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182 lines
11 KiB
Plaintext
ÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜ ÜÜÜÜ
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ÜÛÛÛÛÛÛÛÛßÛßßßßßÛÛÜ ÜÜßßßßÜÜÜÜ ÜÛÜ ÜÛÛÛÛÛÛÛÛÜÜÜÜÜÛßß ßÛÛ
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ßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ßÛÛ ÜÛÛÛÜÛÛÜÜÜ ßÛÛÛÛÜ ßÛÛÛÛÛÛÛÜÛÛÜÜÜÛÛÝ Ûß
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ßßßÛÛÛÛÛÛÛÛÛÛÜ ÞÝ ÛÛÛÛÛÛÛÛÛÛÛßßÛÜÞÛÛÛ ÛÛÛÛÛÜ ßßÛÛÛÞß
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Mo.iMP ÜÛÛÜ ßÛÛÛÛÛÛÛÝÛ ÞÛÛÛÛÛÛÛÛÛ ÞÛÛÛÛ ÞÛÛÛÛÛÝ ßÛß
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ÜÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛÛÝ ÛÛÛ ÛÛÛÛÛÛ
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ÜÛÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛÛ ÞÛÛÛÛÛÛÛÛ ß ÞÛÛÛÛÛÛÜ ÜÛ
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ÜÛÛÛÛÛÛÛÝ ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÝ ÞÞÛÛÛÛÛÛÛÛÛß
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ÜÛßÛÛÛÛÛÛ ÜÜ ÛÛÛÛÛÛÛÛÝ ÛÛÞÛÛÛÛÛÝ ÞÛÛÛÛÛÛßß
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ÜÛßÛÛÛÛÛÛÜÛÛÛÛÜÞÛÛÛÛÛÛÛÛ ÞÛ ßÛÛÛÛÛ Ü ÛÝÛÛÛÛÛ Ü
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ÜÛ ÞÛÛÛÛÛÛÛÛÛÛß ÛÛÛÛÛÛÛÛÛ ßÛÜ ßÛÛÛÜÜ ÜÜÛÛÛß ÞÛ ÞÛÛÛÝ ÜÜÛÛ
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ÛÛ ÛÛÛÛÛÛÛÛß ÛÛÛÛÛÛÛÛÛÛÜ ßÛÜ ßßÛÛÛÛÛÛÛÛÛß ÜÜÜß ÛÛÛÛÜÜÜÜÜÜÜÛÛÛÛÛß
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ßÛÜ ÜÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÜ ßßÜÜ ßßÜÛÛßß ßÛÛÜ ßßßÛßÛÛÛÛÛÛÛßß
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ßßßßß ßßÛÛß ßßßßß ßßßßßßßßßßßßß
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ARRoGANT CoURiERS WiTH ESSaYS
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Grade Level: Type of Work Subject/Topic is on:
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[ ]6-8 [ ]Class Notes [Creative Essay on a ]
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[ ]9-10 [ ]Cliff Notes [Young Boy Losing his ]
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[x]11-12 [x]Essay/Report [Parents ]
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[ ]College [ ]Misc [ ]
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Dizzed: 11/94 # of Words:1688 School: ? State: ?
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ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>Chop Here>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ
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"Hello?"
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"Martin, it's Bob.Angela was in a car accident last night..."
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"Oh my God! Is it serious?"
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"Yes, it's pretty serious. She's still unconscious. Hey listen, buddy,
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I have to go out of town for a while and I was wondering if you could call
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the hospital every once in a while because apparently somebody she knows
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should be around after she wakes up. It sounds kind of silly to me but..."
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"I'm leaving right now."
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"Do what you want, Martin. Why don't you get some more sleep; after
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all it's three in the morning. I've got to go- my plane leaves in an hour.
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Thanks so much for bailing me out at such short notice, old pal."
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"Hey no problem, buddy, it's only your wife; no need to be worried or
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anything..." Martin said sarcastically to the dial tone. Martin ran to the
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shower and was dressed and in the car in ten minutes.
