and says:
|
|
|
|
"Mars Sid, you'll say I's a fool, but if I didn't
|
|
b'lieve I see most a million dogs, er devils, er some'n,
|
|
I wisht I may die right heah in dese tracks. I did,
|
|
mos' sholy. Mars Sid, I FELT um -- I FELT um, sah;
|
|
dey was all over me. Dad fetch it, I jis' wisht I
|
|
could git my han's on one er dem witches jis' wunst --
|
|
on'y jis' wunst -- it's all I'd ast. But mos'ly I wisht
|
|
dey'd lemme 'lone, I does."
|
|
|
|
Tom says:
|
|
|
|
"Well, I tell you what I think. What makes them
|
|
come here just at this runaway nigger's breakfast-time?
|
|
It's because they're hungry; that's the reason. You
|
|
make them a witch pie; that's the thing for YOU to
|
|
do."
|
|
|
|
"But my lan', Mars Sid, how's I gwyne to make
|
|
'm a witch pie? I doan' know how to make it. I
|
|
hain't ever hearn er sich a thing b'fo'."
|
|
|
|
"Well, then, I'll have to make it myself."
|
|
|
|
"Will you do it, honey? -- Qwill you? I'll wusshup
|
|
de groun' und' yo' foot, I will!"
|
|
|
|
"All right, I'll do it, seeing it's you, and you've
|
|
been good to us and showed us the runaway nigger.
|
|
But you got to be mighty careful. When we come
|
|
around, you turn your back; and then whatever we've
|
|
put in the pan, don't you let on you see it at all. And
|
|
don't you look when Jim unloads the pan -- something
|
|
might happen, I don't know what. And above all,
|
|
don't you HANDLE the witch-things."
|
|
|
|
"HANNEL 'm, Mars Sid? What IS you a-talkin'
|
|
'bout? I wouldn' lay de weight er my finger on
|
|
um, not f'r ten hund'd thous'n billion dollars, I
|
|
wouldn't."
|
|
|
|
|
|
CHAPTER XXXVII.
|
|
|
|
THAT was all fixed. So then we went away and
|
|
went to the rubbage-pile in the back yard, where
|
|
they keep the old boots, and rags, and pieces of
|
|
bottles, and wore-out tin things, and all such truck,
|
|
and scratched around and found an old tin washpan,
|
|
and stopped up the holes as well as we could, to bake
|
|
the pie in, and took it down cellar and stole it full of
|
|
flour and started for breakfast, and found a couple of
|
|
shingle-nails that Tom said would be handy for a
|
|
prisoner to scrabble his name and sorrows on the
|
|
dungeon walls with, and dropped one of them in Aunt
|
|
Sally's apron-pocket which was hanging on a chair,
|
|
and t'other we stuck in the band of Uncle Silas's hat,
|
|
which was on the bureau, because we heard the chil-
|
|
dren say their pa and ma was going to the runaway
|
|
nigger's house this morning, and then went to break-
|
|
fast, and Tom dropped the pewter spoon in Uncle
|
|
Silas's coat-pocket, and Aunt Sally wasn't come yet,
|
|
so we had to wait a little while.
|
|
|
|
And when she come she was hot and red and cross,
|
|
and couldn't hardly wait for the blessing; and then
|
|
she went to sluicing out coffee with one hand and
|
|
cracking the handiest child's head with her thimble
|
|
with the other, and says:
|
|
|
|
"I've hunted high and I've hunted low, and it does
|
|
beat all what HAS become of your other shirt."
|
|
|
|
My heart fell down amongst my lungs and livers
|
|
and things, and a hard piece of corn-crust started down
|
|
my throat after it and got met on the road with a
|
|
cough, and was shot across the table, and took one
|
|
of the children in the eye and curled him up like a
|
|
fishing-worm, and let a cry out of him the size of a
|
|
warwhoop, and Tom he turned kinder blue around the
|
|
gills, and it all amounted to a considerable state of
|
|
things for about a quarter of a minute or as much as
|
|
that, and I would a sold out for half price if there was
|
|
a bidder. But after that we was all right again -- it
|
|
was the sudden surprise of it that knocked us so kind
|
|
of cold. Uncle Silas he says:
|
|
|
|
"It's most uncommon curious, I can't understand
|
|
it. I know perfectly well I took it OFF, because --"
|
|
|
|
"Because you hain't got but one ON. Just LISTEN at
|
|
the man! I know you took it off, and know it by a
|
|
better way than your wool-gethering memory, too,
|
|
because it was on the clo's-line yesterday -- I see it
|
|
there myself. But it's gone, that's the long and the
|
|
short of it, and you'll just have to change to a red
|
|
flann'l one till I can get time to make a new one.
|
|
And it 'll be the third I've made in two years. It just
|
|
keeps a body on the jump to keep you in shirts; and
|
|
whatever you do manage to DO with 'm all is more'n I
|
|
can make out. A body 'd think you WOULD learn to
|
|
take some sort of care of 'em at your time of life."
|
|
|
|
"I know it, Sally, and I do try all I can. But it
|
|
oughtn't to be altogether my fault, because, you know,
|
|
I don't see them nor have nothing to do with them
|
|
except when they're on me; and I don't believe I've
|
|
ever lost one of them OFF of me."
|
|
|
|
"Well, it ain't YOUR fault if you haven't, Silas;
|
|
you'd a done it if you could, I reckon. And the shirt
|
|
ain't all that's gone, nuther. Ther's a spoon gone;
|
|
and THAT ain't all. There was ten, and now ther's only
|
|
nine. The calf got the shirt, I reckon, but the calf
|
|
never took the spoon, THAT'S certain."
|
|
|
|
"Why, what else is gone, Sally?"
|
|
|
|
"Ther's six CANDLES gone -- that's what. The rats
|
|
could a got the candles, and I reckon they did; I
|
|
wonder they don't walk off with the whole place, the
|
|
way you're always going to stop their holes and don't
|
|
do it; and if they warn't fools they'd sleep in your
|
|
hair, Silas -- YOU'D never find it out; but you can't lay
|
|
the SPOON on the rats, and that I know."
|
|
|
|
"Well, Sally, I'm in fault, and I acknowledge it;
|
|
I've been remiss; but I won't let to-morrow go by
|
|
without stopping up them holes."
|
|
|
|
"Oh, I wouldn't hurry; next year 'll do. Matilda
|
|
Angelina Araminta PHELPS!"
|
|
|
|
Whack comes the thimble, and the child snatches
|
|
her claws out of the sugar-bowl without fooling around
|
|
any. Just then the nigger woman steps on to the
|
|
passage, and says:
|
|
|
|
"Missus, dey's a sheet gone."
|
|
|
|
"A SHEET gone! Well, for the land's sake!"
|
|
|
|
"I'll stop up them holes to-day," says Uncle Silas,
|
|
looking sorrowful.
|
|
|
|
"Oh, DO shet up! -- s'pose the rats took the SHEET?
|
|
WHERE'S it gone, Lize?"
|
|
|
|
"Clah to goodness I hain't no notion, Miss' Sally.
|
|
She wuz on de clo'sline yistiddy, but she done gone:
|
|
she ain' dah no mo' now."
|
|
|
|
"I reckon the world IS coming to an end. I NEVER
|
|
see the beat of it in all my born days. A shirt, and a
|
|
sheet, and a spoon, and six can --"
|
|
|
|
"Missus," comes a young yaller wench, "dey's a
|
|
brass cannelstick miss'n."
|
|
|
|
"Cler out from here, you hussy, er I'll take a skillet
|
|
to ye!"
|
|
|
|
Well, she was just a-biling. I begun to lay for a
|
|
chance; I reckoned I would sneak out and go for the
|
|
woods till the weather moderated. She kept a-raging
|
|
right along, running her insurrection all by herself,
|
|
and everybody else mighty meek and quiet; and at
|
|
last Uncle Silas, looking kind of foolish, fishes up that
|
|
spoon out of his pocket. She stopped, with her mouth
|
|
open and her hands up; and as for me, I wished I was
|
|
in Jeruslem or somewheres. But not long, because
|
|
she says:
|
|
|
|
"It's JUST as I expected. So you had it in your
|
|
pocket all the time; and like as not you've got the
|
|
other things there, too. How'd it get there?"
|
|
|
|
"I reely don't know, Sally," he says, kind of
|
|
apologizing, "or you know I would tell. I was a-
|
|
studying over my text in Acts Seventeen before break-
|
|
fast, and I reckon I put it in there, not noticing,
|
|
meaning to put my Testament in, and it must be so,
|
|
because my Testament ain't in; but I'll go and see;
|
|
and if the Testament is where I had it, I'll know I
|
|
didn't put it in, and that will show that I laid the
|
|
Testament down and took up the spoon, and --"
|
|
|
|
"Oh, for the land's sake! Give a body a rest!
|
|
Go 'long now, the whole kit and biling of ye; and
|
|
don't come nigh me again till I've got back my peace
|
|
of mind."
|
|
|
|
I'D a heard her if she'd a said it to herself, let alone
|
|
speaking it out; and I'd a got up and obeyed her if
|
|
I'd a been dead. As we was passing through the
|
|
setting-room the old man he took up his hat, and the
|
|
shingle-nail fell out on the floor, and he just merely
|
|
picked it up and laid it on the mantel-shelf, and never
|
|
said nothing, and went out. Tom see him do it, and
|
|
remembered about the spoon, and says:
|
|
|
|
"Well, it ain't no use to send things by HIM no
|
|
more, he ain't reliable." Then he says: "But he
|
|
done us a good turn with the spoon, anyway, without
|
|
knowing it, and so we'll go and do him one without
|
|
HIM knowing it -- stop up his rat-holes."
|
|
|
|
There was a noble good lot of them down cellar, and
|
|
it took us a whole hour, but we done the job tight and
|
|
good and shipshape. Then we heard steps on the
|
|
stairs, and blowed out our light and hid; and here
|
|
comes the old man, with a candle in one hand and a
|
|
bundle of stuff in t'other, looking as absent-minded as
|
|
year before last. He went a mooning around, first to
|
|
one rat-hole and then another, till he'd been to them
|
|
all. Then he stood about five minutes, picking tallow-
|
|
drip off of his candle and thinking. Then he turns off
|
|
slow and dreamy towards the stairs, saying:
|
|
|
|
"Well, for the life of me I can't remember when I
|
|
done it. I could show her now that I warn't to blame
|
|
on account of the rats. But never mind -- let it go. I
|
|
reckon it wouldn't do no good."
|
|
|
|
And so he went on a-mumbling up stairs, and then
|
|
we left. He was a mighty nice old man. And
|
|
always is.
|
|
|
|
Tom was a good deal bothered about what to do for
|
|
a spoon, but he said we'd got to have it; so he took a
|
|
think. When he had ciphered it out he told me how
|
|
we was to do; then we went and waited around the
|
|
spoon-basket till we see Aunt Sally coming, and then
|
|
Tom went to counting the spoons and laying them out
|
|
to one side, and I slid one of them up my sleeve, and
|
|
Tom says:
|
|
|
|
"Why, Aunt Sally, there ain't but nine spoons
|
|
YET."
|
|
|
|
She says:
|
|
|
|
"Go 'long to your play, and don't bother me. I
|
|
know better, I counted 'm myself."
|
|
|
|
"Well, I've counted them twice, Aunty, and I can't
|
|
make but nine."
|
|
|
|
She looked out of all patience, but of course she
|
|
come to count -- anybody would.
|
|
|
|
"I declare to gracious ther' AIN'T but nine!" she
|
|
says. "Why, what in the world -- plague TAKE the
|
|
things, I'll count 'm again."
|
|
|
|
So I slipped back the one I had, and when she got
|
|
done counting, she says:
|
|
|
|
"Hang the troublesome rubbage, ther's TEN now!"
|
|
and she looked huffy and bothered both. But Tom
|
|
says:
|
|
|
|
"Why, Aunty, I don't think there's ten."
|
|
|
|
"You numskull, didn't you see me COUNT 'm?"
