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4131 lines
207 KiB
Plaintext
4131 lines
207 KiB
Plaintext
===== TurboTerm v2.5 : Scrollback : Monday 04/19/1993 @ 17:29:00 =====
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What do you want now?
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OK
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[;H[2J
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/\_-\
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<((_))>
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\- \/
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/\_-\(:::::::::)/\_-\
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<((_)) MindVox ((_))>
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\- \/(:::::::::)\- \/
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/\_-\
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<((_))>
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\- \/
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_________________________________________________________
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To take a look around MindVox use the "guest" account
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To apply for an account enter as GUEST, then REGISTER
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_________________________________________________________
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(c) Copyright 1992-93, Phantom Access Technologies, Inc.
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Login (User ID):
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Login (User ID): guest
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[;H[2J
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Welcome to the ThoughtScape of MindVox
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Since you have arrived at this nexus point within Cyberspace, you presumably
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have at least a basic idea of what we are, and what you expect to find here.
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You may have read an article by or about one -- or some -- of us, seen a
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clip, attended a conference, or just taken a spin through the electronic
|
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landscape to see what fate had in mind.
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Whatever has brought you here, you want to find ...something. It might be
|
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as simple as the latest stock quote or a piece of shareware, or it could be
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as complex and all-encompassing as trying to give your life some new level
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of understanding that allows you to find peace of mind.
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Chances are that for most of you, what you desire lies somewhere between the
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two absolutes delineated by NeW WaReZ and online therapy. Although MindVox
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is suitably equipped to supply just about anything you may desire, it's pri-
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mary focal point isn't shareware, or junk that can be found on ftp sites and
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PC boards spread throughout the land.
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MindVox is a storehouse of knowledge pertaining to a wide variety of topics,
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[7m-- more --[m
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and contains a vast collection of archives that house information on every-
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thing from software updates, viruses, security news, drug information, legal
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issues effecting Cyberspace, and electronic digests and anthologies . . .
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all the way to a constantly growing library that chronicles the very incep-
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tions of Cyberspace, with timeslices of systems dating all the way back to
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1979 -- the first bulletin boards ever to exist.
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MindVox runs on pretty complex, custom software that makes everything as
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easy to use as possible. The system itself is in a constant state of change
|
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as we make improvements, implement your suggestions, fix problems stemming
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from complaints, and generally evolve the state-of-the-art in online tech-
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nology.
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We're running on an expensive collection of hi-tech toys, with a lotta
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modems, workstations, hard disks, terminal servers and bandwidth. We are
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BeTTeR, NeWER, FLASHIER, SHinY, BrIGHT and Cheaper ThaN almost anything on
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earth, or in outer space for that matter.
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Although this is really neato, our long-term goal is to move everything onto
|
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an MSDOS based machine, purchase a big house in the suburbs, and fill the
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basement with roughly a hundred 386s and a real big air conditioner.
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||
The closest tangible structure that MindVox could be likened to, is a
|
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sprawling Tavern at the crossroads of the entire world. Whether you have
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jacked into Vox by dialing a local number with your modem, or stacked to-
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gether a web of net connections that spans the world, you have arrived --
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||
and while you might make use of the facilities provided, chances are you're
|
||
not here 'cuz you want to flip through an online multimedia encyclopedia, or
|
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because you're on a quest for that elusive copy of MegaTerminal 92.7Y NOW
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SUPPORTING NEON ANSI MODE and V.FAST!
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You're here because you want to interact with people that you won't find on
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any other system -- pioneers in the fields of computer science, science-
|
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fiction, music, the arts, religion, altered states, and future realities --
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writers, musicians, artists, programmers, designers, directors, actors, en-
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trepreneurs, business-people, politicians, chemists, body-builders, and
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Elvis.
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You're bored with the cookie-cutter tract houses that litter the electronic
|
||
landscape with copies of copies. All featuring the same thing, with the
|
||
same environment and the same people. Your cruise through the Datasphere
|
||
has brought you to our gates because it's more interesting to hang out in an
|
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experimental theatre, recording studio, occult bookstore, headshop, R&D lab
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or club, with people you read about; than a 7-11, with people you're sick
|
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and tired of.
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Technology has created one of the most unique possibilities in the history
|
||
of human interaction; Anytown USA can jack into Haight-Ashbury in the 60's,
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Soho in the 70's, any place or time that has ever been and places that never
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were and exist only by mutual wish-fulfilment . . .
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MindVox is a celebration of possibilities
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Jack In, Rock Out and Feed your Head!
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____________________________________________________________________________
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Press [Return]:
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Welcome to the MindVox system
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Created by The Phantom Access Group
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[MindVox]: Logging in (guest), Caller #: 123316, on [19-Apr-93]
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Press [Return]:
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|
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Setting the proper terminal emulation can greatly simplify your online
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existence. The two most common selections are VT100 and ANSI. In fact
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these settings are SO common, that if your terminal program doesn't support
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||
them, you either have a REALLY old machine, a REALLY bad terminal program,
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||
or are calling into MindVox via Intergalactic relay from Alpha Centuri. If
|
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your communications software doesn't support terminal emulation, specify
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it as "unknown".
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Terminal Type: ansi
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(8:14pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
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[Main Menu]: ?
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[;H[2J
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Subset of Commands Available to GUESTS of MindVox
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____________________________________________________________
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| |
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| About - View Detailed Descriptions of the Vox Forums |
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| Bye - End your Demonstration of the MindVox system |
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| Editorial - Read the current MindVox Editorial article |
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| Feedback - Leave FEEDBACK for the System Administration |
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| Finger - View information on a Member - FINGER <name> |
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| Home - Examine Files in your Home Directory |
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| Last - List the Last <x> Callers to the System |
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| Mail - Enter the MindVox Mail Subsystem / Read Mail |
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||
| Who - Who is Online right now (Local & Network) |
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| VoxList - Obtain a Complete Listing of the Vox Forums |
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||
| |
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| HELP - Detailed HELP files about MindVox Commands |
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||
| INFO - Information about MindVox and Phantom Access |
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|_____ ________________________________________________ _____|
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| |
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| REGISTER - Apply for Membership to MindVox |
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|________________________________________________|
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(8:14pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
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[Main Menu]:
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||
|
||
(8:14pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
|
||
[Main Menu]: ?
|
||
|
||
|
||
Subset of Commands Available to GUESTS of MindVox
|
||
____________________________________________________________
|
||
| |
|
||
| About - View Detailed Descriptions of the Vox Forums |
|
||
| Bye - End your Demonstration of the MindVox system |
|
||
| Editorial - Read the current MindVox Editorial article |
|
||
| Feedback - Leave FEEDBACK for the System Administration |
|
||
| Finger - View information on a Member - FINGER <name> |
|
||
| Home - Examine Files in your Home Directory |
|
||
| Last - List the Last <x> Callers to the System |
|
||
| Mail - Enter the MindVox Mail Subsystem / Read Mail |
|
||
| Who - Who is Online right now (Local & Network) |
|
||
| VoxList - Obtain a Complete Listing of the Vox Forums |
|
||
| |
|
||
| HELP - Detailed HELP files about MindVox Commands |
|
||
| INFO - Information about MindVox and Phantom Access |
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||
|_____ ________________________________________________ _____|
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||
| |
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| REGISTER - Apply for Membership to MindVox |
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||
|________________________________________________|
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(8:14pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
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[Main Menu]: register
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|
||
<+]) Would you like to Register as a Member of MindVox? y
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MindVox [REGISTRATION] Form
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Please answer all information requested as well as you can. Thank you!
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Select your Login ID (8 letter limit): Matrix
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( That name is already in use. )
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Select your Login ID (8 letter limit): Unseen
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Enter your full name (First and Last): Sara Jane Levinson
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Your Telephone #, including Area Code: [CENSORED]
|
||
Fax #/Business #/Alternate Number: [CENSORED]
|
||
InterNet Email Address: Matrix@netcom.com
|
||
Select your Password (6-8 characters): [CENSORED]
|
||
Street Address: [CENSORED]
|
||
Apt/Suite/Mail Stop (if any):
|
||
City: [CENSORED]
|
||
Two Letter Abbreviation for Your State: CA
|
||
Zip Code: [CENSORED]
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||
Country: USA
|
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What is your Terminal Type : ansi
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MindVox [BILLING] Information
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-=/[ MindVox Payment Policies: The Plans ]/=-
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[PLAN I: MindVox Membership] [Pricing: $10.00 / per month]
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These accounts are usually used by people who telnet into MindVox from other
|
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sites. It assumes that you already have Internet services since you are
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getting here through the net in the first place. With this in mind, PLAN 1
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is designed to give you all of MindVox's SITE-SPECIFIC features without mak-
|
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ing you pay for redundant options that you already have access to elsewhere.
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This includes access to the Archives, various Games and Simulations, Mail,
|
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the Chat areas, and the MindVox Forums. It DOES NOT include access to the
|
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Usenet Newsgroups, IRC, Telnet and Software Transfers.
|
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[PLAN II: InterNet Services] [Pricing: $10.00 / per month]
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This option is designed for most of our local clients, whose primary in-
|
||
terest in the MindVox system is as an easy-to-use gateway to the InterNet.
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The VOICES software provides a simple-to-use, yet powerful interface that
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sits on top of Unix, and allows you to make use of services without having
|
||
to learn arcane commands.
|
||
|
||
Plan II Accounts include an Internet Mailbox in the format of
|
||
NAME@mindvox.phantom.com, access to roughly 1700 newsgroups in Usenet News,
|
||
entry to the local Chat system, FTPmail Software File Transfers, as well as
|
||
access to various online games. IT DOES NOT include access to: The MindVox
|
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Forums, most sections of The Archives, IRC, Telnet and some of the available
|
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Simulations.
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[PLAN III: Full Membership] [Pricing: $15.00 / per month]
|
||
|
||
You want it all, everything! Combines all the features of MindVox in one
|
||
easy to digest, low-calorie, fat-free package that gives you complete access
|
||
to everything that exists on MindVox.
|
||
|
||
You get the mystique of Vox, where you can cavort in a beautiful virtual en-
|
||
vironment populated by a stellar collection of people who get thrown off of
|
||
every other system in Cyberspace; those in attendance include some of the
|
||
luminaries of Cyberpunk literature; the dregs of the art world; out of work
|
||
movie people who will offer you glamorous jobs for no pay; ex-hackers from
|
||
LOD, KOS, and a dozen other affiliations, who played as major role in shap-
|
||
ing the development of Cyberspace over the last decade; government people
|
||
from all kinds of neat three-letter acronyms who have put quite a few of the
|
||
afore-mentioned crowd through the processes of our delightful legal system;
|
||
lawyers and legislators who want to discuss the deep inner meaning and truth
|
||
behind what the hackers did, what the goverment does, and what it all really
|
||
means anyway; people who take too many drugs and then write about it; people
|
||
who can't stand people who take drugs; a bunch of reporters, journalists,
|
||
and media people, all gathered here to watch what all the other groups are
|
||
doing; if all this wasn't enough, there's also Elvis AND MONDO 2000 -- to-
|
||
gether again, almost, for the first time.
|
||
|
||
And when you grow tired of your Vox fix, you can go read Usenet news and
|
||
spend the next week logged into IRC without ever leaving. What more could
|
||
you ask for? Quit your job and jack-into MindVox for the rest of your life.
|
||
It's absolutely spiffy
|
||
|
||
-=/[ PLAN I: MindVox Membership / Pricing: $10.00 / per month ]/=-
|
||
-=/[ PLAN II: InterNet Services / Pricing: $10.00 / per month ]/=-
|
||
-=/[ PLAN III: Full Membership / Pricing: $15.00 / per month ]/=-
|
||
|
||
Which PLAN will you be joining MindVox under? [Default = Plan 3]: 3
|
||
|
||
CREDIT CARDS
|
||
------------
|
||
|
||
The easiest way to become a Member is by using your Visa or MasterCard to
|
||
make your payment. There is no processing fee, no deposit required, and
|
||
your account is activated within one business day.
|
||
|
||
By signing up with your credit card, you agree to be billed automatically
|
||
every month, until you choose to terminate your membership. Every time your
|
||
charges are processed, you will be notified by Invoice via Electronic Mail
|
||
to your MindVox account.
|
||
|
||
DIRECT BILLING
|
||
--------------
|
||
|
||
If you wish to be billed directly, there is a $10 dollar processing fee re-
|
||
quired to open your account. This fee serves as a non-interest bearing
|
||
deposit, which your total outstanding charges cannot exceed, until you have
|
||
either made payment, or selected to have your deposit increased.
|
||
|
||
You can choose to pre-pay any amount you desire, for as much online time you
|
||
wish to purchase in advance. At any time that your account is within $5
|
||
dollars of reaching your maximum deposit level, MindVox will automatically
|
||
notify you that you need to make a payment soon.
|
||
|
||
Your account will be validated as soon as we receive your money order or
|
||
when your check clears our bank. We will not active your account until pay-
|
||
ment is received, and we will NOT send you a reminder.
|
||
|
||
If your account is ever terminated, your deposit will be applied against any
|
||
outstanding balance, and the remainder refunded to you within 15 business
|
||
days.
|
||
|
||
DIRECT BILLING - OUTSIDE OF UNITED STATES
|
||
-----------------------------------------
|
||
|
||
We realize that many of our Members are connecting to MindVox from other
|
||
countries and it's our desire to make things as simple as possible for you.
|
||
|
||
If you reside in a country that has convertible currency, we will accept
|
||
checks or money orders in your native currency, with an added $5 surcharge
|
||
for any orders under $50 US dollars.
|
||
|
||
People with EuroChecks or checks with a "wahrung" section, please use your
|
||
native currency.
|
||
|
||
You will receive an invoice detailing the translation from your currency >
|
||
to US Dollars > to your final timeslice on MindVox.
|
||
|
||
|
||
Make checks and money orders, payable to:
|
||
|
||
Phantom Access Technologies, Inc.
|
||
|
||
Payments must be mailed to:
|
||
|
||
Phantom Access Technologies, Inc.
|
||
175 Fifth Avenue, Suite: 2614
|
||
New York, NY 10011
|
||
|
||
Payments must also include:
|
||
|
||
: Your Login ID
|
||
: Your Full Name
|
||
: Your Telephone #
|
||
|
||
|
||
Payment Method (Check, MasterCard or Visa): [CENSORED]
|
||
What is your Credit Card number: [CENSORED]
|
||
What is the expiration date of the card: [CENSORED]
|
||
What is the name of the issuing bank: [CENSORED]
|
||
|
||
Have you read the MindVox Terms & Conditions file & do you
|
||
fully understand it and agree to abide by its regulations?
|
||
|
||
Yes/No or View (T&C): y
|
||
|
||
Where did you hear about MindVox?
|
||
Prodigy Interative Services JUMP Computer BB
|
||
|
||
What kind of computer system are you using to access the system?
|
||
i80486/50
|
||
|
||
What type of modem are you using and what is its highest speed?
|
||
USRobotics 14.400 bps Courier ASL, blah blah blah 14400
|
||
|
||
CREDIT CARDS
|
||
------------
|
||
|
||
The easiest way to become a Member is by using your Visa or MasterCard to
|
||
make your payment. There is no processing fee, no deposit required, and
|
||
your account is activated within one business day.
|
||
|
||
By signing up with your credit card, you agree to be billed automatically
|
||
every month, until you choose to terminate your membership. Every time your
|
||
charges are processed, you will be notified by Invoice via Electronic Mail
|
||
to your MindVox account.
|
||
|
||
Please note that for billing purpose, we MUST have the name EXACTLY as it
|
||
appears on the credit card. If you signed up under a pseudonym or your name
|
||
does not appear on the card, please let us know for our records.
|
||
|
||
If you have any questions, then please leave FEEDBACK or call us at:
|
||
|
||
+1 212 988 5987
|
||
|
||
Send a letter to MindVox system management (y/n)? n
|
||
|
||
|
||
When your account is activated, you will need these to login again:
|
||
_________________________
|
||
|
||
Login (User ID): unseen
|
||
Password: [CENSORED]
|
||
_________________________
|
||
|
||
DOWN. When done, press [RETURN] to log off: -- more --
|
||
|
||
NO CARRIER
|
||
===== TurboTerm v2.5 : Log : Tuesday 04/20/1993 @ 06:13:24 =====
|
||
|
||
about
|
||
|
||
SOCIAL: BANDWIDTH
|
||
|
||
The Bandwidth Forum is here to discuss all those things that just don't fit
|
||
into the topic-oriented forums. Like, for example, a discussion of hot new
|
||
silicon might naturally lead some of you to a discussion of who has had sil-
|
||
icone injections. Bring it over here when it gets off-topic; there are no
|
||
off-topic topics in Bandwidth. Also, this will be the place where you can
|
||
begin discussions on one subject and have them branch out in billions and
|
||
billions of directions. Who knows that path it'll take? Join in and help
|
||
figure it out.
|
||
|
||
Press [Return] to continue or [Q]uit to Exit:
|
||
|
||
(1:26pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: editorial
|
||
|
||
|
||
Voices In My Head
|
||
MindVox: The Overture
|
||
|
||
Copyright (c) 1992, by Patrick Karel Kroupa (Lord Digital)
|
||
All Rights Reserved
|
||
|
||
"...just as every cop is a criminal and all the sinners; saints"
|
||
--The Rolling Stones (Jane's Addiction cover(*1))
|
||
|
||
|
||
Prelude
|
||
-------
|
||
|
||
This article has its inception in several dozen people ask-
|
||
ing the same questions with fairly consistent regularity. Namely
|
||
those of, "where'd you guys go?", "what's the deal with MindVox?"
|
||
and "what have you been doing for the last five years anyway?"
|
||
|
||
Overture does a decent job of tying up all of the above and
|
||
then some, while providing a general overview about who we are at
|
||
-- more --
|
||
|
||
Phantom Access and what we're in the process of doing with Mind-
|
||
Vox. Sections of this article self-plagiarize heavily from my
|
||
own writings in ENTROPY CALLING, which will be in a form suitable
|
||
for publication sometime around the first quarter of 1993 at the
|
||
rate things are going right now. My apologies for the perpetual-
|
||
ly blown deadlines regarding this work, but something always
|
||
manages to pop up that requires my full attention, in this case
|
||
MindVox itself.
|
||
|
||
I've done what I could to make everything understandable by
|
||
even those who have no prior knowledge of who we are or what's
|
||
going on, hopefully I have at least partially succeeded. If
|
||
something is briefly touched upon and you don't understand its
|
||
significance, then it probably means something to a smaller
|
||
cross-section of people and you can safely ignore it.
|
||
|
||
While this is in many respects a personal account of my own
|
||
journey through Cyberspace and what it has meant to me and a
|
||
handful of my friends, on a larger scale the underlying theme and
|
||
basic premise of how the electronic universe began and has
|
||
evolved is reflective of the experiences of countless people who
|
||
have been traversing the endless pathways of possibility with me
|
||
-- more --
|
||
|
||
for most of their lives.
|
||
|
||
|
||
First Light
|
||
-----------
|
||
|
||
A long time ago, in a thoughtspace far away, an event that would
|
||
forevermore alter the shape of human interaction took place . . .
|
||
|
||
But we're not here to talk about that, instead we're gonna dis-
|
||
cuss computers and how a couple of guys named Ward Christianson
|
||
and Randy Seuss wrote a program that would allow them to be set
|
||
up as a kind of store-and-forward messaging system designed to
|
||
allow their circle of friends to interact with one another by us-
|
||
ing these things called modems . . . and how this event would
|
||
prove to be the first truly accessible step into the uncharted
|
||
territory of what was to become Cyberspace.
|
||
|
||
From this empowering turning point in the late seventies, the
|
||
ideas, dreams and fantasies that would transmute and amplify hu-
|
||
man potentials and evolutionary possibilities, broke loose from
|
||
the shackles that primitive technology had imposed upon them and
|
||
-- more --
|
||
|
||
began to spin the electronic universe into existence.
|
||
|
||
Still in the very early stages of its development, Cyberspace, or
|
||
the "modem world" as it is sometimes called, has until very re-
|
||
cently remained a largely untapped forum unique within the histo-
|
||
ry of our world. It is a rapidly shifting microcosm that in the
|
||
early part of the 1990's seems poised to engulf the reality from
|
||
which it was born, weaving together the threads of tens of mil-
|
||
lions of diverse dreams, into one mercurial tapestry that encom-
|
||
passes the collective consciousness of humanity and frees it from
|
||
all constraints.
|
||
|
||
The non-space of Cyberspace is a place where global changes that
|
||
would take years or even centuries outside of the online domain,
|
||
can occur in weeks or months. It is a place where participants
|
||
from all over the world share a unique common-ground based on
|
||
nothing less nor more, than a belief in the same vision of possi-
|
||
bility. It is a land where people who scoff at "The Elements of
|
||
Style" frequently write paragraphs, pages, and even novels, full
|
||
of big words, huge concepts, and absolutely gargantuan amounts of
|
||
emoting -- while actually saying nothing tangible. In a little
|
||
over a decade, the online microcosm has managed to experience the
|
||
-- more --
|
||
|
||
equivalent of hundreds of years of evolution. Not to mention the
|
||
creation of hundreds of words which have found their way into the
|
||
online lexicon despite the fact that nobody is quite sure what
|
||
they mean in the first place.
|
||
|
||
During this turbulent period of rapid change the half-dozen sys-
|
||
tems of 1978, had grown to 45 or 50 electronic villages by 1980.
|
||
These were the original outposts of Cyberspace, running on hacked
|
||
together systems, hooked into industrial 8" drives, and network-
|
||
ing at the blinding speed of 110 baud. To be honest, there
|
||
wasn't really a whole lot of high level philosophizing going on
|
||
regarding the brave new world that had dawned. Actually, most of
|
||
the conversation tended to focus on things along the lines of,
|
||
"How do you hook an 8" drive onto an Apple ][?" and "ANY idiot
|
||
can see that setting the 7th bit high on the xdef reg is the
|
||
WRONG thing to do, OF COURSE it'll make the program crash, are
|
||
you stupid or something?" It was a technological triumph, but
|
||
one that was for the most part, still lacking many of the key
|
||
participants that would shape the technology into designer reali-
|
||
ties.
|
||
|
||
As the seventies drew to a close, the sterility and bare-bones
|
||
-- more --
|
||
|
||
functionality that had predominated, began to make way for places
|
||
created by people who truly wanted something unique and dif-
|
||
ferent. The mere existence of the technology was no longer that
|
||
exciting, and as a greater number of people gained access to the
|
||
hardware needed to jack in, the first electronic tribes gathered
|
||
and began erecting monuments to their own ingenuity.
|
||
|
||
By the time the eighties were upon us, the handful of systems
|
||
that had thrived during the latter half of the previous decade
|
||
had multiplied rapidly, giving birth to new systems on an almost
|
||
daily basis, and by 1982 there were close to a thousand outposts
|
||
on the frontier. Hardware prices were falling, 1200bps modems
|
||
were actually within the reach of many people who wanted to pur-
|
||
chase them, and the online domain was beginning to attract a wide
|
||
variety of participants from outside the technocratic elite.
|
||
|
||
A second pivotal point came during the summer of 1983 when the
|
||
movie WARGAMES was released. Within several months the modem
|
||
world literally doubled in size. An entire new generation of
|
||
people were about to take the plunge into electronic wonderland
|
||
and set off an explosive growth rate that has not slowed since
|
||
then. It was a major and irreversible nexus point that would be-
|
||
-- more --
|
||
|
||
gin the abrupt transition from taking Cyberspace from the realm
|
||
of underground sub-culture to the forefront of mainstream media.