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"Excuse me, could you please tell me what room Mrs. Angela Warner, I
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mean Smith, is in?"
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"Yes, sir, she's in room 23, but you can't see her until 6:30. You may
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wait in the lounge at the end of the hall if you wish."
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"Thank you very much."
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Martin looked through the little square window of her door. The
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private room was cold and dark with green tile covering the walls halfway.
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She had tubes in her nose, her head bandaged heavily, her arms in casts and
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her neck in a brace. She had a long cut along her right cheekbone.
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"You're still beautiful, little Angela," Martin murmured softly
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to himself as tears welled up in his eyes. He turned away and walked down
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the hall to the private lounge. As he walked in and sat down, he scanned
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the people already there. There was a seemingly nice older couple, two
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middle-aged women and a young boy.
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"I REALLY hope her foot feels better after surgery," one of the women
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said.
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"No you don't, Susie. You're the one that didn't want to pitch in some
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money to help her pay the bill," the other said icilly.
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"I wouldn't talk, Candyce. You don't even want to be here. I loved
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those fake tears of concern when they wheeled her in; that was a nice
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touch," Susie laughed wickedly.
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"She wouldn't even need to have surgery if it weren't for you dropping
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that iron on her foot."
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"That was an accident!" Susie's voice started to raise.
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"Oh yeah, right. It just happened to be after she told you she was
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engaged to Brad," Candyce said sarcastically.
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"That was over a long time ago! How dare you imply..." Susie
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hissed and stood up to slap Candyce when a nurse walked in.
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"Miss Lane, Miss Rucher? Emilia has awakened from the anaesthetic. You
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may see her now."
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"Is she alright?" Susie said with concern oozing from her voice.
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"Did they save her foot?" Candyce was near tears.
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"Emilia will be just fine. Her foot was saved. Follow me, please."
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Candyce and Susie shrieked with apparent joy and smiled so sweetly at the
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nurse, syrup dripped from their mouths like the drool of a rabid dog. As
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soon as the nurse turned her back to lead them away to their sick friend,
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they glowered at each other wickedly.
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"With friends like that, who needs enemies!" Martin thought to himself
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as he sighed pityingly and reached for a pamphlet. He glanced at his watch:
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5:00a.m. He looked over at the little boy who sitting alone in a corner,
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silent with a blank stare on his face accompanied with an occasional
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heart-felt sniffle.
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"How to Deal With Death: The Revised Edition. What an
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uplifting topic. I should come here more often," Martin thought
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wryly and tossed the pamphlet on a nearby table. He glanced over at
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the older couple. Thet were just sitting there, admiring the lovely
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chocolate brown, seaweed green and bright orange modern murals.
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"This is TOO depressing. I've got to get out of here," Martin thought
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to himself. "I'm going to get some coffee. Could I bring you back
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something?"
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"No thank you, dear," the old woman said politely.
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"Well, if you wouldn't mind, I'd really enjoy a ..." the woman nudged
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the old man.
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"George! Where are your manners?" she hissed and then smiled sweetly
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at Martin who pretended not to notice.
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"Come to think of it, I don't really want anything at the momment,
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thanks," the old man quickly corrected himself.
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"You sure have him well trained, lady," Martin snickered sarcastically
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to himself. "How about you, son?" The little boy just sat there, tears
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streaming down his face at the mention of the word `son'.
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Martin walked quickly out of the room and sown the hall to the
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nurses' station.
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"Is there any change in Mrs. Smith's condition? She's in room 23."
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"No, Mr. Smith. We will notify you if any change occurs."
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"Thank you very much. By the way, I'm not Mr. Smith..." Martin stopped
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himself when he realised the nurse's attention was directed elsewhere. "It
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doesn't really matter anyway," he thought.
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"Martin walked over to the coffee machine and after a lengthy battle
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reached in and pulled a strong black coffee and a hot chocolat out of the
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slot. When he turned around, Martin saw Candyce and Susie embracing Emilia
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and giggling as she wiggled her toes at the end of her cast. Even from that
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distance, their artificiality was so recognisable, Martin wanted to flee
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from the scene in utter disgust.
