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551 lines
23 KiB
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551 lines
23 KiB
Plaintext
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______________________________________________
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| (*) D.O.A. Incorporated Proudly Presents (*) |
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|______________________________________________|
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| MACROS: A Way of Life |
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| - or - |
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| Altering the English Language For |
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| Fun and Profit |
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|______________________________________________|
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______________________________________________________________________________
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A phile originally written by Ray Eifler and Neal Manson...recently
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resurrected and distributed by D.O.A. Inc, April 11th, 1986. A CLASSIC phile,
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we of D.O.A. felt that it should be re-released for the benefit of all those
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unfortunates who have not yet experienced...MACROS -- as seen by Ray and Neal.
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______________________________________________________________________________
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______________________________________________________________________________
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Section I: An Introduction to the Verbal Macro...
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______________________________________________________________________________
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By no means are we the first to use macros as a way of communication.
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It is our insistence on using them as a way of permanently altering the
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English language, and our relentless application of them that distinguish
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us from being "just another macro user."
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The following list contains every macro our forgetful minds could
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recall. Since macros make an excellent test of social compatibility,
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anyone who understands the true application of many of these macros should
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seek social contact with either or both of the authors. Be warned, before
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you begin: the single largest concept underlying the meaning of each macro
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is SARCASM. This deathly force is a virtual well, from which an infinite
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number of macros can be drawn; with this in mind, enjoy...
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______________________________________________________________________________
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Section II: Ray & Neal's Guide to Macros
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______________________________________________________________________________
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Worthy
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------
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Sarcasm aside. A term denoting acceptance or approval, generally
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delivered with enthusiastic tone.
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ORIGIN: Computer operator at a bank in Ypsilanti, who used it even more
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often than the authors.
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USAGE: "WORTHY!"
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Relentless
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----------
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Indicating unceasing activity, generally irritating to the speaker;
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less commonly used as a term of admiration or respect.
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ORIGIN: The victim of "Body Heat", upon realizing how screwed he
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was: "Don't you understand? She was RELENTLESS!"
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USAGE: "What a RELENTLESS guy!"
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"It's so RELENTLESS!" used for relentless inanimate objects
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"He's so RELENTLESS" a quote from "Big Man Restless"
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'o
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--
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A brief, yet infinitely useful macro. The general syntax for 'o is
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<x> 'o <y>, where <x> and <y> are two related terms, <x> usually
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describing the nature of <y>. Used in almost any situation, often,
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and for no apparent reason.
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ORIGIN: Cup 'o Pizza, from "The Jerk"
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USAGE: "Pizza 'o death", to indicate pizza that tastes
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lousy (that is, sucks.)
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Oaf
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---
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A term used only with friends, though indicating a stupid action on
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his or her part.
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ORIGIN: Somewhere from Shakespeare...
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USAGE: "You OAF", when a friend has committed an act of general
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stupidity, or anything that displeases YOU.
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Goon
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----
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A step down from "oaf". Used to criticize acquaintances, not REAL
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friends, whether they are present or not.
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ORIGIN: ?
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USAGE: "He's a real GOON"
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Bonehead
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--------
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A truly degratory term. Almost always used without the presence of
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the person you are attacking, since "bonehead" generally indicates
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an intense dislike of that person. "Bonehead", however, may also be
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used with a fellow "oaf", if whatever they have done to make you call
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them a bonehead REALLY pissed you off.
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ORIGIN: Phil?
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USAGE: "He's a BONEHEAD"
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"You BONEHEAD!", when intensely angry at a friend
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The Bearer of the <x>
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---------------------
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Another flexible macro. Used especially when someone is stuck with
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an unwanted object, <x>. Usually sung, at least twice consecutively.
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ORIGIN: The Hobbit (an excerpt from the song "The Bearer of the
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Ring", sung to the same tune.)
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USAGE: "The Bearer of the box, the Bearer of the box"
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<x> Without a <y>
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-----------------
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Said to a victim of an incomplete idea or object, or an objective
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statement about an incomplete THING. Sometimes modified to "<x>
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without a .... aagh" when <x> is an extraordinarily useless item
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that could not possibly have a <y>, or anything else.