|
||
|
||
In retrospect the early eighties were the "golden age" of Cyber-
|
||
space. There truly was a new frontier just over the horizon, and
|
||
we were standing at the edge. This period in the history of the
|
||
electronic universe was unruly and chaotic, the first settlers on
|
||
the frontier wouldn't arrive for another decade or so, and the
|
||
only people here were a small collection of explorers eager to
|
||
embark on the next adventure.
|
||
|
||
Of course one of the problems with "standing on the edge" of any-
|
||
thing, is the trail that led up to it. You are there for some
|
||
reason, or usually a very complex series of reasons, that have
|
||
shaped your life up until that point in time, and caused you to
|
||
become disenchanted with -- or feel limited by -- whatever situa-
|
||
tion you are locked into in the consensual reality that we all
|
||
physically inhabit at present. In other words, the "real world"
|
||
isn't making you happy, and you want outta there.
|
||
|
||
Led by a an oddball contingent of misfits, dropouts, acidheads,
|
||
phreaks, hackers, hippies, scientists, students, guys who could
|
||
-- more --
|
||
|
||
say "do0d, got any new wares?" with a straight face and really
|
||
mean it -- and quite often -- people who managed to combine many
|
||
of these attributes; the 1980's saw the rise of the first empires
|
||
and kingdoms of Cyberspace.
|
||
|
||
As romantic and wonderful as this seems, and was . . . a lot of
|
||
the people involved had been brutalized by life, and much of this
|
||
new reality was borne out of a tidal wave of pain and dissatis-
|
||
faction. When I first became an active participant in this elec-
|
||
tronic nervous system that was just beginning to experience its
|
||
awakening; I was a little over ten years old. My early under-
|
||
standings of what this "place" was, were shaped by a handful of
|
||
people whose skills I admired and sought to emulate, yet whose
|
||
lives I felt great pity and sadness for.
|
||
|
||
There were of course exceptions, people who were so high on the
|
||
potential of this technology and the completely new level of
|
||
reality it could bring, that nothing more than a love of their
|
||
creation drove them onwards. But these people were pretty uncom-
|
||
mon, most of the pioneers were guys who were simply unhappy . . .
|
||
or to be more exact, so unhappy that they had given up on finding
|
||
joy in the "real world" and were constructing a rocket ship
|
||
-- more --
|
||
|
||
called Cyberspace to get them out of here as fast as possible.
|
||
|
||
"Peace, love and happiness" was not exactly the driving force
|
||
behind the rise of the electronic domains. A more realistic ral-
|
||
lying cry was one of "Gee this technology is neat, and I'm gonna
|
||
use it to make a whole new world where I can be happy and none of
|
||
you can ever bother me again. You'll all be sorry, just wait and
|
||
see!" They were building the cult of high technology in the
|
||
hopes that it would somehow save them from whatever they thought
|
||
had prevented them from attaining happiness anywhere else.
|
||
|
||
Sadly enough "they" were not THOSE PEOPLE, "they" had become "us"
|
||
and while the first steps into this place had been made possible
|
||
by the phone phreaks and misfits of yesterday, the online world
|
||
was exploding and changing at an incredible velocity, the rest of
|
||
society was about to take notice in a big way, and a handful of
|
||
disenfranchised teenagers had seized the reigns and were in the
|
||
early stages of walking into the spotlight and taking the status
|
||
quo for a big ride . . .
|
||
|
||
|
||
The Fall
|
||
-- more --
|
||
|
||
--------
|
||
|
||
Everything really was this big beautiful game, and here we were
|
||
with an overview of the whole jigsaw puzzle, and the sudden power
|
||
to do anything we wanted to do with it. For the first time in
|
||
recent history you COULD reach out and change reality, you could
|
||
DO STUFF that effected EVERYTHING and EVERYONE, and you were sud-
|
||
denly living this life that was like something out of a comic
|
||
book or adventure story. In a place filled with magical lands
|
||
and fantastic people who you had only read about, and suddenly
|
||
you WERE actually talking to Timothy Leary, or Steven Wozniak,
|
||
and some guy who was just on the cover of a magazine was speaking
|
||
with you and thought that YOU were cool, and then finally you
|
||
were IN the magazines and at the forefront of an entire sub-
|
||
culture that was being rapidly assimilated into the cultural
|
||
mythos.
|
||
|
||
It was a VERY interesting time and place in which to grow up.
|
||
|
||
Of course the problem is a lot of us didn't grow up. At a cer-
|
||
tain point in time having power that can have real and immediate
|
||
effects upon all society, can do very strange things to your per-
|
||
-- more --
|
||
|
||
spective of the world. Instead of learning to deal with the nor-
|
||
mal barriers that most teenagers in western culture find them-
|
||
selves faced with, you discover that you can blow right through
|
||
all of them without even slowing down. In this way you miss much
|
||
of the growth and acclimation that people go through during their
|
||
teenage years. Which is where a lot of old friends parted ways
|
||
with reality and ceased to be explorers, becoming caught up in
|
||
the real world implications of the power that was now at their
|
||
disposal. In effect, they lost sight of the underlying theme
|
||
that all our actions had been based upon, that of exploration and
|
||
pushing the boundaries, and merely focused on the short-term
|
||
end-result of what their abilities could bring them; in the pro-
|
||
cess becoming the criminals that the Secret Service and FBI had
|
||
said we all were.
|
||
|
||
What had begun with the best intentions, as the ultimate exten-
|
||
sion of human curiosity, had devolved into a cultural movement
|
||
that had very little to do with the ideals that had inspired it.
|
||
The term "hacker" had become synonymous with "criminal", and tak-
|
||
ing a look around at the state of the underground, it looked as
|
||
if much of it had in fact degenerated into crime cartels
|
||
comprised of angry teens who had little understanding of the
|
||
-- more --
|
||
|
||
underlying mechanisms they were employing to play with reality.
|
||
It was no longer the exhilaration of knowing that you could actu-
|
||
ally reach out and touch a satellite . . . it had come down to
|
||
the negative power trip of fucking with something for the sake of
|
||
pissing people off or just showing the world how much power you
|
||
really have at your disposal if you ever decided to throw a tan-
|
||
trum.
|
||
|
||
By 1988 what had replaced our outlook, was a mindset where the
|
||
new generation saw two things: one of them was the potential to
|
||
take advantage of holes in the system for personal gain. There
|
||
was no longer any quest for knowledge, desire to learn, or need
|
||
to push the boundaries of what was possible for the sake of ex-
|
||
ploration. Instead there were a lot of people who couldn't get
|
||
past making free phone calls, stealing things, and causing trou-
|
||
ble by following an already well-established pattern of action
|
||
and reaction.
|
||
|
||
The second -- and perhaps biggest -- motivating factor had become
|
||
the desire for personal attention in the form of self-
|
||
aggrandizement: the ultimate hack had become the media machine
|
||
itself. What was originally a by-product of our experiences, had
|
||
-- more --
|
||
|
||
become a goal in and of itself. And here is where things became
|
||
REALLY twisted.
|
||
|
||
The media in the latter half of the twentieth century has become
|
||
a very strange distortion of reality instead of the reflection it
|
||
was intended to be. Since this is not an essay on the evils of
|
||
manipulation through the use of media, I will stick with a very
|
||
simple outline of how events occur in the real world.
|
||
|
||
A reporter, journalist, writer -- SOME PERSON who has their own
|
||
desires and ambitions, wants to do an exciting story on something
|
||
that will garner him or her a lot of attention and acclaim.
|
||
Really they are operating from a point of view that has much in
|
||
common with the "hacker's," which is the mindset of "I'm gonna
|
||
get mine." So this journalist looks around at the headlines and
|
||
realizes that there is a mounting wave of hysteria surrounding
|
||
viruses and hackers and invasion of privacy and . . . gee,
|
||
wouldn't it be a nice career move to do a story that will mix
|
||
their name into whatever the hot topic of the next five minutes
|
||
happens to be.
|
||
|
||
If the journalist is attached to any even marginally important
|
||
-- more --
|
||
|
||
publication, they will then get their pick from one of the
|
||
current four or five "names" doing the rounds. On the other
|
||
hand, if the journalist is just starting out and connected to
|
||
something much smaller, then the chances are they will simply
|
||
show up at some user's group meeting, find the nearest thing they
|
||
can to a "computer nerd," do an interview, and then write it up
|
||
expressing whatever the current publicly-sanctioned viewpoint
|
||
happens to be (the usual slant has become: hackers are evil and
|
||
can look at your credit rating, fear them).
|
||
|
||
I have been interviewed on many occasions and I know roughly
|
||
twenty people who have done the interviews that comprise the
|
||
basis of about 90% of all media that exists in relation to the
|
||
underground; be it in newspaper, periodical, television segment,
|
||
or book format. WITH *VERY* FEW EXCEPTIONS, there have been
|
||
countless solicitations to perform illegal acts in the presence
|
||
of journalists, these solicitations move all the way into coer-
|
||
cion in some cases. There are reports containing sentences that
|
||
were never spoken, quotes taken out of context, information that
|
||
was invented . . . there's simply no end to it. The reporter
|
||
profits first by stroking the hacker's ego and giving him the
|
||
spotlight that he thinks he wants so badly, and then continues to
|
||
-- more --
|
||
|
||
profit as the hacker rides a bigger and bigger wave of publicity
|
||
that in every case leads to a very unhappy ending if the hacker
|
||
in question doesn't have the foresight to get off the ride before
|
||
it derails.
|
||
|
||
In any case, whatever happens, the reporter always wins. When
|
||
the hacker's ride reaches its date with fate, the journalist in
|
||
question can now write the closing chapter in the hacker's saga
|
||
and tell the public how this nefarious evil-doer is being pun-
|
||
ished by the long arm of justice. This is followed up by the
|
||
journalist taking on the "official" mantle of "hacker expert,"
|
||
doing the lecture circuit, perhaps writing a book, and then going
|
||
out and finding a new horse to beat to death.
|
||
|
||
Obviously nothing can ever be this black and white, there must be
|
||
a need for both parties to play their roles. The reporter is not
|
||
THE EVIL BAD MAN who has corrupted the INNOCENT ANGELIC HACKER,
|
||
nor does this scenario apply to all journalists equally, off the
|
||
top of my head; Bruce Sterling, John Markoff, and Julian Dibbell
|
||
come to mind as extremely ethical exceptions to the norm.
|
||
|
||
Usually the reporter who isn't quite so ethical is just somebody
|
||
-- more --
|
||
|
||
who is presented with a situation that can easily be twisted and
|
||
misused if the desire for fame and fortune takes precedence over
|
||
everything else. The reporter by the very nature of his job
|
||
tends to be quite "slick" and worldly-wise, whereas the hacker in
|
||
question is usually highly knowledgeable about computer systems
|
||
while managing to retain an oblivious naivety about the workings
|
||
of human beings in that elusive place called "the real world."
|
||
This sets the stage for what transpires.
|
||
|
||
And you see a lot of people who used to be your friends, get
|
||
ground up in this endless cycle as it repeats itself over and
|
||
over again until one day you wake up and come to realize that
|
||
you're seventeen or eighteen going on 90. You understand that
|
||
everything in the whole world is comprised of bits and pieces of
|
||
lies and half-truths, everyone is inherently corrupt, including
|
||
you; a lot of kids who used to be your friends are now all grown
|
||
up with no place to go and getting busted for such things as
|
||
fraud and grand larceny; and you have utterly lost touch with
|
||
anything even remotely "real." And yet, you're still a teenager
|
||
and have another 70 or 80 years left to hang around on this
|
||
planet.
|
||
|
||
-- more --
|
||
|
||
This is right around the time that you're back in the media, only
|
||
this trip around you're at the receiving end of law enforcement
|
||
who have been prodded into a state of near-hysteria by the dawn-
|
||
ing realization that a bunch of kids really can dismantle the
|
||
building blocks of the infrastructure that makes most of
|
||
present-day society possible. Naturally enough they're scared,
|
||
and they're in the process of doing what people have done for
|
||
ages when they are afraid: going on a witch-hunt. Guess who gets
|
||
to play witch...
|
||
|
||
So one day you find yourself wondering why you should bother buy-
|
||
ing another computer system and trying to figure out what the
|
||
point of it all was anyway; to glimpse the limitless potential
|
||
and then fall back and only see your own flaws amplified to
|
||
cartoon-like proportions.
|
||
|
||
The 1980's were a time that saw the birth and death of the first
|
||
dynasties of Cyberspace. Travelling through the electronic
|
||
landscape of this period in time, was like traversing this sur-
|
||
real range of mountains, where amongst the sheer outcropping of
|
||
rock, lush valleys, and snow-capped peaks, a collection of rather
|
||
obsessive dreamers had built some of the most beautiful castles
|
||
-- more --
|
||
|
||
that were ever created and opened their doors to a populace of
|
||
pioneers. It was absolutely transporting and timeless . . . and
|
||
unfortunately -- in the short term -- doomed.
|
||
|
||
This has been an abbreviated summary of the atmosphere and events
|
||
that started a kind of mass exodus out of the modem world for
|
||
about twenty of us. We had spent our entire childhoods jacked
|
||
into this alternate electronic universe, locked into playing our
|
||
overly-developed personas, and almost no time figuring out who we
|
||
were and what we wanted out of life beyond "further, better,
|
||
more." This is nothing new or unique in and of itself, it was
|
||
however something that gained a very tangible and immediate im-
|
||
portance to many of us when we found that the thoughtspace in
|
||
which we had lived a large portion of our lives had disintegrated
|
||
and the people we had known and called friends, had largely
|
||
disappeared and been replaced by every negative quality they pos-
|
||
sessed.
|
||
|
||
A lot of us dumped the remnants of this reality into a stack of
|
||
boxes and took off for parts unknown. Whether college, work, a
|
||
new circle of friends that didn't know who you were in Cyber-
|
||
space, or even know what Cyberspace was; just about anywhere were
|
||
-- more --
|
||
|
||
we could start over and try to regain what had somehow been lost.
|
||
|
||
|
||
Transformation
|
||
--------------
|
||
|
||
"Ya live your life like it's a coma,
|
||
so won't you tell me why we'd wanna?
|
||
With all the reasons you give,
|
||
it's kinda hard to believe;
|
||
But who am I to tell you I've seen,
|
||
any reason why you should stay;
|
||
Maybe we'd be better off without you anyway..."
|
||
--Guns N Roses(*2)
|
||
|
||
After coming to the realization that visiting The Tunnel for the
|
||
fourteenth time in three weeks was not going to change my life
|
||
for the better, and having no idea what I wanted to do with my-
|
||
self, I dropped it all and got on a plane for the middle of no-
|
||
where New Mexico. Where I proceeded to cycle through all my
|
||
negative tendencies at an accelerated pace, first becoming
|
||
utterly obsessed with bodybuilding, to the point of five hour a
|
||
-- more --
|
||
|
||
day workouts, insane diets, steroids, and a silly-putty like
|
||
transformation of myself to 6'2" 215 pounds and 6% bodyfat.
|
||
|
||
This was good for about ten months, before I found myself in the
|
||
same mindset I had thought I could escape. Looking in the mirror
|
||
and seeing a parody of who I used to be, wondering where to go
|
||
from there. The answer was obviously to buy a Porsche and begin
|
||
re-stocking my wardrobe with everything by Armani and Versace,
|
||
yes I had it now, this WAS the right answer, I only had to look
|
||
around at all the people I knew doing just this to see that . . .
|
||
well, actually they were all pretty miserable, but again, it
|
||
lasted for about nine or ten months.
|
||
|
||
Around this time I realized that aside from the fact that I was a
|
||
pretty fucked up person who probably needed a lot of therapy --
|
||
which had never quite worked out the right way when I had it
|
||
thrust upon me as a teenager -- I had become completely out of
|
||
touch with my feelings. Not out of touch that I didn't have
|
||
them, I had over a thousand pages of them sprayed across mega-
|
||
bytes of disks where I wrote out all the things inside of myself
|
||
driving me crazy; but out of touch in the sense that when I be-
|
||
gan taking things apart and analyzing reality, I had stopped
|
||
-- more --
|
||
|
||
listening to anything I felt inside and just tuned in to what
|
||
seemed logical.
|
||
|
||
The problem being that the more you try to act out of logic, the
|
||
more you find yourself applying logic to utterly emotional issues
|
||
in an completely crazed and self-destructive way. When logic
|
||
should be asking: "Why do I want to weigh 215 pounds of muscle?
|
||
What the hell am I doing?" it suddenly finds itself in the posi-
|
||
tion of contemplating "Ok, so if I want to gain 5 pounds in the
|
||
next 2 weeks, how many CC's of Deca do I mix with X mg. of Ana-
|
||
var, with what ratio of carbs/fat and what is the minimum PER of
|
||
the protein I am going to consume in order to remain in an anti-
|
||
catabolic state?"
|
||
|
||
Welcome to real-life Alice in Wonderland, taking place in your
|
||
head.
|
||
|
||
At the age of twenty-one I had managed to attain a place where I
|
||
possessed everything that I ever thought I wanted. Life is funny
|
||
that way, you really do get whatever you desire. Endless hours
|
||
spent reading thousands of books; the mix and match regimen of
|
||
combinations of new nootropics and longevity agents; and the fi-
|
||
-- more --
|
||
|
||
nal combination of steroids and obsessive workouts had resulted
|
||
in my achievement of the goal I had subconsciously been working
|
||
towards for most of my life. I had succeeded in my efforts to
|
||
become absolutely untouchable by anyone or anything.
|
||
|
||
When you are no longer in the middle of a situation and have the
|
||
comfort of hindsight it's very simple to deduce what the underly-
|
||
ing problems behind anything happen to be, and why you are acting
|
||
in a way that is physically, mentally and spiritually destructive
|
||
to yourself. While there is nothing inherently wrong with any
|
||
action I might have taken, it all comes back to the question of
|
||
why are you doing something? And looking back upon my life, I
|
||
had actually lived very little of it in an attempt to make myself
|
||
happy. Almost everything had been some sort of reaction to those
|
||
around me, and how I felt I had to respond to them.
|
||
|
||
Despite my intellectual understanding of how brief moments of
|
||
stimulus-response can shape a person's existence, like so many
|
||
endlessly-referenced frames of film forever etched in their
|
||
brain. Long-gone fragments of time that refuse to relinquish
|
||
their hold on the present, telling people who they are, setting
|
||
their limitations, and defining the boundaries of what they allow
|
||
-- more --
|
||
|
||
their lives to mean. In truth I had never managed to apply any
|
||
of this knowledge to myself and had lived most of my life in ac-
|
||
cordance with the patterns of self-destructive programming per-
|
||
petually repeating a loop in my head.
|
||
|
||
From childhood onwards I have been through a seemingly endless
|
||
variety of extremes in my life; moving from levels of comfortable
|
||
opulence, to near-poverty and back again, more times than I care
|
||
to count. What I had learned from this was that being poor
|
||
wasn't that much fun, and could really suck, therefore logic dic-
|
||
tates that I must always have a lot of money and do whatever it
|
||
takes to get it. In fact I'm going to be so unconcerned with mo-
|
||
ney that I will start to feel anxious if I'm not wearing a $300
|
||
dollar haircut and a $400 dollar shirt. I have felt controlled
|
||
by situations beyond my reach in the past, therefore I am going
|
||
to learn as much as I can about everything, so that nobody will
|
||
ever be able to fuck with my head and attempt to control me
|
||
through misrepresentation of the truth. I have been out-of-
|
||
control with various addictions and done such stupid things to
|
||
myself that through combinations of downers and alcohol I have at
|
||
one point weighed over 300 pounds; therefore I will understand
|
||
every fucking piece of biochemistry that is known about the human
|
||
-- more --
|
||
|
||
body, I will do whatever it takes to look into the mirror and
|
||
gain my own approval even if it means working out with such fre-
|
||
quency that a pleasant sport becomes a daily torture session that
|
||
leaves me nauseous and physically incapable of performing simple
|
||
movements because everything hurts all the time. I will look
|
||
like someone has spray-painted skin onto a statue no matter how
|
||
difficult it is to maintain this state constantly, I will force
|
||
myself to eat 6,000 calories of protein and 400 calories of car-
|
||
bohydrate, and if I can no longer think or move and my ultimate
|
||
fantasy has become sleeping 18 hours a day, then that's what caf-
|
||
feine and amphetamines are for. I live in hell therefore I shall
|
||
use drugs to escape my hell by taking week-long vacations on opi-
|
||
ates, but I will never be controlled by anything, so on the 8th
|
||
day I will walk away from heaven and live through a couple of
|
||
days of pain that hurt a little bit more than the rest of my
|
||
life, but I will never be some fucking junkie, because I not only
|
||
can do anything, I WILL do it, and I just dare the fucking
|
||
universe to try and prove otherwise, because I can quit anything,
|
||
I can conquer anything, I can do anything to prove anything to
|
||
anyone and you can't stop me, because the entire world is full of
|
||
weak, soft and stupid motherfuckers who talk much and do little;
|
||
praise George Bernard Shaw and pass the Nietzsche.
|
||
-- more --
|
||
Coming down off the adrenalin and testosterone rush the memories
|
||
I used to write that paragraph with have triggered, I'd like to
|
||
take this moment to borrow a quote from one of the greatest
|
||
poet-philosophers of our time: "Happy happy! Joy joy!"
|
||
|
||
After endless repetitions of this cycle I had finally reached a
|
||
state in which my internal programming ceased to function --
|
||
there was simply nothing left I could apply it to. Over the
|
||
years I had overcome most of my psychological barriers through
|
||
direct mental or physical actions, that had brought with them
|
||
physical rewards that I was utterly incapable of applying to my
|
||
life at that time. Welcome to oblivion.
|
||
|
||
Hitting absolute nothingness was the beginning of a very personal
|
||
catharsis for me that finally led to turning inwards to see what
|
||
was wrong, since externally, everything looked okay. I had at-
|
||
tained a physical state that "corrected" everything my subcons-
|
||
cious had said was "wrong" with me, yet for some bewildering rea-
|
||
son I was not deliriously happy. A series of steps followed
|
||
which eventually led to various experiments in the world of thea-
|
||
tre and film, where I had the chance to re-connect with emotions,
|
||
-- more --
|
||
|
||
and get them back into some kind of perspective from the comfort-
|
||
able vantage point and attitude of: "they're not really mine, I'm
|
||
only playing them." All of which reached a pinnacle when I began
|
||
experimenting with LSD for the first time.
|
||
|
||
If you have never experienced what it is like to be on an acid
|
||
trip, it will be difficult for me to convey the kaleidoscopic
|
||
depth of experience you are presented with. It does nothing less
|
||
nor more, than strip away every preconceived notion that you have
|
||
ever had regarding what "reality" is. Beyond the special ef-
|
||
fects, intellectual realizations, and creative opportunity it
|
||
presents, it leaves you imbued with one very basic truth of the
|
||
universe: No matter what the actual outcome of your actions,
|
||
what matters is your intent. If what you are doing -- whatever
|
||
it may be -- is being done out of any reason other than a desire
|
||
to bring happiness to people; to help humanity as a whole reach
|
||
some greater level of understanding; to uplift and inspire people
|
||
to reach for something that is within everyone's grasp . . . then
|
||
you are wasting your time.