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He walked in on yet another arguement as he entered the lounge.
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"Why did he have to marry her?"
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"I like her..." the old man started.
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"Did you say something, dear? Well anyway, like I was saying, I told
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him, Bob, she will only bring you bad luck, being a divorcee and all. The
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people at work won't respect you, and most of all, what will the rest of
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the family think?"
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"I like her..." the old man tried again in vain.
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"Well I'll say, I don't think I want to stay here anymore. Personally,
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I hope sher never wakes up. Enough said, let's go," the old woman
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orderedsnobbishly. The old man took her minkwrap from a hanger and placed
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it gently on his wife's shoulders and proceeded to follow her out of the
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room like a lost puppy following his mistress home.
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"Try not to trip over your leash, mister," Martin thought to himself,
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astonished that the man would take this treatement so willingly. Then it
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dawned on him: Bob, divorcee...."They must be Bob Smith's parents! How
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could she say that about Angela?! How could he let her say those things
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about Angela?!" Martin looked over at the boy, still gaping with rage. He
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suddenly realised he had been screaming by the look of shock on the boy's
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face.
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"Here, this is for you. I don't believe it..." Martin handed him the
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hot chocolate.
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"Gee thanks, mister. How come you were screaming about what they said
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about some lady?"
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"That some lady is a very special lady who happens to be my ex-wife,"
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he said icilly.
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"But you care, don't you?" the boy asked seriously.
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"With all my heart, but..."
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"So that's all that matters. My mommy says so all the time..." his
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voice quivered and broke into uncontrollable sobs. Martin put his arm
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around the boy's shoulder who immediately wrapped his arms around Martin's
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neck and cried into his chest.
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6:30a.m. Martin put a pikllow under the boy's sleeping head and
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covered him with his jacket. "The poor little guy," his heart went out to
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him: the boy's parents had been in a train accident late last night and
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would probably not survive to see the sun rise.
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Martin looked in the window again at the coldness and unfeeling
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of her room. All of a sudden, he ran down the hall to the boutiques and
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bought an armful of flowers, trinkets and stuffed animals. He slipped
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silently into the room and arranged everything. The room looked as though
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somebody had breathed life into it. Flashes of red, bursts of yellow,
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explosions of orange, waves of purple and the clear beauty of pink all
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broke through the institutional cold and gave the room warmth and charm. He
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tore open the curtains and drank in the radiance of the rising sun. He
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walked over to her bed, took her hand gently and began describing the
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magnifiscence of the flowers and the dazzling sun. He told her about
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picnics they would have and walks through the gardens and boat rides on
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little ponds. "I wouldn't mind waking up to this," he continued eagerly,
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but then stopped, despair inundating him, washing away his dreams. "Only
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it's Bob now, not be anymore," he murmured sadly and walked slowly over to
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the window. He looked out and down onto a garden where a few patients were
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being walked around. "That should be us," he murmured softly to the window.
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"That should be us! We had so much happiness!" Martin turned and said
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pleadingly to her unconscious face. He took a few quick steps and was at
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her bedside again.
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"I love you, Angela," he bent down and kissed her deathly pale cheek
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softly. "I never stopped."
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"And I love you. little Martin," her face flinched in a momentary
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attack of pain. "Go and get some doctors, please."
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Martin stared in shock. Gradually a boyish grin crept over his
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face and he turned and ran to get some help.
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"You'll have to wait outside while we examine her, Mr. Smith."
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"No, I'm Mr. Martin Warner," he said confidantly. Martin walked back
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down the hall to the lounge to check on the boy. As he neared the open
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door, he saw a nurse comforting the child who sobbed hysterically.
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"Mommy and Daddy would NEVER leave me! You're lying!" he screamed
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desperately. Martin turned and walked down the dim hall very slowly. He
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didn't even care about getting his jacket back.
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He can replace his jacket.
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The child can't replace his parents.
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