|
|
|
|
"I know, but --"
|
|
|
|
"Well, I'll count 'm AGAIN."
|
|
|
|
So I smouched one, and they come out nine, same
|
|
as the other time. Well, she WAS in a tearing way --
|
|
just a-trembling all over, she was so mad. But she
|
|
counted and counted till she got that addled she'd start
|
|
to count in the basket for a spoon sometimes; and so,
|
|
three times they come out right, and three times they
|
|
come out wrong. Then she grabbed up the basket
|
|
and slammed it across the house and knocked the cat
|
|
galley-west; and she said cle'r out and let her have
|
|
some peace, and if we come bothering around her
|
|
again betwixt that and dinner she'd skin us. So we
|
|
had the odd spoon, and dropped it in her apron-pocket
|
|
whilst she was a-giving us our sailing orders, and Jim
|
|
got it all right, along with her shingle nail, before
|
|
noon. We was very well satisfied with this business,
|
|
and Tom allowed it was worth twice the trouble it
|
|
took, because he said NOW she couldn't ever count
|
|
them spoons twice alike again to save her life; and
|
|
wouldn't believe she'd counted them right if she DID;
|
|
and said that after she'd about counted her head off
|
|
for the next three days he judged she'd give it up and
|
|
offer to kill anybody that wanted her to ever count
|
|
them any more.
|
|
|
|
So we put the sheet back on the line that night, and
|
|
stole one out of her closet; and kept on putting it
|
|
back and stealing it again for a couple of days till she
|
|
didn't know how many sheets she had any more, and
|
|
she didn't CARE, and warn't a-going to bullyrag the rest
|
|
of her soul out about it, and wouldn't count them
|
|
again not to save her life; she druther die first.
|
|
|
|
So we was all right now, as to the shirt and the
|
|
sheet and the spoon and the candles, by the help of
|
|
the calf and the rats and the mixed-up counting; and
|
|
as to the candlestick, it warn't no consequence, it
|
|
would blow over by and by.
|
|
|
|
But that pie was a job; we had no end of trouble
|
|
with that pie. We fixed it up away down in the
|
|
woods, and cooked it there; and we got it done at
|
|
last, and very satisfactory, too; but not all in one
|
|
day; and we had to use up three wash-pans full of
|
|
flour before we got through, and we got burnt pretty
|
|
much all over, in places, and eyes put out with the
|
|
smoke; because, you see, we didn't want nothing but
|
|
a crust, and we couldn't prop it up right, and she
|
|
would always cave in. But of course we thought of
|
|
the right way at last -- which was to cook the ladder,
|
|
too, in the pie. So then we laid in with Jim the
|
|
second night, and tore up the sheet all in little strings
|
|
and twisted them together, and long before daylight we
|
|
had a lovely rope that you could a hung a person with.
|
|
We let on it took nine months to make it.
|
|
|
|
And in the forenoon we took it down to the woods,
|
|
but it wouldn't go into the pie. Being made of a
|
|
whole sheet, that way, there was rope enough for forty
|
|
pies if we'd a wanted them, and plenty left over for
|
|
soup, or sausage, or anything you choose. We could
|
|
a had a whole dinner.
|
|
|
|
But we didn't need it. All we needed was just
|
|
enough for the pie, and so we throwed the rest away.
|
|
We didn't cook none of the pies in the wash-pan --
|
|
afraid the solder would melt; but Uncle Silas he had a
|
|
noble brass warming-pan which he thought consider-
|
|
able of, because it belonged to one of his ancesters
|
|
with a long wooden handle that come over from Eng-
|
|
land with William the Conqueror in the Mayflower or
|
|
one of them early ships and was hid away up garret
|
|
with a lot of other old pots and things that was
|
|
valuable, not on account of being any account, be-
|
|
cause they warn't, but on account of them being
|
|
relicts, you know, and we snaked her out, private, and
|
|
took her down there, but she failed on the first pies,
|
|
because we didn't know how, but she come up smiling
|
|
on the last one. We took and lined her with dough,
|
|
and set her in the coals, and loaded her up with rag
|
|
rope, and put on a dough roof, and shut down the lid,
|
|
and put hot embers on top, and stood off five foot,
|
|
with the long handle, cool and comfortable, and in
|
|
fifteen minutes she turned out a pie that was a satisfac-
|
|
tion to look at. But the person that et it would want
|
|
to fetch a couple of kags of toothpicks along, for if
|
|
that rope ladder wouldn't cramp him down to business
|
|
I don't know nothing what I'm talking about, and lay
|
|
him in enough stomach-ache to last him till next time,
|
|
too.
|
|
|
|
Nat didn't look when we put the witch pie in Jim's
|
|
pan; and we put the three tin plates in the bottom of
|
|
the pan under the vittles; and so Jim got everything
|
|
all right, and as soon as he was by himself he busted
|
|
into the pie and hid the rope ladder inside of his straw
|
|
tick, and scratched some marks on a tin plate and
|
|
throwed it out of the window-hole.
|
|
|
|
|
|
CHAPTER XXXVIII.
|
|
|
|
MAKING them pens was a distressid tough job,
|
|
and so was the saw; and Jim allowed the in-
|
|
scription was going to be the toughest of all. That's
|
|
the one which the prisoner has to scrabble on the wall.
|
|
But he had to have it; Tom said he'd GOT to; there
|
|
warn't no case of a state prisoner not scrabbling his
|
|
inscription to leave behind, and his coat of arms.
|
|
|
|
"Look at Lady Jane Grey," he says; "look at
|
|
Gilford Dudley; look at old Northumberland! Why,
|
|
Huck, s'pose it IS considerble trouble? -- what you
|
|
going to do? -- how you going to get around it?
|
|
Jim's GOT to do his inscription and coat of arms. They
|
|
all do."
|
|
|
|
Jim says:
|
|
|
|
"Why, Mars Tom, I hain't got no coat o' arm; I
|
|
hain't got nuffn but dish yer ole shirt, en you knows
|
|
I got to keep de journal on dat."
|
|
|
|
"Oh, you don't understand, Jim; a coat of arms is
|
|
very different."
|
|
|
|
"Well," I says, "Jim's right, anyway, when he
|
|
says he ain't got no coat of arms, because he hain't."
|
|
|
|
"I reckon I knowed that," Tom says, "but you
|
|
bet he'll have one before he goes out of this -- because
|
|
he's going out RIGHT, and there ain't going to be no
|
|
flaws in his record."
|
|
|
|
So whilst me and Jim filed away at the pens on a
|
|
brickbat apiece, Jim a-making his'n out of the brass
|
|
and I making mine out of the spoon, Tom set to work
|
|
to think out the coat of arms. By and by he said he'd
|
|
struck so many good ones he didn't hardly know
|
|
which to take, but there was one which he reckoned
|
|
he'd decide on. He says:
|
|
|
|
"On the scutcheon we'll have a bend OR in the
|
|
dexter base, a saltire MURREY in the fess, with a dog,
|
|
couchant, for common charge, and under his foot a
|
|
chain embattled, for slavery, with a chevron VERT in a
|
|
chief engrailed, and three invected lines on a field
|
|
AZURE, with the nombril points rampant on a dancette
|
|
indented; crest, a runaway nigger, SABLE, with his
|
|
bundle over his shoulder on a bar sinister; and a
|
|
couple of gules for supporters, which is you and me;
|
|
motto, MAGGIORE FRETTA, MINORE OTTO. Got it out of a
|
|
book -- means the more haste the less speed."
|
|
|
|
"Geewhillikins," I says, "but what does the rest of
|
|
it mean?"
|
|
|
|
"We ain't got no time to bother over that," he
|
|
says; "we got to dig in like all git-out."
|
|
|
|
"Well, anyway," I says, "what's SOME of it?
|
|
What's a fess?"
|
|
|
|
"A fess -- a fess is -- YOU don't need to know what
|
|
a fess is. I'll show him how to make it when he gets
|
|
to it."
|
|
|
|
"Shucks, Tom," I says, "I think you might tell a
|
|
person. What's a bar sinister?"
|
|
|
|
"Oh, I don't know. But he's got to have it. All
|
|
the nobility does."
|
|
|
|
That was just his way. If it didn't suit him to ex-
|
|
plain a thing to you, he wouldn't do it. You might
|
|
pump at him a week, it wouldn't make no difference.
|
|
|
|
He'd got all that coat of arms business fixed, so
|
|
now he started in to finish up the rest of that part of
|
|
the work, which was to plan out a mournful inscrip-
|
|
tion -- said Jim got to have one, like they all done.
|
|
He made up a lot, and wrote them out on a paper, and
|
|
read them off, so:
|
|
|
|
1. Here a captive heart busted.
|
|
2. Here a poor prisoner, forsook by the world
|
|
and friends, fretted his sorrowful life.
|
|
3. Here a lonely heart broke, and a worn spirit
|
|
went to its rest, after thirty-seven years
|
|
of solitary captivity.
|
|
4. Here, homeless and friendless, after
|
|
thirty-seven years of bitter captivity,
|
|
perished a noble stranger, natural son of
|
|
Louis XIV.
|
|
|
|
Tom's voice trembled whilst he was reading them,
|
|
and he most broke down. When he got done he
|
|
couldn't no way make up his mind which one for Jim
|
|
to scrabble on to the wall, they was all so good; but
|
|
at last he allowed he would let him scrabble them all
|
|
on. Jim said it would take him a year to scrabble
|
|
such a lot of truck on to the logs with a nail, and he
|
|
didn't know how to make letters, besides; but Tom
|
|
said he would block them out for him, and then he
|
|
wouldn't have nothing to do but just follow the lines.
|
|
Then pretty soon he says:
|
|
|
|
"Come to think, the logs ain't a-going to do; they
|
|
don't have log walls in a dungeon: we got to dig the
|
|
inscriptions into a rock. We'll fetch a rock."
|
|
|
|
Jim said the rock was worse than the logs; he said
|
|
it would take him such a pison long time to dig them
|
|
into a rock he wouldn't ever get out. But Tom said
|
|
he would let me help him do it. Then he took a look
|
|
to see how me and Jim was getting along with the
|
|
pens. It was most pesky tedious hard work and slow,
|
|
and didn't give my hands no show to get well of the
|
|
sores, and we didn't seem to make no headway, hardly;
|
|
so Tom says:
|
|
|
|
"I know how to fix it. We got to have a rock for
|
|
the coat of arms and mournful inscriptions, and we can
|
|
kill two birds with that same rock. There's a gaudy
|
|
big grindstone down at the mill, and we'll smouch it,
|
|
and carve the things on it, and file out the pens and
|
|
the saw on it, too."
|
|
|
|
It warn't no slouch of an idea; and it warn't no
|
|
slouch of a grindstone nuther; but we allowed we'd
|
|
tackle it. It warn't quite midnight yet, so we cleared
|
|
out for the mill, leaving Jim at work. We smouched
|
|
the grindstone, and set out to roll her home, but it
|
|
was a most nation tough job. Sometimes, do what we
|
|
could, we couldn't keep her from falling over, and she
|
|
come mighty near mashing us every time. Tom said
|
|
she was going to get one of us, sure, before we got
|
|
through. We got her half way; and then we was
|
|
plumb played out, and most drownded with sweat.
|
|
We see it warn't no use; we got to go and fetch Jim
|
|
So he raised up his bed and slid the chain off of the
|
|
bed-leg, and wrapt it round and round his neck, and
|
|
we crawled out through our hole and down there, and
|
|
Jim and me laid into that grindstone and walked
|
|
her along like nothing; and Tom superintended.
|
|
He could out-superintend any boy I ever see. He
|
|
knowed how to do everything.
|
|
|
|
Our hole was pretty big, but it warn't big enough to
|
|
get the grindstone through; but Jim he took the pick
|
|
and soon made it big enough. Then Tom marked out
|
|
them things on it with the nail, and set Jim to work on
|
|
them, with the nail for a chisel and an iron bolt from
|
|
the rubbage in the lean-to for a hammer, and told him
|
|
to work till the rest of his candle quit on him, and then
|
|
he could go to bed, and hide the grindstone under his
|
|
straw tick and sleep on it. Then we helped him fix
|
|
his chain back on the bed-leg, and was ready for bed
|
|
ourselves. But Tom thought of something, and says:
|
|
|
|
"You got any spiders in here, Jim?"