|
||
|
||
This is not exactly news, I mean it is the basic belief system
|
||
that every religion on earth is founded on (with the possible ex-
|
||
-- more --
|
||
|
||
ception of Satanism, and a few other offshoots of this system of
|
||
thought). The problem with religion getting such a bad rap most
|
||
of the time is largely due to the fact that most people who act
|
||
as spokesmen for any given religious cause, are only mouthing
|
||
words they comprehend on an intellectual level. They are not ac-
|
||
tually living in this state of internal alignment, so what they
|
||
have to offer can be very suspect . . . how is someone who has
|
||
not attained what he speaks of, supposed to help you attain it
|
||
for yourself? While dogma may help a limited few, it will never
|
||
reach most of those who posses the ability to think for them-
|
||
selves. Nor is standing at a pulpit or in front of a camera and
|
||
ranting about damnation, going to help anyone reach any kind of
|
||
positive state.
|
||
|
||
I obviously cannot speak for everybody, but from my own perspec-
|
||
tive I had read the holy books of most religions on earth when I
|
||
became interested in psychology and the theories of Carl Jung --
|
||
who crosses over into mysticism and religious experience, going
|
||
as far as the concept of "karma" with his theory of Synchronici-
|
||
ty. Yet I never got anything from them other than an intellectu-
|
||
al high of understanding how groups of people could be programmed
|
||
to behave in certain ways . . . which isn't what it's about. The
|
||
-- more --
|
||
|
||
EXPERIENCE is what all religions are based on, how you choose to
|
||
interpret it is entirely up to you. But a very simple thing that
|
||
becomes apparent is the basic truth that wherever your inspira-
|
||
tion is coming from, if it fills you with the need to motivate
|
||
large groups of people to do SOMETHING, be that something in the
|
||
name of "God" or anybody else . . . then somewhere, you got the
|
||
wrong message. Because there really isn't all that much to say
|
||
beyond the very simple and obvious, "give love and you will get
|
||
it." The only thing that needs to be changed is your attitude
|
||
and outlook on life. Making group_of_people(x) move twenty paces
|
||
to the left while wearing black hats and reading from the Holy
|
||
Book of the Arboreal Tree Sloth, isn't gonna make the world a
|
||
better place.
|
||
|
||
While this discourse is tangential to some of the issues at hand,
|
||
in a great sense it is the underlying cause for all of them.
|
||
Once you have seen the light as it were, or understood the bigger
|
||
picture . . . it becomes very hard to go back to living life with
|
||
blinders on regarding your own actions. Until it eventually
|
||
reaches the place where I found myself. The point at which the
|
||
only things I'm going to talk about are those that matter to me,
|
||
things I believe in . . . things I believe will help people in
|
||
-- more --
|
||
|
||
some manner. Along with the realization that I cannot do a lot
|
||
of things I used to do anymore. I cannot lie to people and
|
||
present them with some image they want to see in order to get
|
||
something from them -- because I mean, WHAT is there to "get"
|
||
anyway? I can no longer be a politician or figurehead for causes
|
||
that I do not believe in, and I will no longer waste my time tak-
|
||
ing part in meaningless drivel that serves to do nothing but en-
|
||
trench me in bullshit without end; I had already spent most of my
|
||
life taking apart the rules and winning at whatever game I tried
|
||
to play. What I never bothered to examine was the fact that I
|
||
didn't "win" anything that ever brought me any happiness . . .
|
||
what is the point in playing if you don't want the "prize?"
|
||
|
||
|
||
Stagnation of the Electronic Frontier
|
||
-------------------------------------
|
||
|
||
Moving forward in time by about two years, this was the attitude
|
||
that I had managed to retain as I returned to New York. Every-
|
||
thing was the same, yet completely different. What had been per-
|
||
vaded by Nihilism and vacuity only a short time ago, was now a
|
||
pathway of infinite potential and limitless possibility. For the
|
||
-- more --
|
||
|
||
first time in almost six years I actually felt completely in-
|
||
spired and excited by the possibilities that life in general and
|
||
Cyberspace in particular had to offer.
|
||
|
||
The summer of 1991 was a kind of "class reunion" for many of us.
|
||
For the first time in almost half a decade we found ourselves
|
||
back in New York City, the place where all of this had started
|
||
for us such a long time ago.
|
||
|
||
What happened was pretty much the expected; an endless stream of
|
||
jokes and self-depreciating humor regarding who we used to be,
|
||
the three-letter acronyms we used to affiliate with or have in
|
||
revolution around us, the state of the universe and everything in
|
||
it, and a general time of catching up on who had done what. It
|
||
was a strange situation, since we really had disappeared, to the
|
||
extent that most of us had not talked with one another in years,
|
||
it was almost as if picking up the phone and speaking with some-
|
||
one from back then would bring back all the bad things you were
|
||
trying to get rid of.
|
||
|
||
Out of this gathering, I found about a dozen people who I no
|
||
longer knew. People who had become submerged in drugs, and be-
|
||
-- more --
|
||
|
||
come lost in different sub-cultures where they could live out
|
||
reasonable facsimiles of their childhoods forevermore; people who
|
||
had completely lost touch with what they used to be, and become
|
||
stereotypical examples of what people tend to term "computer
|
||
geeks," the sum total of their interest in life having been nar-
|
||
rowed down to that new bug in X windows client-server architec-
|
||
ture and what it would mean to the future of the OSF; people who
|
||
hadn't changed at all and were still busy "getting over" on so-
|
||
ciety in general; but perhaps most surprising, I found
|
||
that about ten people I used to know had gone through a growth
|
||
process very similar to my own, and actually succeeded in solving
|
||
their quest and winning the prize we had all sought so badly.
|
||
|
||
The correct solution to the "quest," is of course, that there is
|
||
no solution. There is nothing you are looking for, except for
|
||
you, and once you realize this, you win the big prize, you find
|
||
yourself, and get to live happily ever after.
|
||
|
||
After re-discovering that a group of us seemed to thoroughly en-
|
||
joy each other's company, we eventually ended up having a weekly
|
||
meeting where we'd get together and discuss various topics.
|
||
Foremost amongst them was one that sprung up with increasing re-
|
||
-- more --
|
||
|
||
gularity as the weeks went by: getting back onto the frontier
|
||
from a completely different angle. As years went by many of us
|
||
had started completely different lives; some were in college,
|
||
others had started companies or gone to work for companies they
|
||
had once laughed at, and still more had started careers complete-
|
||
ly unrelated to anything they had been doing in the past. But it
|
||
had became clear that what we really wanted to do was take the
|
||
incredible promise that had been shown to us during our youth
|
||
when we had walked along the edge of a new reality unfolding, and
|
||
channel it into a positive direction that would benefit every-
|
||
body.
|
||
|
||
As we found out, the hacker underground had continued with its
|
||
headlong dive into oblivion. The underground had basically
|
||
ceased to exist after the Operation Sun Devil sweep. Just about
|
||
the only "hacker systems" still in existence were those catering
|
||
to the teenagers whose priorities focused on ripping off phone
|
||
companies, collecting VMB codes and pirating software.
|
||
|
||
While this was slightly depressing, it was also a foregone con-
|
||
clusion and didn't cause too much surprise. The main focus of
|
||
our interest was what had become of the mainstream telecommunica-
|
||
-- more --
|
||
|
||
tions nets -- given half a decade to evolve, something really ex-
|
||
citing must have happened by now. The hardware that we ended up
|
||
sitting in front of, would have made possible an undreamed of
|
||
variety of possibility when taken into context with what was
|
||
available in the past. We were used to 64K Apple ][+ systems, or
|
||
maybe tricked out //e's with 128K and PC's with 640K, and now we
|
||
were sitting at a friend's house in front of a NeXT and an SGI
|
||
Indigo. When you thought about the fact that 7 years ago you had
|
||
paid about $8,500 for a 4.5megabyte Corvus hard disk, and now you
|
||
could buy an entire NeXT with that . . . it was, fantastic.
|
||
|
||
Before taking off on our expedition of present-day Cyberspace, we
|
||
had spoken with some of our friends who were familiar with the
|
||
terrain, and received somewhat tepid responses and a general
|
||
dismissal of what was going on right now. Thinking the attitude
|
||
was one of standard arrogance which we had all gone through, we
|
||
didn't pay too much attention to it and set out to explore the
|
||
new electronic nervous system of the world.
|
||
|
||
A couple of hours later it became shockingly apparent that most
|
||
of the potential of the bright new technology that now existed .
|
||
. . that could have been used to create and house an infinite ex-
|
||
-- more --
|
||
|
||
panse of innovation, communication, and pooling of thought, lay
|
||
dormant. Thus far it had seemingly been utilized to construct
|
||
gigantic file servers that advertised their existence by digitiz-
|
||
ing porno magazines and editing their dialup lines into the
|
||
resulting scan.
|
||
|
||
All those wonderful places that we had travelled in the past, and
|
||
had dominated the landscape only half a decade before . . . had
|
||
indeed been razed, paved over, and replaced by an endless elec-
|
||
tronic expanse of snap-together tract houses that littered the
|
||
landscape with numbingly identical systems. The frontier had
|
||
packed up and moved back into labs where people like our friend
|
||
with the workstations were working on applications that wouldn't
|
||
see the light of day for another decade. And what was out there
|
||
right now, was strikingly similar to a generic suburb of AnyTown,
|
||
USA.
|
||
|
||
Objectively a suburb is not a bad thing, it's planned out, logi-
|
||
cal, it works, it doesn't need to be any different from any other
|
||
suburb . . . in short, it's functional. It's also very different
|
||
from the environment we had grown up in, where everything was a
|
||
new step further out into the unknown, where anything could hap-
|
||
-- more --
|
||
|
||
pen, and nobody had ever been there before.
|
||
|
||
From our vantage point it looked as if the explorers had indeed
|
||
gone back to their ivory towers (or haunted dungeons as the case
|
||
may be), and a lot of used car salesmen had set up shop cranking
|
||
out the snap-together tract houses, when they realized they could
|
||
make more money doing that, than say, selling used cars.
|
||
|
||
It was truly a mind blowing experience to witness for the first
|
||
time, systems that actually advertised themselves based upon how
|
||
many lines they had, or how much storage. Attitudes that would
|
||
have garnered a great deal of scorn and derision -- and in gen-
|
||
eral made your advertisement the brunt of a lot of jokes -- were
|
||
suddenly the accepted way in which systems chose to differentiate
|
||
themselves from one another. Looking at them, it came down to
|
||
the fact that the only difference between system (A) and system
|
||
(B) was that one might have 16 lines while the other had 24, and
|
||
system (C) was inherently superior to both (a) and (b) because it
|
||
had 32 lines and 4 gigabytes of storage (used to house 10,000
|
||
programs, out of which the same 200 are downloaded over and over
|
||
again, as the rest of the junk sits there gathering dust).
|
||
|
||
-- more --
|
||
|
||
Even more frightening, on a system that had 10,000 messages on
|
||
it, an average of 9,800 will be echoes of FidoNet or RIME or
|
||
whatever-net, leaving a grand total of about 200 messages from
|
||
the actual members. And frequently those 200 messages date back
|
||
a year and a half . . . a couple of years ago a BAD one line sys-
|
||
tem had that many messages in a week. A good one in a couple of
|
||
hours.
|
||
|
||
To a lot of people Cyberspace has become one big file server . .
|
||
. strikingly similar to what television has devolved into. An
|
||
entirely passive place where you press buttons and get enter-
|
||
tained, no thought required, no input necessary.
|
||
|
||
Realizing that we were merely skimming the surface, and might not
|
||
know the whole story, we spent a couple of weeks becoming fami-
|
||
liar with what had happened, and what the situation really was.
|
||
Based upon several hundred conversations with various people who
|
||
were involved with the current scene, we arrived at a couple of
|
||
very basic conclusions.
|
||
|
||
In order to run a system in the present environment, and have
|
||
users, you needed to have a pile of hardware, many phone lines,
|
||
-- more --
|
||
|
||
some sort of marketing and bookkeeping ability, a lot of spare
|
||
time, coupled with infinite patience to put up with people, since
|
||
they are now your customers, not just your friends, and if they
|
||
call you up asking the same goofy questions you cannot take the
|
||
phone off the hook or tell them to go away.
|
||
|
||
Where running a system in the past had meant giving up your
|
||
second phone line, it presently involved a great deal of interac-
|
||
tion with the department of Red Tape, and Bureau of Tasks You
|
||
Really Aren't Interested In. This opened the door to the "used-
|
||
car salesmen" people, since these were things they were used to
|
||
doing every day. Conversely, it has almost universally been our
|
||
experience that the guy who is a Unix wizard and can work magic
|
||
with networking and programming, lives in deathly fear of signing
|
||
paperwork, filling out his tax returns, or figuring out where he
|
||
parked his car. And finally, the creative person whose main in-
|
||
terest is making fantastic places, lacks the time and patience to
|
||
write the code, and certainly has no interest in administrative
|
||
duties.
|
||
|
||
In effect, most people with the desire to do something better,
|
||
did not have the necessary $25-30k laying around, and even if
|
||
-- more --
|
||
|
||
they did, they would never act on it because they'd be forced to
|
||
spend a great deal of their time doing a hundred things they had
|
||
no interest in doing. So the online world had begun to be dom-
|
||
inated by the file servers, who didn't really have much of an in-
|
||
terest in being anything other than file servers, since that made
|
||
the most money with the least effort, and anybody with $25,000
|
||
could toss up a snap-together MeSsyDOS based system with very
|
||
little technical ability required.
|
||
|
||
Thus began the era of the "tract-houses" where advertising and
|
||
atmosphere consisted of rattling off hardware statistics and
|
||
number of phone lines, along with the number of shareware pro-
|
||
grams available for downloading (an extremely amusing concept,
|
||
considering that there are literally TERABYTES of free software
|
||
available for the taking on ftp sites all over the Internet,
|
||
which cost NOTHING to download from).
|
||
|
||
With the exception of two of three bright lights that had the
|
||
right idea and were trying to do something different, most of the
|
||
electronic frontier had indeed vanished. And it isn't so hard to
|
||
see where a couple of years from now the same advertising agen-
|
||
cies that sell brain-dead ads designed to induce you to crave one
|
||
-- more --
|
||
|
||
brand of beer over another, will be pushing SYSTEM X, because IT
|
||
HAS 10,000 phone lines! Call now and leave your mind at the
|
||
door!
|
||
|
||
|
||
Transcendence
|
||
-------------
|
||
|
||
It has generally been our experience that people are neither stu-
|
||
pid, nor shallow. Everyone has the potential to think for them-
|
||
selves, to overcome adverse situations, and contribute something
|
||
to this world. When placed in situations that offer these possi-
|
||
bilities, people tend to come through with surprising regularity.
|
||
In a fairly short amount of time you end up with a group of peo-
|
||
ple doing something they themselves would have deemed improbable,
|
||
if not downright impossible, if you had asked them at any other
|
||
point in their lives.
|
||
|
||
Virtual Reality has the potential to become the single most im-
|
||
portant development in the history of human evolution. It is a
|
||
technology that holds the promise of absolute liberation. It
|
||
also holds the possibility of turning the world into the rather
|
||
-- more --
|
||
|
||
grim one that is the basis of much Cyberpunk fiction, a dark
|
||
place where technology is used to oppress and suppress people.
|
||
|
||
By its very nature, it is very difficult to ever imagine the
|
||
latter. In order to have a police state, you need to amass a
|
||
certain amount of power, yet Cyberspace is the ultimate equaliz-
|
||
er. It is a place where one person can wield as much power as
|
||
100, 1,000, or 100,000 people. Physical limitations are cast
|
||
off, and in the event of conflict the playing field becomes that
|
||
of mind vs. mind. Sheer numbers and a mob rules mentality cease
|
||
to have any meaning when you can create infinite numbers of elec-
|
||
tronic organisms to do anything you want them to do.
|
||
|
||
The hope is that it will never sink to such a level of stupidity.
|
||
Games are wonderful, but there is no need for conflict, all
|
||
struggle tends to be internal conflict that has become external-
|
||
ized. When you want to convert the sinners, or prove you are
|
||
right, all you're doing is having an argument with yourself. The
|
||
beautiful thing about Virtual Reality is the fact that you are
|
||
free to do that, for as long as you need, to work out that par-
|
||
ticular set of problems -- without harming anybody.
|
||
|
||
-- more --
|
||
|
||
There is only one ultimate truth, which is BEING HAPPY and ex-
|
||
periencing LOVE. How you choose to perceive it is a very indivi-
|
||
dual matter. While it might mean blue to you, orange to that guy
|
||
over there, and silver to me, it's all the same thing. In the
|
||
real world if we held fast to those beliefs and behaved as people
|
||
have been classically shown to behave, then we'd be killing each
|
||
other over who has the right idea about love . . . Cyberspace al-
|
||
lows everyone the freedom to co-exist without harming anyone
|
||
else's world-view or belief system. And if you truly are given
|
||
the opportunity to live in an environment conducive to you happi-
|
||
ness, then if that heretic who thinks orange is the answer were
|
||
ever to show up at your front door, chances are you would be able
|
||
to tolerate him, and even, "God" forbid, express the love you
|
||
claim to espouse.
|
||
|
||
|
||
Phantom Access - The Ethereal Takes Shape
|
||
-----------------------------------------
|
||
|
||
There was never any solid dividing line where we decided that we
|
||
really wanted to put together a system where we could have the
|
||
freedom of expression we wanted, with the ultimate goal really
|
||
-- more --
|
||
|
||
being the very simple one of pushing the envelope further and
|
||
further out there. All of us had obligations, school, and per-
|
||
sonal commitments that would be difficult to integrate into this
|
||
major change of plans. But inevitably the mass exodus out of
|
||
college, the avoidance of unnecessary responsibilities, and the
|
||
initial stages of planning were set in motion.
|
||
|
||
Six months later we had close to a hundred thousand dollars,
|
||
top-down system design, a fully designed multi-user simulation
|
||
engine, a general idea of what we would do and how we would go
|
||
about it, a team of our friends together one more time, only this
|
||
time as a real corporation, and over one thousand megabytes of
|
||
the collected history of Cyberspace, dating back to systems that
|
||
existed in 1979, that had been laying in dusty boxes filled with
|
||
old Apple DOS 3.3 disks.
|
||
|
||
On April 1st 1992 MindVox went into its alpha-testing stage.
|
||
Which loosely speaking means that we put everything together and
|
||
watched it disintegrate repeatedly as the last 300-400 bugs were
|
||
worked out of the system. Since then it has been running in pro-
|
||
tected environment mode with a collection of our friends and as-
|
||
sociates crash-testing the software, suggesting where rough-edges
|
||
-- more --
|
||
|
||
might be smoothed, and generally having a good time creating some
|
||
of the atmosphere while trying to destroy the software in every
|
||
conceivable way so that everything is solid upon inception.
|
||
|
||
In May of 1992 MindVox will open it's doors to the public. As
|
||
much as we'd like to say that it's going to completely change
|
||
everything, it will not. All it can do is allow people who feel
|
||
in rhythm with this vision of the world to converge together in
|
||
one of the most interesting nexus points of Cyberspace. To ex-
|
||
tend their reach, explore new levels of experience, and interact
|
||
with some of the pioneers in the fields of computer science, net-
|
||
working, science-fiction, music, the arts, politics, religion,
|
||
altered states, and future reality.
|
||
|
||
Our main priority is to create and continuously evolve an en-
|
||
vironment that fosters an atmosphere of dynamic creativity, cou-
|
||
pled with access to information and ideas, that present you with
|
||
a far greater spectrum of possibility than you might otherwise be
|
||
able to access.
|
||
|
||
|
||
|
||
-- more --
|
||
|
||
Thanks
|
||
------
|
||
|
||
Nothing of this magnitude could ever take shape based upon the
|
||
merits of any one individual. The entire Phantom Access Group
|
||
has been a collaborative effort since it began some ten years
|
||
ago; the MindVox project is merely the first confluence of the
|
||
diverse talents that comprise the core of Phantom Access Techno-
|
||
logies, that has been directed towards the electronic and socie-
|
||
tal mainstream.
|
||
|
||
Looking back over the years, there are very few of my friends who
|
||
have not in some way contributed to the genesis of Phantom Access
|
||
and the creation of MindVox, and I'd like to take this opportuni-
|
||
ty to express my gratitude to all of them.
|
||
|
||
People I would like to specifically thank, and without whom Mind-
|
||
Vox could not have been launched in the manner we wanted, in-
|
||
clude:
|
||
|
||
First and foremost, my fiance Delia, who has made much of
|
||
the last several years possible; who never knew about "Lord Digi-
|
||
-- more --
|
||
|
||
tal" when she met me; who has gone from "computers, uh, ugh,
|
||
that's so . . . um, dull" to not only seeing the potentials in-
|
||
herent in the capabilities the technology presents to all so-
|
||
ciety, but actually extending many hundreds of hours of her time
|
||
to scripting sections of the project and designing human interac-
|
||
tion POV's based upon her lifelong experience with theatre and
|
||
film. She has also shown remarkable grace by retaining a sense
|
||
of humor when dealing with 2am anonymous calls from computer
|
||
dudes who feel compelled to ask "so, what does Lord Digital do in
|
||
bed?" questions.
|
||
|
||
The second person to whom I owe a great deal is Bruce Fanch-
|
||
er, my partner in this endeavor, as well as half a hundred pro-
|
||
jects that have spanned over a decade. Without you many things
|
||
would not have been possible, and those that were would have been
|
||
a lot less fun. It has been an interesting experience watching
|
||
someone grow into an adult who has retained all the qualities
|
||
that made them so much fun to hang out with in our youth, yet
|
||
managed to temper that childlike glee with responsibility, humor
|
||
in the face of adversity, and that elusive quality called charac-
|
||
ter. Here's to another couple of decades of Lord & Lord.
|
||
|
||
-- more --
|
||
|
||
I would like to thank every member of the Phantom Access
|
||
Group for the thousands of hours spent designing, implementing
|
||
and de-bugging the programs that make MindVox come to life.
|
||
Respective of some people's desire to remain out of the
|
||
spotlight, I will leave it at that. You know who you are & any-
|
||
one who really cares to find that out can do so at any time they
|
||
desire.
|
||
|
||
Phiber Optik: For applying his considerable skills in a po-
|
||
sitive direction and helping us make MindVox a very difficult
|
||
fortress to lay siege to, while at the same time adding a tremen-
|
||
dous amount of versatility to our networking and communications
|
||
interface options. Most of all, thank you for having the courage
|
||
to realize that the world is not always a logical or fair place
|
||
and that no matter how intelligent you are or how noble your in-
|
||
tentions, you can be dragged down by the stupidity and fear of
|
||
those around you if you associate with people who do not share
|
||
the same qualities you possess.
|
||
|
||
Charles: For a great deal of assistance in updating many of
|
||
us regarding the current status of new technology and what's just
|
||
over the horizon, as well as providing tremendous aid by showing
|
||
-- more --
|
||
|
||
us functional examples of the state of the art in distributed
|
||
electronic networking, and taking us on a fast-forward cruise
|
||
through a wide variety of hardware platforms and development
|
||
tools. Your friendship, advice, and persistent belief in our vi-
|
||
sion, has been invaluable.
|
||
|
||
Len Rose: For being a good friend over the years and always
|
||
giving assistance with anything we have needed. Most of all
|
||
thanks for coming out of everything you've been through with op-
|
||
timism about the future and an intact belief system. Peace.
|
||
|
||
George Gleason: For being a person who has become one of my
|
||
close friends faster than anyone else ever did. For possessing a
|
||
really beautiful outlook on life & everything in it, and for al-
|
||
ways being a calming voice when things are completely crazy and
|
||
the moon is full.
|
||
|
||
Bruce Sterling: For his encouragement, support, and a real-
|
||
ly funny talk at CFP-2. Most of all, the deepest appreciation
|
||
for doing an admirable job of presenting the unbiased truth while
|
||
chronicling some of the events that have taken place on the fron-
|
||
tiers of Cyberspace.