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ORIGIN: Billy Idol's "Eyes Without a Face"
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USAGE: "Guy without a destiny"
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"Sign without a purpose"
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"Food without a price tag"
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That's ALL I need
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-----------------
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A statement of complete contentment, when it is usually obvious
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that you are not. Often followed by a list of items that are the
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only OTHER things you need, with an occasional "and that's ALL I
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need" thrown in for good measure.
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ORIGIN: Steve Martin in "The Jerk"
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NOTE: Usually, when invoking this macro, items from the original
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usage of this macro are used. The list includes: a lamp,
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a magazine, a remote control, a paddle game, an ashtray...
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But NOT a Thermos. Anyone who has not seen this film is
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urged by the authors to do so, as it is not only an excellent
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source of macros, but of humor in general.
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USAGE: "Then I'll get enough money for the speakers... and that's
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all I need. And this... this paddle game. So the speakers
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and the paddle game... that's ALL I need, not one other thing."
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Be sure to deliver this macro using a pathetic tone of voice,
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optionally making feeble scrabbling gestures with your hands.
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Howdy
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Good day
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--------
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Traditional sysop's salutation and goodbye messages. Obviously derived
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from "The Great White North", the comedy skit originating on SCTV,
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starring Bob and Doug MacKensie. A true source of impromptu humor.
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ORIGIN: Bob and Doug, like I said, you hoser!
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USAGE: So pathetically straightforward that it shall not be listed.
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<x> of Destiny
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--------------
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Used to impart the true importance of <x>. Destiny itself is a very
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important word, made popular in its untainted form by "Return of the
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Jedi" (Darth: "If that is your destiny.") The time frame of "destiny"
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has been altered to apply to short-term events as well; thus, if you
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are unable to go out, you can say "I have no destiny." Of lesser
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popularity is the word "death", since the concept of death is not
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appealing to the masses. "<x> of Death" stresses indifference or
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a distinct hatred for <x>; "What Death" denounces an entire concept
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in just two short words.
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ORIGIN: Dragon Magazine
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USAGE: "Car of Destiny"
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"Hamburgers of Death"
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I'll take 9
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-----------
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Close to the ultimate rejection of an object. Applies instantly to such
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hated objects as Smurf dolls (dolls in general), PacMan paraphernalia,
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and Muppets. A truly enthusiastic put-down of unknowing salespeople.
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ORIGIN: Ray
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USAGE: "I'll take 9", in a very serious and enthusiastic tone.
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Let me at it!
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-------------
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The sister macro of "I'll take 9". "Let me at it!" usually precedes
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"I'll take 9", since one must reach an object before truly being able
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to reject it.
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ORIGIN: Ray
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USAGE: "Let me at it!", with nearly religious fervor.
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Easily amused
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-------------
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A term invented by Ray, since the feeblest attempts at humor start him
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laughing uncontrollably. Further modified to a deadpan "I am amused"
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by Neal, to signify that something has actually exceeded his demanding
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standards.
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ORIGIN: Ray
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USAGE: "I am easily amused", interrupted by coughing laughter at the
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end of a successful, but not THAT humorous, joke.
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Rag
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---
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A term which often describes the relentlessness of others. Someone
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"rags" ON someone else... so its common translation is "to be yelled
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at". A better interpretation would be that someone who RAGS on
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another gives them guff.
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ORIGIN: Imported early from California last summer; by winter 1985,
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the macro had finally found its way across the nation so that
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most people can comprehend it without our help.
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USAGE: "I gotta go, Mom's ragging on me..."
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The Boolean Way of Life
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-----------------------
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A true cult for any computer user. Since Boolean algebra reduces
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everything to TRUE and FALSE, the Boolean way of Life applies one of
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these degrees to all things. Thus, one's car is TRUE, unless you don't
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have one, or it doesn't run, in which case CAR = FALSE. Use it often
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and well, and soon Our Way of Life will be TRUE.