|
|
|
|
"No, sah, thanks to goodness I hain't, Mars Tom."
|
|
|
|
"All right, we'll get you some."
|
|
|
|
"But bless you, honey, I doan' WANT none. I's
|
|
afeard un um. I jis' 's soon have rattlesnakes aroun'."
|
|
|
|
Tom thought a minute or two, and says:
|
|
|
|
"It's a good idea. And I reckon it's been done.
|
|
It MUST a been done; it stands to reason. Yes, it's a
|
|
prime good idea. Where could you keep it?"
|
|
|
|
"Keep what, Mars Tom?"
|
|
|
|
"Why, a rattlesnake."
|
|
|
|
"De goodness gracious alive, Mars Tom! Why, if
|
|
dey was a rattlesnake to come in heah I'd take en bust
|
|
right out thoo dat log wall, I would, wid my head."
|
|
|
|
Why, Jim, you wouldn't be afraid of it after a
|
|
little. You could tame it."
|
|
|
|
"TAME it!"
|
|
|
|
"Yes -- easy enough. Every animal is grateful for
|
|
kindness and petting, and they wouldn't THINK of hurt-
|
|
ing a person that pets them. Any book will tell you
|
|
that. You try -- that's all I ask; just try for two or
|
|
three days. Why, you can get him so in a little while
|
|
that he'll love you; and sleep with you; and won't
|
|
stay away from you a minute; and will let you wrap
|
|
him round your neck and put his head in your mouth."
|
|
|
|
"PLEASE, Mars Tom -- DOAN' talk so! I can't STAN'
|
|
it! He'd LET me shove his head in my mouf -- fer a
|
|
favor, hain't it? I lay he'd wait a pow'ful long time
|
|
'fo' I AST him. En mo' en dat, I doan' WANT him to
|
|
sleep wid me."
|
|
|
|
"Jim, don't act so foolish. A prisoner's GOT to
|
|
have some kind of a dumb pet, and if a rattlesnake
|
|
hain't ever been tried, why, there's more glory to be
|
|
gained in your being the first to ever try it than any
|
|
other way you could ever think of to save your life."
|
|
|
|
"Why, Mars Tom, I doan' WANT no sich glory.
|
|
Snake take 'n bite Jim's chin off, den WHAH is de
|
|
glory? No, sah, I doan' want no sich doin's."
|
|
|
|
"Blame it, can't you TRY? I only WANT you to try
|
|
-- you needn't keep it up if it don't work."
|
|
|
|
"But de trouble all DONE ef de snake bite me while
|
|
I's a tryin' him. Mars Tom, I's willin' to tackle mos'
|
|
anything 'at ain't onreasonable, but ef you en Huck
|
|
fetches a rattlesnake in heah for me to tame, I's
|
|
gwyne to LEAVE, dat's SHORE."
|
|
|
|
"Well, then, let it go, let it go, if you're so bull-
|
|
headed about it. We can get you some garter-snakes,
|
|
and you can tie some buttons on their tails, and let on
|
|
they're rattlesnakes, and I reckon that 'll have to do."
|
|
|
|
"I k'n stan' DEM, Mars Tom, but blame' 'f I
|
|
couldn' get along widout um, I tell you dat. I never
|
|
knowed b'fo' 't was so much bother and trouble to be
|
|
a prisoner."
|
|
|
|
"Well, it ALWAYS is when it's done right. You got
|
|
any rats around here?"
|
|
|
|
"No, sah, I hain't seed none."
|
|
|
|
"Well, we'll get you some rats."
|
|
|
|
"Why, Mars Tom, I doan' WANT no rats. Dey's
|
|
de dadblamedest creturs to 'sturb a body, en rustle
|
|
roun' over 'im, en bite his feet, when he's tryin' to
|
|
sleep, I ever see. No, sah, gimme g'yarter-snakes, 'f
|
|
I's got to have 'm, but doan' gimme no rats; I hain'
|
|
got no use f'r um, skasely."
|
|
|
|
"But, Jim, you GOT to have 'em -- they all do. So
|
|
don't make no more fuss about it. Prisoners ain't
|
|
ever without rats. There ain't no instance of it. And
|
|
they train them, and pet them, and learn them tricks,
|
|
and they get to be as sociable as flies. But you got to
|
|
play music to them. You got anything to play music
|
|
on?"
|
|
|
|
"I ain' got nuffn but a coase comb en a piece o'
|
|
paper, en a juice-harp; but I reck'n dey wouldn' take
|
|
no stock in a juice-harp."
|
|
|
|
"Yes they would. THEY don't care what kind of
|
|
music 'tis. A jews-harp's plenty good enough for a
|
|
rat. All animals like music -- in a prison they dote
|
|
on it. Specially, painful music; and you can't get no
|
|
other kind out of a jews-harp. It always interests
|
|
them; they come out to see what's the matter with
|
|
you. Yes, you're all right; you're fixed very well.
|
|
You want to set on your bed nights before you go to
|
|
sleep, and early in the mornings, and play your jews-
|
|
harp; play 'The Last Link is Broken' -- that's the
|
|
thing that 'll scoop a rat quicker 'n anything else; and
|
|
when you've played about two minutes you'll see all
|
|
the rats, and the snakes, and spiders, and things begin
|
|
to feel worried about you, and come. And they'll
|
|
just fairly swarm over you, and have a noble good
|
|
time."
|
|
|
|
"Yes, DEY will, I reck'n, Mars Tom, but what kine
|
|
er time is JIM havin'? Blest if I kin see de pint. But
|
|
I'll do it ef I got to. I reck'n I better keep de animals
|
|
satisfied, en not have no trouble in de house."
|
|
|
|
Tom waited to think it over, and see if there wasn't
|
|
nothing else; and pretty soon he says:
|
|
|
|
"Oh, there's one thing I forgot. Could you raise
|
|
a flower here, do you reckon?"
|
|
|
|
"I doan know but maybe I could, Mars Tom; but
|
|
it's tolable dark in heah, en I ain' got no use f'r no
|
|
flower, nohow, en she'd be a pow'ful sight o' trouble."
|
|
|
|
"Well, you try it, anyway. Some other prisoners
|
|
has done it."
|
|
|
|
"One er dem big cat-tail-lookin' mullen-stalks would
|
|
grow in heah, Mars Tom, I reck'n, but she wouldn't
|
|
be wuth half de trouble she'd coss."
|
|
|
|
"Don't you believe it. We'll fetch you a little one
|
|
and you plant it in the corner over there, and raise it.
|
|
And don't call it mullen, call it Pitchiola -- that's its
|
|
right name when it's in a prison. And you want to
|
|
water it with your tears."
|
|
|
|
"Why, I got plenty spring water, Mars Tom."
|
|
|
|
"You don't WANT spring water; you want to water
|
|
it with your tears. It's the way they always do."
|
|
|
|
"Why, Mars Tom, I lay I kin raise one er dem
|
|
mullen-stalks twyste wid spring water whiles another
|
|
man's a START'N one wid tears."
|
|
|
|
"That ain't the idea. You GOT to do it with tears."
|
|
|
|
"She'll die on my han's, Mars Tom, she sholy
|
|
will; kase I doan' skasely ever cry."
|
|
|
|
So Tom was stumped. But he studied it over, and
|
|
then said Jim would have to worry along the best he
|
|
could with an onion. He promised he would go to the
|
|
nigger cabins and drop one, private, in Jim's coffee-
|
|
pot, in the morning. Jim said he would "jis' 's soon
|
|
have tobacker in his coffee;" and found so much fault
|
|
with it, and with the work and bother of raising the
|
|
mullen, and jews-harping the rats, and petting and
|
|
flattering up the snakes and spiders and things, on top
|
|
of all the other work he had to do on pens, and in-
|
|
scriptions, and journals, and things, which made it
|
|
more trouble and worry and responsibility to be a
|
|
prisoner than anything he ever undertook, that Tom
|
|
most lost all patience with him; and said he was just
|
|
loadened down with more gaudier chances than a
|
|
prisoner ever had in the world to make a name for
|
|
himself, and yet he didn't know enough to appreciate
|
|
them, and they was just about wasted on him. So
|
|
Jim he was sorry, and said he wouldn't behave so no
|
|
more, and then me and Tom shoved for bed.
|
|
|
|
|
|
CHAPTER XXXIX.
|
|
|
|
IN the morning we went up to the village and bought
|
|
a wire rat-trap and fetched it down, and unstopped
|
|
the best rat-hole, and in about an hour we had fifteen
|
|
of the bulliest kind of ones; and then we took it and
|
|
put it in a safe place under Aunt Sally's bed. But
|
|
while we was gone for spiders little Thomas Franklin
|
|
Benjamin Jefferson Elexander Phelps found it there,
|
|
and opened the door of it to see if the rats would come
|
|
out, and they did; and Aunt Sally she come in, and
|
|
when we got back she was a-standing on top of the bed
|
|
raising Cain, and the rats was doing what they could to
|
|
keep off the dull times for her. So she took and
|
|
dusted us both with the hickry, and we was as much
|
|
as two hours catching another fifteen or sixteen, drat
|
|
that meddlesome cub, and they warn't the likeliest,
|
|
nuther, because the first haul was the pick of the flock.
|
|
I never see a likelier lot of rats than what that first
|
|
haul was.
|
|
|
|
We got a splendid stock of sorted spiders, and bugs,
|
|
and frogs, and caterpillars, and one thing or another;
|
|
and we like to got a hornet's nest, but we didn't. The
|
|
family was at home. We didn't give it right up, but
|
|
stayed with them as long as we could; because we
|
|
allowed we'd tire them out or they'd got to tire us
|
|
out, and they done it. Then we got allycumpain and
|
|
rubbed on the places, and was pretty near all right
|
|
again, but couldn't set down convenient. And so we
|
|
went for the snakes, and grabbed a couple of dozen
|
|
garters and house-snakes, and put them in a bag, and
|
|
put it in our room, and by that time it was supper-
|
|
time, and a rattling good honest day's work: and
|
|
hungry? -- oh, no, I reckon not! And there warn't a
|
|
blessed snake up there when we went back -- we didn't
|
|
half tie the sack, and they worked out somehow, and
|
|
left. But it didn't matter much, because they was
|
|
still on the premises somewheres. So we judged we
|
|
could get some of them again. No, there warn't no
|
|
real scarcity of snakes about the house for a consider-
|
|
able spell. You'd see them dripping from the rafters
|
|
and places every now and then; and they generly
|
|
landed in your plate, or down the back of your neck,
|
|
and most of the time where you didn't want them.
|
|
Well, they was handsome and striped, and there warn't
|
|
no harm in a million of them; but that never made no
|
|
difference to Aunt Sally; she despised snakes, be the
|
|
breed what they might, and she couldn't stand them
|
|
no way you could fix it; and every time one of them
|
|
flopped down on her, it didn't make no difference what
|
|
she was doing, she would just lay that work down and
|
|
light out. I never see such a woman. And you could
|
|
hear her whoop to Jericho. You couldn't get her to
|
|
take a-holt of one of them with the tongs. And if she
|
|
turned over and found one in bed she would scramble
|
|
out and lift a howl that you would think the house was
|
|
afire. She disturbed the old man so that he said he
|
|
could most wish there hadn't ever been no snakes
|
|
created. Why, after every last snake had been gone
|
|
clear out of the house for as much as a week Aunt
|
|
Sally warn't over it yet; she warn't near over it; when
|
|
she was setting thinking about something you could
|
|
touch her on the back of her neck with a feather and
|
|
she would jump right out of her stockings. It was
|
|
very curious. But Tom said all women was just so.
|
|
He said they was made that way for some reason or
|
|
other.