|
||
-- more --
|
||
Mike Godwin: For putting up with many long and strange
|
||
phone calls regarding a wide variety of topics; for helping us to
|
||
avoid potential pitfalls and difficulty; for providing encourage-
|
||
ment and advice, and in general, for being a really cool person
|
||
who has gone out of his way many times to provide us with assis-
|
||
tance.
|
||
|
||
Thomas Dell: For writing code full of obscure jokes and
|
||
weird ramblings that do wonders to wake you up and get your full
|
||
attention when you are changing things at 3am, and for being an
|
||
exceptionally gracious guy who is one of the limited handful of
|
||
people that have maintained their sense of vision in the face of
|
||
impending mediocrity and industrialization.
|
||
|
||
Special thanks to Dan, SN, SR, D00f and everyone in DPAK and
|
||
cDc, who comprise some of the very few who managed to grasp the
|
||
obvious, and in turn make use of this knowledge in an entertain-
|
||
ing and lucid manner. Additional accolades to DPAK for being the
|
||
only eL!te duDeZ to use a four letter acronym instead of a three
|
||
letter one. The vision, the sheer wow!
|
||
|
||
-- more --
|
||
|
||
Mega-Supra-Surfin-the-Ozone Thanks to Mondo 2000. Beyond
|
||
the sea of screaming fluff and designer hyperbole contained
|
||
within the covers of any issue of Mondo, there is also a great
|
||
deal of truth to be found about Cyberspace, music, art, film, and
|
||
life in general. Mondo has thus far shown itself to be beyond
|
||
reproach as far as journalistic ethics and presentation of the
|
||
facts are concerned. It is also to be commended as a publication
|
||
with a sound belief in typing words at random and letting them
|
||
fall where they may.
|
||
|
||
Finally, tremendous gratitude goes to Jim Thomas. A person
|
||
I do not know and have never spoken with, yet someone who has
|
||
done an exceptionally important service to all of Cyberspace
|
||
with the forum presented by Computer Underground Digest. Ir-
|
||
respective even of CuD, I have heard nothing but praise and
|
||
well-wishing from the many you have helped. Thank you.
|
||
|
||
|
||
|
||
|
||
Additional thanks to: Paul, Yuri, Eric & Eric, Ken & every-
|
||
one who has made the move to Phibro Energy, Drowned Fish, Andrew,
|
||
-- more --
|
||
|
||
Randy, Carl, The Plastics, Simson, TV, Eric Madeson, Richard,
|
||
Harlequin, Dane , Jeff, The Galactic Knight, Laszlo Nibble,
|
||
Colleen, Cereal "I live to be annoying" Killer, the cast & crew
|
||
of LightStorm lighting and Manny "huh?" Riggs at Record Plant.
|
||
|
||
|
||
|
||
Patrick K. Kroupa digital@phantom.com
|
||
|
||
Phantom Access Technologies, Inc. +1 212 988 5987
|
||
_________________________________________________________________
|
||
|
||
*1 Lyrics are (c) Copyright, some year or another by Mick Jagger
|
||
& Keith Richards, otherwise known as the Rolling Stones. The
|
||
version I was listening to is a cover version done by
|
||
Jane's Addiction.
|
||
|
||
*2 Lyrics are (c) Copyright, 1991 by Guns N Roses music
|
||
Uzi/Suicide Records.
|
||
|
||
|
||
(1:33pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: ?
|
||
[;H[2J
|
||
Subset of Commands Available to GUESTS of MindVox
|
||
____________________________________________________________
|
||
| |
|
||
| About - View Detailed Descriptions of the Vox Forums |
|
||
| Bye - End your Demonstration of the MindVox system |
|
||
| Editorial - Read the current MindVox Editorial article |
|
||
| Feedback - Leave FEEDBACK for the System Administration |
|
||
| Finger - View information on a Member - FINGER <name> |
|
||
| Home - Examine Files in your Home Directory |
|
||
| Last - List the Last <x> Callers to the System |
|
||
| Mail - Enter the MindVox Mail Subsystem / Read Mail |
|
||
| Who - Who is Online right now (Local & Network) |
|
||
| VoxList - Obtain a Complete Listing of the Vox Forums |
|
||
| |
|
||
| HELP - Detailed HELP files about MindVox Commands |
|
||
| INFO - Information about MindVox and Phantom Access |
|
||
|_____ ________________________________________________ _____|
|
||
| |
|
||
| REGISTER - Apply for Membership to MindVox |
|
||
|________________________________________________|
|
||
|
||
(1:34pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: finger
|
||
|
||
finger: No user specified.
|
||
|
||
(1:34pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: finger sassy
|
||
|
||
User: sassy (Sassy Magazine)
|
||
Calls: 99
|
||
Posts: 28
|
||
Last on: 19-Apr-93 17:01 (122 new)
|
||
Mail: 378 (27 new)
|
||
|
||
(1:34pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: finger unseen
|
||
|
||
User: unseen (Sara Jane Levinson)
|
||
Calls: 0, today 0
|
||
Posts: 0
|
||
Last on: 20-Apr-93 00:20 (63 new)
|
||
Mail: 0
|
||
|
||
(1:34pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: finger mati rix
|
||
|
||
User: matrix (Craig Shaffer)
|
||
Calls: 1
|
||
Posts: 0
|
||
Last on: 10-Jan-40 16:06 (-275573813 new)
|
||
Mail: 2 (2 new)
|
||
|
||
(1:35pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: ?
|
||
[;H[2J
|
||
Subset of Commands Available to GUESTS of MindVox
|
||
____________________________________________________________
|
||
| |
|
||
| About - View Detailed Descriptions of the Vox Forums |
|
||
| Bye - End your Demonstration of the MindVox system |
|
||
| Editorial - Read the current MindVox Editorial article |
|
||
| Feedback - Leave FEEDBACK for the System Administration |
|
||
| Finger - View information on a Member - FINGER <name> |
|
||
| Home - Examine Files in your Home Directory |
|
||
| Last - List the Last <x> Callers to the System |
|
||
| Mail - Enter the MindVox Mail Subsystem / Read Mail |
|
||
| Who - Who is Online right now (Local & Network) |
|
||
| VoxList - Obtain a Complete Listing of the Vox Forums |
|
||
| |
|
||
| HELP - Detailed HELP files about MindVox Commands |
|
||
| INFO - Information about MindVox and Phantom Access |
|
||
|_____ ________________________________________________ _____|
|
||
| |
|
||
| REGISTER - Apply for Membership to MindVox |
|
||
|________________________________________________|
|
||
|
||
(1:35pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: home
|
||
|
||
-=/[ This Command is Not Available to GUESTS ]/=-
|
||
-=/[ Type: REGISTER to Become a Member of MindVox ]/=-
|
||
|
||
(1:35pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: last
|
||
[;H[2J
|
||
Last [20] Members Logged into MindVox / [P] = Member Posted Messages
|
||
______________________________________________________________________________
|
||
|
||
Call Member Name Login Logout Day Mv Stat
|
||
______________________________________________________________________________
|
||
|
||
123550 stiletto Andrew Ileto 10:16a 10:36a TUE 0 BYE
|
||
123551 fornuff Doug Fornuff 10:23a 10:53a TUE 0 BYE
|
||
123556 batman keith Bateman 10:57a 11:00a TUE 0 BYE
|
||
123557 dead Bruce Fancher 11:07a 11:07a TUE 0 BYE
|
||
123554 stiletto Andrew Ileto 10:52a 11:26a TUE 0 LOST
|
||
123560 purlah The Dc Duke 11:32a 11:38a TUE 0 BYE
|
||
123559 paladion Anthony Mannetta 11:16a 11:56a TUE 0 BYE
|
||
123561 bwp Jane Doe 11:59a 12:03p TUE 0 BYE
|
||
123562 miked Michael Drinkard 12:06p 12:13p TUE 0 BYE
|
||
123563 geekus Haji Uesato 12:20p 12:21p TUE 0 BYE
|
||
123565 dlr David Racette 12:30p 12:40p TUE 0 BYE
|
||
123567 raunn KromeKing 12:36p 12:41p TUE 0 BYE
|
||
123568 batman keith Bateman 12:43p 12:45p TUE 0 LOST
|
||
123569 yoyodyne Jeff Zimmerman 12:52p 12:53p TUE 0 BYE
|
||
123571 pyro David Macey 1:05p 1:14p TUE 0 BYE
|
||
123566 drow Doug Rau [P] 12:30p 1:23p TUE 0 IDLE
|
||
-- more --
|
||
|
||
123564 freedom Richard LaRock 12:27p 1:24p TUE 0 BYE
|
||
123575 ccps Charles Shriner 1:22p 1:26p TUE 0 BYE
|
||
123574 kieran Aaron Dickey 1:22p 1:28p TUE 0 BYE
|
||
123573 dream11 Eric L. Tompkins 1:21p 1:33p TUE 0 BYE
|
||
|
||
(1:35pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: ?
|
||
[;H[2J
|
||
Subset of Commands Available to GUESTS of MindVox
|
||
____________________________________________________________
|
||
| |
|
||
| About - View Detailed Descriptions of the Vox Forums |
|
||
| Bye - End your Demonstration of the MindVox system |
|
||
| Editorial - Read the current MindVox Editorial article |
|
||
| Feedback - Leave FEEDBACK for the System Administration |
|
||
| Finger - View information on a Member - FINGER <name> |
|
||
| Home - Examine Files in your Home Directory |
|
||
| Last - List the Last <x> Callers to the System |
|
||
| Mail - Enter the MindVox Mail Subsystem / Read Mail |
|
||
| Who - Who is Online right now (Local & Network) |
|
||
| VoxList - Obtain a Complete Listing of the Vox Forums |
|
||
| |
|
||
| HELP - Detailed HELP files about MindVox Commands |
|
||
| INFO - Information about MindVox and Phantom Access |
|
||
|_____ ________________________________________________ _____|
|
||
| |
|
||
| REGISTER - Apply for Membership to MindVox |
|
||
|________________________________________________|
|
||
|
||
(1:35pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: who
|
||
[;H[2J
|
||
MindVox [WHO] Listing
|
||
___________ _____________________ ________ ___________________________________
|
||
| | | | |
|
||
| Account | Name | Page | Login Time |
|
||
|___________|_____________________|________|___________________________________|
|
||
|
||
unseen Sara Jane Levinson YES Tue Apr 20 13:25:14 1993
|
||
ccps Charles Shriner YES Tue Apr 20 13:34:41 1993
|
||
drow Doug Rau YES Tue Apr 20 13:32:25 1993
|
||
|
||
|
||
(1:36pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: ?
|
||
[;H[2J
|
||
Subset of Commands Available to GUESTS of MindVox
|
||
____________________________________________________________
|
||
| |
|
||
| About - View Detailed Descriptions of the Vox Forums |
|
||
| Bye - End your Demonstration of the MindVox system |
|
||
| Editorial - Read the current MindVox Editorial article |
|
||
| Feedback - Leave FEEDBACK for the System Administration |
|
||
| Finger - View information on a Member - FINGER <name> |
|
||
| Home - Examine Files in your Home Directory |
|
||
| Last - List the Last <x> Callers to the System |
|
||
| Mail - Enter the MindVox Mail Subsystem / Read Mail |
|
||
| Who - Who is Online right now (Local & Network) |
|
||
| VoxList - Obtain a Complete Listing of the Vox Forums |
|
||
| |
|
||
| HELP - Detailed HELP files about MindVox Commands |
|
||
| INFO - Information about MindVox and Phantom Access |
|
||
|_____ ________________________________________________ _____|
|
||
| |
|
||
| REGISTER - Apply for Membership to MindVox |
|
||
|________________________________________________|
|
||
|
||
(1:36pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: voxlist
|
||
[;H[2J
|
||
|
||
/\_-\(:::::::::)/\_-\
|
||
<((_)) MindVox ((_))>
|
||
\- \/(:::::::::)\- \/
|
||
|
||
|
||
-=/[ Babylon ]/=-
|
||
|
||
Bandwidth Club-Chaos ThugWorld
|
||
|
||
|
||
-=/[ Computers (GUIs / Networks / Operating Systems) ]/=-
|
||
|
||
Advocacy Amiga Silicon-Graphics NeXTSTEP Programming
|
||
Apple Sun/SPARC NT
|
||
Security Mac Laptops OS/2 Windows
|
||
Viruses PC Networks Unix X
|
||
|
||
|
||
-=/[ Creative-Arts ]/=-
|
||
|
||
-- more --
|
||
|
||
Art Books Movies Writing Writing-Workshop
|
||
|
||
|
||
-=/[ CyberSpace ]/=-
|
||
|
||
Cyberpolis
|
||
|
||
CPSR Ethics Media Piracy Round-Table
|
||
Cyberpunk Gatherings Mondo Publications VR
|
||
EFF Hacking Phrack Red-Tape Wired
|
||
|
||
|
||
-=/[ Drugs ]/=-
|
||
|
||
Cognitive-Enhancement Discussion Psychedelic Safety Steroids
|
||
|
||
-=/[ Echoes ]/=-
|
||
|
||
-=]) Under Construction ([=-
|
||
|
||
|
||
-=/[ Erotica ]/=-
|
||
-- more --
|
||
Sexuality
|
||
|
||
|
||
-=/[ Health ]/=-
|
||
|
||
Body-Building Beauty Life-Extension Weight-Loss
|
||
|
||
|
||
-=/[ MindVox ]/=-
|
||
|
||
Vox Archives Help Introductions Sightings Trajectory
|
||
|
||
|
||
-=/[ Music ]/=-
|
||
|
||
Alternative Concert-Info Gothic Heavy-Metal New-Releases Rap
|
||
|
||
|
||
|
||
-=/[ NYC ]/=-
|
||
|
||
-- more --
|
||
|
||
Apartments Events For-Sale Services
|
||
|
||
|
||
-=/[ Religion ]/=-
|
||
|
||
Christianity Eastern Judaism Satanism Wicca
|
||
|
||
|
||
-=/[ Technology ]/=-
|
||
|
||
Audio Encryption Hardware-Hacking Video WaveLength
|
||
|
||
|
||
-=/[ Zones ]/=-
|
||
|
||
Current-Headlines Games MaelStrom Philosophy Rave
|
||
Education Humor NY Politics Recreation
|
||
Fashion Legal Ontology Racism Women-Online
|
||
|
||
|
||
|
||
(1:36pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]:
|
||
|
||
(1:36pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: ?
|
||
[;H[2J
|
||
Subset of Commands Available to GUESTS of MindVox
|
||
____________________________________________________________
|
||
| |
|
||
| About - View Detailed Descriptions of the Vox Forums |
|
||
| Bye - End your Demonstration of the MindVox system |
|
||
| Editorial - Read the current MindVox Editorial article |
|
||
| Feedback - Leave FEEDBACK for the System Administration |
|
||
| Finger - View information on a Member - FINGER <name> |
|
||
| Home - Examine Files in your Home Directory |
|
||
| Last - List the Last <x> Callers to the System |
|
||
| Mail - Enter the MindVox Mail Subsystem / Read Mail |
|
||
| Who - Who is Online right now (Local & Network) |
|
||
| VoxList - Obtain a Complete Listing of the Vox Forums |
|
||
| |
|
||
| HELP - Detailed HELP files about MindVox Commands |
|
||
| INFO - Information about MindVox and Phantom Access |
|
||
|_____ ________________________________________________ _____|
|
||
| |
|
||
| REGISTER - Apply for Membership to MindVox |
|
||
|________________________________________________|
|
||
|
||
(1:36pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: info
|
||
[;H[2J
|
||
|
||
MindVox [INFORMATION] Section
|
||
_____________________________________________________
|
||
| |
|
||
| MindVox - Introduction to the MindVox System |
|
||
|_____________________________________________________|
|
||
| |
|
||
| Access - Methods of Gaining Access to MindVox |
|
||
| Address - Physical and Electronic Addresses |
|
||
| Billing - System Rates and Payment Schedules |
|
||
| Credits - MindVox Software and System Design |
|
||
| FAQ - Frequently Asked Questions & Answers |
|
||
| Features - List of Services Available on System |
|
||
| Hardware - Details about the MindVox Platforms |
|
||
| NewYork - Introduction for Local NYC/NY Users |
|
||
| Status - CURRENT SYSTEM STATUS UPDATE - READ! |
|
||
| Terms - Terms & Conditions Members Agreement |
|
||
|_____________________________________________________|
|
||
|
||
|
||
[Topic]: address
|
||
[;H[2J
|
||
|
||
|
||
Phantom Access Technologies, Inc.
|
||
175 Fifth Avenue, Suite: 2614
|
||
New York, NY 10011
|
||
|
||
+1 212 989 2418
|
||
|
||
[ELECTRONIC ADDRESSES]
|
||
|
||
Patrick Kroupa........digital@phantom.com....(digital)
|
||
Bruce Fancher............dead@phantom.com.......(dead)
|
||
Delia Gian Copold.......delia@phantom.com......(delia)
|
||
|
||
Customer Support..............support@phantom.com.....(support)
|
||
Phantom Access Technologies...phantom@phantom.com.....(phantom)
|
||
Information...................info@phantom.com......(Automagic)
|
||
|
||
|
||
)[> The Phantom Access Group <](
|
||
MindVox / Board of Directors
|
||
-- more --
|
||
|
||
|
||
Mailing List................[Not Presently Activated]
|
||
|
||
|
||
|
||
[Topic]: ?
|
||
[;H[2J
|
||
|
||
MindVox [INFORMATION] Section
|
||
_____________________________________________________
|
||
| |
|
||
| MindVox - Introduction to the MindVox System |
|
||
|_____________________________________________________|
|
||
| |
|
||
| Access - Methods of Gaining Access to MindVox |
|
||
| Address - Physical and Electronic Addresses |
|
||
| Billing - System Rates and Payment Schedules |
|
||
| Credits - MindVox Software and System Design |
|
||
| FAQ - Frequently Asked Questions & Answers |
|
||
| Features - List of Services Available on System |
|
||
| Hardware - Details about the MindVox Platforms |
|
||
| NewYork - Introduction for Local NYC/NY Users |
|
||
| Status - CURRENT SYSTEM STATUS UPDATE - READ! |
|
||
| Terms - Terms & Conditions Members Agreement |
|
||
|_____________________________________________________|
|
||
|
||
|
||
[Topic]: credits
|
||
[;H[2J
|
||
|
||
MindVox [CREDITS] Creation
|
||
|
||
The MindVox project has been made possible by a wide confluence of talents
|
||
all focused on the single goal of creating one of the most unique and in-
|
||
teresting nexus points within Cyberspace.
|
||
|
||
The continual evolution of the environment made possible by MindVox is the
|
||
foremost goal of the Phantom Access Group, and all design work, past,
|
||
present and future, is geared towards the realization of this objective.
|
||
|
||
The software that makes all of this possible is in a constant state of
|
||
change as enhancements are made and problems eradicated. If there is any-
|
||
thing you would like to see that does not exist at present, or you find any
|
||
feature confusing or difficult to use, then please let us know so that we
|
||
can continue to make improvements.
|
||
|
||
More than anything MindVox is an ongoing experiment in human potentials,
|
||
that strives to push the limits of online possibility and remain a force on
|
||
the cutting edge of innovation in the electronic universe that is beginning
|
||
to awaken and expand as a new level of reality unfolds...
|
||
-- more --
|
||
|
||
|
||
...it is also really neato, and 9 out of 10 people agree that it's a lot
|
||
better than watching TV. Although it has not yet replaced sex, we feel safe
|
||
in our assertion that MindVox is NEWER, FLASHIER and MORE SATISFYING than
|
||
Gummy Bears, and longer lasting than most hair styling products.
|
||
|
||
MindVox is running VOICE 2.0(x) (Waffle ][+ the NeXTSTEP)
|
||
|
||
Designed by The Phantom Access Group
|
||
|
||
Software Architects:
|
||
|
||
Thomas E. Dell
|
||
|
||
Designed and coded the central framework that MindVox is based upon.
|
||
Amongst his various endeavors Tom sells an exceptional series of BBS pack-
|
||
ages that work with various flavors of MSDOS and Unix. Tom can be contacted
|
||
at either one of the following electronic addresses, or the P.O. Box for
|
||
Darkside, his organization.
|
||
|
||
Darkside International
|
||
dell@mindvox.phantom.com / dell@vox.darkside.com P.O. Box 4436
|
||
-- more --
|
||
|
||
Mountain View, CA 94040
|
||
|
||
Bruce Fancher
|
||
|
||
Coordinated the VOICES software development effort and prevented things from
|
||
stalling out or reaching dead ends, allowing MindVox to go live pretty close
|
||
to the original schedule. Bruce designed and implemented MindVox's User
|
||
Interface as well as most of the modifications and extensions to the
|
||
original communications software. In addition, he has redesigned and coded
|
||
the internal framwork of the VOICES software to operate on a client-server
|
||
paradigm. Currently Bruce is head of the software development team.
|
||
|
||
Mark Abene
|
||
|
||
Installed and trouble-shot our initial set-up. Mark was responsible for
|
||
implementing and fine-tuning our system security, as well as adding several
|
||
features that exist on the system.
|
||
|
||
Dave Heurie
|
||
|
||
Has recently joined the Phantom Access Group and is in charge of networking
|
||
and making sure all of the MindVox hardware is talking to all of the other
|
||
-- more --
|
||
|
||
hardware that keeps us running. He also works on fine tuning system perfor-
|
||
mance, trouble-shooting problems.
|
||
|
||
Len Rose
|
||
|
||
Len is presently the main system administrator at MindVox and the head of
|
||
Security.
|
||
|
||
|
||
Additional Thanks To:
|
||
|
||
Charles, Jack, Kyle, Eric, Dave, Andrew & SmArT m0eDumB
|
||
|
||
Look & Feel / Primary System Design
|
||
|
||
by: Patrick Kroupa and Bruce Fancher
|
||
|
||
|
||
Comments are welcome. To mail everyone at Phantom Access, simply address
|
||
your Mail to "phantom" on the system. MindVox operates on a principle simi-
|
||
lar to RADAR but doesn't FLY out of anything. Do not be alarmed.
|
||
|
||
-- more --
|
||
[Topic]: ?
|
||
[;H[2J
|
||
|
||
MindVox [INFORMATION] Section
|
||
_____________________________________________________
|
||
| |
|
||
| MindVox - Introduction to the MindVox System |
|
||
|_____________________________________________________|
|
||
| |
|
||
| Access - Methods of Gaining Access to MindVox |
|
||
| Address - Physical and Electronic Addresses |
|
||
| Billing - System Rates and Payment Schedules |
|
||
| Credits - MindVox Software and System Design |
|
||
| FAQ - Frequently Asked Questions & Answers |
|
||
| Features - List of Services Available on System |
|
||
| Hardware - Details about the MindVox Platforms |
|
||
| NewYork - Introduction for Local NYC/NY Users |
|
||
| Status - CURRENT SYSTEM STATUS UPDATE - READ! |
|
||
| Terms - Terms & Conditions Members Agreement |
|
||
|_____________________________________________________|
|
||
|
||
|
||
[Topic]: faq
|
||
[;H[2J
|
||
|
||
/\_-\
|
||
<((_))>
|
||
\- \/
|
||
/\_-\(:::::::::)/\_-\
|
||
<((_)) MindVox ((_))>
|
||
\- \/(:::::::::)\- \/
|
||
/\_-\
|
||
<((_))>
|
||
\- \/
|
||
|
||
___________________________________________________
|
||
| |
|
||
| )[> [F]requently [A]sked [Q]uestions <]( |
|
||
| |
|
||
| Revision Level: 1.01 / Valid: 11/19/92 |
|
||
|___________________________________________________|
|
||
(c) Copyright 1992, Phantom Access Technologies, Inc.