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ORIGIN: Neal
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USAGE: "How Boolean" usually implies that you are being forced into
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a situation, or shows what a lack of choice you have.
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"Tonight = FALSE" to tell someone you can't go out.
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Fetal
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-----
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Fetal refers to the helpless state of the infant; curled up, arms
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sheltering head and chest. Thus, one "goes fetal" in a situation
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you are at a loss to deal with; being ragged on by MANY people at
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once, confronted with humor too fearsome to merely laugh at, or after
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performing an act of incredible stupidity (this is usually the case.)
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Feel free to accompany the statement with a live act, curling up on
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the floor.
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ORIGIN: Ray
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USAGE: "How fetal"
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Most often, "FETAL!"
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Guy
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---
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A macro of admiration: "What a guy!" shows a genuine respect for the
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guy involved. "Guys" are not necessarily friends, or even people you
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know at all; just someone who has done something hefty.
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ORIGIN: Neal
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USAGE: "What a guy!"
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"He's quite a guy"
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Random
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------
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Not only a macro, but another way of life. "Random" usually refers
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to humor (John Belushi smashing the guitar in "Animal House"), but
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can be used any time, to disarm your friends: "Pardon me, is that
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Spacelab?" Entire battles of random phrases have been fought; randomness
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is truly a worthwhile activity, especially at 300 baud. Any situation
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which totally avoids comprehension (i.e., senseless, useless, or
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pointless) is generally random.
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ORIGIN: Ray
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USAGE: "How random!"
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Slurpee Run
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-----------
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Since 7-11 is such an important axis for social life in Farmington,
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the importance of the Slurpee is of legendary proportion. A "Slurpee
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run", of course, is not restricted to ONLY Slurpees; but it IS
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limited to 7-11's. There are other types of "runs", the most
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important of which is "FOOD KING!"
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ORIGIN: "Slurpee run" - Farmington
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"FOOD KING!" - "Animal House"
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USAGE: Those two words are ALL YOU NEED...
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Buckwheat
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---------
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A macro which has evolved into yet another derogatory term... how
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could anyone look at Eddie Murphy's character and think anything else?
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If you haven't seen the show, then DO IT... "buckwheat" defines itself.
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ORIGIN: Eddie Murphy's "Buckwheat" from "Saturday Night Live"
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USAGE: "What a buckwheat!"
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Slay
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----
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A response to humor; amused to a lesser degree than when one goes
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fetal. Used in any situation where you are unable to deal with what
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has occured, but not quite ready to curl up and die.
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ORIGIN: Neal
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USAGE: "I am slain"
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"That slays me" (same tone as "She was RELENTLESS!")
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Epileptic grandmother
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Quadriplegic dog
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----------------
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A macro to mock another's failure. Two unpopular macros because
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of their predatory nature on the old/crippled/animals; but what
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the hey.
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ORIGIN: "Epileptic grandmother" - Ray
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"Quadriplegic dog" - Neal
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USAGE: "Even my epileptic grandmother could have done THAT!"
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Feeb
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----
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Almost worse than a bonehead; someone who is totally inept at nearly
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everything. A merciless macro; if you say it directly to a person,
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it is usually the LAST thing you will EVER say. Neal said it when
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Mr. Binary rear-ended his Chevette.
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ORIGIN: Ruth Morgenstein, while she was a sophomore at U of M.
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USAGE: "What a feeb"
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Scary
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-----
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Denotes harmlessness. Anything that is "scary" is generally so devoid
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of terror that even Sir Robin would not soil his armor.
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ORIGIN: Count Scary
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USAGE: "Now THAT'S scary"
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"Ooh, that's scary"
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Would you like some <x>
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-----------------------
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A vital macro. Used to confuse people who have an obvious need for
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<x>; it is delivered with "Would you like some <x>?", followed by
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a leery 3-D motion of the hands, towards them and back again, with
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a truly scary sound effect. Guaranteed to disarm those who do not
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understand macros at all.