|
|
|
|
We got a licking every time one of our snakes come
|
|
in her way, and she allowed these lickings warn't noth-
|
|
ing to what she would do if we ever loaded up the
|
|
place again with them. I didn't mind the lickings,
|
|
because they didn't amount to nothing; but I minded
|
|
the trouble we had to lay in another lot. But we got
|
|
them laid in, and all the other things; and you never
|
|
see a cabin as blithesome as Jim's was when they'd all
|
|
swarm out for music and go for him. Jim didn't like
|
|
the spiders, and the spiders didn't like Jim; and so
|
|
they'd lay for him, and make it mighty warm for him.
|
|
And he said that between the rats and the snakes and
|
|
the grindstone there warn't no room in bed for him,
|
|
skasely; and when there was, a body couldn't sleep, it
|
|
was so lively, and it was always lively, he said, because
|
|
THEY never all slept at one time, but took turn about,
|
|
so when the snakes was asleep the rats was on deck,
|
|
and when the rats turned in the snakes come on watch,
|
|
so he always had one gang under him, in his way, and
|
|
t'other gang having a circus over him, and if he got
|
|
up to hunt a new place the spiders would take a chance
|
|
at him as he crossed over. He said if he ever got out
|
|
this time he wouldn't ever be a prisoner again, not for
|
|
a salary.
|
|
|
|
Well, by the end of three weeks everything was in
|
|
pretty good shape. The shirt was sent in early, in a
|
|
pie, and every time a rat bit Jim he would get up and
|
|
write a little in his journal whilst the ink was fresh; the
|
|
pens was made, the inscriptions and so on was all
|
|
carved on the grindstone; the bed-leg was sawed in
|
|
two, and we had et up the sawdust, and it give us a
|
|
most amazing stomach-ache. We reckoned we was all
|
|
going to die, but didn't. It was the most undigestible
|
|
sawdust I ever see; and Tom said the same. But as I
|
|
was saying, we'd got all the work done now, at last;
|
|
and we was all pretty much fagged out, too, but mainly
|
|
Jim. The old man had wrote a couple of times to the
|
|
plantation below Orleans to come and get their run-
|
|
away nigger, but hadn't got no answer, because there
|
|
warn't no such plantation; so he allowed he would ad-
|
|
vertise Jim in the St. Louis and New Orleans papers;
|
|
and when he mentioned the St. Louis ones it give me
|
|
the cold shivers, and I see we hadn't no time to lose.
|
|
So Tom said, now for the nonnamous letters.
|
|
|
|
"What's them?" I says.
|
|
|
|
"Warnings to the people that something is up.
|
|
Sometimes it's done one way, sometimes another.
|
|
But there's always somebody spying around that gives
|
|
notice to the governor of the castle. When Louis
|
|
XVI. was going to light out of the Tooleries a servant-
|
|
girl done it. It's a very good way, and so is the
|
|
nonnamous letters. We'll use them both. And it's
|
|
usual for the prisoner's mother to change clothes with
|
|
him, and she stays in, and he slides out in her clothes.
|
|
We'll do that, too."
|
|
|
|
"But looky here, Tom, what do we want to WARN
|
|
anybody for that something's up? Let them find it
|
|
out for themselves -- it's their lookout."
|
|
|
|
"Yes, I know; but you can't depend on them.
|
|
It's the way they've acted from the very start -- left
|
|
us to do EVERYTHING. They're so confiding and mullet-
|
|
headed they don't take notice of nothing at all. So if
|
|
we don't GIVE them notice there won't be nobody nor
|
|
nothing to interfere with us, and so after all our hard
|
|
work and trouble this escape 'll go off perfectly flat;
|
|
won't amount to nothing -- won't be nothing TO it."
|
|
|
|
"Well, as for me, Tom, that's the way I'd like."
|
|
|
|
"Shucks!" he says, and looked disgusted. So I
|
|
says:
|
|
|
|
"But I ain't going to make no complaint. Any
|
|
way that suits you suits me. What you going to do
|
|
about the servant-girl?"
|
|
|
|
"You'll be her. You slide in, in the middle of the
|
|
night, and hook that yaller girl's frock."
|
|
|
|
"Why, Tom, that 'll make trouble next morning;
|
|
because, of course, she prob'bly hain't got any but
|
|
that one."
|
|
|
|
"I know; but you don't want it but fifteen minutes,
|
|
to carry the nonnamous letter and shove it under the
|
|
front door."
|
|
|
|
"All right, then, I'll do it; but I could carry it just
|
|
as handy in my own togs."
|
|
|
|
"You wouldn't look like a servant-girl THEN, would
|
|
you?"
|
|
|
|
"No, but there won't be nobody to see what I look
|
|
like, ANYWAY."
|
|
|
|
"That ain't got nothing to do with it. The thing
|
|
for us to do is just to do our DUTY, and not worry
|
|
about whether anybody SEES us do it or not. Hain't
|
|
you got no principle at all?"
|
|
|
|
"All right, I ain't saying nothing; I'm the servant-
|
|
girl. Who's Jim's mother?"
|
|
|
|
"I'm his mother. I'll hook a gown from Aunt
|
|
Sally."
|
|
|
|
"Well, then, you'll have to stay in the cabin when
|
|
me and Jim leaves."
|
|
|
|
"Not much. I'll stuff Jim's clothes full of straw
|
|
and lay it on his bed to represent his mother in dis-
|
|
guise, and Jim 'll take the nigger woman's gown off of
|
|
me and wear it, and we'll all evade together. When a
|
|
prisoner of style escapes it's called an evasion. It's
|
|
always called so when a king escapes, f'rinstance.
|
|
And the same with a king's son; it don't make no differ-
|
|
ence whether he's a natural one or an unnatural one."
|
|
|
|
So Tom he wrote the nonnamous letter, and I
|
|
smouched the yaller wench's frock that night, and put
|
|
it on, and shoved it under the front door, the way Tom
|
|
told me to. It said:
|
|
|
|
Beware. Trouble is brewing. Keep a sharp lookout.
|
|
UNKNOWN FRIEND.
|
|
|
|
Next night we stuck a picture, which Tom drawed
|
|
in blood, of a skull and crossbones on the front door;
|
|
and next night another one of a coffin on the back
|
|
door. I never see a family in such a sweat. They
|
|
couldn't a been worse scared if the place had a been
|
|
full of ghosts laying for them behind everything and
|
|
under the beds and shivering through the air. If a
|
|
door banged, Aunt Sally she jumped and said
|
|
"ouch!" if anything fell, she jumped and said
|
|
"ouch!" if you happened to touch her, when she
|
|
warn't noticing, she done the same; she couldn't face
|
|
noway and be satisfied, because she allowed there was
|
|
something behind her every time -- so she was always
|
|
a-whirling around sudden, and saying "ouch," and
|
|
before she'd got two-thirds around she'd whirl back
|
|
again, and say it again; and she was afraid to go to bed,
|
|
but she dasn't set up. So the thing was working
|
|
very well, Tom said; he said he never see a thing
|
|
work more satisfactory. He said it showed it was
|
|
done right.
|
|
|
|
So he said, now for the grand bulge! So the very
|
|
next morning at the streak of dawn we got another
|
|
letter ready, and was wondering what we better do with
|
|
it, because we heard them say at supper they was
|
|
going to have a nigger on watch at both doors all
|
|
night. Tom he went down the lightning-rod to spy
|
|
around; and the nigger at the back door was asleep,
|
|
and he stuck it in the back of his neck and come back.
|
|
This letter said:
|
|
|
|
|
|
Don't betray me, I wish to be your friend. There
|
|
is a desprate gang of cut-throats from over in the
|
|
Indian Territory going to steal your runaway
|
|
nigger to-night, and they have been trying to scare
|
|
you so as you will stay in the house and not bother
|
|
them. I am one of the gang, but have got religgion
|
|
and wish to quit it and lead an honest life again,
|
|
and will betray the helish design. They will sneak
|
|
down from northards, along the fence, at midnight
|
|
exact, with a false key, and go in the nigger's
|
|
cabin to get him. I am to be off a piece and blow
|
|
a tin horn if I see any danger; but stead of that I
|
|
will BA like a sheep soon as they get in and not
|
|
blow at all; then whilst they are getting his chains
|
|
loose, you slip there and lock them in, and can
|
|
kill them at your leasure. Don't do anything but
|
|
just the way I am telling you; if you do they will
|
|
suspicion something and raise whoop-jamboreehoo. I
|
|
do not wish any reward but to know I have done the
|
|
right thing.
|
|
UNKNOWN FRIEND.
|
|
|
|
|
|
|
|
CHAPTER XL.
|
|
|
|
WE was feeling pretty good after breakfast, and
|
|
took my canoe and went over the river a-fishing,
|
|
with a lunch, and had a good time, and took a look at
|
|
the raft and found her all right, and got home late to
|
|
supper, and found them in such a sweat and worry
|
|
they didn't know which end they was standing on, and
|
|
made us go right off to bed the minute we was done
|
|
supper, and wouldn't tell us what the trouble was, and
|
|
never let on a word about the new letter, but didn't
|
|
need to, because we knowed as much about it as
|
|
anybody did, and as soon as we was half up stairs and
|
|
her back was turned we slid for the cellar cubboard
|
|
and loaded up a good lunch and took it up to our
|
|
room and went to bed, and got up about half-past
|
|
eleven, and Tom put on Aunt Sally's dress that he
|
|
stole and was going to start with the lunch, but says:
|
|
|
|
"Where's the butter?"
|
|
|
|
"I laid out a hunk of it," I says, "on a piece of a
|
|
corn-pone."
|
|
|
|
"Well, you LEFT it laid out, then -- it ain't here."
|
|
|
|
"We can get along without it," I says.
|
|
|
|
"We can get along WITH it, too," he says; "just
|
|
you slide down cellar and fetch it. And then mosey
|
|
right down the lightning-rod and come along. I'll go
|
|
and stuff the straw into Jim's clothes to represent his
|
|
mother in disguise, and be ready to BA like a sheep
|
|
and shove soon as you get there."
|
|
|
|
So out he went, and down cellar went I. The hunk
|
|
of butter, big as a person's fist, was where I had left
|
|
it, so I took up the slab of corn-pone with it on, and
|
|
blowed out my light, and started up stairs very
|
|
stealthy, and got up to the main floor all right, but
|
|
here comes Aunt Sally with a candle, and I clapped
|
|
the truck in my hat, and clapped my hat on my head,
|
|
and the next second she see me; and she says:
|
|
|
|
"You been down cellar?"
|
|
|
|
"Yes'm."
|
|
|
|
"What you been doing down there?"
|
|
|
|
"Noth'n."
|
|
|
|
"NOTH'N!"
|
|
|
|
"No'm."
|
|
|
|
"Well, then, what possessed you to go down there
|
|
this time of night?"
|
|
|
|
"I don't know 'm."
|
|
|
|
"You don't KNOW? Don't answer me that way.
|
|
Tom, I want to know what you been DOING down
|
|
there."
|
|
|
|
"I hain't been doing a single thing, Aunt Sally, I
|
|
hope to gracious if I have."
|
|
|
|
I reckoned she'd let me go now, and as a generl
|
|
thing she would; but I s'pose there was so many
|
|
strange things going on she was just in a sweat about
|
|
every little thing that warn't yard-stick straight; so she
|
|
says, very decided:
|
|
|
|
"You just march into that setting-room and stay
|
|
there till I come. You been up to something you no
|
|
business to, and I lay I'll find out what it is before I'M
|
|
done with you."
|
|
|
|
So she went away as I opened the door and walked
|
|
into the setting-room. My, but there was a crowd
|
|
there! Fifteen farmers, and every one of them had a
|
|
gun. I was most powerful sick, and slunk to a chair
|
|
and set down. They was setting around, some of them
|
|
talking a little, in a low voice, and all of them fidgety
|
|
and uneasy, but trying to look like they warn't; but I
|
|
knowed they was, because they was always taking off
|
|
their hats, and putting them on, and scratching their
|
|
heads, and changing their seats, and fumbling with
|
|
their buttons. I warn't easy myself, but I didn't take
|
|
my hat off, all the same.