|
||
|
||
|
||
|
||
-- more --
|
||
|
||
WHAT IS VOX?
|
||
============
|
||
|
||
MindVox was created out of our desire to bring an innovative and
|
||
creative gathering-place to the online universe, or "Cyberspace" as it is
|
||
being termed. While we are a full-featured service provider, our main goal
|
||
is one of creating and constantly evolving a unique online community, which
|
||
combines all the features you'd expect from any multi-national commercial
|
||
network or large-scale public access Unix site; coupled with a diverse array
|
||
of individuals and groups who have made their home on MindVox, weaving to-
|
||
gether the threads of countless ideas and dreams, into the social fabric of
|
||
a thriving community.
|
||
|
||
To put it simply: we are a PLACE, not just a collection of services
|
||
grouped together with a price list and termed "system." There is a great
|
||
deal of text available on us in various periodicals, both hardcopy and elec-
|
||
tronic, and a cross-section of this material is available online. People
|
||
who are interested in what we are, and how MindVox began are encouraged to
|
||
login as guests and read the EDITORIAL.
|
||
|
||
|
||
FEATURES
|
||
-- more --
|
||
|
||
========
|
||
|
||
MindVox is "live" on the Internet and easily accessible from over 100,000
|
||
machines all over the world, through the use of telnet; as well as 24
|
||
direct-dial lines located in NYC, NY.
|
||
|
||
A sampling of the features we offer include:
|
||
|
||
)> Local MindVox Forums covering topics that span the range from the evolu-
|
||
tion of Cyberspace, Virtual Reality, Legal Issues, and Security and Virus
|
||
updates and discussions, all the way to Health, Drugs, Beauty, Alternative
|
||
Medicine, and Erotica.
|
||
|
||
)> Over 1700 Usenet Newsgroups. We receive a full newsfeed with over 35
|
||
megabytes of news every 24 hours.
|
||
|
||
)> Archives containing hundreds of megabytes of files and messages, from
|
||
systems that were active from 1978-1991. These are the collected inception
|
||
of what we now term as "Cyberspace."
|
||
|
||
)> Security and Virus conferences and programs are available online for
|
||
edification and easy downloading.
|
||
-- more --
|
||
)> Custom front-end user interface that allows Members easy access to the
|
||
power of the underlying MindVox operating system, without the learning-
|
||
curve.
|
||
|
||
)> IRC Live REAL-TIME Conference system. An average of 500 people from all
|
||
over the world are online 24 hours a day.
|
||
|
||
)> A wide variety of single and multi-player games are online for your en-
|
||
joyment.
|
||
|
||
For complete information, prospective Members are encouraged to login and
|
||
take a look around using the GUEST account.
|
||
|
||
|
||
ACCESSING MINDVOX
|
||
=================
|
||
|
||
MindVox is physically located in New York City, and a local call from the
|
||
212 or 718 area codes. We can be reached through telnet, by typing: telnet
|
||
phantom.com -- we are also accessible via PC Pursuit, Sprintnet, and most
|
||
other discounted data carriers within the United States and Canada.
|
||
-- more --
|
||
Our hunt group begins at 212/988-5030. Our dialups support speeds ranging
|
||
from 1200 baud to 19.2Kbps.
|
||
|
||
|
||
MINDVOX HARDWARE
|
||
================
|
||
|
||
MindVox usually runs on a NeXT Turbo equipped with 64 megabytes of RAM, and
|
||
at present a little over 3 gigabytes of disk storage space are allocated to
|
||
its use. At times Vox is moved to a SparcStation2, also fitted with 64
|
||
megabytes of RAM. This usually happens when we are working on something
|
||
NeXT-specific and need to test things before putting the system back onto
|
||
the central machine.
|
||
|
||
Towards the end of 1992 MindVox will permanently move to a SparcServer based
|
||
set-up, with 2-3 other machines on the network reserved for the exclusive
|
||
use of various system features.
|
||
|
||
|
||
MINDVOX SOFTWARE
|
||
================
|
||
-- more --
|
||
MindVox runs on Voice -- Waffle ][+ the NeXTSTEP. In addition to being a
|
||
silly name that we somehow still manage to find amusing, Voice is a
|
||
continuously evolving environment that presents you with a tremendous
|
||
amount of flexibility and power, while providing a comfortable layer
|
||
over the native operating system that Vox runs on. This allows you to
|
||
easily make use of various Unix functions, without needing to understand
|
||
shell scripts, Unix syntax, or query formats for obscure programs.
|
||
|
||
While Voice is very powerful and full-featured, it's main priority is to
|
||
provide an easy-to-use and intuitive overlay, that allows you to make full
|
||
use of it without reading any help files, or syntax guidelines.
|
||
|
||
FEES
|
||
====
|
||
|
||
For a flat-rate $15 a month fee, you are provided unlimited access to all
|
||
services available on the system. This includes the MindVox Forums, local
|
||
Chat system, The Archives, Single and Multi-Player Games, Mail, the Usenet
|
||
Newsgroups, IRC International Conferencing System, and all basic services.
|
||
|
||
Internet Memberships are also $10 a month, and provide access to Usenet,
|
||
-- more --
|
||
|
||
Software, Mail, and other services that would fall under the auspices of
|
||
"public access unix".
|
||
|
||
New Members receive two weeks of free online use, which they can use to
|
||
better orient themselves and become familiar with everything that is avail-
|
||
able on MindVox. Thus, your first month of time, actually last for 6 WEEKS.
|
||
|
||
|
||
Q & A's
|
||
=======
|
||
|
||
[Q]: Are you a hacker board?
|
||
|
||
[A]: MindVox is *NOT* a "hacker" board. Although our Members include many
|
||
former members of various underground cliques such as Knights of Shadow and
|
||
Legion of Doom, none of them are active in the "underground" at the present
|
||
time.
|
||
|
||
Conferences that deal with the topics of system security, operating system
|
||
flaws and weaknesses & how to patch them, and various quirks of Unix, are
|
||
available online, as are a collection of some of the world's foremost secu-
|
||
rity experts, including frequent contributors to CERT, and former writers
|
||
-- more --
|
||
|
||
and editors of now defunct security mailing lists such as ZARDOZ, SPLINTER,
|
||
and CORE. However, the exchange or solicitation of others, to perform or
|
||
take part in, any illegal activity is strictly prohibited.
|
||
|
||
Learning = Good, Crime = Bad. Screwing with computer systems that don't be-
|
||
long to you, isn't very nice, it's also illegal -- if this is the reason you
|
||
are logging into MindVox, don't bother calling. We believe wholeheartedly
|
||
in the underlying principles of the hacker ethic, at the same time, the old
|
||
excuse of "I just want to get into system X to learn . . ." no longer holds
|
||
true in this day and age of VERY affordable hardware and FREE software. If
|
||
it's not yours, and you haven't been invited; you have NO right to access
|
||
it.
|
||
|
||
|
||
[Q]: Do I have access to telnet, irc, internet games and mail and Unix type
|
||
of things on MindVox?
|
||
|
||
[A]: In a word, YES. Although we are not a "public access Unix" we offer
|
||
all the services of one under our VOICES wrapper.
|
||
|
||
|
||
[Q]: Is usage limited in any way? Are there additional charges for any-
|
||
-- more --
|
||
|
||
thing?
|
||
|
||
[A]: No. flat-rate, is exactly what it states. You may login as often, and
|
||
as long as you want with NO additional sur-charges.
|
||
|
||
|
||
[Q]: How can I make voice contact with Phantom Access, if I am having prob-
|
||
lems, or want to talk to someone voice about something?
|
||
|
||
[A]: Dial +1 (212) 988-5987. There is someone available to help you during
|
||
normal office hours, or you can leave a message and we'll get back to you
|
||
the next business day.
|
||
|
||
|
||
MISCELLANEOUS
|
||
=============
|
||
|
||
For more information, prospective Members are encouraged to login to MindVox
|
||
using the GUEST account and take a look around.
|
||
|
||
|
||
Thank you for your interest!
|
||
-- more --
|
||
|
||
|
||
Phantom Access Technologies, Inc.
|
||
175 Fifth Avenue, Suite: 2614
|
||
New York, NY 10011
|
||
|
||
Voice: 212 989 2418
|
||
2400bps: 212-989-4141
|
||
14.4kbps: 212-989-1550
|
||
fax: 212-989-8648
|
||
|
||
|
||
[Topic]: ?
|
||
[;H[2J
|
||
|
||
MindVox [INFORMATION] Section
|
||
_____________________________________________________
|
||
| |
|
||
| MindVox - Introduction to the MindVox System |
|
||
|_____________________________________________________|
|
||
| |
|
||
| Access - Methods of Gaining Access to MindVox |
|
||
| Address - Physical and Electronic Addresses |
|
||
| Billing - System Rates and Payment Schedules |
|
||
| Credits - MindVox Software and System Design |
|
||
| FAQ - Frequently Asked Questions & Answers |
|
||
| Features - List of Services Available on System |
|
||
| Hardware - Details about the MindVox Platforms |
|
||
| NewYork - Introduction for Local NYC/NY Users |
|
||
| Status - CURRENT SYSTEM STATUS UPDATE - READ! |
|
||
| Terms - Terms & Conditions Members Agreement |
|
||
|_____________________________________________________|
|
||
|
||
|
||
[Topic]: features
|
||
[;H[2J
|
||
|
||
MindVox [FEATURES] Listing
|
||
|
||
|
||
A partial listing of features present on the MindVox system, includes:
|
||
|
||
|
||
)> 24 dial in lines located in New York City (212). Accessible through
|
||
PC Pursuit, SprintNet and most other discounted data carriers.
|
||
|
||
Hunt group begins at: 212/989-4141
|
||
|
||
We support HST, TeleBit PEP, and speeds ranging from 1200bps to 19.2k
|
||
|
||
MindVox is also "live" on the Internet, making it available from over
|
||
100,000 machines situated around the world, simply by typing:
|
||
|
||
telnet phantom.com
|
||
|
||
For manual routing, our IP address is: 38.145.218.228
|
||
|
||
-- more --
|
||
)> MindVox runs on Voice -- Waffle ][+ the NeXTSTEP. In addition to
|
||
being a silly name that we somehow still manage to find amusing,
|
||
Voice is a continuously evolving environment that presents you with
|
||
a tremendous amount of flexibility and power, while providing a
|
||
comfortable layer over the native operating system that Vox runs
|
||
on. This allows you to easily make use of various Unix functions,
|
||
without needing to understand shell scripts, Unix syntax, or query
|
||
formats for obscure programs.
|
||
|
||
While Voice is very powerful and full-featured, it's main priority
|
||
is to provide an easy-to-use and intuitive overlay, that allows you
|
||
to make full use of it without reading any help files, or syntax
|
||
guidelines.
|
||
|
||
|
||
)> MindVox features an extended listing of its own forums, covering a
|
||
wide range of topics, many of them unavailable anywhere else. The
|
||
Vox Forums comprise the central idea and information, gathering and
|
||
sharing areas of the system.
|
||
|
||
|
||
-- more --
|
||
|
||
)> Individual Internet Mail Address, that allows you to send and receive
|
||
mail from all over the world. Networks that are accessible include:
|
||
|
||
The Internet itself, along with UUCP (!bang paths)
|
||
|
||
Applelink ATTMail BitNet Bix
|
||
Compu$erve EasyNet EuNet FidoNet
|
||
Janet Junet MCIMail PeaceNet
|
||
|
||
Additional gateways are opened as they become available.
|
||
|
||
|
||
)> Full Usenet Newsfeed, containing a selection of over 2600 newsgroups
|
||
out of which about 1600 are active at any given time. The Usenet is
|
||
the world's largest and most densely connected network, reaching an
|
||
audience of over two million (2,000,000) people, and over 150,000
|
||
regular subscribers. Over 35 megabytes of news comes through DAILY.
|
||
|
||
|
||
)> Online Simulations. Ranging from simple single-player games with
|
||
one or two hour playtimes, all the way to the infinite expanse of
|
||
the multi-player world of MaelStrom -- the most realistic alternate
|
||
-- more --
|
||
|
||
reality to ever come to life in Cyberspace.
|
||
|
||
|
||
)> Live Online Conference. Including a local chat system supporting up
|
||
to 50 simultaneous users on public or private channels.
|
||
|
||
MindVox also supports a live link to the Internet Relay Chat network
|
||
which is the world's largest real-time chat system. IRC features
|
||
participants from all over the world and is active 24 hours a day
|
||
with topics ranging from Hot Sex to Plastic Plants. There are an
|
||
average of 450 users online at any given time, a figure that doubles
|
||
or triples during certain "peak hours" in various countries.
|
||
|
||
|
||
[Topic]:
|
||
|
||
(1:40pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: info
|
||
[;H[2J
|
||
|
||
MindVox [INFORMATION] Section
|
||
_____________________________________________________
|
||
| |
|
||
| MindVox - Introduction to the MindVox System |
|
||
|_____________________________________________________|
|
||
| |
|
||
| Access - Methods of Gaining Access to MindVox |
|
||
| Address - Physical and Electronic Addresses |
|
||
| Billing - System Rates and Payment Schedules |
|
||
| Credits - MindVox Software and System Design |
|
||
| FAQ - Frequently Asked Questions & Answers |
|
||
| Features - List of Services Available on System |
|
||
| Hardware - Details about the MindVox Platforms |
|
||
| NewYork - Introduction for Local NYC/NY Users |
|
||
| Status - CURRENT SYSTEM STATUS UPDATE - READ! |
|
||
| Terms - Terms & Conditions Members Agreement |
|
||
|_____________________________________________________|
|
||
|
||
|
||
[Topic]: hga ardwae re
|
||
[;H[2J
|
||
|
||
MindVox [HARDWARE] Information
|
||
|
||
The central MindVox system is comprised of the following components:
|
||
|
||
MindVox usually runs on a NeXT Turbo with 64 megabytes of RAM. At
|
||
times the system is moved to a Sun SparcStation 2, also equipped with
|
||
64 megabytes of RAM. The machines are fitted with NeXTSTEP and Open
|
||
Windows/Solaris respectively. The NeXT runs under the Mach Unix
|
||
kernel, while the Sparc uses SunOS Unix.
|
||
|
||
MindVox itself is pretty much POSIX compliant and happy to live any-
|
||
where big and fast and Unix-like. -- If none of this has made much
|
||
sense to you, don't worry about it, there isn't a quiz later, and it
|
||
only matters to the propeller-heads that spend their days living in
|
||
the land of Xinu and find themselves curious about what hardware
|
||
keeps Phantom Access aloft.
|
||
|
||
In any case, the machinery is connected to an Ethernet that allocates
|
||
roughly 3.2 gigabytes of storage to MindVox via NFS. There are other
|
||
bits and pieces hooked into the network such as an HP DAT that backs
|
||
-- more --
|
||
|
||
the system up onto 8 gigabyte DDS tapes; a 16 line terminal server;
|
||
an 8 line SCSI / Serial device; a dedicated TeleBit for polling News
|
||
24 hours a day; a live link to the Internet for telnet; 24 modems of
|
||
various flavors, including USR Dual Standard, TeleBit, Zyxel, Supra,
|
||
CompuCom, and Hayes. The system is designed to support between 30-
|
||
50 simultaneous users comfortably.
|
||
|
||
Local dial in lines support speeds ranging from 1200 bps to 19.2kbps.
|
||
|
||
|
||
[Topic]: ?
|
||
[;H[2J
|
||
|
||
MindVox [INFORMATION] Section
|
||
_____________________________________________________
|
||
| |
|
||
| MindVox - Introduction to the MindVox System |
|
||
|_____________________________________________________|
|
||
| |
|
||
| Access - Methods of Gaining Access to MindVox |
|
||
| Address - Physical and Electronic Addresses |
|
||
| Billing - System Rates and Payment Schedules |
|
||
| Credits - MindVox Software and System Design |
|
||
| FAQ - Frequently Asked Questions & Answers |
|
||
| Features - List of Services Available on System |
|
||
| Hardware - Details about the MindVox Platforms |
|
||
| NewYork - Introduction for Local NYC/NY Users |
|
||
| Status - CURRENT SYSTEM STATUS UPDATE - READ! |
|
||
| Terms - Terms & Conditions Members Agreement |
|
||
|_____________________________________________________|
|
||
|
||
|
||
[Topic]: newyork
|
||
[;H[2J
|
||
|
||
MindVox [NYC/NY STATE - MEMBERS] Notice
|
||
|
||
Welcome to MindVox!
|
||
|
||
Most of the people at Phantom Access have been hanging out in the NYC area
|
||
telecommunications scene, for the better part of a decade. Over the years
|
||
we have run some half-dozen different systems in the NY area. Although many
|
||
-- actually most -- of 'em were of a slightly (ahem) different variety than
|
||
MindVox, the main lesson we learned from these past experiences is the fact
|
||
that people don't like to be hassled -- that's what the real world is for,
|
||
why put up with it in Cyberspace?
|
||
|
||
MindVox is not the EMPIRE OF PHANTOM ACCESS, GIVE US YOUR HOME PHONE NUMBER
|
||
WITH A NOTARIZED SIGNATURE, A XEROX OF YOUR DRIVER'S LICENSE, YOUR SHOE
|
||
SIZE, AND YOU BETTER NOT PISS OFF THE SYSOPS WHO ARE GOD HERE . . . actually
|
||
we don't really care about anything you might choose to do here, as long as
|
||
it's not illegal. All things are tolerated to a great extent, if you are
|
||
disruptive or annoying, then some of the Members will let you know about it.
|
||
|
||
Basically we're pretty mellow, there aren't any rules, except the obvious
|
||
-- more --
|
||
|
||
one of: don't act like a jerk, or people won't like you. If you wanna be
|
||
despised, that's cool too. Hey, whatever does it for ya.
|
||
|
||
There are some things on MindVox that may be slightly confusing if you are
|
||
coming from a background of PCBoard, Galacticomm, FidoNET, or whatever fla-
|
||
vor of MSDOS system you're used to. Vox is "live" on the Internet, which
|
||
means that many -- as of this writing, MOST -- of the Members are NOT physi-
|
||
cally located in NY, they're logged in from all over the world through the
|
||
net. By the same token, MindVox has "Gateways" into the Internet where you
|
||
can access a wide spectrum of services you may not know about.
|
||
|
||
Some Internet services you may not be familiar with, and find enjoyable in-
|
||
clude: the Usenet Newsgroups, which number around 1600 at any given time and
|
||
reach some two million (2,000,000) people from all over the world. Then
|
||
there's IRC which is a world-wide REAL-TIME "Chat" system, which averages
|
||
around 500 people online 24 hours a day. What this means to you is IRC acts
|
||
like a "door" into a net, where there are several hundred other people to
|
||
hang out with.
|
||
|
||
The previous paragraphs have only skimmed the surface of what is available,
|
||
for more information on the Internet and Usenet, there are many articles and
|
||
files available in the online ARCHIVES.
|
||
-- more --
|
||
If you have problems with anything, please let the system management know
|
||
through the use of FEEDBACK, so that we can un-confuse you, or fix the prob-
|
||
lem if its at our end.
|
||
|
||
Enjoy,
|
||
|
||
Phantom Access
|
||
|
||
|
||
[Topic]: ?
|
||
[;H[2J
|
||
|
||
MindVox [INFORMATION] Section
|
||
_____________________________________________________
|
||
| |
|
||
| MindVox - Introduction to the MindVox System |
|
||
|_____________________________________________________|
|
||
| |
|
||
| Access - Methods of Gaining Access to MindVox |
|
||
| Address - Physical and Electronic Addresses |
|
||
| Billing - System Rates and Payment Schedules |
|
||
| Credits - MindVox Software and System Design |
|
||
| FAQ - Frequently Asked Questions & Answers |
|
||
| Features - List of Services Available on System |
|
||
| Hardware - Details about the MindVox Platforms |
|
||
| NewYork - Introduction for Local NYC/NY Users |
|
||
| Status - CURRENT SYSTEM STATUS UPDATE - READ! |
|
||
| Terms - Terms & Conditions Members Agreement |
|
||
|_____________________________________________________|
|
||
|
||
|
||
[Topic]: status
|
||
[;H[2J
|
||
[Jan / 11 / 1993]
|
||
|
||
[%] Important Information TOO SECRET to be Printed here! [%]
|
||
|
||
Hey! -- although this is a warm and fuzzy form-letter, it doth pertain to
|
||
thee, so please read, assimilate, comprehend, understand and laminate this
|
||
document at your earliest possible convenience.
|
||
|
||
During the next three weeks (that's until the end of January, earth time),
|
||
MindVox will be moving sideways and becoming an even greater menace to the
|
||
social fabric of the 20th century.
|
||
|
||
In other words, we are moving to larger offices downtown. 'Cuz if a big of-
|
||
fice isn't downtown, then what good is it anyway . . . ?
|
||
|
||
From YOUR point of view, everything you do to contact MindVox will remain
|
||
unchanged. Our main hunt group in NYC will still begin with 212-988-5030,
|
||
or if you are using telnet to access us, phantom.com we shall remain until
|
||
the end of all songs.
|
||
|
||
Since Vox will be moving onto entirely new equipment, for a brief instant in
|
||
-- more --
|
||
|
||
history, a parallel rift shall open within time and space and there will be
|
||
TWO of MindVox, they will fight a duel, and the winner will banish the loser
|
||
to the alternate universe where the Amiga and NeXT rule in harmony, MSDOS
|
||
has died the ugly death it deserves and Bill Gates is a penniless pauper.
|
||
|
||
Anyway, here is the basic, general, top-down, kinda overview of what shall
|
||
be happenin'
|
||
|
||
- - - - - - - - -
|
||
|
||
-> MindVox will be moving from the main system it lives on right now (a
|
||
NeXT Turbo) to a LAN; the main MindVox machine will become a SparcSERVER
|
||
with 128mb RAM, the auxiliary Vox server will be the SparcStation2 with
|
||
64mb, which will house various extensions to MindVox which run through tel-
|
||
net sessions, sockets, whatever . . .
|
||
|
||
-> Right now when you call MindVox and the phone rings, and rings, and
|
||
rings and . . . it means all 16 physical dial-ups are FULL at the moment
|
||
(they get that was FAST during prime-time which runs from around 4pm until
|
||
4am . . . lot of primetime in there huh?). Our local lines double from 16
|
||
to 32. 16 of them will be TeleBit WorldBlazer modems; to blurb briefly-
|
||
|
||
-- more --
|
||
|
||
DISTINCTIVE FEATURES
|
||
|
||
- PEP -
|
||
Telebit's original PEP divided the telephone channel into 511 carrier
|
||
frequencies and used sophisticated error checking to provide the
|
||
highest throughput and most robust connectivity in the industry.
|
||
|
||
- Turbo PEP -
|
||
Telebit has improved PEP with enhanced packetization and up to seven
|
||
bits per carrier. The net result is data rates of up to 23,000 bps
|
||
*without* data compression. The WorldBlazer also uses Trellis Coding
|
||
to provide even more robust connectivity over poor channels than our
|
||
original PEP. Turbo PEP provides optimum performance by matching the
|
||
channel as closely as 10 bps.