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ORIGIN: "Dr. Tongue's 3-D House of Stewardesses", from Count Floyd's
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"Monster Chiller Horror Theater", from SCTV; enthusiastically
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and eccentrically performed by John Candy and Eugene Levy.
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USAGE: "Would you like some -- HOT COCOA?" <THRUST HOT COCOA AT THEM
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THREE TIMES>
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I try to obey, but it is difficult
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----------------------------------
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This macro is used when you are confronted with a completely
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impossible task. The line is from "Star Trek II - The Wrath of
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Khan"; even though Chekov is NOT the one who delivered the line, the
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macro has somehow developed using his accent. Try to inject a little
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frustration into it too. So remember: Russian accent, staccato (after
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all, a thing IS eating your cerebral cortex), and frustration.
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ORIGIN: "Star Trek II"
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USAGE: "I try to obey, but it is difficult"
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He tasks me
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-----------
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Prelude to revenge. This macro is used while plotting against someone,
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and explaining WHY you must do something; delivered in the fine style
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of Ricardo Montalban.
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ORIGIN: "Star Trek II"
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USAGE: "But... HE TASKS ME!"
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Riotous
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-------
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A double-bladed macro; "Riotous!" said enthusiastically, actually
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displays appreciation of something, while "riotous" applied with large
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amounts of apathy says that there might be some idiot out there who
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would appreciate it, but it isn't YOU.
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ORIGIN: Inspired by "Fast Times at Ridgemont High"
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USAGE: One word is all it takes.
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Oh that <name>
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--------------
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Not really a derogatory macro. Used when <name> has done something
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silly, but not STUPID. A sort of situation where you roll your eyes.
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ORIGIN: Devo's "Whip It" video: "Oh that Alan!"
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USAGE: "Oh that Chris"
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Flee
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----
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THE macro to use when about to escape from any situation that has grown
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boring or decidedly biased against you. This macro must be followed by
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immediate action, unless it is a proposal to a larger group.
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ORIGIN: Neal
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USAGE: "Flee!"
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Toy
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---
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To warp the mind of your victim; to "toy" with someone is to use macros
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with someone uninitiated in our ways, or just confuse them senseless.
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ORIGIN: Friend of the authors
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USAGE: "We toyed with them"
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Now THAT'S reality!
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-------------------
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A blatant macro, used to awaken someone to TRUE reality; often a harsh
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shock to your victim. It can be used to mock someone's self-righteous
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attitude. When used with inanimate sources of reality (i.e., cars,
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copy machines, computers, or anything that has a large influence on
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your destiny), try to point at the object.
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ORIGIN: Jackie Gleason, "The Toy"
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USAGE: "Now THAT'S reality!", accompanied by accusing index finger
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Righteous
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---------
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A macro on the edge. "Righteous" is on the boundary between complimentary
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and derogatory macros; a subtle application of sarcasm turns the object
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of scrutiny into something rejectable. Fortunately for objects of
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scrutiny everywhere, "righteous" is usually a compliment; not a powerful
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one, though, since the word's very use mocks the seedy lifestyle of its
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originators.
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ORIGIN: Friend of Mr. Thrill
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USAGE: "Righteous!", ALWAYS enthusiastically, but PERHAPS sarcastically
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Hefty!
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------
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One of the few non-sarcastic macros. "Hefty!" is used ONLY to express
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satisfaction, and then only to a high degree. A "hefty" item or action
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is nearly perfect; the main idea you are expressing is that you have
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no problem dealing with it.
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ORIGIN: Ray
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USAGE: "Hefty!", sometimes executed with a tilt of the head and gumby
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expression.
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______________________________________________________________________________
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Section III: New And Improved Macros
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______________________________________________________________________________
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<x> this!
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I got your <x> right here!
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--------------------------
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A rather obscene macro, to be used only in a crowd that would tolerate
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such a statement from the likes of you (meaning don't go to Highland
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Park and try a version of this macro.) <x> should be an item someone
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has just asked you for... and YOU'VE GOT THE RIGHT REPLY! This is one
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that can get you into trouble... so the authors assume no responsibility
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for what happens you should you use it indiscreetly.