|
|
|
|
I did wish Aunt Sally would come, and get done
|
|
with me, and lick me, if she wanted to, and let me get
|
|
away and tell Tom how we'd overdone this thing, and
|
|
what a thundering hornet's-nest we'd got ourselves
|
|
into, so we could stop fooling around straight off, and
|
|
clear out with Jim before these rips got out of patience
|
|
and come for us.
|
|
|
|
At last she come and begun to ask me questions,
|
|
but I COULDN'T answer them straight, I didn't know
|
|
which end of me was up; because these men was in
|
|
such a fidget now that some was wanting to start right
|
|
NOW and lay for them desperadoes, and saying it warn't
|
|
but a few minutes to midnight; and others was trying
|
|
to get them to hold on and wait for the sheep-signal;
|
|
and here was Aunty pegging away at the questions,
|
|
and me a-shaking all over and ready to sink down in
|
|
my tracks I was that scared; and the place getting
|
|
hotter and hotter, and the butter beginning to melt and
|
|
run down my neck and behind my ears; and pretty
|
|
soon, when one of them says, "I'M for going and
|
|
getting in the cabin FIRST and right NOW, and catching
|
|
them when they come," I most dropped; and a streak
|
|
of butter come a-trickling down my forehead, and
|
|
Aunt Sally she see it, and turns white as a sheet, and
|
|
says:
|
|
|
|
"For the land's sake, what IS the matter with the
|
|
child? He's got the brain-fever as shore as you're
|
|
born, and they're oozing out!"
|
|
|
|
And everybody runs to see, and she snatches off my
|
|
hat, and out comes the bread and what was left of the
|
|
butter, and she grabbed me, and hugged me, and
|
|
says:
|
|
|
|
"Oh, what a turn you did give me! and how glad
|
|
and grateful I am it ain't no worse; for luck's against
|
|
us, and it never rains but it pours, and when I see that
|
|
truck I thought we'd lost you, for I knowed by the
|
|
color and all it was just like your brains would be if --
|
|
Dear, dear, whyd'nt you TELL me that was what you'd
|
|
been down there for, I wouldn't a cared. Now cler
|
|
out to bed, and don't lemme see no more of you till
|
|
morning!"
|
|
|
|
I was up stairs in a second, and down the lightning-
|
|
rod in another one, and shinning through the dark for
|
|
the lean-to. I couldn't hardly get my words out, I
|
|
was so anxious; but I told Tom as quick as I could
|
|
we must jump for it now, and not a minute to lose --
|
|
the house full of men, yonder, with guns!
|
|
|
|
His eyes just blazed; and he says:
|
|
|
|
"No! -- is that so? AIN'T it bully! Why, Huck,
|
|
if it was to do over again, I bet I could fetch two hun-
|
|
dred! If we could put it off till --"
|
|
|
|
"Hurry! HURRY!" I says. "Where's Jim?"
|
|
|
|
"Right at your elbow; if you reach out your arm
|
|
you can touch him. He's dressed, and everything's
|
|
ready. Now we'll slide out and give the sheep-
|
|
signal."
|
|
|
|
But then we heard the tramp of men coming to the
|
|
door, and heard them begin to fumble with the pad-
|
|
lock, and heard a man say:
|
|
|
|
"I TOLD you we'd be too soon; they haven't come
|
|
-- the door is locked. Here, I'll lock some of you
|
|
into the cabin, and you lay for 'em in the dark and kill
|
|
'em when they come; and the rest scatter around a
|
|
piece, and listen if you can hear 'em coming."
|
|
|
|
So in they come, but couldn't see us in the dark, and
|
|
most trod on us whilst we was hustling to get under
|
|
the bed. But we got under all right, and out through
|
|
the hole, swift but soft -- Jim first, me next, and Tom
|
|
last, which was according to Tom's orders. Now we
|
|
was in the lean-to, and heard trampings close by out-
|
|
side. So we crept to the door, and Tom stopped us
|
|
there and put his eye to the crack, but couldn't make
|
|
out nothing, it was so dark; and whispered and said
|
|
he would listen for the steps to get further, and when
|
|
he nudged us Jim must glide out first, and him last.
|
|
So he set his ear to the crack and listened, and
|
|
listened, and listened, and the steps a-scraping around
|
|
out there all the time; and at last he nudged us, and
|
|
we slid out, and stooped down, not breathing, and not
|
|
making the least noise, and slipped stealthy towards the
|
|
fence in Injun file, and got to it all right, and me and
|
|
Jim over it; but Tom's britches catched fast on a splinter
|
|
on the top rail, and then he hear the steps coming, so he
|
|
had to pull loose, which snapped the splinter and made
|
|
a noise; and as he dropped in our tracks and started
|
|
somebody sings out:
|
|
|
|
"Who's that? Answer, or I'll shoot!"
|
|
|
|
But we didn't answer; we just unfurled our heels
|
|
and shoved. Then there was a rush, and a BANG, BANG,
|
|
BANG! and the bullets fairly whizzed around us! We
|
|
heard them sing out:
|
|
|
|
"Here they are! They've broke for the river!
|
|
After 'em, boys, and turn loose the dogs!"
|
|
|
|
So here they come, full tilt. We could hear them
|
|
because they wore boots and yelled, but we didn't wear
|
|
no boots and didn't yell. We was in the path to the
|
|
mill; and when they got pretty close on to us we
|
|
dodged into the bush and let them go by, and then
|
|
dropped in behind them. They'd had all the dogs
|
|
shut up, so they wouldn't scare off the robbers; but
|
|
by this time somebody had let them loose, and here
|
|
they come, making powwow enough for a million; but
|
|
they was our dogs; so we stopped in our tracks till
|
|
they catched up; and when they see it warn't nobody
|
|
but us, and no excitement to offer them, they only just
|
|
said howdy, and tore right ahead towards the shouting
|
|
and clattering; and then we up-steam again, and
|
|
whizzed along after them till we was nearly to the
|
|
mill, and then struck up through the bush to where
|
|
my canoe was tied, and hopped in and pulled for dear
|
|
life towards the middle of the river, but didn't make
|
|
no more noise than we was obleeged to. Then we
|
|
struck out, easy and comfortable, for the island where
|
|
my raft was; and we could hear them yelling and
|
|
barking at each other all up and down the bank, till we
|
|
was so far away the sounds got dim and died out.
|
|
And when we stepped on to the raft I says:
|
|
|
|
"NOW, old Jim, you're a free man again, and I bet
|
|
you won't ever be a slave no more."
|
|
|
|
"En a mighty good job it wuz, too, Huck. It 'uz
|
|
planned beautiful, en it 'uz done beautiful; en dey
|
|
ain't NOBODY kin git up a plan dat's mo' mixed-up en
|
|
splendid den what dat one wuz."
|
|
|
|
We was all glad as we could be, but Tom was the
|
|
gladdest of all because he had a bullet in the calf of
|
|
his leg.
|
|
|
|
When me and Jim heard that we didn't feel so brash
|
|
as what we did before. It was hurting him consider-
|
|
able, and bleeding; so we laid him in the wigwam and
|
|
tore up one of the duke's shirts for to bandage him,
|
|
but he says:
|
|
|
|
"Gimme the rags; I can do it myself. Don't stop
|
|
now; don't fool around here, and the evasion booming
|
|
along so handsome; man the sweeps, and set her
|
|
loose! Boys, we done it elegant! -- 'deed we did. I
|
|
wish WE'D a had the handling of Louis XVI., there
|
|
wouldn't a been no 'Son of Saint Louis, ascend to
|
|
heaven!' wrote down in HIS biography; no, sir, we'd
|
|
a whooped him over the BORDER -- that's what we'd a
|
|
done with HIM -- and done it just as slick as nothing
|
|
at all, too. Man the sweeps -- man the sweeps!"
|
|
|
|
But me and Jim was consulting -- and thinking.
|
|
And after we'd thought a minute, I says:
|
|
|
|
"Say it, Jim."
|
|
|
|
So he says:
|
|
|
|
"Well, den, dis is de way it look to me, Huck. Ef
|
|
it wuz HIM dat 'uz bein' sot free, en one er de boys
|
|
wuz to git shot, would he say, 'Go on en save me,
|
|
nemmine 'bout a doctor f'r to save dis one?' Is dat
|
|
like Mars Tom Sawyer? Would he say dat? You BET
|
|
he wouldn't! WELL, den, is JIM gywne to say it?
|
|
No, sah -- I doan' budge a step out'n dis place 'dout
|
|
a DOCTOR, not if it's forty year!"
|
|
|
|
I knowed he was white inside, and I reckoned he'd
|
|
say what he did say -- so it was all right now, and I
|
|
told Tom I was a-going for a doctor. He raised con-
|
|
siderable row about it, but me and Jim stuck to it and
|
|
wouldn't budge; so he was for crawling out and set-
|
|
ting the raft loose himself; but we wouldn't let him.
|
|
Then he give us a piece of his mind, but it didn't do
|
|
no good.
|
|
|
|
So when he sees me getting the canoe ready, he
|
|
says:
|
|
|
|
"Well, then, if you re bound to go, I'll tell you the
|
|
way to do when you get to the village. Shut the door
|
|
and blindfold the doctor tight and fast, and make him
|
|
swear to be silent as the grave, and put a purse full of
|
|
gold in his hand, and then take and lead him all around
|
|
the back alleys and everywheres in the dark, and then
|
|
fetch him here in the canoe, in a roundabout way
|
|
amongst the islands, and search him and take his chalk
|
|
away from him, and don't give it back to him till
|
|
you get him back to the village, or else he will chalk
|
|
this raft so he can find it again. It's the way they
|
|
all do."
|
|
|
|
So I said I would, and left, and Jim was to hide in
|
|
the woods when he see the doctor coming till he was
|
|
gone again.
|
|
|
|
|
|
CHAPTER XLI.
|
|
|
|
THE doctor was an old man; a very nice, kind-look-
|
|
ing old man when I got him up. I told him
|
|
me and my brother was over on Spanish Island hunt-
|
|
ing yesterday afternoon, and camped on a piece of a
|
|
raft we found, and about midnight he must a kicked his
|
|
gun in his dreams, for it went off and shot him in the
|
|
leg, and we wanted him to go over there and fix it and
|
|
not say nothing about it, nor let anybody know, be-
|
|
cause we wanted to come home this evening and sur-
|
|
prise the folks.
|
|
|
|
"Who is your folks?" he says.
|
|
|
|
"The Phelpses, down yonder."
|
|
|
|
"Oh," he says. And after a minute, he says:
|
|
|
|
"How'd you say he got shot?"
|
|
|
|
"He had a dream," I says, "and it shot him."
|
|
|
|
"Singular dream," he says.
|
|
|
|
So he lit up his lantern, and got his saddle-bags, and
|
|
we started. But when he sees the canoe he didn't like
|
|
the look of her -- said she was big enough for one, but
|
|
didn't look pretty safe for two. I says:
|
|
|
|
"Oh, you needn't be afeard, sir, she carried the
|
|
three of us easy enough."
|
|
|
|
"What three?"
|
|
|
|
"Why, me and Sid, and -- and -- and THE GUNS;
|
|
that's what I mean."
|
|
|
|
"Oh," he says.
|
|
|
|
But he put his foot on the gunnel and rocked her,
|
|
and shook his head, and said he reckoned he'd look
|
|
around for a bigger one. But they was all locked and
|
|
chained; so he took my canoe, and said for me to wait
|
|
till he come back, or I could hunt around further, or
|
|
maybe I better go down home and get them ready for
|
|
the surprise if I wanted to. But I said I didn't; so
|
|
I told him just how to find the raft, and then he started.