|
||
|
||
- Universal Compatibility -
|
||
The WorldBlazer transparently connects with the large installed base
|
||
of PEP modems and also supports all CCITT standard modulations. It
|
||
transparently connects with other V.32bis and V.32 modems at 14,400,
|
||
12,000, 9600, 7200, and 4800 bps; V.22bis modems at 2400 bps; V.22
|
||
and Bell 212A modems at 1200 bps; and V.21 and Bell 103J modems at
|
||
300 bps.
|
||
-- more --
|
||
- Data Compression -
|
||
CCITT V.42bis data compression now provides capabilities of up to 4:1
|
||
for both Turbo PEP and CCITT modulation modes yielding data rates in
|
||
excess of 70,000 bps. The WorldBlazer is backward compatible with
|
||
both Telebit Lempel-Ziv compression and MNP 5.
|
||
|
||
- Fastest DTE Speeds -
|
||
The WorldBlazer supports DTE speeds of up to 115,200 bps, allowing
|
||
the highest throughput in the industry.
|
||
|
||
[end blurb]
|
||
|
||
The remaining 16 lines will be running at 2400/9600 for a couple of weeks
|
||
until we upgrade them to some other type of v32.bis (+) modem (Motorola
|
||
V.Fast compliant modems, or something similar. Perhaps USRs if they have
|
||
cleaned up their firmware to work properly with Unix by then).
|
||
|
||
-> Our Bandwidth will increase to Fractional-T1. What this means is:
|
||
|
||
o FTP, FSP and DCC (under IRC) will all be turned on. WaReZ DooD!
|
||
|
||
-- more --
|
||
|
||
o MindVox will NFS-mount several mirror sites into the Archives, the
|
||
end result of this is a transparent integration of local and network
|
||
services into one contiguous-appearing filesystem which contains some
|
||
35-40 GIGABYTES of software available for download. MORE wareZ do0d!
|
||
|
||
o Telnet will be approx 25 times as fast (in other words, being hooked
|
||
into MindVox over the net, will be pretty much the same speed as if
|
||
you were huddled beneath the shadowy monoliths aglow with flickering
|
||
light where MindVox hums to itself and plots to WAKE UP and become
|
||
one the Matrix).
|
||
|
||
o We will be running our own IRC server. Yes that's right kids, get
|
||
IRC-COP & become a totalitarian menace to society, annoying everyone
|
||
unfortunate enough to even look at you out of the corner of their
|
||
eye.
|
||
|
||
o Joining IRC will be the ICB network, along with a THIRD worldwide
|
||
network that MindVox will be beta-testing. (Shhhh!)
|
||
|
||
o A complete INFORMATION-NAVIGATION package will come online. More
|
||
details soon!
|
||
|
||
-- more --
|
||
|
||
-> NEWS will say bye-bye and wish PSI a warm farewell, moving onto an up
|
||
to the minute NNTP server, instead of the 2-days old mess which PSI
|
||
sees fit to send its clients right now.
|
||
|
||
-> About 10 new games will come online, some of them multi-player, making
|
||
way for the introduction of MaelStrom making its debut . . .
|
||
|
||
. . . which leads to:
|
||
|
||
- - - - - - - - -
|
||
|
||
The current phase of system growth/solidification, will take us into
|
||
Feb / March, around which time MindVox itself will be fairly stable and not
|
||
liable to FLY out of anything, or make SUDDEN CHANGES and SHARP TURNS.
|
||
|
||
Most effort at this stage will begin focusing on getting at least our
|
||
basic Point & Click GUI's running for the PC, Mac & X -- and making Mael-
|
||
Strom wake up from its slumber and take corporeal form.
|
||
|
||
Ok, thats it for now, in at least the immediate future it is HIGHLY
|
||
RECOMMENDED (IN CAPITAL LETTERS) that you read the NEWS section of the Mind-
|
||
Vox forums to keep up with what's going on, or you'll fall behind the rest
|
||
-- more --
|
||
|
||
of the class and they'll all laugh at you.
|
||
|
||
You can read news by typing (drum roll): read news at the main menu. If
|
||
you want to, you can also JOIN news, to have it automatically picked up by
|
||
your New message Scan.
|
||
|
||
|
||
As a wise man once said, it's hard to hold a candle in the cold November
|
||
rain.
|
||
|
||
z00m
|
||
|
||
Patrick & Bruce & Stu & Lee & Andy & Jack & Dave & Yuri & Kai & Bill and
|
||
like whoever else I am forgetting, remind me that you exist and are chained
|
||
up in our dungeon.
|
||
|
||
Thanks, and enjoy the show.
|
||
|
||
Everyone at Phantom Access!
|
||
|
||
[Topic]: ?
|
||
[;H[2J
|
||
|
||
MindVox [INFORMATION] Section
|
||
_____________________________________________________
|
||
| |
|
||
| MindVox - Introduction to the MindVox System |
|
||
|_____________________________________________________|
|
||
| |
|
||
| Access - Methods of Gaining Access to MindVox |
|
||
| Address - Physical and Electronic Addresses |
|
||
| Billing - System Rates and Payment Schedules |
|
||
| Credits - MindVox Software and System Design |
|
||
| FAQ - Frequently Asked Questions & Answers |
|
||
| Features - List of Services Available on System |
|
||
| Hardware - Details about the MindVox Platforms |
|
||
| NewYork - Introduction for Local NYC/NY Users |
|
||
| Status - CURRENT SYSTEM STATUS UPDATE - READ! |
|
||
| Terms - Terms & Conditions Members Agreement |
|
||
|_____________________________________________________|
|
||
|
||
|
||
[Topic]: terms
|
||
[;H[2J
|
||
|
||
Phantom Access Technologies, Inc. (TM)
|
||
|
||
MindVox(TM)
|
||
|
||
Terms & Conditions
|
||
|
||
Version: 04/01/92
|
||
|
||
GENERAL/INTRODUCTION
|
||
|
||
01. Phantom Access Technologies, Inc. (PAT) agrees to provide access to its
|
||
MindVox (TM) online service (System) to Member using the Terms and Condi-
|
||
tions outlined below.
|
||
|
||
OWNERSHIP / COPYRIGHT
|
||
|
||
02. The entire contents of System are copyrighted as a collective work under
|
||
the Copyright laws of the United States. The copy, transfer, reproduction
|
||
or publication of any part of System in any form is prohibited, unless ex-
|
||
pressly authorized by PAT. Members who place data, information, or charac-
|
||
-- more --
|
||
|
||
terization of events on System, grant PAT the right to edit, copy, publish,
|
||
or distribute such information as it sees fit. Under the provisions of this
|
||
grant, Member reserves his or her individual copyright on any original ma-
|
||
terial posted to System.
|
||
|
||
INFORMATION CONTENT
|
||
|
||
03. System may only be used for lawful purposes. PAT does not allow copy-
|
||
righted material to be placed on System without the owner's permission.
|
||
Transmission in any form, of any information that violates U.S. or state re-
|
||
gulations is prohibited. Member agrees to indemnify and hold harmless PAT
|
||
from any claims resulting from Member's use of service which causes damage
|
||
to Member or another party.
|
||
|
||
04. Since PAT does not monitor or in any way exercise control over the in-
|
||
formation passing through System, complying with all U.S. federal and state
|
||
laws and regulations rests solely upon the Member. Members agrees not to
|
||
engage in any form of solicitation or advertising through the use of System
|
||
without express prior written permission from PAT. In no event may Member
|
||
use the facilities of System to conduct any business or activity or solicit
|
||
the performance of any activity which is prohibited by U.S. federal or state
|
||
law or to solicit PAT Members to become customers, subscribers or members of
|
||
-- more --
|
||
|
||
any other online service.
|
||
|
||
BILLING
|
||
|
||
05. Member assumes complete responsibility for all charges incurred through
|
||
the use of Member's account(s). These charges include, but are not limited
|
||
to, any registration or validation fees, hourly usage charges, excess
|
||
storage charges, communications surcharges, and any other fees for the bil-
|
||
ling period during which those fees are incurred. Accounts are non-
|
||
transferable and Member agrees to be solely responsible for all charges in-
|
||
curred by account(s) belonging to Member. Member is responsible for charges
|
||
at the time service is used. Accounts are billed at least monthly and pay-
|
||
ment is due upon receipt of invoice. PAT reserves the right to suspend ac-
|
||
cess to service for any account(s) billed by invoice if payment is not re-
|
||
ceived within fourteen (14) days of invoice date. Member is immediately
|
||
placed in default and subject to a $25 dollar returned check charge if pay-
|
||
ment is returned to us unpaid. PAT reserves the right to suspend or ter-
|
||
minate access to service from Member's account(s) immediately upon rejection
|
||
of any credit card charges or indication of credit problems. If account is
|
||
in default Member's deposit will be used to cover cost of charges with the
|
||
remainder of deposit remitted to Member. In the event that deposit does not
|
||
cover charges incurred, Member agrees to indemnify and hold PAT harmless for
|
||
-- more --
|
||
|
||
all claims and expenses, including attorney and collection agency fees, re-
|
||
lated to Member's violation of this Terms and Conditions agreement.
|
||
|
||
06. PAT reserves the right at its sole discretion to suspend or terminate
|
||
Member account(s) access to System at any time, for any reason. In such an
|
||
event Member will receive remittance of deposit within thirty (30) days,
|
||
minus whatever charges have been incurred by Member prior to termination
|
||
date. Suspension or termination of service does not relieve Member from ob-
|
||
ligation to remit full payment for charges incurred. Only a written request
|
||
for termination of service given thirty (30) days in advance of termination
|
||
relieves Member of the obligation to pay monthly charges for Member's
|
||
account(s).
|
||
|
||
LIMITATION OF LIABILITY
|
||
|
||
07. ACCESS TO SYSTEM IS PROVIDED ON AN "AS IS, AS IS AVAILABLE" BASIS. NO
|
||
WARRANTIES, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THOSE OF MER-
|
||
CHANTABILITY OR FITNESS FOR ANY PARTICULAR PURPOSE, ARE MADE IN RESPECT TO
|
||
SYSTEM OR INFORMATION CONTENT. MEMBER EXPRESSLY AGREES THAT USE OF SYSTEM
|
||
AND TRANSMISSION OF INFORMATION THROUGH SYSTEM IS AT MEMBER'S SOLE RISK.
|
||
NEITHER PAT NOR ITS EMPLOYEES OR AGENTS WARRANT THAT SERVICE WILL BE UNIN-
|
||
TERRUPTED OR ERROR FREE. NEITHER PAT NOR ANYONE ELSE INVOLVED WITH THE
|
||
-- more --
|
||
|
||
CREATION, DISTRIBUTION, PRODUCTION OR DELIVERY OF SERVICES AVAILABLE ON SYS-
|
||
TEM SHALL BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL OR CONSE-
|
||
QUENTIAL DAMAGES ARISING OUT OF MEMBER'S INABILITY TO USE THE SYSTEM OR OUT
|
||
OF ANY VIOLATION OF WARRANTY. PAT IS NOT RESPONSIBLE FOR MAINTAINING OR EN-
|
||
SURING THE INTEGRITY OF MEMBER'S PERSONAL FILES, MEMBER'S ARE RESPONSIBLE
|
||
FOR KEEPING THEIR OWN BACKUPS.
|
||
|
||
08. The Terms and Conditions as presented represent the entire agreement
|
||
between PAT and Member and supersede all previous representations, agree-
|
||
ments or understandings. If one or more terms in this Terms and Conditions
|
||
agreement are found to be unenforceable or invalid, Member and PAT's agree-
|
||
ment on all other portions of Terms and Conditions is unaffected. Use of
|
||
System constitutes acceptance of these Terms and Conditions.
|
||
|
||
09. These Terms and Conditions may be modified by PAT at any time, without
|
||
prior notice to Member, by displaying modified Terms and Conditions on
|
||
System's "Info" section. Member's continued use of System following such
|
||
changes, modifications or additions, constitutes acceptance of these Terms
|
||
and Conditions as modified.
|
||
|
||
10. This Agreement shall be governed under the laws of the state of De-
|
||
laware. Any claims or legal action related to PAT must be instituted within
|
||
-- more --
|
||
|
||
twelve (12) months after the claim or cause of action has arisen or be
|
||
barred.
|
||
|
||
11. If Member is under eighteen (18) years of age, Terms and Conditions
|
||
agreement must be signed by parent or legal guardian, who is responsible for
|
||
all charges related to use of Member's account(s). Certain material avail-
|
||
able on System may not be suitable for minors.
|
||
|
||
____________________________________________________________________________
|
||
|
||
Phantom Access and the Phantom Access logo are registered trademarks of
|
||
Phantom Access Technologies, Inc. MaelStrom, MindVox, Phantom Access Tech-
|
||
nologies, Phantom Access Networks (PAN), and Phantom Access Group are trade-
|
||
marks of Phantom Access Technologies, Inc. Lord Digital is a trademark of
|
||
Patrick K. Kroupa. Dead Lord is a trademark of Bruce Fancher.
|
||
|
||
|
||
[Topic]:
|
||
|
||
(1:43pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: ?
|
||
[;H[2J
|
||
Subset of Commands Available to GUESTS of MindVox
|
||
____________________________________________________________
|
||
| |
|
||
| About - View Detailed Descriptions of the Vox Forums |
|
||
| Bye - End your Demonstration of the MindVox system |
|
||
| Editorial - Read the current MindVox Editorial article |
|
||
| Feedback - Leave FEEDBACK for the System Administration |
|
||
| Finger - View information on a Member - FINGER <name> |
|
||
| Home - Examine Files in your Home Directory |
|
||
| Last - List the Last <x> Callers to the System |
|
||
| Mail - Enter the MindVox Mail Subsystem / Read Mail |
|
||
| Who - Who is Online right now (Local & Network) |
|
||
| VoxList - Obtain a Complete Listing of the Vox Forums |
|
||
| |
|
||
| HELP - Detailed HELP files about MindVox Commands |
|
||
| INFO - Information about MindVox and Phantom Access |
|
||
|_____ ________________________________________________ _____|
|
||
| |
|
||
| REGISTER - Apply for Membership to MindVox |
|
||
|________________________________________________|
|
||
|
||
(1:43pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: help
|
||
[;H[2J
|
||
|
||
MindVox [HELP] Section
|
||
___________________________________________________________
|
||
| |
|
||
| Help - General Information on System Commands |
|
||
|___________________________________________________________|
|
||
| |
|
||
| Archives - Detailed Information on Using the Archives |
|
||
| Chat - Explanation of the Chat System Commands |
|
||
| Forums - Complete Instructions for the Vox Forums |
|
||
| FTP - How to Use Internet File Transfer Protocol |
|
||
| Gateways - How to Send Mail to Various Networks |
|
||
| Home - Setting up Plan, Login, and other Features |
|
||
| IRC - Crash course on using Internet Relay Chat |
|
||
| Jove - Documentation on Using the Jove Editor |
|
||
| Mail - Using the MindVox mail system Capabilities |
|
||
|___________________________________________________________|
|
||
| |
|
||
| QUIT - Exit Help and Return to Previous Menu |
|
||
|___________________________________________________________|
|
||
|
||
-- more --
|
||
[Topic]: archives
|
||
[;H[2J
|
||
MindVox [HELP: ARCHIVES] Reference
|
||
|
||
|
||
[File Location Commands]
|
||
|
||
C)hange - Move to a new directory. This command is used to go down the
|
||
file system tree. Your current directory is always displayed
|
||
right above the Archives prompt. You may view the file listing
|
||
in the current directory with the D)ir command.
|
||
|
||
D)ir - View the listing of files in the current directory. Among the
|
||
information displayed is the file name, file size in bytes,
|
||
date of upload, and a single line text description of the file.
|
||
|
||
F)ind - Locate a file by title. If you quickly want to locate a file
|
||
anywhere in the Archives section, and you know part of the
|
||
file name, this command is very useful in quickly locating
|
||
the file.
|
||
|
||
M)aster - Move to the top of the directory tree. This is an easy way
|
||
for you to return to the root directory, as opposed to using
|
||
-- more --
|
||
|
||
the .) command multiple times.
|
||
|
||
.) - Move back to previous directory. This performs the exact
|
||
opposite function of the C)hange command.
|
||
|
||
|
||
[File Transfer Commands]
|
||
|
||
A)rc - View the contents of an .arc, .lzh, or .zip file. This command
|
||
will display a list of files and their attributes that are
|
||
located within an archive file. If you download an archived
|
||
file, be sure that you have the correct program to extract
|
||
the files contained therein. Use ARC for .arc files, LHARC for
|
||
.lzh files, and PKZIP for .zip files.
|
||
|
||
P)rotocol - Set Transfer Protocol. Mindvox currently supports the Xmodem,
|
||
Ymodem and Zmodem protocols.
|
||
|
||
R)eceive - Upload a file to Mindvox. Be sure you are using the same
|
||
protocol on Mindvox and in your terminal software, and your
|
||
settings are 8N1.
|
||
|
||
-- more --
|
||
|
||
S)end - Download a file from Mindvox. The above rule also applies.
|
||
|
||
V)iew - View a text file. This allows you to download or simply view
|
||
a text file without the use of a protocol. You can view files
|
||
online, as well as buffer and save them with your terminal
|
||
software.
|
||
|
||
W)rite - Write text to a file. This allows you to upload a text file
|
||
without the use of a protocol. This command can also be used
|
||
for creating small text files (ie: readme.txt) on the system.
|
||
|
||
|
||
[Other Commands]
|
||
|
||
H)elp - Displays the online help screen.
|
||
|
||
Q)uit - Leave the Archives section and return to the main menu.
|
||
|
||
|
||
|
||
[Topic]:
|
||
|
||
(1:44pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: help
|
||
[;H[2J
|
||
|
||
MindVox [HELP] Section
|
||
___________________________________________________________
|
||
| |
|
||
| Help - General Information on System Commands |
|
||
|___________________________________________________________|
|
||
| |
|
||
| Archives - Detailed Information on Using the Archives |
|
||
| Chat - Explanation of the Chat System Commands |
|
||
| Forums - Complete Instructions for the Vox Forums |
|
||
| FTP - How to Use Internet File Transfer Protocol |
|
||
| Gateways - How to Send Mail to Various Networks |
|
||
| Home - Setting up Plan, Login, and other Features |
|
||
| IRC - Crash course on using Internet Relay Chat |
|
||
| Jove - Documentation on Using the Jove Editor |
|
||
| Mail - Using the MindVox mail system Capabilities |
|
||
|___________________________________________________________|
|
||
| |
|
||
| QUIT - Exit Help and Return to Previous Menu |
|
||
|___________________________________________________________|
|
||
|
||
-- more --
|
||
[Topic]: chat
|
||
[;H[2J
|
||
MindVox [HELP: CHAT] Conference
|
||
|
||
Chat provides a venue for real-time Computer Mediated Conferencing. It is
|
||
capable of supporting up to 50 simultaneous users, via local dialup lines
|
||
and Internet telnet facilities.
|
||
|
||
Using Chat you can communicate with individuals on a one-to-one basis, or
|
||
with groups of people on public or private channels.
|
||
|
||
|
||
Chat Presently Supports
|
||
|
||
)[> An unlimited number of Channels <](
|
||
|
||
)[> Public and Private Messages <](
|
||
|
||
)[> Public and Private Channels <](
|
||
|
||
|
||
When using the Chat program, simply type a line of text terminated by
|
||
a carriage return in order to send that line of text as a public message
|
||
-- more --
|
||
|
||
to everyone on your channel. Other commands may also be used, and they
|
||
are listed below.
|
||
|
||
Commands Available in Chat
|
||
|
||
/nick <name> - Set or change your nickname to <name>
|
||
/join <x> - Join channel number <x>
|
||
/join <x,word> - Join protected channel number <x> with password <word>
|
||
/pass <word> - Set password for your current channel to <word>
|
||
/who - List of members in Chat, and what channels they are on
|
||
/msg<#> <text> - Send a private message to user (#)
|
||
/quit - Exit from the Chat program
|
||
/? - Display the help screen
|
||
|
||
|
||
|
||
Chat is presently under construction. About a dozen additional features
|
||
are planned. If there is anything you would like to see that doesn't
|
||
exist at present, then let us know by sending mail to "support" or by
|
||
bringing up the topic in a public message on the MindVox:Trajectory
|
||
forum if you'd like to discuss the possibilities and merits of your
|
||
suggestion with other members of MindVox.
|
||
-- more --
|
||
|
||
[Topic]: forums
|
||
[;H[2J
|
||
MindVox [HELP: FORUMS] Reference
|
||
|
||
The MindVox Forums are divided into AREAS and FORUMS. AREAS refer to a com-
|
||
mon "umbrella" of related topics, for example: CYBERSPACE is an AREA that
|
||
encompasses many individual FORUMS that somehow pertain to the central theme
|
||
of CYBERSPACE.
|
||
|
||
To move through the various AREAS you can either use the GO command and type
|
||
out their full or partial names, or make use of the ">" and "<" keys to move
|
||
up or down the MindVox AREAS respectively.
|
||
|
||
To do the same thing with FORUMS you may also use the GO command, or the "+"
|
||
and "-" keys to move back and forth through the Forums or Newsgroups.
|
||
|
||
|
||
-=[> Commands <]=-
|
||
|
||
When you are reading the various messages that comprise the MindVox Forums,
|
||
you are in a separate sub-section of MindVox where a different set of com-
|
||
mands is active. This is similar to the ARCHIVES, HOME, MAIL, STATUS and
|
||
other sub-menus.
|
||
-- more --
|
||
However, there are certain FORUM commands that will work from the central
|
||
MindVox menu. These include: ABOUT, GO, NEW and UNJOIN. A detailed listing
|
||
of the Forum commands follows.
|
||
|
||
ABOUT -
|
||
|
||
About will present you with a listing that tells you ABOUT the Forum that
|
||
you are presently in. If you want information about any particular Forum on
|
||
MindVox, supply it in the form of an argument.
|
||
|
||
For example: ABOUT UNIX
|
||
|
||
Would cause MindVox to pattern-match "UNIX" and read the information file
|
||
about the Area: Computers Forums: Unix. If you would like information on
|
||
ALL available MindVox Forums, then use the command: ABOUT ALL
|
||
|
||
Note that About ONLY works on MindVox Forums, it does absolutely nothing
|
||
when you query it about Newsgroups.
|
||
|
||
AGAIN -
|
||
|
||
-- more --
|
||
|
||
Again re-reads the message that you have just read. It simply means "I want
|
||
to read this message AGAIN!"
|
||
|
||
BACK -
|
||
|
||
Go BACKwards and read the previous message. If there is no previous mes-
|
||
sage, BACK will act as AGAIN and re-read the current message.
|
||
|
||
CANCEL -
|
||
|
||
The CANCEL command is used to delete a message that you have posted. You
|
||
can only remove messages that have been posted from your account. Other
|
||
people's messages will not be effected by invoking this command. See also:
|
||
POST
|
||
|
||
CATCH -
|
||
|
||
Catch is used to mark all the messages in the Forum or Newsgroup that you
|
||
are presently in, as having been read. This is useful if a section has a
|
||
lot of new messages and you want to reset your NEWscan so that it thinks you
|
||
have already seen all of them. This is especially handy in some of the
|
||
high-traffic Usenet Newsgroups and MindVox Forums. It can be essential if
|
||
-- more --
|
||
|
||
you don't call very often and JOINed a lot of different Forums and News-
|
||
groups.
|
||
|
||
DOWNLOAD -
|
||
|
||
Download is used to download the current message with whatever protocol you
|
||
have selected in STATUS (X, Y, Z modem, or Kermit). Normally you would not
|
||
want to download short messages, because its not worth the hassle if you
|
||
just want to read a few paragraphs. However, many people belong to
|
||
mailing-lists or receive electronic journals or digests through the net and
|
||
these can be quite lengthy. The download feature is implemented primarily
|
||
for this purpose.