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ORIGIN: Mr. Thrill
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USAGE: (Introductory line: "Go get the pizza!")
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"I got your pizza, right here!" and immediately execute a move that
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could only be referred to as a "crotch clutch".
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Any second now...
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-----------------
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A statement while waiting for something that will never happen.
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ORIGIN: Highland's commercial for their Memorial Day Sale
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"The cars are going to start rolling in any second now...
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any second now."
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USAGE: "I'm going to get a raise any second now..."
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Things are going to start happening to me now...
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------------------------------------------------
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Another macro of destiny from "The Jerk". Use it when you feel a
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head on collision with destiny; that is, when you're on an ego trip.
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This also fits in when you are at the basement of boredom...
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ORIGIN: Steve Martin, "The Jerk" (upon the arrival of THE NEW PHONE
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BOOK)
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USAGE: USE IT
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BE QUIET!
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---------
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A cover-up macro. Use "BE QUIET!" when you are obviously being a
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moron, and both you and your opponent know it; as soon as he begins to
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correct you, let loose. Of course, he had better know it is a macro,
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or it isn't too funny.
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ORIGIN: "Monty Python and the Holy Grail"
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USAGE: "BE QUIET!"
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Gift
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----
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"Gift" is another very broad, useful macro. EVERYTHING can be thought
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of as a gift... of course, it could always be a "false gift" or a "gift
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of taunting". "Gift" originally became popular in the arcades; its
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application to random luck is unparalleled.
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ORIGIN: Neal
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USAGE: "GIFT! GIFT!" for an unbelievable amount of luck
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"I was truly gifted" to express past luck
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______________________________________________________________________________
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Section IVa: Work Macros -- An Introduction
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______________________________________________________________________________
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After over three months of our influence at the workplace, the secretaries
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and other employees have learned to live with our speech. Once in a while,
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one of em will spontaneously invent one of their own macros, and this slays
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us. They are immediately recorded, so that you lucky readers can share them
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with us...
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______________________________________________________________________________
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Section IVb: Work Macros
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______________________________________________________________________________
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You <x>ed it, baby, now live with it
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------------------------------------
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How boolean. Originally spoken as "You wrote it, baby, now live with
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it" to Neal, who was trying to debug a program; the original statement is
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being promoted as the new programmers' motto by the authors. But we found
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it flexible in every day situations, so replace <x> with the verb of your
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choice.
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ORIGIN: P. Fischer
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USAGE: "You ate it, baby, now live with it"
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Unprofessional
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--------------
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A macro hated by the authors; most often applied to US, due to our
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part-time nature. Applicable from our Nike shoes to our attitudes.
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ORIGIN: W. Avis
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USAGE: "You guys are unprofessional"
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______________________________________________________________________________
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Section V: A Few Words From the Authors
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______________________________________________________________________________
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Well that's the list for now... there are undoubtedly many exceptions,
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since macros have become such a subliminal, natural part of our speech.
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Use them well... and remember, if you can't remember a particular macro,
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any line from Bugs Bunny will do.
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______________________________________________________________________________
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Section VI: The History of This Phile
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______________________________________________________________________________
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This phile was originally downloaded off of Ray's now-defunct system
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which was known to all as "Dungeon of Doom!" Riff Raff got ahold of it a few
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short weeks after Neal's infamous BBS, >>Metro<<, went down, and, since then,
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the phile has been "hibernating." We of D.O.A. thought that the time was
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right to awaken the beast and re-distribute it, "for your viewing pleasure."
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______________________________________________________________________________
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(*) We of D.O.A. Do Not Intend the Re-Printing of This to Be Considered As (*)
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(+) Plaguerism, But Just As Distribution. We Hope You Enjoyed It, We Did! (+)
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(*) Take'r Easy - And May the Gestapo Never Visit Ya! Sincerely -- D.O.A. (*)
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______________________________________________________________________________
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