|
|
|
|
I struck an idea pretty soon. I says to myself,
|
|
spos'n he can't fix that leg just in three shakes of a
|
|
sheep's tail, as the saying is? spos'n it takes him three
|
|
or four days? What are we going to do? -- lay around
|
|
there till he lets the cat out of the bag? No, sir; I
|
|
know what I'LL do. I'll wait, and when he comes back
|
|
if he says he's got to go any more I'll get down there,
|
|
too, if I swim; and we'll take and tie him, and keep
|
|
him, and shove out down the river; and when Tom's
|
|
done with him we'll give him what it's worth, or all
|
|
we got, and then let him get ashore.
|
|
|
|
So then I crept into a lumber-pile to get some sleep;
|
|
and next time I waked up the sun was away up over
|
|
my head! I shot out and went for the doctor's
|
|
house, but they told me he'd gone away in the night
|
|
some time or other, and warn't back yet. Well, thinks
|
|
I, that looks powerful bad for Tom, and I'll dig out
|
|
for the island right off. So away I shoved, and turned
|
|
the corner, and nearly rammed my head into Uncle
|
|
Silas's stomach! He says:
|
|
|
|
"Why, TOM! Where you been all this time, you
|
|
rascal?"
|
|
|
|
"I hain't been nowheres," I says, "only just hunt-
|
|
ing for the runaway nigger -- me and Sid."
|
|
|
|
"Why, where ever did you go?" he says. "Your
|
|
aunt's been mighty uneasy."
|
|
|
|
"She needn't," I says, "because we was all right.
|
|
We followed the men and the dogs, but they outrun us,
|
|
and we lost them; but we thought we heard them on
|
|
the water, so we got a canoe and took out after them
|
|
and crossed over, but couldn't find nothing of them;
|
|
so we cruised along up-shore till we got kind of tired
|
|
and beat out; and tied up the canoe and went to sleep,
|
|
and never waked up till about an hour ago; then we
|
|
paddled over here to hear the news, and Sid's at the
|
|
post-office to see what he can hear, and I'm a-branch-
|
|
ing out to get something to eat for us, and then we're
|
|
going home."
|
|
|
|
So then we went to the post-office to get "Sid"; but
|
|
just as I suspicioned, he warn't there; so the old man
|
|
he got a letter out of the office, and we waited awhile
|
|
longer, but Sid didn't come; so the old man said,
|
|
come along, let Sid foot it home, or canoe it, when he
|
|
got done fooling around -- but we would ride. I
|
|
couldn't get him to let me stay and wait for Sid; and
|
|
he said there warn't no use in it, and I must come
|
|
along, and let Aunt Sally see we was all right.
|
|
|
|
When we got home Aunt Sally was that glad to see
|
|
me she laughed and cried both, and hugged me, and
|
|
give me one of them lickings of hern that don't amount
|
|
to shucks, and said she'd serve Sid the same when he
|
|
come.
|
|
|
|
And the place was plum full of farmers and farmers'
|
|
wives, to dinner; and such another clack a body never
|
|
heard. Old Mrs. Hotchkiss was the worst; her tongue
|
|
was a-going all the time. She says:
|
|
|
|
"Well, Sister Phelps, I've ransacked that-air cabin
|
|
over, an' I b'lieve the nigger was crazy. I says to
|
|
Sister Damrell -- didn't I, Sister Damrell? -- s'I, he's
|
|
crazy, s'I -- them's the very words I said. You all
|
|
hearn me: he's crazy, s'I; everything shows it, s'I.
|
|
Look at that-air grindstone, s'I; want to tell ME't any
|
|
cretur 't's in his right mind 's a goin' to scrabble all
|
|
them crazy things onto a grindstone, s'I? Here sich 'n'
|
|
sich a person busted his heart; 'n' here so 'n' so
|
|
pegged along for thirty-seven year, 'n' all that --
|
|
natcherl son o' Louis somebody, 'n' sich everlast'n
|
|
rubbage. He's plumb crazy, s'I; it's what I says in
|
|
the fust place, it's what I says in the middle, 'n' it's
|
|
what I says last 'n' all the time -- the nigger's crazy --
|
|
crazy 's Nebokoodneezer, s'I."
|
|
|
|
"An' look at that-air ladder made out'n rags, Sister
|
|
Hotchkiss," says old Mrs. Damrell; "what in the
|
|
name o' goodness COULD he ever want of --"
|
|
|
|
"The very words I was a-sayin' no longer ago th'n
|
|
this minute to Sister Utterback, 'n' she'll tell you so
|
|
herself. Sh-she, look at that-air rag ladder, sh-she;
|
|
'n' s'I, yes, LOOK at it, s'I -- what COULD he a-wanted
|
|
of it, s'I. Sh-she, Sister Hotchkiss, sh-she --"
|
|
|
|
"But how in the nation'd they ever GIT that grind-
|
|
stone IN there, ANYWAY? 'n' who dug that-air HOLE? 'n'
|
|
who --"
|
|
|
|
"My very WORDS, Brer Penrod! I was a-sayin' --
|
|
pass that-air sasser o' m'lasses, won't ye? -- I was
|
|
a-sayin' to Sister Dunlap, jist this minute, how DID they
|
|
git that grindstone in there, s'I. Without HELP, mind
|
|
you -- 'thout HELP! THAT'S wher 'tis. Don't tell ME,
|
|
s'I; there WUZ help, s'I; 'n' ther' wuz a PLENTY help,
|
|
too, s'I; ther's ben a DOZEN a-helpin' that nigger, 'n' I
|
|
lay I'd skin every last nigger on this place but I'D find
|
|
out who done it, s'I; 'n' moreover, s'I --"
|
|
|
|
"A DOZEN says you! -- FORTY couldn't a done every
|
|
thing that's been done. Look at them case-knife saws
|
|
and things, how tedious they've been made; look at
|
|
that bed-leg sawed off with 'm, a week's work for six
|
|
men; look at that nigger made out'n straw on the bed;
|
|
and look at --"
|
|
|
|
"You may WELL say it, Brer Hightower! It's jist as
|
|
I was a-sayin' to Brer Phelps, his own self. S'e, what
|
|
do YOU think of it, Sister Hotchkiss, s'e? Think o'
|
|
what, Brer Phelps, s'I? Think o' that bed-leg sawed
|
|
off that a way, s'e? THINK of it, s'I? I lay it never
|
|
sawed ITSELF off, s'I -- somebody SAWED it, s'I; that's
|
|
my opinion, take it or leave it, it mayn't be no 'count,
|
|
s'I, but sich as 't is, it's my opinion, s'I, 'n' if any
|
|
body k'n start a better one, s'I, let him DO it, s'I,
|
|
that's all. I says to Sister Dunlap, s'I --"
|
|
|
|
"Why, dog my cats, they must a ben a house-full o'
|
|
niggers in there every night for four weeks to a done
|
|
all that work, Sister Phelps. Look at that shirt --
|
|
every last inch of it kivered over with secret African
|
|
writ'n done with blood! Must a ben a raft uv 'm at it
|
|
right along, all the time, amost. Why, I'd give two
|
|
dollars to have it read to me; 'n' as for the niggers
|
|
that wrote it, I 'low I'd take 'n' lash 'm t'll --"
|
|
|
|
"People to HELP him, Brother Marples! Well, I
|
|
reckon you'd THINK so if you'd a been in this house for
|
|
a while back. Why, they've stole everything they
|
|
could lay their hands on -- and we a-watching all the
|
|
time, mind you. They stole that shirt right off o' the
|
|
line! and as for that sheet they made the rag ladder out
|
|
of, ther' ain't no telling how many times they DIDN'T
|
|
steal that; and flour, and candles, and candlesticks,
|
|
and spoons, and the old warming-pan, and most a
|
|
thousand things that I disremember now, and my new
|
|
calico dress; and me and Silas and my Sid and Tom
|
|
on the constant watch day AND night, as I was a-telling
|
|
you, and not a one of us could catch hide nor hair nor
|
|
sight nor sound of them; and here at the last minute,
|
|
lo and behold you, they slides right in under our noses
|
|
and fools us, and not only fools US but the Injun Terri-
|
|
tory robbers too, and actuly gets AWAY with that nigger
|
|
safe and sound, and that with sixteen men and twenty-
|
|
two dogs right on their very heels at that very time!
|
|
I tell you, it just bangs anything I ever HEARD of.
|
|
Why, SPERITS couldn't a done better and been no
|
|
smarter. And I reckon they must a BEEN sperits -- be-
|
|
cause, YOU know our dogs, and ther' ain't no better;
|
|
well, them dogs never even got on the TRACK of 'm
|
|
once! You explain THAT to me if you can! -- ANY of
|
|
you!"
|
|
|
|
"Well, it does beat --"
|
|
|
|
"Laws alive, I never --"
|
|
|
|
"So help me, I wouldn't a be --"
|
|
|
|
"HOUSE-thieves as well as --"
|
|
|
|
"Goodnessgracioussakes, I'd a ben afeard to live in
|
|
sich a --"
|
|
|
|
"'Fraid to LIVE! -- why, I was that scared I dasn't
|
|
hardly go to bed, or get up, or lay down, or SET down,
|
|
Sister Ridgeway. Why, they'd steal the very -- why,
|
|
goodness sakes, you can guess what kind of a fluster I
|
|
was in by the time midnight come last night. I hope
|
|
to gracious if I warn't afraid they'd steal some o' the
|
|
family! I was just to that pass I didn't have no reason-
|
|
ing faculties no more. It looks foolish enough NOW, in
|
|
the daytime; but I says to myself, there's my two poor
|
|
boys asleep, 'way up stairs in that lonesome room, and
|
|
I declare to goodness I was that uneasy 't I crep' up
|
|
there and locked 'em in! I DID. And anybody would.
|
|
Because, you know, when you get scared that way,
|
|
and it keeps running on, and getting worse and worse
|
|
all the time, and your wits gets to addling, and you get
|
|
to doing all sorts o' wild things, and by and by you
|
|
think to yourself, spos'n I was a boy, and was away up
|
|
there, and the door ain't locked, and you --" She
|
|
stopped, looking kind of wondering, and then she
|
|
turned her head around slow, and when her eye lit on
|
|
me -- I got up and took a walk.
|
|
|
|
Says I to myself, I can explain better how we come
|
|
to not be in that room this morning if I go out to one
|
|
side and study over it a little. So I done it. But I
|
|
dasn't go fur, or she'd a sent for me. And when it
|
|
was late in the day the people all went, and then I
|
|
come in and told her the noise and shooting waked up
|
|
me and "Sid," and the door was locked, and we
|
|
wanted to see the fun, so we went down the lightning-
|
|
rod, and both of us got hurt a little, and we didn't never
|
|
want to try THAT no more. And then I went on and
|
|
told her all what I told Uncle Silas before; and then
|
|
she said she'd forgive us, and maybe it was all right
|
|
enough anyway, and about what a body might expect
|
|
of boys, for all boys was a pretty harum-scarum lot as
|
|
fur as she could see; and so, as long as no harm hadn't
|
|
come of it, she judged she better put in her time being
|
|
grateful we was alive and well and she had us still, stead
|
|
of fretting over what was past and done. So then she
|
|
kissed me, and patted me on the head, and dropped
|
|
into a kind of a brown study; and pretty soon jumps
|
|
up, and says:
|
|
|
|
"Why, lawsamercy, it's most night, and Sid not
|
|
come yet! What HAS become of that boy?"
|
|
|
|
I see my chance; so I skips up and says:
|
|
|
|
"I'll run right up to town and get him," I says.
|
|
|
|
"No you won't," she says. "You'll stay right
|
|
wher' you are; ONE'S enough to be lost at a time. If
|
|
he ain't here to supper, your uncle 'll go."
|
|
|
|
Well, he warn't there to supper; so right after
|
|
supper uncle went.
|
|
|
|
He come back about ten a little bit uneasy; hadn't
|
|
run across Tom's track. Aunt Sally was a good DEAL
|
|
uneasy; but Uncle Silas he said there warn't no occa-
|
|
sion to be -- boys will be boys, he said, and you'll see
|
|
this one turn up in the morning all sound and right.
|
|
So she had to be satisfied. But she said she'd set up
|
|
for him a while anyway, and keep a light burning so he
|
|
could see it.