|
||
|
||
FOLLOW -
|
||
|
||
This command allows you to FOLLOW-up on a message or letter, including quot-
|
||
ed text within your reply. This can help a great deal if you need to estab-
|
||
lish context. MANY messages travel strange and arduous routes before set-
|
||
tling into a Newsgroup or mailing-list, and if you send mail to someone ask-
|
||
ing about some message they posted last month . . . they might have no idea
|
||
what you're talking about if you don't include a piece of the message to
|
||
remind them!
|
||
-- more --
|
||
For example: [Return] 1-42, [Q]uit: FOLLOW
|
||
|
||
Although FOLLOW assumes that the intended recipient is also the author of
|
||
the message or letter, an address other than that of the original sender can
|
||
be specified. For example you may want to comment on something you have
|
||
just seen posted somewhere and send along an example of what you're talking
|
||
about.
|
||
|
||
For example: [Return] 1-42, [Q]uit: FOLLOW eric@clapton.com Would allow
|
||
you to include quotes from message #42 to eric, even if message #42 wasn't
|
||
from eric.
|
||
|
||
Multiple addresses can also be specified.
|
||
|
||
For example: [Return] 1-42, [Q]uit: FOLLOW eric@clapton.com, tuc,
|
||
dave@hamster.org Would send mail to eric and dave at the Internet sites
|
||
clapton.com and hamster.org, respectively, and to the MindVox Member named
|
||
Tuc. See also: FORWARD, POST
|
||
|
||
FORWARD -
|
||
|
||
-- more --
|
||
|
||
Forward works in a way that is similar to FOLLOW but instead of allowing the
|
||
insertion of quoted text into the body of your message, it simply sends a
|
||
verbatim copy of the message or letter to the recipient(s) you want to send
|
||
copies to. Forward the mail command has NOTHING to do with FORWARD files in
|
||
the HOME section of MindVox. See also: FOLLOW, POST
|
||
|
||
GO -
|
||
|
||
The GO command is used to move to another Forum or Newsgroup. You can ei-
|
||
ther type its complete name, or just a few characters. Based upon how much
|
||
information you have provided, MindVox will do its best to pattern-match the
|
||
text to the Area you want to enter. You do not have to be JOINed to a Forum
|
||
or Newsgroup in order to GO there.
|
||
|
||
INDEX -
|
||
|
||
Prints a complete listing of the available Forums or Newgroups, depending on
|
||
which section you are presently in. This is identical to the main menu com-
|
||
mands VOXLIST and USELIST respectively.
|
||
|
||
LIST -
|
||
|
||
-- more --
|
||
|
||
The LIST command prints the last couple of messages that have been posted to
|
||
the Forum or Newsgroup that you are in. It can be supplied with an argument
|
||
in the form of a number.
|
||
|
||
For example: LIST 30
|
||
|
||
Would list the last 30 messages. You can also LIST by AUTHOR or ORGANIZA-
|
||
TION, although in the Forums or Newsgroups LIST defaults to SUBJECT.
|
||
|
||
MAIL -
|
||
|
||
Identical to the SEND command in MAIL.
|
||
|
||
NEW -
|
||
|
||
The NEW command is used to do a scan for New messages in the MindVox Forums
|
||
and Usenet Newsgroups that you have asked to be JOINed to. It only scans
|
||
for new messages in the areas that you want to read, it will not find new
|
||
messages in sections you have not told MindVox you wish to be JOINed to.
|
||
|
||
POST -
|
||
|
||
-- more --
|
||
|
||
POST is used to enter a new message to one of the Forums. You will be asked
|
||
if you want to continue with the current Subject, or select a new one; if
|
||
you are posting to a Usenet Newsgroup you may also be asked a series of
|
||
questions regarding distribution, cross-posting, and queries that pertain
|
||
exclusively to the Usenet NEWS software.
|
||
|
||
After supplying the required Subject information, you will be placed into
|
||
the editor you have configured using the STATUS command from the main Mind-
|
||
Vox menu. See also: CANCEL
|
||
|
||
QUIT -
|
||
|
||
Quit from the Forums or Newsgroups and exit back to the central menu.
|
||
|
||
SEARCH -
|
||
|
||
Allows you to do a SEARCH on the current Forum you are in. You may search
|
||
by AUTHOR, KEYWORDS, or SUBJECT. This command is useful if there are hun-
|
||
dreds or thousands of messages in an Area, and you are looking for messages
|
||
that pertain to some specific piece of information, or have been posted by
|
||
one particular person.
|
||
|
||
-- more --
|
||
|
||
(Un)JOIN -
|
||
|
||
Typing JOIN on a Newsgroup that you already JOINed, serves as a toggle to
|
||
UN-JOIN it and remove it from your NEWscan.
|
||
|
||
WRITE -
|
||
|
||
Write will save the current letter or message into a file in your HOME
|
||
directory. If the file already exists, then the current message will be ap-
|
||
pended to the file.
|
||
|
||
For example: [Return] 1-42, [Q]uit: write
|
||
|
||
[Appended to file /member/messages]
|
||
|
||
Would append the current message to the end of your mailbox. You can also
|
||
specify a filename, for example: [Return] 1-42, [Q]uit: write cars.forsale
|
||
|
||
[Written to file: /member/cars.forsale]
|
||
|
||
As you may or may not have noticed, all text that pertains to your account
|
||
ends up in your HOME directory in one form or another. You can load your
|
||
-- more --
|
||
|
||
mail into editors, send it to other places, or sort it all out using the
|
||
tools provided in your HOME area. You can also MAIL files that you edit or
|
||
download from that section, or WRITE from the Forums or Newsgroups.
|
||
|
||
|
||
[Topic]:
|
||
|
||
(1:46pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: help
|
||
[;H[2J
|
||
|
||
MindVox [HELP] Section
|
||
___________________________________________________________
|
||
| |
|
||
| Help - General Information on System Commands |
|
||
|___________________________________________________________|
|
||
| |
|
||
| Archives - Detailed Information on Using the Archives |
|
||
| Chat - Explanation of the Chat System Commands |
|
||
| Forums - Complete Instructions for the Vox Forums |
|
||
| FTP - How to Use Internet File Transfer Protocol |
|
||
| Gateways - How to Send Mail to Various Networks |
|
||
| Home - Setting up Plan, Login, and other Features |
|
||
| IRC - Crash course on using Internet Relay Chat |
|
||
| Jove - Documentation on Using the Jove Editor |
|
||
| Mail - Using the MindVox mail system Capabilities |
|
||
|___________________________________________________________|
|
||
| |
|
||
| QUIT - Exit Help and Return to Previous Menu |
|
||
|___________________________________________________________|
|
||
|
||
-- more --
|
||
[Topic]: ftp
|
||
A Short Guide to Anonymous ftp
|
||
|
||
Introduction
|
||
|
||
A great deal of useful information is stored in files at computers
|
||
throughout the country and the world. Many of these file are freely
|
||
available to users of the Internet. A simple method for transferring such
|
||
files from a remote computer to a users computer is anonymous ftp.
|
||
Anonymous ftp allows a user to transfer files without having an account
|
||
at the remote computer (i.e. the user is anonymous.)
|
||
|
||
How Do I Access an Anonymous ftp site?
|
||
|
||
To access an anonymous ftp site you must know the address of the site.
|
||
For example, nic.ddn.mil, is the address of the Network Information Center
|
||
of the Dept. of Defense Network.
|
||
|
||
The procedure for accessing an anonymous ftp site follows:
|
||
|
||
==================================================================
|
||
|
||
EXAMPLE:
|
||
-- more --
|
||
1 ftp nic.ddn.mil
|
||
2 Connected to nic.ddn.mil
|
||
3 220 NIC.DDN.MIL FTP Server Process 5z(47)-6 at Tue 30-Jul-91
|
||
12:56-PDT
|
||
4 Name (nic.ddn.mil:msmith) : anonymous
|
||
5 Password (nic.ddn.mil:anonymous) :---------
|
||
6 331 ANONYMOUS user ok, send real ident as password.
|
||
7 230 User ANONYMOUS logged in at Tue 30-Jul-91 12:56-PDT, job
|
||
46.
|
||
8 ftp>
|
||
|
||
==================================================================
|
||
Figure 1
|
||
|
||
|
||
|
||
Step by Step Explanation of Figure 1
|
||
|
||
1 at the prompt, user ftps to nic.ddn.mil
|
||
2 user is connected to ftp site
|
||
3 site notes the time of user login
|
||
-- more --
|
||
|
||
4 user login as anonymous
|
||
5 user uses password of guest which does not appear on screen
|
||
6-7 system acknowledges user login and notes time
|
||
8 ftp prompt
|
||
|
||
Once you have gained access to the site, the ftp> prompt returns and
|
||
acknowledges that the system is ready to use.
|
||
|
||
Listing the Directories and Changing Directories
|
||
|
||
Once you have accessed the ftp site, to transfer a file, you may have to
|
||
change directories to the directory that your file is located in. It is a
|
||
good idea to list the contents of the directory before attempting to
|
||
transfer a file.
|
||
|
||
==================================================================
|
||
|
||
EXAMPLE:
|
||
|
||
1 230- Guest login ok, access restrictions apply.
|
||
2 Starting cwd is /pub.
|
||
3 230 Local time is: Wed Jul 31 14:18:29 1991
|
||
-- more --
|
||
|
||
4 ftp> ls
|
||
5 200 PORT command successful.
|
||
6 150 Opening ASCII mode data connection for /bin/ls.
|
||
7 README
|
||
8 nic
|
||
9 security
|
||
10 sendmail
|
||
11 stats
|
||
12 sura-ops
|
||
13 surajobs
|
||
14 suranet
|
||
15 226 Transfer complete.
|
||
16 145 bytes received in 0.65 seconds (0.22 Kbytes/s)
|
||
17 ftp> cd nic
|
||
18 250 CWD command successful.
|
||
19 ftp> ls
|
||
20 200 PORT command successful.
|
||
21 150 Opening ASCII mode data connection for /bin/ls.
|
||
22 interest.groups
|
||
23 networking.terms
|
||
24 226 Transfer complete.
|
||
25 74 bytes received in 0.11 seconds (0.66 Kbytes/s)
|
||
-- more --
|
||
|
||
26 ftp> get interest.groups
|
||
27 200 PORT command successful.
|
||
28 150 Opening ASCII mode data connection for interest.groups (721283
|
||
bytes).
|
||
29 226 Transfer complete.
|
||
30 local: interest.groups remote: interest.groups
|
||
31 738182 bytes received in 15 seconds (48 Kbytes/s)
|
||
32 ftp> quit
|
||
33 221 Goodbye.
|
||
34 %
|
||
|
||
==================================================================
|
||
Figure 2
|
||
|
||
Step by Step Explanation of Figure 2
|
||
|
||
1-3 ftp site allows user access
|
||
4 ftp prompt: user ls (lists) possible directories
|
||
5-6 system acknowledges ls command and begins sequence
|
||
7-14 listing of directories
|
||
15-16 system completes search and notes the time the search took
|
||
17 ftp prompt: user cd (changes directory) into <20>nic<69>
|
||
-- more --
|
||
|
||
18 system acknowledges change of directory
|
||
19 ftp prompt: user lists possible files under the <20>nic<69> directory
|
||
20-21 system acknowledges ls (list) command
|
||
22-23 possible files
|
||
24-25 system acknowledges search and notes time for search
|
||
26 ftp prompt: user tells system to download file
|
||
"interest.groups" to his own system
|
||
27-31 system downloads file "interests.group" and notes size and
|
||
time of file transfer
|
||
32 ftp prompt: user logs off ftp site
|
||
33 system acknowledges system signoff
|
||
34 Unix prompt
|
||
|
||
Unix Commands for Retrieving Files
|
||
|
||
Unix directories are hierarchal.
|
||
In Figure 2 some simple Unix commands were used to change directories
|
||
and list possible directories or files (i.e. move up or down the hierarchy.)
|
||
|
||
the ls command lists the contents of the active directory
|
||
|
||
the cd <directory name> command enables the user to change directories
|
||
-- more --
|
||
|
||
(move up or down the hierarchy)
|
||
|
||
the cd .. command allows the user to return to the previous directory,
|
||
using this command it is possible to return to the initial directory
|
||
|
||
*** Note - not all ftp sites are Unix capable****
|
||
|
||
|
||
Transferring a document
|
||
|
||
It is possible to view a document while you are sill in an ftp site. The
|
||
command sequence is similar to step 26 of figure 2, the difference being,
|
||
a continuation of the command sequence with, |less
|
||
For example:
|
||
|
||
To transfer document:
|
||
get <filename>
|
||
|
||
To view the document while still connected to the ftp site
|
||
get <filename> |less
|
||
|
||
It is also possible to view the document that you have transferred into
|
||
-- more --
|
||
|
||
your own system after you have left the ftp site and returned to your own
|
||
system.
|
||
In figure 2, steps 23 and 29 show the user transferring the file and then
|
||
quitting the ftp site. The transferred file is stored in the user's system
|
||
under its original title. So in figure 2, the file was transferred and stored
|
||
as, "interest.groups". The procedure is as follows.
|
||
|
||
get "filename" "new filename" <return>
|
||
|
||
The file "filename" is stored in the users system under "new filename"
|
||
|
||
To view the document transferred, use either "more" or "pg"
|
||
|
||
more "filename" allows your to scroll through the document
|
||
|
||
the pg "filename" command allows you to view the document one screen
|
||
at a time
|
||
|
||
Notes
|
||
|
||
- It is generally a good idea to list the contents of possible directories
|
||
before transferring a file via anonymous ftp. Names and locations of
|
||
-- more --
|
||
|
||
directories and files may change over time. By checking your listing of
|
||
possible directories and files, you increase your chances of successfully
|
||
transferring a file.
|
||
|
||
- Anonymous ftp site systems sometimes acknowledge user commands
|
||
with confusing responses. For example, following a change directory
|
||
command, the system may respond with a comment such as, "Default name
|
||
accepted Send password to connect to it." A user may find this response
|
||
confusing. This is yet another reason to list, the contents of directories to
|
||
determine that you have accessed the correct directory.
|
||
|
||
[Topic]: gateways
|
||
[;H[2J
|
||
MindVox [HELP: (MAIL) GATEWAYS] Reference
|
||
|
||
The MindVox system is "live" on the Internet. This means that approximately
|
||
three million (3,000,000) people all over the world, who are either on the
|
||
Internet, or Usenet, are directly accessible through the mail system.
|
||
|
||
To send to any one of these people you simply use the standard format of
|
||
someone@somewhere.com or you can use a uucp !bang path if desired or neces-
|
||
sary. This is no big trick and if you need to send Internet/Usenet mail, we
|
||
are working under the assumption that you know who you are sending to, and
|
||
how to do it.
|
||
|
||
If everything you have read so far is causing you to be confused, then you
|
||
might want to take a look in the ARCHIVES under the Cyberspace/Internet
|
||
heading and scan through a few of the excellent files that are available,
|
||
detailing the Internet and Usenet, and how to make use of them.
|
||
|
||
This help file is mainly concerned with explaining how to get mail into OTH-
|
||
ER networks that are NOT on "the net." In the past this was outright impos-
|
||
sible, but lately as the global visions of a single Matrix world-net which
|
||
encompasses all smaller subnets within its strata, begin to take form, most
|
||
-- more --
|
||
|
||
major networks have GATEWAYS sets up that let you at least communicate with
|
||
all of their members through mail.
|
||
|
||
There are certain exceptions to this rule, but generally speaking, almost
|
||
every major network on earth is becoming accessible through the
|
||
Internet/Usenet. The remainder of this article deals with the mechanics of
|
||
getting mail into -- and in some cases, out of -- these scattered systems
|
||
and their disparate protocols and methods of access.
|
||
|
||
|
||
=)> AppleLink
|
||
|
||
AppleLink is a network run by Quantum Services for the benefit of people us-
|
||
ing Apple Computers. This is slowly being folded into the parent corpora-
|
||
tions AoL service, but at present it exists as a separate entity, much
|
||
like QuantumLink for Commodore computers and PCLink for PC Compatible
|
||
machines.
|
||
|
||
To send mail into AppleLink use the format: user@applelink.apple.com
|
||
|
||
|
||
=)> ATTMail (AT&T Mail)
|
||
-- more --
|
||
AT&T operates an electronic mail service similar to MCI Mail (see below),
|
||
and its users can be reaching by using a similar format to AppleLink.
|
||
|
||
Sending mailing into ATTMAIL: user@attmail.com
|
||
|
||
|
||
=)> BITNET (Because It's Time)
|
||
|
||
For the most part Bitnet is a collection of creaking mainframe monoliths
|
||
manufactured by IBM during the stone ages, that are used to connect together
|
||
a large number of smaller college and governmental organizations. Most
|
||
traffic into and out of these systems still goes over 9600bps leased lines.
|
||
|
||
The format for sending to a person connected to Bitnet, is:
|
||
|
||
USER%SYSTEM.BITNET@cunyvm.cuny.edu
|
||
|
||
|
||
=)> BIX (Byte Information eXchange)
|
||
|
||
Bix was created for the readers of BYTE Magazine to exchange information
|
||
-- more --
|
||
|
||
with each other and maintain a running dialogue with the magazine's publish-
|
||
ers and editors. It can still be reached through the DAS Gateway.
|
||
|
||
To send mail into BIX: user@dcibix.das.net
|
||
|
||
|
||
=)> Compu$erve (Also known as CIS)
|
||
|
||
Although Compuserve is not a "real" network, it is currently the largest
|
||
commercial information provider in the world. Among other things, it offers
|
||
its clients electronic mail, and the ability to access public forums where
|
||
discussions can take place, similar to what goes on in the Usenet News-
|
||
groups.
|
||
|
||
It is fairly simple to send mail into Compuserve, the only limitation being
|
||
that you MUST know the intended party's CIS user-id. There is currently no
|
||
matching facility to look up a name and connect it with a string of numbers
|
||
that Compuserve will be able to deal with.
|
||
|
||
The format for sending to a client of Compu$serve is:
|
||
|
||
77777.10983@compuserve.com
|
||
-- more --
|
||
Basically this just consists of changing the CIS "," to a dot "." so that
|
||
Unix mailers can handle the addressing. If you want to get mail OUT OF Com-
|
||
puserve and into the Internet, you must place a ">INTERNET:" in front of the
|
||
address.
|
||
|
||
For example: >INTERNET:phantom@mindvox.phantom.com
|
||
|
||
|
||
=)> EasyNet (Digital)
|
||
|
||
Digital (not to be confused with Patrick), sells a service called EasyNet.
|
||
|
||
To send mail into EasyNet use the format: user@host.enet.dec.com
|
||
|
||
or: user%host.enet@decwrl.dec.com
|
||
|
||
|
||
=)> FidoNET
|
||
|
||
FidoNET consists of about 8,000 machines, almost all of them are PC compati-
|
||
ble and running MSDOS. It's currently the world's largest microcomputer
|
||
-- more --
|
||
|
||
network, and has evolved into a somewhat complex hierarchy arranged by
|
||
zones, regions, nets, systems and points.
|
||
|
||
An example of a FidoNET address is: Eugene Spodunk at 1:666:13.2
|
||
|
||
Wherein the "1" is the ZONE (1 = North America), 666 is the NET, 13 is the
|
||
SYSTEM (machine), and 2 is the POINT (points are "private" systems which are
|
||
hanging off someone else's machine -- it should be noted that most systems
|
||
are not POINTS).
|
||
|
||
Since the above address is syntactically equivalent to line noise as far as
|
||
Unix is concerned, you would have to translate it into a format that will
|
||
make sense to more conventional mailers.
|
||
|
||
The above address would become: Eugene.Spodunk@p2.f13.n666.z1.fidonet.org
|
||
|
||
Assuming that a POINT was not present, the "p2" would be dropped from the
|
||
mail address and it would become: Eugene.Spodunk@f13.n666.z1.fidonet.org
|
||
|
||
|
||
=)> MCIMAIL
|
||
|
||
-- more --
|
||
|
||
MCI operates a network for electronic mail called MCI Mail (you never woulda
|
||
guessed right?) Mail to their customers can be sent using the format:
|
||
|
||
2120912@mcimail.com
|
||
|
||
|
||
=)> PeaceNet
|
||
|
||
PeaceNet can be reached by writing to the address: user@igc.org
|
||
|
||
|
||
This comprises a listing of some of the networks accessible through the In-
|
||
ternet. It is by no means complete, and if you desire to make contact with
|
||
people who are connected to other nets, you should ask them to query their
|
||
system administrators about how this might be possible, while at the same
|
||
time sending us FEEDBACK and posing the same question, so that people at
|
||
both ends of the link can figure out a way of helping you connect.
|
||
|
||
If you are sure that you're doing everything right, but still experience
|
||
difficulty, then don't hesitate to leave FEEDBACK stating your problem as
|
||
explicitly as possible, so that we can help you get your messages through.
|
||
|
||
-- more --
|
||
[Topic]: home
|
||
[;H[2J
|
||
MindVox [HELP: HOME] Reference
|
||
|
||
The HOME section of MindVox is an area that contains all of your personal
|
||
files, as well as system information that pertains to your account and can
|
||
be modified by YOU. Various files exist that can change the ways in which
|
||
MindVox responds to your input, what it does with your Mail, and what infor-
|
||
mation is available about you to be exported to other Members of MindVox.
|
||
|
||
The HOME area is presently expanding as more commands are added and minor
|
||
changes are implemented in the ways that existing commands interact with
|
||
your account. The following file is complete as of 08/31/92 and likely to
|
||
change in the near future. If something just WON'T WORK no matter what you
|
||
try, leave FEEDBACK.
|
||
|
||
HOME is broken down into two main sections. Commands that allow you to
|
||
manipulate your files, and Files that have special meaning to MindVox and
|
||
change the ways in which the system responds to your account.
|
||
|
||
|
||
-=[> File Manipulation Commands <]=-
|
||
|
||
-- more --
|
||
|
||
COPY -
|
||
|
||
Copy simply creates a duplicate of a file. The format of the command is
|
||
COPY <a> <b> where <a> is the name of the file you want to make a copy of,
|
||
and <b> is the name of the new file you are creating, which will be identi-
|
||
cal to <a> except for its name.
|
||
|
||
For example: COPY mail1 mail2
|
||
|
||
DIR -
|
||
|
||
DIRectory catalogs your Home directory and lists all the files that you have
|
||
stored in your area.
|
||
|
||
DELETE -
|
||
|
||
Delete is used to remove files that you no longer want to keep around. Your
|
||
individual storage limit is 100K which is more than sufficient for most pur-
|
||
poses. The only time this limit would be exceeded is if you download many
|
||
mailing lists or files, and then keep them laying around in your directory
|
||
instead of downloading them. The DELETE command is used to get rid of files
|
||
you have downloaded to your home system or no longer need. We would appre-
|
||
-- more --
|
||
|
||
ciate you removing no-longer needed files, promptly.
|
||
|
||
EDIT -
|
||
|
||
Edit can be supplied with an arguement in the format of EDIT <filename> if
|
||
you want to make changes to an existing file, or just supply the name for
|
||
your new file before you create it, instead of being prompted for it after-
|
||
wards. Edit is used to write/change/delete text to your files. You will be
|
||
placed in whatever editor you have selected from the main STATUS menu (usu-
|
||
ally VISUAL or LINE).
|
||
|
||
RENAME -
|
||
|
||
Rename just changes the name of a file to something else. The format for
|
||
using rename is the same as the one used for COPY; RENAME <a> <b>. The
|
||
difference is that Rename does not make another copy of <a>, it simply
|
||
alters the name of <a> to <b>.
|
||
|
||
For example: RENAME file23 dead.poets
|
||
|
||
TAIL -
|
||
|
||
-- more --
|
||
|
||
This is command that is mostly used to view selected chunks of LARGE files
|
||
where you don't want to scroll through the whole thing in order to get to
|
||
the end. It's format is: TAIL <n> <filename> where <n> is the number of
|
||
lines that you want to display from the file.
|
||
|
||
For example: TAIL 50 dead.poets
|
||
|
||
Would print the last 50 lines from the file "dead.poets" to your screen.
|
||
|
||
VIEW -
|
||
|
||
View is used to view text files. The format is: VIEW <filename>.
|
||
|
||
|
||
-=[> User Configuration Files <]=-
|
||
|
||
[PLEASE NOTE: ALL FILENAMES SHOULD BE IN *LOWERCASE!*]
|
||
|
||
ALIASES -
|
||
|
||
FORWARD -
|
||
|
||
-- more --
|
||
|
||
Forward is a file that lists an address that you want to forward all of your
|
||
incoming mail to. If the file does not exist, MindVox assumes that you want
|
||
to read your mail by logging into the system and going to your mailbox.
|
||
However, in Unixland, there are many people who have more than one account,
|
||
in fact there are a lot of people who have dozens of accounts all over the
|
||
Internet and cannot keep track of all their mail if it's scattered all over
|
||
the world. The answer to this problem is the use of FORWARD files which
|
||
tell mailers to move all incoming mail into whatever mailbox the owner has
|
||
selected. The format for forward is simply the address that you want to
|
||
send mail to.
|
||
|
||
For example: dell@vox.darkside.com
|
||
|
||
Might be Thomas Dell's forward file. This means that all the mail sent to
|
||
"dell" on MindVox will in fact just pass through the MindVox mailer on its
|
||
way to the Darkside.
|
||
|
||
|
||
LOGIN -
|
||
|
||
MAILSIG -
|
||
|
||
-- more --
|
||
|
||
MailSig is a file that is appended to the end of your private correspon-
|
||
dence. It's just a signature file that is added when you are sending
|
||
letters. There is no rule regarding what can or cannot go into your mailsig
|
||
file; in general though, anything beyond 4 lines is pushing it and getting
|
||
somewhat obnoxious. See also: SIG
|
||
|
||
PLAN -
|
||
|
||
Your Plan file is printed to a person's screen when they FINGER your ac-
|
||
count. It can be left empty, or filled with whatever information you desire
|
||
to give out about yourself to the other Members of MindVox. Some people
|
||
cannot stay serious for more than a sentence or two, while others want to
|
||
use this space to let people know something about who they are and what they
|
||
do. As with most things, there are no rules regarding what you can or can-
|
||
not put into your Plan file, but we'd ask that you try not to fill it with a
|
||
lot of obscenities or control-codes that make people's terminals do strange
|
||
things. A lot of people don't deal well with this type of thing, and while
|
||
we really couldn't care less either way, if enough people complain about
|
||
you, we'll do something really harsh like ask you to change it because other
|
||
Members keep bugging us about you being naughty.
|
||
|
||
SIG -
|
||
-- more --
|
||
Sig is your SIGnature file that gets appended to the end of whatever mes-
|
||
sages you post in the Forums. It too is a file that can be filled with
|
||
whatever information you want to let the world know about you and your sig-
|
||
nature choices, but we suggest keeping it to 4 lines or less. As with most
|
||
things, do what thou wilt. See also: MAILSIG
|
||
|
||
|
||
-=[> Other Commands <]=-
|
||
HELP -
|
||
|
||
Help is sometimes helpful and sometimes a poorly-written collection of words
|
||
and sentences and paragraphs and stuff that are composed at 4am right before
|
||
the writer in question falls into a coma. How helpful help is depends on
|
||
various variables, like how confused you are to begin with; how familiar you
|
||
are with computers and networks; what your favorite color is; and how tall
|
||
you are. It is most helpful to read help files while highly intoxicated, or
|
||
in the midst of any altered state. This assures maximum assimilation of the
|
||
materials presented, and makes certain that you'll get an A on the quiz to-
|
||
morrow.
|
||
|
||
QUIT -
|
||
-- more --
|
||
Quit quits. It packs your bags and leaves HOME forever.
|
||
|
||
|
||
[Topic]: irc
|
||
[;H[2J
|
||
MindVox [HELP: IRC] Reference
|
||
|
||
The InterNet Relay Chat (IRC) is the largest computerized chat system
|
||
in the world. Since IRC is carried by InterNet, the world's largest
|
||
computer network, it reaches nearly every industrial nation on the earth.
|
||
It is not uncommon to enter a discussion spanning several continents while
|
||
on IRC.
|
||
|
||
To issue a command to IRC you must use slash ("/") as a prefix. Anything
|
||
else is treated a comment and will be sent to the other users on your
|
||
channel. Though there are over 100 commands available, there are only a
|
||
few that are necessary and important. These are described below.
|
||
|
||
/NAMES - Shows the names of each user currently logged into irc and
|
||
which channels have been created.
|
||
|
||
/NICK <nickname> - Your nickname starts out the same as your
|
||
mindvox account name but you may change it to anything you
|
||
please. Keep in mind that everyone on your channel will be
|
||
informed of the change.
|
||
|
||
-- more --
|
||
|
||
/JOIN <channel> - A Channel on IRC is like a Channel on your TV.
|
||
JOIN allows you move from channel to channel to suit your
|
||
prefence. Channels have names like "#apple", "#japan" or
|
||
"#hottub" depending on what is discussed on them. Join a
|
||
particular channel. Please note that almost all channels are
|
||
prefixed with a "#" (as in /JOIN #talk).
|
||
|
||
/WHO <channel> - List the name of everyone on a channel.
|
||
|
||
/MSG <nickname> message - Send a private message to the the person
|
||
whose nickname you specify. No one else will be able to read
|
||
the message.
|
||
|
||
For more detailed information about IRC's more advanced features you may
|
||
use the online "/HELP" Command.
|
||
|
||
|
||
[Topic]:
|
||
|
||
(1:49pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: help
|
||
[;H[2J
|
||
|
||
MindVox [HELP] Section
|
||
___________________________________________________________
|
||
| |
|
||
| Help - General Information on System Commands |
|
||
|___________________________________________________________|
|
||
| |
|
||
| Archives - Detailed Information on Using the Archives |
|
||
| Chat - Explanation of the Chat System Commands |
|
||
| Forums - Complete Instructions for the Vox Forums |
|
||
| FTP - How to Use Internet File Transfer Protocol |
|
||
| Gateways - How to Send Mail to Various Networks |
|
||
| Home - Setting up Plan, Login, and other Features |
|
||
| IRC - Crash course on using Internet Relay Chat |
|
||
| Jove - Documentation on Using the Jove Editor |
|
||
| Mail - Using the MindVox mail system Capabilities |
|
||
|___________________________________________________________|
|
||
| |
|
||
| QUIT - Exit Help and Return to Previous Menu |
|
||
|___________________________________________________________|
|
||
|
||
-- more --
|
||
[Topic]: jove
|
||
|
||
[Topic]: jove
|
||
|
||
[Topic]: Jove
|
||
|
||
[Topic]: hmmm mail
|
||
[;H[2J
|
||
MindVox [HELP: MAIL] Reference
|
||
|
||
The Mail system on MindVox allows you to communicate with almost anyone who
|
||
has access to a computer that is hooked into ANY network on earth. If you
|
||
wish to communicate with people who are NOT on the Internet, then we recom-
|
||
mend reading the MAIL GATEWAYS reference located in HELP.
|
||
|
||
The Mail package is comprised of many smaller programs that figure out what
|
||
to do with your letter depending on a variety of conditions. The most com-
|
||
mon use consists of sending a letter to another Member who is also on Mind-
|
||
Vox. In this case your letter only travels from your mailbox to the intend-
|
||
ed recipients -- it DOES NOT have to go out over the network.
|
||
|
||
Although MAIL works from many different locations within MindVox, allowing
|
||
you to do such things as FORWARD interesting messages to other users, reply
|
||
to messages that you have read in a Forum or Newsgroup, or skip the menus
|
||
and MAIL SOMEONE@SOMEWHERE.SOMETHING from most prompts, most functions take
|
||
place within the Mail area, using the commands described below.
|
||
|
||
AGAIN -
|
||
|
||
-- more --
|
||
|
||
Again allows you to re-read the letter that you have just received. It sim-
|
||
ply means: "I want to read this letter AGAIN" See also: VERBOSE
|
||
|
||
BACK -
|
||
|
||
Go BACKwards and re-read the previous message. If there is no previous mes-
|
||
sage, BACK will act as AGAIN and re-read the current message.
|
||
|
||
CLEAR -
|
||
|
||
Clears the screen (assuming you have told MindVox the proper terminal set-
|
||
tings in the STATUS section of the central menu!) It has no special func-
|
||
tion other than clearing all text from your screen in case someone walks in
|
||
and you want your private correspondence to remain private.
|
||
|
||
DELETE -
|
||
|
||
Delete is used to clear letters out of your mailbox that you have already
|
||
read, and don't want to keep around. Typing "D" will mark the current
|
||
letter for removal. If you have accidentally deleted a letter that you want
|
||
to keep, then typing "D" once more, will un-delete it! In effect Delete
|
||
toggles the deleted/un-deleted status of a letter.
|
||
-- more --
|
||
You can also specify the number of a letter you want to remove.
|
||
|
||
For example: Next/25> D 14
|
||
|
||
Would delete letter number 14 from the active mailbox.
|
||
|
||
DOWNLOAD -
|
||
|
||
Download is used to download the current letter with whatever protocol you
|
||
have selected in STATUS (X, Y, Z modem, or Kermit). Normally you would not
|
||
want to download short messages, because its not worth the hassle if you
|
||
just want to read a few paragraphs. However, many people belong to
|
||
mailing-lists or receive electronic journals or digests through the mail and
|
||
these can be quite lengthy. The download feature is implemented primarily
|
||
for this purpose (although there is nothing stopping you for using it to
|
||
download every letter that comes your way. That's up to you.)
|
||
|
||
For example: Next/25> DOWNLOAD
|
||
|
||
Would give you the status message:
|
||
|
||
-- more --
|
||
|
||
[Download #25 via Z-modem protocol?]: Y(es)
|
||
|
||
[17 blocks, 3k, with Z-modem active]
|
||
|
||
At which point you would want to put your terminal program into its receive
|
||
mode (whatever that happens to be for your specific set-up).
|
||
|
||
EXPAND -
|
||
|
||
Expands mailing lists. This command prints a listing of the names you have
|
||
contained in a particular mailing list.
|
||
|
||
For example: EXPAND 3stooges
|
||
|
||
Could give you the listing: larry curly moe
|
||
|
||
FOLLOW -
|
||
|
||
This command allows you to FOLLOW-up on a message or letter, including quot-
|
||
ed text within your reply. This can help a great deal if you need to estab-
|
||
lish context. MANY messages travel strange and arduous routes before set-
|
||
tling into a Newsgroup or mailing-list, and if you send mail to someone ask-
|
||
-- more --
|
||
|
||
ing about some message they posted last month . . . they might have no idea
|
||
what you're talking about if you don't include a piece of the message to
|
||
remind them!
|
||
|
||
For example: Next/25> FOLLOW
|
||
|
||
Although FOLLOW assumes that the intended recipient is also the author of
|
||
the message or letter, an address other than that of the original sender can
|
||
be specified. For example you may want to comment on something you have
|
||
just seen posted somewhere and send along an example of what you're talking
|
||
about.
|
||
|
||
For example: Next/25> FOLLOW eric@clapton.com Would allow you to include
|
||
quotes from letter #25 to eric, even if message #25 wasn't from eric. Mul-
|
||
tiple addresses can also be specified.
|
||
|
||
For example: Next/25> FOLLOW eric@clapton.com, tuc, dave@hamster.org Would
|
||
send mail to eric and dave at the Internet sites clapton.com and
|
||
hamster.org, respectively, and to the MindVox Member named Tuc. See also:
|
||
FORWARD, REPLY, SEND
|
||
|
||
FORWARD -
|
||
-- more --
|
||
Forward works in a way that is similar to FOLLOW but instead of allowing the
|
||
insertion of quoted text into the body of your letter, it simply sends a
|
||
verbatim copy of the message or letter to the recipient(s) you want to send
|
||
copies to. Forward the mail command has NOTHING to do with FORWARD files in
|
||
the HOME section of MindVox. See also: FOLLOW, REPLY, SEND
|
||
|
||
GO -
|
||
|
||
This command allows you to move between the various MAIL FOLDERS that you
|
||
have set up to store different types of mail. How you choose to set-up your
|
||
folders is an individual matter, although the two choices that seem to be
|
||
most prevalent are grouping mail by name or date. Whatever your personal
|
||
preferences are, GO allows you to move from folder to folder, with the de-
|
||
fault being MAILBOX, which is the "active" folder where all your MindVox
|
||
mail ends up in before you decide to move it to another folder.
|
||
|
||
For example: GO
|
||
|
||
Current folder is: mailbox
|
||
|
||
Folder Letters Bytes Last modified
|
||
-- more --
|
||
|
||
---------- --------- --------- ---------------------
|
||
MAILBOX 1442 3882384 14-Aug-92 02:02
|
||
LOVE 10 92012 11-Jun-92 14:19
|
||
SPAM 3 1402 20-Jan-92 00:09
|
||
EUGENE 19 10982 22-Aug-92 09:14
|
||
|
||
Enter folder name or RETURN to resume: love
|
||
|
||
"GO LOVE" will do the same thing, but omits the menu. Folders are automati-
|
||
cally created by using the MOVE command. See also: MOVE
|
||
|
||
HELP -
|
||
|
||
You're reading it! See also: THERAPY
|
||
|
||
LIST -
|
||
|
||
Prints the date that a letter was received, along with who sent it to you.
|
||
|
||
For example: Next/25> LIST
|
||
|
||
1 19 Aug 92 - cthulhu (Salvador Dali-Lama)
|
||
-- more --
|
||
|
||
2 19 Aug 92 - falconer (Steve Copold)
|
||
3 19 Aug 92 - system@mindvox.phantom.com (System Administrator)
|
||
4 19 Aug 92 - sbranch (Kim Clancy)
|
||
5 19 Aug 92 - hotblack (Dana Watanabe)
|
||
6 19 Aug 92 - charles (charles platt)
|
||
7 19 Aug 92 - chrmsync (Chrome Sync)
|
||
8 19 Aug 92 - siva (Stu Klingman)
|
||
9 19 Aug 92 - bwp (Jane Doe)
|
||
10 19 Aug 92 - ahawks (Andy)
|
||
11 19 Aug 92 - cudigest (Jim Thomas)
|
||
12 19 Aug 92 - terminus (Len Rose)
|
||
13 19 Aug 92 - pclip (Paper Clip)
|
||
|
||
LIST can also be used with the arguments SUBJECT and ORGANIZATION, which
|
||
causes list to print letters by their subjects, or originating organiza-
|
||
tions, depending on which one you have selected. For example: LIST SUBJECT.
|
||
List always defaults to AUTHOR. To abort a very long listing, you can use
|
||
^C (control-C).
|
||
|
||
MOVE -
|
||
|
||
The MOVE command allows you to move the current letter to another Folder.
|
||
-- more --
|
||
|
||
If the Folder you want to access does not presently exist, MindVox creates
|
||
the Folder and then moves your message.
|
||
|
||
For example: Next/19> move JULY Would move the current message into the
|
||
Folder named July. If July didn't already exist, it would now be created.
|
||
If you don't specify a Folder, then MOVE will place you in the GO menu where
|
||
you can select a Folder to MOVE to. See also: GO
|
||
|
||
NEXT -
|
||
|
||
Does the same thing as pressing [return] which is what most people do. N is
|
||
a holdover for those who are so used to Unix-style syntax that they automat-
|
||
ically hit the "n" key every time they want to move forward in a program.
|
||
|
||
QUIT -
|
||
|
||
Exit the MindVox Mail system. If you have messages marked for deletion,
|
||
they are removed at this time and no longer recoverable. If you have mail
|
||
still sitting in your mailbox that has already been read, MindVox asks you
|
||
if you wish to remove it at this time, if you do then answering "Y(es)" will
|
||
delete all the read mail from your mailbox. Hitting [return], "N(o)" or
|
||
pressing any other key, will leave your mail alone.
|
||
-- more --
|
||
REPLY -
|
||
|
||
Is used to reply to a message or letter you have read. It will retain the
|
||
Subject: line of the message you are responding to with a "Re:" placed in
|
||
front. For example: Subject: Re: Cooking with Spam & Lox? See also: FOL-
|
||
LOW, FORWARD, SEND
|
||
|
||
SEND -
|
||
|
||
Send a letter. Tells MindVox that you want to send a new letter.
|
||
|
||
For example: Next/19> send phantom@mindvox.phantom.com
|
||
|
||
Will send a letter to Phantom on the MindVox system. Since you're already
|
||
on the MindVox site if you're reading this, you can just type: send phantom
|
||
and get the same result. See also: FOLLOW, FORWARD, REPLY
|
||
|
||
VERBOSE -
|
||
|
||
Puts the mailer into verbose mode. This means it will spit out ALL header
|
||
information which you normally don't see. This is useful if you want to
|
||
-- more --
|
||
|
||
trace the paths a letter travelled to arrive in your MindVox mailbox. You
|
||
would usually only want to use this feature if you are tracking Internet or
|
||
Usenet mail. See also: AGAIN
|
||
|
||
WRITE -
|
||
|
||
Write will save the current letter or message into a file in your HOME
|
||
directory. If the file already exists, then the current letter will be ap-
|
||
pended to the file.
|
||
|
||
For example: Next/19> write
|
||
|
||
[Appended to file /member/mailbox]
|
||
|
||
Would append the current message to the end of your mailbox. You can also
|
||
specify a filename, for example: Next/19> write cars.forsale
|
||
|
||
[Written to file: /member/cars.forsale]
|
||
|
||
As you may or may not have noticed, all text that pertains to your account
|
||
ends up in your HOME directory in one form or another. You can load your
|
||
mail into editors, send it to other places, or sort it all out using the
|
||
-- more --
|
||
|
||
tools provided in your HOME area. You can also MAIL files that you edit or
|
||
download from that section, or WRITE from the Forums or Newsgroups.
|
||
|
||
If you want more information on sending mail to other networks, the GATEWAYS
|
||
file in the HELP section of MindVox will provide additional information. If
|
||
you want to become an absolute expert, we would recommend reading ZEN & THE
|
||
ART OF THE INTERNET which is available online in the ARCHIVES area:
|
||
(Cyberspace/Internet)
|
||
|
||
As always if you are having any difficulties, please use FEEDBACK or send
|
||
mail to "support" and we will provide whatever assistance you require!
|
||
|
||
|
||
mindvox.phantom.com: only 5 minute(s) left
|
||
|
||
[Topic]: ?
|
||
[;H[2J
|
||
|
||
MindVox [HELP] Section
|
||
___________________________________________________________
|
||
| |
|
||
| Help - General Information on System Commands |
|
||
|___________________________________________________________|
|
||
| |
|
||
| Archives - Detailed Information on Using the Archives |
|
||
| Chat - Explanation of the Chat System Commands |
|
||
| Forums - Complete Instructions for the Vox Forums |
|
||
| FTP - How to Use Internet File Transfer Protocol |
|
||
| Gateways - How to Send Mail to Various Networks |
|
||
| Home - Setting up Plan, Login, and other Features |
|
||
| IRC - Crash course on using Internet Relay Chat |
|
||
| Jove - Documentation on Using the Jove Editor |
|
||
| Mail - Using the MindVox mail system Capabilities |
|
||
|___________________________________________________________|
|
||
| |
|
||
| QUIT - Exit Help and Return to Previous Menu |
|
||
|___________________________________________________________|
|
||
|
||
-- more --
|
||
mindvox.phantom.com: only 5 minute(s) left
|
||
|
||
[Topic]:
|
||
|
||
mindvox.phantom.com: only 5 minute(s) left
|
||
|
||
(1:51pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: ?
|
||
[;H[2J
|
||
Subset of Commands Available to GUESTS of MindVox
|
||
____________________________________________________________
|
||
| |
|
||
| About - View Detailed Descriptions of the Vox Forums |
|
||
| Bye - End your Demonstration of the MindVox system |
|
||
| Editorial - Read the current MindVox Editorial article |
|
||
| Feedback - Leave FEEDBACK for the System Administration |
|
||
| Finger - View information on a Member - FINGER <name> |
|
||
| Home - Examine Files in your Home Directory |
|
||
| Last - List the Last <x> Callers to the System |
|
||
| Mail - Enter the MindVox Mail Subsystem / Read Mail |
|
||
| Who - Who is Online right now (Local & Network) |
|
||
| VoxList - Obtain a Complete Listing of the Vox Forums |
|
||
| |
|
||
| HELP - Detailed HELP files about MindVox Commands |
|
||
| INFO - Information about MindVox and Phantom Access |
|
||
|_____ ________________________________________________ _____|
|
||
| |
|
||
| REGISTER - Apply for Membership to MindVox |
|
||
|________________________________________________|
|
||
|
||
mindvox.phantom.com: only 5 minute(s) left
|
||
|
||
(1:51pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: mail
|
||
[;H[2J
|
||
MindVox [MAIL] Directory
|
||
|
||
Type "?" to display the MENU or select [H]elp for detailed assistance
|
||
|
||
|
||
No mail in your mailbox.
|
||
|
||
mindvox.phantom.com: only 4 minute(s) left
|
||
|
||
[Mailbox is Empty] / [Mail]: ?
|
||
[;H[2J
|
||
MindVox [MAIL] System
|
||
|
||
-=/[ Mail: Read Commands ]/=- -=/[ Mail: Creation Commands ]/=-
|
||
|
||
Again - Re-read Current Message Follow - Reply to msg, with Quotes
|
||
Back - Back up, by one Message Forward - Forward Mail to Someone
|
||
List - Get Listing of ALL msgs Load - Send mail from HOME file
|
||
Next - Read Next msg in Box Reply - Send mail to Author of msg
|
||
Verbose - Re-display with Headers Send - Send/Compose a new Message
|
||
Write - Save Message to a File Upload - Upload a message to Mail
|
||
|
||
-=/[ Miscellaneous Commands ]/=-
|
||
|
||
-=/[ Folder Commands ]/=- Clear - Clear Screen (Terminal)
|
||
Delete - Delete the Current Message
|
||
Go - Go to Different Folder Expand - Get Names in Mailing List
|
||
Move - Move Message to Folder Help - Detailed Help with Mail
|
||
Quit - Exit from Mail to MindVox
|
||
|
||
[Additional Mail Functions Are Available Through HOME from the Main Menu]
|
||
|
||
mindvox.phantom.com: only 4 minute(s) left
|
||
|
||
[Mailbox is Empty] / [Mail]:
|
||
|
||
mindvox.phantom.com: only 4 minute(s) left
|
||
|
||
(1:51pm) [ Area: Babylon / Forum: Bandwidth ] (? for Menu)
|
||
|
||
[Main Menu]: bye
|
||
|
||
<+]) Would you like to Register as a Member of MindVox?
|
||
|
||
<+]) Would you like to Register as a Member of MindVox?
|
||
NO CARRIER
|
||
|