|
|
|
|
And then when I went up to bed she come up with
|
|
me and fetched her candle, and tucked me in, and
|
|
mothered me so good I felt mean, and like I couldn't
|
|
look her in the face; and she set down on the bed and
|
|
talked with me a long time, and said what a splendid
|
|
boy Sid was, and didn't seem to want to ever stop
|
|
talking about him; and kept asking me every now and
|
|
then if I reckoned he could a got lost, or hurt, or
|
|
maybe drownded, and might be laying at this minute
|
|
somewheres suffering or dead, and she not by him to
|
|
help him, and so the tears would drip down silent, and
|
|
I would tell her that Sid was all right, and would be
|
|
home in the morning, sure; and she would squeeze my
|
|
hand, or maybe kiss me, and tell me to say it again,
|
|
and keep on saying it, because it done her good, and
|
|
she was in so much trouble. And when she was going
|
|
away she looked down in my eyes so steady and gentle,
|
|
and says:
|
|
|
|
"The door ain't going to be locked, Tom, and
|
|
there's the window and the rod; but you'll be good,
|
|
WON'T you? And you won't go? For MY sake."
|
|
|
|
Laws knows I WANTED to go bad enough to see about
|
|
Tom, and was all intending to go; but after that I
|
|
wouldn't a went, not for kingdoms.
|
|
|
|
But she was on my mind and Tom was on my mind,
|
|
so I slept very restless. And twice I went down the
|
|
rod away in the night, and slipped around front, and
|
|
see her setting there by her candle in the window with
|
|
her eyes towards the road and the tears in them; and
|
|
I wished I could do something for her, but I couldn't,
|
|
only to swear that I wouldn't never do nothing to
|
|
grieve her any more. And the third time I waked up
|
|
at dawn, and slid down, and she was there yet, and
|
|
her candle was most out, and her old gray head was
|
|
resting on her hand, and she was asleep.
|
|
|
|
|
|
CHAPTER XLII.
|
|
|
|
THE old man was uptown again before breakfast, but
|
|
couldn't get no track of Tom; and both of them
|
|
set at the table thinking, and not saying nothing, and
|
|
looking mournful, and their coffee getting cold, and
|
|
not eating anything. And by and by the old man
|
|
says:
|
|
|
|
"Did I give you the letter?"
|
|
|
|
"What letter?"
|
|
|
|
"The one I got yesterday out of the post-office."
|
|
|
|
"No, you didn't give me no letter."
|
|
|
|
"Well, I must a forgot it."
|
|
|
|
So he rummaged his pockets, and then went off some-
|
|
wheres where he had laid it down, and fetched it, and
|
|
give it to her. She says:
|
|
|
|
"Why, it's from St. Petersburg -- it's from Sis."
|
|
|
|
I allowed another walk would do me good; but I
|
|
couldn't stir. But before she could break it open she
|
|
dropped it and run -- for she see something. And so
|
|
did I. It was Tom Sawyer on a mattress; and that old
|
|
doctor; and Jim, in HER calico dress, with his hands
|
|
tied behind him; and a lot of people. I hid the letter
|
|
behind the first thing that come handy, and rushed.
|
|
She flung herself at Tom, crying, and says:
|
|
|
|
"Oh, he's dead, he's dead, I know he's dead!"
|
|
|
|
And Tom he turned his head a little, and muttered
|
|
something or other, which showed he warn't in his
|
|
right mind; then she flung up her hands, and says:
|
|
|
|
"He's alive, thank God! And that's enough!"
|
|
and she snatched a kiss of him, and flew for the house
|
|
to get the bed ready, and scattering orders right and left
|
|
at the niggers and everybody else, as fast as her tongue
|
|
could go, every jump of the way.
|
|
|
|
I followed the men to see what they was going to do
|
|
with Jim; and the old doctor and Uncle Silas followed
|
|
after Tom into the house. The men was very huffy,
|
|
and some of them wanted to hang Jim for an example
|
|
to all the other niggers around there, so they wouldn't
|
|
be trying to run away like Jim done, and making such
|
|
a raft of trouble, and keeping a whole family scared
|
|
most to death for days and nights. But the others said,
|
|
don't do it, it wouldn't answer at all; he ain't our
|
|
nigger, and his owner would turn up and make us pay
|
|
for him, sure. So that cooled them down a little, be-
|
|
cause the people that's always the most anxious for to
|
|
hang a nigger that hain't done just right is always the
|
|
very ones that ain't the most anxious to pay for him
|
|
when they've got their satisfaction out of him.
|
|
|
|
They cussed Jim considerble, though, and give him
|
|
a cuff or two side the head once in a while, but Jim
|
|
never said nothing, and he never let on to know me,
|
|
and they took him to the same cabin, and put his own
|
|
clothes on him, and chained him again, and not to no
|
|
bed-leg this time, but to a big staple drove into the bot-
|
|
tom log, and chained his hands, too, and both legs, and
|
|
said he warn't to have nothing but bread and water to
|
|
eat after this till his owner come, or he was sold at auc-
|
|
tion because he didn't come in a certain length of time,
|
|
and filled up our hole, and said a couple of farmers
|
|
with guns must stand watch around about the cabin
|
|
every night, and a bulldog tied to the door in the day-
|
|
time; and about this time they was through with the
|
|
job and was tapering off with a kind of generl good-bye
|
|
cussing, and then the old doctor comes and takes a
|
|
look, and says:
|
|
|
|
"Don't be no rougher on him than you're obleeged
|
|
to, because he ain't a bad nigger. When I got to
|
|
where I found the boy I see I couldn't cut the bullet
|
|
out without some help, and he warn't in no condition
|
|
for me to leave to go and get help; and he got a little
|
|
worse and a little worse, and after a long time he went
|
|
out of his head, and wouldn't let me come a-nigh him
|
|
any more, and said if I chalked his raft he'd kill me,
|
|
and no end of wild foolishness like that, and I see I
|
|
couldn't do anything at all with him; so I says, I got
|
|
to have HELP somehow; and the minute I says it out
|
|
crawls this nigger from somewheres and says he'll help,
|
|
and he done it, too, and done it very well. Of course
|
|
I judged he must be a runaway nigger, and there I WAS!
|
|
and there I had to stick right straight along all the rest
|
|
of the day and all night. It was a fix, I tell you! I
|
|
had a couple of patients with the chills, and of course
|
|
I'd of liked to run up to town and see them, but I
|
|
dasn't, because the nigger might get away, and then I'd
|
|
be to blame; and yet never a skiff come close enough
|
|
for me to hail. So there I had to stick plumb until
|
|
daylight this morning; and I never see a nigger that
|
|
was a better nuss or faithfuller, and yet he was risking
|
|
his freedom to do it, and was all tired out, too, and I
|
|
see plain enough he'd been worked main hard lately.
|
|
I liked the nigger for that; I tell you, gentlemen, a
|
|
nigger like that is worth a thousand dollars -- and kind
|
|
treatment, too. I had everything I needed, and the
|
|
boy was doing as well there as he would a done at
|
|
home -- better, maybe, because it was so quiet; but
|
|
there I WAS, with both of 'm on my hands, and there
|
|
I had to stick till about dawn this morning; then some
|
|
men in a skiff come by, and as good luck would have
|
|
it the nigger was setting by the pallet with his head
|
|
propped on his knees sound asleep; so I motioned
|
|
them in quiet, and they slipped up on him and grabbed
|
|
him and tied him before he knowed what he was
|
|
about, and we never had no trouble. And the boy
|
|
being in a kind of a flighty sleep, too, we muffled the
|
|
oars and hitched the raft on, and towed her over very
|
|
nice and quiet, and the nigger never made the least
|
|
row nor said a word from the start. He ain't no bad
|
|
nigger, gentlemen; that's what I think about him."
|
|
|
|
Somebody says:
|
|
|
|
"Well, it sounds very good, doctor, I'm obleeged to
|
|
say."
|
|
|
|
Then the others softened up a little, too, and I was
|
|
mighty thankful to that old doctor for doing Jim that
|
|
good turn; and I was glad it was according to my judg-
|
|
ment of him, too; because I thought he had a good
|
|
heart in him and was a good man the first time I see
|
|
him. Then they all agreed that Jim had acted very
|
|
well, and was deserving to have some notice took of
|
|
it, and reward. So every one of them promised, right
|
|
out and hearty, that they wouldn't cuss him no more.
|
|
|
|
Then they come out and locked him up. I hoped
|
|
they was going to say he could have one or two of the
|
|
chains took off, because they was rotten heavy, or could
|
|
have meat and greens with his bread and water; but
|
|
they didn't think of it, and I reckoned it warn't best
|
|
for me to mix in, but I judged I'd get the doctor's yarn
|
|
to Aunt Sally somehow or other as soon as I'd got
|
|
through the breakers that was laying just ahead of me --
|
|
explanations, I mean, of how I forgot to mention about
|
|
Sid being shot when I was telling how him and me put
|
|
in that dratted night paddling around hunting the run-
|
|
away nigger.
|
|
|
|
But I had plenty time. Aunt Sally she stuck to the
|
|
sick-room all day and all night, and every time I see
|
|
Uncle Silas mooning around I dodged him.
|
|
|
|
Next morning I heard Tom was a good deal better,
|
|
and they said Aunt Sally was gone to get a nap. So
|
|
I slips to the sick-room, and if I found him awake I
|
|
reckoned we could put up a yarn for the family that
|
|
would wash. But he was sleeping, and sleeping very
|
|
peaceful, too; and pale, not fire-faced the way he was
|
|
when he come. So I set down and laid for him to
|
|
wake. In about half an hour Aunt Sally comes gliding
|
|
in, and there I was, up a stump again! She motioned
|
|
me to be still, and set down by me, and begun to
|
|
whisper, and said we could all be joyful now, because
|
|
all the symptoms was first-rate, and he'd been sleeping
|
|
like that for ever so long, and looking better and peace-
|
|
fuller all the time, and ten to one he'd wake up in his
|
|
right mind.
|
|
|
|
So we set there watching, and by and by he stirs a
|
|
bit, and opened his eyes very natural, and takes a look,
|
|
and says:
|
|
|
|
"Hello! -- why, I'm at HOME! How's that?
|
|
Where's the raft?"
|
|
|
|
"It's all right," I says.
|
|
|
|
"And JIM?"
|
|
|
|
"The same," I says, but couldn't say it pretty
|
|
brash. But he never noticed, but says:
|
|
|
|
"Good! Splendid! NOW we're all right and safe!
|
|
Did you tell Aunty?"
|
|
|
|
I was going to say yes; but she chipped in and says:
|
|
"About what, Sid?"
|
|
|
|
"Why, about the way the whole thing was done."
|
|
|
|
"What whole thing?"
|
|
|
|
"Why, THE whole thing. There ain't but one; how
|
|
we set the runaway nigger free -- me and Tom."
|
|
|
|
"Good land! Set the run -- What IS the child
|
|
talking about! Dear, dear, out of his head again!"
|
|
|
|
"NO, I ain't out of my HEAD; I know all what I'm
|
|
talking about. We DID set him free -- me and Tom.
|
|
We laid out to do it, and we DONE it. And we done
|
|
it elegant, too." He'd got a start, and she never
|
|
checked him up, just set and stared and stared, and let
|
|
him clip along, and I see it warn't no use for ME to put
|
|
in. "Why, Aunty, it cost us a power of work --
|
|
weeks of it -- hours and hours, every night, whilst you
|
|
was all asleep. And we had to steal candles, and the
|
|
sheet, and the shirt, and your dress, and spoons, and
|
|
tin plates, and case-knives, and the warming-pan, and
|
|
the grindstone, and flour, and just no end of things, and
|
|
you can't think what work it was to make the saws, and
|
|
pens, and inscriptions, and one thing or another, and
|
|
you can't think HALF the fun it was. And we had to
|
|
make up the pictures of coffins and things, and non-
|
|
namous letters from the robbers, and get up and down
|
|
the lightning-rod, and dig the hole into the cabin, and
|
|
made the rope ladder and send it in cooked up in a pie,
|
|
and send in spoons and things to work with in your
|
|
apron pocket --"
|
|
|
|
"Mercy sakes!"
|
|
|
|
"-- and load up the cabin with rats and snakes and
|
|
so on, for company for Jim; and then you kept Tom
|
|
here so long with the butter in his hat that you come
|
|
near spiling the whole business, because the men come
|
|
before we was out of the cabin, and we had to rush,
|
|
and they heard us and let drive at us, and I got my
|
|
share, and we dodged out of the path and let them go
|
|
by, and when the dogs come they warn't interested in
|
|
us, but went for the most noise, and we got our canoe,
|
|
and made for the raft, and was all safe, and Jim was
|
|
a free man, and we done it all by ourselves, and WASN'T
|
|
it bully, Aunty!"
|
|
|
|
"Well, I never heard the likes of it in all my born
|
|
days! So it was YOU, you little rapscallions, that's been
|
|
making all this trouble, and turned everybody's wits
|
|
clean inside out and scared us all most to death. I've as
|
|
good a notion as ever I had in my life to take it out o'
|
|
you this very minute. To think, here I've been, night
|
|
after night, a -- YOU just get well once, you young
|
|
scamp, and I lay I'll tan the Old Harry out o' both o'
|
|
ye!"
|
|
|
|
But Tom, he WAS so proud and joyful, he just COULDN'T
|
|
hold in, and his tongue just WENT it -- she a-chipping
|
|
in, and spitting fire all along, and both of them going
|
|
it at once, like a cat convention; and she says:
|
|
|
|
"WELL, you get all the enjoyment you can out of it
|
|
NOW, for mind I tell you if I catch you meddling with
|
|
him again --"
|
|
|
|
"Meddling with WHO?" Tom says, dropping his
|
|
smile and looking surprised.
|
|
|
|
"With WHO? Why, the runaway nigger, of course.
|
|
Who'd you reckon?"
|
|
|
|
Tom looks at me very grave, and says:
|
|
|
|
"Tom, didn't you just tell me he was all right?
|
|
Hasn't he got away?"
|
|
|
|
"HIM?" says Aunt Sally; "the runaway nigger?
|
|
'Deed he hasn't. They've got him back, safe and
|
|
sound, and he's in that cabin again, on bread and
|
|
water, and loaded down with chains, till he's claimed
|
|
or sold!"
|
|
|
|
Tom rose square up in bed, with his eye hot, and
|
|
his nostrils opening and shutting like gills, and sings
|
|
out to me:
|
|
|
|
"They hain't no RIGHT to shut him up! SHOVE! --
|
|
and don't you lose a minute. Turn him loose! he
|
|
ain't no slave; he's as free as any cretur that walks
|
|
this earth!"
|
|
|
|
"What DOES the child mean?"
|
|
|
|
"I mean every word I SAY, Aunt Sally, and if some-
|
|
body don't go, I'LL go. I've knowed him all his life,
|
|
and so has Tom, there. Old Miss Watson died two
|
|
months ago, and she was ashamed she ever was going
|
|
to sell him down the river, and SAID so; and she set
|
|
him free in her will."
|
|
|
|
"Then what on earth did YOU want to set him free
|
|
for, seeing he was already free?"
|
|
|
|
"Well, that IS a question, I must say; and just like
|
|
women! Why, I wanted the ADVENTURE of it; and I'd
|
|
a waded neck-deep in blood to -- goodness alive, AUNT
|
|
POLLY!"
|
|
|
|
If she warn't standing right there, just inside the
|
|
door, looking as sweet and contented as an angel half
|
|
full of pie, I wish I may never!
|
|
|
|
Aunt Sally jumped for her, and most hugged the
|
|
head off of her, and cried over her, and I found a
|
|
good enough place for me under the bed, for it was
|
|
getting pretty sultry for us, seemed to me. And I
|
|
peeped out, and in a little while Tom's Aunt Polly
|
|
shook herself loose and stood there looking across at
|
|
Tom over her spectacles -- kind of grinding him into
|
|
the earth, you know. And then she says:
|
|
|
|
"Yes, you BETTER turn y'r head away -- I would if I
|
|
was you, Tom."
|
|
|
|
"Oh, deary me!" says Aunt Sally; "IS he changed
|
|
so? Why, that ain't TOM, it's Sid; Tom's -- Tom's
|
|
-- why, where is Tom? He was here a minute ago."
|
|
|
|
"You mean where's Huck FINN -- that's what you
|
|
mean! I reckon I hain't raised such a scamp as my
|
|
Tom all these years not to know him when I SEE him.
|
|
That WOULD be a pretty howdy-do. Come out from
|
|
under that bed, Huck Finn."
|
|
|
|
So I done it. But not feeling brash.
|
|
|
|
Aunt Sally she was one of the mixed-upest-looking
|
|
persons I ever see -- except one, and that was Uncle
|
|
Silas, when he come in and they told it all to him. It
|
|
kind of made him drunk, as you may say, and he
|
|
didn't know nothing at all the rest of the day, and
|
|
preached a prayer-meeting sermon that night that gave
|
|
him a rattling ruputation, because the oldest man in
|
|
the world couldn't a understood it. So Tom's Aunt
|
|
Polly, she told all about who I was, and what; and I
|
|
had to up and tell how I was in such a tight place that
|
|
when Mrs. Phelps took me for Tom Sawyer -- she
|
|
chipped in and says, "Oh, go on and call me Aunt
|
|
Sally, I'm used to it now, and 'tain't no need to
|
|
change" -- that when Aunt Sally took me for Tom
|
|
Sawyer I had to stand it -- there warn't no other way,
|
|
and I knowed he wouldn't mind, because it would be
|
|
nuts for him, being a mystery, and he'd make an ad-
|
|
venture out of it, and be perfectly satisfied. And so
|
|
it turned out, and he let on to be Sid, and made things
|
|
as soft as he could for me.
|
|
|
|
And his Aunt Polly she said Tom was right about
|
|
old Miss Watson setting Jim free in her will; and so,
|
|
sure enough, Tom Sawyer had gone and took all that
|
|
trouble and bother to set a free nigger free! and I
|
|
couldn't ever understand before, until that minute and
|
|
that talk, how he COULD help a body set a nigger free
|
|
with his bringing-up.
|
|
|
|
Well, Aunt Polly she said that when Aunt Sally
|
|
wrote to her that Tom and SID had come all right and
|
|
safe, she says to herself:
|
|
|
|
"Look at that, now! I might have expected it,
|
|
letting him go off that way without anybody to watch
|
|
him. So now I got to go and trapse all the way down
|
|
the river, eleven hundred mile, and find out what that
|
|
creetur's up to THIS time, as long as I couldn't seem to
|
|
get any answer out of you about it."
|
|
|
|
"Why, I never heard nothing from you," says
|
|
Aunt Sally.
|
|
|
|
"Well, I wonder! Why, I wrote you twice to ask
|
|
you what you could mean by Sid being here."
|
|
|
|
"Well, I never got 'em, Sis."
|
|
|
|
Aunt Polly she turns around slow and severe, and
|
|
says:
|
|
|
|
"You, Tom!"
|
|
|
|
"Well -- WHAT?" he says, kind of pettish.
|
|
|
|
"Don t you what ME, you impudent thing -- hand
|
|
out them letters."
|
|
|
|
"What letters?"
|
|
|
|
"THEM letters. I be bound, if I have to take a-
|
|
holt of you I'll --"
|
|
|
|
"They're in the trunk. There, now. And they're
|
|
just the same as they was when I got them out of the
|
|
office. I hain't looked into them, I hain't touched
|
|
them. But I knowed they'd make trouble, and I
|
|
thought if you warn't in no hurry, I'd --"
|
|
|
|
"Well, you DO need skinning, there ain't no mistake
|
|
about it. And I wrote another one to tell you I was
|
|
coming; and I s'pose he --"
|
|
|
|
"No, it come yesterday; I hain't read it yet, but
|
|
IT'S all right, I've got that one."
|
|
|
|
I wanted to offer to bet two dollars she hadn't, but I
|
|
reckoned maybe it was just as safe to not to. So I
|
|
never said nothing.
|
|
|
|
|
|
CHAPTER THE LAST
|
|
|
|
THE first time I catched Tom private I asked him
|
|
what was his idea, time of the evasion? -- what it
|
|
was he'd planned to do if the evasion worked all right
|
|
and he managed to set a nigger free that was already
|
|
free before? And he said, what he had planned in his
|
|
head from the start, if we got Jim out all safe, was for
|
|
us to run him down the river on the raft, and have
|
|
adventures plumb to the mouth of the river, and then
|
|
tell him about his being free, and take him back up
|
|
home on a steamboat, in style, and pay him for his
|
|
lost time, and write word ahead and get out all the
|
|
niggers around, and have them waltz him into town
|
|
with a torchlight procession and a brass-band, and then
|
|
he would be a hero, and so would we. But I reckoned
|
|
it was about as well the way it was.
|
|
|
|
We had Jim out of the chains in no time, and when
|
|
Aunt Polly and Uncle Silas and Aunt Sally found out
|
|
how good he helped the doctor nurse Tom, they made
|
|
a heap of fuss over him, and fixed him up prime, and
|
|
give him all he wanted to eat, and a good time, and
|
|
nothing to do. And we had him up to the sick-room,
|
|
and had a high talk; and Tom give Jim forty dollars
|
|
for being prisoner for us so patient, and doing it up so
|
|
good, and Jim was pleased most to death, and busted
|
|
out, and says:
|
|
|
|
"DAH, now, Huck, what I tell you? -- what I tell
|
|
you up dah on Jackson islan'? I TOLE you I got a
|
|
hairy breas', en what's de sign un it; en I TOLE you I
|
|
ben rich wunst, en gwineter to be rich AGIN; en it's
|
|
come true; en heah she is! DAH, now! doan' talk
|
|
to ME -- signs is SIGNS, mine I tell you; en I knowed
|
|
jis' 's well 'at I 'uz gwineter be rich agin as I's a-
|
|
stannin' heah dis minute!"
|
|
|
|
And then Tom he talked along and talked along,
|
|
and says, le's all three slide out of here one of these
|
|
nights and get an outfit, and go for howling adventures
|
|
amongst the Injuns, over in the Territory, for a couple
|
|
of weeks or two; and I says, all right, that suits me,
|
|
but I ain't got no money for to buy the outfit, and I
|
|
reckon I couldn't get none from home, because it's
|
|
likely pap's been back before now, and got it all away
|
|
from Judge Thatcher and drunk it up.
|
|
|
|
"No, he hain't," Tom says; "it's all there yet --
|
|
six thousand dollars and more; and your pap hain't
|
|
ever been back since. Hadn't when I come away,
|
|
anyhow."
|
|
|
|
Jim says, kind of solemn:
|
|
|
|
"He ain't a-comin' back no mo', Huck."
|
|
|
|
I says:
|
|
|
|
"Why, Jim?"
|
|
|
|
"Nemmine why, Huck -- but he ain't comin' back
|
|
no mo."
|
|
|
|
But I kept at him; so at last he says:
|
|
|
|
"Doan' you 'member de house dat was float'n down
|
|
de river, en dey wuz a man in dah, kivered up, en I
|
|
went in en unkivered him and didn' let you come in?
|
|
Well, den, you kin git yo' money when you wants it,
|
|
kase dat wuz him."
|
|
|
|
Tom's most well now, and got his bullet around his
|
|
neck on a watch-guard for a watch, and is always
|
|
seeing what time it is, and so there ain't nothing more
|
|
to write about, and I am rotten glad of it, because if
|
|
I'd a knowed what a trouble it was to make a book I
|
|
wouldn't a tackled it, and ain't a-going to no more.
|
|
But I reckon I got to light out for the Territory ahead
|
|
of the rest, because Aunt Sally she's going to adopt
|
|
me and sivilize me, and I can't stand it. I been there
|
|
before.
|
|
|
|
THE END
|
|
|
|
|